Grandmaster Yang Jun on the Tai Chi Transformation
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From Sifu Paul Life Can Only Be Understood Backwards; but It Must Be Lived Forwards
12/20 WudangA MONTHLY E - NEWSLETTER From Sifu Paul Life can only be understood backwards; but it must be lived forwards. —Soren Kierkegaard When we approach the end of a typical year, events of the past 12 months are examined and reflected upon as we formulate and announce our resolutions for what we hope to achieve in the year ahead. To say the year 2020 was not typical is an enormous under- statement. The January 2020 issue of Wudang featured the welcoming of three veteran members to our chose the most visible and easy-to-find park << talented team of tutors; an article on expand- near the highway. Masks were required. “To say the year 2020 ing your T’ai Chi practice; the announcement was not typical is of new classes in the Fan, Symmetry 5, and the That first practice was a bit surreal—part an enormous Inner Smile meditation. My opening greeting masquerade and part family reunion. Friends understatement.” pointed out that the Solar and Lunar New and members walked from their houses, cars, Years were in the same month this year, with and bikes and warmly greeted each other the Lunar beginning a new 12-year cycle; I while awkwardly negotiating their distance. I ended the piece stating, “May the year ahead called for everyone to warm up on their own be all that you can imagine.” I think it’s fair to for 10 minutes so as not to seem like a class say no one imagined the year that lay ahead. then do a 5-minute Qigong of their choice, followed by a group Solo Form. -
Yang Family, Yang Style楊家,楊式
Yang Family, Yang Style 楊家,楊式 by Sam Masich Frequently I am asked questions about the curriculum of Yang Style Taijiquan. What does it include? Why do some schools include material that others don’t? Why are some practices considered legitimate by some teachers but not by others? In order to understand the variances in curriculum from school to school it is first necessary to understand a few historical factors relating to the creation of this branch of Taijiquan as well as the opinions of the Yang family itself. In 1990 I had the fortune of riding with master Yang Zhenduo from Winchester, Virginia to Washington D.C. in a van filled with Tai Chi players. We were all going to the Smithsonian institute and to see the sights. It was a sunny day and everyone in the vehicle was in very good spirit after an intense, upbeat five-day workshop. The mood was relaxed and, as I was sitting close to Master Yang and his translator, I took the opportunity to ask some questions about his life in China, his impressions of America, his training and his views on Tai Chi. At some point I came to the subject of curriculum and asked him, among other things, what he thought about the 88 movement Yang Style Taijiquan San Shou (Sparring) routine. Master Yang said, "This is Yang Style Taijiquan not Yang Family Taijiquan." He went on further to explain that this was the creation of his fathers’ students and that, while it adhered well to the principles of his father’s teachings, it was not to be considered part of the Yang Family Taijiquan. -
2019 Saturday & Sunday Workshop Descriptions and Instructor Bio's
2019 Saturday & Sunday Workshop Descriptions and Instructor Bio’s Arms don't move; or do they? Frames of reference (Saturday, 5:10 to 6:20) Instruction: DAVID BRIGGS Description: Explore the body mechanics of movement within your form and practice. Improve your own practice with a better understanding of the development of Qi and power through connected movement. BIO: Dave Briggs started training Martial Arts in 1970. He started Tai Chi Chuan in 1980 under Susanna DeRosa and through her met and studied with Master JouTsung Hwa. He has dedicated his life to the motto "Seek not the masters of old .. seek what they sought." Tai Chi Warmups (Saturday, 10:20 to 11:30) Instruction: DAVID CHANDLER, Waterford, CT (www.eaglesquesttaichi.com) Description: This set of Tai Chi Warm ups, put together by David Chandler, include Qigong, Soon Ku, Indonesian Hand Dances, Circular Patterns, Swinging Motions and stretching practices culled from many different traditions of Tai Chi Chuan. These simple techniques can be done alone or prior to Form work for dynamic health benefits. Appropriate for all levels. An instructional DVD is available for purchase for home practice. Sun Style Basics (Saturday, 5:10 to 6:20) Instruction: DAVID CHANDLER, Waterford, CT (www.eaglesquesttaichi.com) Description: Sun Style Tai Chi, also known as Open Close Tai Chi, is a synthesis of Hsing-I, Bagua and Tai Chi, promoting maximum cultivation and flow of energy. Movements help the player to develop balance, flexibility and strength while amplifying internal energy awareness. This workshop will cover the basic fundamentals of Sun Style as well as the beginning movements of a Sun Form. -
T'ai Chi for Seniors.Pdf
TLFeBOOK T’ai Chi for Seniors HOW TO GAIN FLEXIBILITY, STRENGTH, AND INNER PEACE By Sifu Philip Bonifonte TLFeBOOK 0 TC Title.p65 1 11/3/2003, 4:51 PM This page intentionally left blank TLFeBOOK T’ai Chi for Seniors HOW TO GAIN FLEXIBILITY, STRENGTH, AND INNER PEACE By Sifu Philip Bonifonte NEW PAGE BOOKS A division of The Career Press, Inc. Franklin Lakes, NJ TLFeBOOK 0 TC Title.p65 3 11/3/2003, 4:51 PM Copyright 2004 by Sifu Philip Bonifonte All rights reserved under the Pan-American and International Copyright Conventions. This book may not be reproduced, in whole or in part, in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system now known or hereafter invented, without written permis- sion from the publisher, The Career Press. T’AI CHI FOR SENIORS EDITED AND TYPESET BY STACEY A. FARKAS Cover design by Lu Rossman/Digi Dog Design Printed in the U.S.A. by Book-mart Press To order this title, please call toll-free 1-800-CAREER-1 (NJ and Canada: 201-848- 0310) to order using VISA or MasterCard, or for further information on books from Career Press. The Career Press, Inc., 3 Tice Road, PO Box 687, Franklin Lakes, NJ 07417 www.careerpress.com www.newpagebooks.com Library of Congress Cataloging-in-Publication Data Bonifonte, Philip, 1958- T’ai chi for seniors : how to gain flexibility, strength, and inner peace / by Philip Bonifonte. p. cm. Includes index. ISBN 1-56414-697-9 (pbk.) 1. -
Historia TAI CHI CHUAN - Opracowanie Na Podstawie Informacji Z Internetu I Książek (M.In
pokolenie historia TAI CHI CHUAN www.chentaichi.pl - opracowanie na podstawie informacji z internetu i książek (m.in. "Chen Żywe Taijiquan w klasycznym stylu" - Jan Silberstorff) - w razie zauważonych błędów proszę o kontakt: [email protected] 1 Chen Bu (1368 - 1644) 4* STYL CHEN … … … … 9 Chen Wang Ting (1597 - 1664) 1* powstanie tai chi 10 Jiang Fa Chen Ruxin 11 Chen Dakun Chen Dufeng 12 Chen Shantong Chen Shanzi 13 Chen Bingqi Chen Bingren Cheng Bing Wang POCZĄTEK STYLU YANG 14 Chen Chang Xing - stara forma - (1771 - 1853) 2* 15 Chen Gengyun Chen Ho Hai Yang Lu Chan (1799-1872) 7* 16 Chen Yannian Chen Yan Xi (mistrz starego stylu) Yang Banhou (1837-1892) Yang Jianhou (1839-1917) 17 Chen Lianke Chen Dengke Chen Fa Ke (1887 - 1957) 3* Quan You (1834-1902) nowy styl WU Yang Shaohu Yang Chengfu (1803-1935) 8* Xu Yusheng Założyciel dzisiejszego YANG 18 Chen Zhaochi Chen Zhaotanhg Chen Zhaoxu - 5* Chen ZhaoKui (1928-1981) 19* Wu Jianquan (1870-1902) nowy styl WU Chen Zhaopi 19* Chen Zhaopu Ma Yuliang (1901-1998) Fu Zhongwen Yang Zhenduo (ur. 1925) 9* Zheng Manquing Chen Weiming Chen Zhaohai obecny spadkobierca Yang 19 Chen Yinghe Chen Xiaowang (1945) 10* Chen Xiaoxing 14* Ma Jiangbao (ur. 1941) najstarszy syn brat Chen Xiaowang Chen Bing Chen Jun Chen Yingjun 16* najstarszy syn Chen Xiaoxinga (1971-) pierwszy syn mistrza drugi syn mistrza Chen Ziqiang 15* Chen Zhenglei 13* Wang Xi'an 12* Zhu Tiancai 11* 4 smoki rodziny chen, główni spadkobiercy stylu. Większość obecnie znanych mistrzów Chen Taiji zostało wytrenowanych przez dwóch mistrzów 18 pokolenia rodziny Chen. -
I. Szybkość W Formach Taijiquan
Andrzej Kalisz Warszawa, 2019 Taijiquan (t'ai chi ch'an) jest powszechnie znane z nie- zwykle powolnego wykonania ruchów. Sztuka ta jest już na tyle popularna na całym świecie, że prawdopodobnie każdy z Czytelników się z nią zetknął i miał okazję, jeśli nie osobiście, to może za pośrednictwem telewizji widzieć ludzi w spokoj- nym skupieniu wykonujących długie ciągi powolnych, płyn- nych ruchów. Niektórzy uważają taijiquan wyłącznie za formę ćwi- czeń zdrowotnych lub tzw. "medytację w ruchu". Wielu oso- bom trudno jest czasem uwierzyć, że jest to także sztuka wal- ki. Mówią np.: "To nie może być sztuka walki, bo ćwiczy się powoli". Ci, którzy nie mają szerszego spojrzenia na różne odmiany taijiquan, gdyż mieli kontakt np. tylko ze stylem Yang, i to w dodatku wyłącznie z jego wersją uproszczoną, błędnie sądzą, że w taijiquan wszystkie ruchy muszą być wol- ne, gdyż w przeciwnym razie nie będzie to taijiquan. Jest to stwierdzenie równie sensowne, jak i takie, że pudel nie jest psem, bo nie jest tak niski i długi jak jamnik. W tym tekście chciałbym, opierając się na autentycz- nych chińskich materiałach, dawnych i współczesnych oraz naukach moich nauczycieli i mistrzów z którymi się zetkną- Fot.1. Autor podczas ćwiczeń tui-shou na łem, wyjaśnić w skrócie, w miarę moich możliwości, kilka bu- platformie z mistrzem stylu Hao taiji Zhai dzących wątpliwości kwestii. Weichuan I. Szybkość w formach Taijiquan Nikt głębiej zorientowany w kwestii zróżnicowania szkół taijiquan nie odważy się twierdzić, że w taijiquan wszystkie ruchy są wolne, ani tym bardziej, że muszą być wolne, gdyż w przeciwnym razie nie będzie to taijiquan. -
Tongren August 2011
Iching-hexagram-13 7/15/09 4:20 PM TongRen A publication of the Canadian Taijiquan Federation Une publication de la Fédération Canadienne de Taijiquan August 2011 Août Volume 18 . Issue 3 Numéro file:///Users/rhubarb/Desktop/Iching-hexagram-13.webarchive Page 1 of 1 TongRen August/Août 2011 Volume 18 . Issue 3 Numéro Published by the Canadian Taijiquan Federation, P.O. Box 32055, London, Ontario, Canada N5V 5K4 www.canadiantaijiquanfederation.com Editor: Michelle McMillan, KI DESIGN, Guelph, Ontario <[email protected]> Copy Editors: Charles Dunphy, Oakville, Ontario & Bob Chessell, Barrie, Ontario TongRen provides a forum for the discussion, TongRen fournit un forum pour discuter, exprimer et expression, and experience of Taijiquan and related vivre le Taijiquan et ses domaines connextes. Articles, subjects. Articles, reports on events, biographies, reportages, activitiés, biographies, lettres, critiques de letters, book reviews, poems, illustrations, scholarly livres, poèmes, illustrations, textes savants et réflexions research, and philosophical musings are welcomed. philosophiques sont les bienvenus. Veuillez soumettre Please email submissions for consideration for tout matériel à fin de publication à la rédactrice de publication in TongRen to the editor, Michelle T o n g R e n , M i c h e l l e M c M i l l a n McMillan <[email protected]> <[email protected]> TongRen is published quarterly: February, May, TongRen est publié quatre fois par année, en février, August, November. Submissions must be received by mai, août et novembre. Toute sumission doit être reçue the first day of the preceding month to be included. avant le premier du mois qui précède la date de The Editor reserves the right to determine content of publication. -
Baduanjin Info.Pages
Yang-style Taijiquan ‘Eight-section Brocade’ 䮉ୗॡ禅೦獌ྦྷ梁 In an introduction to his 2011 book ‘Yang-style Taiji Real Power’ (Yang-shi Taiji ,author Sun Yizhao explains (ۑZhen Gong 䮉ୗॡ禅፥ Taiji Baduanjin was originally created by the Yang family as a training method for mobilizing qi and ဩ). Like other forms of baduanjin there are eightۑtraining jin (yùnqì liànjìn gōngfǎ 螀穥娞㵇 sections but the movements are not the same. It can be distinguished by it's 'forging and smelting' (duànliàn 梵簉) of the sections and joints of the body and the strengthening of the internal organs and their way of functioning. It strengthens visceral system functioning and also contains within it a great deal of attack and defence training methods (jìjī ದ䢗). The Yang-style Taijiquan Baduanjin was originally an indoor family neigong of the Yang family— a secret weapon sorts. It can be seen variously as a good solid warmup and strength and flexibility practice or as an essential piece of the Yang-style Taijiquan curriculum. Baduanjin (bāduànjǐn 獌ྦྷ梁) means ‘eight-section brocade’ and connotes the side by side placement of different weaves of fabric seen, for example, in the robes of Emperors or monks. Chinese Buddhist monk’s silk brocade robe c. 1700-1750 The term baduanjin first appears in Hong Mai’s ‘Records of the Listener’ in the Song Dynasty (1127-1279). The Emperor’s Chief Secretary Li Siju is described as living a simple life which includes getting up at night to practice deep breathing, self massage and exercises called baduanjin. Today a standard set of baduanjin is practiced and is readily found in books and on the internet. -
UNIVERSITY of CALIFORNIA Los Angeles Fairy Tales
UNIVERSITY OF CALIFORNIA Los Angeles Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Lujing Ma Eisenman 2016 © Copyright by Lujing Ma Eisenman 2016 ABSTRACT OF THE DISSERTATION Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 By Lujing Ma Eisenman Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2016 Professor Theodore D Huters, Chair This dissertation examines the emergence and development of modern Chinese martial arts fiction during the first half of the twentieth century and argues for the literary autonomy it manifested. It engages in the studies of modern Chinese literature and culture from three perspectives. First, approaching martial arts fiction as a literary subgenre, it partakes in the genre studies of martial arts fiction and through investigating major writers and their works explains how the genre was written, received, reflected, and innovated during the period in question. Second, positioning martial arts fiction as one of the most well received literary subgenre in the modern Chinese literary field, it discusses the “great divide” between “pure” and “popular” literatures and the question of how to evaluate popular literature in modern China. Through a series of textual analysis contextualized in the lineage of martial arts fiction, it offers insight into ii how the ideals of so-called “pure” and “popular” literatures were interwoven in the process of reviewing and re-creating the genre. -
Tai Chi Chuan Martial Applications: Advanced Yang Style Tai Chi Chaun Pdf
FREE TAI CHI CHUAN MARTIAL APPLICATIONS: ADVANCED YANG STYLE TAI CHI CHAUN PDF Jwing-Ming Yang | 364 pages | 05 Nov 1996 | YMAA Publication Center | 9781886969445 | English | Rochdale, United States Tai Chi Chuan Martial Applications: Advanced Yang Style by Jwing-Ming Yang The Yang family first became involved in the study of t'ai chi ch'uan taijiquan in the early 19th century. Yang became a teacher in his own right, and his subsequent expression of t'ai chi ch'uan became known as the Yang-style, and directly led to the development of other three major styles of t'ai chi ch'uan see below. Yang Luchan and some would say the art of t'ai chi ch'uan, in general came to prominence as a result of his being hired by the Chinese Imperial family to teach t'ai chi ch'uan to the elite Palace Battalion of the Imperial Guards ina position he held until his death. Yang Jianhou the third son Yang Chien-hou Jianhou — passed on the middle frame long form, sometimes called the 2nd generation Yang form or the Yang Jian hou form to his disciples who still pass on this more martial form that is when seen more reminiscent of Chen style for which it is closer to in time as well as form than the Yang Cheng fu form or 3rd generation styles. Thus, Yang Chengfu is largely responsible for standardizing and popularizing the Yang-style t'ai chi ch'uan widely practised today. Yang Chengfu developed his own shortened "large frame" version of the Yang long Form, in order to make it easier to teach to modern students who are busy with modern life. -
Les Origines Du Taiji Quan Dans La Littérature Populaire Occidentale
ASPECTS SOCIOLOGIQUES VOL . 17 NO 1 39 Les origines du taiji quan dans la littérature populaire occidentale CONSTRUCTION D ’UNE TRADITION INVENTÉE Dominic LaRochelle Cet article cherche à mettre en évidence le processus par lequel les livres populaires sur le taiji quan publiés en Occident construisent une tradition d’arts martiaux. En effet, cette tradition se construit en puisant dans un matériel culturel déjà existant (en l’occurrence les traditions taoïstes) qu’on replace dans un contexte nouveau (la pratique des arts martiaux). Il en ressort un discours qui cherche essentiellement à montrer que le taiji quan est un art qui tire ses origines des traditions taoïstes anciennes. On peut diviser cette stratégie discursive en quatre points, à savoir quatre origines attribuées au taiji quan et qu’on retrouve dans la littérature populaire occidentale sur le taiji quan . Ces différentes origines ne s’opposent pas forcément mais se complètent très bien : une origine technique, qui fait un lien avec les pratiques d’alchimie interne et la médecine traditionnelle chinoise ; une origine philosophique, qui fait un lien avec les textes de la tradition Lao-Zhuang ; une origine mythique, qui distingue une tradition interne et une tradition externe des arts martiaux ; et une origine historique, qui comble un vide historique entre les mythes anciens et la pratique contemporaine. 40 Les origines du taiji quan dans la littérature populaire occidentale Dominic LaRochelle *** La tradition, en tant qu’« appel que le présent adresse au passé, ou l’héritage par lequel le passé se survit dans le présent » (Pépin, 1989 : 827-828), constitue essentiellement un discours qui a pour fonction d’établir un lien entre le passé et le présent et dont le but premier est de légitimer des croyances et de donner un sens à ses pratiques. -
Tai Ji Quan: an Overview of Its History, Health Benefits, and Cultural Value
Available online at www.sciencedirect.com ScienceDirect Journal of Sport and Health Science 3 (2014) 3e8 www.jshs.org.cn Review Tai Ji Quan: An overview of its history, health benefits, and cultural value Yucheng Guo*, Pixiang Qiu, Taoguang Liu School of Martial Arts, Shanghai University of Sport, Shanghai 200438, China Received 4 March 2013; revised 2 October 2013; accepted 18 October 2013 Abstract Tai Ji Quan is considered to be a part of traditional Chinese Wushu (a martial art) and comprises various styles that have evolved historically from the Chen, Yang, Wǔ,Wu´, and Sun families (schools). Recent simplification of the original classic styles has made Tai Ji Quan easier to adopt in practice. Thus, the traditional legacy of using Tai Ji Quan for self-defense, mindful nurturing of well-being, and fitness enhancement has been expanded to more contemporary applications that focus on promoting physical and mental health, enhancing general well-being, preventing chronic diseases, and being an effective clinical intervention for diverse medical conditions. As the impact of Tai Ji Quan on physical per- formance and health continues to grow, there is a need to better understand its historical impact and current status. This paper provides an overview of the evolution of Tai Ji Quan in China, its functional utility, and the scientific evidence of its health benefits, as well as how it has been a vehicle for enhancing cultural understanding and exchanging between East and West. Copyright Ó 2014, Shanghai University of Sport. Production and hosting by Elsevier B.V. All rights reserved. Keywords: Culture; Health; Martial art; Tai Chi; Tai Ji Quan; Wushu 1.