From Sifu Paul Life Can Only Be Understood Backwards; but It Must Be Lived Forwards
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T'ai Chi for Seniors.Pdf
TLFeBOOK T’ai Chi for Seniors HOW TO GAIN FLEXIBILITY, STRENGTH, AND INNER PEACE By Sifu Philip Bonifonte TLFeBOOK 0 TC Title.p65 1 11/3/2003, 4:51 PM This page intentionally left blank TLFeBOOK T’ai Chi for Seniors HOW TO GAIN FLEXIBILITY, STRENGTH, AND INNER PEACE By Sifu Philip Bonifonte NEW PAGE BOOKS A division of The Career Press, Inc. Franklin Lakes, NJ TLFeBOOK 0 TC Title.p65 3 11/3/2003, 4:51 PM Copyright 2004 by Sifu Philip Bonifonte All rights reserved under the Pan-American and International Copyright Conventions. This book may not be reproduced, in whole or in part, in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system now known or hereafter invented, without written permis- sion from the publisher, The Career Press. T’AI CHI FOR SENIORS EDITED AND TYPESET BY STACEY A. FARKAS Cover design by Lu Rossman/Digi Dog Design Printed in the U.S.A. by Book-mart Press To order this title, please call toll-free 1-800-CAREER-1 (NJ and Canada: 201-848- 0310) to order using VISA or MasterCard, or for further information on books from Career Press. The Career Press, Inc., 3 Tice Road, PO Box 687, Franklin Lakes, NJ 07417 www.careerpress.com www.newpagebooks.com Library of Congress Cataloging-in-Publication Data Bonifonte, Philip, 1958- T’ai chi for seniors : how to gain flexibility, strength, and inner peace / by Philip Bonifonte. p. cm. Includes index. ISBN 1-56414-697-9 (pbk.) 1. -
Tongren August 2011
Iching-hexagram-13 7/15/09 4:20 PM TongRen A publication of the Canadian Taijiquan Federation Une publication de la Fédération Canadienne de Taijiquan August 2011 Août Volume 18 . Issue 3 Numéro file:///Users/rhubarb/Desktop/Iching-hexagram-13.webarchive Page 1 of 1 TongRen August/Août 2011 Volume 18 . Issue 3 Numéro Published by the Canadian Taijiquan Federation, P.O. Box 32055, London, Ontario, Canada N5V 5K4 www.canadiantaijiquanfederation.com Editor: Michelle McMillan, KI DESIGN, Guelph, Ontario <[email protected]> Copy Editors: Charles Dunphy, Oakville, Ontario & Bob Chessell, Barrie, Ontario TongRen provides a forum for the discussion, TongRen fournit un forum pour discuter, exprimer et expression, and experience of Taijiquan and related vivre le Taijiquan et ses domaines connextes. Articles, subjects. Articles, reports on events, biographies, reportages, activitiés, biographies, lettres, critiques de letters, book reviews, poems, illustrations, scholarly livres, poèmes, illustrations, textes savants et réflexions research, and philosophical musings are welcomed. philosophiques sont les bienvenus. Veuillez soumettre Please email submissions for consideration for tout matériel à fin de publication à la rédactrice de publication in TongRen to the editor, Michelle T o n g R e n , M i c h e l l e M c M i l l a n McMillan <[email protected]> <[email protected]> TongRen is published quarterly: February, May, TongRen est publié quatre fois par année, en février, August, November. Submissions must be received by mai, août et novembre. Toute sumission doit être reçue the first day of the preceding month to be included. avant le premier du mois qui précède la date de The Editor reserves the right to determine content of publication. -
Baduanjin Info.Pages
Yang-style Taijiquan ‘Eight-section Brocade’ 䮉ୗॡ禅೦獌ྦྷ梁 In an introduction to his 2011 book ‘Yang-style Taiji Real Power’ (Yang-shi Taiji ,author Sun Yizhao explains (ۑZhen Gong 䮉ୗॡ禅፥ Taiji Baduanjin was originally created by the Yang family as a training method for mobilizing qi and ဩ). Like other forms of baduanjin there are eightۑtraining jin (yùnqì liànjìn gōngfǎ 螀穥娞㵇 sections but the movements are not the same. It can be distinguished by it's 'forging and smelting' (duànliàn 梵簉) of the sections and joints of the body and the strengthening of the internal organs and their way of functioning. It strengthens visceral system functioning and also contains within it a great deal of attack and defence training methods (jìjī ದ䢗). The Yang-style Taijiquan Baduanjin was originally an indoor family neigong of the Yang family— a secret weapon sorts. It can be seen variously as a good solid warmup and strength and flexibility practice or as an essential piece of the Yang-style Taijiquan curriculum. Baduanjin (bāduànjǐn 獌ྦྷ梁) means ‘eight-section brocade’ and connotes the side by side placement of different weaves of fabric seen, for example, in the robes of Emperors or monks. Chinese Buddhist monk’s silk brocade robe c. 1700-1750 The term baduanjin first appears in Hong Mai’s ‘Records of the Listener’ in the Song Dynasty (1127-1279). The Emperor’s Chief Secretary Li Siju is described as living a simple life which includes getting up at night to practice deep breathing, self massage and exercises called baduanjin. Today a standard set of baduanjin is practiced and is readily found in books and on the internet. -
UNIVERSITY of CALIFORNIA Los Angeles Fairy Tales
UNIVERSITY OF CALIFORNIA Los Angeles Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Lujing Ma Eisenman 2016 © Copyright by Lujing Ma Eisenman 2016 ABSTRACT OF THE DISSERTATION Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 By Lujing Ma Eisenman Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2016 Professor Theodore D Huters, Chair This dissertation examines the emergence and development of modern Chinese martial arts fiction during the first half of the twentieth century and argues for the literary autonomy it manifested. It engages in the studies of modern Chinese literature and culture from three perspectives. First, approaching martial arts fiction as a literary subgenre, it partakes in the genre studies of martial arts fiction and through investigating major writers and their works explains how the genre was written, received, reflected, and innovated during the period in question. Second, positioning martial arts fiction as one of the most well received literary subgenre in the modern Chinese literary field, it discusses the “great divide” between “pure” and “popular” literatures and the question of how to evaluate popular literature in modern China. Through a series of textual analysis contextualized in the lineage of martial arts fiction, it offers insight into ii how the ideals of so-called “pure” and “popular” literatures were interwoven in the process of reviewing and re-creating the genre. -
Tai Chi Chuan Martial Applications: Advanced Yang Style Tai Chi Chaun Pdf
FREE TAI CHI CHUAN MARTIAL APPLICATIONS: ADVANCED YANG STYLE TAI CHI CHAUN PDF Jwing-Ming Yang | 364 pages | 05 Nov 1996 | YMAA Publication Center | 9781886969445 | English | Rochdale, United States Tai Chi Chuan Martial Applications: Advanced Yang Style by Jwing-Ming Yang The Yang family first became involved in the study of t'ai chi ch'uan taijiquan in the early 19th century. Yang became a teacher in his own right, and his subsequent expression of t'ai chi ch'uan became known as the Yang-style, and directly led to the development of other three major styles of t'ai chi ch'uan see below. Yang Luchan and some would say the art of t'ai chi ch'uan, in general came to prominence as a result of his being hired by the Chinese Imperial family to teach t'ai chi ch'uan to the elite Palace Battalion of the Imperial Guards ina position he held until his death. Yang Jianhou the third son Yang Chien-hou Jianhou — passed on the middle frame long form, sometimes called the 2nd generation Yang form or the Yang Jian hou form to his disciples who still pass on this more martial form that is when seen more reminiscent of Chen style for which it is closer to in time as well as form than the Yang Cheng fu form or 3rd generation styles. Thus, Yang Chengfu is largely responsible for standardizing and popularizing the Yang-style t'ai chi ch'uan widely practised today. Yang Chengfu developed his own shortened "large frame" version of the Yang long Form, in order to make it easier to teach to modern students who are busy with modern life. -
Tai Ji Quan: an Overview of Its History, Health Benefits, and Cultural Value
Available online at www.sciencedirect.com ScienceDirect Journal of Sport and Health Science 3 (2014) 3e8 www.jshs.org.cn Review Tai Ji Quan: An overview of its history, health benefits, and cultural value Yucheng Guo*, Pixiang Qiu, Taoguang Liu School of Martial Arts, Shanghai University of Sport, Shanghai 200438, China Received 4 March 2013; revised 2 October 2013; accepted 18 October 2013 Abstract Tai Ji Quan is considered to be a part of traditional Chinese Wushu (a martial art) and comprises various styles that have evolved historically from the Chen, Yang, Wǔ,Wu´, and Sun families (schools). Recent simplification of the original classic styles has made Tai Ji Quan easier to adopt in practice. Thus, the traditional legacy of using Tai Ji Quan for self-defense, mindful nurturing of well-being, and fitness enhancement has been expanded to more contemporary applications that focus on promoting physical and mental health, enhancing general well-being, preventing chronic diseases, and being an effective clinical intervention for diverse medical conditions. As the impact of Tai Ji Quan on physical per- formance and health continues to grow, there is a need to better understand its historical impact and current status. This paper provides an overview of the evolution of Tai Ji Quan in China, its functional utility, and the scientific evidence of its health benefits, as well as how it has been a vehicle for enhancing cultural understanding and exchanging between East and West. Copyright Ó 2014, Shanghai University of Sport. Production and hosting by Elsevier B.V. All rights reserved. Keywords: Culture; Health; Martial art; Tai Chi; Tai Ji Quan; Wushu 1. -
Introduction 1
NOTES Introduction 1. One immediately encounters a “term problem” in discussing a phenomenology of race. Terms such as “Chinese” and “white” suddenly become woefully inadequate (as if they were not so already). I try to address this problem in a straightfor- ward way: when I wish to call attention to the term problem within the context of my arguments, I place quotation marks around terms like “Chinese,” “Euro-American,” “foreigner,” “white,” et cetera. When I momentarily ask that the reader accept these categories, for example, in my discussion of Chinese history and Chinese American immigration, I refrain from using quotation marks. 2. Gongfu, commonly written in English as “kung fu,” also refers to “skill,” “work,” or “time.” The “kung fu” that has become part of American vernacular functions in English as a kind of catch-all term for Chinese martial arts, but it is more often used this way in Chinese, for example, when the conversation revolves around foreign practice of martial arts or when the term wushu is avoided. Wushu is the term for “martial arts” in Mandarin Chinese, but it has acquired a complicated associa- tion with performance-oriented martial arts that have little or nothing to do with combat training. Practitioners will usually refer to a particular art by its style name or family association. 3. The style is properly referred to as “Wu style taijiquan” (Wu shi taijiquan). When I conflate “Wu” and “Ma” family names, my purpose is to specify the lineage that has developed through the married couple of Ma Yueliang and Wu Yinghua. -
Xiong-Stil Taijiquan Beispiel Einer Umfassenden Überlieferung Des Frühen Yang-Stils Von Michael A
Xiong-Stil Taijiquan Beispiel einer umfassenden Überlieferung des frühen Yang-Stils Von Michael A. DeMarco Xiong-Stil ist ein Zweig des Taijiquan, der außerhalb von Taiwan wenig bekannt ist. Er geht auf Xiong Yanghe (1888 – 1981) zurück, bietet jedoch nach den Recherchen von Michael A. DeMarco vor allem einen Einblick in die frühe Überlieferung des Yang-Stils, die hier in umfassender Form fortgeführt wird.Der Autor fasst die soziopolitischen Bedingungen zusammen, unter denen sich das Taijiquan im 19. und der ersten Hälfte des 20. Jahrhunderts in China entwickelt hat, in einer Zeit, die geprägt war von inneren und äußeren Kriegen, Hungersnöten, politischen Unruhen, Demoralisierung – dem Niedergang des einst so mächtigen und kulturell überlegenen chinesischen Reichs. Er macht damit zwei Aspekte deutlich, die für die Entwicklung des Taijiquan ausschlaggebend wurden: die Notwendigkeit einer effektiven Selbstverteidigung und den Wunsch nach allgemeiner Selbststärkung. Taijiquan ist daher sowohl Kampfkunst als auch Gesundheitsübung. Xiong Style Taijiquan - Example of a comprehensive transmission of the early Yang style By Michael A. DeMarco Xiong style is a branch of Taijiquan that is little-known outside Taiwan. It goes back to Xiong Yanghe (1888 – 1981) but according to the research of Michael A. DeMarco it provides above all an insight into the early transmission of the Yang style, which is here continued in a comprehensive form. The author summarises the socio-political conditions under which Taijiquan developed in the 19th century and the first half of the 20th century. This was a time that was marked by civil and inter-nation wars, famines, political unrest and demoralisation – the decay of the once so powerful and culturally superior Chinese empire. -
Yang Cheng Fu – I Dieci Principi
杨澄浦太极拳说十要 La Teoria sul Taijiquan di Yang Chengfu: i dieci Principi essenziali Yang Chengfu, trascrizione di Chen Weiming Traduzione inglese dal cinese e commento di Lee Fife Traduzione italiana dall’inglese di Andrea Ilari Copyright su traduzione e commento (c) 2013 - 2017 Lee Fife. È possibile riutilizzare il contenuto a patto che sia attribuito a me (Lee Fife) e che il lavoro risultante sia a sua volta riutilizzabile. Questo lavoro è pubblicato secondo la licenza internazionale Creative Commons Attribution-ShareAlike 4.0. Per vedere una copia della licenza visitare http://creativecommons.org/licenses/by-sa/4.0/ 1 2019-08-01 Introduzione Le liste di Principi per la pratica del taijiquan sono fra i formati più comuni usati per comunicare la teoria del taijiquan. Ben Lo creò i propri cinque principi; Zheng Manqing (Cheng Manching) registrò diverse liste di punti importanti nei propri scritti, che andavano da sei a dodici e più principi; la prima scuola che ho frequentato, la scuola di Y.C. Chang nella Bay Area aveva un certo numero di liste diverse, fra le quali una con più di venti punti. Questa lista di dieci principi è attribuita a Yang Chengfu e trascritta da Chen Weiming, da istruzioni verbali di Chengfu. I dieci punti riassumono gli aspetti essenziali del taijiquan. Ogni principio consiste di una breve frase facilmente memorizzabile seguita da uno o più paragrafi di spiegazione. I dieci punti sono: 1. Xu Ling Ding Jin 2. Contieni il petto, solleva la schiena 3. Song Yao 4. Separare il vuoto e il pieno 5. Affonda le spalle, fai cadere i gomiti 6. -
Grandmaster Yang Jun on the Tai Chi Transformation
LIFE / HEALTH & FITNESS / FITNESS & EXERCISE Grandmaster Yang Jun on the Tai Chi transformation August 16, 2014 1:15 PM MST View all 18 photos Grandmaster Yang Jun (in white) demonstrated Two-person Tai Chi. Li Ping Five years ago at the first International Tai Chi (Taiji) Symposium, Grandmaster Yang Jun demonstrated his leadership by uniting all five major Tai Chi families together. At the time he was still under the tutelage of his grandfather Grandmaster Yang Zhenduo on Tai Chi chuan. Now at age 46, he is one of the youngest grandmasters in the world of Tai Chi chuan. Violet Li Born in 1968, Grandmaster Yang Un is the 6th generation descendant of the creator of Yang Style Tai Chi chuan and the future bearer of the Yang Family heritage. During the recent 2014 International Tai Chi Symposium held in Louisville, KY, Grandmaster Yang was the last keynote speaker. With confidence and pride, he agilely skipped up a few steps to the stage in his polo shirt and blue jeans. He delivered a solid speech in English without a translator. He spoke about his ancestor Grandmaster Yang Luchan studied Tai Chi from the 14th generation Chen family Grandmaster Chen Changxin. Having completed his training, Yang Luchan returned to Beijing and taught many the art of Tai Chi chuan and one of his students was Grandmaster Wu Yuxian, who later also went to study Chen Tai Chi directly from a Chen family member and created Wu/Hao Tai Chi style. The Wu style and the Sun Style were directly and indirectly influenced by the Chen Style as well as the Yang Style. -
杨澄浦太极拳说十要 Yang Chengfu's Taijiquan Theory: Ten Essential
杨澄浦太极拳说十要 Yang Chengfu’s Taijiquan Theory: Ten Essential Points Yang Chengfu, Recorded by Chen Weiming Translation and Commentary by Lee Fife Translation and commentary copyright (c) 2013 - 2017 Lee Fife. You can reuse this content as long as you attribute me and the resultant work is also reusable. This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/ . 1 Introduction Lists of important points for taijiquan practice are one of the most common formats used to convey taijiquan theory. Ben Lo created his five principles; Zheng Manqing (Cheng Manching) recorded several different lists of important points in his writings, ranging from six points to twelve and more; the first school I studied at, Y.C. Chang’s school in the Bay Area, had a number of different lists including one with over twenty points. This list of ten points is attributed to Yang Chengfu as recorded by Chen Weiming from Chengfu’s spoken instruction. The ten points summarize the essential aspects of taijiquan. Each point consists of a short mnemonic phrase followed by a paragraph or more of explanation. The ten points are: 1) Xu Ling Ding Jin 2) Contain the Chest, Raise the Back 3) Song the Yao 4) Separate Empty and Full 5) Sink Shoulder, Drop Elbow 6) Use Yi, Don’t Use Li 7) Upper and Lower Mutually Follow 8) Inner and Outer Mutually Harmonize 9) Mutually Linked Without Gaps 10) Move Center, Seek Stillness The points themselves were intended to be memorized and may well have been recited or chanted. -
Chapter I: Introduction
CHAPTER I: INTRODUCTION “Let us learn from one another! We are all students, Taiji is the teacher.” --Jou Tsung Hwa Purpose This is a report of research conducted in 1988 into Taijiquan instruction in America. Taijiquan is an art of movement that originated in China. While the external appearance and even the purpose of its practice differs from individual to individual and among various “styles,” each style tracing its history through a different lineage and having unique traditions, the art of Taijiquan is unified by certain principles. Its aim is to embody these principles through practice, until they cease to be isolated exercises and become part of a player’s way of moving through everyday life. A primary mode of practice is the regular performance of predetermined sequences of movements, called “forms.” The present study was grounded in the belief that Taijiquan might be many things to many people. The purpose of this research was to develop a descriptive characterization or profile of the state of the art in this country. To 2 this end, a questionnaire was sent to Taijiquan teachers to gather personal data, and information on their training, views, and instructional approach. Both qualitative and quantitative analyses were conducted on the data from the 216 questionnaires which were returned. It was hoped that documentation of some of the great variety of perspectives on Taijiquan might lead to a more inclusive definition of the art, and foster an attitude of mutual respect among all players, especially between those who are at variance over approaches that might seem mutually exclusive.