Letters from a Young Painter Abroad: James Russel in Rome, 1740-63
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PEAES Guide: the Historical Society of Pennsylvania
PEAES Guide: The Historical Society of Pennsylvania http://www.librarycompany.org/Economics/PEAESguide/hsp.htm Keyword Search Entire Guide View Resources by Institution Search Guide Institutions Surveyed - Select One The Historical Society of Pennsylvania 1300 Locust Street Philadelphia, PA 19107 215-732-6200 http://www.hsp.org Overview: The entries in this survey highlight some of the most important collections, as well as some of the smaller gems, that researchers will find valuable in their work on the early American economy. Together, they are a representative sampling of the range of manuscript collections at HSP, but scholars are urged to pursue fruitful lines of inquiry to locate and use the scores of additional materials in each area that is surveyed here. There are numerous helpful unprinted guides at HSP that index or describe large collections. Some of these are listed below, especially when they point in numerous directions for research. In addition, the HSP has a printed Guide to the Manuscript Collections of the Historical Society of Pennsylvania (HSP: Philadelphia, 1991), which includes an index of proper names; it is not especially helpful for searching specific topics, item names, of subject areas. In addition, entries in the Guide are frequently too brief to explain the richness of many collections. Finally, although the on-line guide to the manuscript collections is generally a reproduction of the Guide, it is at present being updated, corrected, and expanded. This survey does not contain a separate section on land acquisition, surveying, usage, conveyance, or disputes, but there is much information about these subjects in the individual collections reviewed below. -
A Brief History of Christ Church MEDIEVAL PERIOD
A Brief History of Christ Church MEDIEVAL PERIOD Christ Church was founded in 1546, and there had been a college here since 1525, but prior to the Dissolution of the monasteries, the site was occupied by a priory dedicated to the memory of St Frideswide, the patron saint of both university and city. St Frideswide, a noble Saxon lady, founded a nunnery for herself as head and for twelve more noble virgin ladies sometime towards the end of the seventh century. She was, however, pursued by Algar, prince of Leicester, for her hand in marriage. She refused his frequent approaches which became more and more desperate. Frideswide and her ladies, forewarned miraculously of yet another attempt by Algar, fled up river to hide. She stayed away some years, settling at Binsey, where she performed healing miracles. On returning to Oxford, Frideswide found that Algar was as persistent as ever, laying siege to the town in order to capture his bride. Frideswide called down blindness on Algar who eventually repented of his ways, and left Frideswide to her devotions. Frideswide died in about 737, and was canonised in 1480. Long before this, though, pilgrims came to her shrine in the priory church which was now populated by Augustinian canons. Nothing remains of Frideswide’s nunnery, and little - just a few stones - of the Saxon church but the cathedral and the buildings around the cloister are the oldest on the site. Her story is pictured in cartoon form by Burne-Jones in one of the windows in the cathedral. One of the gifts made to the priory was the meadow between Christ Church and the Thames and Cherwell rivers; Lady Montacute gave the land to maintain her chantry which lay in the Lady Chapel close to St Frideswide’s shrine. -
Center 6 Research Reports and Record of Activities
National Gallery of Art Center 6 Research Reports and Record of Activities I~::':,~''~'~'~ y~ii)i!ili!i.~ f , ".,~ ~ - '~ ' ~' "-'- : '-" ~'~" J:~.-<~ lit "~-~-k'~" / I :-~--' %g I .," ,~_-~ ~i,','~! e 1~,.~ " ~" " -~ '~" "~''~ J a ,k National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Center 6 Research Reports and Record of Activities June 1985--May 1986 Washington, 1986 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, D.C. 20565 Telephone: (202) 842-6480 All rights reserved. No part of this book may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. 20565. Copyright © 1986 Trustees of the National Gallery of Art, Washington. This publication was produced by the Editors Office, National Gallery of Art, Washington. Frontispiece: James Gillray. A Cognocenti Contemplating ye Beauties of ye Antique, 1801. Prints Division, New York Public Library. Astor, Lenox and Tilden Foun- dations. CONTENTS General Information Fields of Inquiry 9 Fellowship Program 10 Facilities 13 Program of Meetings 13 Publication Program 13 Research Programs 14 Board of Advisors and Selection Committee 14 Report on the Academic Year 1985-1986 (June 1985-May 1986) Board of Advisors 16 Staff 16 Architectural Drawings Advisory Group 16 Members 17 Meetings 21 Lecture Abstracts 34 Members' Research Reports Reports 38 ~~/3 !i' tTION~ r i I ~ ~. .... ~,~.~.... iiI !~ ~ HE CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS was founded T in 1979, as part of the National Gallery of Art, to promote the study of history, theory, and criticism of art, architecture, and urbanism through the formation of a community of scholars. -
Cc Arbitrary Rule" and the Eighteenth-Century Discourse Ojguinea
cc Arbitrary rule" and the Eighteenth-Century Discourse ojGuinea MALVERN VAN WYK SMITH INTRODUCING THE English edition of Anders Sparrman's Voyage to the Cape of Good Hope in 1785, the anonymous translator remarks: "Now every authentic and well-written book of voyages and travels is, in fact, a treatise of experimental philosophy" ( 1.27). By the late eighteenth century Africa had become a par• ticularly popular focus and subject for such speculation. The Criti• cal Review wrote in October 1792 : "To explore the internal parts of Africa seems now to be the great subject of the philosopher, the botanist, and the politician" (qtd. in James 19). But the phenom• enon was hardly new, and in this paper I shall attempt to show how a particular late seventeenth- and early eighteenth-century discourse of Africa shaped certain later Enlightenment preoccupa• tions which preceded the abolition of slavery. My argument will be that the obsessive concern in African travelogues of the seventeenth and eighteenth centuries with the apparent "cruelty" and "despot• ism" of African forms of rule was not the expression of purblind ethnocentricity that it is now often taken to be, but was rather the imprint of an anxious contemporary European polemic surround• ing the European transition from absolutist to constitutional monarchies. Travel writing lends itself readily to the speculative survey. Travelling into and through the unknown is essentially a herme- neutic process, a reading of the unfamiliar which thus becomes a constitutive process, in which the "eye/1" of traveller/narrator constructs, as much as discovers, the object of investigation. -
Cato, Roman Stoicism, and the American 'Revolution'
Cato, Roman Stoicism, and the American ‘Revolution’ Katherine Harper A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. Arts Faculty, University of Sydney. March 27, 2014 For My Parents, To Whom I Owe Everything Contents Acknowledgements ......................................................................................................... i Abstract.......................................................................................................................... iv Introduction ................................................................................................................... 1 Chapter One - ‘Classical Conditioning’: The Classical Tradition in Colonial America ..................... 23 The Usefulness of Knowledge ................................................................................... 24 Grammar Schools and Colleges ................................................................................ 26 General Populace ...................................................................................................... 38 Conclusions ............................................................................................................... 45 Chapter Two - Cato in the Colonies: Joseph Addison’s Cato: A Tragedy .......................................... 47 Joseph Addison’s Cato: A Tragedy .......................................................................... 49 The Universal Appeal of Virtue ........................................................................... -
Norfolk. Bishopric. Sonmdn: Yarii'outh Lynn Tmn'rl'oimfl
11 0RF0LK LISTS W 1 Q THE PRESENT TIME; ‘ . n uu lj, of wuum JRTRAITS BLISHED, vE L l s T 0 F ' V INCIAL HALFPENNIES ' - R N ORFOLK LIS TS FROM THE REFORMATION To THE PRESENT TIME ; COMPRIS ING Ll" OP L ORD LIEUTEN ANT BARONET S , S , HIG HERIFF H S S , E B ER O F P A R L IA EN T M M S M , 0 ! THE COUNTY of N ORFOLK ; BIS HOPS DEA S CHA CELLORS ARCHDEAC S , N , N , ON , PREBE DA I N R ES , MEMBERS F PARLIAME T O N , MAYORS SHERIFFS RECORDERS STEWARDS , , , , 0 ? THE CITY OF N ORWIC H ; MEMBERS OF PARLIAMENT AND MAYORS 0 ? THE BOROUGHS OP MOUTH LYN N T T R YAR , , HE FO D, AN D C ASTL E RIS IN G f Persons connected with th e Coun Also a List o ty, of whom ENGRAVED PORTRAITS I HAV E B EEN PUBL SHED, A N D A D B S C R I P 'I‘ I V E L I S T O F TRADES MENS ’ TOKIBNS PROV INCIAL HA LFPENNIES ISS UED I” THE Y COUNT OF NORFOLK . + 9 NORWICH ‘ V ' PRINTED BY HATCHB IT, STE ENSON , AN D MATCHB", HARKBT PLACI. I NDEX . Lord Lieutenants ' High Sherifl s Members f or the County Nonw xcH o o o o o o o 0 0 0 0 0 0 0 0 0 0 0 0 Prebendaries Members f or th e City Ym ou'rn Mayors LYNN Members of Parliament Mayors Membersof Parliament CASTLERISING Members of Parliament Engraved Portraits ’ Tradesmans Tok ens ProvincialHalf pennles County and B orough Members elected in 1 837 L O RD L I EUT EN A N T S NORFOLK) “ ' L r Ratcli e Ea rl of us e h re d Hen y fl n S s x , e si ed at Attle borou h uc eded to th e Ea r d m1 1 g , s ce l o 542 , ch . -
The Arms of the Baronial and Police Burghs of Scotland
'^m^ ^k: UC-NRLF nil! |il!|l|ll|ll|l||il|l|l|||||i!|||!| C E 525 bm ^M^ "^ A \ THE ARMS OF THE BARONIAL AND POLICE BURGHS OF SCOTLAND Of this Volume THREE HUNDRED AND Fifteen Copies have been printed, of which One Hundred and twenty are offered for sale. THE ARMS OF THE BARONIAL AND POLICE BURGHS OF SCOTLAND BY JOHN MARQUESS OF BUTE, K.T. H. J. STEVENSON AND H. W. LONSDALE EDINBURGH WILLIAM BLACKWOOD & SONS 1903 UNIFORM WITH THIS VOLUME. THE ARMS OF THE ROYAL AND PARLIAMENTARY BURGHS OF SCOTLAND. BY JOHN, MARQUESS OF BUTE, K.T., J. R. N. MACPHAIL, AND H. W. LONSDALE. With 131 Engravings on Wood and 11 other Illustrations. Crown 4to, 2 Guineas net. ABERCHIRDER. Argent, a cross patee gules. The burgh seal leaves no doubt of the tinctures — the field being plain, and the cross scored to indicate gules. One of the points of difference between the bearings of the Royal and Parliamentary Burghs on the one hand and those of the I Police Burghs on the other lies in the fact that the former carry castles and ships to an extent which becomes almost monotonous, while among the latter these bearings are rare. On the other hand, the Police Burghs very frequently assume a charge of which A 079 2 Aberchirder. examples, in the blazonry of the Royal and Parliamentary Burghs, are very rare : this is the cross, derived apparently from the fact that their market-crosses are the most prominent of their ancient monuments. In cases where the cross calvary does not appear, a cross of some other kind is often found, as in the present instance. -
Newsletter 2
The Paul Mellon Centre for Studies in British Art NEWSLETTER Yale University January 2014 Issue 38 RICHARD WILSON AND THE TRANSFORMATION OF EUROPEAN LANDSCAPE PAINTING The exhibition Richard Wilson and the Transformation of European Landscape Painting is to be held atthe Yale Center for British Art, New Haven, from 6 March to 1 June 2014, and at the National Museum Wales, Cardiff, from 5 July to 29 October 2014. Long known as the father of British landscape painting, Richard Wilson was, the exhibition contends, at the heart of a profound conceptual shift in European landscape art. With over 160 works, the exhibition and accompanying publication not only situate Wilson’s art at the beginning of a native tradition that leads to John Constable and J.M.W. Turner, but argues that in Rome during the 1750s Wilson was part of an international group of artists who reshaped European art. Rooted in the work of great seventeenth-century masters such as Claude Lorrain but responding to the early stirrings of neoclassicism, Wilson forged a highly original landscape vision that through the example of his own works and the tutelage of his pupils in Rome and later in London was to establish itself throughout northern Europe. In addition to a wide range of oil paintings and works on paper by Wilson, the exhibition includes works by Claude Lorrain, Gaspard Dughet, Anton Raphael Mengs, Pompeo Batoni, Giovanni Paolo Panini, Charles-Joseph Natoire, Claude-Joseph Vernet, Adolf Friedrich Harper, Johan Mandelberg, William Hodges, Thomas Jones, Joseph Wright, John Constable and J.M.W. Turner. -
Market Values in Eighteenth-Century Rome
Market values in eighteenth-century Rome Review of: The Art Market in Rome in the Eighteenth Century: A Study in the Social History of Art, edited by Paolo Coen, Leiden and Boston: Brill, 2018 [Studies in the History of Collecting and Art Markets, vol. 5], xii + 234 pp., 80 colour illus., €116/$134 hdbk, ISBN 978-90-04-33699-5. Jeffrey Collins Anyone who doubts that a society’s art market reveals its underlying values need only consider the case of Inigo Philbrick, the high-flying young dealer who sold investors overlapping shares of the same blue-chip contemporary works and who was recently apprehended in Vanuatu. The present volume boasts no one quite so colourful, though it too concerns a moment in which the business side of art acquired new prominence. Based on an international congress held at Rome’s Palazzo Barberini, the anthology’s ten chapters consider diverse facets of art’s production, circulation, and recirculation in early modern Rome, unfortunately not all centred on the time and place announced in the title. This is a limitation in a study of art markets, which are typically localized and responsive to shifting conditions. While less focused than one would wish, the collection nonetheless illuminates a key phase in the market’s development while contextualizing our own age of glossy magazines, glamorous fairs, ‘specullectors’, and illicit trafficking of cultural property. Both symposium and anthology reflect the efforts of Paolo Coen, professor of the history of art at the Università degli Studi di Teramo, to bring to Rome something of the economic perspective long established in studies of the seventeenth-century Netherlands. -
Review of the Year 2012–2013
review of the year TH E April 2012 – March 2013 NATIONAL GALLEY TH E NATIONAL GALLEY review of the year April 2012 – March 2013 published by order of the trustees of the national gallery london 2013 Contents Introduction 5 Director’s Foreword 6 Acquisitions 10 Loans 30 Conservation 36 Framing 40 Exhibitions 56 Education 57 Scientific Research 62 Research and Publications 66 Private Support of the Gallery 70 Trustees and Committees of the National Gallery Board 74 Financial Information 74 National Gallery Company Ltd 76 Fur in Renaissance Paintings 78 For a full list of loans, staff publications and external commitments between April 2012 and March 2013, see www.nationalgallery.org.uk/about-us/organisation/ annual-review the national gallery review of the year 2012– 2013 introduction The acquisitions made by the National Gallery Lucian Freud in the last years of his life expressed during this year have been outstanding in quality the hope that his great painting by Corot would and so numerous that this Review, which provides hang here, as a way of thanking Britain for the a record of each one, is of unusual length. Most refuge it provided for his family when it fled from come from the collection of Sir Denis Mahon to Vienna in the 1930s. We are grateful to the Secretary whom tribute was paid in last year’s Review, and of State for ensuring that it is indeed now on display have been on loan for many years and thus have in the National Gallery and also for her support for very long been thought of as part of the National the introduction in 2012 of a new Cultural Gifts Gallery Collection – Sir Denis himself always Scheme, which will encourage lifetime gifts of thought of them in this way. -
The Oxford Democrat : Vol. 49, No. 38
was & In a few words the Court the man, to the middle Wistar's Balaam ok Wii.d Ciikrrt For the Democrat. Mr. JUcob Wilson—.Sir : Jacob felt as if the very ground perjurer. large advancing were a euros Colds, Bronchitis, In the c&sc of the barn on your premises, beneath him, as the went the and they sent of the room, resting hie hand upon tab- Cough*, Whoop- YESTERDAY. opening lawyer charged jury, lug Cough, which was horned on the LDth day of Sep- to state that in the of three officers, to a and with a courtliness and Croup, Iniluen/.*, Consumption on with diabolical coolness out, keeping le, speaking and all Democrat it Is In view of all diseases of the Throat, and tOrforb BY WTI.UAM BRfSTOS. tember, 1880, decided, committee a to lift Lung» Of with some room, to deliberate and find respect that seemed Jacob up into Chest. 50 cents uo will be had, difficulty, and $1 a bottle. ι* the circumstances, that award they although " saw the verdict. α of secured the very witness who position importance. A was well made. letter went the Dexter, My yesterday own was the Court He "I must hare been through Me., EVKHY TUESDAY was as miscreant" fire his It nearly six o'clock ; continued, mis- this llut none too goo«l to »tay, This signed by Silas, secretary (indicating Jacob) post-office week directed to a inan la pfBLlSUKD to turn his head for the It had been α informed the officer about that verdict " Dam Er Scotta Mills." Β Τ Nor would I have Its spelt of the company. -
BM Tour to View
08/06/2020 Gods and Heroes The influence of the Classical World on Art in the C17th and C18th The Tour of the British Museum Room 2a the Waddesdon Bequest from Baron Ferdinand Rothschild 1898 Hercules and Achelous c 1650-1675 Austrian 1 2 Limoges enamel tazza with Judith and Holofernes in the bowl, Joseph and Potiphar’s wife on the foot and the Triumph of Neptune and Amphitrite/Venus on the stem (see next slide) attributed to Joseph Limousin c 1600-1630 Omphale by Artus Quellinus the Elder 1640-1668 Flanders 3 4 see previous slide Limoges enamel salt-cellar of piédouche type with Diana in the bowl and a Muse (with triangle), Mercury, Diana (with moon), Mars, Juno (with peacock) and Venus (with flaming heart) attributed to Joseph Limousin c 1600- 1630 (also see next slide) 5 6 1 08/06/2020 Nautilus shell cup mounted with silver with Neptune on horseback on top 1600-1650 probably made in the Netherlands 7 8 Neptune supporting a Nautilus cup dated 1741 Dresden Opal glass beaker representing the Triumph of Neptune c 1680 Bohemia 9 10 Room 2 Marble figure of a girl possibly a nymph of Artemis restored by Angellini as knucklebone player from the Garden of Sallust Rome C1st-2nd AD discovered 1764 and acquired by Charles Townley on his first Grand Tour in 1768. Townley’s collection came to the museum on his death in 1805 11 12 2 08/06/2020 Charles Townley with his collection which he opened to discerning friends and the public, in a painting by Johann Zoffany of 1782.