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Art of England and the Continent: the Library of Patrick Noon, Senior

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Art of England and the Continent: the Library of Patrick Noon, Senior THE ART OF ENGLAND AND THE CONTINENT The Library of Patrick Noon, Senior Curator of Paintings and Elizabeth MacMillan Chair of the Department of Paintings, Minneapolis Institute of Art (1997-present); Curator of Prints, Drawings and Rare Books at the Yale Center for British Art (1975-1997) 1,529 titles in circa 1,570 volumes Patrick Noon Paintings Senior Curator of Paintings Elizabeth MacMillan Chair of the Department of Paintings Patrick has been the senior curator of paintings at Mia since moving to Minneapolis in 1997. He was previously the founding curator of Prints, Drawings, and Rare Books at the Yale Center for British Art in New Haven, Connecticut, where he organized 80 exhibitions in 20 years, including “The English Miniature” (1981) in collaboration with the Victoria and Albert Museum and “The Human Form Divine, William Blake from the Paul Mellon Collection” (1997). He has published and lectured extensively on French and British art from the 1700s and 1800s, focusing on the relationships between artists working in different countries, particularly during the Romantic era. This expertise has informed many exhibitions, including “Crossing the Channel: British and French Painting in the Age of Romanticism,” organized with the Tate Britain and the Metropolitan Museum of Art and shown at Mia in 2003, as well as the catalogues raisonnés he published in 2008/10 of the paintings and drawings of British Romantic artist Richard Parkes Bonington, who mediated the British and French schools in the 1820s. His exploration of French Romantic painter Eugène Delacroix’s influence—“Delacroix and the Rise of Modern Art”— was organized with the National Gallery in London and debuted at Mia in 2015. ARS LIBRI THE LIBRARY OF PATRICK NOON General Works p. 1 – 45 Monographs on Artists p. 45 - 97 GENERAL WORKS 1 ADAMS, CLINTON. Nineteenth-Century Lithography in Europe. 92pp. Prof. illus. Sm. 4to. Wraps. Albuquerque (The University of New Mexico Art Museum), 1998. 2 ADELAIDE. ART GALLERY OF SOUTH AUSTRALIA. Australian Colonial Art, 1800-1900. [By] Ron Radford, Jane Hylton. Edited by Daniel Thomas. 216pp. Prof. illus. in color. Lrg. 4to. Dec. boards. Adelaide (Art Gallery Board of South Australia), 1995. 3 AJACCIO. MUSÉE FESCH. Chefs-d’oeuvre du musée Fesch. 109, (1)pp. Prof. illus. in color. 4to. Dec. boards. Ajaccio, 2005. 4 ALLEN, BRIAN (EDITOR). Towards a Modern Art World. (Studies in British Art. 1.) viii, 227pp. 49 illus. 4to. Cloth. D.j. New Haven/London (Yale University Press), 1995. Arntzen/Rainwater R69 5 ALLEN, BRIAN & DUKELSKAYA, LARISSA (EDITORS). British Art Treasures from Russian Imperial Collections in the Hermitage. 328pp. 160 plates, 156 figs. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Yale Center for British Art, New Haven, Oct. 1996-Jan. 1997. New Haven/London (Yale University Press), 1996. 6 ALLTHORPE-GUYTON, MARJORIE & STEVENS, JOHN. A Happy Eye: A School of Art in Norwich, 1845-1982. 144pp. Prof. illus. 4to. Wraps. Norwich (Jarrold & Sons), 1982. 7 AMERICAN FEDERATION OF ARTS. Graphic Excursions: American Prints in Black and White, 1900-1950: Selections from the Collection of Reba and Dave Williams. Essays by Karen F. Beall and David W. Kiehl. 155, (1)pp. 110 illus. Oblong 4to. Cloth. D.j. Circulated at the Weatherspoon Art Gallery, University of North Caolina, Greensboro, North Carolina, April-June 1991. Boston/New York (David R. Godine/ American Federation of Arts), 1991. 8 AMHERST. AMHERST COLLEGE. MEAD ART MUSEUM. Representing Revolution: French & British Images, 1789- 1804. Sept.-Nov. 1989. Texts by Sura Levine, Joan B. Landes, Fritz Daguillard. 56pp. Prof. illus. 4to. Wraps. Amherst, 1989. 9 ANDREWS, MALCOLM. The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain, 1760-1800. xvi, (2), 269pp. 83 illus. 4to. Wraps. Stanford (Stanford University Press), 1989. 10 ANN ARBOR. UNIVERSITY OF MICHIGAN. MUSEUM OF ART. Modern Master Drawings. Forty years of collecting at The University of Michigan Museum of Art. Catalogue of the exhibition by Hilarie Faberman. With contributions by Lauren Arnold, Carole McNamara, Evan M. Maurer, Charles H. Sawyer, and others. 265, (1)pp. 106 plates (7 color). 4to. Wraps. Ann Arbor, 1986. 11 ANN ARBOR. UNIVERSITY OF MICHIGAN. MUSEUM OF ART. Images of Love and Death in Late Medieval and Renaissance Art. Essays by Clifton C. Olds, Ralph G. Williams. Catalogue by William R. Levin. Nov. 1975-Jan. 1976. vii, 132pp., 68 plates. Sm. 4to. Wraps. D.j. Ann Arbor, 1975. 12 ARNASON, H.H. History of Modern Art: Painting, Sculpture, Architecture. 633, (1)pp. 1379 illus. (261 color). Lrg. stout 4to. Cloth. D.j. New York (Harry N. Abrams), [1968]. Arntzen/Rainwater I235 13 ARNOLD, JANET. Perukes & Periwigs. 31, (1)pp. 27 plates. 4to. Wraps. London (National Portrait Gallery), 1970. 14 ASHTON, JOHN. Caricature and Satire on Napoleon I. xvi, 454pp. Prof. illus. 4to. Cloth. Reprint of the London 1888 edition. New York/London (Benjamin Blom), 1968. 15 ASLESON, ROBYN (EDITOR). Notorious Muse: The Actress in British Art and Culture, 1776-1812. (Studies in British Art. 11.) xix, 212pp. 14 color plates, 76 text illus. 4to. Cloth. D.j. London (Tate Gallery Publishing), 1997. Arntzen/Rainwater R69 ARS LIBRI 2 THE LIBRARY OF PATRICK NOON 16 ATHANASSOGLOU-KALLMYER, NINA. French Images from the Greek War of Independence, 1821-1830: Art and Politics under the Restoration. 176pp. 85 illus., 1 map. Lrg. 4to. Cloth. D.j. New Haven/London (Yale University Press), 1989. 17 ATHENS. KOSTIS PALAMAS BUILDING. Ho Lordos Vyron sten Ellada./ Lord Byron in Greece. Catalogue compiled and edited by Fani-Maria Tsigakou. Jan.-March 1988. 119pp. Prof. illus. in color. Sq. 4to. Wraps. Parallel texts in Greek and English. Athens, 1988. 18 ATLANTA. HIGH MUSEUM OF ART. Impressionism: Paintings Collected by European Museums. Curator: Ann Dumas. Feb.-May 1999. 271pp. 147 plates (107 color). Lrg. 4to. Cloth. D.j. The exhibition subsequently traveled to the Seattle Art Museum and the Denver Art Museum. New York (Harry N. Abrams), 1999. 19 ATLANTA. HIGH MUSEUM OF ART. Kings as Collectors: Paintings, Sculpture and Decorative Arts from the Musée du Louvre. Oct. 2006-Sept. 2007. 165pp. Prof. illus. in color. Lrg. 4to. Cloth. D.j. Atlanta, 2006. 20 ATLANTA. HIGH MUSEUM OF ART. The Louvre and the Masterpiece. Isabelle Leroy-Jay Lemaistre and David A. Brenneman, managing curators. Oct. 2008-Sept. 2009. (Louvre Atlanta.) 224pp. Prof. illus. in color. Lrg. 4to. Cloth. D.j. Atlanta, 2008. 21 BAILLIO, JOSEPH. The Winds of Revolution. 111pp. Prof. illus. Tall 4to. Wraps. Published in conjunction with an exhibition at Wildenstein, New York, Nov.-Dec. 1989. New York (Wildenstein), 1989. 22 BAKER, CHARLES HENRY COLLINS. British Painting. With a chapter on primitive painting by Montague R. James. xxxvi, 319, (1)pp., 152 plates (12 color). 4to. Cloth. Uncut. New York, 1933. Arntzen/Rainwater M246; Chamberlin 1279; Lucas p.80 23 BARON, WENDY & CORMACK, MALCOLM. The Camden Town Group. xvi, 71, (1)pp. 88 illus. 4to. Wraps. Published in conjunction with an exhibition at the Yale Center for British Art, New Haven, April-June 1980. New Haven (Yale Center for British Art), 1980. 24 BARRELL, JOHN. The Political Theory of Painting from Reynolds to Hazlitt: ‘The Body of the Public.’ viii, (4), 366pp. 26 plates. Lrg. 8vo. Wraps. New Haven/London (Yale University Press), 1986. 25 BARRINGER, TIM. Men at Work: Art and Labour in Victorian Britain. xi, 379, (1)pp. Prof. illus. in color. 4to. Cloth. D.j. New Haven (Yale University Press), 2005. 26 BASEL. FONDATION BEYELER. Fondation Beyeler: The Collection. With works and texts by the artists. Edited by Theodora Vischer. 275, (1)pp. Prof. illus. in color. Lrg. 4to. Cloth. D.j. Basel, 2017. 27 BATTCOCK, GREGORY (EDITOR). Minimal Art: A Critical Anthology. 448pp. Prof. illus. Lrg. 8vo. Wraps. New York (E.P. Dutton & Co.), 1968. 28 BAYARD, JANE & D’OENCH, ELLEN. Darkness Into Light: The Early Mezzotint. 30pp. 9 plates. 4to. Wraps. Published in conjunction with an exhibition at the Yale University Art Gallery, New Haven, Feb.-April 1976. New Haven (Yale University Art Gallery), 1976. 29 BEATTIE, SUSAN. The New Sculpture. (Studies in British Art.) (6), 272pp. 240 illus. 4to. Cloth. D.j. New Haven/London (Yale University Press), 1983. Arntzen/Rainwater R69; Marmor/Ross K211 30 BERKELEY. UNIVERSITY OF CALIFORNIA. UNIVERSITY ART MUSEUM. The Hand and the Spirit: Religious Art in America 1700-1900. June-Aug. 1972. [By] Jane Dillenberger and Joshua C. Taylor. Foreword by Peter Selz; introduction by John Dillenberger. 192pp. Prof. illus. (partly in color). Sq. 4to. Wraps. Berkeley, 1972. Karpel I-277 31 BERLIN. MUSEUM FÜR OSTASIATISCHE KUNST, STAATLICHE MUSEEN PREUSSISCHER KULTURBESITZ. Arts of Japan: The John C. Weber Collection. Edited by Melanie Trede, with Julia Meech and the assistance of Anton Schweizer and Mio Wakita. Photography by John Bigelow Taylor. Oct. 2006-Jan. 2007. 256pp. Prof. illus. in color. Lrg. 4to. Wraps. Berlin, 2006. 11 December, 2019 ARS LIBRI 3 THE LIBRARY OF PATRICK NOON 32 BERMINGHAM, ANN. Learning to Draw: Studies in the Cultural History of a Polite and Useful Art. xv, 304pp. Prof. illus. in color. Lrg. 4to. Cloth. D.j. New Haven/London, 2000. 33 BERMINGHAM, PETER. American Art in the Barbizon Mood. 91, (1)pp. Prof. illus. (partly color). Sq. 4to. Wraps. Published in conjunction with an exhibition at the National Collection of Fine Arts, Washington, D.C., Jan.-April 1975. Washington, D.C. (Smithsonian Institution Press), 1975. 34 BINDMAN, DAVID. The Shadow of the Guillotine: Britain and the French Revolution. With contributions by Aileen Dawson and Mark Jones. 232pp., 8 color plates. 200 illus. Lrg. 4to. Wraps. London (British Museum Publications), 1989. 35 BINGHAMTON. STATE UNIVERSITY OF NEW YORK. UNIVERSITY ART GALLERY. Selections from the Drawing Collection of Mr. and Mrs. Julius S. Held. Loan exhibition.
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