Introduction to Literary Chinese
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Background I. Names
Background I. Names 1. China It used to be thought that the name ‘China’ derived from the name of China’s early Qin dynasty (Chin or Ch’in in older transcriptions), whose rulers conquered all rivals and initiated the dynasty in 221 BC. But, as Wilkinson notes (Chinese History: A Manual: 753, and fn 7), the original pronunciation of the name ‘Qin’ was rather different, and would make it an unlikely source for the name China. Instead, China is thought to derive from a Persian root, and was, apparently, first used for porcelain, and only later applied to the country from which the finest examples of that material came. Another name, Cathay, now rather poetic in English, but surviving as the regular name for the country in languages such as Russian (Kitai), is said to derive from the name of the Khitan Tarters, who formed the Liao dynasty in north China in the 10th century. The Khitan dynasty was the first to make a capital on the site of Beijing. The Chinese now call their country Zhōngguó, often translated as ‘Middle Kingdom’. Originally, this name meant the central – or royal – state of the many that occupied the region prior to the unification of Qin. Other names were used before Zhōngguó became current. One of the earliest was Huá (or Huáxià, combining Huá with the name of the earliest dynasty, the Xià). Xià, in fact, combined with the Zhōng of Zhōngguó, appears in the modern official names of the country, as we see below. 2. Chinese places a) The People’s Republic of China (PRC) [Zhōnghuá Rénmín Gònghéguó] This is the political entity proclaimed by Máo Zédōng when he gave his speech (‘China has risen again’) at the Gate of Heavenly Peace [Tiān’ān Mén] in Beijing on October 1, 1949. -
Kūnqǔ in Practice: a Case Study
KŪNQǓ IN PRACTICE: A CASE STUDY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE OCTOBER 2019 By Ju-Hua Wei Dissertation Committee: Elizabeth A. Wichmann-Walczak, Chairperson Lurana Donnels O’Malley Kirstin A. Pauka Cathryn H. Clayton Shana J. Brown Keywords: kunqu, kunju, opera, performance, text, music, creation, practice, Wei Liangfu © 2019, Ju-Hua Wei ii ACKNOWLEDGEMENTS I wish to express my gratitude to the individuals who helped me in completion of my dissertation and on my journey of exploring the world of theatre and music: Shén Fúqìng 沈福庆 (1933-2013), for being a thoughtful teacher and a father figure. He taught me the spirit of jīngjù and demonstrated the ultimate fine art of jīngjù music and singing. He was an inspiration to all of us who learned from him. And to his spouse, Zhāng Qìnglán 张庆兰, for her motherly love during my jīngjù research in Nánjīng 南京. Sūn Jiàn’ān 孙建安, for being a great mentor to me, bringing me along on all occasions, introducing me to the production team which initiated the project for my dissertation, attending the kūnqǔ performances in which he was involved, meeting his kūnqǔ expert friends, listening to his music lessons, and more; anything which he thought might benefit my understanding of all aspects of kūnqǔ. I am grateful for all his support and his profound knowledge of kūnqǔ music composition. Wichmann-Walczak, Elizabeth, for her years of endeavor producing jīngjù productions in the US. -
Women Study on the Existence of Zhai Ji and Female Temple in Vihara Buddhi Bandung Within Chinese Patriarchal Culture
Advances in Social Science, Education and Humanities Research, volume 421 4th International Conference on Arts Language and Culture (ICALC 2019) Women Study on the Existence of Zhai Ji and Female Temple in Vihara Buddhi Bandung Within Chinese Patriarchal Culture Tjutju Widjaja1, Setiawan Sabana2*, Ira Adriati3 1, 2, 3 Sekolah Pasca Sarjana, Institut Teknologi Bandung, Program Studi Seni Rupa dan Desain 1 [email protected], 2 [email protected], 3 [email protected] Abstract. The results of the patriarchal culture in Chinese people which violated women are foot binding, mui cai, family system and marriage. Various acts of rejection towards patriarchal culture took place, women refused to accept the practice of foot bindings and marriages. They formed an organized community. The women's community lived in a place called Zhai Tang which means " vegetarian hall" which is the origin of the Kelenteng Perempuan (Female Temple). The women occupying Zhai Tang are called Zhai Ji. They are practicing celibacy, adhere to Sanjiao teachings and worships Guan Yin. This research aims to reveal the relationship between the existence of the Kelenteng Perempuan and Zhai Ji in Vihara Buddhi Bandung within the scope of the patriarchal culture of the Chinese nation as its historical background. The research uses historical methods and purposive sampling techniques. The conclusion in this study is the Existence of Female Temple and Zhai Ji is a representation of some of the values of emancipation of Chinese women towards injustice caused by patriarchal culture. Keywords: women’s studies, China, Female Temple, patriarchy, Zhai Ji Introduction Chinese women in their traditional culture do not have an important role in the social system. -
The History of Holt Cheng Starts 88Th
The Very Beginning (written with great honor by cousin Basilio Chen 鄭/郑华树) The Roots Chang Kee traces his family roots as the 87th descendant of Duke Huan of Zheng (鄭桓公), thus posthumorously, Dr. Holt Cheng is referred to in the ancient family genealogical tradition Duke Holt Cheng, descendant of the royal family Zhou (周) from the Western Zhou Dynasty. The roots and family history of Chang Kee starts over 2,800 years ago in the Zhou Dynasty (周朝) when King Xuan (周宣王, 841 BC - 781 BC), the eleventh King of the Zhou Dynasty, made his younger brother Ji You (姬友, 806 BC-771 BC) the Duke of Zheng, establishing what would be the last bastion of Western Zhou (西周朝) and at the same time establishing the first person to adopt the surname Zheng (also Romanized as Cheng in Wades-Giles Dictionary of Pronunciation). The surname Zheng (鄭) which means "serious" or " solemn", is also unique in that is the only few surname that also has a City-State name associated it, Zhengzhou city (鄭國 or鄭州in modern times). Thus, the State of Zheng (鄭國) was officially established by the first Zheng (鄭,) Duke Huan of Zheng (鄭桓公), in 806 BC as a city-state in the middle of ancient China, modern Henan Province. Its ruling house had the surname Ji (姬), making them a branch of the Zhou royal house, and were given the rank of bo (伯,爵), corresponding roughly to an earl. Later, this branch adopted officially the surname Zheng (鄭) and thus Ji You (or Earl Ji You, as it would refer to in royal title) was known posthumously as Duke Huan of Zheng (鄭桓公) becoming the first person to adopt the family surname of Zheng (鄭), Chang Kee’s family name in Chinese. -
Treating Osteoarthritis with Chinese Herbs by Jake Schmalzriedt, DOM
TREATING OSTEOARTHRITIS WITH CHINESE HERBS By Jake Schmalzriedt, DOM Osteoarthritis is a progressive joint disorder that is also known as WESTERN MEDICAL DIAGNOSIS degenerative joint disease, degenerative arthritis, osteoarthrosis Western diagnosis is made primarily from signs and symptoms, (implying lack of inflammation), and commonly “wear and tear” history, and a physical exam checking for tenderness, alignment, arthritis. It is the gradual breakdown of cartilage in the joints and gait, stability, range of motion, and absence of an inflammatory the development of bony spurs at the margins of the joints. The response (heat, redness, and swelling). Western blood work is term osteoarthritis is derived from the Greek words, osteo mean- also used to rule out rheumatoid arthritis and gout. X-rays can ing bone, arthro meaning joint, and itis referring to inflamma- show joint narrowing and osteophyte formation, confirming the tion. This is somewhat of a contradictory term as osteoarthritis osteoarthritis diagnosis. generally has little inflammation associated with it. WESTERN MEDICAL TREATMENT Osteoarthritis falls under rheumatic diseases. There are two main The Western medical treatment principle is categories of arthritis: inflammatory and non- Cartilage and symptomatic relief and supportive therapy inflammatory. Osteoarthritis belongs in the Bone Fragment Normal Bone with an emphasis on controlling pain, in- non-inflammatory category. There are over Thinned Cartilage creasing function and range of motion, and 100 different types of arthritis (all sharing the Normal Cartilage improving quality of life. common symptom of persistent joint pain) Eroded Cartilage with osteoarthritis being the most common Western Therapy and affecting over 27 million people in the Physical therapy and gentle exercises are United States. -
Maria Khayutina • [email protected] the Tombs
Maria Khayutina [email protected] The Tombs of Peng State and Related Questions Paper for the Chicago Bronze Workshop, November 3-7, 2010 (, 1.1.) () The discovery of the Western Zhou period’s Peng State in Heng River Valley in the south of Shanxi Province represents one of the most fascinating archaeological events of the last decade. Ruled by a lineage of Kui (Gui ) surname, Peng, supposedly, was founded by descendants of a group that, to a certain degree, retained autonomy from the Huaxia cultural and political community, dominated by lineages of Zi , Ji and Jiang surnames. Considering Peng’s location right to the south of one of the major Ji states, Jin , and quite close to the eastern residence of Zhou kings, Chengzhou , its case can be very instructive with regard to the construction of the geo-political and cultural space in Early China during the Western Zhou period. Although the publication of the full excavations’ report may take years, some preliminary observations can be made already now based on simplified archaeological reports about the tombs of Peng ruler Cheng and his spouse née Ji of Bi . In the present paper, I briefly introduce the tombs inventory and the inscriptions on the bronzes, and then proceed to discuss the following questions: - How the tombs M1 and M2 at Hengbei can be dated? - What does the equipment of the Hengbei tombs suggest about the cultural roots of Peng? - What can be observed about Peng’s relations to the Gui people and to other Kui/Gui- surnamed lineages? 1. General Information The cemetery of Peng state has been discovered near Hengbei village (Hengshui town, Jiang County, Shanxi ). -
Chen Gui and Other Works Attributed to Empress Wu Zetian
chen gui denis twitchett Chen gui and Other Works Attributed to Empress Wu Zetian ome quarter-century ago, studies by Antonino Forte and Richard S Guisso greatly advanced our understanding of the ways in which the empress Wu Zetian ࣳঞ֚ made deliberate and sophisticated use of Buddhist materials both before and after declaring herself ruler of a new Zhou ࡌʳdynasty in 690, in particular the text of Dayun jing Օႆᆖ in establishing her claim to be a legitimate sovereign.1 However, little attention has ever been given to the numerous political writings that had earlier been compiled in her name. These show that for some years before the demise of her husband emperor Gaozong in 683, she had been at considerable pains to establish her credentials as a potential ruler in more conventional terms, and had commissioned the writing of a large series of political writings designed to provide the ideologi- cal basis for both a new style of “Confucian” imperial rule and a new type of minister. All save two of these works were long ago lost in China, where none of her writings seems to have survived the Song, and most may not have survived the Tang. We are fortunate enough to possess that titled complete with its commentary, and also a fragmentary Chen gui copy of the work on music commissioned in her name, Yue shu yaolu ᑗ ᙕ,2 only thanks to their preservation in Japan. They had been ac- quired by an embassy to China, almost certainly that of 702–704, led టԳ (see the concluding section of thisضby Awata no ason Mahito ொ article) to the court of empress Wu, who was at that time sovereign of 1 See Antonino Forte, Political Propaganda and Ideology in China at the End of the Seventh Century (Naples: Istituto Universitario Orientale,1976); R. -
Learning Chinese
Learning Chinese Chinese is the native language of over a billion speakers, more Language Family people than any other language. It is spoken in China, Singapore, Sino-Tibetan Malaysia, and in many overseas Chinese communities. Dialect 4UBOEBSE.BOEBSJOJTCBTFEPO/PSUIFSO Writing Systems: Chinese dialects. Standard Mandarin is Simplified, Traditional, and Pinyin the language of business, education, and the media in all regions of China, and is tSimplified Chinese (e.g. 汉语) characters are widely used in the People’s widely understood in almost every corner Republic of China. They are based on and share most of their characters of the Chinese-speaking world. with traditional Chinese characters. t Traditional Chinese (e.g. 漢語) characters are in widespread use in Your Learning Options Taiwan, Hong Kong, Macau, and in many overseas Chinese communities. t3PTFUUB4UPOFPGGFSTZPVUIFDIPJDFPG Knowledge of traditional characters will also allow you to recognize many Simplified or Traditional characters characters in classical Chinese texts. for your course. Simplified Traditional tPinyin (e.g. hàn yǔ) is a method of writing Chinese using the Roman alphabet. Pinyin is a transliteration of characters into the Roman script and is used for teaching the language phonetically and for typing Chinese. t3PTFUUB4UPOFBMTPBMMPXTZPVUPMFBSOUP speak and understand spoken Chinese Language Tips without learning Chinese characters. t$IJOFTFJTXSJUUFOXJUIOPTQBDFTCFUXFFOXPSET If this is your objective, you can study your course in the pinyin script. t&BDIDIBSBDUFSJO$IJOFTFDPSSFTQPOETUPBTJOHMFTZMMBCMF tThe meaning of a Chinese syllable depends on the tone with which it is spoken. Chinese has four tones: t3PTFUUB4UPOFHJWFTZPVUIFBCJMJUZUP mā má mǎ mà view pinyin along with the characters. steady high 2 high rising 3 low falling-rising 4 falling You can use this feature as a t"UPOFNBZDIBOHFTMJHIUMZEFQFOEJOHPOUIFUPOFTPGJUTOFJHICPSJOH pronunciation guide for the characters you encounter in the course. -
The Rise of Agricultural Civilization in China: the Disparity Between Archeological Discovery and the Documentary Record and Its Explanation
SINO-PLATONIC PAPERS Number 175 December, 2006 The Rise of Agricultural Civilization in China: The Disparity between Archeological Discovery and the Documentary Record and Its Explanation by Zhou Jixu Center for East Asian Studies, University of Pennsylvania, Philadelphia, Pennsylvania Chinese Department, Sichuan Normal University, Chengdu, Sichuan Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. -
Interpreting Zheng Chenggong: the Politics of Dramatizing
, - 'I ., . UN1VERSIlY OF HAWAII UBRARY 3~31 INTERPRETING ZHENG CHENGGONG: THE POLITICS OF DRAMATIZING A HISTORICAL FIGURE IN JAPAN, CHINA, AND TAIWAN (1700-1963) A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAW AI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THEATRE AUGUST 2007 By Chong Wang Thesis Committee: Julie A. Iezzi, Chairperson Lurana D. O'Malley Elizabeth Wichmann-Walczak · - ii .' --, L-' ~ J HAWN CB5 \ .H3 \ no. YI,\ © Copyright 2007 By Chong Wang We certity that we have read this thesis and that, in our opinion, it is satisfactory in scope and quality as a thesis for the degree of Master of Arts in Theatre. TIIESIS COMMITTEE Chairperson iii ACKNOWLEDGEMENTS I want to give my wannest thanks to my family for their strong support. I also want to give my since're thanks to Dr. Julie Iezzi for her careful guidance and tremendous patience during each stage of the writing process. Finally, I want to thank my proofreaders, Takenouchi Kaori and Vance McCoy, without whom this thesis could not have been completed. - . iv ABSTRACT Zheng Chenggong (1624 - 1662) was sired by Chinese merchant-pirate in Hirado, Nagasaki Prefecture, Japan. A general at the end of the Chinese Ming Dynasty, he was a prominent leader of the movement opposing the Manchu Qing Dynasty, and in recovering Taiwan from Dutch colonial occupation in 1661. Honored as a hero in Japan, China, and Taiwan, he has been dramatized in many plays in various theatre forms in Japan (since about 1700), China (since 1906), and Taiwan (since the 1920s). -
A Practical Scheme to Compute Pessimistic Bilevel Optimization Problem
A Practical Scheme to Compute Pessimistic Bilevel Optimization Problem Bo Zeng Department of Industrial Engineering University of Pittsburgh, Pittsburgh, PA 15261 Abstract In this paper, we present a new computation scheme for pessimistic bilevel optimization problem, which so far does not have any computational methods generally applicable yet. We first develop a tight relaxation and then design a simple scheme to ensure a feasible and optimal solution. Then, we discuss using this scheme to analyze and compute linear pessimistic bilevel problem and several extensions. We also provide demonstrations on illustrative examples, and a systematic numerical study on instances of two practical problems. Because of its simple structure and strong computational capacity, we believe that the developed scheme is of a critical value in studying and solving pessimistic bilevel optimization problems arising from practice. 1 Introduction Bilevel optimization is a popular modeling and computing tool for non-centralized decision making problems where two decision makers (DMs), i.e., the upper level and the lower level DMs, interact sequentially. In this paper, we consider the pessimistic formulation (also known as the weak formulation) of bilevel optimization [32], which can be represented in the following mathematical form: ∗ PBL :Θp = min max F(x; y) (1) x y s.t. x 2 X (2) n o y 2 S(x) = arg min f(x; y): y 2 Y(x) (3) where X ⊆ Rn and Y(x) ⊆ Rm for any x. We mention that x or y variables are not necessary to be continuous and they can be discrete. The optimization problem defined in (1-2) is referred to as the upper level DM’s (her) decision problem and the one appearing in (3) is called the lower level DM’s (his) decision problem. -
Ideophones in Middle Chinese
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use.