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VOL. 01 NO. 01 APRIL 2018

MUSIC INITIATIVE

A PEER - REVIEWED JOURNAL OF MUSIC

JK

PUBLISHED,PRINTED & OWNED BY
HIGHER EDUCATION DEPARTMENT, J&K
CIVIL SECRETARIAT, JAMMU/SRINAGAR,J&K CONTACT NO.S: 01912542880,01942506062 www.jkhighereducation.nic.in

EDITOR
DR. ASGAR HASSAN SAMOON (IAS)

PRINCIPAL SECRETARY HIGHER EDUCATION
GOVT. OF JAMMU & KASHMIR

HIGHER EDUCATION,J&K

JK MUSIC INITIATIVE

A PEER - REVIEWED JOURNAL OF MUSIC

INSTRUCTION TO CONTRIBUTORS

A soft copy of the manuscript should be submitted to the Editor of the journal in Microsoft Word le format. All the manuscripts will be blindly reviewed and published after referee's comments and nally after Editor's acceptance. To avoid delay in publication process, the papers will not be sent back to the corresponding author for proof reading. It is therefore the responsibility of the authors to send good quality papers in strict compliance with the journal guidelines.

MANUSCRIPT GUIDELINES

Authors preparing submissions are asked to read and follow these guidelines strictly:

JK Music Initiative is a quarterly publication of
Higher Education Department,
Govt. of Jammu and Kashmir (JKHED). All manuscripts published herein represent the opinion of the authors and do not reect the ofcial policy of JKHED or institution with which the authors are afliated unless this is clearly specied. Individual authors

Length

Research papers should be between 3000- 6000 words long including notes, bibliography and captions to illustrations. Manuscripts must be typed in double space throughout including abstract, text, references, tables, and gures.

Format

Documents should be produced in MS Word, using a single font for text and headings, left hand justication only and no embedded formatting of capitals, spacing etc.

are responsible for the originality and genuineness of the work stated in the papers and thatwork is not partially or fully published elsewhere. The research papers published in JK Music Initiative are protected by copyright. No material in this journal may be reproduced photographically or stored in a retrieval system or transmitted inany form by any means electronic, mechanical, etc. without the prior written permission of the publisher.

Notes

Use Endnotes not footnotes.

References

Authors should use the system laid out in the Chicago Manual of Style hꢀp://www.chicagomanualof

style.org/tools_citationguide.html.

The contents of this publication are not to be quoted in the press without permission of the editor.

Papers in Journals and other Periodicals

Smith, J. 2012. “Article Title: The Subtitle.” Journal Title in Full 10 (1): 30–40. doi:xxxxxxxxxxx.

Editorial correspondence: [email protected]

Papers in Edited Books, Symposia Proceedings, etc.

Book Single Author: Smith, J. J. 2012. Book Title. Abingdon: Routledge. Reprinted Work: Maitland, F. W. (1898) 1998. Roman Canon Law in the Church of England. Reprint, Union, NJ: Lawbook Exchange. Edition: University of Chicago Press. 2012. The Chicago Manual of Style. 16th ed. Chicago: University of Chicago Press. Translated: Smith, John. 2012. Collected Style Manuals. Translated and edited by Jane Jones. Abingdon: Routledge. Thesis: Smith, John. 2008. “Title of Thesis.” PhD diss., University of Chicago.

NOT FOR SALE

Photographs and Images

Photographs or other illustrations either in color or black and white should be submitted in digital form in high resolution JPEG format.

PRINTED AND PUBLISHED BY

Dr. Asgar Hassan Samoon (IAS), Principal Secretary to Government, Higher Education Department, J&K On behalf of

PRINTED AT

Ranbir Government Press,
Ambphalla, Jammu-180001 J&K

Official Website

Higher Education Department, Govt. of Jammu and Kashmir.

Official website

JK MUSIC INITIATIVE

JK Music Initiative is a peer Reviewed Academic and Professional Journal dedicated to the promotion of research in all the aspects of World Music with special focus on the Music of Jammu & Kashmir.

EDITORIAL BOARD
Editor

Dr. Asgar Hassan Samoon (IAS)
Principal Secretary, Higher Education,
Govt. of Jammu & Kashmir
Email: [email protected]

Associate Editors

Shabir Ahmad Mir, PhD. Assistant Professor (Vocal)
Department of Higher Education, J&K
Email: [email protected]

Kuldeep Raina, PhD.
Assistant Professor (Vocal)
Department of Higher Education, J&K Email: [email protected]

Editorial board

Abhay Rustum Sopori, Santoor Maestro & Music Composer Email: [email protected]; Mob: 09811622055

Amit Verma, Assistant Professor, Tabla, Visva-Bharati University,
Shantiniketan, W.B .India;
Email: [email protected]; Mob: 09547933029, 09559629049.

Jasmeet Kaur, Assistant Professor, Vocal, Govt. Women‘s College Parade,

Jammu
Email: [email protected]; Mob: 9419797126

Muzafar Ahmad Bhat, Associate Professor, Tabla, Govt. Women‘s College MA Road

Srinagar
Email: [email protected]; Mob: 9906538916

Vol.1, No.1 April 2018-JK Music Initiative

2
Naveen Sharma, Assistant Professor, Vocal, Govt. Women‘s College
Udhampur
Email: [email protected]; Mob: 9718800141

Naveen Sharma, Assistant Professor, Sitar, Govt. Women‘s College parade,

Jammu [email protected]; Mob: 9419450854

Ranjeet Singh Katoch, Assistant Professor, Vocal, Govt. Women‘s College,

Parade Jammu
Email: [email protected]; Mob: 9968346698

Samosh Kumar, Assistant Professor, Sitar, Govt. Degree College, Udhampur Email: [email protected]; Mob: 9419867791

Sukhwant kaur, Assistant Professor, Vocal, Govt. Women‘s College, MA Road

Srinagar
Email: [email protected]; Mob: 9596510868

ADVISORY BOARD

Pt. Bhajan Sopori (Chief Advisor)

Santoor Maestro & Music Composer

. Agni Shekhar, Culture & History Writer, Jammu.

. Anupam Mahajan, Professor of Music, Faculty of Music & Fine Arts, University of Delhi.
. B. N Mishra, Dean Faculty of Music, BHU

. Mallika BanerjeeAssistant Professor, School of Performing & Visual Arts,
IGNOU, New Delhi.

. Meena Banerjee, Eminent Musicologist, Critic & Writer Kolkata.

. Madhu Shukla, Musicologist, Allahabad. . Pankaj Mala Sharma, Professor (Sitar), Punjab University Chandigarh. . Mysore Manjunath, Violin Maestro & Professor of Music, Mysore University,
Karnataka.
. Raj Kumari Magzine, Former Professor of Music, Jammu. . Rafiq Raaz, Eminent Writer and broadcaster, Kashmir.

. Rakesh Kaul, Eminent Writer, USA . Rajpal Singh, Assistant Professor (Vocal), University of Delhi.

. Ravi Sharma, Former Dean, Faculty of Performing & Visual Arts, M.D
University, Rohtak.
. Ravindra Mishra, Eminent Musicologist & Critic, Delhi . Sanjay Bandopadhyay, Sitar Maestro & Professor of Music Sikkim University. . Sadananda Sahoo, Assistant Professor, School of Interdisciplinary and Trandisciplinary Studies, IGNOU.
. Sudarshana Baruah, Assistant Professor (Vocal) Centre for Performing Arts,
Dibrugarh University, Assam.

. Saroj Ghosh, Professor (Sitar), Punjab University,Chandigarh.

. Sunaina Kaul, Former Instructor (Vocal), IMFA Jammu. . Suneera Kasliwal, Professor & Dean Music Faculty, University of Delhi . Tapasi Ghosh, Assistant Professor(Vocal)University of Calcutta . T.K. Ganjoo, Eminent Educationist – Jammu . Usha Bhagati, Former Professor Music, Jammu. . Varsha Agarwal, Associate Professor (Santoor), Govt. Girls PG college Ujjain. . Vasudha Saxeena, Associate Professor (Tabla), Rajasthan Sangeet Sansthan,
Jaipur.
. Vijay Shanker Mishra, Eminent Indian Rhythm Expert, Educationist,
Musicologist & Writer, Delhi.

Editorial Coordination

Please address all editorial correspondence to: Associate Editor JK Music Initiative E:[email protected] T: (+91) 7051-891-719

Art & Design: Naushad Gayoor, University of Kashmir

Vol.1, No.1 April 2018-JK Music Initiative

4

JK MUSIC INITIATIVE

Research Journal of JK Higher Education Department
Vol.1. Issue 1, April 2018.

Contents

07. Foreword

Abhay Rustum Sopori, Santoor Maestro & Music Composer

09. Editorial

Dr. Asgar Hassan Samoon, Editor

RESEARCH PAPERS

12. Modern Approach to Music Education: A Comprehensive Study

Gaveesh Rai

19. Mixing of western music concept in to Indian music

Sudha Sharma

26. Music Education in Kashmir: Present State and the Way Forward

Shabir Ahmad Mir

39. Santoor: origin, evolution & development

Abhay Rustum Sopori

46. Diversity in Music of Jammu and Kashmir

Kuldeep Raina

55. Evidence of Musical Instruments Depicted In Ragamala Painting

K. Tamashwor Sharma

69. Role of four main Chordophones of North Indian Classical music and their current state

Waseem Bhat

81. Gurubani Sangeet and Society

Vol.1, No.1 April 2018-JK Music Initiative

6

Jasmeet Kaur

90. Different types of folk songs prevalent in the Dugger area and their classification

Mukesh Kumar

.

Foreword

It’s my pleasure to welcome you to the inaugural issue of JK Music Initiative, a

quarterly English Peer-Reviewed Music Research Journal. This is a welcoming step by the Department of Higher Education, Govt. of J&K, which has taken special initiative to publish this research journal.

To encourage research work amongst the college and university faculty and students, the Department of Higher Education, Govt. of Jammu & Kashmir has introduced a number of journals covering various areas and subjects. JK Music Initiative, which is in fact the first ever music journal (covering all performing arts styles) being published by the J&K Government, is another jewel in its crown and one of its flagship Journals.

While the journal aims to provide an intellectual platform to the researchers, academicians and scholars of music and performing arts to present and disseminate new research findings and ideas in music& performing arts, it will also take the cultural ethos of J&K State to international level with articles and research papers from scholars and authors within the State as well as outside J&K. It will also be helpful and encouraging to young students to come forward and contribute to the journal. The Journal offers an opportunity to publish well-researched and academically rich papers on all the aspects of world music and performing arts in general and traditional music of J&K in particular. The Editorial Board of the Journal shall follow a pure peer-review process to maintain the quality of the journal.

Vol.1, No.1 April 2018-JK Music Initiative

8

I thank Ms. Mehbooba Mufti, Hon’ble Chief Minister of Jammu & Kashmir, Shri
Syed Mohammad Altaf Bukhari, Hon’ble Minister for Education, Govt. of J&K and Smt. Priya Sethi, Hon’ble Minster of State for Education & Culture, Govt. of J&K for their

support in this direction. I congratulate the Editor Dr. Asgar Hassan Samoon, IAS, Principal Secretary to the Government, Department of Higher Education, Govt. of J&K and the entire team of the journal along with all the authors whose papers have been selected for the inaugural edition of the journal.

There are thousands of journals that are printed across the world. I hope JK Music Initiative will soon be amongst the top sought after journals of the world.

Abhay Rustum Sopori

Santoor Maestro & Music Composer,
Member, Editorial Board

EDITORIAL

Department of Higher Education is tirelessly working for promotion of learning in the State of Jammu & Kashmir. In recent past, the Department has taken many pathbreaking initiatives to take the education system to newer heights. In a historically significant decision, the Department has begun promoting quality research in colleges with publication of a galaxy of research journals in sciences, social sciences, humanities, and languages started recently. The Department is constantly striving to create new avenues to benefit students and society at large. Apart from conventional subjects, the Department is keen to promote music education in all educational institutions of the State. To streamline music education, music initiative has been included as part of the Knowledge Initiative Platform .The Department has taken a pledge to revive music education from elementary level to higher education level in the State for which Chief Minister of J&K, her Advisor and Education Minister have extended full support.
Some recent revolutionary steps taken by the Department for Music promotion include the introduction of Music in thirty-five new colleges and creation of twentyFive Posts of Assistant professor Music. To modernize music education in the State, the Department has also initiated establishment and up gradation of music studios in the colleges. We are keen to promote the traditional folk and Sufiana Music of the State. A film and Television Institute is also being set up to promote employability of our graduates.
JK Music Initiative, one of the leading journals of the State Higher Education
Department is a quarterly Research Journal of Music with international dimensions. It is our endeavor to provide an intellectual platform to the teachers, scholars and students

Vol.1, No.1 April 2018-JK Music Initiative

10

of music to explore the Universe of music through intensive research, discussions and debate. As scanty scholarly reference/research work is available on music of Jammu & Kashmir; therefore, to fulfill this gap, our Department has taken this taken initiative to publish a quarterly research journal on music to provide opportunity to our professors and scholars who are inclined towards research, to project their research work on an international platform.
School Education Department shall soon introduce Music and Performing Arts as a subject at primary/middle/ high/higher Secondary school levels across the State; for this purpose, music teachers shall be provided to start with six state of art music studios (3 in Kashmir, 2 in Jammu and 1 in Ladakh) to be set up soon by the School Education Department.
We need to fast track setting up of a J&K Institute of Music and Faculty of Music to offer full time professional courses in Music and Performing Arts, Graduate courses like B.A music, PG (Integrated), M.A music and PhD through capable professors who can also offer diplomas and professional courses in sound engineering with skilled technicians to maintain our music studios.
With introduction of classical Music as a subject in 11th and 12th standards, interested students can graduate in music can have basic study as prescribed by the board and minimum qualification for graduate courses in music as per UGC norms. We need to recognize the fact that music cannot be just a substitute or the last option to be offered to students and it should be offered to those who wish to take Music as a degree course.
We may soon introduce BA music as full-time graduate course with full respect and honour like any other course" in Santoor, Vocal, Sitar, Tabla, Violin and the concerned officers should lay emphasis on initiating Music courses in institutions with established Music Faculty like Govt college for women – Maulana Azad Road, Navakadal College, Anantnag college, Baramulla, etc in Kashmir and likewise in Jammu in institutes like Parade College, MAM College, Gandhi Nagar Women's college.
We need to strengthen Music and Fine Arts Institutes of University of Kashmir and
University of Jammu. Professional Music courses such as BA Music, integrated PG, and PG music shall be introduced in Cluster / Central Universities of Kashmir and Jammu. "Sufiana Mausiqui" is being introduced in our colleges as optional subject along with

classical Music. We need to create “Tabla assistant” posts in colleges where music is

taught. Our endeavor is to promote local regional and folk music and instrumental music as add on courses in Cluster Universities.
We need to enhance quality of education in music, quality of instruments, modernization of music studios and class rooms and use ICT in years to come for better quality music. We shall be inviting visiting faculty from outside to our colleges and organize visits of students of State colleges to outside Universities very soon. I am privileged to present you first Issue of JK Music Initiative started with main objective of critically engaging with issues related to world music in general and traditional music of J&K in particular. Inaugural issue of the journal carries a broad spectrum of papers on music of Jammu, Kashmir, and Ladakh. It also carries papers on some critical issues related to music education. I wish this Journal to be amongst the topmost scholarly Journals of the world

Editor

Dr. Asgar Hassan Samoon (IAS)
22 April 2018

Vol.1, No.1 April 2018-JK Music Initiative

12

Modern Approach to Music Education: A Comprehensive Study

Gaveesh Rai

Modern Approach to Music Education: A Comprehensive Study

Gaveesh Rai

Assistant Professor Music,
Guru Nanak Dev University, Punjab.

ABSTRACT

No doubt Institutional formal Music education system is providing music education all over India but still there are some areas in which this system is lagging behind. Due to changed situations and new challenges this system also need modifications so that it can equip students with musical and general knowledge so as to make them face challenges of life. This article focuses on some areas and issues in our education system which needs modifications. This article provides some remedies how our education can be modified so as to make students earn their livelihood.

Keywords

Music Education, Approach to Music, Practical & Vocational Education

Introduction

From ancient times the teaching of Indian classical music is based on the Guru Shishya
Prampara system. Teacher, the Guru, transmit the musical knowledge to the student [1]. In this

system, dedicated students used to go to guru‘s place (Gurukul) and by full dedication, hard work

and persistence they learn from guru. Gurukul system of learning music helped a lot in preservation of proper style and purity of Classical music. This system went well till end of 19th century. [2]. Next to guru shishya prampara, is Gharana prampara. It is interesting to trace the history of the tradition of the Gharana, which came to be of such importance from the sixteenth century onwards. This was not purely an event of the mediaeval period. Right from the earliest times, there have always different schools of music in our country [3]. In the ancient times, the word used for Gharana was "Samuday". During the times old dhrupad, the word "bani" came into vogue and after the advent of Khayal, the concept of Gharana came into light. In this way the presence of different classes originated in Hindustani Music. [4] In Gharana system teaching was although similar to Gurukul prampara, but with passage of time lot of complications and shortcomings aroused in Gharana system like, jealousy, favoritism, narrow-mindedness and inaccessibility of music education to masses. Dr. Subhadra Chaudhary writes that limited

Vol.1, No.1 April 2018-JK Music Initiative

14 scope, various social and political reasons paved the way to Institutional music education system in India. [5] So in this way for making music education accessible for all, Institutional education system was developed. In this system fixed curriculum, time limit and proper theory and practical examinations were there. Although this system removed some of shortcomings of Gharana prampara but this system has its own shortcomings. Students taught in institutional system are generally seen underdeveloped. They are usually found unable to develop as good artist as well as good teacher. Hence there is a great need to do in-depth research regarding this topic and to find out a new approach which can lead to a new, overhauled system of music education which helps music students to flourish as eminent artists and musicologists.
Anything that is stagnant and not updated with the changing time is likely to be degenerated and parish. For survival and growth with the present time, music education has to be developed in such a fashion that it must cover all the requirements and needs of present day music society. Therefore the time has arrived to review the objectives of music education and techniques of

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    Durham Research Online Deposited in DRO: 05 August 2016 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Leante, Laura (2009) 'Urban Myth : bhangra and the dhol craze in the UK.', in Music in motion : diversity and dialogue in Europe. Bielefeld: Transcript Verlag, pp. 191-207. Further information on publisher's website: http://www.transcript-verlag.de/978-3-8376-1074-1/ Publisher's copyright statement: This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk (revised version – November 2008) 1 “Urban myth”: bhangra and the dhol craze in the UK Bhangra is believed to have originated in western Punjab (in today’s Pakistan) as a rural male dance performed to the rhythm of the dhol, a large double-headed barrel drum, to celebrate the spring harvest.
  • Navarathri Mandapam CHAPTER 4 Musical Aspect of Maharaja’S Compositions

    Navarathri Mandapam CHAPTER 4 Musical Aspect of Maharaja’S Compositions

    Navarathri Mandapam CHAPTER 4 Musical Aspect of Maharaja’s Compositions 4.1. Introduction “Music begins where the possibilities of language end.” - Jean Sibelius Music is just not confined only to notes and its rendition, it is a unit of melody, its combinations and beautiful body movements. Therefore it is called Samageetam (g“rV_²) and Sharangdeva has given an apt definition to the term - JrV§ dmÚ§ VWm Z¥Ë`§, Ì`§ g“rV_wÀ`Vo& Maharaja’s compositions are models of all the three faculties of music. They are sung, played on various instruments and some compositions are exclusively composed for dance performances. To understand the nuance and technical aspects of music, it is very necessary to look back at the history of both the streams of Indian Music which are prevalent. As discussed in the earlier chapters, North Indian Music, popularly known as the Hindusthani Music had a lot of transitions since the Vedic era to the Mughal or the pre- indehendence era. After the decline of the Mughal Empire, the patronage of music continued in smaller princely kingdoms like Gwalior, Jaipur, Patiala giving rise to diversity of styles that is today known as Gharanas. Meanwhile the Bhakti and Sufi traditions -------------------------------- ( 100 ) ---------------------------------- continued to develop and interact with the different schools of music. Gharana system had a peculiar tradition of one-to-one teaching which was imparted through the Guru-Shishya tradition. To a large extent, it was limited to the palace and dance halls. It was shunned by the intellectuals, avoided by the educated middle class, and in general looked down upon as a frivolous practise.
  • Reflections on Ragamala Painting Fall 2000 Honors Thesis Susan Fuchser Dianne T a Y L O T ^ N U ^ \,<U^<N Gloria Cox H

    Reflections on Ragamala Painting Fall 2000 Honors Thesis Susan Fuchser Dianne T a Y L O T ^ N U ^ \,<U^<N Gloria Cox H

    Reflections on Ragamala Painting Fall 2000 Honors Thesis Susan Fuchser Dianne TayloT^nu^ \,<u^<n Gloria Cox hjL^Ua^ CJOY- Fuchser 2 Table of Contents Introduction 3 Part I: Religious Context 4 Hinduism 4 Islam 11 Jainism and Buddhism 12 Part II: Historical Context 13 Part II: Ragamala Painting 19 Music: the raga 19 Poetry: the dhyana 24 Painting: the ragamala 25 Part IV: Asavari Ragini 41 Conclusion 45 Works Cited 46 Fuchser 3 Introduction At various times in history, artists have intertwined the art of painting with other forms of art. For example, the Chinese paintings of the Song Dynasty combined painting with the art of poetry, and some Western Baroque paintings worked with the music played in churches to aid in worship (Yee 122; Gardner 651). But the first works of art to ever merge the three art forms of music, poetry, and painting, was the Ragamala paintings of India. Ragamala painting is quite a unique form of art in that it successfully combines these three art forms. This paper will describe many facets of Ragamala painting, and describe a specific example of Ragamala painting, in what one could call an onion of art. This is because, just as an onion has layer upon layer, art too has many different layers. The layers around a work of art include the artwork itself, its uses, any symbolism in the artwork, the role of the artist, and the background or any traditions that the artwork follows. It also includes cultural and religious contexts as well as social, political, economical, and historical contexts.
  • The Ballads of the Southern Mountains and the Escape from Old Europe

    The Ballads of the Southern Mountains and the Escape from Old Europe

    B AR B ARA C HING Happily Ever After in the Marketplace: The Ballads of the Southern Mountains and the Escape from Old Europe Between 1882 and 1898, Harvard English Professor Francis J. Child published The English and Scottish Popular Ballads, a five volume col- lection of ballad lyrics that he believed to pre-date the printing press. While ballad collections had been published before, the scope and pur- ported antiquity of Child’s project captured the public imagination; within a decade, folklorists and amateur folk song collectors excitedly reported finding versions of the ballads in the Appalachians. Many enthused about the ‘purity’ of their discoveries – due to the supposed isolation of the British immigrants from the corrupting influences of modernization. When Englishman Cecil Sharp visited the mountains in search of English ballads, he described the people he encountered as “just English peasant folk [who] do not seem to me to have taken on any distinctive American traits” (cited in Whisnant 116). Even during the mid-century folk revival, Kentuckian Jean Thomas, founder of the American Folk Song Festival, wrote in the liner notes to a 1960 Folk- ways album featuring highlights from the festival that at the close of the Elizabethan era, English, Scotch, and Scotch Irish wearied of the tyranny of their kings and spurred by undaunted courage and love of inde- pendence they braved the perils of uncharted seas to seek freedom in a new world. Some tarried in the colonies but the braver, bolder, more venturesome of spirit pressed deep into the Appalachians bringing with them – hope in their hearts, song on their lips – the song their Anglo-Saxon forbears had gathered from the wander- ing minstrels of Shakespeare’s time.
  • Vocal Grade 4

    Vocal Grade 4

    VOCAL GRADE 4 Introduction Welcome to Grade 4 You are about to start the wonderful journey of learning to sing, a journey that is challenging, but rewarding and enjoyable! Whether you want to jam with a band or enjoy singing solo, this series of lessons will get you ready to perform with skill & confidence. What will you learn? Grade 4 covers the following topics : 1) Guruvandana and Saraswati vandana 2) Gharanas in Indian Classical Music 3) Pandit Vishnu Narayan Bhatkhande 4) Tanpura 5) Lakshan Geet 6) Music & Psychology 7) Raag Bhairav 8) Chartaal 9) Raag Bihag 10) Raag and Time Theory 11) Raag Kafi 12) Taal Ektaal 13) Bada Khyal 14) Guessing a Raag 15) Alankar 1 What You Need Harmonium /Synthesizer Electronic Tabla / TablaApp You can learn to sing without any of the above instruments also and by tapping your feet, however you will get a lot more out of this series if you have a basic harmonium and a digital Tabla to practice. How to Practice At Home Apart from this booklet for level 1, there will be video clippings shown to you for each topic in all the lessons. During practice at home, please follow the method shown in the clippings. Practice each lesson several times before meeting for the next lesson. A daily practice regime of a minimum of 15 minutes will suffice to start with. Practicing with the harmonium and the digital Tabla will certainly have an added advantage. DigitalTablamachinesorTablasoftware’sareeasilyavailableandideallyshould beusedfor daily practice. 2 Lesson 1 GURUVANDANA SARASWATI VANDANA & Guruvandana Importance of Guruvandana : The concept of Guru is as old as humanity itself.
  • Recreational Facilities Provided in Jails During the Year 2018

    Recreational Facilities Provided in Jails During the Year 2018

    Additional Table – 63 Recreational facilities provided in jails during the year 2018 1. Andhra Pradesh Facilities like TV, Newspapers and Indoor games like Chess, Carrom, Shuttle, Tennikoit, etc., are provided in all the prisons in the State and telephone facility is provided to the prisoners confined in Central Prisons, District Prisons and Special Sub Jails. Yoga, Meditation, Legal Aid, Art of Living and Moral Lectures by NGOs. In addition to the above, Libraries are also available in larger prisons. Sports and Games Competitions, Literary Competitions, Cultural Activities, etc. are organized on National Holidays like Republic Day, Independence Day and Mahatma Gandhi Jayanti. 2. Arunachal Pradesh TV, Carrom Board, Chess, Ludo, Volley Ball, Badminton, etc. 3. Assam Indoor Games (Carrom, Chess, Ludo, Badminton, Playing Cards), Outdoor Games (Volley Ball, Cricket), T.V., Harmonium, Tabla, Dhole, Radio, Newspaper reading, Library, etc. 4. Bihar Television, Carrom Board, Ludo, Chess, Badminton, Kushti (Wrestling), Kabaddi, Khokho, Cricket, Football, Volleyball, Gym (Fitness Centre), Gymnasium, Yoga and Meditation. 2 Telephone booths are installed in the jails. Newspaper (Hindi, English, Urdu, Hindustan, Dainik Jagran, Prabhat Khabar, Times of India), Magazines and Library facility. Computer and Electronic type writer are provided in jail. Musical instruments like Electronic Tambura, Sitar, Banjo, Mouth Organ, Flute, Harmonium, Drum Set, Flute, Guitar, Tabla, Casio, Dholak, Jhal, Kartal, Yamaha Key Pad,Triput Set, etc. Musical programme on every Sunday. In order to upgrade recreational facilities, large size HD LED TV, Movie Projector and Projection Screen were installed in the Prisoners’ Community Hall. RSETI Rural Self Employment Training Institute Elementary Education and Adult Education In order to enrich prison library, large number of books concerning various topics such as comic stories, pictorial short stories with moral values, motivational books, stories and good books on other subjects were bought during the period.
  • Trichosanthes Cucumerina ) – a Basketful of Bioactive Compounds and Health Benefits

    Trichosanthes Cucumerina ) – a Basketful of Bioactive Compounds and Health Benefits

    Available online at ISSN: 2582 – 7022 www.agrospheresmagazine.com Agrospheres:e-Newsletter, (2021) 2(8), 1-3 Article ID: 273 Snake gourd (Trichosanthes cucumerina ) – A Basketful of Bioactive Compounds and Health Benefits Poornima Singh* INTRODUCTION Trichosanthes cucumerina is a plant whose fruit is mainly Department of Bioengineering, Integral University, consumed as vegetable and is commonly known as Snake Lucknow-226026, Gourd, viper gourd, snake tomato or long tomatoes in many Uttar Pradesh, countries. It belongs to Cucurbitaceac family and is India commonly grown in Sri Lanka, India, Bangladesh, Nepal, Malaysia and Philippines. The name snake gourd is given due to its long, slender, twisted and elongated snake-like fruits. It is an annual vine climbing by means of tendrils (Mohammad Pessarakli, 2016). The soft-skinned immature fruit can reach up to 150 cm (59 in) in length. It’s soft, bland, somewhat mucilaginous flesh is similar to that of the luffa and the calabash. It is popular in the cuisines of South and Southeast Asia and is now grown in some home gardens in Africa. With some cultivars, the immature fruit has an unpleasant odor and a slightly bitter maturity, but it does contain a reddish pulp that is used in Africa as a substitute for tomatoes. The shoots, tendrils and leaves are also eaten as greens (Wayback Machine, 2013). *Corresponding Author Trichosanthes cucumerina falls under scientific classification Poornima Singh* of: E-mail: [email protected] Kingdom Plantea Division Magnoliophyta Class Mangoliopsida Order Curcubitales Family Cucurbitaceac Genus Trichosanthes Article History Species Cucumerina Received: 15. 07.2021 Revised: 24. 07.2021 Snake gourd is substituted for solanaceous tomato because of Accepted: 10.