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Music Initiative Jka Peer - Reviewed Journal of Music
VOL. 01 NO. 01 APRIL 2018 MUSIC INITIATIVE JKA PEER - REVIEWED JOURNAL OF MUSIC PUBLISHED,PRINTED & OWNED BY HIGHER EDUCATION DEPARTMENT, J&K CIVIL SECRETARIAT, JAMMU/SRINAGAR,J&K CONTACT NO.S: 01912542880,01942506062 www.jkhighereducation.nic.in EDITOR DR. ASGAR HASSAN SAMOON (IAS) PRINCIPAL SECRETARY HIGHER EDUCATION GOVT. OF JAMMU & KASHMIR YOOR HIGHER EDUCATION,J&K NOT FOR SALE COVER DESIGN: NAUSHAD H GA JK MUSIC INITIATIVE A PEER - REVIEWED JOURNAL OF MUSIC INSTRUCTION TO CONTRIBUTORS A soft copy of the manuscript should be submitted to the Editor of the journal in Microsoft Word le format. All the manuscripts will be blindly reviewed and published after referee's comments and nally after Editor's acceptance. To avoid delay in publication process, the papers will not be sent back to the corresponding author for proof reading. It is therefore the responsibility of the authors to send good quality papers in strict compliance with the journal guidelines. JK Music Initiative is a quarterly publication of MANUSCRIPT GUIDELINES Higher Education Department, Authors preparing submissions are asked to read and follow these guidelines strictly: Govt. of Jammu and Kashmir (JKHED). Length All manuscripts published herein represent Research papers should be between 3000- 6000 words long including notes, bibliography and captions to the opinion of the authors and do not reect the ofcial policy illustrations. Manuscripts must be typed in double space throughout including abstract, text, references, tables, and gures. of JKHED or institution with which the authors are afliated unless this is clearly specied. Individual authors Format are responsible for the originality and genuineness of the work Documents should be produced in MS Word, using a single font for text and headings, left hand justication only and no embedded formatting of capitals, spacing etc. -
Rabindra Bharati University
RABINDRA BHARATI UNIVERSITY 56A, B. T. ROAD, KOLKATA-700050 Guideline for submission of Video clippings of their performance for Phase-I of Admission Test i.e. Practical Test for admission to the different PG programmes under the Faculty of Fine Arts. This is for information of all concerned that the following instructions should be followed for submitting the video clippings of performance: I. Rabindra Sangeet i) Candidate has to send a simple Mobile Video recording of a Rabindra sangeet sung by him/her. ii).The recording should be sent with the tune of Manual Tanpura, Electronic Tanpura, Downloaded Mobile app Tanpura or by playing only Sa- Pa tune ( not full song) of Harmonium as per his/ her scale. iii) Those who have not any type of these Tanpura or Harmonium may sing the song in bare voice (without help of any instruments.) iv) Any type of studio recording or edited recording through microphone, mobile phone editing system will not be accepted for practical examination. v) Duration of performance should not be more than 5 minutes II. Vocal Music: 1. Dhrupad : In any one Raga and any one Tala along with different Layakari , Upege etc. 2. Kheyal : In any one Raga and in any Tala along with Vilambit and Drut tempo. 3. Kirtan :. Any one Mahajoni Padavali in Teot , Chhoto Daskoshi ,. Daspahira , Lofa etc. 4. Folk Song : Any one Traditional Folk Song in any Tala. 5. Bengali Song : Any one Najrul Geeti , Atulprasadi , Dwijendra Geeti , Rajanikant , Puratani in Jat , Addha , Tritala , Ektala , Dhamar , Teora and Jhamptala. Tanpura or Sur -Pancham and Tala Vadya ( Tabla / Pakhwaj / ShriKhol ) accompaniment is mandatory at the time of performance . -
Smt. Kala Ramnath Concert
presents in association with UC Worldfest 2009 ART at its best Internationally Renowned Hindustani Violinis Smt. Kala Ramnath accompanied by Shri Prithwiraj Bhattacharjee on Tabla Date: 25 th April, 2009 (Saturday) Venue: 4400 Aronoff (DAAP Auditorium) Time: 6 :00 pm Parking: Langsam Garage Artiste Biography Maestro KALA RAMNATH , the contemporary torch bearer of the Mewati Gharana, stands today Prithwiraj Bhattacharjee another young and amongst the most outstanding instrumental musicians in the North Indian classical genre. Born upcoming artist began his initial training under into a family of prodigious musical talent, which his guru Dhiranjan Chakraborty at the tender has given Indian music such violin legends as Prof. age of seven. In the year 1994 his life long T.N. Krishnan and Dr. N. Rajam, Kala's genius with the violin manifested itself from childhood. She ambition of learning under the tabla maestro began playing the violin at the tender age of three Ustad Alla Rakha and Ustad Zakir Hussain came under the strict tutelage of her grandfather true. Blessed with highly cultivated fingers, Vidwan. Narayan Aiyar. Simultaneously she received training from her aunt Dr. Smt. N. Rajam. absorbing all the aspects of his guru’s style For fifteen years she put herself under the training through vigorous riyaz under the ever watchful of Mewati vocal maestro, Sangeet Martand Pandit eyes of his guru have made him progress into a Jasraj. This has brought a rare vocal emotionalism to her art. Kala's violin playing is characterized by very promising upcoming tabla player. Prithwi an immaculate bowing and fingering technique, has performed in many solo concerts and command over all aspects of laya, richness and travelled extensively all over India and abroad clarity in sur. -
1 SRUTI August 2011
1 z SRUTI August 2011 south indian classical music and dance magazine Issue 1 October 1983 Welcome to the brand new pages of SRUTI. In the tradition of a sutradhara, I have the pleasant task of telling you what lies in store for you. The lead group of articles on the phenomenon of Mandolin Srinivas shows that ours is a new kind of magazine. Not only do we bring you a fact-filled report on the musical prodigy (Are of Triumph: A Prodigy at Play, p.3) but we place his advent and achievement in perspective through three related articles: What Makes or Unmakes a Prodigy (p.4): The Twain Meet Again (p.7) and A Sextet of Sensations (p.12). Rounding out this lead group is a column by guest writer K.S. Mahadevan (p. 1 1) and a critique of Srinivas as a musician which appears elsewhere (p.42). In this inaugural issue, we also offer the first in a series of in-depth profiles of personalities of the world of South Indian classical music and dance – profiles of a kind you would not have encountered in any other magazine in India. The profile of D.K. Pattammal, under the caption Trailblazing Traditionalist (p.20) will be concluded in the November issue. Along with the profile . we offer this time a critical appreciation written by Contributing Editor K.S. Muthu- raman (p.36) and also an interview with Pattammal by another singer, Sita Rajan (On Pallavi Singing, p.38). Other music-related items are critiques with the unique SRUTI angle. -
M.A-Music-Vocal-Syllabus.Pdf
BANGALORE UNIVERSITY NAAC ACCREDITED WITH ‘A’ GRADE P.G. DEPARTMENT OF PERFORMING ARTS JNANABHARATHI, BANGALORE-560056 MUSIC SYLLABUS – M.A KARNATAKA MUSIC VOCAL AND INSTRUMENTAL (VEENA, VIOLIN AND FLUTE) CBCS SYSTEM- 2014 Dr. B.M. Jayashree. Professor of Music Chairperson, BOS (PG) M.A. KARNATAKA MUSIC VOCAL AND INSTRUMENTAL (VEENA, VIOLIN AND FLUTE) Semester scheme syllabus CBCS Scheme of Examination, continuous Evaluation and other Requirements: 1. ELIGIBILITY: A Degree with music vocal/instrumental as one of the optional subject with at least 50% in the concerned optional subject an merit internal among these applicant Of A Graduate with minimum of 50% marks secured in the senior grade examination in music (vocal/instrumental) conducted by secondary education board of Karnataka OR a graduate with a minimum of 50% marks secured in PG Diploma or 2 years diploma or 4 year certificate course in vocal/instrumental music conducted either by any recognized Universities of any state out side Karnataka or central institution/Universities Any degree with: a) Any certificate course in music b) All India Radio/Doordarshan gradation c) Any diploma in music or five years of learning certificate by any veteran musician d) Entrance test (practical) is compulsory for admission. 2. M.A. MUSIC course consists of four semesters. 3. First semester will have three theory paper (core), three practical papers (core) and one practical paper (soft core). 4. Second semester will have three theory papers (core), two practical papers (core), one is project work/Dissertation practical paper and one is practical paper (soft core) 5. Third semester will have two theory papers (core), three practical papers (core) and one is open Elective Practical paper 6. -
List of Artistes Performed Under the “Monthly Baithak” and “Special Programme” Series of Pracheen Kala Kendra, Chandigarh Since 1996
List of artistes performed under the “Monthly Baithak” and “Special Programme” series of Pracheen Kala Kendra, Chandigarh since 1996. Baithak/Spl. Program & Art Form Date of Name of Artist Performance 1st Baithak Sitar Recital 1.6.1996 Ustad Shahid Parvez Kathak Dance Uma Dogra 2nd Baithak 3.8.1996 Students of the Kendra 3rd Baithak Vocal Recital 1.9.1996 Sarathi Chatterjee 4th Baithak Kathak Dance 1.9.1996 Bharati Gupta 5th Baithak Kathak Dance October 1996 Anuradha Arora 6th Baithak Vocal Recital 16.11.1996 Sumitra Guha 7th Baithak Sarod Recital 11.12.1996 Danish Aslam Khan 8th Baithak Odissi Dance 11.1.1997 Ranjana Guhar 9th Baithak Vocal Recital 11.2.1997 Subhagya Vardhan 10th Baithak Kathak Dance 11.3.1997 Geetanjali Lal 11th Baithak Odissi Dance 11.4.1997 Phalguni Sengupta 12th Baithak Violin Recital 11.5.1997 Ashghar Hussain 13th Baithak Vocal Recital 11.7.1997 Usha Parkhi 14th Baithak Vocal Recital 11.8.1997 Rattan Mohan Sharma 15th Baithak Sitar Recital 11.9.1997 Aparna Deodhar 16th Baithak Kathak Dance 11.10.1997 Anuradha Arora 17th Baithak Bhajan Sandhya 11.11.1997 Meera Gautam 18th Baithak Bharatnatyam 11.12.1997 Rani Shingal 19th Baithak Kathak Dance 11.1.1998 Anurekha Ghosh 20th Baithak Sitar Recital 11.2.1998 Manu Kumar Seen 21st Baithak Vocal Recital 11.3.1998 Mahendra Sharma 22nd Baithak Bharatnatyam 11.4.1998 A.R.Tejender 23rd Baithak Vocal Recital 11.5.1998 Suhasini Koratkar 24th Baithak Kathak Dance 11.6.1998 Gourie Verma 25th Baithak Kuchipudi Dance 11.7.1998 Meenu Thakur 26th Baithak Vocal Recital 11.8.1998 Shanti Sharma 27th Baithak Sitar Recital 11.9.1998 Harvinder Kr. -
ABOHAR POLYTECHNIC COLLEGE, ABOHAR Regd No Student Name
Institute Code ABA Institute: ABOHAR POLYTECHNIC COLLEGE, ABOHAR Regd No Student Name Amount 150975390705 JASWINDER SINGH 25 Total 25 Institute Code APA Institute: ABHISHEK POLYTECHNIC COLLEGE,DAULATPURA,ABOHAR Regd No Student Name Amount 151016220070 SUMANJEET KAUR 25 Total 25 Institute Code APF Institute: ABBNOOR POLYTECHNIC COLLEGE,FARIDKOT Regd No Student Name Amount 140075132372 ANIL KUMAR SINGH 25 150075101401 ARSHDEEP SINGH 25 150075201463 GURSIMRAN SINGH 100 150075101433 NAVDEEP SINGH 100 150075170466 SHASHIKANT GUPTA 50 150075101452 VISHAVJEET SINGH 50 Total 350 Institute Code APM Institute: ADESH POLYTECHNIC COLLEGE,MUKTSAR Regd No Student Name Amount 150046284355 BIKRAMJEET SINGH 25 140045331529 DEEPAK KUMAR 25 150046284359 JASPINDER SINGH 25 150045300733 MD NASEEM ALAM 25 140046231775 VEENA RANI 100 140045270291 VIPAN KUMAR 25 Total 225 Institute Code ASK Institute: ANAND COLLEGE OF ENGG.AND MGMT.,SULTANPUR ROAD,KAPURTHALA Regd No Student Name Amount 151475362113 AMRITPAL SINGH 125 151475390979 ATUL KUMAR MISHRA 100 151475362127 GUDDU KUMAR 25 151475362201 SUNNY 25 151475362214 VEERPAL 25 Total 300 Institute Code BBF Institute: BABA BANDA SINGH BAHADUR POLYTECHNIC COLLEGE,FATEHGARH SAHIB Regd No Student Name Amount 130826117854 KARANDEEP SINGH KATNOURIA 125 130825178048 NAVDEEP SINGH 100 150826216507 PARMARTH VERMA 425 130825317816 PAWANDEEP SINGH 25 150826216514 SUKHRAJVEER SINGH MANN 200 150825316455 TARANVIR SINGH 25 Total 900 Institute Code BBL Institute: BHUTTA POLYTECHNIC COLLEGE, BHUTTA, LUDHIANA Regd No Student Name -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
AKHIL BHARTIYA SHASTRIYA SANGEET PRATIYOGITA Being Organized by VISHVAS SANGEET SAMITI (REGD.)
AKHIL BHARTIYA SHASTRIYA SANGEET PRATIYOGITA Being Organized by VISHVAS SANGEET SAMITI (REGD.) RULES AND REGULTIONS (1.) Age: Junior- 10 to 16 Yr. Senior- 16+ to 22 Yr. Super Senior- 22+ to 28Yr. (2.) Entry Fee: Juniors-Rs.300/- Seniors-Rs.400/-. Super Seniors-Rs.500/-. (3.) Music Competition will start at 10.00 AM everyday. (4.) Last date for receipt of applications - 5.02.2020 upto 5.00 P.M. (6.) NO LATE ENTRY WILL BE ENTERTAINED. For more information please contact: Ms.Indu Garg (Mob) 9896343325 Mr.Vimal Kashyap (Mob. 9896679861) Mr Jitendra Rai (Mob. 9255192056) GENERAL RULES FOR ANNUAL MUSIC COMPETITION: The Annual Music Competition will be held from 6th February To 8th February and Grand finale will be held on the 9th February followed by the Concert and the declaration of final Awards 1) There are Five Categories for the competition namely: Vocal – Khayal Gayan Or Dhrupad Gayan Light Vocal – Thumri, ghazal bhajan Geet Gayan Instrumental (Non-Percussion – Swar Vadya) Instrumental (Percussion – Taal Vadya) – Tabla and Pakhawaj Vadan Classical Dance – Kathak 2) There are Three Age Groups namely: Juniors (From 10+ to 16 years) Seniors (From 16+ to 22 years) Super Senior (From 22+ to 28 years) 3) There are Three Prizes in each category namely: Group/Prize Juinior Senior Super Senior First 2100 3100 5100 Second 1100 2100 3100 Third 750 1100 2100 In addition, the First Prize holders of all the categories and Second prize holders of senior and super senior categories will compete again for the Final Award of Rs.11000 in each category .The Award winners will be initiated as ‘Performing Artists’ during the next year's Vishvas Sangeet Mahotsav Sangeet Sammelan. -
Sreenivasarao's Blogs HOME ABOUT THIS WORDPRESS.COM SITE IS the BEE's KNEES
sreenivasarao's blogs HOME ABOUT THIS WORDPRESS.COM SITE IS THE BEE'S KNEES ← Music of India – a brief outline – Part fifteen Music of India – a brief outline – Part Seventeen → Music of India – a brief outline – Part sixteen Continued from Part Fifteen – Lakshana Granthas– Continued Part Sixteen (of 22 ) – Lakshana Granthas – Continued Pages 8. Sangita-ratnakara by Sarangadeva About Archives January 2016 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 February 2015 January 2014 December 2013 Sarangadeva’s Sangita-ratnakara (first half of 13th century) is of particular importance, because it was written November 2013 just before influence of the Muslim conquest began to assert itself on Indian culture. The Music discussed in Sangita-ratnakara is free from Persian influence. Sangita-ratnakara therefore marks the stage at which the October 2013 ‘integrated’ Music of India was before it branched into North-South Music traditions. October 2012 It is clear that by the time of Sarangadeva, the Music of India had moved far away from Marga or Gandharva, as September 2012 also from the system based on Jatis (class of melodies) and two parent scales. By his time, many new August 2012 conventions had entered into the main stream; and the concept of Ragas that had taken firm roots was wielding considerable authority. Sarangadeva brought together various strands of the past music traditions, defined almost 267 Ragas, established a sound theoretical basis for music and provided a model for the later Categories musicology (Samgita Shastra). Abhinavagupta (3) Sarangadeva’s emphasis was on the ever changing nature of music, the expanding role of regional (Desi) Agama (6) influences on it, and the increasing complexity of musical material that needed to be systemised time and again. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
Says Biden in His Acceptance Speech
www.theindianpanorama.news # 1 Indian American Weekly: Since 2006 VOL 14 ISSUE 34 ● NEW YORK / DALLAS ● AUG 21 - 27 , 2020 ● ENQUIRIES: 646-247-9458 America 'We can and will overcome this UNITED against season of darkness', says Biden COVID-19 in his acceptance speech KEEP SAFE ● Follow CDC guidelines NEW YORK (TIP): Joe Biden ● Observe Social Distancing accepted his party's nomination for ● Wash Hands Frequently President Thursday, August 20, on the KEEP AMERICA SAFE final night of the all-virtual Democratic National Convention. Biden excoriated President Donald Trump and vowed that while he was accepting his party's nomination for COVID-19 president, he would work just as hard Worldwide for those who didn't support him. Update Page 32 "The current president has cloaked America in darkness for far too long. Too much anger, too much fear, too much division," the former vice Pandit Jasraj cremated president said. "We can and will overcome this season of darkness." with state honors But his message was more hopeful than ominous. Drawing on his faith in American potential and his own personal experience overcoming :"I accept this nomination to be the president of the United States," said the former vice tragedy, Biden said the country was president. He spoke fromthe virtual convention from Delaware, capping off a decadeslong quest contd on Page 2 to represent his party Obama's rare rebuke of Independence Day of India Trump provokes President's hackles Wife Madhura celebrated across USA Jasraj, daughter Durga Jasraj and Indian Embassy in Washington DC Celebrates India's 74th Independence Day son Shaarang Dev mourn near the mortal remains of late classical singer and The 74th Padma Vibhushan Pandit Jasraj, in Independence Day Mumbai, on Thursday, August 20, 2020 of India was Photo / courtesy PTI celebrated in Washington D.C.