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Auf Wiedersehen Pet: Past and Present
H-Film Auf Wiedersehen Pet: Past and Present Discussion published by Elif Sendur on Wednesday, November 13, 2019 We are inviting abstracts for a publication on the British television series Auf Wiedersehen Pet to mark the 35th anniversary of its first screening. We are interested in a range of contributions including; academic articles, fan responses, reminiscences, revisiting locations, interviews, etc. Auf Wiedersehen Pet first appeared on the television screens in 1983. Initially conceived as a single six part series it went on to run for 40 episodes over 5 series. The first series followed the plight of British workers forced to look for work overseas as recession hit Britain. The series, in 1986 showed a brighter, affluent Britain, but one which was ultimately corrupt. Voted in a recent Radio Times poll the number one favourite ITV drama over its 50 year history,Auf Wiedersehen, Pet continues to capture the imagination of the viewing public since its first airing in 1983. Over four series and a special, it portrayed the highs and lows of a disparate band of labourers. AufPet, as it became known to the writers, had a prestigious lineage. The series was the brainchild of a northern film-maker, Franc Roddam. It arrived after a long line of impressive cinema films and TV dramas which represented gritty working class life in all its glory and horrors. Such hard-hitting ‘social problem’ dramas as Cathy Come Home, Peter Terson’s The Fishing Party (BBC Play for Today, 1972), Boys From the Black Stuff and Roddam’s own The Family, had already begun to pinpoint the central dramatic component parts of working class representation; jobs (getting them, losing them, suffering over them), damaged relationships, drink, sex and music. -
My Blueberry Nights – Un Doux Rêve Éveillé Sortie Prévue En Salles 28 Novembre 2007
Fiche pédagogique My Blueberry Nights – Un doux rêve éveillé Sortie prévue en salles 28 novembre 2007 Film long métrage, Hong-Kong, Résumé autres, elle fait la connaissance de Chine, 2007 personnages très éloignés de sa propre personnalité : un policier New York, de nos jours. Elizabeth alcoolique incapable de concevoir la Réalisation : Wong Kar Wai doit faire face à une rupture Interprètes : Norah Jones, séparation d’avec sa jeune épouse ; douloureuse. Elle échange des une habituée des tables de jeu en Jude Law, David Strathairn, confidences nocturnes avec un Rachel Weisz, Natalie Portman délicatesse avec son père. patron de bar, qui a vécu une situation comparable. C’est Photo : Darius Khondji La mise en résonance de ces l’occasion de déguster de destins individuels permet à généreuses parts de tartes aux Production : Wong Kar Wai Elizabeth de relativiser sa situation. myrtilles. Face aux abîmes du vide existentiel Distribution en Suisse: et aux mirages de la nuit, elle en Pour tourner la page, Elizabeth vient à reconsidérer sa vie sous un Frenetic Films prend le large et occupe des emplois nouvel angle et à explorer sa propre de serveuse dans des restaurants personnalité. Version française ou version populaires de plusieurs Etats originale anglaise, sous-titres différents. Energique et attentive aux français-allemands. ___________________________________________________ Durée : 1h40 Commentaires Leung) en 2000. Le très sophistiqué « 2046 » est reparti bredouille en Public concerné : Age légal 10 2004 après avoir été attendu comme ans / Age suggéré 14 ans Né en 1958 à Shanghaï, Wong Kar la Palme potentielle. Choisi pour Wai a émigré à Hong Kong avec ses ouvrir la 60ème édition du festival en parents à l’âge de cinq ans. -
DACIN SARA Repartitie Aferenta Trimestrului III 2019 Straini TITLU
DACIN SARA Repartitie aferenta trimestrului III 2019 Straini TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 R10 R11 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 Greg Pruss - Gregory 13 13 2010 US Gela Babluani Gela Babluani Pruss 1000 post Terra After Earth 2013 US M. Night Shyamalan Gary Whitta M. Night Shyamalan 30 de nopti 30 Days of Night: Dark Days 2010 US Ben Ketai Ben Ketai Steve Niles 300-Eroii de la Termopile 300 2006 US Zack Snyder Kurt Johnstad Zack Snyder Michael B. Gordon 6 moduri de a muri 6 Ways to Die 2015 US Nadeem Soumah Nadeem Soumah 7 prichindei cuceresc Broadway-ul / Sapte The Seven Little Foys 1955 US Melville Shavelson Jack Rose Melville Shavelson prichindei cuceresc Broadway-ul A 25-a ora 25th Hour 2002 US Spike Lee David Benioff Elaine Goldsmith- A doua sansa Second Act 2018 US Peter Segal Justin Zackham Thomas A fost o data in Mexic-Desperado 2 Once Upon a Time in Mexico 2003 US Robert Rodriguez Robert Rodriguez A fost odata Curly Once Upon a Time 1944 US Alexander Hall Lewis Meltzer Oscar Saul Irving Fineman A naibii dragoste Crazy, Stupid, Love. 2011 US Glenn Ficarra John Requa Dan Fogelman Abandon - Puzzle psihologic Abandon 2002 US Stephen Gaghan Stephen Gaghan Acasa la coana mare 2 Big Momma's House 2 2006 US John Whitesell Don Rhymer Actiune de recuperare Extraction 2013 US Tony Giglio Tony Giglio Acum sunt 13 Ocean's Thirteen 2007 US Steven Soderbergh Brian Koppelman David Levien Acvila Legiunii a IX-a The Eagle 2011 GB/US Kevin Macdonald Jeremy Brock - ALCS Les aventures extraordinaires d'Adele Blanc- Adele Blanc Sec - Aventurile extraordinare Luc Besson - Sec - The Extraordinary Adventures of Adele 2010 FR/US Luc Besson - SACD/ALCS ale Adelei SACD/ALCS Blanc - Sec Adevarul despre criza Inside Job 2010 US Charles Ferguson Charles Ferguson Chad Beck Adam Bolt Adevarul gol-golut The Ugly Truth 2009 US Robert Luketic Karen McCullah Kirsten Smith Nicole Eastman Lebt wohl, Genossen - Kollaps (1990-1991) - CZ/DE/FR/HU Andrei Nekrasov - Gyoergy Dalos - VG. -
Le Programme October – November 2017 02 Contents/Highlights
Le Programme October – November 2017 02 Contents/Highlights Ciné Lumière 3–17 Performances & Talks 18–20 Projet Lumière(s) 20 61st BFI London Film Festival Tribute to Jeanne Moreau 25th French Film Festival South Ken Kids Festival 22 5 – 15 Oct 19 Oct – 17 Dec 2 – 9 Nov p.6 pp.16-17 pp.9-13 Kids & Families 23 We Support 24 We Recommend 25 French Courses 27 South Ken Kids Festival Impro! Suzy Storck La Médiathèque / Culturethèque 28 13 – 19 Nov 18 Nov 26 Oct – 18 Nov p.22 p.18 Gate Theatre p.24 General Information 29 front cover image: Redoubtable by Michel Hazanavicius Programme design by dothtm Ciné Lumière New Releases Le Correspondant In Between On Body and Soul FRA/BEL | 2016 | 85 mins | dir. Jean-Michel Ben Soussan, Bar Bahar Teströl és lélekröl with Charles Berling, Sylvie Testud, Jimmy Labeeu, Sophie PSE/ISR/FRA | 2016 | 102 mins | dir. Maysaloun Hamoud, with HUN | 2017 | 116 mins | dir. Ildikó Enyedi, with Géza Mousel | cert. tbc | in French with EN subs Mouna Hawa, Sana Jammelieh, Shaden Kanboura | cert. 15 Morcsányi, Alexandra Borbély, Zoltán Schneider | cert. 18 in Hebrew & Arabic with EN subs in Hungarian with EN subs Malo and Stéphane are two students who are kind of losers and have just started high school. Their genious Winner of the Young Talents Award in the Women in Marking a singular return for Hungarian writer-director plan to become popular: to host a German exchange Motion selection in Cannes this year, In Between follows Ildikó Enyedi after an 18-year gap, On Body and Soul tells student with a lot of style, preferably a hot girl. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
Seawood Village Movies
Seawood Village Movies No. Film Name 1155 DVD 9 1184 DVD 21 1015 DVD 300 348 DVD 1408 172 DVD 2012 704 DVD 10 Years 1175 DVD 10,000 BC 1119 DVD 101 Dalmations 1117 DVD 12 Dogs of Christmas: Great Puppy Rescue 352 DVD 12 Rounds 843 DVD 127 Hours 446 DVD 13 Going on 30 474 DVD 17 Again 523 DVD 2 Days In New York 208 DVD 2 Fast 2 Furious 433 DVD 21 Jump Street 1145 DVD 27 Dresses 1079 DVD 3:10 to Yuma 1124 DVD 30 Days of Night 204 DVD 40 Year Old Virgin 1101 DVD 42: The Jackie Robinson Story 449 DVD 50 First Dates 117 DVD 6 Souls 1205 DVD 88 Minutes 177 DVD A Beautiful Mind 643 DVD A Bug's Life 255 DVD A Charlie Brown Christmas 227 DVD A Christmas Carol 581 DVD A Christmas Story 506 DVD A Good Day to Die Hard 212 DVD A Knights Tale 848 DVD A League of Their Own 856 DVD A Little Bit of Heaven 1053 DVD A Mighty Heart 961 DVD A Thousand Words 1139 DVD A Turtle's Tale: Sammy's Adventure 376 DVD Abduction 540 DVD About Schmidt 1108 DVD Abraham Lincoln: Vampire Hunter 1160 DVD Across the Universe 812 DVD Act of Valor 819 DVD Adams Family & Adams Family Values 724 DVD Admission 519 DVD Adventureland 83 DVD Adventures in Zambezia 745 DVD Aeon Flux 585 DVD Aladdin & the King of Thieves 582 DVD Aladdin (Disney Special edition) 496 DVD Alex & Emma 79 DVD Alex Cross 947 DVD Ali 1004 DVD Alice in Wonderland 525 DVD Alice in Wonderland - Animated 838 DVD Aliens in the Attic 1034 DVD All About Steve 1103 DVD Alpha & Omega 2: A Howl-iday 785 DVD Alpha and Omega 970 DVD Alpha Dog 522 DVD Alvin & the Chipmunks the Sqeakuel 322 DVD Alvin & the Chipmunks: Chipwrecked -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Paper Number: 105 November 2010 Wong Kar-Wai and the Aesthetics of Disturbance Gary Bettinson Lancaster University Gary Bettins
Paper Number: 105 November 2010 Wong Kar-wai and the Aesthetics of Disturbance Gary Bettinson Lancaster University Gary Bettinson is Lecturer in Film Studies at Lancaster University. He is editor of Directory of World Cinema: China (Intellect, forthcoming 2011), and co-author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates (McGraw-Hill, 2010). Other publications have appeared in Warren Buckland (ed.) Puzzle Films: Complex Storytelling in Contemporary Cinema (Wiley-Blackwell, 2009), Francois-Xavier Gleyzon (ed.) David Lynch/In Theory (Charles University Press, 2010), New Review of Film and Television Studies, Film Studies: An International Review, Asian Cinema, and Journal of Chinese Cinemas. The authors welcome comments from readers. Contact details: E-mail: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. -
Sous Les Charmes Des Néons Fluorescents / My Blueberry Nights De Wong Kar-Wai]
Document généré le 26 sept. 2021 19:33 Ciné-Bulles Sous les charmes des néons fluorescents My Blueberry Nights de Wong Kar-wai Stéphane Defoy Volume 26, numéro 3, été 2008 URI : https://id.erudit.org/iderudit/60816ac Aller au sommaire du numéro Éditeur(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (imprimé) 1923-3221 (numérique) Découvrir la revue Citer ce compte rendu Defoy, S. (2008). Compte rendu de [Sous les charmes des néons fluorescents / My Blueberry Nights de Wong Kar-wai]. Ciné-Bulles, 26(3), 61–62. Tous droits réservés © Association des cinémas parallèles du Québec, 2008 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ My Blueberry Nights, il ressasse les mê a transposé l'action dans un snack-bar où My Blueberry Nights mes obsessions,celle s surtout de ses deux atterrit Elizabeth (Jones),un e femme trom de Wong Kar-wai œuvres précédentes, le futuriste 2046 péepa rso n amoureux etdon t Jeremy (Law) • (2004) et le languissant In the Mood for écoute les confidences tout en succom Love (2000). Au menu, on retrouve des bant aux charmes de la malheureuse. -
Wong Kar Wai Biografía
Publicado en ARTIUM - Biblioteca y Centro de Documentación (https://catalogo.artium.eus) Inicio > En torno al cine » Directores > W > Wong Kar Wai Wong Kar Wai Biografía Wong Kar Wai, el director de las sempiternas gafas de sol, nació en 1958 en Shanghai, China. Su nombre entonces era Wang Jiawei. Cuando sólo tenía cinco años, se trasladó con sus padres a la entonces colonia británica de Hong Kong. Fijaron su residencia en Tsim Sha Tsui, no lejos del famoso Chungking Mansions, edificio compuesto por una mezcolanza de apartamentos de bajo coste, restaurantes, tiendas o negocios de diverso tipo, con un ambiente un tanto extraño, que ha servido de inspiración para muchas de las películas del cineasta. El cambio no fue fácil para el pequeño Wang Jiawei. Sólo hablaba mandarín y shanghainés, por lo que se vio obligado a aprender cantonés. Su nombre también se tuvo que adaptar a la nueva lengua, pasando a llamarse Wong Kar Wai. No tiene amigos, y sólo encuentra consuelo en el cine y la literatura, disciplinas en las que le inician sus padres. Su madre, aficionada al séptimo arte, llevaba a su hijo a las múltiples salas de cine que rodeaban la casa donde vivían. Allí se empapó de películas de todo tipo, tanto de directores locales como europeos o de Hollywood. Son estas fuentes las que le sirven de inspiración para realizar sus películas, ya que nunca asistió a una escuela de dirección. En 1980 se graduó en diseño gráfico por el Hong Kong Polytechnic College, matriculándose posteriormente en un curso de producción que organizaba la Television Broadcasts Limited (TVB) de Hong Kong. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.