An Annotated List of Italian Renaissance Humanists, Their Writings About Jews, and Involvement in Hebrew Studies, Ca
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Alfonso De Cartagena and Leonardo Bruni1)
The Lost Modernity: 1436-1439 (Alfonso de Cartagena and Leonardo Bruni1) __________________________________________________ RAFAEL HERRERA GUILLÉN UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA (UNED) Abstract This work shows the transcendence that had to Modernity the polemic that confronted the Italian Leonardo Bruni and the Castilian Alonso de Cartagena about the translation of Aristotle. That episode was premonitory of two tendencies that found their way into Modernity to the present: a unidirectional Modernity, colonial, and a plural Modernity, mestiza. In this manner, it is revealed the existence of a lost Modernity that was not built from the binary parameters of imperial and colonial power. Keywords Aristotle, Leonardo Bruni, Alonso de Cartagena, philology, converts, antisemitism, humanism. “…aquéllos dirigen el mundo con la multiplicidad de sus libros”2 Alonso de Cartagena 1. Unidirectional Modernity vs. Plural Modernity Between 1436 and 1439 a dispute took place in Europe that would turn out to be a destiny for Modernity. The character of that inaugural moment was philological, but there was something much more profound at stake than a translation issue. During those three decisive years, an Italian, Leonardo Bruni, and a Castilian, Alonso de Cartagena, argued about the correct way of translating the Ethics of Aristotle. Both contestants knew that such a philological problem hid a cosmos of cultural, social, and political decisions which, still to them, were unresolved. Modernity in nuce was beginning to unfold on both sides. In that polemic certain lines of action and thought began to function, which in the end would configure the entire Modernity. And it happened, precisely, because the effective history of this polemic shows how Modernity configured its conditions of possibility, reducing and neutralizing the liberating and pluralistic potential from one of the sides, although it never fully erased it from its core. -
Vulgar Latin As an Emergent Concept in the Italian Renaissance (1435–1601): Its Ancient and Medieval Prehistory and Its Emergence and Development in Renaissance Linguistic Thought
Journal of Latin Linguistics 2018; 17(2): 191–230 Josef Eskhult* Vulgar Latin as an emergent concept in the Italian Renaissance (1435–1601): its ancient and medieval prehistory and its emergence and development in Renaissance linguistic thought https://doi.org/10.1515/joll-2018-0006 Abstract: This article explores the formation of Vulgar Latin as a metalinguistic concept in the Italian Renaissance (1435–1601) considering its continued, although criticized, use as a concept and term in modern Romance and Latin linguistics (1826 until the present). The choice of this topic is justified in view of the divergent previous modern historiography and because of the lack of a coherent historical investigation. The present study is based on a broad selec- tion of primary sources, in particular from classical antiquity and the Italian Renaissance. Firstly, this article traces and clarifies the prehistory of the concept of Vulgar Latin in ancient and medieval linguistic thought. Section 2 demonstrates that the concept of Vulgar Latin as a low social variety does not exist in pre-Renaissance linguistic thought. Secondly, this article describes and analyzes how, why and when the con- cept of Vulgar Latin emerged and developed in the linguistic thought of the Italian Renaissance. Section 3 surveys the historical intellectual contexts of the debates in which this concept was formed, namely questione della lingua in the Latin and Vernacular Italian Renaissances. Section 4 demonstrates how the ancient concept and term of sermo vulgaris as a diaphasic variety was revived, but also modified, in the Latin Renaissance of the fifteenth century, when the leading humanists developed new ideas on the history, nature and variability of ancient Latin. -
Reception and Symbolism in Obrecht's Missa De Sancto Johanne Baptista
Michael Alan Anderson ‘His name will be called John’: reception and symbolism in Obrecht’s Missa de Sancto Johanne Baptista Downloaded from he Missa de Sancto Johanne Baptista (hereafter, Johanne Mass. Obrecht’s selective use of elements from Tthe Sancto Johanne Mass) was long considered Busnoys’s well-known L’homme armé Mass illumi- to be an anonymous Mass for the early 16th-century nates some heretofore unnoticed symbolic struc- http://em.oxfordjournals.org/ papal chapel, owing to its lack of attribution and its tures within the Sancto Johanne Mass. These features survival in only one Vatican source (Vatican City, combine to reorientate the L’homme armé template Biblioteca Apostolica Vaticana, Ms. Cappella Sistina towards one for John the Baptist. 160 (hereafter, cs160)).1 It is well known that this If the survival in no fewer than seven manuscripts manuscript was prepared at the Alamire scrip- is any indication, Busnoys’s Missa L’homme armé torium along with two related sources (cs34 and had considerable appeal. It became the basis not only cs36) and sent to Pope Leo X, probably between 1516 for the Sancto Johanne Mass but also for Obrecht’s and 1519.2 Based on its multiple cantus firmi and on own L’homme armé Mass from the late 1480s, all at University of Rochester on January 18, 2012 other stylistic grounds, the Sancto Johanne Mass is three works sharing a common mensural scheme. now attributed to Jacob Obrecht between c.1485 and Moreover, the tenor in Obrecht’s Sancto Johanne c.1491; it has also come to light that this Mass is Mass assumes the precise rhythmic layout of that extensively modelled on Antoine Busnoys’s Missa found in Busnoys’s unfolding of the L’homme armé L’homme armé from the later 1460s. -
Spring 2008 Issue
www.diplomacyworld.net Variety Melange Variants: The Spice of Life Notes From the Editor Welcome back to another issue of Diplomacy World. that continues in the coming issues as well! This is now my fifth issue since returning as Lead Editor, and in some ways it was the hardest issue to do. I This issue you’ll also find the results of the latest believe this was simply a case of all the additional time Diplomacy World Writing Contest. While I would have and effort that went into doing Issue #100. It wasn’t until liked to get more entries than I did, at least we received #100 was finished and uploaded to the web site that I enough to actually award the prizes this time! realized how many extra hours I’d been spending each Congratulations to our winners, and keep your eyes week trying to assemble all that material. Sitting back open for future writing contests, or contests of other the next day, I was a bit worried about whether I had run types. If you have suggestions, please let me know. the well (or my personal gas tank) dry. Which leads me into the usual quarterly mantra: this Fortunately, that wasn’t the case. First of all, we had a particular issue, and Diplomacy World as a whole, is few wonderful pieces of material set aside for this issue, only as good as the articles you hobby members submit. starting with Stephen Agar’s variant symphony and I can’t write the whole thing myself, not even with the David McCrumb’s designer notes on 1499: The Italian assistance of the DW Staff…we need your ideas, your Wars. -
Directory Nick Version.Xlsx
Directory of Board Game Library - d20 Board Game Cafe Alpabetical Key to expansions: ⇲❑ = In base box, +❑ = Base required, ❑! = Standalone, +❑? = Base required and ask a member of staff for this expansion. Game Category Expansion Shelf Players Playtime Age+ Year Weight 504 Strategy 5C 2 - 4 30 - 120 10+ 2015 3.45 ...And Then We Held Hands 2 Player 20C 2 30 - 45 10+ 2015 1.75 20th Century Strategy 6C 3 - 5 120 12+ 2010 2.96 221b Baker Street Classic 32A 2 - 6 90 12+ 1975 1.82 3 Commandments, The Light Strategy 29E 3 - 7 45 12+ 2018 1.64 3 Wishes Card & Dice 25A 3 - 5 3 - 5 8+ 2016 1.06 5 Minute Dungeon: Curses! Foiled Co-op ⇲❑ 7D 2 - 6 5 - 30 6+ 2018 1.30 Again! 6 Nimmt Card & Dice 25A 2 - 10 45 8+ 1994 1.22 7 Wonders Light Strategy 27C 2 - 7 30 10+ 2010 2.34 7 Wonders Duel 2 Player 20A 2 30 10+ 2015 2.22 7 Wonders Duel: Pantheon 2 Player +❑ 20A 2 30 - 45 10+ 2016 2.25 7 Wonders: Armada Light Strategy +❑ 26C 3 - 7 40 10+ 2018 2.78 A La Carte Party 5F 2 - 4 30 6+ 1989 1.31 Above and Below Strategy 6A 2 - 4 90 10+ 2015 2.53 Absolute Balderdash Trivia 33B 2 - 6 45 1993 1.47 Adrenaline Adventure/Heavy 10D 3 - 5 30 - 60 10+ 2016 2.30 Age Of Empires 3 Adventure/Heavy 9D 2 - 5 90 - 120 12+ 2007 3.13 Age Of Renaissance Adventure/Heavy 10D 3 - 6 120 - 300 14+ 1996 3.86 Agricola Strategy 5E 1 - 5 30 - 150 12+ 2007 3.64 Agricola Family Edition Family and Kids 22A 1 - 5 30 - 150 12+ 2007 3.64 Airships Strategy 5B 2 - 4 45 - 60 8+ 2007 1.86 Akrotiri 2 Player 20F 2 45 12+ 2014 2.65 Alchemists Strategy 6C 2 - 4 120 12+ 2014 3.88 Alchemists: The King's -
The Recovery of Manuscripts
Cultural heritage The Recovery of manuscripts David RUNDLE ABSTRACT Manuscripts were the cornerstone of humanism. They had been the main vector for transmission of the ancient texts and culture in the Middle Ages. Most of them had nonetheless been lost or forgotten in remote libraries. In order to recover the ancient Greek and Latin texts they favoured, humanists went on a European quest to find these manuscripts. From Italy, at first, humanists travelled all across Europe, visiting convents and libraries, in search of the lost works of Tacitus, Cicero, etc. building and securing the antique legacy of European culture. Portrait of Poggio holding a manuscript on the first page of the Ruins of Rome (Biblioteca apostolica Vaticana, Urb. Lat. 224, fol. 3). This treatise dedicated to another prominent manuscript hunter, the pope Nicholas V, is a meditation on the loss of Roman culture. Manuscripts were humanism’s lifeblood, its inspiration and its purpose. The production of new books in a new, or revived, style of Latin and with a new, or revived, presentation on the page was central to their activities. But before they could even be conceived, there needed to be classical texts to be imitated. Behind the humanists’ practices lay an agenda of manuscript recovery all across Europe. They were conscious of themselves as cut off from the classical past and set themselves the challenge of discovering works which had not been seen—they said- —by scholars for centuries. In writing of their achievements in doing this, they exaggerated both their own heroic endeavours and the dire state that preceded them. -
Politics and Panegyrics in Fifteenth-Century Florentine Diplomacy Brian Jeffrey Maxson, East Tennessee State University
East Tennessee State University From the SelectedWorks of Brian J. Maxson 2011 The aM ny Shades of Praise: Politics and Panegyrics in Fifteenth-Century Florentine Diplomacy Brian Jeffrey Maxson, East Tennessee State University Available at: https://works.bepress.com/brian-maxson/65/ The Many Shades of Praise. Politics and Panegyrics in Fifteenth-Century Florentine Diplomacy Brian Jeffrey Maxson In 1465, the Republic of Florence sent diplomats to congratulate the King of Naples on a military victory of his family over the House of Anjou. Diplomatic protocol required that the Florentines send a congratulatory mission or risk offending the powerful king. The rituals that marked the entrance of their diplomats into the King’s presence required a panegyric of the King and his accomplishments. The problem was that the King’s success opposed Floren- tine interests. The Florentines had refrained from assisting the King during his war, although a treaty had required that they do so.1 Disagreements about Florentine exiles had so soured relations between Naples and Florence that the King went hunting rather than formally greet the Florentine diplomats who arrived in Naples earlier in 1465.2 Praising the King also risked offending the Florentine allies that the King had recently defeated.3 Thus, the oratorical 1 Archives: ASF: Archivio di Stato di Firenze; BML: Biblioteca Medicea Laurenziana; BNCF: Biblioteca Nazionale Centrale di Firenze; B.U. Padova: Biblioteca Universitaria Padova; Collections Used: Car.Cor: Carte di Corredo; Carte Strozziane; Leg: Legazione e Commissarie; Magl: Magliabechiana; Misc.Rep: Miscellanea Repubblicana; Pac: Paciatichi- ano; Plut: Plutei; Redi; Sig: Signoria. This essay is part of a larger project on fifteenth-cen- tury diplomatic oratory in Florence. -
'In the Footsteps of the Ancients'
‘IN THE FOOTSTEPS OF THE ANCIENTS’: THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI Ronald G. Witt BRILL ‘IN THE FOOTSTEPS OF THE ANCIENTS’ STUDIES IN MEDIEVAL AND REFORMATION THOUGHT EDITED BY HEIKO A. OBERMAN, Tucson, Arizona IN COOPERATION WITH THOMAS A. BRADY, Jr., Berkeley, California ANDREW C. GOW, Edmonton, Alberta SUSAN C. KARANT-NUNN, Tucson, Arizona JÜRGEN MIETHKE, Heidelberg M. E. H. NICOLETTE MOUT, Leiden ANDREW PETTEGREE, St. Andrews MANFRED SCHULZE, Wuppertal VOLUME LXXIV RONALD G. WITT ‘IN THE FOOTSTEPS OF THE ANCIENTS’ ‘IN THE FOOTSTEPS OF THE ANCIENTS’ THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI BY RONALD G. WITT BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Witt, Ronald G. ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. Witt. p. cm. — (Studies in medieval and Reformation thought, ISSN 0585-6914 ; v. 74) Includes bibliographical references and indexes. ISBN 9004113975 (alk. paper) 1. Lovati, Lovato de, d. 1309. 2. Bruni, Leonardo, 1369-1444. 3. Latin literature, Medieval and modern—Italy—History and criticism. 4. Latin literature, Medieval and modern—France—History and criticism. 5. Latin literature, Medieval and modern—Classical influences. 6. Rhetoric, Ancient— Study and teaching—History—To 1500. 7. Humanism in literature. 8. Humanists—France. 9. Humanists—Italy. 10. Italy—Intellectual life 1268-1559. 11. France—Intellectual life—To 1500. PA8045.I6 W58 2000 808’.0945’09023—dc21 00–023546 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Witt, Ronald G.: ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. -
Quaderni D'italianistica : Revue Officielle De La Société Canadienne
272 Piccola biblioteca maso keeps the English version "straight." In other instances he is able to bring to the English version qualities which mirror the source text, such as "freely-given" to render and to echo the dieresis of "grîizïoso" (Sonnet 31) or "bound from bough to bough" to reproduce the alliterative effect of "de fronda in fronda" (Sonnet 6), with the felicitous addition of the verb "bound" to give greater relief to the line's rhythmic quality. In working at the macro-level. Di Tommaso himself discusses the type of strategies necessary in order to render the sense and the aesthetic essence of the source text, in short, in order to convey the text's ideolect in another language: "At times the translation achieves an effect which was not intended in the original, but which seems appropriate and worth retaining. The last stanza of the fourth sonnet, for example, begins and ends 'with her,' thus embodying in its form the inherent Petrarchan platonism of the poem and the idea of the cyclical return of the Golden Age which the poet identifies with the Lady's appearance on Earth" (ix). Although, as he says, the original does not intend the effect which the translation gives, the translation successfully signals to the reader the- matic dimensions and poetic structures which are fundamental to the collection in gen- eral. And Di Tommaso concludes: "In the course of juggling such elements, I have in- voked Accuracy . and Readability as my muses" (ix-x). In this regard, his accomplish- ments have been considerable. The translation is prefaced by a very useful introduction to Boiardo's canzoniere, both in the context of the literary tradition which came to the fifteenth-century poet from the late Middle Ages and the early Renaissance and in the socio-cultural context of the courtly environment of Quattrocento Ferrara. -
St. Thomas the Apostle Catholic Church
St. Thomas the Apostle Catholic Church Archdiocese of Galveston-Houston Office: 1603 Avenue N * Huntsville, TX 77340 Church: 1323 16th St. * Huntsville, TX 77340 Ph. 936.295.8159 * Fax 936.295.3543 www.sainhomashuntsville.org "...there is no inequality of significance amongst us except holiness..." “No hay desigualdad de importancia entre nosotros excepto la santidad…” The Most Holy Trinity Sunday June 16, 2019 STAFF Rev. Fred Valone…..Pastor Felix Ramos………..Permanent Deacon Kathy Boscarino…….DRE / Y M Maria Delgado……… Elem. CCE Marisol Urbina…...Administrative Asst. Rick Reed…………...Music Coordinator Jill Baker………..Nursery Coordinator Pat Norfleet…………..Bookkeeper Sylvia Vitela…………..Secretary Laura Puente………...Custodian Mass Schedules Saturday/ Sabado 5:30 pm English Sunday/ Domingo 7:45 am English 10:45 am English 12:30 pm Spanish Monday/ Lunes No Mass Tuesday-Martes 7:15 am Wed. – Friday/ 7:15 am Miercoles-Viernes Reconciliation / Reconciliación The flowers besides the Tues/Martes 4:30-5:30 pm Blessed Sacrament are offered Sat/Sabado 4:00-5:00 pm in loving memory of Adoration/Adoración Donna Hebert Tuesday / After 7:15 am By Martes Mass until 5:30pm Gayle Hebert Mass Intentions Of The Week Our gratefulness to God weekly offering Sat. 06/15 5:30 pm Tim Burkett June 9th, 2019 Fr. Fred and all Regular Sunday Donations: $5,585.00 Sun. 06/16 7:45 am fathers Catholic Communications: $1,259.75 Thank you for 10:45 am Ariel Dunster (Birthday) your continued support! 12:30 pm Parishioners Judy Adib, Veronica Antwi, James Aubey, Mon. 06/17 NO Mass Irma Avalos, Gene Barrett, Jordan Bergeron, Marie Blanchard, Chelsea Brown, Linda Tues. -
Humanism and Spanish Literary Patronage at the Roman Curia: the Role of the Cardinal of Santa Croce, Bernardino López De Carvajal (1456–1523)
2017 IV Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456–1523) Marta Albalá Pelegrín Article: Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523) Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523)1 Marta Albalá Pelegrín Abstract: This article aims to analyze the role of Bernardino López de Carvajal (1456 Plasencia-1523 Rome) as a literary patron, namely his contributions to humanism in Rome and to Spanish letters, in the period that has been loosely identified as Spanish Rome. Carvajal held the dignities of orator continuus of Isabella of Castile and Ferdinand of Aragon, titular cardinal of Santa Croce in Gerusalemme, and Latin Patriarch of Jerusalem, and was even elected antipope with the name of Martin VI in the Conciliabulum of Pisa (1511) against Julius II. He belonged to the avant-garde of humanists devoted to creating a body of Neo-Latin and Spanish literature that would both foster the Spanish presence at Rome and leave a mark on the Spanish literary canon. He sponsored a considerable body of works that celebrated the deeds of the Catholic Kings and those of the Great Captain, Gonzalo Fernández de Córdoba. He also commissioned literary translations, and was involved in the production of theatrical pieces, such as those of Bartolomé Torres Naharro. Key Words: Benardino López de Carvajal; Literary Patronage; Catholic Kings; Erasmus; Bartolomé Torres Naharro; Gonzalo Fernández de Córdoba. -
Collected Letters: “Epistolarum Libri” XLVIII. Francesco Filelfo. Ed
REVIEWS 1469 conian word limits, endnotes, and forcing authors to truncate documentation. This is a model study to be praised and imitated. Paul F. Grendler, University of Toronto, emeritus Collected Letters: “Epistolarum Libri” XLVIII. Francesco Filelfo. Ed. Jeroen de Keyser. 4 vols. Hellenica 54. Alessandria: Edizioni dell’Orso, 2015. 2,212 pp. !300. Students of the intellectual culture of early modern Europe have a happy problem. De- spite the labors of generations of editors, the libraries of Europe still hold very large quan- tities of unpublished Latin letters from the fifteenth to the seventeenth centuries, many of which were written by clever and committed scholars working at the forefront of their disciplines. This abundance of rich and largely unstudied sources provides modern schol- ars of the period with a challenge: how do we identify meaningful and manageable edito- rial projects among the material that remains? The most common strategy is to publish the correspondence that has gathered around a single author. In the first decades of the twentieth century, the monumental edition of the letters of Erasmus begun by P. S. Allen established a model for such publications that has been influential ever since. However, projects on such an ambitious scale bring their own difficulties: it was published over many years, and passed through the hands of several editors on its way to publication. Some collections are so large that they will inevitably be divided among a number of editors. The correspondence of Justus Lipsius, for example, at well over 4,000 letters is just such a task. Yet distributing the labor over many years, and many editors, has led to uneven progress and made it more difficult to achieve editorial consistency across the corpus.