MATISSE: RADICAL INVENTION: 1913–1917 OFFERS UNPRECEDENTED REASSESSMENT OF PIVOTAL MOMENT IN HENRI MATISSE’S CAREER Archival, Art-Historical, and Conservation Research Generate New Understanding of the Artist’s Most Demanding and Enigmatic Works Required Timed-Entry Tickets Available on MoMA.org Matisse: Radical Invention, 1913–1917 July 18–October 11, 2010 The Joan and Preston Robert Tisch Gallery, sixth floor Press Preview: Tuesday, July 13, 2010, 10:00 a.m.—12:00 p.m. RSVP (212) 708-9401 or
[email protected] NEW YORK, July 12, 2010—Matisse: Radical Invention, 1913–1917, a large-scale investigation into a pivotal moment in the career of Henri Matisse (1869–1954), presents an important reassessment of the artist’s work between 1913 and 1917, revealing this period to be one of the most significant chapters in Matisse’s evolution as an artist. On view from July 18 through October 11, 2010, at The Museum of Modern Art, the exhibition examines paintings, sculptures, drawings, and prints made by the artist between his return to Paris from Morocco in 1913 to his departure for Nice in 1917. Over these five years, he developed his most demanding, experimental, and enigmatic works: paintings that are abstracted, often purged of descriptive detail, geometrically composed, and dominated by blacks and grays. Comprising nearly 110 of the artist’s works, Matisse: Radical Invention, 1913–1917 is the first exhibition devoted to this period, thoroughly exploring Matisse’s working processes and the revolutionary experimentation of what he called his “methods of modern construction.” Organized by The Museum of Modern Art and The Art Institute of Chicago, the exhibition is curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, and Stephanie D’Alessandro, Gary C.