DOCSLIB.ORG

The Transcultural in the Global South: the Korean Wave in India

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Transcultural in the Global South: the Korean Wave in India H-Asia The Transcultural in the Global South: The Korean Wave in India Discussion published by Sourish Ghosh on Thursday, September 2, 2021 Type: Call for Publications Date: September 2, 2021 to September 30, 2021 Location: India Subject Fields: Anthropology, Cultural History / Studies, Korean History / Studies, Music and Music History, Popular Culture Studies For a forthcoming Book on Korean Culture in India Dear All: The Editors invite you to submit a paper for an edited book on Korean Wave (K-Wave) in India. The anthology will be published from a reputed publication house and will probably be the first book on K-Wave (Hallyu) in India. We welcome articles from faculties, independent scholars, researchers, journalists and fans who are doing research or eloquently writing on this topic. As K-Wave has become a phenomenon in Indian popular culture for some years, it has generated several voices with different views and understanding. The K-Wave as popular culture, which has erupted from the Northeastern India, is now spread throughout the country, playing a significant role in transcending the mainstream understanding of culture. The ever evolving wave is even viewed as the resistance of the Northeastern people against the mainstream mainland culture. Though the intriguing K-Wave has generated significant media glare but it is still in a nascent stage as an issue of academic churning. This books aims to provide a platform for researchers, fans and journalists to present their passion, research and developments in this area. Areas of interest for this book include, but are not limited to, the following topics: Music and the Korean Wave Negotiating Conflict and the Korean Wave The Korean Wave and Fashion The Korean Wave and Foreign Policy Film and the Korean Wave K-Drama viewership in India Citation: Sourish Ghosh. The Transcultural in the Global South: The Korean Wave in India. H-Asia. 09-02-2021. https://networks.h-net.org/node/22055/discussions/8184966/transcultural-global-south-korean-wave-india Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Asia The Korean Wave and Language Isolation and the Korean Wave Technological mediation and the Korean Wave Gender and the Korean Wave The Korean Wave and cultural Nationalism/ Regionalism K-Wave and social change K-Wave and youth culture Food and the Korean Wave Body/ Choreography and the Korean Wave Fan discourse and K-Wave Myth and the Korean Wave Consumer culture and K-Wave Urban culture and K-Wave Globalization and K-wave in India However, the scope of the book is not limited to the above focus areas.We are flexible to accept any paper relevant to cultural and social impacts of the Korean Wave in India. You will need to indicate your intention to submit your full paper by email to the editor(s) with the title of the paper, author’s affiliation and the abstract of 300 words. The full manuscript as a PDF and word file should be emailed to the editor by the deadline indicated below. Author guidelines will be mailed to you after we receive your letter of intent. Email: [email protected] Tentative title of the Book: The Transcultural in the Global South: The Korean Wave in India IMPORTANT DATES: Abstract submission Deadline: September 30, 2021 Decision Date: October 10, 2021 Full Manuscript: November 30, 2021 Length of the Manuscript: 6000-7000 words including notes and references Editors: Dr. Manas Ghosh, Assistant Professor, Dept of Film Studies, Jadavpur University, INDIA Citation: Sourish Ghosh. The Transcultural in the Global South: The Korean Wave in India. H-Asia. 09-02-2021. https://networks.h-net.org/node/22055/discussions/8184966/transcultural-global-south-korean-wave-india Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 2 H-Asia Dr. Sourish Ghosh, Independent Researcher, Kolkata, INDIA Contact Info: Dr. Sourish Ghosh Contact Email: [email protected] Citation: Sourish Ghosh. The Transcultural in the Global South: The Korean Wave in India. H-Asia. 09-02-2021. https://networks.h-net.org/node/22055/discussions/8184966/transcultural-global-south-korean-wave-india Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 3.
Load more

Recommended publications
  • Transculturalism in Chicano Literature, Visual Art, and Film Master's
    Transculturalism in Chicano Literature, Visual Art, and Film Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Global Studies Jerónimo Arellano, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Global Studies by Sarah Mabry August 2018 Transculturalism in Chicano Literature, Visual Art, and Film Copyright by Sarah Mabry © 2018 Dedication Here I acknowledge those individuals by name and those remaining anonymous that have encouraged and inspired me on this journey. First, I would like to dedicate this to my great grandfather, Jerome Head, a surgeon, published author, and painter. Although we never had the opportunity to meet on this earth, you passed along your works of literature and art. Gleaned from your manuscript entitled A Search for Solomon, ¨As is so often the way with quests, whether they be for fish or buried cities or mountain peaks or even for money or any other goal that one sets himself in life, the rewards are usually incidental to the journeying rather than in the end itself…I have come to enjoy the journeying.” I consider this project as a quest of discovery, rediscovery, and delightful unexpected turns. I would like mention one of Jerome’s six sons, my grandfather, Charles Rollin Head, a farmer by trade and an intellectual at heart. I remember your Chevy pickup truck filled with farm supplies rattling under the backseat and a tape cassette playing Mozart’s piano sonata No. 16. This old vehicle metaphorically carried a hard work ethic together with an artistic sensibility.
    [Show full text]
  • Molos Dimitrios 201212 Phd.Pdf (1.418Mb)
    CULTURE, COMMUNITY AND THE MULTICULTURAL INDIVIDUAL Liberalism and the Challenge of Multiculturality by DIMITRIOS (JIM) MOLOS A thesis submitted to the Graduate Program in Philosophy in conformity with the requirements for the Degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada December, 2012 Copyright © Dimitrios (Jim) Molos, 2012 ABSTRACT Every theory of liberal multiculturalism is premised on some account of the nature of culture, cultural difference and social reality, or what I call “the conditions of multi- culturality”. In this dissertation, I offer a revised account of the conditions and challenge of multiculturality. Beginning with the widely accepted idea that individuals depend on both culture and community as social preconditions for choice, freedom and autonomy, and informing this idea with collectivist and individualist lessons from Tyler Burge’s famous externalist thought-experiment, my analysis shows that social contexts are multi- cultural when they are characterized by a plurality of social communities offering distinct sets of cultural norms, and individuals are multicultural to the extent that they are capable of using cultural norms from various social communities. The depth, pervasiveness, and complexity of multiculturality raises important normative questions about fair and just terms for protecting and promoting social communities under conditions of internal and external cultural contestation, and these questions are not only restricted to cases involv- ing internal minorities. As a theory of cultural justice, liberal multiculturalism must respond to the challenge of multiculturality generated by cultural difference per se, but it cannot do so adequately in all cases armed with only the traditional tools of toleration, freedom of association and exit, fundamental rights and freedoms, and internal political autonomy.
    [Show full text]
  • Sub-National Movements, Cultural Flow, the Modern State and the Malleability of Political Space: from Rational Choice to Transcultural Perspective and Back Again
    8 Sub-National Movements, Cultural Flow Sub-National Movements, Cultural Flow, the Modern State and the Malleability of Political Space: From Rational Choice to Transcultural Perspective and Back Again Subrata Mitra, Ruprecht-Karls-Universität Heidelberg Introduction Using the Telengana movement in South India as a template, this article juxtaposes two methods of analysing the phenomenon of sub-national movements (a special type of ethno-national movement) within the larger framework of the challenge of state-formation and nation-building in multi- ethnic, post-colonial states.1 The methods are as follows: first, explanatory models based on conventional tools of comparative politics such as conflicts of interest, fixed national and regional boundaries, and the strategic manoeuvres of political leaders and their followers. Second, a transcultural approach that draws on political perceptions and behaviour influenced by deep memory, cultural flow, and the hybridisation of indigenous and imported categories. This article applies these methods to the Telengana movement in South India, first, within the theoretical perspective of the rational politics of cultural nationalism, and then extending the method to introduce explanatory phenomena that belong more broadly to the transcultural approach. Though the empirical exemplars are drawn mostly from India, the mthod is applicable to the wider world of sub-national challenges to the modern state. Sub-national movements belong to the generic category of collective efforts used to assert cultural nationalism in a territorial space that corresponds to a homeland that its advocates strongly believe to be legitimately theirs. Typically, 1 An earlier version of this article was presented at the annual conference of the Association for Asian Studies, Honolulu, March 31–April 3, 2011.
    [Show full text]
  • Filipino Americans and Polyculturalism in Seattle, Wa
    FILIPINO AMERICANS AND POLYCULTURALISM IN SEATTLE, WA THROUGH HIP HOP AND SPOKEN WORD By STEPHEN ALAN BISCHOFF A thesis submitted in partial fulfillment of the requirement for the degree of MASTER OF ARTS IN AMERICAN STUDIES WASHINGTON STATE UNIVERSITY Department of American Studies DECEMBER 2008 To the Faculty of Washington State University: The members of the Committee appointed to examine the thesis of STEPHEN ALAN BISCHOFF find it satisfactory and recommend that it be accepted. _____________________________________ Chair, Dr. John Streamas _____________________________________ Dr. Rory Ong _____________________________________ Dr. T.V. Reed ii ACKNOWLEDGEMENTS Since I joined the American Studies Graduate Program, there has been a host of faculty that has really helped me to learn what it takes to be in this field. The one professor that has really guided my development has been Dr. John Streamas. By connecting me to different resources and his challenging the confines of higher education so that it can improve, he has been an inspiration to finish this work. It is also important that I mention the help that other faculty members have given me. I appreciate the assistance I received anytime that I needed it from Dr. T.V. Reed and Dr. Rory Ong. A person that has kept me on point with deadlines and requirements has been Jean Wiegand with the American Studies Department. She gave many reminders and explained answers to my questions often more than once. Debbie Brudie and Rose Smetana assisted me as well in times of need in the Comparative Ethnic Studies office. My cohort over the years in the American Studies program have developed my thinking and inspired me with their own insight and work.
    [Show full text]
  • Cultural Nationalism E R I C Ta Y L O R Wo O D S, 2016
    Cultural Nationalism E r i c Ta y l o r Wo o d s, 2016 INTRODUCTION Nationalism may involve the combination of culture and politics, but for many of its most prominent students, the former is subordinate to the latter. In this view, nationalist appeals to culture are a means to a political end; that is, the achievement of statehood. Hence, for Ernest Gellner (2006 [1983]: 124), culture is but an epiphenomenon, a ‘false- consciousness … hardly worth analyzing …’. For their part, Eric Hobsbawm and Terrence Ranger (1983) suggest that national traditions are ‘invented’ by elites concerned with the legitimization of state power. Similarly, John Breuilly (2006 [1982]: 11) defines national movements as ‘political movements … which seek to gain or exercise state power and justify their objectives in terms of nationalist doctrine’. A broadly similar characterization of nationalism can be found in the writings of many other esteemed scholars (Giddens, 1985; Laitin, 2007; Mann, 1995; Tilly, 1975). The privileging of politics over culture remains the dominant approach to understanding nationalism, but it is not without criticism. There is now a vast and rapidly growing body of literature insisting that the role of culture should be made more prominent. In opposition to the argument that nationalist appeals to culture are but an exercise in legitimation, this body of literature suggests that they can be ends unto themselves. This latter phenomenon, generally referred to as cultural nationalism, is the subject of this chapter. The chapter proceeds as follows. I begin with the definition and history of cultural nationalism before discussing several key themes in its study.
    [Show full text]
  • Morality and Nationalism
    Morality and Nationalism This book takes a unique approach to explore the moral foundations of nationalism. Drawing on nationalist writings and examining almost 200 years of nationalism in Ireland and Quebec, the author develops a theory of nationalism based on its role in representation. The study of nationalism has tended towards the construction of dichotomies – arguing, for example, that there are political and cultural, or civic and ethnic, versions of the phenomenon. However, as an object of moral scrutiny this bifurcation makes nationalism difficult to work with. The author draws on primary sources to see how nationalists themselves argued for their cause and examines almost two hundred years of nationalism in two well-known cases, Ireland and Quebec. The author identifies which themes, if any, are common across the various forms that nationalism can take and then goes on to develop a theory of nationalism based on its role in representation. This representation-based approach provides a basis for the moral claim of nationalism while at the same time identifying grounds on which this claim can be evaluated and limited. It will be of strong interest to political theorists, especially those working on nationalism, multiculturalism, and minority rights. The special focus in the book on the Irish and Quebec cases also makes it relevant reading for specialists in these fields as well as for other area studies where nationalism is an issue. Catherine Frost is Assistant Professor of Political Theory at McMaster University, Canada. Routledge Innovations in Political Theory 1 A Radical Green Political Theory Alan Carter 2 Rational Woman A feminist critique of dualism Raia Prokhovnik 3 Rethinking State Theory Mark J.
    [Show full text]
  • Revolutionary Black Culture: the Cultural Arm of Revolutionary Nationalism
    Opinion REVOLUTIONARY BLACK CULTURE: THE CULTURAL ARM OF REVOLUTIONARY NATIONALISM BY ERNIE MKALIMOTO Copyright © 1969 by Ernie Mkalimoto spiritual rebirth, chanting the Word as it sows the seeds of the new Man "A revolution which dis- who has come to claim his earth cul- parages or ignores the again, to claim his right to govern tural domain will see this again, to claim his will to live again, vacuum filled from the eroded ladle of the domi- this is Black Nationalism, the po- nant culture" litical, economic, and cultural ex- pression of the black, colonized na- tion of North America. But what is Black Nationalism? In its most general terms, Black ¬G"a %4ENTLE rain of dark Nationalism may be defined as the consciousness upon feeling among African-Americans the Mother-Earth/new that their destiny is a common one, dawn singing in a bob- that "whatever affects one black xt~~3Y bing sea of cocoa- person ultimately affects all black hearts/sway of ebony breasts cra- people ." This feeling-by defini- dling the nation in spirit-fires of tion a subjective phenomenon-is black rebirth/dark warriors take rooted within the objective, histori- their place upon the soil, our soil, cal factor of a common racial op- bearing chants of the dead who are pression which black people have not dead: Chaka, Vesey, Toussaint, undergone within the United States, Garvey, Malcolm . New energies a process which began in slavery released upon eroded, stale rhythms and which has continued up to the of the planet/trembling earth/burn- present day.
    [Show full text]
  • Social Conformity and Nationalism in Japan
    SOCIAL CONFORMITY AND NATIONALISM IN JAPAN by Chie Muroga Jex B.A., The University of West Florida, 2005 A thesis submitted to the Department of Anthropology College of Arts and Sciences The University of West Florida In partial fulfillment of the requirements for the degree of Master of Anthropology 2009 The thesis of Chie Muroga Jex is approved: ____________________________________________ _________________ Rosalind A. Fisher, M.A., Committee Member Date ____________________________________________ _________________ Terry J. Prewitt, Ph.D., Committee Member Date ____________________________________________ _________________ Robert C. Philen, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ John R. Bratten, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean of Graduate Studies Date ACKNOWLEDGMENTS I would like to express my deep appreciation to Dr. Terry J. Prewitt, Dr. Robert Philen, and Ms. Rosalind Fisher for their willingness to be my thesis committee members. My fellow anthropology graduate student, Trey Bond, also gave me many helpful suggestions. They have inspired and sustained me with insightful comments, patience and encouragement. I also wish to especially thank my bilingual husband, Timothy T. Jex for always taking time, and patiently proofreading and correcting my English grammar despite his busy schedule. Without these professional and generous supporters,
    [Show full text]
  • Forging Common Origin in the Making of the Mexican Nation
    genealogy Article Forging Common Origin in the Making of the Mexican Nation Natividad Gutiérrez Chong Department of Agrarian Studies, Institute of Social Research National Autonomous University of Mexico, Mexico City 04510, Mexico; [email protected] Received: 25 May 2020; Accepted: 9 July 2020; Published: 20 July 2020 Abstract: The Mexican nation was built by the state. This construction involved the formulation and dissemination of a national identity to forge a community that shares common culture and social cohesion. The focus of the article is to analyze the myth of the origin of the nation, mestizaje, as this is a long-lasting formula of national integration. After more than a century of mestizaje, real or fictitious, Indigenous and Afro-descendant peoples have begun to question the capability of this common origin since it invalidates the origins of many other ethnic communities, especially in the current phase of the nation state, which refers to the recognition of cultural diversity. The myth is propagated by official means and is highly perceived by society, due to its high symbolic content that is well reflected in popular pictorial representations. The final part of the article will refer to the mestizo myth in the imagination of some Indigenous intellectuals and students, who hold their own ethnic myths of foundation or origin. Keywords: nationalism; nation-building; ethnic origin; myth of origin; national identity; Indigenous peoples 1. Introduction Does the Mexican nation have one or many genealogies? What place does genealogy have as an input in building something in common? The modern world is organized into nation states, but none of them can, in the twenty-first century, boast of being homogeneous in language and culture.
    [Show full text]
  • Diasporic Theorizing Paradigm on Cultural Identity
    Intercultural Communication Studies XIX: 1 2010 Chiang Diasporic Theorizing Paradigm on Cultural Identity Chih-Yun Chiang, University of Denver In this paper, I trace the construction of cultural identity, historically and politically, from various disciplines. I explore how the processes of globalization and transnationalism impact the theorization of cultural identity. Specifically, I examine the ways in which globalization—a highly-uneven process that involves, among other things, the spread of global brand names, the transnational flow of goods, knowledge, images, labor, capital, and immigration at an extraordinary pace— challenges and/or reinvents the traditional way of understanding identity. I compare and contrast the traditional identity paradigm with a diasporic theorization of cultural identity from an interdisciplinary postcolonial perspective. In so doing, I hope to expand and continue the scholarly dialogue on theorizing identity as a site of struggle in post-colonial and transnational globality in the study of intercultural and international communication. By including such a perspective when researching the notions of cultural identity, intercultural communication researchers are able to unpack the imperialistic implication of such cultural globalization onto various cultural contexts around the globe. In the twentieth century, the upward mobility, the irresistible flow of capital, information technology, and people destabilize the traditional identity paradigm—a static sense of nation- state-based cultural identity. Globalism, following its monopolized corporate culture, leads to a seemingly unified world culture. Since globalization de-territorializes, the borders of countries and the bounds of cultures become blurred, contested, open-ended, unstable, and frequently modified. On one hand, the mobility and re-placement of our bodies destabilize our traditional sense of identity that was usually deeply rooted in a sense of nation-state.
    [Show full text]
  • Creolising Political Identity and Social Scientific Method
    Africa Development, Volume XXXIX, No. 1, 2014, pp. 65-80 © Council for the Development of Social Science Research in Africa, 2014 (ISSN 0850-3907) Creolising Political Identity and Social Scientific Method Jane Anna Gordon* Abstract Both nurturing and giving institutional expression to a solidarity of diverse people and scholarly communities on the African continent and its transnational diaspora, CODESRIA has embodied the imperative of continuing the unfinished work of building a world that is no longer colonial. But which methods are best suited to such decolonizing work? In what follows, I suggest that the concept of creolization, that emerged to grasp the distinctly African world of the Caribbean, remains an especially useful resource, especially if rearticulated and qualified in the ways for which I advocate. Resumé À la fois attentionné et donnant une expression institutionnelle à une so- lidarité de diverses personnes et communautés académiques sur le conti- nent africain et sa diaspora transnationale, le CODESRIA a incarné l’im- pératif de poursuivre le travail inachevé de la construction d’un monde qui n’est plus colonial. Cependant, quelles sont les méthodes les mieux adaptées à un tel travail de décolonisation ? Dans ce qui suit, je suggère que le concept de créolisation, qui a émergé pour saisir le monde distinc- tement africain des Caraïbes, reste une ressource particulièrement utile, surtout si reformulé et qualifié au sens dans lequel je préconise. When accepting the 2013 Latin American and Caribbean Regional Integration Award, the Executive Secretary, Dr. Ebrima Sall, emphasised the special poignancy of receiving the recognition just as CODESRIA celebrated its fortieth anniversary.
    [Show full text]
  • Cultural Nationalism in India Aditi Athreya* Symbiosis School for Liberal Arts, Maharashtra, India
    thropolog An y Athreya, Anthropol 2016, 4:2 Anthropology DOI: 10.4172/2332-0915.1000165 ISSN: 2332-0915 PerspectiveResearch Article OpenOpen Access Access Cultural Nationalism in India Aditi Athreya* Symbiosis School for Liberal Arts, Maharashtra, India Introduction nationalism can be defined as either devotion (political or emotional) to one’s nation or as a policy of national independence [6]. Therefore, a The concept of Nationalism is linked to the idea of sovereignty nation, or the idea of nation must exist in order for a national identity and hence; it has to be associated to the principle of self-determination to be founded. [1]. In the 19th century, John Stuart Mill argued that nationalist movements were dependent on ethnicity, language and culture. These To better ality, one can also use Anderson’s ideas of a nation which were the basis of the demand for statehood. While this stood true for is an ‘imagined political community’ [7]. Thus is if a nation is considered most nationalistic movements, Hurst Hanum of the Fletcher School as something imaginative, the very elements that are required for it to of Law and Diplomacy remarked that in this era, the notion of self- exist can be a myth. Even if a community does not share a common determination was used by groups to divide rather than unify territory language, religion or ethnicity, a nation is formed on the basis of a [2]. The disintegration of the Ottoman Empire can be used as an strong formed identity. Anderson used the term ‘imagined’ because example. members of even the smallest nations will not know everyone and yet they will be aware of their image of the entire communion.
    [Show full text]