Latin As a Threatened Language in the Linguistic World of Early
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An Annotated List of Italian Renaissance Humanists, Their Writings About Jews, and Involvement in Hebrew Studies, Ca
An annotated list of Italian Renaissance humanists, their writings about Jews, and involvement in Hebrew studies, ca. 1440-ca.1540 This list, arranged in chronological order by author’s date of birth, where known, is a preliminary guide to Italian humanists’ Latin and vernacular prose and poetic accounts of Jews and Judaic culture and history from about 1440 to 1540. In each case, I have sought to provide the author’s name and birth and death dates, a brief biography highlighting details which especially pertain to his interest in Jews, a summary of discussions about Jews, a list of relevant works and dates of composition, locations of manuscripts, and a list of secondary sources or studies of the author and his context arranged alphabetically by author’s name. Manuscripts are listed in alphabetical order by city of current location; imprints, as far as possible, by ascending date. Abbreviations: DBI Dizionario biografico degli Italiani (Rome: Istituto della enciclopedia italiana, 1960-present) Kristeller, Iter Paul Oskar Kristeller, Iter Italicum: A Finding List of Uncatalogued or Incompletely Catalogued Humanistic Manuscripts of the Renaissance in Italian and Other Libraries; Accedunt alia itinera, 6 vols (London: Warburg Institute; Leiden: E. J. Brill, 1963-1991) Simon Atumano (d. c. 1380) Born in Constantinople and became a Basilian monk in St John of Studion there. Bishop of Gerace in Calabria from 1348 until 1366, and Latin archbishop of Thebes until 1380. During his time in Thebes, which was the capital of the Catalan duchy of Athens, he studied Hebrew and in the mid- to late-1370s he began work on a polyglot Latin-Greek-Hebrew Bible dedicated to Pope Urban VI. -
Alfonso De Cartagena and Leonardo Bruni1)
The Lost Modernity: 1436-1439 (Alfonso de Cartagena and Leonardo Bruni1) __________________________________________________ RAFAEL HERRERA GUILLÉN UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA (UNED) Abstract This work shows the transcendence that had to Modernity the polemic that confronted the Italian Leonardo Bruni and the Castilian Alonso de Cartagena about the translation of Aristotle. That episode was premonitory of two tendencies that found their way into Modernity to the present: a unidirectional Modernity, colonial, and a plural Modernity, mestiza. In this manner, it is revealed the existence of a lost Modernity that was not built from the binary parameters of imperial and colonial power. Keywords Aristotle, Leonardo Bruni, Alonso de Cartagena, philology, converts, antisemitism, humanism. “…aquéllos dirigen el mundo con la multiplicidad de sus libros”2 Alonso de Cartagena 1. Unidirectional Modernity vs. Plural Modernity Between 1436 and 1439 a dispute took place in Europe that would turn out to be a destiny for Modernity. The character of that inaugural moment was philological, but there was something much more profound at stake than a translation issue. During those three decisive years, an Italian, Leonardo Bruni, and a Castilian, Alonso de Cartagena, argued about the correct way of translating the Ethics of Aristotle. Both contestants knew that such a philological problem hid a cosmos of cultural, social, and political decisions which, still to them, were unresolved. Modernity in nuce was beginning to unfold on both sides. In that polemic certain lines of action and thought began to function, which in the end would configure the entire Modernity. And it happened, precisely, because the effective history of this polemic shows how Modernity configured its conditions of possibility, reducing and neutralizing the liberating and pluralistic potential from one of the sides, although it never fully erased it from its core. -
Vulgar Latin As an Emergent Concept in the Italian Renaissance (1435–1601): Its Ancient and Medieval Prehistory and Its Emergence and Development in Renaissance Linguistic Thought
Journal of Latin Linguistics 2018; 17(2): 191–230 Josef Eskhult* Vulgar Latin as an emergent concept in the Italian Renaissance (1435–1601): its ancient and medieval prehistory and its emergence and development in Renaissance linguistic thought https://doi.org/10.1515/joll-2018-0006 Abstract: This article explores the formation of Vulgar Latin as a metalinguistic concept in the Italian Renaissance (1435–1601) considering its continued, although criticized, use as a concept and term in modern Romance and Latin linguistics (1826 until the present). The choice of this topic is justified in view of the divergent previous modern historiography and because of the lack of a coherent historical investigation. The present study is based on a broad selec- tion of primary sources, in particular from classical antiquity and the Italian Renaissance. Firstly, this article traces and clarifies the prehistory of the concept of Vulgar Latin in ancient and medieval linguistic thought. Section 2 demonstrates that the concept of Vulgar Latin as a low social variety does not exist in pre-Renaissance linguistic thought. Secondly, this article describes and analyzes how, why and when the con- cept of Vulgar Latin emerged and developed in the linguistic thought of the Italian Renaissance. Section 3 surveys the historical intellectual contexts of the debates in which this concept was formed, namely questione della lingua in the Latin and Vernacular Italian Renaissances. Section 4 demonstrates how the ancient concept and term of sermo vulgaris as a diaphasic variety was revived, but also modified, in the Latin Renaissance of the fifteenth century, when the leading humanists developed new ideas on the history, nature and variability of ancient Latin. -
The Recovery of Manuscripts
Cultural heritage The Recovery of manuscripts David RUNDLE ABSTRACT Manuscripts were the cornerstone of humanism. They had been the main vector for transmission of the ancient texts and culture in the Middle Ages. Most of them had nonetheless been lost or forgotten in remote libraries. In order to recover the ancient Greek and Latin texts they favoured, humanists went on a European quest to find these manuscripts. From Italy, at first, humanists travelled all across Europe, visiting convents and libraries, in search of the lost works of Tacitus, Cicero, etc. building and securing the antique legacy of European culture. Portrait of Poggio holding a manuscript on the first page of the Ruins of Rome (Biblioteca apostolica Vaticana, Urb. Lat. 224, fol. 3). This treatise dedicated to another prominent manuscript hunter, the pope Nicholas V, is a meditation on the loss of Roman culture. Manuscripts were humanism’s lifeblood, its inspiration and its purpose. The production of new books in a new, or revived, style of Latin and with a new, or revived, presentation on the page was central to their activities. But before they could even be conceived, there needed to be classical texts to be imitated. Behind the humanists’ practices lay an agenda of manuscript recovery all across Europe. They were conscious of themselves as cut off from the classical past and set themselves the challenge of discovering works which had not been seen—they said- —by scholars for centuries. In writing of their achievements in doing this, they exaggerated both their own heroic endeavours and the dire state that preceded them. -
'In the Footsteps of the Ancients'
‘IN THE FOOTSTEPS OF THE ANCIENTS’: THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI Ronald G. Witt BRILL ‘IN THE FOOTSTEPS OF THE ANCIENTS’ STUDIES IN MEDIEVAL AND REFORMATION THOUGHT EDITED BY HEIKO A. OBERMAN, Tucson, Arizona IN COOPERATION WITH THOMAS A. BRADY, Jr., Berkeley, California ANDREW C. GOW, Edmonton, Alberta SUSAN C. KARANT-NUNN, Tucson, Arizona JÜRGEN MIETHKE, Heidelberg M. E. H. NICOLETTE MOUT, Leiden ANDREW PETTEGREE, St. Andrews MANFRED SCHULZE, Wuppertal VOLUME LXXIV RONALD G. WITT ‘IN THE FOOTSTEPS OF THE ANCIENTS’ ‘IN THE FOOTSTEPS OF THE ANCIENTS’ THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI BY RONALD G. WITT BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Witt, Ronald G. ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. Witt. p. cm. — (Studies in medieval and Reformation thought, ISSN 0585-6914 ; v. 74) Includes bibliographical references and indexes. ISBN 9004113975 (alk. paper) 1. Lovati, Lovato de, d. 1309. 2. Bruni, Leonardo, 1369-1444. 3. Latin literature, Medieval and modern—Italy—History and criticism. 4. Latin literature, Medieval and modern—France—History and criticism. 5. Latin literature, Medieval and modern—Classical influences. 6. Rhetoric, Ancient— Study and teaching—History—To 1500. 7. Humanism in literature. 8. Humanists—France. 9. Humanists—Italy. 10. Italy—Intellectual life 1268-1559. 11. France—Intellectual life—To 1500. PA8045.I6 W58 2000 808’.0945’09023—dc21 00–023546 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Witt, Ronald G.: ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. -
Full Name Field Dates Project Title Abbondanza, Roberto History 1964
Full Name Field Dates Project Title Abbondanza, Umanesimo giuridico, giovinezza di history 1964/1965 Roberto Andrea Alciato George Eliot, the Florentine Abbott, Ruth literature 2016/2017 Renaissance, and the History of Scholarship Literary criticism of the Hungarian Acs, Pal literature 1993/1994 Renaissance Addona, Victoria art history 2015/2016 Dissemination of the Manner of the Adelson, Candace art history 1976/1977 1st School of Fontainebleau as evidenced in 16th-c Italian art The Bolognese villa in the age of Aksamija, Nadja art history 2012/2013 Cardinal Gabriele Paleotti I Disegni di Michelangelo per il Alberio, Elena art history 2017/2018 Cristo Risorto: Problemi di committenza e sviluppi iconografici Histoire de la dépose des peintures Albers, Geraldine art history 2001/2002 murales en Italie. Mémoire des lieux, voyage de oeuvres The humanist and his dog: the social and anthropological aspects of Almasi, Gabor literature 2006/2007 scholarly dogkeeping in the Italian Renaissance American Drawing, Renaissance Anania, Katie art history 2017/2018 Historiography, and The Remains of Humanism in the 1960s 1. A monograph on Giovanni Bellini 2. An exhibition on late Titian to Anderson, Jaynie art history 2000/2001 travel to Canberra and Melbourne, Australia A biography of Giovanni Morelli Anderson, Jaynie art history 2008/2009 (1816-1891) 'Florentinis ingeniis nihil ardui est': Andreoli, Ilaria art history 2011/2012 The Florentine Illustrated Book (1490-1550) Andreoni, Benedetto Varchi lettore di Dante e literature 2007/2008 Annalisa Petrarca all'Accademia Fiorentina The employment of 'religiosi' by Andrews, Frances history 2004/2005 governments of early Renaissance Italy Religion and Public Life in Late Andrews, Frances history 2010/2011 Medieval Italy Andrews, Noam history 2015/2016 Full Name Field Dates Project Title Genoese Galata. -
Machiavelli and the Ciompi Uprising
306 Winter Chapter 16 Plebeian Politics: Machiavelli and the Ciompi Uprising Yves Winter Of the eight books that compose Niccolò Machiavelli’s Florentine Histories, the better part of Book III is dedicated to the uprising of the Florentine wool work- ers known as the ‘tumult of the Ciompi’ in 1378. And while this is not the only episode of social conflict chronicled in the Florentine Histories, the insurrec- tion occupies a special place. During the summer months of 1378, the lowest stratum of the Florentine working class overthrew the governing elites and in- stituted a revolutionary regime. For the first time in its history, a radical insur- gent government that included both artisans and manual labourers, drawn primarily from the textile industry, ruled Florence.1 Even though the uprising was defeated after six short weeks, its memory cast an enduring spell on Flo- rentine history.2 Alarmed by the unprecedented political and economic mo- bilisation of the plebs, the Florentine elites developed a lasting fear of the rabble manifest in successive generations of humanist writers. Most historians that preceded Machiavelli (and most that followed him, up until the nineteenth century) had little sympathy for the workers, describing the uprising as instigated by the devil, as a result of moral depravity, or as the work of a mob manipulated by intrigue and conspiracy.3 Leonardo Bruni considered the insurgents a bunch of violent and ‘impoverished criminals’ whose ‘only goal was plunder [and] slaughter’.4 And Poggio Bracciolini thought the revolt was divine punishment for the sins of the city and of its * This essay originally appeared in Political Theory, 2012, 40, 6: 736–66. -
Civic Humanism the Rediscovery of Ancient Texts and the Growing Belief
Civic Humanism The rediscovery of ancient texts and the growing belief that they expressed great truths worthy of study during the period in Italy known as the Renaissance challenged the dominant values of the medieval world from which it emerged. Ancient texts, such as the letters of Cicero to his friend Atticus—rediscovered by Petrarch—and the guide to oration by Quintilian, celebrated urban life. These texts showed that that the active life in cities—that of statesmen, lawyers, notaries, merchants, and, increasingly, artisans—was one of value. Also, these texts demonstrated how one could and should persuade, praise, criticize, and encourage others to accept or reject decisions. This was especially important in cities such as republican Florence, where decisions were made by popular vote in the main governing council. Men in cities needed the skills of rhetoric and the ability to deliver persuasive speeches and write persuasive prose. Thus, the lessons of ancient texts served the needs and purposes of civic life. The revival of the study of these texts also included a revival of the educational curriculum laid out in their content. Described by Cicero as the studia humanitatis, those studies befitting of free men, the urban elite in Italian cities began pursuing a curriculum of history, oratory, poetry, grammar, moral philosophy, and ethics. This new learning focused on studying the classics in their original form and language, adopting classical antiquity as a model and standard for life. This curriculum highlighted ancient examples of good character, moral development, and endowment of dignity and virtue. These studies were concerned with lessons men needed in daily life in order to withstand the blows of fortune, make sound moral decisions, and display eloquence. -
By Beth A. Emery a Thesis Submitted to the Faculty of Graduate Studies
• Lorenzo Monaco's Man of Sorrows By Beth A. Emery A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements • for the degree of Masters of the Arts Department of Art History McGill University October, 2000 ©Beth A. Emery 2000 • Montréal, Québec, Canada National Ubrary Bibliothèque nationale .+. ofC8nada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 woaIOgton SUool 395. rue w.alOgton 0Ilawa ON KIA ON4 Ottawa ON K1A 0N4 Canada Canada The author bas granted a non L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library ofCanada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies ofthis thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership ofthe L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts from it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimès reproduced without the author's ou autrement reproduits sans son permission. autorisation. 0-612-70592-7 Canada Lorenzo Monaco" ''Man of Sorrows vith the Virgin. St. John the Evangelist vith Emblems and Episodes of the Passion" • c. 1404 • • • • Crucifixion, Mosaic on east wall of north arm in the Church of Dormition, Daphni, 10S0-1100 • • • ," ~ Ltç!... .Or b L: e.;:s.:.-';;;S?nr;.rt"'t:.tPn'"..e--:....I.v:.=tn::.~"f'o ~~~"u..'- \I·~":'\ ""':',~ _;.,'\\·.~~Jo ,....,~,.,..~ '( > ..... -
Poggio Bracciolini and Coluccio Salutati: the Epitaph and the 1405-1406 Letters
POGGIO BRACCIOLINI AND COLUCCIO SALUTATI: THE EPITAPH AND THE 1405-1406 LETTERS Stefano U. Baldassarri Abstract: Manuscript Magliabechiano VIII.1445 of the Biblioteca Nazionale di Firenze seems to be the only witness of an epitaph that Poggio Bracciolini wrote for Coluccio Salutati. Using this concise yet sincere homage to the late chancel- lor, this essay discusses Poggio’s relationship both with him and the other major members of the Florentine humanist circle that started gathering around Salutati in the late fourteenth century. In doing so, it touches on such figures as – among others – Niccolò Niccoli and Leonardo Bruni. In particular, some early texts by Bruni (e.g., the Dialogi ad Petrum Paulum Histrum and his letters to fellow human- ists dating from the early fifteenth century) are seen against the backdrop of his relationship with both Poggio and Salutati. Keywords: Poggio Bracciolini, Leonardo Bruni, Niccolò Niccoli, Coluccio Salutati, Florentine humanism Manuscript Magliabechiano VIII.1445 of the Biblioteca Nazionale di Firenze seems to be the only witness of an epitaph that Poggio Brac- ciolini wrote for Coluccio Salutati and that Francesco Novati published in his edition of the latter’s epistles almost a century ago (Salutati, 1911: 4.484). Sometime in the seventeeth century an unidentified hand added this brief text in the blank space left by the previous scribe, who probably wrote in the mid-fifteenth century (see Fig. 1). The epitaph was tran- scribed after a passage from Salutati’s reply to Loschi’s Invectiva in Floren- tinos. More precisely, the passage in question (ff. 205r-207v) is the one between 16.4 and 32.25 in my critical edition of this work of Salutati’s1. -
018-245 ING Primavera CORR 24,5 X 29.Qxp
Under the High Patronage of the President of the Italian Republic !e Springtime of the Renaissance. Sculpture and the Arts in Florence – Florence, Palazzo Strozzi, March– August Paris, Musée du Louvre, September – January With the patronage of Concept by Website Ministero degli Affari Esteri Beatrice Paolozzi Strozzi Netribe Ministero per i Beni e le Attività Culturali Marc Bormand Ambassade de France en Italie Programming for families, youth and adults Curated by Fondazione Palazzo Strozzi Beatrice Paolozzi Strozzi Promoted and organized by Marc Bormand School groups and activities Sigma CSC With the collaboration of Ilaria Ciseri Exhibition reservation office Sigma CSC Realized by Fondazione Palazzo Strozzi Exhibition and ticket office staff TML Service Scholarly and editorial coordination and accompanying texts in the exhibition Multichannel ticket office Ludovica Sebregondi TicketOne Installation design Audioguide Luigi Cupellini START with the collaboration of Carlo Pellegrini Insurance Exhibition installation AON Artscope Galli Allestimenti Lloyd’s Atlas e Livelux Light Designers CS Insurance Service Stampa in Stampa Alessandro Terzo Transportation Franco Bianchi Arterìa Installation and condition report works on paper with Julie Guilmette Head of security Ulderigo Frusi Exhibition graphics and communication design RovaiWeber design Head of prevention and protection service Translation of accompanying texts in the exhibition Andrea Bonciani Stephen Tobin (Italian–English) Lara Fantoni (English–Italian) Electrical system assistance Xue Cheng (Italian–Chinese) and maintenance Mila Alieva (English–Russian) Bagnoli srl Gabrielle Giraudeau (Italian–French) Alarm system assistance Family itinerary and maintenance James M. Bradburne Professional Security srl Cristina Bucci Chiara Lachi Air-conditioning/heating system assistance and and maintenance Communication and promotion R.S. -
2014-2015 and Is Accurate and Current, to the Greatest Extent Possible, As of June 2014
Cover Cover 1 University’s Mission Statement James B. Duke’s founding Indenture of Duke University directed the members of the University to “provide real leadership in the educational world” by choosing individuals of “outstanding character, ability and vision” to serve as its officers, trustees and faculty; by carefully selecting students of “character, determination and application;” and by pursuing those areas of teaching and scholarship that would “most help to develop our resources, increase our wisdom and promote human happiness.” To these ends, the mission of Duke University is to provide a superior liberal education to undergraduate students, attending not only to their intellectual growth but also to their development as adults committed to high ethical standards and full participation as leaders in their communities; to prepare future members of the learned professions for lives of skilled and ethical service by providing excellent graduate and professional education; to advance the frontiers of knowledge and contribute boldly to the international community of scholarship; to promote an intellectual environment built on a commitment to free and open inquiry; to help those who suffer, cure disease and promote health, through sophisticated medical research and thoughtful patient care; to provide wide ranging educational opportunities, on and beyond our campuses, for traditional students, active professionals and life-long learners using the power of information technologies; and to promote a deep appreciation for the range of human difference and potential, a sense of the obligations and rewards of citizenship, and a commitment to learning, freedom and truth. By pursuing these objectives with vision and integrity, Duke University seeks to engage the mind, elevate the spirit, and stimulate the best effort of all who are associated with the University; to contribute in diverse ways to the local community, the state, the nation and the world; and to attain and maintain a place of real leadership in all that we do.