Madhya Pradesh Bhoj (Open) University, Bhopal Result Sheet of Bsc (3Ydc) Second Year 2015
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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Changing Ideas of Freedom in the Indian Postcolonial Context
IDEALISM, ENCHANTMENT AND DISENCHANTMENT: CHANGING IDEAS OF FREEDOM IN THE INDIAN POSTCOLONIAL CONTEXT Yamini Worldwide, Colonial and Postcolonial Literature has represented processes of nation-formation and concepts of nationalism through experiments with forms of representation. Such experiments were quite predominant in the novel form, with its ability to incorporate vast spatial and temporal realities. Homi Bhabha’s Nation and Narration (2008) is a seminal volume discussing the innovations in the Twentieth Century Novel through a Postcolonial perspective and understanding these changes through the idea of National Literatures. The Cambridge Companion to Postcolonial Literary Studies (Neil Lazarus) and The Post-Colonial Studies Reader (Bill Ashcroft et al) present extensive discussions on the relationship between the politics of nation-formation and forms of fiction. In this article I offer a brief introduction to the evolution of the Hindi novel (1940s-1980s) with reference to the freedom movement and nationalist struggle in India. Benedict Anderson’s formulation regarding the significance of the genre of the novel in the process of nation-formation and Timothy Brennan’s concept of ‘The National Longing for Form’ published in Nation and Narration also establishes the novel as a genre representing, as well as creating, the Nation. Brennan writes It was the novel that historically accompanied the rise of the nations by objectifying the ‘one, yet many’ of the national life, and by mimicking the structure of the nation, a clearly bordered jumble of languages and styles… Its manner of presentation allowed people to imagine the special community that was the nation (Brennan, 2008: 49). Postcolonial theories have focussed on the relationship between realism and nationalism within the genre of the novel. -
Sahitya Akademi PUNJABI Publications
Sahitya Akademi PUNJABI Publications MONOGRAPHS (MAKERS OF INDIAN LITERATURE) Amrita Pritam (Punjabi writer) By Sutinder Singh Noor Pp. 96, Rs. 40 First Edition: 2010 ISBN 978-81-260-2757-6 Amritlal Nagar (Hindi writer) By Shrilal Shukla Translated by Narinder Bhullar Pp. 116, First Edition: 1996 ISBN 81-260-0088-0 Rs. 15 Baba Farid (Punjabi saint-poet) By Balwant Singh Anand Translated by Prem Kotia Pp. 88, Reprint: 1995 Rs. 15 Balwant Gargi (Punjabi Playright) By Rawail Singh Pp. 88, Rs. 50 First Edition: 2013 ISBN: 978-81-260-4170-1 Bankim Chandra Chatterji (Bengali novelist) By S.C. Sengupta Translated by S. Soze Pp. 80, First Edition: 1985 Rs. 15 Banabhatta (Sanskrit poet) By K. Krishnamoorthy Translated by Prem Kotia Pp. 96, First Edition: 1987 Rs. 15 Bhagwaticharan Verma (Hindi writer) By Shrilal Shukla Translated by Baldev Singh ‘Baddan’ Pp. 96, First Edition: 1992 ISBN 81-7201-379-5 Rs. 15 Bhai Kahn Singh Nabha (Punjabi scholar and lexicographer) By Paramjeet Verma Pp. 136, Rs. 50.00 First Edition: 2017 ISBN: 978-93-86771-56-8 Bhai Vir Singh (Punjabi poet) By Harbans Singh Translated by S.S. Narula Pp. 112, Rs. 15 Second Edition: 1995 Bharatendu Harishchandra (Hindi writer) By Madan Gopal Translated by Kuldeep Singh Pp. 56, Rs. 15 First Edition: 1984 Bharati (Tamil writer) By Prema Nand kumar Translated by Pravesh Sharma Pp. 103, Rs.50 First Edition: 2014 ISBN: 978-81-260-4291-3 Bhavabhuti (Sanskrit poet) By G.K. Bhat Translated by Prem Kotia Pp. 80, Rs. 15 First Edition: 1983 Chandidas (Bengali poet) By Sukumar Sen Translated by Nirupama Kaur Pp. -
India Progressive Writers Association; *7:Arxicm
DOCUMENT RESUME ED 124 936 CS 202 742 ccpp-.1a, CsIrlo. Ed. Marxist Influences and South Asaan li-oerazure.South ;:sia Series OcasioLal raper No. 23,Vol. I. Michijar East Lansing. As:,an Studies Center. PUB rAIE -74 NCIE 414. 7ESF ME-$C.8' HC-$11.37 Pius ?cstage. 22SCrIP:0:", *Asian Stud,es; 3engali; *Conference reports; ,,Fiction; Hindi; *Literary Analysis;Literary Genres; = L_tera-y Tnfluences;*Literature; Poetry; Feal,_sm; *Socialism; Urlu All India Progressive Writers Association; *7:arxicm 'ALZT:AL: Ti.'__ locument prasen-ls papers sealing *viithvarious aspects of !',arxi=it 2--= racyinfluence, and more specifically socialisr al sr, ir inlia, Pakistan, "nd Bangladesh.'Included are articles that deal with _Aich subjects a:.the All-India Progressive Associa-lion, creative writers in Urdu,Bengali poets today Inclian poetry iT and socialist realism, socialist real.Lsm anu the Inlion nov-,-1 in English, the novelistMulk raj Anand, the poet Jhaverchan'l Meyhani, aspects of the socialistrealist verse of Sandaram and mash:: }tar Yoshi, *socialistrealism and Hindi novels, socialist realism i: modern pos=y, Mohan Bakesh andsocialist realism, lashpol from tealist to hcmanisc. (72) y..1,**,,A4-1.--*****=*,,,,k**-.4-**--4.*x..******************.=%.****** acg.u.re:1 by 7..-IC include many informalunpublished :Dt ,Ivillable from othr source r.LrIC make::3-4(.--._y effort 'c obtain 1,( ,t c-;;,y ava:lable.fev,?r-rfeless, items of marginal * are oft =.ncolntered and this affects the quality * * -n- a%I rt-irodu::tior:; i:";IC makes availahl 1: not quali-y o: th< original document.reproductiour, ba, made from the original. -
Issue 5 October 2016
Issue 5 October 2016 Cover image © Saba Hasan, ‘nine book installation’, 2012 1 | Page About Us Culture matters. And it has to matter in India, with its diverse languages, dialects, regions and communities; its rich range of voices from the mainstream and the peripheries. This was the starting point for Guftugu (www.guftugu.in), a quarterly e-journal of poetry, prose, conversations, images and videos which the Indian Writers’ Forum runs as one of its programmes. The aim of the journal is to publish, with universal access online, the best works by Indian cultural practitioners in a place where they need not fear intimidation or irrational censorship, or be excluded by the profit demands of the marketplace. Such an inclusive platform sparks lively dialogue on literary and artistic issues that demand discussion and debate. The guiding spirit of the journal is that culture must have many narratives from many different voices – from the established to the marginal, from the conventional to the deeply experimental. To sum up our vision: Whatever our language, genre or medium, we will freely use our imagination to produce what we see as meaningful for our times. We insist on our freedom to speak and debate without hindrance, both to each other and to our readers and audience. Together, but in different voices, we will interpret and reinterpret the past, our common legacy of contesting narratives; and debate on the present through our creative work. Past issues of Guftugu can be downloaded as PDFs in Archives. Downloads of issues are for private reading only. All material in Guftugu is copyrighted. -
The Paintings of Ram Kumar
SWASTI RAM KUMAR SMRITI Raza Foundation 1 The Paintings of Ram Kumar Among the Indian painters today Ram Kumar is he strives after in his paintings would influence his perhaps the only one who has no imitators and no method of work. His hours are regular the fresh hours followers, for both his themes and method are simple. of the morning he spends in his studio in Karol Bagh in His themes are everyday subjects we in the cities see; Delhi. There he paints, sketches, thinks his way out of the poor, the oppressed, the destitute, the frustrated problems, always within reach and in the company of lower middle class, not necessarily or typically Indian, the finished work and the tools and implements of his but nevertheless alive and boldly stated in non- craft. This is a very necessary discipline, for the ground theatrical yet dramatic terms. of a great painting is craft, the knowledge of surfaces, textures, the limits there can be no heavenly bread he For all this there is nothing of the grotesque or the knows, too, that the spirit of man that destroys the ugly or the sentimental in his paintings. Subject matter enemy of essentially fragile in its desire for peace and and style are mutually supporting. With the minimum for love. He is content to depict the fragility of life and delineation of the human figure, he strengthens line people. He is a painter of the people, not the people of and perspective, allowing eye to see first things first, a the people of the countryside but of the city. -
Library Collection Having Serialno Title Author
Library Collection having SerialNo Title Author 1 Radhakrishnan``s Philosophy of Religion Patyaiying, Paitoon. 2 From Early Vedanta to Kashmir Shaivism Isayeva, Natalia. 3 Buddhist Sects in India Dutt, Nalinaksha. 4 Manusmriti (Mool, Kullukabhatt Tika Hindi Anubad avom Pralayankar, Praven. Vyakhya Sahit) 5 Rig-Veda-Samhita Trivedi, Ram Govind. 6 Prachen Bharatiya Samaj Arthvyavastha Avom sharm Mishra, Ramanath. (Vaidik kal se 300 Ad) 7 Aakhiri Jawab Rahi, Mahesh. 8 Bharatiya Sahitya Ke Nirmata : Prabhakar Machave Upadhyaya, Rajendra. 9 Indian Antiquities of Dissertations of Hindostan Maurice, Thomas. 10 Sarasvati Flows on : The Continuity of Indian Culture Lal, B.B. 11 Asia in the Making of Europe A Century of Advance Lach, Donald F. 12 Environmental Pollution : Conservation and Planning Nath, Pashupati. 13 Sakta Contribution to Varanasi Sharma, R. C., Printed On : 03/06/2018 1 Library Collection having SerialNo Title Author 14 Absence of the Buddha Image in Early Buddhist Art: Tanaka, Kanoko. Toward its Significance in Comparative Religion 15 Rasagangadhara Jagannatha, Panditaraja. 16 Dharmvir Bharati Granthawali Bandiwadekar, Chandrakant. 17 Muktibodh Rachanavali-6 Jain, Nemichandra. 18 Illustrated dBase IV Stultz ,Russell A. 19 Loeb Classical Library Seneca Moral Essays - II Founded By Loeb, James , 20 Loeb Classical Library Athenaeus the Deipnosophists Founded By Loeb, James , Books XIII- XIV. 653b 21 Janane Ke Bate Chattopadhyay, Deviprasad . 22 History of Indian Philosophy Dasgupta, Surendranath. 23 Rigveda-Darsana: Vishnu-Suktani Rao, S.K Ramachandra. 24 Aachhe Din Pachhe Gaye ( Memoirs) Singh, Kashinath. 25 Centre And Periphery Comparative Studies In Champion, T. C. Archaeology 26 Jagadesh Chaturvade Rachanavale Kahani Chaturvedi, Jagadesh, Printed On : 03/06/2018 2 Library Collection having SerialNo Title Author 27 Kavya Ka Vaisnav Vyaktitav Mehta, Srinaresh. -
Books for Hindi Section (Jan-2014).Pdf
CENTERAL LIBRARY MANIT, BHOPAL BOOKS PROCURED IN FINANCIAL YEAR 2013-2014 Books for HINDI Section No. of S. No. Author Title Copies 1 Krishna Baldev vaid Pariwar Akhada 3 2 Chitra Mudgal Bhoodi Kaki Tatha Anya Natak 3 Panch Parmeshwar Tatha Anya Natak 3 Chitra Mudgal 3 Hindi 4 Chitra Mudgal Sadgati : Tatha Anya Natak 3 Kanhaiya Lal 5 Aag Ke Rang 3 Nandan 6 Krishna Baldev vaid Khwab He Deewane Ka 3 7 Shastri Dharmpal Shakespeare ki Kahaniyan 3 8 Shekespear Julius Caesar 3 9 Carlo Collody Kathputla 3 10 Miguel De Cervantes Teesmaar Khan 3 11 Alexander Dumas Kala Fool 3 12 Lewis Carroll Jaadu Nagari 3 No. of S. No. Author Title Copies 13 Premchand Bhoodi Kaki 3 14 Premchand Panch Permeshewar 3 15 Premchand Shatranj K Khiladi 3 16 Premchand Do Belon ki Katha 3 17 Premchand Sabse Bada Teerth 3 18 Premchand Kutte Ki Kahaani 3 19 Premchand Shikaari Rajkumar 3 20 Premchand Meri Kahaani 3 21 Premchand Gulli Danda 3 22 Premchand Jungal Ki Kahaniyaan 3 23 Premchand Namak ka Daroga 3 24 Premchand Bade Ghar Ki Beti 3 25 Premchand Sujaan Bhagat 3 Bhagwatsharan 26 Soorajpankhi Chidiyaa 3 Upadhyaya Harivanshrai 27 Bandar Baant 3 Bacchan No. of S. No. Author Title Copies Harivanshrai 28 Janmdin Ki Bhent 3 Bacchan Harivanshrai 29 Neeli Chidiyaa 3 Bacchan 30 Amritlal Nagar Nindiya Aaja 3 31 Amritlal Nagar Akal Badi Ya Bhains 3 32 Amritlal Nagar Mahaan Vicharak 3 33 Vishnu Prabhakar Tapovan Ki Kahaniyaan 3 34 Vishnu Prabhakar Paap ka Ghada 3 35 Vishnu Prabhakar Shamadaan 3 36 Rabindranath Tagore Bhola Raja 3 37 Rabindranath Tagore Master Ji 3 38 Rabindranath Tagore Kabuliwala 3 39 Rabindranath Tagore Tote Ki Kahaani 3 40 Rabindranath Thakur Paaras Mani 3 41 Rabindranath Thakur Raja Ka Nyay 3 42 Shree Bhasker Vraksh Hamare Sacche Mitra 3 No. -
Balraj Sahni an Autobiography
Balraj Sahni an autobiography A revealing intimate and delightful story of the life of a great actor. An insight into his life and into the world of films—the glamour, the romance, the secret lives and secret deals laid bare, as never before. A highly sensitive and brutally frank inside account of the world of the film industry. The uneasy road to stardom, the torture and the glory of success and fame.. This is Balraj Sahni by Balraj Sahni, the man adored by millions. Flash-back is an accepted technique of film-making. Unless, however, the viewers have first been made sufficiently familiar with the events that happen in the ‘present’ of the film, no flash-back is going to produce the desired effect on them. I, therefore, invite you to share same of my ‘present’ before I start unfolding before you the flash-back of my screen life. Come along then, I shall take you to a make-up room in one of the studios at Chembur. True to convention and tradition, the make-up man has applied a tilak to the mirror, before getting to work on my face. He has now finished his job. I look at myself in the mirror and notice that the ‘silver’ of my hair is showing rather prominently. Oh, yes, I have not used the khizab (dye) for several weeks now! I hastily pick, a dye pencil from the table in front of me and start vigorously drawing it across my temples. There, that’s better! While I was banishing my grey hair, the dressman called at my room to deliver my military uniform and boots, polished to perfection. -
UNTOUCHABLE FREEDOM a Social History of a Dalit Community
UNTOUCHABLE FREEDOM UNTOUCHABLE FREEDOM A Social History of a Dalit Community VVVijay Prashad vi / Acknowledgements Contents Introduction of illustrations viii Chapter 1. Mehtars ix Chapter 2. Chuhras 25 Chapter 3. Sweepers 46 Chapter 4. Balmikis 65 Chapter 5. Harijans 112 Chapter 6. Citizens 135 Epilogue 166 Glossary 171 Archival Sources 173 Index 175 List of Illustrations Sweepers Outside the Town Hall 8 Entrance to Valmiki Basti 33 Gandhi in Harijan Colony (Courtesy: Nehru Memorial Museum and Library) 114 Portrait of Bhoop Singh 139 Introduction Being an Indian, I am a partisan, and I am afraid I cannot help taking a partisan view. But I have tried, and I should like you to try to consider these questions as a scientist impartially examining facts, and not as a nationalist out to prove one side of the case. Nationalism is good in its place, but it is an unreliablev friend and vanvunsafe vhistorian. (Jawaharlal Nehru, 14 December 1932).1 In the aftermath of the pogrom against the Sikhs in Delhi (1984), in which 2500 people perished in a few days, reports filled the capital of the assail- ants and their motives. It was clear from the very first that this was no disorganized ‘riot’ and that the organized violence visited upon Sikhs was engineered by the Congress (I) to avenge the assassination of Indira Gandhi. Of the assailants, we only heard rumours, that they came from the outskirts of the city, from those ‘urban villages’ inhabited by Jats and Gujjars as well as dalits (untouchables) resettled there during the Na- tional Emergency (1975–7). -
DETAILS of the Phd SCHOLARS (Under 2009 and 2017 Regulations)
ASSAM UNIVERSITY, SILCHAR DETAILS OF THE PhD SCHOLARS (Under 2009 and 2017 Regulations) Dept: Agricultural Engineering Sl. School Department Name & Address of Name of the Mode of Registration / Research Topic Tentative date Availing Funding Agency No. the PhD Scholar Supervisor & pursuing Enrolment of completion of Fellowship & of Fellowship with e-mail ID and Co-Supervisor PhD (Full Number & PhD Course Name (Yes/No) Contact No. & (if any) Time/Part Date of Adhaar No/ Time Registration / Voter Card No./ Admission Driving Licence No./Passport No. 1. Triguna Sen Agricultural Rishi Kumar, Dr. Laxmi Part Time Ph.D./2269/13 Microbial removal of heavy 2019 No - School of Engineering e-mail Narayan Sethi Dt: 26.02.13 metals from aquatic Technology ID:rishisingh131@ Dr. Sudipto environment using gmail.com, Phone Saqrkar bioreactors. No.: 9717346600 Aadhaar No.- 583732874806 2. Triguna Sen Agricultural Kamakshi Prasad Dr. Laxmi Part Time Ph.D./2362/13 Integrating water 2019 No - School of Engineering Padhy, S/o: Sri Narayan Sethi Dt: 12.09.13 harvesting and hydraulic Technology Raghunath Prasad ram fed micro-irrigation Padhy, AT/P O: system for crop planning in Medical Bank hilly terrain Colony-II, Berhampur, Distt.: Ganjam, Odisha, PIN: 760004, e- mail ID: kamakshipadhy@y ahoo.com, kppadhy77@gmail. com, Phone No.: 09438055369 3. Triguna Sen Agricultural Gajendra Prasad, Dr. Sudipto Part Time PhD/SOT/10/1 Design and development of No - School of Engineering Department of Sarkar 6 solar biomass hybrid drying Technology Agricultural Dr. Laxmi Dtd. system for fruits and Engineering, Narayan Sethi 13/04/2016 vegetables Triguna Sen School of Technology, Assam University, Silchar-788011, e-mail ID: iitkgp.gajendra@g mail.com, Phone No.: 8811083834 Adhaar No.- 848895343201, 7488218615 4. -
Hindi Language and Literature
HINDI LANGUAGE AND LITERATURE 2014 Admission FIRST DEGREE PROGRAMME IN HINDI under Choice Based Credit and Semester (CBCS) system 2014 Admission onwards 1 Scheme and Syllabi For first Degree Programme in Hindi (Faculty of Oriental Studies) General Scheme Duration : 6 semesters of 18 Weeks/90 working days Total Courses : 36 Total Credits : 120 Total Lecture Hours : 150/Week Evaluation : Continuous Evaluation (CE): 20% End Semester Evaluation (ESE) : 80% Summary of Courses in Hindi Course No. of Credits Lecture Type Courses Hours/ Week a. Hindi (For B.A./B.Sc.) Language 4 14 18 Course: Additional Language b. Hindi (For B. Com.) Language Course: 2 8 8 Additional Language c. First Degree Programme in Hindi Language and Literature Foundation Course 1 3 4 Complementary Course 8 22 24 Core Course 14 52 64 Open Course 2 4 6 Project/Dissertation 1 4 6 A. Outline of Courses B. A./B. Sc. DEGREE PROGRAMMES Course Course Type Course Title Credit Lecture Code Hours/ Week HN 1111.1 Language Course Prose And Grammar 3 4 (Common Course) Addl. Language I) HN 1211.1 Language Course- Fiction, Creative writing 3 4 Common (Addl. and Communication Skills Language II) HN 1311.1 Language Course- Drama, One Act Plays 4 5 Common (Addl. And Translation 2 Language III) HN 1411.1 Language Course- Poetry, Long Poems and 4 5 Common (Addl. Culture Language IV) B. Com. DEGREE PROGRAMME Course Course Type Course Title Credit Lecture Code Hours/ Week HN 1111.2 Language Course- Prose, Commercial Hindi 4 4 Common (Addl. And Letter Writing Language I) HN 1211.2 Language Course- Poetry, Translation, 4 4 Common (Addl.