Alessandro Sauli (1534-1592) Barnabita E Vescovo
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An Annotated List of Italian Renaissance Humanists, Their Writings About Jews, and Involvement in Hebrew Studies, Ca
An annotated list of Italian Renaissance humanists, their writings about Jews, and involvement in Hebrew studies, ca. 1440-ca.1540 This list, arranged in chronological order by author’s date of birth, where known, is a preliminary guide to Italian humanists’ Latin and vernacular prose and poetic accounts of Jews and Judaic culture and history from about 1440 to 1540. In each case, I have sought to provide the author’s name and birth and death dates, a brief biography highlighting details which especially pertain to his interest in Jews, a summary of discussions about Jews, a list of relevant works and dates of composition, locations of manuscripts, and a list of secondary sources or studies of the author and his context arranged alphabetically by author’s name. Manuscripts are listed in alphabetical order by city of current location; imprints, as far as possible, by ascending date. Abbreviations: DBI Dizionario biografico degli Italiani (Rome: Istituto della enciclopedia italiana, 1960-present) Kristeller, Iter Paul Oskar Kristeller, Iter Italicum: A Finding List of Uncatalogued or Incompletely Catalogued Humanistic Manuscripts of the Renaissance in Italian and Other Libraries; Accedunt alia itinera, 6 vols (London: Warburg Institute; Leiden: E. J. Brill, 1963-1991) Simon Atumano (d. c. 1380) Born in Constantinople and became a Basilian monk in St John of Studion there. Bishop of Gerace in Calabria from 1348 until 1366, and Latin archbishop of Thebes until 1380. During his time in Thebes, which was the capital of the Catalan duchy of Athens, he studied Hebrew and in the mid- to late-1370s he began work on a polyglot Latin-Greek-Hebrew Bible dedicated to Pope Urban VI. -
A Utumn Catalogue 2016
Autumn Catalogue 2016 antiquariaat FORUM & ASHER Rare Books Autumn Catalogue 2016 ’t Goy-Houten 2016 autumn catalogue 2016 Extensive descriptions and images available on request. All offers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are EURO (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer or bankcheck. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <www.ilab.org/eng/ilab/code.html>. New customers are requested to provide references when ordering. Orders can be sent to either firm. Tuurdijk 16 Tuurdijk 16 3997 ms ‘t Goy – Houten 3997 ms ‘t Goy – Houten The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E-mail: [email protected] E-mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com front cover: no. 163 on p. 90. v 1.1 · 12 Dec 2016 p. 136: no. 230 on p. 123. inside front cover: no. 32 on p. 23. inside back cover: no. -
Reception and Symbolism in Obrecht's Missa De Sancto Johanne Baptista
Michael Alan Anderson ‘His name will be called John’: reception and symbolism in Obrecht’s Missa de Sancto Johanne Baptista Downloaded from he Missa de Sancto Johanne Baptista (hereafter, Johanne Mass. Obrecht’s selective use of elements from Tthe Sancto Johanne Mass) was long considered Busnoys’s well-known L’homme armé Mass illumi- to be an anonymous Mass for the early 16th-century nates some heretofore unnoticed symbolic struc- http://em.oxfordjournals.org/ papal chapel, owing to its lack of attribution and its tures within the Sancto Johanne Mass. These features survival in only one Vatican source (Vatican City, combine to reorientate the L’homme armé template Biblioteca Apostolica Vaticana, Ms. Cappella Sistina towards one for John the Baptist. 160 (hereafter, cs160)).1 It is well known that this If the survival in no fewer than seven manuscripts manuscript was prepared at the Alamire scrip- is any indication, Busnoys’s Missa L’homme armé torium along with two related sources (cs34 and had considerable appeal. It became the basis not only cs36) and sent to Pope Leo X, probably between 1516 for the Sancto Johanne Mass but also for Obrecht’s and 1519.2 Based on its multiple cantus firmi and on own L’homme armé Mass from the late 1480s, all at University of Rochester on January 18, 2012 other stylistic grounds, the Sancto Johanne Mass is three works sharing a common mensural scheme. now attributed to Jacob Obrecht between c.1485 and Moreover, the tenor in Obrecht’s Sancto Johanne c.1491; it has also come to light that this Mass is Mass assumes the precise rhythmic layout of that extensively modelled on Antoine Busnoys’s Missa found in Busnoys’s unfolding of the L’homme armé L’homme armé from the later 1460s. -
Storia Pittorica Della Italia Dell'abate Luigi Lanzi
STORIA PITTORICA DELLA ITALIA DELL’ABATE LUIGI LANZI ANTIQUARIO DELLA R. CORTE DI TOSCANA TOMO SECONDO PARTE SECONDA OVE SI DESCRIVONO ALTRE SCUOLE DELLA ITALIA SUPERIORE , LA BOLOGNESE , LA FERRARESE , E QUELLE DI GENOVA E DEL PIEMONTE BASSANO A SPESE REMONDINI IN VENEZIA 1795 - 1796 [1] DELLA STORIA PITTORICA DELLA ITALIA SUPERIORE LIBRO TERZO SCUOLA BOLOGNESE Abbiam osservato nel decorso di questa opera che la gloria del dipingere, non altrimenti che quella delle lettere e delle armi, è ita di luogo in luogo; e ovunque si è ferma ha perfezionata qualche parte della pittura meno intesa da' precedenti artefici o meno curata. Quando il secolo sestodecimo eclinava all'occaso non vi era oggimai in natura o genere di bellezza, o aspetto di essa, che non fosse stato da qualche professor grande vagheggiato e ritratto; talché il dipintore, voless'egli o non volesse, mentre era imitatore della natura, dovea esserlo a un tempo de' miglior maestri, e il trovar nuovi stili dovea essere un temperare in questo o in quell'altro modo gli antichi. Adunque la sola via della imitazione era aperta per distinguersi all'umano ingegno; non sembrando poter disegnar figure più maestrevolmente di un Bonarruoti o di un Vinci, o di aggraziarle meglio di Raffaello, o di colorirle più al vivo di Tiziano, o di muo[2]verle più spiritosamente che il Tintoretto, o di ornarle più riccamente che Paolo, o di presentarle all'occhio in qualunque distanza e prospetto con più arte, con più rotondità, con più incantatrice forza di quel che già facesse il Coreggio. Questa via della imitazione batteva allora ogni Scuola; ma veramente con poco metodo. -
February 7, 2021 Pastor We Would Like to Extend a Warm Welcome Fr
February 7, 2021 Pastor We would like to extend a warm welcome Fr. Jose Panthaplamthottiyil, CMI. to all of our new parishioners! Parochial Vicars Fr. Bartlomiej Lukasz Gadaj Fr. Mason Wiggins Website: http://seaspcfl.org/ Mission Chapel Church, Rectory Office, St. Stephen’s Chapel Retired Associates School & Ministry Center 2400 E. Highway 100, Bunnell, FL 32110 Fr. John McElroy 4600 Belle Terre Pkwy. Palm Coast, FL 32164 Church Hours Fr. Mel Hemann Phone: (386) 445-2246 • Fax: (386) 445-7808 7:00 a.m. – 4:00 p.m. Monday – Friday Fr. George Sankoorikal School: (386) 445-2411 Rectory Office & Ministry Center Fr. Fred Parke (Pastor Emeritus) Emergency Phone: (386) 283-3420 9:00 a.m. to 4:00 p.m. Monday – Friday Fr. James May (Pastor Emeritus) (after hours ONLY) Holidays Pastoral Ministry Masses Deacon Perlito (Tom) Alayu Monday - Friday Deacon Bob Devereux 7 am and 8:30 am Deacon Jose Homem Saturday 8:30 am Deacon Ed Wolff and 4 pm Vigil Sunday 8, & 10 am and 12 noon. Business Manager ONLY IF NEEDED Elizabeth Foran there will be a Mass in Seton Hall for the over- Office Assistant flow. Mass times (if Mrs. Elaine Leonard needed) will start 15 minutes past the hour of the regular Mass time in Bookkeeper church. Leanne Rossi Spanish Mass Receptionist “Your Gift Today is Our Treasure Sunday 5 pm. Carmen Cruz-Pritchard Portuguese Mass: for Tomorrow” First and third Saturdays Maintenance To ensure the at 6 pm Jose Valverde January 31 protection Offertory Currently Mass at School Principal of those $15,856.00 St. -
Program Notes. Baroque Sounds of the Season. Camerata Milwaukee. Saint Joseph Center, Milwaukee, WI. December 2, 2018
Andrews University Digital Commons @ Andrews University Faculty Publications 12-2-2018 Program Notes. Baroque Sounds of the Season. Camerata Milwaukee. Saint Joseph Center, Milwaukee, WI. December 2, 2018. Marianne Kordas Andrews University, [email protected] Follow this and additional works at: https://digitalcommons.andrews.edu/pubs Part of the Musicology Commons Recommended Citation Kordas, Marianne, "Program Notes. Baroque Sounds of the Season. Camerata Milwaukee. Saint Joseph Center, Milwaukee, WI. December 2, 2018." (2018). Faculty Publications. 1506. https://digitalcommons.andrews.edu/pubs/1506 This Other is brought to you for free and open access by Digital Commons @ Andrews University. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Program notes for Camerata Milwaukee for Dec 2, 2018 Our Advent-tide program this year includes several solo vocal cantatas, works by two Ursuline nuns, three Italian Christmas concertos, and various other baroque delights. Giuseppe Torelli is primarily known as a member of the Bolognese school of violinists and composers. He helped shape the genres of concerto and sonata into their mature forms under a variety of names, such as tonight’s “sinfonias”, which were published in 1692 as part of his Opus 5. Rather than the larger works which later came to be associated with this term, these two pieces are examples of trio sonatas scored for two violinists and basso continuo (a harpsichordist or organist who fills in the chordal structure plus a cellist reinforcing the bass line). The Italian nun Isabella Leonarda entered the Collegio di Sant'Orsola—an Ursuline convent in her hometown of Novara in northern Italy near Milan— at the age of sixteen. -
PERONI, Giuseppe by Anna Chiara Fontana - Italian Biography Dictionary - Volume 82 (2015)
PERONI, Giuseppe by Anna Chiara Fontana - Italian Biography Dictionary - Volume 82 (2015) PERONI, Joseph. - He was born in Parma in the parish of St. Bartholomew on May 6, 1710 by Luigi, physician, and Maria Maddalena Remesini (or Ramesini), originally from Colorno. At the age of fourteen, following the footsteps of his elder brother Giulio (1705-1784), parish priest of the same church of S. Bartolomeo and founder of the conservatory of the Vincenzine di Parma (Janelli, 1877, p. 506), he began his ecclesiastical career , receiving the first tonsure on April 10, 1724 (Paini, 1987, p. 242). His outstanding artistic qualities, since childhood, pushed his father to send him to the school of Pier Ilario Mercanti, known as Spolverini, a famous painter of battles and portraitist, and later to Giovanni Bolla, from whom he learned the technique of 'fresco. On the advice of Spolverini he left his hometown to move to Bologna (1731). In the upper town he attended the Clementine Academy, receiving architectural and perspective outlines from Ferdinando Galli Bibiena (Paini, 1987, p. 242) and following the teachings of the anatomist Ercole Lelli, Felice Torelli and Donato Creti, they competed to train him "(Scarabelli Zunti, late 19th century, c. 235r). In 1733 he won the second-class award for a s Visit. Elizabeth, drawing today lost and of which remains memory in the postcard kept in Parma at the heirs of the painter (Paini, 1987, pp. 242 pp.). The following year he left for Rome; in the papal city he was a pupil of Agostino Masucci, from whom he borrowed the "Marathon" (Scarabelli Zunti, late 19th century, 235rd), and attended the Accademia di Francia and the Accademia di S. -
Il Ramo Bolognese Della Famiglia Spada: Alcuni Episodi Di Committenza E Collezionismo Tra Seicento E Settecento
1 - 2013 MONIA BIGUCCI Il ramo bolognese della famiglia Spada: alcuni episodi di committenza e collezionismo tra Seicento e Settecento Laureatasi alla facoltà di Conservazione dei Beni Cultu - nenti del ramo bolognese della famiglia Spada. Anche se rali dell’Università di Bologna (sede di Ravenna) con non sempre premiata dal successo di un’identificazione una tesi dal titolo Aspetti del collezionismo e della com - certa delle opere che decorarono gallerie e cappelle di mittenza nobiliare a Ravenna tra ’600 e ’700 (relatore proprietà degli Spada, come spesso accade in questo ge - Dott. Stefano Tumidei), Monia Bigucci ha scelto come nere di ricerche, la documentazione raccolta dalla stu - argomento per la discussione della tesi di Specializza - diosa, ricca di notizie e segnalazioni inedite, aggiornata zione un aspetto ancora poco indagato della storia del sul fronte bibliografico, permette di entrare nel vivo di collezionismo bolognese. Ricerche capillari su documenti un tessuto sociale e culturale, restituendo lo spaccato dei di prima mano e puntuali riscontri sulle fonti storiogra - gusti che animarono gli interessi collezionistici di que - fiche le hanno permesso di precisare e talvolta ricostruire st’importante famiglia bo lognese. episodi di committenza e passione collezionistica di espo - Irene Graziani […] delle sole ricchezze non paghi gli Spada, sep - nabitica di San Paolo Maggiore a Bologna, con l’inter - pero anche procacciarsi fama non peritura per es - vento dell’architetto imolese Ercole Fichi (fig. 2) e per sere stati speciali Mecenati delle scienze e delle la quale è noto anche un disegno attribuito a Gian Lo - arti: e il Carracci, Guido Reni, il Guercino, e renzo Bernini (fig. -
The History of Painting in Italy, Vol. V
The History Of Painting In Italy, Vol. V By Luigi Antonio Lanzi HISTORY OF PAINTING IN UPPER ITALY. BOOK III. BOLOGNESE SCHOOL. During the progress of the present work, it has been observed that the fame of the art, in common with that of letters and of arms, has been transferred from place to place; and that wherever it fixed its seat, its influence tended to the perfection of some branch of painting, which by preceding artists had been less studied, or less understood. Towards the close of the sixteenth century, indeed, there seemed not to be left in nature, any kind of beauty, in its outward forms or aspect, that had not been admired and represented by some great master; insomuch that the artist, however ambitious, was compelled, as an imitator of nature, to become, likewise, an imitator of the best masters; while the discovery of new styles depended upon a more or less skilful combination of the old. Thus the sole career that remained open for the display of human genius was that of imitation; as it appeared impossible to design figures more masterly than those of Bonarruoti or Da Vinci, to express them with more grace than Raffaello, with more animated colours than those of Titian, with more lively motions than those of Tintoretto, or to give them a richer drapery and ornaments than Paul Veronese; to present them to the eye at every degree of distance, and in perspective, with more art, more fulness, and more enchanting power than fell to the genius of Coreggio. Accordingly the path of imitation was at that time pursued by every school, though with very little method. -
IFI 50 Anni Con Il Nostro Territorio
1 Cinquant’anni con il nostro territorio Questo volume This volume celebrates è edito in occasione the Fiftieth anniversary del Cinquantesimo of IFI S.p.A. anniversario Fifty years with di IFI S.p.A. our territory Provincia di Pesaro e Urbino A cura di/Edited by Comune Roberto Pieracini di Pesaro Confindustria Pesaro e Urbino Associazione per il Disegno Industriale Isia Urbino IFI S.p.A. Strada Selva Grossa 28/30 61010 Tavullia (Pesaro)/ Italy Tel. +39 0721 20021 Fax +39 0721 201773 www.ifi.it/ [email protected] 2 3 L’immagine, per essere onesta e credibile, deve proiettare verso il mondo esterno una realtà effettivamente esistente nella vita interna dell’azienda. An image, to be honest and credible, should convey to the outside world a reality which actually exists in the company’s internal life. Adriano Olivetti 4 5 Questa è la storia di un’azienda, la IFI S.p.A., e del suo territorio, la 9 Prefazione 12 Preface terra di confine tra Marche e Romagna. È storia di uomini che hanno af Ilvo Diamanti Ilvo Diamanti frontato il dopoguerra e l’industrializzazione degli anni ’60, che hanno costruito tutti assieme nel tempo, con la fatica e l’olio di gomito, 15 Parte Prima 15 Part One un’azienda che oggi, nel suo cinquantesimo anno di attività, opera nei La pista ciclopedonale Umberto Cardinali mercati del mondo coltivando ancora i valori intorno ai quali è cresciu Umberto Cardinali bicycle‒pedestrian path ta. Come un albero che fiorisce e allarga i suoi rami, ma mantiene salde le proprie radici nella terra dove è nato, in un legame dove terra e radi 33 Parte Seconda 33 Part Two ci si fortificano a vicenda, così Ifi (anzi, la Ifi) ha sempre sentito profon La pista ciclopedonale The bicycle‒pedestrian path damente la bellezza e il significato di appartenere a questi luoghi fatti di vista da Guido Guidi seen by Guido Guidi persone, mestieri, cultura, passioni, paesaggi tra mare e colline. -
Scarica La Guida
Romanesque church Romanesque Trekking Selfies LIVING GRAN SASSO Alla Scoperta del Distretto Turistico del Gran Sasso - Explore the Gran Sasso Tourist District Tourist District Explore the Gran Sasso Turistico del GranSasso Alla ScopertadelDistretto Food&wine Monuments History Scopriamo il Distretto in 10 Itinerari Discover the District in Ten Itineraries l Distretto Turistico del Gran Sasso d’Italia com- Gli itinerari si possono seguire spostandosi con il he Gran Sasso d’Italia Tourist District includes all of Benedictine abbeys and the paths connected to them, Iprende l’intero territorio del Parco Nazionale del proprio mezzo, per decidere in tutta libertà dove e Tthe Parco Nazionale del Gran Sasso e Monti della combined with the discovery of local culinary delicacies. Gran Sasso e Monti della Laga, una delle aree pro- quando fermarsi; possono durare una sola giornata Laga, one of Europe’s largest protected areas, located We can follow the itineraries in our own vehicle, de- tette più grandi d’Europa, nel cuore dell’Appennino; o più giorni, a seconda degli interessi e della dispo- in the heart of the Apennines: a sequence of stunning ciding where and when to stop, and we can spend a un susseguirsi di paesaggi di straordinaria bellezza e nibilità di tempo. landscapes of exceptional environmental and cultural day or several days, depending on our interests and di eccezionale valore ambientale e culturale. Gli itinerari della Laga (5 e 9), in particolare, sono importance. the amount of time available. Questa guida propone 10 itinerari alla scoperta del per viaggiatori appassionati e instancabili, che non This guide proposes 10 itineraries for exploring the The Laga itineraries (5 and 9) are suited to passiona- Distretto e dei 60 comuni che lo costituiscono. -
Gerolamo Emiliani 1 Gerolamo Emiliani
Gerolamo Emiliani 1 Gerolamo Emiliani Saint Jerome Emiliani Saint Jerome Emiliani Born 1481 Venice Died 8 February 1537 Somasca Honored in Catholic Church Beatified 1747 by Pope Benedict XIV Canonized 1767 by Pope Clement XIII Feast 8 February 20 July (Catholic Church, 1769-1969) Patronage orphans and abandoned children Gerolamo Emiliani (Italian: Gerolamo Emiliani also Jerome Aemilian, Hiëronymus Emiliani) (1481 – 8 February 1537), was an Italian humanitarian, founder of the Somaschi Fathers, and saint. He was canonized in 1767 and is the patron saint of orphans. Biography Jerome was born in Venice, the son of Angelo Emiliani (popularly called Miani) and Eleonore Mauroceni. His father died when he was a teenager and ran away at the age of 15 to join the army. In 1508, he participated in the defense of Castelnuovo against the League of Cambray. He was appointed governor of a fortress in the mountains of Treviso, and while defending his post taken was made prisoner. His escape he attributed to the intercession of the Mother of God; and he made a pilgrimage to the shrine of Our Lady of Treviso, in fulfillment of a vow, and left his chains as an offering.[1] He was then appointed podestà (Venetian magistrate) of Castelnuovo, but after a short time returned to Venice to supervise the education of his nephews. All his spare time was devoted to the study of theology and to works of charity. He was ordained to the priesthood in 1518. In the year of plague and famine (1528), he seemed to be everywhere and showed his zeal, especially for the orphans, whose number had so greatly increased.