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Newsletter 2 The Paul Mellon Centre for Studies in British Art NEWSLETTER Yale University January 2014 Issue 38 RICHARD WILSON AND THE TRANSFORMATION OF EUROPEAN LANDSCAPE PAINTING The exhibition Richard Wilson and the Transformation of European Landscape Painting is to be held atthe Yale Center for British Art, New Haven, from 6 March to 1 June 2014, and at the National Museum Wales, Cardiff, from 5 July to 29 October 2014. Long known as the father of British landscape painting, Richard Wilson was, the exhibition contends, at the heart of a profound conceptual shift in European landscape art. With over 160 works, the exhibition and accompanying publication not only situate Wilson’s art at the beginning of a native tradition that leads to John Constable and J.M.W. Turner, but argues that in Rome during the 1750s Wilson was part of an international group of artists who reshaped European art. Rooted in the work of great seventeenth-century masters such as Claude Lorrain but responding to the early stirrings of neoclassicism, Wilson forged a highly original landscape vision that through the example of his own works and the tutelage of his pupils in Rome and later in London was to establish itself throughout northern Europe. In addition to a wide range of oil paintings and works on paper by Wilson, the exhibition includes works by Claude Lorrain, Gaspard Dughet, Anton Raphael Mengs, Pompeo Batoni, Giovanni Paolo Panini, Charles-Joseph Natoire, Claude-Joseph Vernet, Adolf Friedrich Harper, Johan Mandelberg, William Hodges, Thomas Jones, Joseph Wright, John Constable and J.M.W. Turner. Richard Wilson (1714–82), Vale of Narni, c.1760. Oil on canvas, Brinsley Ford Collection The exhibition is co-curated by Martin Postle, Deputy Yale University Press for the Yale Center for British Art, Director of Studies at the Paul Mellon Centre for Studies also contains contributions by Steffen Eggle, Oliver in British Art, and Robin Simon, Visiting Professor of Fairclough, Jason Kelley, Ana Maria Suarez Huerta, English, University College London and Editor of The Lars Kokkonen, Kate Lowry, Paul Spencer-Longhurst, British Art Journal. The exhibition catalogue, published by Jonathan Yarker, Scott Wilcox and Rosie Ibbotson. The Paul Mellon Centre Staff Director of Studies: Mark Hallett Deputy Director of Studies: Martin Postle Assistant Director for Research: Sarah Victoria Turner Assistant Director for Finance and Administration: Sarah Ruddick Librarian: Emma Floyd Archivist and Records Manager: Charlotte Brunskill Picture Research and Online Cataloguing: Maisoon Rehani Events Co-ordinator and Director’s Assistant: Ella Fleming Yale-in-London Coordinator: Nermin Abdulla Fellowships and Grants Manager: Mary Peskett Smith Editor Research Projects: Guilland Sutherland Administrative Assistant: Lyndsey Gherardi Archives and Library Assistant: Jenny Hill Archives and Library Assistant: Frankie Drummond Senior Research Fellows, Special Projects: Hugh Belsey, Elizabeth Einberg, Alex Kidson, Eric Shanes, Paul Spencer-Longhurst Advisory Council: Iwona Blazwick, Alixe Bovey, David Peters Corbett, Penelope Curtis, Michael Hatt, Nigel Llewellyn, Richard Marks, Andrew Moore, Gavin Stamp, Christine Stevenson, Shearer West, Alison Yarrington Company Registered in England 983028 Registered Charity 313838 16 Bedford Square, London WC1B 3JA Tel: 020 7580 0311 Fax: 020 7636 6730 www.paul-mellon-centre.ac.uk THE PAUL MELLON CENTRE ACADEMIC ACTIVITIES Research Programmes Spring 2014 RESEARCH SEMINARS RESEARCH LUNCHES Wednesdays, 5.45–7.45 PM Fridays, 12.30–2.00 PM Our Spring series of research seminars will feature The Spring programme of research lunches is geared to papers given by distinguished historians of British art doctoral students and junior scholars working on the and architecture. Seminars typically take the form of history of British art and architecture. They are intended hour-long talks, followed by questions and drinks, and are to be informal events in which individual doctoral geared to scholars, curators, conservators, art-trade students and scholars talk for half an hour about their professionals and research students working on the projects, and engage in animated discussion with their history of British art. peers. A sandwich lunch will be provided by the Centre. We hope that this series will help foster a sense of 15th January community amongst PhD students and junior colleagues Christine Riding (National Maritime Museum, Greenwich) from a wide range of institutions, and bring researchers Turner and the sea together in a collegial and friendly atmosphere. 29th January 24th January Rosemary Hill (All Souls College, Oxford) Samuel Bibby (Associate Editor of Art History) Anglo-Norman attitudes: cross-channel antiquarianism The pursuit of understanding: The Burlington Magazine, 1789-1850 Art History, and the periodical landscape of twentieth-century Britain 12th February Tanya Harrod (Independent scholar) Modern pots, colonialism and the politics of craft: the 7th February conflicted life of Michael Cardew Lucinda Lax (University of York) Sermons in paint: Edward Penny and the reinvention of 26th February genre painting ONE OBJECT, THREE VOICES The Cenotaph 21st February Roger Bowdler (English Heritage), David Odgers James Alexander Cameron (Courtauld Institute of Art) (Odgers Conservation Consultants) and Guests Sedilia in English churches: challenges and discoveries in the study of parish church architecture 12th March John Brewer (California Institute of Technology) 7th March Depicting Vesuvius: painting, panorama and performance, Sarah Thomas (Birkbeck, University of London) 1760-1830 James Hakewill and the politics of slavery 14th March Details about the Research Seminars and Research Nicola MacCartney (Birkbeck, University of London) Lunches can also be found on the Centre’s website, Art world dissidents and their alternative identities: art and www.paul-mellon-centre.ac.uk language, Bob and Roberta Smith, Spartacus Chetwynd and Lucky PDF It is essential that anyone who plans to attend individual research seminars and research lunches emails the Centre’s Events Co-ordinator, Ella Fleming, at least two days in advance: [email protected] THE PAUL MELLON CENTRE ACADEMIC ACTIVITIES Research Events at the Centre Autumn 2013 As well as our regular research seminars and lunches, we hosted and collaborated on several other research events in Autumn 2013. COURT, COUNTRY, CITY 26–27 September In late September, the Centre hosted a two-day publication workshop featuring scholars associated with the University of York–Tate Britain research project Court, Country, City: British Art 1660-1735. Participants presented a wide variety of papers dealing with late seventeenth- and early eighteenth-century British art and architecture, preparatory to a major publication that will appear as part of the Yale Center for British Art’s Studies in British Art series. ARIAH 24–26 October The PMC hosted the business meeting of the Association of Research Institutes in Art History (ARIAH) at the end of October. This was attended by an international group of representatives from research institutions worldwide. We organised a busy schedule of visits and talks in and around London, including trips to the British Museum, National Portrait Gallery, Sir John Soane’s Museum and Dulwich Picture Gallery. Peter Lely, Diana Kirke, later Countess of Oxford, c.1665, Yale Center for British Art, Paul Mellon Collection From the Court, Country, City workshop TRANSFORMING TOPOGRAPHY 22 November A workshop entitled Transforming Topography, was held on November 22nd at the British Library. Ten scholars gave presentations on images from King George Ill’s Topographical Collection at the British Library, ranging from views of Chichester to maps of Barbados. CONSTABLE WORKSHOP 29 November The Centre also hosted a workshop on November 29th, which brought together the curators of two forthcoming Constable exhibitions, Mark Evans (V&A) and MaryAnne Stevens (RA), to discuss these shows with an invited audience of scholars and experts in the field of Constable studies. CONTEMPORARY PAINTING IN CONTEXT 13 December On December 13th, the Centre hosted a conference, Contemporary Painting in Context, designed in collaboration with the curators of the Painting Now: Five Contemporary Artists exhibition, which is currently being displayed at Tate Britain. Tickets sold out within a couple of days and we hope that this will be the first of many Prince 2011/2012 by Gillian Carnegie research events to focus on contemporary art in Britain. © Gillian Carnegie Photo: Lothar Schnepf, courtesy Galerie Giesla Capitain, Cologne From the Contemporary Painting in Context conference THE PAUL MELLON CENTRE FELLOWSHIP AND GRANT AWARDS Fellowship and Grant Awards At the October 2013 meeting of the Centre’s Advisory Council the following Grants were awarded: CURATORIAL RESEARCH GRANTS Keren Hammerschlag: Frederic Leighton: Death, Mortality, Ashmolean Museum to help support a research curator Resurrection for 2 years on the project The Kiss of James Gillray from Edward Juler: Grown but not Made: British Modernist the New College Collection Sculpture and the New Biology British Library to help support a research curator for 2 Yat Ming Loo: The Chinese East End years on the project Transforming Topography Henry Miller: Politics Personified: Portraiture, Caricature Cheltenham Art Gallery and Museum to help support 2 and Visual Culture in Britain, 1830-1880 research curators for 2 years on the project The ecclesiastical
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