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Bar Busted for Under
Volume 12 Issue 42 News Desk - Tel: 076-236555 October 15 - 21, 2005 Daily news at www.phuketgazette.net 20 Baht The Gazette is published in association with Bar busted Mom Tri plans for under- age male IN THIS ISSUE prostitution NEWS: Brit jailed for six years to open school drug offense; Gov orders halt PATONG: Kathu Police raided to construction of hillside College to be similar to Chiang Mai’s Prem Center the Uncle Charlie’s Boys night- homes. Pages 2 & 3 club on Soi Paradise on the night INSIDE STORY: Pier pressure of October 8 and arrested two in Rawai. Pages 4 & 5 By Andy Johnstone employees on charges of procur- AROUND THE ISLAND: Culture KATA: Famed architect and de- ing, including arranging the pro- comes to Phuket City streets. veloper ML Tridhosyuth Devakul vision of sexual services by boys Page 8 has unveiled plans to establish a under 15 years of age. new International Baccalaureate The bar owners, a father- AROUND THE REGION: Rock- and-son team, were later arrested ing on Samui style. Page 9 (IB) school in Phuket. Mom Tri, as he is widely on six charges, including viola- PEOPLE: Getting on famously: known, was speaking at the tions of the Penal Code and La- Keith Floyd; Weddings. bor Act. Pages 10 & 11 groundbreaking ceremony on October 6 for the Villas Grand Police have also requested LIFESTYLE: Backing out in Cru, a new residential project in the Governor to close down the Fein form. Pages 12 & 13 the Kata Hills. club permanently. In 2001, Mom Tri founded Pol Lt Pratuang Pholmana SPA MAGIC: Evolve@Spa. -
Deborah's M.A Thesis
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS Created in its own sound: Hearing Identity in The Thai Cinematic Soundtrack Deborah Lee National University of Singapore 2009 Acknowledgements Heartfelt thanks goes out to the many people that have helped to bring this thesis into fruition. Among them include the many film-composers, musicians, friends, teachers and my supervisors (both formal and informal) who have contributed so generously with their time and insights. Professor Rey, Professor Goh, Prof Irving, Prof Jan, Aajaarn Titima, Aajaarn Koong, Aajaarn Pattana, I really appreciate the time you took and the numerous, countless ways in which you have encouraged me and helped me in the process of writing this thesis. Pitra and Aur, thank you for being such great classmates. The articles you recommended and insights you shared have been invaluable to me in the research and writing of my thesis. Rohani, thanks for facilitating all the administrative details making my life as a student so much easier. Chatchai, I’ve been encouraged and inspired by you. Thank you for sharing so generously of your time and love for music. Oradol, thank you so much for the times we have had together talking about Thai movies and music. I’ve truly enjoyed our conversations. There are so many other people that have contributed in one way or the other to the successful completion of this thesis. The list goes on and on, but unfortunately I am running out of time and words…. Finally, I would like to thank God and acknowledge His grace that has seen me through in the two years of my Masters program in the Department of Southeast Asian Studies. -
Remaining Tsunami Victim Bodies to Be Buried
Volume 13 Issue 43 News Desk - Tel: 076-236555October 28 - November 3, 2006 Daily news at www.phuketgazette.net 25 Baht The Gazette is published in association with Remaining National Parks tsunami IN THIS ISSUE victim NEWS: ‘Death bend’ road- fees doubled bodies to works open to bids; Startups stall following crackdown. Pages 2 & 3 By Gazette Staff be buried INSIDE STORY: Phuket’s sign PHUKET CITY: Foreign tour- language. Pages 4 & 5 ists entering national parks inde- By Sompratch Saowakhon AROUND THE REGION: Samui pendently must now pay 400 baht gets e-driving lessons. each, a 100% increase on the PHANG NGA: Three religious Page 8 previous park entry fee of 200 ceremonies – one Buddhist, one AROUND THE ISLAND: Furry baht. Christian and one Muslim – were celebrity. Page 9 Following a protest by the performed October 16 in prepa- Phuket Tourist Association and ration for burying 422 unidenti- OOD IVING Tastes like a G L : other tour operators’ groups at fied tsunami victims in Baan million baht. Page 13 the Tourism Authority of Thailand Bang Muang Cemetery. PEOPLE: Phuket’s very differ- (TAT) Region 4 Office in early Pol Col Khemmarin Has- ent party styles. August, the Ministry of Natural siri, Superintendent of the Thai Pages 14 & 15 Resources and Environment de- Tsunami Victim Identification LIFESTYLE: Squeezing into a ferred the scheduled hike to No- unit since the disaster, told the better body shape; luxurious vember 30, 2007. Gazette, “These 422 bodies have accessories.Pages 18 & 19 However, the postpone- not been claimed and we have SPA MAGIC: Sugar Palm. -
Thailand Understand & Survival (Chapter)
Thailand Understand & Survival (Chapter) Edition 14th Edition, February 2012 Pages 106 PDF Page Range 695-791 Coverage includes: Understand Thailand, Thailand Today, History, The People & Culture, Thai Temples, Festivals, Eating in Thailand, Environment & Wildlife, Survival Guide, Directory, Transport and Glossary. Useful Links: Having trouble viewing your file? Head to Lonely Planet Troubleshooting. Need more assistance? Head to the Help and Support page. Want to find more chapters? Head back to the Lonely Planet Shop. Want to hear fellow travellers’ tips and experiences? Lonely Planet’s Thorntree Community is waiting for you! © Lonely Planet Publications Pty Ltd. To make it easier for you to use, access to this chapter is not digitally restricted. In return, we think it’s fair to ask you to use it for personal, non-commercial purposes only. In other words, please don’t upload this chapter to a peer-to-peer site, mass email it to everyone you know, or resell it. See the terms and conditions on our site for a longer way of saying the above - ‘Do the right thing with our content. ©Lonely Planet Publications Pty Ltd Understand Thailand THAILAND TODAY . .696 Thailand’s economy has continued to boom despite the political uncertainty since the 2006 coup. HISTORY & POLITICS . .699 Great ancient kingdoms, religions and dynasties have left their mark on how this nation has evolved. THE PEOPLE & CULTURE . 721 Despite its outward homogeneity, many subtle regional dif- ferences exist in the country, often infl uened by Thailand’s neighbours. EATING IN THAILAND . 738 For many visitors, the amazing food is one of the main reasons for choosing Thailand as a destination. -
Vodafone Paredes De Coura 2017
DOSSIER DE IMPRENSA VODAFONE PAREDES DE COURA 2017 Vodafone Paredes de Coura Ritmos Edição 2017 Biblioteca Digital Vodafone Vozes da Escrita Vodafone Music Sessions Acções Vodafone Vodafone FM Fest Cool Down Palco Jazz Relva Sobe à Vila Cartaz 2017 Programação por Dias Biografias Contactos 2017 © RITMOS, LDA VODAFONE PAREDES DE COURA 2017 VODAFONE O Vodafone Paredes de Coura está de regresso às margens do Taboão para celebrar a 25.ª edição. paredes DE São 25 anos de história repletos de momentos inesquecíveis. Das atuações COURA memoráveis, ao reencontro entre amigos e ao convívio com a natureza, o festival cresceu e deu fama internacional à vila minhota, que é agora destino de férias de eleição para tantos que a visitam. O Vodafone Paredes de Coura, habitat natural da música, mudou a forma de a ouvir, e viver. Soube despertar tendências, arriscar sonoridades, descobrir novos talentos, consagrar grandes nomes. Uma caminhada de esforços e superações, de provas e de conquistas, de lutas e de vitórias. 25 anos depois, a música continua no centro das atenções de um festival de experiências únicas. A história da música em Portugal não seria a mesma sem o Festival Paredes de Coura. EDIÇÃO 2016 A 24.ª edição materializou o sonho sob a forma de quatro dias de música em comunhão com a natureza, numa celebração conjunta que levou perto de 100 mil pessoas à Praia Fluvial do Taboão. Depois do sucesso da edição de 2015, completamente esgotada, o Vodafone Paredes de Coura continuou a apostar nas melhorias na área do campismo e do anfiteatro natural, que viu o seu espaço ampliado, mas manteve a lotação, o que permitiu receber o público com um cuidado reforçado e proporcionar ainda mais conforto, condições de higiene e segurança. -
Music Copyright (Thailand) Company Limited : MCT 23/17-18 Soi Soonvijai, Rama 9 Road Bangkapi, Huaykwang, Bangkok 10310 Thailand
MCT Annual Report 2012 “Music gives a soul to the universe, wings to the mind, flight to the imagination, and life to everything” - Plato MCT is the only one society in Thailand that has been proven to be OUR PROFILE a member of the International --------------------------------------------------------- Confederation of Societies of Authors and MCT is an organization of the composers Composers: CISAC and authors, the implementation of international principles of management rights of the composer and author (Authors' Collective Management Organization). MCT commiitted iintentiion to cooperate wiith allll partiies to establliish a system for managiing performiing riights for Thaii composers. MCT focuses on both the lliicense and the diistriibutiion of the royalltiies and allso focus on; CISAC: The International Confederation of Societies • Transparency of Authors and Composers • Non-profiit • Accountabiilliity • Complliiance wiith iinternatiionall priinciiplles Furthermore, thiis uniiversall priinciiplle management was accepted by composers and authors around the worlld as In addition, the a mechaniism to return to the composers, faiir, and conveniient to musiic users for a llong tiime. members of MCT can get information on MCT iis currentlly coordiinatiing a network of organiizatiions reciiprocall agreement between other sociiety iin more than composers and 30 countriies, coveriing 78 terriitoriies from around the worlld. songwriters from all Furthermore, the reciiprocall agreement wiith other country iis over of the world's iincreasiing every year. copyrights organization MCT iis ready to enhance the protectiion of Thaii composers to get a return on royalltiies and iinclluded the overseas use at www.cisac.org as wellll. Board of Directors 2013-2014 Mr. WIRAT U-TAWAUGHN MR. THANIT CHERNPIPAT Honorary Director Director Mr. -
June 2-8, 2016
JUNE 2-8, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE | WWW.WHATZUP.COM | FACEBOOK.COM/WHATZUPFORTWAYNE 2 ----------------------------------------------------------------------------------- www.whatzup.com ------------------------------------------------------------------June 2, 2016 whatzup Volume 20, Number 42 ort Wayne must really love Germanfest because every year, when we feature the annual festival on our cover, the issues fly off our news- racks like German hotcakes. We assume the popularlity of this particu- larF issue has everything to do with German music and dancing, contests and games and food and beer and not the buxom fraulein that graces its cover, but we could be wrong. Whatever your reason for picking up this week’s issue of GO TO OUR WEBSITE whatzup, you’ll find all things Germanfest in Deborah Kennedy’s cover story FOR TICKET INFO & MORE on page 4. And if you happen to leave your copy at home while you’re out and about during the festival, you’ll be able to access a complete daily schedule at ALL SHOWS ALL AGES UPCOMING EVENTS www.whatzup.com on your cellular device. Genießen! If your tastes run more toward classic rock n’ roll and pop, we’re guessing The Monkees might be the thing for you. The 60s TV and pop music darlings are part of this summer’s Foellinger Theatre concert lineup and are featured by Michele DeVinney on page 5 (and yes, she’s a fan). Finally, we feature one of Fort Wayne’s undiscovered treasures and yet another CuteCute ByBy NatureNature blessing bestowed upon our community by Sweetwater Sound. Expanding Man, a collective consisting of some of Sweetwater’s very best players, play every so JewelryJewelry June 6 | 7pm often at Don Hall’s Guesthouse and are some of the most talented musicians you’re ever going to see. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Go Viral 9-5.Pdf
Hello fellow musicians, artists, rappers, bands, and creatives! I’m excited you’ve decided to invest into your music career and get this incredible list of music industry contacts. You’re being proactive in chasing your own goals and dreams and I think that’s pretty darn awecome! Getting your awesome music into the media can have a TREMENDOUS effect on building your fan base and getting your music heard!! And that’s exactly what you can do with the contacts in this book! I want to encourage you to read the articles in this resource to help guide you with how and what to submit since this is a crucial part to getting published on these blogs, magazines, radio stations and more. I want to wish all of you good luck and I hope that you’re able to create some great connections through this book! Best wishes! Your Musical Friend, Kristine Mirelle VIDEO TUTORIALS Hey guys! Kristine here J I’ve put together a few tutorials below to help you navigate through this gigantic list of media contacts! I know it can be a little overwhelming with so many options and places to start so I’ve put together a few videos I’d highly recommend for you to watch J (Most of these are private videos so they are not even available to the public. Just to you as a BONUS for getting “Go Viral” TABLE OF CONTENTS What Do I Send These Contacts? There isn’t a “One Size Fits All” kind of package to send everyone since you’ll have a different end goal with each person you are contacting. -
Cinematic Forms and the Assembly of Cities
CINEMATIC FORMS AND Landscape and the literary THE ASSEMBLY OF CITIES: The more we were bound to the BANGKOK INSCRIBED room, the more empty we became. And so we went out… 1 Noah Viernes (Kaewkan 2006: 34) There is an anxiety about the city that Abstract looms in several recent scenes from Thai- language literature and film. The above This article suggests that an aesthetics of passage taken from Siriworn Kaewkan’s contemporary urban life builds new short story, “Our Resemblances,” narrates avenues for treating the politics of a day in the life of one urban subject who visibility. Several reasons instigate this leaves his apartment of “emptiness” to new approach. First, art forms illustrate experience the material of the city. But as and train a specific way of “seeing,” a the subject leaves his room to travel across camera consciousness, that correlates the landscape of Bangkok, the depthless with changes in the built landscape. A urban signs and signifiers ultimately specific configuration, in other words, exacerbate this emptiness. In the story’s presents a relationship (an analogy) final line, an analogy is drawn between the between the contemporary predominance subject’s emptiness and a frustrated sense of urban images and urban subjects that of vision: “The more we try to open our elude preexisting categories. These eyes, the more blurry everything becomes” aesthetic departures can be illustrated by (Kaewkan 2006: 47). The dilemma of literary and cinematic “sentence-images” blurred vision inquires into how seeing is within the project that Jacques Rancière constrained by the landscape of the city, (2004; 2006; 2007) calls the “redistribution and what possibilities the forms of film of the sensible.” This paper's attempt to and literature offer for addressing an urban locate this redistribution according to the subject alienated by a disinclination appearance of “the urban” in the toward seeing. -
The Thai Popular Music Industry
THE THAI POPULAR MUSIC INDUSTRY: INDUSTRIAL FORM AND MUSICAL DESIGN NALIN WUTTIPONG, BFA, M Mus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy SEPTEMBER 2011 o ABSTRACT Popular music, as it is generally defined in its commercial existence, originated in the West and has been widely discussed in Anglophone academia. One of the key means of approaching it is in terms of political economy, by viewing the culture industry essentially as a model of capitalism, with the purpose of maximizing profit [Bumett, 1996; Frith, Straw and Street, 2001]. The debates between political economists and other popular music scholars have predominantly taken as their subject Western popular music. Yet it is important to point out that whilst studies focused upon cultural industries outside of Western contexts have been few and far between, many have proved extremely fruitful and enlightening, exploring issues not considered in Western-centered accounts. This dissertation will attempt to examine and describe the causes and effects of corporate control over the major labels, which have been influential in the Thai popular music industry since 1982, when the first major label was established. Furthermore, this dissertation will argue that the popular music industry in Thailand presents something ofa variation on Adorno's theme of mass culture, replicating certain aspects of his description while also diverging in important ways. The study of the development of Thai popular music in this dissertation can be divided into five important periods: the Pre-pop Era (from the emergence of The Impossible to 1982) and the Pop Era (1982-1994), the Indie Phenomenon (1994-1997), the Major Retum (1997-2002) and the present day (2002 to today). -
Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience
Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience by Christine Sarah Steinbock A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014 Christine Sarah Steinbock ii Abstract Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience Americana, a musical genre defined by its place in a lineage of roots music styles and a nostalgic outlook is enjoying increasing mainstream popularity in response to general societal unease about the fast pace of social change and the increasing presence of technology in everyday life. Americana artists’ invocations of the past cultivate a psychic landscape of collective memory that quells fears of change by asserting the sustained value of the past. Instead of actively resisting social and technological change Americana artists, listeners and promoters embrace technology in service of a nostalgically- motivated humanization and disintermediation of musical performance and consumption. Gillian Welch and Dave Rawlings (who perform as “Gillian Welch”) and their 2011 album The Harrow & the Harvest are analyzed vis-à-vis the ways in which their musical and visual invocations of the rural past dialogue with a psychic landscape of collective memory. iii Acknowledgements I want to express my gratitude for the opportunity to study in the Music and Culture program at Carleton and the privilege of working alongside such dedicated scholars, professors and fellow students alike. I want to especially thank my supervisor, Dr.