Leonardo Bruni and the Shimmering Facets of Languages in Early Quattrocento Florence Author(s): Andrea Rizzi Source: I Tatti Studies in the Italian Renaissance , Vol. 16, No. 1/2 (September 2013), pp. 243-256 Published by: The University of Chicago Press on behalf of Villa I Tatti, The Harvard Center for Italian Renaissance Studies Stable URL: https://www.jstor.org/stable/10.1086/673417 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The University of Chicago Press and Villa I Tatti, The Harvard Center for Italian Renaissance Studies are collaborating with JSTOR to digitize, preserve and extend access to I Tatti Studies in the Italian Renaissance This content downloaded from 128.250.144.144 on Sun, 17 Feb 2019 04:02:46 UTC All use subject to https://about.jstor.org/terms LATIN AND VERNACULAR IN QUATTROCENTO FLORENCE AND BEYOND Leonardo Bruni and the Shimmering Facets of Languages in Early Quattrocento Florence Andrea Rizzi, University of Melbourne LEONARDO BRUNI WAS one of the greatest humanists of the early quattro- cento. He represents the “new generation’s talent for a more classicizing style and of the new locutionary energy that it provided.”1 Bruni is recognized as the quin- tessential humanist of his time: “if Bruni is not a typical Quattrocento humanist, nobody is.”2 Bruni set the standard for humanistic prose writing of the early quattrocento, and his legacy goes beyond the confines of the history and politics of Florence.