09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

HS3T57 - Gothic: Architecture, Money and View Online Cultural Identity

‘Abbot Suger: On What Was Done in His Administration.’ [n.d.].

Abou-el-Haj, B. 1988a. ‘“The Urban Setting for Late Medieval Church Building: Reims and Its Cathedral between 1210 and 1240”’, Art History, 11 (Henley-on-Thames: Routledge and Kegan Paul): 17–41

———. 1988b. ‘“The Urban Setting for Late Medieval Church Building: Reims and Its Cathedral between 1210 and 1240”’, Art History, 11 (Henley-on-Thames: Routledge and Kegan Paul): 17–41

———. 1988c. ‘“The Urban Setting for Late Medieval Church Building: Reims and Its Cathedral between 1210 and 1240”’, Art History, 11 (Henley-on-Thames: Routledge and Kegan Paul): 17–41

———. 1995a. ‘“Artistic Integration inside the Cathedral Precinct: Social Consensus Outside?”,’ in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press)

———. 1995b. ‘“Artistic Integration inside the Cathedral Precinct: Social Consensus Outside?”,’ in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press)

Alan H. Nelson. 1980. ‘Mechanical Wheels of Fortune, 1100-1547’, Journal of the Warburg and Courtauld Institutes, 43: 227–33

Alexander, J.J.G., Paul Binski, and Royal Academy of Arts. 1987. Age of Chivalry: Art in Plantagenet England 1200-1400 (London: Royal Academy of Arts in association with Weidenfeld and Nicolson)

‘Amiens Cathedral Web Site.’ [n.d.].

Ancient Monuments Society. 1972a. ‘“What Price the Cathedrals?”’, in Transactions of the Ancient Monuments Society (London: Ancient Monuments Society), xix, pp. 47–65

———. 1972b. ‘“What Price the Cathedrals?”’, in Transactions of the Ancient Monuments Society (London: Ancient Monuments Society), xix, pp. 47–65

1/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Arnold, Dana, and Andrew Ballantyne. 2004. Architecture as Experience: Radical Change in Spatial Practice (London: Routledge)

Ashbee, Jeremy. 2007a. ‘“Cloisters in English Palaces in the Twelfth and Thirteenth Centuries”’, in The Medieval Cloister in England and Wales (Hanover Walk, Leeds: Maney Pub.)

———. 2007b. ‘“Cloisters in English Palaces in the Twelfth and Thirteenth Centuries”’, in The Medieval Cloister in England and Wales (Hanover Walk, Leeds: Maney Pub.)

Bailey, Terence. 1971a. The Processions of Sarum and the Western Church (Toronto: Pontifical Institute of Mediaeval Studies)

———. 1971b. The Processions of Sarum and the Western Church (Toronto: Pontifical Institute of Mediaeval Studies)

Baker, Nigel, and Richard Holt. 2004a. Urban Growth and the Medieval Church: Gloucester and Worcester (Aldershot: Ashgate)

———. 2004b. Urban Growth and the Medieval Church: Gloucester and Worcester (Aldershot: Ashgate)

Baldwin, John W. 1986. The Government of Philip Augustus: Foundations of French Royal Power in the Middle Ages (Berkeley, Calif: University of California Press)

Baldwin, John W., and American Council of Learned Societies. 1986. The Government of Philip Augustus: Foundations of French Royal Power in the Middle Ages (Berkeley: University of California Press)

Barnwell, P S. 2004a. ‘The Laity, the Clergy and the Divine Presence: The Use of Space in Smaller Churches of the Eleventh and Twelfth Centuries’, Journal of the British Archaeological Association, 157: 41–60

———. 2004b. ‘The Laity, the Clergy and the Divine Presence: The Use of Space in Smaller Churches of the Eleventh and Twelfth Centuries’, Journal of the British Archaeological Association, 157: 41–60

2/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

al+Association&rft.au=Barnwell%2C+P.S&rft.date=2004&rft.issn=0068-12 88&rft.volume=157&rft.spage=41&rft.epage=60&rft.externalDBID=n %2Fa&rft.externalDocID=550006656&paramdict=en-US>

Barthemelmy, D. 1988. ‘“Civilising the Fortress: 11th to 13th Centuries”’, in A History of Private Life (Cambridge, Mass: Belknap Press of Harvard University), ii

Bedos-Resak, B. 1995a. ‘“Form as Social Process”’, in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press)

———. 1995b. ‘“Towards a Cultural Biography of the Gothic Cathedral”’, in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press)

Benton, John F., and Guibert. 1984. Self and Society in Medieval : The Memoirs of Abbot Guibert of Nogent (Toronto: University of Toronto Press)

Bideault, Maryse, and Claudine Lautier. 1987. Ile-de-France Gothique: 1: Les âeglises de La Vallâee de l’Oise et Du Beauvaisis (: Picard)

Bilson, John. [n.d.]. ‘The Beginnings of Gothic Architecture’, British Architect, 1874-1919: 220–29

Bilson, John. 1922. ‘Durham CathedralThe Chronology of Its Vaults’, Archaeological Journal, 79.1: 101–60

Binski, Paul, and Paul Mellon Centre for Studies in British Art. 1995a. Westminster Abbey and the Plantagenets: Kingship and the Representation of Power, 1200-1400 (New Haven: Press)

———. 1995b. Westminster Abbey and the Plantagenets: Kingship and the Representation of Power, 1200-1400 (New Haven: Yale University Press)

———. 1995c. Westminster Abbey and the Plantagenets: Kingship and the Representation of Power, 1200-1400 (New Haven: Yale University Press)

———. 2004a. Becket’s Crown: Art and Imagination in Gothic England, 1170-1300 (New Haven, Connecticut: Published for The Paul Mellon Centre for Studies in British Art by Yale University Press)

———. 2004b. Becket’s Crown: Art and Imagination in Gothic England, 1170-1300 (New Haven, Connecticut: Published for The Paul Mellon Centre for Studies in British Art by Yale University Press)

Bishop, Edmund. 1918a. Liturgica Historica: Papers on the Liturgy and Religious Life of the Western Church (Oxford: At the Clarendon Press)

———. 1918b. Liturgica Historica: Papers on the Liturgy and Religious Life of the Western Church (Oxford: At the Clarendon Press)

3/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1918c. Liturgica Historica: Papers on the Liturgy and Religious Life of the Western Church (Oxford: At the Clarendon Press)

Blaauw, Sible De. 1991a. ‘Architecture and Liturgy in Late Antiquity and the Middle Ages. Traditions and Trends in Modern Scholarship’, Archiv Für Liturgiewissenschaft, 33.1: 1–34 ———. 1991b. ‘Architecture and Liturgy in Late Antiquity and the Middle Ages. Traditions and Trends in Modern Scholarship’, Archiv Für Liturgiewissenschaft, 33.1: 1–34

———. 1991c. ‘Architecture and Liturgy in Late Antiquity and the Middle Ages. Traditions and Trends in Modern Scholarship’, Archiv Für Liturgiewissenschaft, 33.1: 1–34

Blair, J. 1987a. ‘“The Twelfth Century Bishop”s Palace at Hereford’’, Medieval Archaeology, 31.1 (London: Society for Medieval Archaeology): 59–72

———. 1987b. ‘“The Twelfth Century Bishop”s Palace at Hereford’’, Medieval Archaeology, 31.1 (London: Society for Medieval Archaeology): 59–72

Blum, P. 1998. ‘“The Lateral Portals of the West Facade of the Abbey Church of Saint-Denis. Archaeological and Iconographical Considerations”’, in Abbot Suger of St-Denis: Church and State in Early Twelfth-Century France (London: Longman), pp. 199–227

‘BnF- The Villard d’Honnecourt Sketchbook.’ [n.d.-a].

———. [n.d.-b].

Bonde, Sheila. 1994a. Fortress-Churches of Languedoc: Architecture, Religion, and Conflict in the High Middle Ages (Cambridge: Cambridge University Press)

———. 1994b. Fortress-Churches of Languedoc: Architecture, Religion, and Conflict in the High Middle Ages (Cambridge: Cambridge University Press)

———. 1994c. Fortress-Churches of Languedoc: Architecture, Religion, and Conflict in the High Middle Ages (Cambridge: Cambridge University Press)

Bonde, S., and C. Maines. 1999a. ‘“A Room with a View: The Cellarer and His Office at the Augustinian Abbey of Saint-Jean-Des-Vignes, Soissons”’, in Pierre, Lumiáere, Couleur: âetudes D’histoire de L'art Du Moyen ãAge En L'honneur d'Anne Prache (Paris: Presses de l’Universitâe de Paris-Sorbonne)

———. 1999b. ‘“A Room with a View: The Cellarer and His Office at the Augustinian Abbey of Saint-Jean-Des-Vignes, Soissons”’, in Pierre, Lumiáere, Couleur: âetudes D’histoire de L'art Du Moyen ãAge En L'honneur d'Anne Prache (Paris: Presses de l’Universitâe de Paris-Sorbonne)

———. 1999c. ‘“A Room with a View: The Cellarer and His Office at the Augustinian Abbey of Saint-Jean-Des-Vignes, Soissons”’, in Pierre, Lumiáere, Couleur: âetudes D’histoire de L'art Du Moyen ãAge En L'honneur d'Anne Prache (Paris: Presses de l’Universitâe de Paris-Sorbonne)

4/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 2004a. ‘‘Ne Aliquis Extraneus Claustrum Intret: Entry and Access at the Augustinian Abbey of Saint-Jean-Des-Vignes’’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

———. 2004b. ‘‘Ne Aliquis Extraneus Claustrum Intret: Entry and Access at the Augustinian Abbey of Saint-Jean-Des-Vignes’’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

———. 2004c. ‘‘Ne Aliquis Extraneus Claustrum Intret: Entry and Access at the Augustinian Abbey of Saint-Jean-Des-Vignes’’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

Bony, J. 1957a. ‘“The Resistance to Chartres in Early Thirteenth Century Architecture”’, in Journal of the British Archaeological Association (London: British Archaeological Association), xx–xxi, pp. 35–52

———. 1957b. ‘“The Resistance to Chartres in Early Thirteenth Century Architecture”’, in Journal of the British Archaeological Association (London: British Archaeological Association), xx–xxi, pp. 35–52

———. 1986. ‘“What Possible Sources for the Chevet of Saint-Denis”’, in Abbot Suger and Saint-Denis: A Symposium (New York: Metropolitan Museum of Art), pp. 33–40

Bony, Jean. 1983a. French Gothic Architecture of the 12th and 13th Centuries (Berkeley: University of California Press)

———. 1983b. French Gothic Architecture of the 12th and 13th Centuries (Berkeley: University of California Press)

Borg, Alan, and Robert Mark. 1973. ‘Chartres Cathedral: A Reinterpretation of Its Structure’, The Art Bulletin, 55.3: 367–72

Branner, R. 1959. ‘“The Movements of Gothic Architects between France and Spain in the Early Thirteenth Century”’, in Actes Du XIXe Congrès International D’histoire de L'art (Paris), pp. 44–48

———. 1963a. ‘“Gothic Architecture 1160-80 and Its Romanesque Sources”’, in Acts of the Twentieth International Congress of the : Studies in Western Art Volume 4. Problems of the 19th & 20th Centuries, (Princeton University,), i, pp. 92–104

———. 1963b. ‘“Villard d”Honnecourt, Reims and the Origin of Gothic Architectural Drawing’’, Gazette Des Beaux-Arts, 61 (Paris: Gazette des Beaux-Arts): 129–46

———. 1963c. ‘“Villard d”Honnecourt, Reims and the Origin of Gothic Architectural Drawing’’, Gazette Des Beaux-Arts, 61 (Paris: Gazette des Beaux-Arts): 129–46

———. 1971. ‘The Grande Chasse of the Sainte-Chapelle’, Gazette Des Beaux-Arts, 77

5/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

(Paris: Gazette des Beaux-Arts): 5–18

Branner, Robert. 1960a. Burgundian Gothic Architecture

———. 1960b. Burgundian Gothic Architecture

———. 1964a. Chartres Cathedral: Illustrations, Introductory Essay, Documents, Analysis, and Criticism (New York: Norton)

———. 1964b. Chartres Cathedral: Illustrations, Introductory Essay, Documents, Analysis, and Criticism (New York: Norton)

———. 1964c. Chartres Cathedral: Illustrations, Introductory Essay, Documents, Analysis, and Criticism (New York: Norton)

———. 1965a. St. Louis and the Court Style in Gothic Architecture (London: A. Zwemmer) ———. 1965b. St. Louis and the Court Style in Gothic Architecture (London: A. Zwemmer) ———. 1965c. St. Louis and the Court Style in Gothic Architecture (London: A. Zwemmer) Braunfels, Wolfgang. 1980a. Monasteries of Western Europe: The Architecture of the Orders, [Rev. ed.] (Princeton: Princeton University Press)

———. 1980b. Monasteries of Western Europe: The Architecture of the Orders, [Rev. ed.] (Princeton: Princeton University Press)

Brenk, B. 1995. ‘“The Sainte-Chapelle as a Capetian Political Programme”’, in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press), pp. 195–213

Brown, Sydney M., Jeremiah Francis O’Sullivan, Odo Rigaldus, and American Council of Learned Societies. 1964a. The Register of Eudes of Rouen (New York: Columbia University Press)

———. 1964b. The Register of Eudes of Rouen (New York: Columbia University Press)

———. 1964c. The Register of Eudes of Rouen (New York: Columbia University Press)

Brush, K. 1995. ‘“Gothic Sculpture as a Locus for the Polemics of National Identity”’, in Concepts of National Identity in the Middle Ages (Leeds: School of English, University of Leeds)

Bruzelius, C. 2000a. ‘“Il Gran Rifiuto: French Gothic in Central and Southern Italy in the Last Quarter of the Thirteenth Century”’, in Architecture and Language: Constructing Identity in European Architecture C. 1000 - c.1650 (Cambridge: Cambridge University Press)

———. 2000b. ‘“Il Gran Rifiuto: French Gothic in Central and Southern Italy in the Last

6/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Quarter of the Thirteenth Century”’, in Architecture and Language: Constructing Identity in European Architecture C. 1000 - c.1650 (Cambridge: Cambridge University Press)

Bruzelius, Caroline Astrid. 1985. The 13th-Century Church at St-Denis (New Haven: Yale University Press)

Camille, Michael. 1989. The Gothic Idol: Ideology and Image-Making in Medieval Art (Cambridge: Cambridge University Press)

Carl F. Barnes, Jr. 1963a. ‘The Cathedral of Chartres and the Architect of Soissons’, Journal of the Society of Architectural Historians, 22.2: 63–74

———. 1963b. ‘The Cathedral of Chartres and the Architect of Soissons’, Journal of the Society of Architectural Historians, 22.2: 63–74

———. 1969. ‘The Twelfth-Century Transept of Soissons: The Missing Source for Chartres?’, Journal of the Society of Architectural Historians, 28.1: 9–25

———. 1976. ‘The Documentation for Notre-Dame de Soissons’, Gesta, 15.1: 61–70

Caroline A. Bruzelius. 1981. ‘The Twelfth-Century Church at Ourscamp’, Speculum, 56.1: 28–40

Caroline Bruzelius. 1987a. ‘The Construction of Notre-Dame in Paris’, The Art Bulletin, 69.4: 540–69

———. 1987b. ‘The Construction of Notre-Dame in Paris’, The Art Bulletin, 69.4: 540–69

Cassidy-Welch, Megan. 2001. Monastic Spaces and Their Meanings: Thirteenth-Century English Cistercian Monasteries (Turnhout, Belgium: Brepols)

Caviness, M. 199AD. ‘Episcopal Cults and Relics: The Lives of Good Churchmen and Two Fragments of Stained Glass at Wilton’’, in Pierre, Lumiáere, Couleur: âetudes D’histoire de L'art Du Moyen ãAge En L'honneur d'Anne Prache (Paris: Presses de l’Universitâe de Paris-Sorbonne)

———. 1995. ‘“Artistic Integration in Gothic Buildings: A Post-Modern Construct?”’, in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press)

Caviness, Madeline Harrison. 1990a. Sumptuous Arts at the Royal Abbeys in Reims and Braine: Ornatus Elegantiae, Varietate Stupendes (Princeton: Princeton University Press)

7/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1990b. Sumptuous Arts at the Royal Abbeys in Reims and Braine: Ornatus Elegantiae, Varietate Stupendes (Princeton: Princeton University Press)

———. 1990c. Sumptuous Arts at the Royal Abbeys in Reims and Braine: Ornatus Elegantiae, Varietate Stupendes (Princeton: Princeton University Press)

Cheney, C. R. 1951a. ‘“Church Building in the Middle Ages”’, Bulletin of the John Rylands Library, Manchester, 34 (Manchester: John Rylands Library): 20–36

———. 1951b. ‘“Church Building in the Middle Ages”’, Bulletin of the John Rylands Library, Manchester, 34 (Manchester: John Rylands Library): 20–36

Clarke, Georgia, and Paul Crossley. 2000. Architecture and Language: Constructing Identity in European Architecture C. 1000 - c.1650 (Cambridge: Cambridge University Press)

Clark, W. W. 1995a. ‘”The Recollection of the Past Is the Promise of the Future”. Continuity and Contextuality: Saint-Denis, Merovingians, Capetians and Paris’, in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press), pp. 92–113

———. 1995b. ‘”The Recollection of the Past Is the Promise of the Future”. Continuity and Contextuality: Saint-Denis, Merovingians, Capetians and Paris’, in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press), pp. 92–113

———. 1999. ‘“Notes on the Original Design of the Choir and Chevet of Saint-Remi at Reims”’, in Pierre, Lumière, Couleur : études D’histoire de L'art Du Moyen Âge En L'honneur d'Anne Prache (Paris: Presses de l’Universitâe de Paris-Sorbonne)

Coad, Jonathan. 1995. English Heritage Book of Dover Castle (London: Batsford)

Cohen, Meredith. 2015. The Sainte-Chapelle and the Construction of Sacral Monarchy: Royal Architecture in Thirteenth-Century Paris (New York: Cambridge University Press)

Coldstream, Nicola. 1991a. Masons and Sculptors (London: British Museum Press)

———. 1991b. Masons and Sculptors (London: British Museum Press)

Colvin, H.M. 1971a. Building Accounts of King Henry III (Oxford: Clarendon)

———. 1971b. Building Accounts of King Henry III (Oxford: Clarendon)

———. 1971c. Building Accounts of King Henry III (Oxford: Clarendon)

Colvin, H.M., R.Allen Brown, A.J. Taylor, and Great Britain. Ministry of Public Building and Works. 1963a. The History of the King’s Works Vol. 2 (London: HMSO)

———. 1963b. The History of the King’s Works Vol. 2 (London: HMSO)

Colvin, H.M., A.J. Taylor, R.Allen Brown, and Great Britain. Ministry of Public Building and Works. 1963c. The History of the King’s Works Vol. 1 (London: HMSO)

———. 1963d. The History of the King’s Works Vol. 1 (London: HMSO)

8/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

‘Conway Library Website.’ [n.d.].

Cothren, Michael Watt. 2006. Picturing the Celestial City: The Medieval Stained Glass of Beauvais Cathedral (Princeton, N.J.: Princeton University Press)

Coulson, C. 1979a. ‘“Structural Symbolism in Medieval Castle Architecture”’, in Journal of the British Archaeological Association (London: British Archaeological Association), cxxxii, pp. 73–90

———. 1979b. ‘“Structural Symbolism in Medieval Castle Architecture”’, in Journal of the British Archaeological Association (London: British Archaeological Association), cxxxii, pp. 73–90

Coulson, Charles. 1996a. ‘Cultural Realities and Reappraisals in English Castle-Study’, Journal of Medieval History, 22.2: 171–207

———. 1996b. ‘Cultural Realities and Reappraisals in English Castle-Study’, Journal of Medieval History, 22.2: 171–207

Cragoe, Carol. 1ADa. ‘Reading and Rereading Gervase of Canterbury’, Journal of the British Archaeological Association, 154: 40–53

———. 1ADb. ‘Reading and Rereading Gervase of Canterbury’, Journal of the British Archaeological Association, 154: 40–53

Cragoe, Carol Davidson. 2010. ‘The Custom of the English Church: Parish Church Maintenance in England before 1300’, Journal of Medieval History, 36.1: 20–38

Creighton, O.H. 2002a. Castles and Landscapes (London: Continuum)

———. 2002b. Castles and Landscapes (London: Continuum)

Crook, John. 2000a. The Architectural Setting of the Cult of Saints in the Early Christian West, c.300-1200 (Oxford: Clarendon Press)

9/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 2000b. The Architectural Setting of the Cult of Saints in the Early Christian West, c.300-1200 (Oxford: Clarendon Press)

———. 2000c. The Architectural Setting of the Cult of Saints in the Early Christian West, c.300-1200 (Oxford: Clarendon Press)

Dixon, P. 1996a. ‘“Design in Castle Building: Controlling the Access to the Lord”’, Chateau Gaillard : études de Castellologie Médiévale ([Caen]: Centre de recherches archéologiques médiévales, Université de Caen)

———. 1996b. ‘“Design in Castle Building: Controlling the Access to the Lord”’, Chateau Gaillard : études de Castellologie Médiévale ([Caen]: Centre de recherches archéologiques médiévales, Université de Caen)

Dixon-Smith, Sally. 1ADa. ‘The Image and Reality of Alms-Giving in the Great Halls of Henry III’, Journal of the British Archaeological Association, 152

———. 1ADb. ‘The Image and Reality of Alms-Giving in the Great Halls of Henry III’, Journal of the British Archaeological Association, 152

———. 1ADc. ‘The Image and Reality of Alms-Giving in the Great Halls of Henry III’, Journal of the British Archaeological Association, 152

Draper, P. 2000a. ‘“English with a French Accent. Architectural Franglais in Late Twelfth Century England?”’, in Architecture and Language: Constructing Identity in European Architecture C. 1000 - c.1650 (Cambridge: Cambridge University Press), pp. 21–35

———. 2000b. ‘“English with a French Accent. Architectural Franglais in Late Twelfth Century England?”’, in Architecture and Language: Constructing Identity in European Architecture C. 1000 - c.1650 (Cambridge: Cambridge University Press), pp. 21–35

10/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Draper, Peter. 2006a. The Formation of English Gothic: Architecture and Identity (New Haven [Conn.]: Published for The Paul Mellon Centre for studies in British Art by Yale University Press)

———. 2006b. The Formation of English Gothic: Architecture and Identity (New Haven [Conn.]: Published for The Paul Mellon Centre for studies in British Art by Yale University Press)

———. 2006c. The Formation of English Gothic: Architecture and Identity (New Haven [Conn.]: Published for The Paul Mellon Centre for studies in British Art by Yale University Press)

———. 2006d. The Formation of English Gothic: Architecture and Identity (New Haven [Conn.]: Published for The Paul Mellon Centre for studies in British Art by Yale University Press)

———. 2006e. The Formation of English Gothic: Architecture and Identity (New Haven [Conn.]: Published for The Paul Mellon Centre for studies in British Art by Yale University Press)

———. 2006f. The Formation of English Gothic: Architecture and Identity (New Haven [Conn.]: Published for The Paul Mellon Centre for studies in British Art by Yale University Press)

———. 2006g. The Formation of English Gothic: Architecture and Identity (New Haven [Conn.]: Published for The Paul Mellon Centre for studies in British Art by Yale University Press)

———. 2006h. The Formation of English Gothic: Architecture and Identity (New Haven [Conn.]: Published for The Paul Mellon Centre for studies in British Art by Yale University Press)

———. 2006i. The Formation of English Gothic: Architecture and Identity (New Haven [Conn.]: Published for The Paul Mellon Centre for studies in British Art by Yale University Press)

Duby, Georges, Eleanor Levieux, and Barbara Thompson. 1981a. The Age of the Cathedrals: Art and Society, 980-1420 (London: Croom Helm)

———. 1981b. The Age of the Cathedrals: Art and Society, 980-1420 (London: Croom Helm)

———. 1981c. The Age of the Cathedrals: Art and Society, 980-1420 (London: Croom Helm)

Duggan, L. G. 1989. ‘Was Art Really the “book of the Illiterate”?’, in Word & Image: A Journal of Verbal / Visual Enquiry (London: Taylor & Francis), pp. 227–51

Durrand, Guillaume. 2012. The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum (Memphis: Rarebooksclub.com)

11/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Elizabeth Carson Pastan. 1994. ‘Process and Patronage in the Decorative Arts of the Early Campaigns of Troyes Cathedral, Ca. 1200-1220s’, Journal of the Society of Architectural Historians, 53.2: 215–31

Eric Fernie. 1984a. ‘The Use of Varied Nave Supports in Romanesque and Early Gothic Churches’, Gesta, 23.2: 107–17

———. 1984b. ‘The Use of Varied Nave Supports in Romanesque and Early Gothic Churches’, Gesta, 23.2: 107–17

Erlande-Brandenburg, Alain. 1994. The Cathedral: The Social and Architectural Dynamics of Construction (Cambridge: Cambridge University Press)

Fergusson, P. 1986a. ‘“The Twelfth-Century Refectories at Rievaulx and Byland Abbeys”’, in Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press), pp. 160–80

———. 1986b. ‘“The Twelfth-Century Refectories at Rievaulx and Byland Abbeys”’, in Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press), pp. 160–80

———. 1986c. ‘“The Twelfth-Century Refectories at Rievaulx and Byland Abbeys”’, in Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press), pp. 160–80

———. 1994a. ‘“Programmatic Factors in the East Extension at Clairvaux”’, Arte Medievale. Periodico Internazionale Di Critica Dell’arte Medievale. II Serie, Anni VIII, 1994 (Istituto della Enciclopedia Italiana): 87–100

———. 1994b. ‘“Programmatic Factors in the East Extension at Clairvaux”’, Arte Medievale. Periodico Internazionale Di Critica Dell’arte Medievale. II Serie, Anni VIII, 1994 (Istituto della Enciclopedia Italiana): 87–100

Fergusson, Peter. 2011. Canterbury Cathedral Priory in the Age of Becket (New Haven [Conn.]: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press)

Fergusson, Peter, Stuart A. Harrison, Glyn Coppack, and Paul Mellon Centre for Studies in British Art. 1999a. Rievaulx Abbey: Community, Architecture, Memory (New Haven, CT: Yale University Press)

———. 1999b. Rievaulx Abbey: Community, Architecture, Memory (New Haven, CT: Yale University Press)

———. 1999c. Rievaulx Abbey: Community, Architecture, Memory (New Haven, CT: Yale

12/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

University Press)

———. 1999d. Rievaulx Abbey: Community, Architecture, Memory (New Haven, CT: Yale University Press)

Fernie, E. 1978. ‘“Historical Metrology and Architectural History”’, in Art History (Henley-on-Thames: Routledge and Kegan Paul), i, pp. 383–89

———. 1990a. ‘“A Beginner”s Guide to the Study of Architectural Proportions and Systems of Length’’, in Medieval Architecture and Its Intellectual Context: Studies in Honour of Peter Kidson (London: Hambledon)

———. 1990b. ‘“A Beginner”s Guide to the Study of Architectural Proportions and Systems of Length’’, in Medieval Architecture and Its Intellectual Context: Studies in Honour of Peter Kidson (London: Hambledon)

Fernie, E. C. 1988. ‘Contrasts in Methodology and Interpretation of Medieval Ecclesiastical Architecture’, Archaeological Journal, 145.1: 344–64

Fernie, Eric, Paul Crossley, and Peter Kidson. 1990a. Medieval Architecture and Its Intellectual Context: Studies in Honour of Peter Kidson (London: Hambledon)

———. 1990b. Medieval Architecture and Its Intellectual Context: Studies in Honour of Peter Kidson (London: Hambledon)

Fitchen, John. 1981. The Construction of Gothic Cathedrals: A Study of Medieval Vault Erection (Chicago: University of Chicago Press)

Flanigan, C.C., K. Ashley, and P. Sheingorn. 2001. ‘“Liturgy as Social Performance: Expanding the Definitions”’, in The Liturgy of the Medieval Church (Kalamazoo, Mich: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University), pp. 695–714

Frankl, Paul, and Paul Crossley. 2000a. Gothic Architecture, Revised ed (New Haven: Yale University Press)

———. 2000b. Gothic Architecture, Revised ed (New Haven: Yale University Press)

Frisch, Teresa G. 1987a. Gothic Art, 1140-c1450: Sources and Documents (Toronto: University of Toronto Press in association with the Medieval Academy of America)

———. 1987b. Gothic Art, 1140-c1450: Sources and Documents (Toronto: University of Toronto Press in association with the Medieval Academy of America)

———. 1987c. Gothic Art, 1140-c1450: Sources and Documents (Toronto: University of Toronto Press in association with the Medieval Academy of America)

———. 1987d. Gothic Art, 1140-c1450: Sources and Documents (Toronto: University of Toronto Press in association with the Medieval Academy of America)

13/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Gajewski, A. 2003. ‘“Twelfth-Century Cistercian Architecture in Greater Anjou”’, in Anjou: Medieval Art, Architecture and Archaeology (Leeds: British Archaeological Association)

———. 2004a. ‘“The Architecture of the Choir at Clairvaux Abbey: Saint Bernard and the Cistercian Principle of Conspicuous Poverty”’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

———. 2004b. ‘“The Architecture of the Choir at Clairvaux Abbey: Saint Bernard and the Cistercian Principle of Conspicuous Poverty”’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

Gardner, S. 1984. ‘“The Influence of Castle Building on Ecclesiastical Architecture in the Paris Region 1130-1150”’, in The Medieval Castle: Romance and Reality (Dubuque, Iowa: Kendall/Hunt), pp. 97–123

Gardner, Stephen. 1984. ‘The Church of Saint-Etienne in Dreux and Its Role in the Formulation of Early Gothic Architecture’, Journal of the British Archaeological Association, 137.1: 86–113

Gerson, Paula Lieber, International Center for Medieval Art, and Columbia University. Medieval and Renaissance Interdisciplinary Studies Committee. 1986a. Abbot Suger and Saint-Denis: A Symposium (New York: Metropolitan Museum of Art)

———. 1986b. Abbot Suger and Saint-Denis: A Symposium (New York: Metropolitan Museum of Art)

Gerson, P. L. 1986a. ‘“Suger as Iconographer, The Central Portal of the West Facade of Saint-Denis”’, in Abbot Suger and Saint-Denis: A Symposium (New York: Metropolitan Museum of Art), pp. 183–98

———. 1986b. ‘“Suger as Iconographer, The Central Portal of the West Facade of Saint-Denis”’, in Abbot Suger and Saint-Denis: A Symposium (New York: Metropolitan Museum of Art), pp. 183–98

Gibson, Margaret T., T.A. Heslop, and Richard William Pfaff. 1992. The Eadwine Psalter: Text, Image, and Monastic Culture in Twelfth-Century Canterbury (London: Modern Humanities Research Association in conjunction with The Pennsylvania State University Press)

Gilchrist, Roberta. 1994a. Gender and Material Culture: The Archaeology of Religious Women (London: Routledge)

———. 1994b. Gender and Material Culture: The Archaeology of Religious Women (London: Routledge)

———. 1995. Contemplation and Action: The Other Monasticism (London: Leicester University Press)

———. 2005. Norwich Cathedral Close: The Evolution of the English Cathedral Landscape

14/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

(Woodbridge: Boydell)

Gimpel, Jean. 1983a. The Cathedral Builders (Salisbury: Michael Russell)

———. 1983b. The Cathedral Builders (Salisbury: Michael Russell)

Le Goff, Jacques. 1984. The Birth of Purgatory (London: Scolar Press)

Goodall, John. 2011a. The English Castle, 1066-1650 (New Haven [Conn.]: Yale University Press)

———. 2011b. The English Castle, 1066-1650 (New Haven [Conn.]: Yale University Press) Grant, L. 1991a. ‘ ’Gothic Architecture in Southern England and the French Connection in the Early Thirteenth Century’’, in Thirteenth Century England 3: Proceedings of the Newcastle Upon Tyne Conference, 1989 (Woodbridge: Boydell Press), pp. 113–26

———. 1991b. ‘ ’Gothic Architecture in Southern England and the French Connection in the Early Thirteenth Century’’, in Thirteenth Century England 3: Proceedings of the Newcastle Upon Tyne Conference, 1989 (Woodbridge: Boydell Press), pp. 113–26

———. 1994a. ‘ ’Architectural Relationships between England and Normandy 1100-1204’’, in England and Normandy in the Middle Ages (London: Hambledon Press), pp. 117–29

———. 1994b. ‘ ’Architectural Relationships between England and Normandy 1100-1204’’, in England and Normandy in the Middle Ages (London: Hambledon Press), pp. 117–29

———. 1994c. ‘Le Patronage d’Henri II et Son Entourage’, Cahiers de Civilisation Médiévale: Xe - XIIe Siècles, 37 (Poitiers: Université de Poitiers. Centre d’études supérieures de civilisation médiévale.): 73–84

———. 1994d. ‘Le Patronage d’Henri II et Son Entourage’, Cahiers de Civilisation Médiévale: Xe - XIIe Siècles, 37 (Poitiers: Université de Poitiers. Centre d’études supérieures de civilisation médiévale.): 73–84

———. 1999a. ‘“Building a Church in Early Gothic Normandy”’, in Pierre, Lumiáere, Couleur: âetudes D’histoire de L'art Du Moyen ãAge En L'honneur d'Anne Prache (Paris: Presses de l’Universitâe de Paris-Sorbonne)

———. 1999b. ‘“Building a Church in Early Gothic Normandy”’, in Pierre, Lumiáere, Couleur: âetudes D’histoire de L'art Du Moyen ãAge En L'honneur d'Anne Prache (Paris: Presses de l’Universitâe de Paris-Sorbonne)

———. 2000a. ‘“Naming of Parts: Describing Architecture in the High Middle Ages”’, in Architecture and Language: Constructing Identity in European Architecture C. 1000 - c.1650 (Cambridge: Cambridge University Press)

———. 2000b. ‘“Naming of Parts: Describing Architecture in the High Middle Ages”’, in Architecture and Language: Constructing Identity in European Architecture C. 1000 - c.1650 (Cambridge: Cambridge University Press)

———. 2003a. ‘“Aspects of the Architectural Patronage of the Family of the Counts of

15/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Anjou in the Twelfth Century”’, in Anjou: Medieval Art, Architecture and Archaeology (Leeds: British Archaeological Association)

———. 2003b. ‘“Aspects of the Architectural Patronage of the Family of the Counts of Anjou in the Twelfth Century”’, in Anjou: Medieval Art, Architecture and Archaeology (Leeds: British Archaeological Association)

———. 2004a. ‘“Savigny and Its Saints”’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

———. 2004b. ‘“Savigny and Its Saints”’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

———. 2004c. ‘“Savigny and Its Saints”’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

———. 2012a. ‘“The Chapel of the Hospital of Saint-Jean at Angers: Acta, Statutes, Architecture and Interpretation”’, in Architecture and Interpretation: Essays for Eric Fernie, ed. by Jill A. Franklin, T.A. Heslop, and Christine Stevenson (Boydell Press)

———. 2012b. ‘“The Chapel of the Hospital of Saint-Jean at Angers: Acta, Statutes, Architecture and Interpretation”’, in Architecture and Interpretation: Essays for Eric Fernie, ed. by Jill A. Franklin, T.A. Heslop, and Christine Stevenson (Boydell Press)

———. 2015a. ‘“Royal and Aristocratic Hospital Patronage in Northern France in the Twelfth and Early Thirteenth Centuries”’, in Laienadel Und Armenfèursorge Im Mittelalter, ed. by Lukas Clemens, Katrin Dort, and Felix Schumacher (Trier: Kliomedia)

———. 2015b. ‘“Royal and Aristocratic Hospital Patronage in Northern France in the Twelfth and Early Thirteenth Centuries”’, in Laienadel Und Armenfèursorge Im Mittelalter, ed. by Lukas Clemens, Katrin Dort, and Felix Schumacher (Trier: Kliomedia)

Grant, Lindy. 1998a. Abbot Suger of St-Denis: Church and State in Early Twelfth-Century France (London: Longman)

———. 1998b. Abbot Suger of St-Denis: Church and State in Early Twelfth-Century France (London: Longman)

———. 1998c. Abbot Suger of St-Denis: Church and State in Early Twelfth-Century France (London: Longman)

———. 1998d. Abbot Suger of St-Denis: Church and State in Early Twelfth-Century France (London: Longman)

———. 2005a. Architecture and Society in Normandy, 1120-1270 (New Haven: Yale University Press)

———. 2005b. Architecture and Society in Normandy, 1120-1270 (New Haven: Yale

16/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

University Press)

———. 2005c. Architecture and Society in Normandy, 1120-1270 (New Haven: Yale University Press)

———. 2005d. Architecture and Society in Normandy, 1120-1270 (New Haven: Yale University Press)

———. 2005e. Architecture and Society in Normandy, 1120-1270 (New Haven: Yale University Press)

———. 2005f. Architecture and Society in Normandy, 1120-1270 (New Haven: Yale University Press)

———. 2005g. Architecture and Society in Normandy, 1120-1270 (New Haven: Yale University Press)

Grant, Lindy, Richard Mortimer, Courtauld Institute of Art, and Westminster Abbey. 2002a. Westminster Abbey: The Cosmati Pavements (Aldershot, Hampshire: Ashgate)

———. 2002b. Westminster Abbey: The Cosmati Pavements (Aldershot, Hampshire: Ashgate)

Griffith-Jones, Robin, and David Park. 2010. The Temple Church in London: History, Architecture, Art (Woodbridge: Boydell Press)

Hallam, E. 1982. ‘“Royal Burial and the Cult of Kingship in France and England, 1066-1330”’, in Journal of Medieval History (Amsterdam: Elsevier), viii, pp. 359–80

Hallam, Elizabeth M. 1977. ‘Henry II as a Founder of Monasteries’, The Journal of Ecclesiastical History, 28.02: 113–32

Hall, Jackie, and Christine Kratzke. 2005. Sepulturae Cistercienses: Sâepulture, Mâemoiral et Patronage Dans Les Monastáeres Cisterciens Au Moyen ãAge : Burial, Memorial and Patronage in Medieval Cistercian Monasteries /Jackie Hall & Christine Kratzke, Guest Editors ([S.l.]: Citeaux)

Hamilton, Sarah, and Andrew Spicer. 2005. Defining the Holy: Sacred Space in Medieval and Early Modern Europe (Aldershot: Ashgate Pub)

Hamilton Thompson, A. 1941a. ‘Master Elias of Dereham and the King’s Works’, Archaeological Journal, 98.1: 1–35

———. 1941b. ‘Master Elias of Dereham and the King’s Works’, Archaeological Journal, 98.1: 1–35

Hammond, Peter. 1961a. Liturgy and Architecture (New York: Columbia University Press)

———. 1961b. Liturgy and Architecture (New York: Columbia University Press)

———. 1961c. Liturgy and Architecture (New York: Columbia University Press)

17/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1961d. Liturgy and Architecture (New York: Columbia University Press)

Hanawalt, Barbara A., and Michal Kobialka. 2000. Medieval Practices of Space (Minneapolis: University of Minnesota Press)

Hanawalt, Barbara, and Michal Kobialka. 2000. Medieval Practices of Space (Minneapolis: University of Minnesota Press)

Harry B. Titus, Jr. 1988. ‘The Auxerre Cathedral Chevet and Burgundian Gothic Architecture’, Journal of the Society of Architectural Historians, 47.1: 45–56

Harvey, John. 1972a. The Mediaeval Architect (London: Wayland)

———. 1972b. The Mediaeval Architect (London: Wayland)

Hearn, M F. [n.d.-a]. ‘Canterbury Cathedral and the Cult of Becket’, The Art Bulletin

———. [n.d.-b]. ‘Canterbury Cathedral and the Cult of Becket’, The Art Bulletin

Hearn, M. F. 1990a. ‘“Villard d”Honnecourt’s Perception of Gothic Architecture’’, in Medieval Architecture and Its Intellectual Context: Studies in Honour of Peter Kidson (London: Hambledon)

———. 1990b. ‘“Villard d”Honnecourt’s Perception of Gothic Architecture’’, in Medieval Architecture and Its Intellectual Context: Studies in Honour of Peter Kidson (London: Hambledon)

Heffernan, Thomas J., and E. Ann Matter. 2001a. The Liturgy of the Medieval Church (Kalamazoo, Mich: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University)

———. 2001b. The Liturgy of the Medieval Church (Kalamazoo, Mich: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University)

———. 2001c. The Liturgy of the Medieval Church (Kalamazoo, Mich: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University)

Heslop, T. A. 2000. ‘“Art, Nature and St Hugh”s Choir at Lincoln’’, in England and the Continent in the Middle Ages: Studies in Memory of Andrew Martindale : Proceedings of the 1996 Harlaxton Symposium (Stamford: Shaun Tyas)

Heyman, J. 1968. ‘“On the Rubber Vaults of the Middle Ages and Other Matters”’, Gazette Des Beaux-Arts, 6 (Paris: Gazette des Beaux-Arts): 177–88

18/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Hicks, Leonie V. 2007a. Religious Life in Normandy, 1050-1300: Space, Gender and Social Pressure (Woodbridge, Suffolk: Boydell Press)

———. 2007b. Religious Life in Normandy, 1050-1300: Space, Gender and Social Pressure (Woodbridge, Suffolk: Boydell Press)

Hiscock, N. 2004a. ‘“The Two Cistercian Plans of Villard d”Honnecourt’’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

———. 2004b. ‘“The Two Cistercian Plans of Villard d”Honnecourt’’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

Hoey, L. 1993. ‘“Croxden Abbey”’, in Medieval Archaeology and Architecture at Lichfield ([S.l.]: British Archaeological Association), pp. 36–49

———. 2003. ‘“An Outsider Looks at Angevin Gothic Architecture”’, in Anjou: Medieval Art, Architecture and Archaeology (Leeds: British Archaeological Association)

Horton, M. 2010a. ‘“The Location of Bishop Jocelin”s Palace at Wells’’, in Jocelin of Wells: Bishop, Builder, Courtier (Woodbridge: Boydell Press)

———. 2010b. ‘“The Location of Bishop Jocelin”s Palace at Wells’’, in Jocelin of Wells: Bishop, Builder, Courtier (Woodbridge: Boydell Press)

Impey, Edward, Jeremy Ashbee, Roland B. Harris, and Historic Royal Palaces (Great Britain). 2008a. The White Tower (New Haven: Yale University Press)

———. 2008b. The White Tower (New Haven: Yale University Press)

Jacqueline E. Jung. 2000a. ‘Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches’, The Art Bulletin, 82.4: 622–57

———. 2000b. ‘Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches’, The Art Bulletin, 82.4: 622–57

James, John. 1ADa. ‘Funding the Early Gothic Churches of the Paris Basin’, Parergon, 15: 41–81

———. 1ADb. ‘Funding the Early Gothic Churches of the Paris Basin’, Parergon, 15: 41–81

19/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

%3Aofi%2Fenc%3AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_f mt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Funding+the+early +Gothic+churches+of+the+Paris+Basin&rft.jtitle=Parergon&rft.au=James%2C +John&rft.date=1997-07-01&rft.issn=0313-6221&rft.eissn=1832-8334&am p;rft.volume=15&rft.issue=1&rft.spage=41&rft.epage=81&rft.externa lDBID=n%2Fa&rft.externalDocID=980403634&paramdict=en-US>

———. 1979a. The Contractors of Chartres Vol. 1 (Dooralong: Mandorla Publications)

———. 1979b. The Contractors of Chartres Vol. 1 (Dooralong: Mandorla Publications)

———. 1981a. The Contractors of Chartres Vol. 2 (Wyong: Mandorla Publications)

———. 1981b. The Contractors of Chartres Vol. 2 (Wyong: Mandorla Publications)

———. 1982a. Chartres: The Masons Who Built a Legend (London: Routledge & Kegan Paul)

———. 1982b. Chartres: The Masons Who Built a Legend (London: Routledge & Kegan Paul)

———. 1996a. ‘The Tools of Hues Libergier, Master Mason of the Thirteenth Century’, Architectural Theory Review, 2.1: 142–49

———. 1996b. ‘The Tools of Hues Libergier, Master Mason of the Thirteenth Century’, Architectural Theory Review, 2.1: 142–49

James, T.B., and Christopher Gerrard. 2007a. Clarendon: Landscape of Kings (Bollington: Windgather)

———. 2007b. Clarendon: Landscape of Kings (Bollington: Windgather)

Jansen, V. 1990a. ‘“Medieval ”Service” Architecture: Undercrofts"’, in Medieval Architecture and Its Intellectual Context: Studies in Honour of Peter Kidson (London: Hambledon)

———. 1990b. ‘“Medieval ”Service” Architecture: Undercrofts"’, in Medieval Architecture and Its Intellectual Context: Studies in Honour of Peter Kidson (London: Hambledon)

———. 1998a. ‘“Architecture and Community in Medieval Monastic Dormitories”’, in Studies in Cistercian Art and Architecture: Vol. 5 (Kalamazoo, Michigan-Spencer: Cistercian Publications)

———. 1998b. ‘“Architecture and Community in Medieval Monastic Dormitories”’, in Studies in Cistercian Art and Architecture: Vol. 5 (Kalamazoo, Michigan-Spencer: Cistercian Publications)

Jan van der Meulen. 1966a. ‘A Logos Creator at Chartres and Its Copy’, Journal of the Warburg and Courtauld Institutes, 29: 82–100

20/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1966b. ‘A Logos Creator at Chartres and Its Copy’, Journal of the Warburg and Courtauld Institutes, 29: 82–100

Jean Bony. 1949a. ‘French Influences on the Origins of English Gothic Architecture’, Journal of the Warburg and Courtauld Institutes, 12: 1–15

———. 1949b. ‘French Influences on the Origins of English Gothic Architecture’, Journal of the Warburg and Courtauld Institutes, 12: 1–15

John James. 1984a. ‘An Investigation into the Uneven Distribution of Early Gothic Churches in the Paris Basin, 1140-1240’, The Art Bulletin, 66.1: 15–46

———. 1984b. ‘An Investigation into the Uneven Distribution of Early Gothic Churches in the Paris Basin, 1140-1240’, The Art Bulletin, 66.1: 15–46

De Jong, Mayke, F. Theuws, and Carine van Rhijn. 2001. Topographies of Power in the Early Middle Ages (Leiden: Brill)

Joubert, Fabienne, Dany Sandron, and Anne Prache. 1999. Pierre, Lumière, Couleur : études D’histoire de L'art Du Moyen Âge En L'honneur d'Anne Prache (Paris: Presses de l’Université de Paris-Sorbonne)

Katzenellenbogen, A. 1959. Sculptural Programs of Chartres Cathedral

K. D. Alexander, R. Mark and J. F. Abel. 1977. ‘The Structural Behavior of Medieval Ribbed Vaulting’, Journal of the Society of Architectural Historians, 36.4: 241–51

Kemp, Brian, and Tim Tatton-Brown. 2008. ‘The Date of the Cloister of Salisbury Cathedral’, Journal of the British Archaeological Association, 161.1: 94–103

Kidson, P. 1969a. ‘“Canterbury Cathedral, The Gothic Choir”’, Archaeological Journal, 126.1: 181–278

———. 1969b. ‘“Canterbury Cathedral, The Gothic Choir”’, Archaeological Journal, 126.1: 181–278

———. 1969c. ‘“Canterbury Cathedral, The Gothic Choir”’, Archaeological Journal, 126.1: 181–278

21/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1981a. ‘“Review of F.Bucher, Architector”’, Journal of the Society of Architectural Historians, 40.4: 329–31

———. 1981b. ‘“Review of F.Bucher, Architector”’, Journal of the Society of Architectural Historians, 40.4: 329–31

Kidson, Peter. 1993a. ‘Gervase, Becket, and William of Sens’, Speculum, 68.4: 969–91

———. 1993b. ‘Gervase, Becket, and William of Sens’, Speculum, 68.4: 969–91

———. 1993c. ‘Gervase, Becket, and William of Sens’, Speculum, 68.4: 969–91

———. 1993d. ‘Gervase, Becket, and William of Sens’, Speculum, 68.4: 969–91

Kinder, Terryl N. 2002a. Cistercian Europe: Architecture of Contemplation (Grand Rapids, Mich: W.B. Eerdmans Pub. Co)

———. 2002b. Cistercian Europe: Architecture of Contemplation (Grand Rapids, Mich: W.B. Eerdmans Pub. Co)

Kinder, Terryl N., and Peter Fergusson. 2004. Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

Knoop, Douglas, and G.P. Jones. 1967a. The Mediaeval Mason: An Economic History of English Stone Building in the Later Middle Ages and Early Modern Times, 3rd ed (Manchester: Manchester University Press)

———. 1967b. The Mediaeval Mason: An Economic History of English Stone Building in the Later Middle Ages and Early Modern Times, 3rd ed (Manchester: Manchester University Press)

Kraus, H. 1971a. ‘“The Medieval Commune at Amiens as Patrons of Art and Architecture”’, Gazette Des Beaux-Arts (Paris: Gazette des Beaux-Arts): 317–30

———. 1971b. ‘“The Medieval Commune at Amiens as Patrons of Art and Architecture”’, Gazette Des Beaux-Arts (Paris: Gazette des Beaux-Arts): 317–30

Kraus, Henry. 1979a. Gold Was the Mortar: The Economics of Cathedral Building (London: Routledge & Kegan Paul)

———. 1979b. Gold Was the Mortar: The Economics of Cathedral Building (London: Routledge & Kegan Paul)

22/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Kurmann, P., and B. Kurmann-Schwartz. 1995. ‘“Chartres Cathedral as a Work of Artistic Integration: Methodological Reflections”’, in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press), pp. 131–52

Lasko, Peter. 1994. Ars Sacra, 800-1200, 2nd ed (New Haven: Yale University Press)

Lasko, Peter, Amanda Tomlinson, and Courtauld Institute of Art. 1976a. ‘Courtauld Institute Illustration Archives: Archive 3 Medieval Architecture & Sculpture in Europe’ (London: Harvey Miller Publishers in association with The Courtauld Institute of Art, )

Lasko, Peter, , Peter Kidson, and Courtauld Institute of Art. 1976b. ‘Courtauld Institute Illustration Archives: Archive 1 Cathedrals & Monastic Buildings in the British Isles’ (London: Harvey Miller Publishers in association with The Courtauld Institute of Art, University of London)

Laurence Hull Stookey. 1969a. ‘The Gothic Cathedral as the Heavenly Jerusalem: Liturgical and Theological Sources’, Gesta, 8.1: 35–41

———. 1969b. ‘The Gothic Cathedral as the Heavenly Jerusalem: Liturgical and Theological Sources’, Gesta, 8.1: 35–41

Liddiard, Robert. 2003a. Anglo-Norman Castles (Woodbridge: Boydell Press)

———. 2003b. Anglo-Norman Castles (Woodbridge: Boydell Press)

———. 2005a. Castles in Context: Power, Symbolism and Landscape, 1066 to 1500 (Macclesfield: Windgather Press)

———. 2005b. Castles in Context: Power, Symbolism and Landscape, 1066 to 1500 (Macclesfield: Windgather Press)

Little, C. 1999. ‘“Monumental Gothic Sculpture from Amiens in American Collections”’, in Ierre, Lumière, Couleur : études D’histoire de L'art Du Moyen Âge En L'honneur d'Anne Prache (Paris: Presses de l’Université de Paris-Sorbonne)

Lon R. Shelby. 1972a. ‘The Geometrical Knowledge of Mediaeval Master Masons’, Speculum, 47.3: 395–421

———. 1972b. ‘The Geometrical Knowledge of Mediaeval Master Masons’, Speculum, 47.3: 395–421

———. 1981a. ‘The Contractors of Chartres’, Gesta, 20.1: 173–78

23/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1981b. ‘The Contractors of Chartres’, Gesta, 20.1: 173–78

Loraine N. Simmons. 1992a. ‘The Abbey Church at Fontevraud in the Later Twelfth Century: Anxiety, Authority and Architecture in the Female Spiritual Life’, Gesta, 31.2: 99–107

———. 1992b. ‘The Abbey Church at Fontevraud in the Later Twelfth Century: Anxiety, Authority and Architecture in the Female Spiritual Life’, Gesta, 31.2: 99–107

Madeline H. Caviness. 1984. ‘Saint-Yved of Braine: The Primary Sources for Dating the Gothic Church’, Speculum, 59.3: 524–48

Maines, C. 1986a. ‘“Good Works, Social Ties and the Hope for Salvation”’, in Abbot Suger and Saint-Denis: A Symposium (New York: Metropolitan Museum of Art), pp. 77–94

———. 1986b. ‘“Good Works, Social Ties and the Hope for Salvation”’, in Abbot Suger and Saint-Denis: A Symposium (New York: Metropolitan Museum of Art), pp. 77–94

Mair, R. 1982a. ‘“The Choir Capitals of Canterbury Cathedral 1174-84”’, in Medieval Art and Architecture at Canterbury before 1220 ([Salisbury]: British Archaeological Association published jointly with the Kent Archaeological Society), pp. 56–66

———. 1982b. ‘“The Choir Capitals of Canterbury Cathedral 1174-84”’, in Medieval Art and Architecture at Canterbury before 1220 ([Salisbury]: British Archaeological Association published jointly with the Kent Archaeological Society), pp. 56–66

Mâle, Émile. 1913a. Religious Art in France. The Thirteenth Century. A Study of Medieval Iconography and Its Sources

———. 1913b. Religious Art in France. The Thirteenth Century. A Study of Medieval Iconography and Its Sources

———. 1978a. Religious Art in France : The Twelfth-Century: A Study of the Origins of Medieval Iconography (Princeton: Princeton University Press)

———. 1978b. Religious Art in France : The Twelfth-Century: A Study of the Origins of Medieval Iconography (Princeton: Princeton University Press)

Malone, Carolyn Marino. 2004a. Façade as Spectacle: Ritual and Ideology at Wells Cathedral (Leiden: Brill)

———. 2004b. Façade as Spectacle: Ritual and Ideology at Wells Cathedral (Leiden: Brill)

———. 2004c. Façade as Spectacle: Ritual and Ideology at Wells Cathedral (Leiden: Brill)

Malone, Carolyn Marino, and ebrary, Inc. 2004a. Façade as Spectacle: Ritual and Ideology

24/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

at Wells Cathedral (Leiden: Brill)

———. 2004b. Façade as Spectacle: Ritual and Ideology at Wells Cathedral (Leiden: Brill)

———. 2004c. Façade as Spectacle: Ritual and Ideology at Wells Cathedral (Leiden: Brill)

Margot Fassler. 1993a. ‘Liturgy and Sacred History in the Twelfth-Century Tympana at Chartres’, The Art Bulletin, 75.3: 499–520

———. 1993b. ‘Liturgy and Sacred History in the Twelfth-Century Tympana at Chartres’, The Art Bulletin, 75.3: 499–520

Mark Pessin. 1978. ‘“ The Twelfth-Century Abbey Church of Saint-Germer de Fly and Its Position in the Development of First Gothic Architecture”’, Gesta, 17.1: 71–72

Mark, Robert. 1982. Experiments in Gothic Structure (Cambridge, Mass: MIT Press)

Martin, Therese (ed.). 2015. Reassessing the Roles of Women as ‘Makers’ of Medieval Art and Architecture (paperback) (Visualising the Middle Ages) (BRILL; Reprint edition)

Marvin Trachtenberg. 1991. ‘Gothic/Italian “Gothic”: Toward a Redefinition’, Journal of the Society of Architectural Historians, 50.1: 22–37

———. 2000. ‘Suger’s Miracles, Branner's Bourges: Reflections on “Gothic Architecture” as Medieval Modernism’, Gesta, 39.2: 183–205

Maureen C. Miller. 1995. ‘From Episcopal to Communal Palaces: Places and Power in Northern Italy (1000-1250)’, Journal of the Society of Architectural Historians, 54.2: 175–85

Maury I. Wolfe and Robert Mark. 1976. ‘The Collapse of the Vaults of Beauvais Cathedral in 1284’, Speculum, 51.3: 462–76

Medieval Art and Architecture at Canterbury before 1220. 1982. ([Salisbury]: British Archaeological Association published jointly with the Kent Archaeological Society)

Melczer, E., and E. Soldwedel. 1982. ‘“Monastic Goals in the Aesthetics of Saint Bernard”’, in Studies in Cistercian Art and Architecture Vol. 1 (Kalamazoo, Mich: Cistercian

25/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Publications), pp. 31–44

Meredith Cohen. 2008. ‘An Indulgence for the Visitor: The Public at the Sainte-Chapelle of Paris’, Speculum, 83.4: 840–83

Morganstern, A. 2004. ‘‘Liturgical and Honorific Implications of the Placement of Gothic Wall Tombs’’, Hortus Artium Medievalium 10 (The Center)

Murray, S. 1999a. ‘“The Architectural Envelope of the Sainte-Chapelle, Form and Meaning”’, in Pierre, Lumière, Couleur : études D’histoire de L'art Du Moyen Âge En L'honneur d'Anne Prache (Paris: Presses de l’Université de Paris-Sorbonne), pp. 223–30

———. 1999b. ‘“The Architectural Envelope of the Sainte-Chapelle, Form and Meaning”’, in Pierre, Lumière, Couleur : études D’histoire de L'art Du Moyen Âge En L'honneur d'Anne Prache (Paris: Presses de l’Université de Paris-Sorbonne), pp. 223–30

Murray, Stephen. [n.d.-a]. ‘Notre-Dame of Paris and the Anticipation of Gothic’, The Art Bulletin: 229–53

———. [n.d.-b]. ‘Notre-Dame of Paris and the Anticipation of Gothic’, The Art Bulletin: 229–53

Murray, Stephen. 1981a. ‘John J. James, “The Contractors of Chartres”, I (Book Review)’, The Art Bulletin (New York, N.Y.), 63.1: 149–52

———. 1981b. ‘John J. James, “The Contractors of Chartres”, I (Book Review)’, The Art Bulletin (New York, N.Y.), 63.1: 149–52

———. 1987a. Building Troyes Cathedral: The Late Gothic Campaigns (Bloomington: Indiana University Press)

———. 1987b. Building Troyes Cathedral: The Late Gothic Campaigns (Bloomington: Indiana University Press)

———. 1989a. Beauvais Cathedral: Architecture of Transcendence (Princeton, N.J.: Princeton University Press)

———. 1989b. Beauvais Cathedral: Architecture of Transcendence (Princeton, N.J.: Princeton University Press)

———. 1989c. Beauvais Cathedral: Architecture of Transcendence (Princeton, N.J.: Princeton University Press)

———. 1989d. Beauvais Cathedral: Architecture of Transcendence (Princeton, N.J.: Princeton University Press)

26/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1989e. Beauvais Cathedral: Architecture of Transcendence (Princeton, N.J.: Princeton University Press)

———. 1996a. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge: Cambridge University Press)

———. 1996b. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge: Cambridge University Press)

———. 1996c. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge: Cambridge University Press)

———. 1996d. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge: Cambridge University Press)

———. 1996e. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge: Cambridge University Press)

———. 1996f. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge: Cambridge University Press)

———. 1996g. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge: Cambridge University Press)

———. 1996h. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge: Cambridge University Press)

———. 1996i. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge: Cambridge University Press)

———. 2004a. A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley, Calif: University of California Press)

———. 2004b. A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley, Calif: University of California Press)

———. 2004c. A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley, Calif: University of California Press)

———. 2004d. A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley, Calif: University of California Press)

Murray, Stephen, and ebrary, Inc. 2004a. A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley, Calif: University of California Press)

———. 2004b. A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley, Calif: University of California Press)

———. 2004c. A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of

27/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Amiens (Berkeley, Calif: University of California Press)

———. 2004d. A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley, Calif: University of California Press)

M. Wolfe and R. Mark. 1974. ‘Gothic Cathedral Buttressing: The Experiment at Bourges and Its Influence’, Journal of the Society of Architectural Historians, 33.1: 17–26

Nilgen, U. 1986. ‘“Intellectuality and Splendour: Thomas Becket as Patron of the Arts”’, in Art and Patronage in the English Romanesque (London: Society of Antiquaries of London), pp. 145–58

Norton, Christopher, and David Park. 1986a. Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press)

———. 1986b. Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press)

Olson, Vibeke. 2011. Working with Limestone: The Science, Technology and Art of Medieval Limestone Monuments (Farnham: Ashgate)

Onians, John. 1988. Bearers of Meaning: The Classical Orders in Antiquity, the Middle Ages and the Renaissance (Princeton: Princeton University Press)

‘Online Reading Lists: A Guide for Students.’ [n.d.]. (University of Reading Library)

Pamela Z. Blum. 1986a. ‘Liturgical Influences on the Design of the West Front at Wells and Salisbury’, Gesta, 25.1: 145–50

———. 1986b. ‘Liturgical Influences on the Design of the West Front at Wells and Salisbury’, Gesta, 25.1: 145–50

———. 1986c. ‘Liturgical Influences on the Design of the West Front at Wells and Salisbury’, Gesta, 25.1: 145–50

Panofsky, Erwin. 1970. Renaissance and Renascences in Western Art, 2nd ed ([London]: Paladin)

———. 1973a. Gothic Architecture and Scholasticism

———. 1973b. Gothic Architecture and Scholasticism

Panofsky, Erwin, and American Council of Learned Societies. 1957a. Gothic Architecture and Scholasticism (New York: Meridian Books)

28/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1957b. Gothic Architecture and Scholasticism (New York: Meridian Books)

———. 1972. Renaissance and Renascences in Western Art (New York: Harper & Row)

Panofsky, Erwin, Gerda Panofsky-Soergel, and Suger. 1979a. Abbot Suger: On the Abbey Church of St. Denis and Its Art Treasures, 2nd ed (Princeton: Princeton University Press)

———. 1979b. Abbot Suger: On the Abbey Church of St. Denis and Its Art Treasures, 2nd ed (Princeton: Princeton University Press)

———. 1979c. Abbot Suger: On the Abbey Church of St. Denis and Its Art Treasures, 2nd ed (Princeton: Princeton University Press)

———. 1979d. Abbot Suger: On the Abbey Church of St. Denis and Its Art Treasures, 2nd ed (Princeton: Princeton University Press)

———. 1979e. Abbot Suger: On the Abbey Church of St. Denis and Its Art Treasures, 2nd ed (Princeton: Princeton University Press)

Parsons, David, and Royal Archaeological Institute. 1990a. Stone Quarrying and Building in England AD43-1525 (Chichester: Phillimore in association with The Royal Archaeological Institute)

———. 1990b. Stone Quarrying and Building in England AD43-1525 (Chichester: Phillimore in association with The Royal Archaeological Institute)

PASTAN, EC. 1AD. ‘“Fit for a Count: The 12th Century Stained Glass Panels from Troyes”’, Speculum, 64: 338–72

Paul Crossley. 1988a. ‘Medieval Architecture and Meaning: The Limits of Iconography’, The Burlington Magazine, 130.1019: 116–21

———. 1988b. ‘Medieval Architecture and Meaning: The Limits of Iconography’, The

29/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Burlington Magazine, 130.1019: 116–21

Pestell, Richard. 1981. ‘The Design Sources for the Cathedrals of Chartres and Soissons’, Art History, 4.1: 1–13

Peter Draper. 1983a. ‘William of Sens and the Original Design of the Choir Termination of Canterbury Cathedral 1175-1179’, Journal of the Society of Architectural Historians, 42.3: 238–48

———. 1983b. ‘William of Sens and the Original Design of the Choir Termination of Canterbury Cathedral 1175-1179’, Journal of the Society of Architectural Historians, 42.3: 238–48

———. 1983c. ‘William of Sens and the Original Design of the Choir Termination of Canterbury Cathedral 1175-1179’, Journal of the Society of Architectural Historians, 42.3: 238–48

———. 1997a. ‘Interpretations of the Rebuilding of Canterbury Cathedral, 1174-1186: Archaeological and Historical Evidence’, Journal of the Society of Architectural Historians, 56.2: 184–203

———. 1997b. ‘Interpretations of the Rebuilding of Canterbury Cathedral, 1174-1186: Archaeological and Historical Evidence’, Journal of the Society of Architectural Historians, 56.2: 184–203

———. 2001. ‘Canterbury Cathedral: Classical Columns in the Trinity Chapel?’, Architectural History, 44: 172–78

———. 2005. ‘Islam and the West: The Early Use of the Pointed Arch Revisited’, Architectural History, 48: 1–20

Peter Fergusson. 1989a. ‘The Refectory at Easby Abbey: Form and Iconography’, The Art Bulletin, 71.3: 334–51

———. 1989b. ‘The Refectory at Easby Abbey: Form and Iconography’, The Art Bulletin, 71.3: 334–51

30/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

eq=1#page_scan_tab_contents>

———. 1989c. ‘The Refectory at Easby Abbey: Form and Iconography’, The Art Bulletin, 71.3: 334–51

———. 2006a. ‘Modernization and Mnemonics at Christ Church, Canterbury: The Treasury Building’, Journal of the Society of Architectural Historians, 65.1: 50–67

———. 2006b. ‘Modernization and Mnemonics at Christ Church, Canterbury: The Treasury Building’, Journal of the Society of Architectural Historians, 65.1: 50–67

———. 2006c. ‘Modernization and Mnemonics at Christ Church, Canterbury: The Treasury Building’, Journal of the Society of Architectural Historians, 65.1: 50–67

Peter J. Fergusson. 1979a. ‘Notes on Two Cistercian Engraved Designs’, Speculum, 54.1: 1–17

———. 1979b. ‘Notes on Two Cistercian Engraved Designs’, Speculum, 54.1: 1–17

Peter Kidson. 1987a. ‘Panofsky, Suger and St Denis’, Journal of the Warburg and Courtauld Institutes, 50: 1–17

———. 1987b. ‘Panofsky, Suger and St Denis’, Journal of the Warburg and Courtauld Institutes, 50: 1–17

———. 2000. ‘Bourges after Branner’, Gesta, 39.2: 147–56

Powicke, F.M. 1961. The Loss of Normandy 1189- 1204: Studies in the History of the Angevin Empire, [2nd ed.] (Manchester: Manchester University Press)

Radding, Charles, and William W. Clark. 1992a. Medieval Architecture, Medieval Learning: Builders and Masters in the Age of Romanesque and Gothic (New Haven: Yale University Press)

31/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1992b. Medieval Architecture, Medieval Learning: Builders and Masters in the Age of Romanesque and Gothic (New Haven: Yale University Press)

RADY, J. 1AD. ‘The Archbishop’s Palace, Canterbury’, Journal of the British Archaeological Association, 144

Raguin, Virginia Chieffo, Kathryn Brush, and Peter Draper. 1995a. Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press)

———. 1995b. Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press)

Rasmussen, N. K. 1983. ‘“The Liturgy at Saint-Denis”’, in Abbot Suger and Saint-Denis: A Symposium (New York: Metropolitan Museum of Art), pp. 41–47

Réau, Louis. 1955. Iconographie de L’art Chrétien (Paris: Presses Universitaires de France)

Reeve, M. 2010a. ‘“Robert Burnell and the Transformation of the Bishop”s Palace’’, in Jocelin of Wells: Bishop, Builder, Courtier (Woodbridge: Boydell Press)

———. 2010b. ‘“Robert Burnell and the Transformation of the Bishop”s Palace’’, in Jocelin of Wells: Bishop, Builder, Courtier (Woodbridge: Boydell Press)

Reynolds, R. E. 1995. ‘“Liturgy and Monument”’, in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press), pp. 57–68

Richard A. Sundt. 1987a. ‘“Mediocres Domos et Humiles Habeant Fratres Nostri:” Dominican Legislation on Architecture and Architectural Decoration in the 13th Century’, Journal of the Society of Architectural Historians, 46.4: 394–407

———. 1987b. ‘“Mediocres Domos et Humiles Habeant Fratres Nostri:” Dominican Legislation on Architecture and Architectural Decoration in the 13th Century’, Journal of the Society of Architectural Historians, 46.4: 394–407

———. 1987c. ‘“Mediocres Domos et Humiles Habeant Fratres Nostri:” Dominican Legislation on Architecture and Architectural Decoration in the 13th Century’, Journal of the Society of Architectural Historians, 46.4: 394–407

32/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

nts>

———. 1989. ‘The Jacobin Church of Toulouse and the Origin of Its Double-Nave Plan’, The Art Bulletin, 71.2: 185–207

Richard Krautheimer. 1942a. ‘Introduction to an “Iconography of Mediaeval Architecture”’, Journal of the Warburg and Courtauld Institutes, 5: 1–33

———. 1942b. ‘Introduction to an “Iconography of Mediaeval Architecture”’, Journal of the Warburg and Courtauld Institutes, 5: 1–33

Robert Branner. 1957. ‘A Note on Gothic Architects and Scholars’, The Burlington Magazine , 99.656

———. 1961a. ‘Historical Aspects of the Reconstruction of Reims Cathedral, 1210-1241’, Speculum, 36.1: 23–37

———. 1961b. ‘Historical Aspects of the Reconstruction of Reims Cathedral, 1210-1241’, Speculum, 36.1: 23–37

———. 1961c. ‘Historical Aspects of the Reconstruction of Reims Cathedral, 1210-1241’, Speculum, 36.1: 23–37

———. 1961d. ‘Jean D’Orbais and the Cathedral of Reims’, The Art Bulletin, 43.2: 131–33

———. 1961e. ‘Jean D’Orbais and the Cathedral of Reims’, The Art Bulletin, 43.2: 131–33

———. 1962a. ‘Paris and the Origins of Rayonnant Gothic Architecture down to 1240’, The Art Bulletin, 44.1: 39–51

———. 1962b. ‘Paris and the Origins of Rayonnant Gothic Architecture down to 1240’, The

33/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Art Bulletin, 44.1: 39–51

———. 1962c. ‘The Labyrinth of Reims Cathedral’, Journal of the Society of Architectural Historians, 21.1: 18–25

———. 1962d. ‘The Labyrinth of Reims Cathedral’, Journal of the Society of Architectural Historians, 21.1: 18–25

———. 1963a. ‘A Note on Pierre de Montreuil and Saint-Denis’, The Art Bulletin, 45.4: 355–57

———. 1963b. ‘A Note on Pierre de Montreuil and Saint-Denis’, The Art Bulletin, 45.4: 355–57

———. 1964a. ‘Westminster Abbey and the French Court Style’, Journal of the Society of Architectural Historians, 23.1: 3–18

———. 1964b. ‘Westminster Abbey and the French Court Style’, Journal of the Society of Architectural Historians, 23.1: 3–18

———. 1973. ‘Gothic Architecture’, Journal of the Society of Architectural Historians, 32.4: 327–33

———. 1976. ‘“Fabrica, Opus” and the Dating of Mediaeval Monuments’, Gesta, 15.1: 27–30

Robert Mark and Richard Alan Prentke. 1968. ‘Model Analysis of Gothic Structure’, Journal of the Society of Architectural Historians, 27.1: 44–48

Robert Sabatino Lopez. 1952a. ‘Économie et Architecture Médiévales: Cela Aurait-Il Tué Ceci?’, Annales. Histoire, Sciences Sociales: 433–38

———. 1952b. ‘Économie et Architecture Médiévales: Cela Aurait-Il Tué Ceci?’, Annales. Histoire, Sciences Sociales: 433–38

34/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Robinson, David M., English Heritage, Cadw : Welsh Historic Monuments, and Historic Scotland. 2002. The Cistercian Abbeys of Britain: Far from the Concourse of Men (London: Batsford)

Robinson, David M., and Society of Antiquaries of London. 2006. The Cistercians in Wales: Architecture and Archaeology 1130-1540 (London: Society of Antiquaries of London)

Rodwell, Warwick, Richard Mortimer, and Jeremy Ashbee. 2010. Westminster Abbey Chapter House: The History, Art and Architecture of ‘a Chapter House beyond Compare’ (London: Society of Antiquaries of London)

Rubin, Miri. 1991a. Corpus Christi: The Eucharist in Late Medieval Culture (Cambridge: Cambridge University Press)

———. 1991b. Corpus Christi: The Eucharist in Late Medieval Culture (Cambridge: Cambridge University Press)

Rudolph, Conrad. 1990a. Artistic Change at St-Denis: Abbot Suger’s Program and the Early Twelfth-Century Controversy over Art (Princeton, N.J.: Princeton University Press)

———. 1990b. Artistic Change at St-Denis: Abbot Suger’s Program and the Early Twelfth-Century Controversy over Art (Princeton, N.J.: Princeton University Press)

———. 1990c. The ‘Things of Greater Importance’: Bernard of Clairvaux’s Apologia and the Medieval Attitude toward Art (Philadelphia: University of Pennsylvania Press)

———. 1990d. The ‘Things of Greater Importance’: Bernard of Clairvaux’s Apologia and the Medieval Attitude toward Art (Philadelphia: University of Pennsylvania Press)

Sampson, J. 2010. ‘“Bishop Jocelin and His Buildings in Wells”’, in Jocelin of Wells: Bishop, Builder, Courtier (Woodbridge: Boydell Press)

Sandron, D. 1994a. ‘“Soissons, La Cathedrale Dans La Ville”’, in Congres Archéologique de France 1990 T1+T2 Aisne Meridionale 2v (Picard)

———. 1994b. ‘“Soissons, La Cathedrale Dans La Ville”’, in Congres Archéologique de France 1990 T1+T2 Aisne Meridionale 2v (Picard)

Sauerlander, W. 1982. ‘“Architecture and the Figurative Arts: The North”’, in Renaissance and Renewal in the Twelfth Century (Oxford: Clarendon Press)

———. 1994a. ‘“Two Glances from the North: The Presence and Absence of Frederick II in the Art of the Empire: The Court Art of Frederick II and the Opus Francigenum”’, in Intellectual Life at the Court of Frederick II Hohenstaufen (Washington: National Gallery of Art), pp. 189–209

———. 1994b. ‘“Two Glances from the North: The Presence and Absence of Frederick II in the Art of the Empire: The Court Art of Frederick II and the Opus Francigenum”’, in Intellectual Life at the Court of Frederick II Hohenstaufen (Washington: National Gallery of Art), pp. 189–209

35/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

———. 1995. ‘“Integration: A Closed or Open Proposal” and “Integrated Fragments and Unintegrated Whole: Scattered Examples from Reims, Strasbourg, Chartres and Naumburg”’, in Artistic Integration in Gothic Buildings (Toronto: University of Toronto Press)

Sauerlèander, Willibald. 1972a. Gothic Sculpture in France 1140-1270 (London: Thames and Hudson)

———. 1972b. Gothic Sculpture in France 1140-1270 (London: Thames and Hudson)

———. 1999. Cathedrals and Sculpture (London: Pindar Press)

Schiller, Gertrud. 1971. Iconography of Christian Art (London: Lund Humphries)

———. 1972. Iconography of Christian Art (London: Lund Humphries)

Schmidt, Gary D. 1995. The Iconography of the Mouth of Hell: Eighth-Century Britain to the Fifteenth Century (Selinsgrove: Susquehanna University Press)

Seymour, C. 1968. Notre-Dame of Noyon in the 12th Century: A Study in the Early Development of Gothic Architecture (WW Norton; Reprint edition)

Sheila Bonde, Edward Boyden and Clark Maines. 1990a. ‘Centrality and Community: Liturgy and Gothic Chapter Room Design at the Augustinian Abbey of Saint-Jean-Des-Vignes, Soissons’, Gesta, 29.2: 189–213

———. 1990b. ‘Centrality and Community: Liturgy and Gothic Chapter Room Design at the Augustinian Abbey of Saint-Jean-Des-Vignes, Soissons’, Gesta, 29.2: 189–213

Shortell, E. 2004a. ‘“Turris Bailice Innixe: The Western Tower of the Collegiate Church of Saint-Quentin”’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

———. 2004b. ‘“Turris Bailice Innixe: The Western Tower of the Collegiate Church of Saint-Quentin”’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

Simon Bradley. 2002. ‘The Englishness of Gothic: Theories and Interpretations from William Gilpin to J. H. Parker’, Architectural History, 45: 325–46

Simson, Otto Georg von. 1989a. The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order, 3rd ed. (expanded ed.) (Princeton: Princeton University Press)

———. 1989b. The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order, 3rd ed. (expanded ed.) (Princeton: Princeton University Press)

36/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Slater, T.R., and Gervase Rosser. 1998a. The Church in the Medieval Town (Aldershot: Ashgate)

———. 1998b. The Church in the Medieval Town (Aldershot: Ashgate)

Stephen Murray. 1978. ‘The Gothic Facade Drawings in the “Reims Palimpsest”’, Gesta, 17.2: 51–56

T. A. Heslop. 1991a. ‘Orford Castle, Nostalgia and Sophisticated Living’, Architectural History, 34: 36–58

———. 1991b. ‘Orford Castle, Nostalgia and Sophisticated Living’, Architectural History, 34: 36–58

Talbot, C. H. 1986a. ‘“The Cistercian Attitude towards Art: The Literary Evidence”’, in Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press), pp. 56–64

———. 1986b. ‘“The Cistercian Attitude towards Art: The Literary Evidence”’, in Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press), pp. 56–64

———. 1986c. ‘“The Cistercian Attitude towards Art: The Literary Evidence”’, in Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press), pp. 56–64

Tatton-Brown, T. 1990a. ‘“Building Stone in Canterbury, C. 1070-1525”’, in Stone Quarrying and Building in England AD43-1525 (Chichester: Phillimore in association with The Royal Archaeological Institute), pp. 70–82

———. 1990b. ‘“Building Stone in Canterbury, C. 1070-1525”’, in Stone Quarrying and Building in England AD43-1525 (Chichester: Phillimore in association with The Royal Archaeological Institute), pp. 70–82

———. 2002a. ‘“The Beginnings of Lambeth Palace”’, in Anglo-Norman Studies, XXIV: Proceedings of the Battle Conference 2001 (Woodbridge: Boydell Press), pp. 203–14

———. 2002b. ‘“The Beginnings of Lambeth Palace”’, in Anglo-Norman Studies, XXIV: Proceedings of the Battle Conference 2001 (Woodbridge: Boydell Press), pp. 203–14

———. 2010a. ‘“Jocelin of Wells as a Palace Builder”’, in Jocelin of Wells: Bishop, Builder, Courtier (Woodbridge: Boydell Press)

———. 2010b. ‘“Jocelin of Wells as a Palace Builder”’, in Jocelin of Wells: Bishop, Builder, Courtier (Woodbridge: Boydell Press)

37/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Theuws, F., Mayke De Jong, Carine van Rhijn, and ebrary, Inc. 2001. Topographies of Power in the Early Middle Ages (Leiden: Brill)

Turner, Jane. 1996. The Dictionary of Art (Basingstoke: Macmillan)

Turner, Rick, Andy Johnson, and John R.L. Allen. 2006a. Chepstow Castle: Its History & Buildings (Logaston: Logaston Press)

———. 2006b. Chepstow Castle: Its History & Buildings (Logaston: Logaston Press)

Vincent, N. 2002a. ‘“Master Elias of Dereham (d. 1245): A Reassessment”’, in The Church and Learning in Later Medieval Society: Essays in Honour of R.B. Dobson : Proceedings of the 1999 Harlaxton Symposium (Donington: Shaun Tyas)

———. 2002b. ‘“Master Elias of Dereham (d. 1245): A Reassessment”’, in The Church and Learning in Later Medieval Society: Essays in Honour of R.B. Dobson : Proceedings of the 1999 Harlaxton Symposium (Donington: Shaun Tyas)

Vivian Paul. 1988a. ‘The Beginnings of Gothic Architecture in Languedoc’, The Art Bulletin, 70.1: 104–22

———. 1988b. ‘The Beginnings of Gothic Architecture in Languedoc’, The Art Bulletin, 70.1: 104–22

Waddell, C. 2004a. ‘“Cistercian Influence on the Abbey of the Paraclete?”’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

———. 2004b. ‘“Cistercian Influence on the Abbey of the Paraclete?”’, in Perspectives for an Architecture of Solitude: Essays on Cistercians, Art and Architecture in Honour of Peter Fergusson (Turnhout, Belgium: Brepols)

Weiss, Daniel H. 1998. Art and Crusade in the Age of Saint Louis (Cambridge: Cambridge University Press)

WEISS, DH. 1AD. ‘“Architectural Symbolism and the Decoration of the Sainte-Chapelle”’, The Art Bulletin (New York, N.Y.), 77: 308–20

38/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

Williams, Jane Welch. 1993a. Bread, Wine & Money: The Windows of the Trades at Chartres Cathedral (Chicago: University of Chicago Press)

———. 1993b. Bread, Wine & Money: The Windows of the Trades at Chartres Cathedral (Chicago: University of Chicago Press)

Williamson, Paul. 1995a. Gothic Sculpture, 1140-1300 (New Haven: Yale University)

———. 1995b. Gothic Sculpture, 1140-1300 (New Haven: Yale University)

Willibald Sauerlander. 1987. ‘Style or Transition? The Fallacies of Classification Discussed in the Light of German Architecture 1190-1260’, Architectural History, 30: 1–29

Willis, R. 1972a. ‘“The Architectural History of Canterbury Cathedral”’, in Architectural History of Some English Cathedrals: A Collection in Two Parts of Papers Delivered during the Years 1842-1863 (Newport Pagnell: Paul P.B. Minet), i

———. 1972b. ‘“The Architectural History of Canterbury Cathedral”’, in Architectural History of Some English Cathedrals: A Collection in Two Parts of Papers Delivered during the Years 1842-1863 (Newport Pagnell: Paul P.B. Minet), i

———. 1972c. ‘“The Architectural History of Canterbury Cathedral”’, in Architectural History of Some English Cathedrals: A Collection in Two Parts of Papers Delivered during the Years 1842-1863 (Newport Pagnell: Paul P.B. Minet), i

———. 1972d. ‘“The Architectural History of Canterbury Cathedral”’, in Architectural History of Some English Cathedrals: A Collection in Two Parts of Papers Delivered during the Years 1842-1863 (Newport Pagnell: Paul P.B. Minet), i

Wilson, C. 1986a. ‘“The Cistercians as ”Missionaries of Gothic” in Northern England"’, in Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press), pp. 86–116

———. 1986b. ‘“The Cistercians as ”Missionaries of Gothic” in Northern England"’, in Cistercian Art and Architecture in the British Isles (Cambridge: Cambridge University Press), pp. 86–116

———. 2004a. ‘“Lausanne and Canterbury: A ”Special Relationship” Reconsidered"’, in Die Kathedrale von Lausanne Und Ihr Marienportal Im Kontext Der Europèaischen Gotik (Berlin: De Gruyter), pp. 89–124

———. 2004b. ‘“Lausanne and Canterbury: A ”Special Relationship” Reconsidered"’, in Die Kathedrale von Lausanne Und Ihr Marienportal Im Kontext Der Europèaischen Gotik (Berlin: De Gruyter), pp. 89–124

Wilson, Christopher. 2000a. The Gothic Cathedral: The Architecture of the Great Church, 1130-1530, [Revised ed.] (London: Thames and Hudson)

———. 2000b. The Gothic Cathedral: The Architecture of the Great Church, 1130-1530,

39/40 09/28/21 HS3T57 - Gothic: Architecture, Money and Cultural Identity | University of Reading

[Revised ed.] (London: Thames and Hudson)

———. 2008. ‘Calling the Tune? The Involvement of King Henry III in the Design of the Abbey Church at Westminster’, Journal of the British Archaeological Association, 161.1: 59–93

Wolff, Arnold. 1980a. The Cathedral of Cologne, 1st rev. English ed (Stuttgart: Mèuller und Schindler)

———. 1980b. The Cathedral of Cologne, 1st rev. English ed (Stuttgart: Mèuller und Schindler)

Woodman, F. 1992a. ‘“The Waterworks Drawing of the Eadwine Psalter”’, in The Eadwine Psalter: Text, Image, and Monastic Culture in Twelfth-Century Canterbury (London: Modern Humanities Research Association in conjunction with The Pennsylvania State University Press), pp. 168–85

———. 1992b. ‘“The Waterworks Drawing of the Eadwine Psalter”’, in The Eadwine Psalter: Text, Image, and Monastic Culture in Twelfth-Century Canterbury (London: Modern Humanities Research Association in conjunction with The Pennsylvania State University Press), pp. 168–85

Wu, Nancy Y., and Association Villard de Honnecourt for Interdisciplinary Study of Medieval Technology, Science and Art. 2002a. Ad Quadratum: The Practical Application of Geometry in Medieval Architecture (Aldershot, Hampshire: Ashgate)

———. 2002b. Ad Quadratum: The Practical Application of Geometry in Medieval Architecture (Aldershot, Hampshire: Ashgate)

Young, Karl. 1933a. The Drama of the Medieval Church (Oxford: Clarendon Press)

———. 1933b. The Drama of the Medieval Church (Oxford: Clarendon Press)

Zarnecki, G. 1986. ‘“Henry of Blois as a Patron of Sculpture”’, in Art and Patronage in the English Romanesque (London: Society of Antiquaries of London)

Zenner, Marie-Thâeráese, Jean Gimpel, and Association Villard de Honnecourt for Interdisciplinary Study of Medieval Technology, Science and Art. 2004a. Villard’s Legacy: Studies in Medieval Technology, Science, and Art in Memory of Jean Gimpel (Aldershot, Hampshire: Ashgate)

———. 2004b. Villard’s Legacy: Studies in Medieval Technology, Science, and Art in Memory of Jean Gimpel (Aldershot, Hampshire: Ashgate)

Zinn, G. 1986. ‘“Suger, Theology and the Pseudo-Dionysian Tradition”’, in Abbot Suger and Saint-Denis: A Symposium (New York: Metropolitan Museum of Art), pp. 33–40

40/40