1985 ANNUAL REPORT

National Gallery of Art - 1

1985 ANNUAL REPORT

National Gallery of Art All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D C. 20565 Copyright ©1986. Board of Trustees, National Gallery of Art This publication was produced by the Editors Office, National Gallery of Art, Washington Edited by Jane Sweeney

Printed by Schneidereith & Sons, Baltimore, Maryland The type is Bodoni Book, set by Hodges Typographers, Silver Spring, Maryland Designed by Susan Lehmann. Washington

Inside front cover and page 1: View of installation of twentieth-century collection, East Building Frontispiece: View of inaugural luncheon at United States Capitol, with Jasper Francis Cropsey's Autumn—On the Hudson River (1963.9.1) as backdrop

Photo credits: cover, inside front cover, James Pipkin; 2/3, United States Senate; 27, Rex A. Stucky; 28, 36, Philip Charles; 29, 31, 112, 113, inside back cover, William Schaeffer; .6, 106, 126, William Wilson; 85, 103, Richard Amt; other photographs, National Gallery of Art Photographic Laboratory ISBN 0-89468-092-7 CONTENTS

7 PREFACE

17 ORGANIZATION

19 DIRECTOR'S REVIEW OF THE YEAR

35 DONORS AND ACQUISITIONS

61 LENDERS

67 LOANS TO EXHIBITIONS

75 EDUCATIONAL SERVICES 75 Department of Public Programs 80 Department of Extension Programs

83 CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS

91 OTHER DEPARTMENTAL REPORTS 91 Curatorial 98 Division of Records and Loans 99 Changes of Attribution 101 Library 105 Photographic Archives 105 Conservation Division 109 Editors Office 110 Exhibitions Office 111 Department of Installation and Design 113 Gallery Archives 113 Photographic Services

115 STAFF ACTIVITIES AND PUBLICATIONS

125 MUSIC AT THE GALLERY

127 PUBLICATIONS SERVICE

128 BUILDING MAINTENANCE, SECURITY, AND ATTENDANCE

129 FINANCIAL STATEMENTS

139 ROSTER OF EMPLOYEES AND DOCENTS PREFACE

The National Gallery's fiscal year ending 30 September 1985 was rewarding and significant. At the May meeting of the Trustees the board accepted, with great reluctance, Paul Mellon's decision to retire as chairman and as Trustee, the latter position being one in which he has served for forty-seven years. At the same time, Mr. Mellon was elected Honorary Trustee for life. Shortly after his retirement from the Gallery's board, the United States Senate passed a resolution honoring and thanking Mr. Mellon, on behalf of the American people, for his many years of fruitful service to the National Gallery and this country. The Senate paid tribute to Mr. Mellon as "... a bold and inspired collector, humanist and philanthropist who has made extraordinary and lasting contri- butions to the spirit and well-being of this Nation, thereby enriching the quality of life for his fellow citizens. . . ." Dr. Franklin D. Murphy, a Trustee of the Gallery since 1964, was elected to succeed Mr. Mellon as chairman. Robert H. Smith, who has most ably led the Trustees' Council as chairman since its incep- tion, succeeds Mr. Mellon as one of the Gallery's five General Trustees. Further changes took place as Alexander M. Laughlin succeeded Mr. Smith as Trustees' Council chairman, and Lois de Menil and John C. Whitehead became council vice chairmen. Now in its third year, the council continues to play a lively and important role in advising the Trustees on a wide range of program and policy issues, and the Gallery benefits greatly from the participation of this interested and informed group. Four new members—Sallie Brophy of Greenwich, Connecticut, Carroll J. Cavanagh of Washington, Robert F. Erburu of Los Angeles, and Lore Heinemann of New York City —have joined the Trustees' Council this year. We learned with profound regret of the death of Trustees' Council member Gabriele Murdock in January. During the course of the year, we accepted the resignations of council members Sid R. Bass, Bruce B. Dayton, and Anne W. Sowell. I am delighted to report that, by the time of Paul Mellon's retirement in May 1985, the Patrons' Permanent Fund exceeded the

6 campaign objective of $50 million. As I have indicated in previous reports, the Gallery's collections are solely the result of private generosity, with no government funds ever being used for acquisi- tions. Accordingly, the private sector must continue to be the source through which the Gallery gains its ability to ensure its continued excellence, and the Patrons1 Permanent Fund will play a key role in providing such capability. A list of donors to the fund up to the end of last fiscal year appears immediately following this preface. We are very grateful indeed for the exceptional generosity of all of those who have made our first-ever campaign such a success. I also wish to take this occasion to express the Gallery's appreciation to our hardworking campaign committee of J. Carter Brown, Katharine Graham, Louis J. Hector, Carlisle H. Humelsine, R. L. Ireland III, Ruth Carter Stevenson, Paul Mellon, Franklin D. Murphy, Robert H. Smith, and John C. Whitehead. With the Patrons' Permanent Fund in place, we look forward to furthering the Gallery's commitment to increase awareness in the visual arts and to make its collections accessible to everyone.

JOHN R. STEVENSON, President

PATRONS' PERMANENT FUND (as of September 1985)

FOUNDING PATRONS

John Hay Whitney Mrs. Charles W. Engelhard Walter H. and Leonore Annenberg In honor of Beuford and Ted en Cole Paul Mellon The Andrew W. Mellon Foundation Robert H. and Clarice Smith Arnold D. Frese Foundation Ian Woodner Eugene L. and Marie-Louise Garbaty Lila Acheson Wallace Richard King Mellon Foundation Lois and Georges de Menil Guest Services, Inc. Stavros S. Niarchos Jill and Arthur M. Sackler

PATRONS

John R. Stevenson David Rockefeller The Samuel H. Kress Foundation Thomas M. and Betty B. Evans Philip L. Graham Fund Stephen M. and Anna-Maria Kellen Ruth Carter Stevenson Lucille and George F. Jewett, Jr. Robert P. and Arlene R. Kogod Hallmark Educational Foundations Family of William Larimer Mellon Robert Wood Johnson Jr. Charitable Amon G. Carter Foundation Trust Mrs. George Angus Garrett The Florence and John Schumann Joe L. and Barbara B. Allbritton Foundation Eugene and Agnes E. Meyer Foundation Jo Ann and Julian Ganz, Jr. Gordon and Copey Hanes Melvin S. and Ryna G. Cohen John C. and Jaan Whitehead Richard A. and Lee Kirstein IBM Corporation Arthur A. and Alison B. Birney The Leonard and Evelyn Lauder Fund Norma Lee and Morton Funger Walter and Elise Haas Fund William and Eleanor Wood Prince Anne Burnett and Charles Tandy B. Francis Saul Foundation The Artery Organization, Inc. Milton J. and Carroll Petrie Family of Constance B. Mellon Robert W. and Louisa C. Duemling William Stamps Parish Fund Alletta and Peter McBean Perry R. and Nancy Lee Bass Family of Oliver T. Carr, Jr. Alexander M. and Judith W. Laughlin Sydney and Frances Lewis The Riggs Bank of Washington, D.C. Charles U. and Janet C. Harris Edwin L. Cox Potomac Electric Power Company Reader's Digest Association George M. and Linda H. Kaufman The George Hyman Construction Laurance S. and Mary Rockefeller Edward G. Kaufman and Ann Claire Company GTE Corporation Kaufman Seymour H. Knox Dorothy Rodgers in memory of Gerald J. and Judith Miller The Ahmanson Foundation Richard Rodgers Frederick R. and Jan Mayer Diane and Norman Bernstein Andrew P. and Geraldine Spreckels Mobil Foundation, Inc. Kathrine D. Folger Fuller Ronald S. and Jo Carole Lauder Janet A. Hooker John and Susan Gutfreund In memory of Mrs. George R. Brown Alcoa Foundation Exxon Corporation Brady Foundation Annelise and William H. G. FitzGerald Charles E. Culpeper Foundation, Inc. Sarah Scaife Foundation The Charles A. Dana Foundation Alice and John B. Rogers Knight Foundation George W. Wyckoff Edwin Van R. and Cassandra Mellon Mars Foundation Milbury Ave re 11 and Pamela Harriman E. I. du Pont de Nemours and Company Henry J. Heinz II In memory of Ella Milbank Foshay The Barra Foundation The Times Mirror Foundation

DONORS

Acacia Mutual Life Insurance Company Aaron Ashley Inc. John Baskett Alice S. Acheson Maude Atherton Eleanor J. Bateman E. James Adams Atlantic Research Corporation Carol L. Bates Richard H. Adams, Jr. Maj. Gen. and Mrs. Gordon H. Austin Mr. Walter A. Bates Mr. and Mrs. Timothy J. Adams T. R. Averett John D. Batson In memory of Arlyn Adolf Mary C. Axmann in memory of my Nancy McCoy Bauer William A. Albaugh mother Mary A. Axman Ruth Margaret Beakley Steven R. Albersheim Susan Babaie Mr. and Mrs. Walter H. Beal, Jr. Mr. and Mrs. Thomas W. Alexander Dr. and Mrs. Gerald J. Babbitt Bechtel Foundation Jessie Allen Judge and Mrs. Carl W. Bacharach Mr. and Mrs. John D. Beckler Dr. and Mrs. David W. Ailing Rodney J. and Phyllis S. Badger Mr. and Mrs. Thomas H. Beddall Susan Mary Alsop Ethel K. Baier In memory of F. Lammot Belin In memory of Alfred and Clara Altheide Dr. and Mrs. A. P. Bailey Bell Atlantic Corporation Dr. and Mrs. Aaron M. Altschul Mrs. Margaret M. Bailey Mrs. Irvin Bernstein American Brands, Inc. In memory of my mother, Rose In memory of Stanley Benik, Sr. Zeserman, by Helen Z. Baker American Security Bank Evelyn M. Bennett Carol Ann Bakinowski Goetna G. Ames William F. Bennett James E. Ballowe, Jr. Mr. William H. Amman Helene and Ralph Benson Bank of Virginia Howard K. and W. Arlene Ammerman Liz Bent BankAmerica Foundation Virginia and Arthur L. Anagnost Stanton K. and Rosa R. Berdrow Helen Banniettis Marion E. Anderson Ruth Berenson in honor of Margaret Gwen Baptist Roy Anderson in memory of Tiffany Bouton Gina E. Barile Esther and Laurence Andrews George and Ruth Bergquist Mr. Jean Lawrence Barker Patricia Mae Andrews Erma V. Berkley Marian T. Barnes Lawrence Unlimited —Lawrence Mr. and Mrs. Eugene A. Berlin Anenberg Richard L. and Nancy H. Barnoski Mrs. Julius Berman Mrs. Robert G. Angle In memory of Gene Baro Mr. and Mrs. Seymour Bernett Anonymous In honor of Bernard Barryte Robert Hunt Berry in memory of Mr. and Mrs. Mahlon Apgar IV David B. Bartlett Richard King Mellon The Honorable Anne A. Armstrong Mr. and Mrs. Jacques Z. Baruch in Mr. and Mrs. Thomas S. Beyt memory of Dr. Harold Joachim Mrs. Ivy Arnold Anne W. Biberman In memory of Brother Raymond E. Jean Wilkes Arnold Ms. Ann Margaret Bigley Barzilai Simon Arzigian Imogene Bingaman Capt. and Mrs. H. Harold Bishop Sarah E. Brown Antony Childs, Inc. Ms. Avis E. Black Mrs. Stewart Brown Mary Cole Childs Mr. and Mrs. Ray A. Blackburn W. W. Brown Mr. and Mrs. Samuel J. Chilk Ethel Blaine In memory of D'Arch Clyde Browning Eloise W. Choate The Honorable William McCormick Eugene C. and Helen L. Brownson Mr. William B. Christensen Blair, Jr. Emma K. Brunner Belle Church Bernadette M. Blais Mrs. Ernest R. Bryan Patricia and Philip Churchley Miss Frances Blank The Honorable and Mrs. Wiley T. Mrs. Adriana J. Chutter "Art Gives Life"—Sherry Blasberg Buchanan, Jr. Ann Ciszek Millie and Harold Bless Marie 0. Buckets Citicorp Richard Block, Jr. in memory of my Eugene J. and Simone M. Buehler In memory of Miss Adele Clark, parents and sister Christine E. Burke Richmond, Virginia, artist Gloria M. Blottenberger Ella Poe Burling Kathleen S. Clark Beverly Boas Mrs. John Burroughs Leslie Lee Clark Sarah S. Boasberg Nancy and Frederick S. Buschmeyer, Jr. Mr. and Mrs. Stephen C. Clark, Jr. Angel Boccia Donald R. and Lynn G. Bush Alice W. Clement E. E. Bode Howard and Diana Butner Linda E. Cleveland Peter Boesch Marilyn D. Butts Judith Clifford Georgia T. Boines James Allen Byrne Mr. and Mrs. J. S. Clopper Mr. and Mrs. James C. H. Bonbright Buffy Cafritz Katherine J. Cobates Mr. and Mrs. Jean Bony William N. Cafritz Mr. and Mrs. Robert M. Coffelt Earl and Jean Bellows Booth Dr. and Mrs. James F. Callahan, In memory of Mr. and Mrs. Ernest Helen B. Bornefeld Potomac, Maryland Morino by Mr. and Mrs. Robert M. In memory of Anne Katherine Boswell Larry Calyn Coffelt Evgenia Botkin Dr. and Mrs. Don B. Cameron Mr. Richard J. Coffey Jenny A. Bounous Gerard L. and Suzanne Campagna Daniel S. Cohen Margaret I. Bouton Adele A. Campbell Herman Cohen Mrs. Barbara G. Bowen Mrs. John M. Campbell Hyman J. Cohen In memory of Lee Weems from Pat and Louise Lyon in memory of Nina Jo Cohen Dexter Bowman H. D. G. Carroll In honor of Rena T. Cohen Paul Bowron Muriel D. S. Carroll In memory of Douglas Robbins by Mr. and Mrs. J. Harry Boyles Mary Carson Elisabeth R. Cole Anne Marie Bradford Nancy Jane Carson Mrs. Cecile A. Colquhoun Lois Bradshaw and Carey Gordon Comdr. and Mrs. Beverly E. Carter Mrs. H. Dumscombe Colt Mr. and Mrs. George M. Brady, Jr. Mr. and Mrs. Edward W. Carter Communications Satellite Corporation Ethel W. and Seymour Brandwein Carter Hawley Hale Stores, Inc. Edith Elliott Conger Mr. and Mrs. Carl E. Bredlau Cecil P. Carusi Sandra Lynn Connors James A. Bridenstine Dorothy F. Cascioni Catherine M. Conover Susan B. Bristol Howard M. Casper Mr. and Mrs. Joseph E. Conrad Mrs. Sidney F. Brody In memory of Bridget and Patrick Cassidy Louis and Barbara Conte Brody Brothers Distributors, Inc. Gary P. Castor Robert and Lelah Conway William and Virginia Brody Foundation For all artists' cats! Donald Cook, Oakland, Maryland Mr. and Mrs. Harry A. Brooks The Honorable and Mrs. Henry E. Cat to In memory of Edith McKean Cook Margaret Parham Brooks Carroll J. Cavanagh Alistair Cooke Lt. Col. and Mrs. Neil R. Brooks Valerie M. Cavanagh T. J. Coolidge In memory oi Myer D. Bross Angela S. Caveness Steve Cordle Dr. and Mrs. John B. Brough Christine B. Cestello Dorothy M. Cormier Mr. and Mrs. Donald A. Brown Dorothy Jordan Chadwick Fund Corning Glass Works Foundation J. Carter Brown Carl W. Chamberlin Mr. and Mrs. Louis Costrell Jayne Stone Brown Mr. and Mrs. John E. Chance Adelaide Courtney Katherine L. Brown Clara H. Chase Elizabeth R. Covert Capt. Lawrence W. Brown, U.S.A.F. Leslie Cheek, Jr. J. Harry Covington III Olga Jamison Brown Laura C. Chertock and Stephen H. Covington & Burling Pam A. Brown Chertock Mr. and Mrs. Gardner Cowles Robert Brown Mr. and Mrs. George M. Cheston Edward Hyde Cox Mrs. Robert S. Brown Andrew Chiarodo Mrs. Raymond C. Cox

9 Marshall B. Coyne Don and Renee Domogauer in memory John S. and Lucy H. Farrington Mrs. Sydnor M. Cozart of Sol Cohen Miss Alice M. Fearen Rear Adm. and Mrs. Robert R. Craighill Mrs. Thomas C. Donnahue Federal National Mortgage Association Cecil G. Crider Mr. and Mrs. Howard C. Doolittle Alberta Fehler Janet McClayton Crites Janet P. Dorman In memory of Ernest Reynold Feidler J. Byron and Leila P. Grossman Dorleen Dove Sylvan and Ruth Feigenson Christian Ayne Crouch Betty P. Dow Bernard Fein Marion C. Crough Maurine A. Drake Minnie K. Feinman Mr. and Mrs. Charles C. Cunningham, Jr. Muriel M. Dreswick In memory of Horace J. Feldman in honor of J. Carter Brown In memory of Mildred E. Drew In memory of Samson Feldman by his Susan Holmberg Currie Mary Ellen Drier sisters Rossetta A. and Sadie B. Helen and Edward Curry Dr. and Mrs. Arthur M. Dubit Feldman Mary Elizabeth Curry Dr. and Mrs. Thomas D. Dublin Elizabeth M. Ferguson Mrs. Dahar Cury John A. Dudeck, Jr. Ruth Ferrer Mr. and Mrs. Allerton Cushman In memory of Harry E. Duey, Sr. Caren F. Ferris In memory of Mark Tobey, artist, Baha'i James T. Duff Mr. and Mrs. Theodore A. Fetter friend—Joyce Lyon Dahl In honor of Ann and Harry Dukeley Donald M. Feuerstein and Jacqueline H. Dryfoos Mrs. James W. Daly In memory of Floyde J. Duncan In memory of Edward R. Fickenscher, Jr. George T. Dalziel, Jr. Roger A. Duncan Mr. and Mrs. Seymour Fiekowsky David N. Danforth, Jr. Georgiana P. Dunham Miss Susan J. Finke Mrs. N. R. Danielian Lucia J. Dunham Mr. and Mrs. E. Jay Finkel M. L. Dante Mrs. Donald T. Dunne In memory of Mr. and Mrs. David Finley Jane 0. Dart Raquel R. Dunning Dart & Kraft Gregory P. Dunsky In memory of Dorothy F. Fischer Hermana W. Dasent Richard Durocher George M. Fitzgerald Eleanor Davidov In memory of Edwin Dutcher Judith Fitzpatrick Hugh M. Davidson Mr. and Mrs. Herbert Dym Mary G. Flannery Marie M. Davidson Dynalectron Corporation Mrs. Julius Fleischmann Adrianne R Davis Sterling and Ruth Eagleton Mr. and Mrs. John F. Fleming Donald B. Fletcher Mr. and Mrs. H. Z. Davis A. Louise Eckburg, Washington, D.C. Don and Marilyn K. Flickinger Elsie Cole Davison Mr. and Mrs. William B. Edmondson Sylvia De Cuevas Margaret Edsall Harold W. Fogle Lina De Rosa Mr. and Mrs. Robert L. Edwards Mrs. Edward H. Foley Col. and Mrs. J. E. Decher Mr. and Mrs. Samuel Efron Mr. and Mrs. Lee Merritt Folger In memory of Henry W. Forbes Stanley and Lynn DeGroote Ursula M. Ehrhardt Mr. and Mrs. John Dehnel Etan Edward Eiches Eugene T. Ford Chagit and Roger M. Deitz Rochelle and Barry Eisenberg and family Samuel S. Ford Carol M. Fox Art Spirit —Delewski Ruth C. Eisenhart Elizabeth J. Foy Mr. and Mrs. Leonard T. DeLisio Mrs. Henry H. Elliott, Jr. Mrs. Jack R. Frank Sally J. Dempster In memory of Lt. Frank T. Ellis, Jr. Peg M. Frankosky Clara Demuling Mrs. Neil L. Ellis, Jr. Mr. and Mrs. Clayton Fritchey Sandra Lea Derr In memory of Joseph Nelson Else and Dr. John E. DeTurck Virginia Stewart Else In loving memory of Grey Harman Froelich Mr. and Mrs. Albert B. Dewey, Jr. Walter and Inge Engel Harold D. and Sarah J. Fuerst G. Di Lorenzo Stephen E. Engle Anna S. Fujimori In memory of Mrs. Bess E. Dick Zoe Kranson Engler Gladys and Everett Fuller Digital Equipment Corporation Irene R. Eno George and Jacqueline Gabelia Bernard and Frieda Dillman Cheryl Beazley Erdman Jean Gage James A. Dillon Glory D. Erdman Joanne E. Gaines Lura May Dillow Linda Erskian In memory of Jacke Gaither Barbara W. Dix Professor L. D. and Helen S. Ettlinger Larry R. and Maureen V. Gamble Yvonne Dixon Frank and Jeannette Eyerly Mr. and Mrs. Bernard M. Gann Mary S. Dobbie In memory of Leo E. Fabricius Mr. and Mrs. Francis W. Gapp Dorothy Dockterman Arthur Fagan Ruth Avis Gardner Mary and Lamar Dodd Mr. and Mrs. Norman Farquhar Leonard Garment

10 Gayle M. Garrett Daniel V. Griffin in honor of his parents, Mr. and Mrs. Raymond F. Hawtin Mrs. Johnson Garrett Col. and Mrs. John J. Griffin Jeffrey Hayden James A. Garrison Mr. and Mrs. Chandler B. Griggs Rebecca Mabelle Haynes William P. Garrity Kimberly H. Groner Anne M. Hazen Joseph L. Gastwirth In memory of Frances J. Gross In memory of Samuel H. Hazleton III Mr. and Mrs. Anthony Geber Sue R. Groth Mrs. Patrick Healy III Mr. and Mrs. William F. Gelabert Leonie Haenisch Grueninger Hechinger Foundation Genevieve Finn German On behalf of my son, Manuel A. Guerrero Cecile Hecht Mary H. Getsinger Bernardo J. and Jane P. Guiliano Hedgerow House Art Publishing Gordon and Ann Getty Gail J. Gulliksen Company Mr. and Mrs. William Gibb III Mrs. Frank L. Gunderson In memory of my mother, Geneva Hedges John A. Gibbons In memory of Mrs. Albert T. Gunner John Robert Heffernan John C. Giblin Lillian Guralnick Mrs. Ernest P. Heiby Mr. and Mrs. Kenneth R. Giddens Jacqueline W. Gustaves Dolores M. Heikka Evelyn H. Gilbert Mrs. Harold Miller Gutekunst John Dorsey Heinberg and Beverly Brockus Heinberg James P. Gillece, Jr./Jane C. Szczepaniak Charles F. Guthmann, Jr. Mrs. Walter Heiner In memory of Mrs. Lawrence Gilman James C. Guyot Samuel Heller Pauline and Jack Gilstrap Mr. and Mrs. John H. Hager The Honorable and Mrs. Richard Helms Mr. and Mrs. Stephen D. Gladis Marilyn M. Hahn Lorna Jury Gladstone To my daughter Linda Hains Dorothy L. Henry Mildred B. Clancy John M. Halick F. Douglas and Annie Laurie Hereford Dr. and Mrs. Ralph Gofstein Mr. and Mrs. Melville W. Hall C. Eliette Hermann Ms. Valerie Golden Jason Y. Hall Mr. and Mrs. Dudley Herndon Dr. Milton Goldin Robert C. and Joan S. Hall Phyllis F. Herndon Mathilda S. Goldman Wade Hampton Hall John Hertzler, M.D. Mr. and Mrs. Herbert A. Goldstone Hallmark Cards Incorporated Mr. and Mrs. James D. Hess and son, Jeffrey Martha L. Colon Sarah F. Halloran Matilda B. Heyser Peter and Gail Goltra Sylvia and Harold Halpert Ellen Lea Hickey I. Wayne Goodman Sharon L. Halpin and Frederick C. Schafrick In memory of Paul Hughes Hildreth In memory of Pauline Goodman David A. Hamod In memory of Mamie A. and Albert J. Carol E. Gordon Isidore and Jeannette Hankin Milker Wilma L. Gordon Gerald V. Hannan Dorothy M. Hillegass Herb Gordon Oldsmobile, Inc. Mrs. Elisha Hanson Carla and Roderick Hills Morton and Roberta Goren Joan Dee Hanson Josephine Hill yard Dr. Conrad L. Gossels Andrew and Dorothy Haramis Mr. and Mrs. William J. Hines In memory of Joseph Gottlieb Mrs. B. Lauriston Hardin, Jr. Howard W. Hinkeldey Dorothy and Shirley Gould Chester A. Harding Karen Hinson Gould and Antonelli Ruth S. and Harry H. Hardy Mr. and Mrs. Stuart P. Feld on behalf of Paul C. Graffagnino Hirschl & Adler Galleries Margaret H. Harlan in memory of her Mrs. Brunei Graham daughter, Paige P. Harlan Sembler Mr. and Mrs. Edward S. Hirschler John F. and Dorothy G. Graham Mr. and Mrs. Paul S. Harris John R. Hoagland Marian Graham Mr. and Mrs. Robert H. Harris Erwin C. and Hortense E. Hock Wendy Emmer Grainger in honor of Mr. and Mrs. Harlan Harrison Mary Hodapp Paul E. Emmer In memory of Harold Steele Harrison Dr. and Mrs. Merle J. Hodges Christabell C. Grant Jane Turner Harrison Henry C. Hofheimer II Fredrika T. Graves Virginia B. Hart Richard D. Hofmann. Jr. Boyden Gray In memory of Winifred S. Hartley Wallace F. and Wilhelmina Cole Holladay Nancy Gray Linda Hartman Dr. and Mrs. Alexander Hollaender In memory of Edwin Green Ronald J. Hartranft Patricia and Claude Hollyfield In memory of Mooney, Rose, and Miriam Holmes Mosey Greenberg Helen and George Hartzog Mrs. B. R. Holmgren Mr. and Mrs. Gilbert C. Greenway Susan Leary Hassell Dolores Holtsman Edith S. Greer Dorothy Seegar Hatch Mr. and Mrs. Jacob R. Holzschuh H. A. and Josephine E. Grennan Vel Davis Hatch of Tulsa Dr. and Mrs. Freddy Homburger Joann and Paul Gretch Mrs. Wirt Hatcher A1 and Lois Honick Phyllis Hattis

11 Joseph Hooban and Donna Ifill Robert Emmet Jordan Celia J. Kuhlmann Eugene M. Hood, Jr. Peter W. Josten Mr. and Mrs. William Kummings Mrs. Bruce Duff Hooton Felix and Helen Juda Rev. and Mrs. John Kyllo Henry R. and Sarahanne A. Hope Dr. Mary W. Juday Mr. Cameron LaClair John Jay Hopkins Foundation In memory of Leon A. Kahn David John Lajuett Mr. and Mrs. Clement E. Conger Roslyn Kaiser Dr. and Mrs. Roy Lambert Ms. Anne Horan Kenneth E. Kaplan Richard Lambriola Marta Madrid de Horgan The Honorable David Brewer Karrick, Sr. Edward E. Lamm Outerbridge Horsey Mr. and Mrs. Frederick M. Karsten David R. Lampe In memory of Aida E. Horton Kavita Katti Arnell and Everett Land Houghton Mifflin Company Dr. Solomon Katz Landmark Services—Tourmobile, Inc. Mr. and Mrs. Harvey H. Houser Peter K. Kautsky Mr. and Mrs. Edward W. Lane, Jr. The Howe Family Mrs. George C. Keiser Elizabeth A. Lane Mrs. J. Raymond Hoy, Jr. Kathleen Raye Keller In memory of my husband James K. Lane Mr. and Mrs. Darryl F. Hubbard Mr. and Mrs. Louis C. Keller Laura Brown Lane In honor of Susan Huffard John Kendall Mrs. Walsie A. Langley Mr. and Mrs. Arthur W. Hughes, Jr. Eugene J. and Dale Burchard Kenney Mrs. Ann G. Largent Suzanne and Evan Hughes In memory of Louise D. Kent Vivienne M. Lassman Mr. and Mrs. Carlisle H. Humelsine Earl and Doris Kettler In memory of my father, Irwin B. Elbridge 0. Hurlbut In honor of Khelevah Khatonah Laughlin Emma Randolph Hurst Dr. Casey Kiernan Florence D. Lavine Mr. and Mrs. Danny Husta Jim and Diane Kilbourne John S. Lawrence Mrs. J. Dwight Hutchinson The Elbrun and Peter Kimmelman In loving memory of William Lawson Mrs. Enid G. Hyde Foundation Mr. and Mrs. Arthur Lazarus, Jr. Mr. and Mrs. Richard W. Hynson George V. Kinal Col. U.S.A. (Ret.) and Mrs. James H. Sue Inafuku Ethel V. A. King in memory of Anna Leach Mr. John Peters Irelan M. King Margaret W. League R. L. Ireland III Marian King Josefa G. Lee The Honorable and Mrs. John N. Irwin II Mr. and Mrs. Herbert Kinsolving Virginia A. Lee Miss Roberta Irwin In memory of Mrs. Mary Elizabeth Bob and Donna Leftwich Kinzie Anne M. Jacks Edgar P. Leggett Kenneth and Carol Doran Klein Margaret M. Jackson Lucinda K. Leigh The Honorable and Mrs. Herbert W. Mr. and Mrs. Leonard Jacobson Doris A. Leizear Klotz Mrs. Sidney B. Jacques John and Lydia Lenaghan Adelaide S. Knapp Dr. Donald R. Jaffe Edward C. Leonard, Jr. Knoll Art Appreciation Club, In memory of Elsie Persky Lesser Lorna Jaffe Lakehurst, N.J. Daniel W. Leubecker Sally C. Jaffee Virginia S. Knull Given by Bertha B. Leubsdorf in In honor of Mr. and Mrs. Casimer Akira Komoriya Jagielo memory of Karl Leubsdorf In memory of Elli Konig H. M. P. Jagodzinske Blanche Levenberg Mr. and Mrs. Stanley L. Konski Mrs. MacGill James In memory of Samuel L. Levin Basil P. and Marlyn W. Korin In memory of Samuel Wilson Jamison Maurice H. and Madeline LeVita Audrey Koy In memory of Irene V. Carson from Mr. In loving memory of Abraham and Rose Antoinette F. K raj car and Mrs. F. B. Jasperson Levitt In memory of Frank J. and Anna A. Linda J. Jaszcz In honor of birthday —Arnold Levy Kramer Mary F. Jensen Dorothy Dort Levy Ronald P. and Elaine S. Kramer Mr. Lars B. Johanson Alverta V. D. Lewis In memory of Lucile B. Kraseman James A. Johnson, Jr. In honor of Douglas Lewis Otto R. Krause Kenneth T. and Virginia V. Johnson Muriel E. Lewis In honor of Charlotte Kriete The Ralph R. Johnson Family In memory of our parents —Lena and In honor of Opal Kristich Lou Liebl Alice Crier Johnston In memory of Henry C. Krom Mr. and Mrs. Morton Liftin Meredith Johnston Dorothy B. Krug William R. Liggett R. Juanita Johnston in memory of Helen M. Krupovich Wilmer E. Weaver, Sr. Donald V. Lincoln John T. Krynicky Henrietta Jones In memory of Sarah Okun Lipnick In memory of Barbara Tussey Kuban Martha Yvonne Jones Michael and Marilyn Litt

12 Mary Elizabeth Little Mr. and Mrs. John F. McCune Margaret B. Morrison In memory of Charles Cornelius Lockett Elizabeth W. McCutcheon Richard Mouton Mrs. Richard C. Loebs The Eugene McDermott Foundation Father Joseph Muha Mr. and Mrs. Earl H. Look Dr. and Mrs. R. L. McDonald Olga R. and Ralph L. Muros Harriet Willard Looney and Howard C. Laurence P. McGinnis Dr. and Mrs. Franklin D. Murphy Looney Mrs. Robert C. McGuire Rev. Monsignor John Joseph Murphy Mr. and Mrs. Donald S. Lopez Mr. and Mrs. W. A. McGuire Anita Murray Ms. Angela M. LoRe Elsa K. Mcllwain Jennie Mustapha Mr. and Mrs. Nash M. Love Joan McKervey Ruth E. Myer Beverly Levenson in memory of James W. McLaughlin E. Evelyn Myers Dr. E. M. LuBow Mr. and Mrs. Guy H. McMichael III Mr. and Mrs. Lawrence S. Myers, Jr. Clare Boothe Luce Eleanor K. McMillan Mr. and Mrs. Richard A. Nagelhout In memory of Wallace Luchs, Jr. Mabel E. McNary National Geographic Society In memory of my father Sam Lugerner Frederick J. and Ruth H. McNulty Mrs. Charles W. Naudain Lloyd and Barbara Luther Heather McPherson in memory of John Deborah Copeland Neely Joseph M. Lyle B. McPherson Mr. and Mrs. John U. Nef John and Rosemary Lyon Mr. and Mrs. William R. McWhirter, Jr. Paul and Marilyn Nejelski Dorothy M. Macauley Benjamin and Catharina M. Mehlan Mrs. Clarence F. Nelson Bruce Walter MacDonald In loving memory of Percy Freeman Arthur Neufeld Elisabeth Blair MacDougall Melville Neutrogena Corporation In memory of Louise Mattila Madison Ana R. Menapace Mr. and Mrs. James C. New Hazel L. Madsen Lydia Mendoza Elizabeth L. Newhouse Jenny W. Magee Shirley Moore Menendez, Ph.D. Harold F. Newstead, Jr. Michael and Susan Mahoney Maria Teresa Merriam William L. Nicholls II The Honorable Robert P. Mangieri Florence T Meschter Bruce W. Nichols Manhattanville College Mr. and Mrs. Charles A. Meyer Mr. and Mrs. G. Richard Nisbeth Phillip L. Mann H. Emerson and Emma Holt Meyers Nelleke Nix, artist Nancy K. Mannes In memory of James Michelsen Pat Nolan Mr. and Mrs. Frank L. Mansell Simonne J. Michenon Saka Noma E. A. G. Manton Ann E. Middelthon Gerson Nordlinger, Jr. In honor of Joseph Valmore Marcoux A. Richard Miller Marie K. Noster Mrs. 01 ya Margolin Elise G. Miller NS&T Bank In memory of our little "Cellini": Iris Miller Professor and Mrs. Benjamin Nunez Margot and James Marino, Jr. Mr. and Mrs. MacKenzie Miller JoAnne S. O'Brien, D.V.M. Lois B. Markus Marion N. Miller Justice O'Connor and Mr. John J. Maj. Gen. Raymond B. Marlin Mr. and Mrs. Thomas A. Miller O'Connor III Matthew Marmor Marvin Millison Merry G. Oddo and Eric C. Walle William E Marquardt III In memory of Julia Minton Mr. and Mrs. Paul T. O'Donoghue Wm. McChesney Martin Richard A. Mirsky Comdr. and Mrs. Lester E. Ogilvy Rear Adm. and Mrs. Kleber S. Mr. and Mrs. Carleton Mitchell Brian and Margaret Oliver Masterson, Jr. Constance Green Mitchell Mrs. Margaret D. Olsen Antonietta G. Mastrangelo Mr. and Mrs. Sam Molinas Patricia Ryan Olson Ann Matchinsky Mr. and Mrs. Thomas V. Monahan Yvonne S. Olson and Charles F A. Hall Nicolas and Martha Mathieu Mrs. Anita P. Mongiovi Nancy Bertelsen O'Malley Mr. and Mrs. John P. Mathis in honor Gladys E. Montier of Nelda McHugh Jacqueline Kennedy Onassis Robert Moody Foundation Miss Armen Matossian Ethel Orendorff Mr. and Mrs. Arthur Cotton Moore Alice M. Mayer Nathaniel J. and Ellen S. Orleans Mrs. 0. Ray Moore Virginia Mitts Mayo M. E. O'Rourke W. G. Moore Mary Kessler McAteer Pauline Ortega In memory of Domenick and Eugenia John A. McCart Donald R. Osborn Morda Robert J. McCarthy Ned A. Ostenso Morgan Guaranty Trust Company Mr. and Mrs. Lambert B. Ott Muriel McClanahan of New York Mr. and Mrs. S. Kaufman Ottenheimer Donald M. McClelland Sylvia W. Morris Ourisman Automotive Enterprises In memory of my mother, Mrs. Charles Mr. and Mrs. Alexander H. Morrison D. McCormick, by Mary Law McCormick Mr. and Mrs. Joseph H. Overwein Esther Morrison

13 Glenn and Lee Parrish In memory of Dr. Alfred L. Raphael Anna L. Patrick Dr. and Mrs. Coleman Raphael Dr. M. V. Pat rone In honor of Eliza Rathbone Mrs. Jefferson Patterson Susan E. Rausch Patt Patterson Ravenal Foundation William E. Paulk, Jr. In memory of Lucy Thomas Rayman Lois M. and Robert D. Pausch Sara and Jim Read Blanche Pavidis Col. (Ret.) and Mrs. John Redmond Thomas and Katharine Pearce Janet C. Reed In memory of Mr. Henry Pearlman Virginia B. Reed Col. and Mrs. Harold J. Pearson Kay L. Rees in memory of V. G. Brigante Henry Charles Pearson Julie L. Reese Mr. and Mrs. Nathan W. Pearson Robert Newton Reid Dr. William D. Pederson Edward Rensin I. M. Pei and Partners Michael Revetta The Honorable and Mrs. Claiborne Pell Walter E. Rex In honor of Pyrma Tilton Pell Walter J. and Carole P. Rhodes Pennzoil Company Marcelle G. Ricca Paul and Carla Olman Peperzak Annette Rich in memory of Sophie PepsiCo Hoberman Rich Perpetual American Federal Savings & Pamela Beth Richards Loan Association Mr. and Mrs. Donald H. Richardson Marianne Perry Judith Richelieu Catherine Peters Rev. and Mrs. George Harriss Ricks, Sr. Ella R. Pfeiffer Nancy Ridenour Helen C. Pfohl Richard W. Rieder Christopher H. and Mabel 0. Phillips The Robert Gore Rifkind Foundation Mr. and Mrs. Stephen Pichetto, Jr. In memory of my father, Rev. W. B. in memory of Stephen Pichetto Rigg, and my brother, Rev. F. W. Rigg Ethel R. Pike In memory of C. Spencer Rippon Dr. Edmund P. Pillsbury Frank and Helen Rippon Mr. and Mrs. David W. Pinkard Joseph R. Ristorcelli Elizabeth Ann Plack M. H. W. Ritchie Eleanor Poland George M. Riveire, Sr. Abe and Irene Pollin Michael and Cynthia Roark Mrs. John A. Pope Josephine T. Roberts Mrs. Sarah H. Pope Ronald S. Robins Lillian L. Poses In loving memory of my wife Jan Amy H. Pound Robison—James E. Robison Anastasia A. Pratt Mr. and Mrs. David Rockefeller. Jr. From Eugenie Prendergast in memory Mr. and Mrs. Joseph Rodano Sir Alfred Gilbert, Comedy and Tragedy: of Maurice and Charles Prendergast Jane Rodman "Sic Vita," Pepita Milmore Memorial Fund, Norris and Betty Price In memory of Elsa G. Rodriguez 1984.67.1 Mr. and Mrs. John C. Pritzlaff Miguel A. and Isabel Rodriguez Charles R. and Linda M. Privitera Rosemary F. Rogers Ruth A. Oviatt Herbert Prokesch Judy F. Romer —in appreciation of the Herbert B. Pah I Mr. and Mrs. Donald C. Pulcipher beauty the National Gallery bestows Alice Wang Pai and Shih-I Pai Dr. and Mrs. M. F. Quesada Adele and Bernard Rosen Mrs. Anita P. Paige Jean A. Quick/R. C. Horn Mary West fall Rosen Gilbert and Lynn Paige J. Gary Quigg Donald Rosenbaum Jennie Paluskiewicz Lenard and Sara F. Quinto Jean L. Rosenheim In loving memory of Rose Panaia Lois L. Ramvn Rosenthal Automotive Organization Mr. and Mrs. Michael A. Papillo Pauline Ramsey Benjamin J. Rosenthal Foundation Chris and Miriam Parel William L. Rankin Mr. and Mrs. Richard D. Roth Dr. Rosemary Park Florence and Eugene Ransom Toby M. Rotman Charles Parkhurst Meigs L. Ranney Marya and Mrs. Keturah B. Rowan

14 Mr. and Mrs. Hobart Howe In memory of Rhoda G. Senft, by Juli and Jim Sobka May E. Roxburgh Elizabeth Senft Mrs. Sonia Storich Solmssen Enid Rubenstein Miss Esther Severud Barbara Spangenberg Mr. and Mrs. Albert Ruberg Kristine J. Shanahan Nell R. Spannare Lawrence Rubin, president, Ernest Shapiro In memory of Pfc. Donald W. Spark, M. Knoedler Co., Inc. Ms. Barbara J. Sharf U.S.M.C., and Col. Michael M. Mr. John B. Rudder Isaac and Estelle L. Sharon Spark, U.S.M.C. In honor of my art history teachers- Mrs. Evelyn Sharp Robert L. and Elizabeth M. Spatz Dorothy E. Runge John McKee Shaw Stephen Spector Chlorinda V. Russo Mrs. Charles P. Shephard Mildred B. Spence Mr. and Mrs. Edward B. Sabine II Mrs. John C. Shepherd Dr. George F. Spilenberg Donation by Marie C. Sadd in memory Vicki A. Sherman Theodore J. Spilman of Victor Sadd Janice W. Sherwood Natalie Davis Spingarn Dr. and Mrs. H. Harrison Sadler Nancy and Alan Shestack W. Cannon Spotswood Mr. and Mrs. William C. Sadler Nicholas and Eleanor Short In memory of Pearl Sprinzen Beulah Sad off Mary Jean Shugars Margaret D. Spurling Rebecca Ann Saltz Mrs. Norman P. Shumway Mary Jane Stafford Mr. and Mrs. S. Thomas Saltz Drs. James N. and Mary Dunn Siedow Mary M. Stafford Mr. and Mrs. Joseph W. Salus II Jack and Lenore Silberman Lucile W. Stanton Florence M. Salvan Mr. and Mrs. Joseph A. Silberstein Mr. and Mrs. Theodore 0. Stark Mrs. Delfina Sandelin Miss Sophie Silfin in gratitude to the The Starr Foundation Marjorie Sanger National Gallery of Art John E. Starrett Anne Coates Sangree Judith A. Sillstrop Mr. and Mrs. William C. Starzman Dee and Nick Sarelas Dr. and Mrs. Joseph Silverman Mrs. Ursula Stechow in memory of Jennifer Saville Mr. and Mrs. Leonard L. Silverstein Wolfgang Stechow Adele M. Sawicki Mrs. John Farr Simmons Dr. and Mrs. Kenneth Steel Edith M. Sawin William G. Simpson, Jr., Greenwich, Mrs. Jules Stein Mrs. Leroy Lee Sawyer, Jr. Connecticut Mr. and Mrs. S. L. Sternberg Mr. and Mrs. Morteza Sazegar Nancy Ann Sinagra Grace D. Sterne Leslie and Edna Scattergood Mr. and Mrs. George Singer Dr. DeWitt Stetten and Jane Lazarow Debbie Schaefer-Jacobs and John Joel Alan Sink Stetten M.Jacobs Mr. and Mrs. Michael R. Skalka Adele de Werff Stevens In memory of Agnes E. Schaeffer Roger L. Slakey, Jr. Col. (Ret.) Donald K. Stevens Rebecca L. Schafer In memory of Charles E. Slatkin Lisa Stevens Herman F. Schexnyder Jonathan W. Sloat In memory of Stoddard M. Stevens Mr. and Mrs. Stuart B. Schimmel Bernard Slosberg Deborah L. Stevenson Elisabeth Jacqueline Schindler In memory of Adele Smailis, painter, Mr. and Mrs. J. William Stewart Roger and Suzanne Schlaifer 1893-1984 Chris L. Stokely Mr. and Mrs. Adolph W. Schmidt Mr. and Mrs. Rodney T. Small Susan Cooper Stokes Miss Marguerite V. Schneeberger Elizabeth F. Smith Michael S. and JaneAnn Stout Lynn Scholz and Tedson J. Meyers Mr. and Mrs. G. Wayne Smith Bertram W. and Frances G. Strauss In memory of my father, Abraham The Honorable and Mrs. Gerard C. Samantha Acson Streicher Schreiber—Madeleine H. Schreiber Smith Mr. and Mrs. Edgar A. Stromberg Mrs. Taft B. Schreiber Hugh Stewart Smith Benjamin C. and Eleanore B. Sturgill Stuart and Marvlin Schwartz Laura E. Smith Suburban Bancorp The Honorable and Mrs. Robert M. Lowell S. Smith and Sally A. Sanford Eleanor Louise Sullivan Schwarzbart Margaret Lawson Smith Mrs. Roger Sullivan Merva E. Schweikart Margaret R. Smith Janet Lord Sumner Malvina Schweizer Mr. and Mrs. Richard S. Smith Bruce G. Sundlun Mary Ann Scott S. Wylie Smith Joanne Sunquist Mr. and Mrs. Thomas H. Scott Mr. and Mrs. Sherwood B. Smith, Jr. Dechen P. Surkhang Joseph Scovronek Mrs. William W. Smith Julie Sutton Dorothy J. Seelmann Marion and Nathan Smooke Alice L. Swalm Mr. and Mrs. Ivan Selin Robert L. and Phyllis A. Snyder Mr. and Mrs. Edward F. Swenson, Jr. Louise and Perry Sellon Rose S. Snyder In memory of Roy Bruce Swenson and Pearl Selwyn Mr. and Mrs. Rudolf Sobernheim in honor of Mr. and Mrs. R. L. Swenson

15 Elizabeth C. Swift Ann P. Van Gaasbeek Mrs. Helen M. Whitebread George G. Szarvas Mrs. Robert D. van Roijen The Honorable and Mrs. Charles S. Britton D. Tabor Magda Vasillov Whitehouse In honor of Angelo F. Tamanini Charles Owen Verrill, Jr. Mrs. Leslie H. Whitten Martha Barris Taylor Mr. and Mrs. Arthur E. Vershbow Ms. Dorothy Whittington, El Paso, Texas Ruth K. Taylor Donald and Deborah Vidican William J. Wiatrowski William J. Taylor III Thomas G. Vitez Mr. and Mrs. Peter A. B. Widener Dorothy Tebbetts Jane G. Vogel Mr. Kurt Wiener In loving memory of Margaret E. Barbara Von Goetz A. L. Wild Hutchinson—Chiyo and Horton Marcia F. Wackerhagen Telford Mrs. Harold G. Williams Maj. Gen. and Mrs. Jack J. Wagstaff Texas School Pictures by Willis L. Sharon N. Willig Camile M. Waldrop Smith Mr. and Mrs. Alfred S. Wilsey Dr. and Mrs. Allan E. Walker, Jr. Paul Theerman Edna M. Wilson Elizabeth A. Walker Ursula M. Theobald Susan P. Walker James H. Wilson Marcia Thomas Lynette E. Waller Judith Winshel James R. Thomason William Wallman Clement and Sophie Z. Winston J. Bradbury Thompson Mr. and Mrs. F. Howard Walsh, Jr. Mr. and Mrs. Stuart J. Winston Josephine Cockrell Thornton Mr. and Mrs. Charles B. Walstrom Mr. and Mrs. Thomas B. Winston Tides Foundation Mr. and Mrs. James M. Walton Stanley B. and Zdenka Winters Mr. and Mrs. Marvin Tievsky Mr. and Mrs. Alex Warner Karl P. and Flora N. Wirth Time Incorporated Monroe Warshaw Dr. Paul E. and Mary Wisenbaugh Ruth I. Timmony Grace Ann Washbourne Milton and Evelyn D. Wittman Dr. L. Tirnauer The Washington Post Company Mr. and Mrs. Alan F. Wohlstetter Felicia May Titus in memory of Krystyna Wasserman Francis W. and Gloria P. Wolek May C. and Leo M. Titus Leslie Watson Sidney Wolins Mary Toda Mrs. Paul L. Wattis Noel Tripp Wo 11 Michel Tombelaine Diane B. Waxman Mr. and Mrs. Harry Wolpoff Hugh Oscar Tomlinson Charles and Ellen Wayne Bob Womack John Edward Toole Eileen and Jesse Wayne Hilda L. Woodford Mr. and Mrs. Timothy L. Towell Melvin R. Weaver Ellen Wormser Elizabeth K. Townsend Harold Webb Eleanora M. Worth Fran Towson in memory of Clifford Dr. and Mrs. Bernard Wortman Stech Clytie F. Webber Mrs. Charles K. Wright Mary D. Tracy Mr. and Mrs. Francis D. Weeks Kenneth M. Wright Ida T. Tracy in memory of Robert L. In memory of my father, Dave Weinberg, Tracy by son, Edward A. Weinberg Mrs. Robert E. Wright The Honorable and Mrs. Russell E. Martin A. and Diana K. Weiner Mrs. George A. Wyeth Train Ann L. Weinstein Xerox Corporation Mrs. M. Tremblay Mary Z. Weisend Amanda Yauger Mr. and Mrs. Stephen A. Trentman Marcia S. Weisman Barbara Ethel Weaver Young Joseph and Pamela Troy Beverle and Ed Weller Bing Edward Young John Chur Tsao Rose Marie Wells Richard Margetts Young, D.D.S. Larry J. Turner Geraldine Westerfield Capt. and Mrs. Curtis T. Youngblood Capt. and Mrs. Paul N. Turner Mrs. Peggy M. Westerhold Mr. and Mrs. Robert B. Yunger Ann Ugelow Kathryn M. Westhoff In memory of Hyman Zaretsky Mr. and Mrs. Samuel Unger Dr. Alice Sunderland Wethey Alfred and Judith Zernik US Air William F. Whalen Edith R. Zeydel United Dreamers of Eraser Valley Dr. and Mrs. Robert Wheat Louis G. and Pamela Zinnecker Mr. and Mrs. George H. Vaillancourt Arthur K. Wheelock, Jr. Mollie B. Zion Janet C. Vance Mr. and Mrs. Morgan Dix Wheelock, Jr. Col. and Mrs. Michael N. Zirkle Mildred Vance-Secular In memory of Gertrude Griffiths White Saretta Zitver Mrs. John L. Vanderslice Mr. and Mrs. John Kirkpatrick White In memory of Marilyn Zucker Zupkoff

16 ORGANIZATION

Franklin D. Murphy The Chief Justice of the The Secretary of State, The Secretary of the United States, George P. Shultz Treasury, Warren E. Burger James A. Baker III

The Secretary of the John R. Stevenson Carlisle H. Humelsine Robert H. Smith Ruth Carter Stevenson Smithsonian Institution, Robert McCormick Adams

BOARD OF TRUSTEES (as of September 1985)

Franklin D. Murphy, Chairman The Chief Justice of the United States, Warren E. Burger The Secretary of State, George P. Shultz The Secretary of the Treasury, James A. Baker III The Secretary of the Smithsonian Institution, Robert McCormick Adams John R. Stevenson Carlisle H. Humelsine Robert H. Smith Paul Mellon Ruth Carter Stevenson Paul Mellon, Honorary Trustee

17 AUDIT COMMITTEE FINANCE COMMITTEE Franklin D. Murphy, Chairman The Secretary of the Treasury, The Secretary of the Treasury, James A. Baker III, Chairman James A. Baker III The Secretary of the Smithsonian John R. Stevenson Institution, Robert McCormick Adams Carlisle H. Humelsine John R. Stevenson Ruth Carter Stevenson Carlisle H. Humelsine Franklin D. Murphy Ruth Carter Stevenson

ART & EDUCATION COMMITTEE BU1LDINC COMMITTEE John R. Stevenson, Chairman John R. Stevenson The Secretary of State, J. Carter Brown George P. Shultz Carlisle H. Humelsine Franklin D. Murphy Ruth Carter Stevenson J. Carter Brown

TRUSTEES1 COUNCIL Alexander M. Laughlin, Chairman Gordon Hanes Lois de Menil, Vice Chairman Pamela Harriman John C. Whitehead, Vice Chairman Louis J. Hector Arthur G. Altschul Lore Heinemann Perry R. Bass Robert L. Ireland III Donald M. Blinken George F. Jewett, Jr. Sallie Brophy Stephen M. Kellen Edward W. Carter Leonard A. Lauder Carroll J. Cavanagh Ronald S. Lauder Robert F. Erburu Sydney Lewis Thomas M. Evans Richard Manoogian John C. Fontaine Frederick R. Mayer John R. Gaines Arthur M. Sackler Jo Ann Ganz Baron Thyssen-Bornemisza Ann Getty Ian Woodner Evelyn D. Haas

EXECUTIVE OFFICERS (as of September 1985) John R. Stevenson, President Carlisle H. Humelsine, Vice President J. Carter Brown, Director John Wilmerding, Deputy Director Henry A. Millon, Dean, Center for Advanced Study in the Visual Arts Philip C. Jessup, Jr., Secretary-General Counsel Joseph G. English, Administrator Sydney J. Freedberg, Chief Curator Robert C. Goetz, Treasurer Joseph J. Krakora, External Affairs Officer

DIRECTOR EMERITUS John Walker

18 DIRECTOR'S REVIEW OF THE YEAR

New sculpture galleries The year began with the opening of a suite of newly installed sculpture galleries on the main floor of the West Building, devoted to our permanent collection of large-scale Italian Renaissance works. The Gallery's holdings are remarkably rich, and among the many artists represented are Nino Pisano, Orcagna, Jacopo della Quercia, Luca and Andrea della Robbia, Bernardo and Antonio Rossellino, Desiderio, and Verrocchio. The rooms are arranged chronologically and thematically and illustrate many media in which the Renais- sance sculptors worked so brilliantly: marble, terra cotta, patinated and gilt bronze, stucco, papier mache, and wood. Many of the works, including gilt and polychromed wooden sculptures, have under- gone treatment in the Gallery's conservation laboratories. The reinstallation of this sculpture meant that for the first time in a decade the full range of our collection is accessible. Taken in conjunction with its permanent collection of Italian paintings of the same period and its remarkably extensive concentration of small bronzes, the Gallery constitutes one of the world's great resources for the study of the Italian Renaissance. Renaissance painting acquired In January the Gallery acquired Jacopino del Conte's Madonna and Child with Saint Elizabeth and Saint John the Baptist, the painter's only remaining religious picture that had not entered a museum collection. Jacopino was one of the principal painters of Florentine origin whose brilliant work shaped the mannerist style of the 1530s. The pensive mood of the prescient Madonna is reinforced by Jaco- pino's use of restrained color; here a tempered red and green are set against a somber background. The work is an important and wel- come addition to the Gallery's small but superb collection of paint- ings of the central Italian school from this period. Four American exhibitions The first exhibition opening in the fiscal year was Nineteenth- Century America on Paper: Four Exhibitions, an aggregate look at rarely seen works. Thomas Morans Watercolors of Yellowstone were lent by the Thomas Gilcrease Institute of American History and Art for the first time since Mr. Gilcrease acquired them in 1947.

19 Jacopino del Conte, Madonna and Child with Saint Elizabeth and Saint John the Baptist, Ailsa Mellon Bruce Fund, 1985.11.1

This Tulsa museum has the largest collection of Moran's works, and from their great resource were borrowed nineteen watercolors which were the result of Moran's 1871 expedition to Yellowstone. He was the first artist to see and paint this region, and through his splendid landscape images he helped persuade Congress to declare Yellowstone our first national park. The remaining three exhibitions drew mainly from the Gallery's collections. John James Audubon: The Birds of America presented a selection from the artist's Double Elephant Folio. The Gallery owns one of only two complete sets of prints never to have been bound (the other is in the Soviet Union), and mounted the exhibition in

20 observance of the two-hundredth anniversary of Audubon's birth. Working before the widespread use of color lithography, Audubon had his pictures engraved and then hand colored. To amplify the context of the finished engravings we borrowed two delicate and beautiful watercolors from Mr. and Mrs. Paul Mellon as well as the copperplate, lent by the Smithsonian Institution's National Museum of American History, from which Scarlet Ibis was printed. Thanks to the late Edgar William and Bernice Chrysler Garbisch, the Gallery possesses what is one of the country's foremost collec- tions of American naive painting. Nearly one-fourth of the Garbisch collection is on paper, excluded from permanent display because of the works' great fragility. For the first time since 1967 we mounted a selection of watercolors and drawings, including Pennsylva- nia German fraktur, Shaker calligraphy, mourning pictures, and pastel portraits. The final component of the quartet drew upon the Gallery's Index of American Design, a repository of approximately 17,000 watercolor renderings of American decorative arts. Established as a federal work project in 1935, the Index of American Design employed more than 1,000 artists during its seven-year existence. The result- ing watercolors provide a valuable pictorial record of American design from the colonial period to the twentieth century. Eighty-five examples were chosen to illustrate both the breadth and the depth of the Index.

Albertina and Gemini exhibitions In late October Old Master Drawings from the Albertina went on view. Housed in the former Austrian palace of that name, the Albertina collection was begun under the joint patronage of Duke Albert von Saxe-Teschen and his wife Marie Christine, the favorite daughter of the Empress Maria Theresa and sister of Marie Antoi- nette. It is one of the world's finest collections of old master drawings. Twelve sheets by Diirer were part of the loan, including what may be the world's most-recognized work of art on paper, Durer's Praying Hands. Significant French and Italian drawings such as major landscapes by Poussin and Claude and one of Michel- angelo's red chalk studies for an ignudo from the Sistine ceiling were also a part of this generous loan. One of the most fascinating objects was Raphael's Two Studies of Male Nudes, once owned by Diirer and inscribed by him in 1515, thus giving the history of art a valuable document for the study of mutual influences in northern and Italian Renaissance art. The exhibition coincided with the bicentennial of political and economic relations between Austria and the United States. It was shared with The Pierpont Morgan Library, was sup- ported by a grant from United Technologies Corporation, and stemmed from an initiative of many years ago on the part of the International Exhibitions Foundation. Old masters were not alone in their representation at the Gallery.

21 Gemini G.E.L.: Art and Collaboration brought us the work of no fewer than twenty-seven living artists. The exhibition, with its 110 works, surveyed Gemini's diverse publications, celebrating the achievement of one of the most important and influential printmak- ing workshops and art publishers in the United States, Gemini G.E.L. (Graphic Editions Limited). The show was drawn from the Gemini G.E.L. Archive established at the Gallery in 1981; its accompanying catalogue, written by Gallery curator Ruth Fine, expressed, in depth and for the first time, the collaborative process which has always been an essential component of the creative efforts at Gemini. Many of America's leading artists were repre- sented and nineteen of them joined us for the opening dinner. In conjunction with the exhibition, David Hockney, Roy Lichtenstein, and Robert Rauschenberg were interviewed in the East Building auditorium on three separate Sunday afternoons. The overflow audiences were among the largest we have ever had. Important gifts of drawings The Gallery received important gifts for its collection of works on paper early in the fiscal year, including Pinturicchio's Design for Grotteschi given by Mrs. Alice Steiner in memory of John H. Steiner and Jacopo Ligozzi's great brown ink and wash Avarice, given by Robert H. and Clarice Smith. Early in the year the Gallery received from Paul Mellon the necessary funds for the acquisition of a major drawing by John Constable. A Great Elm Tree (c. 1801) was the last monumental drawing by this artist in private hands. Most of his surviving drawings are small sketchbook pages, and very few are on the larger scale of this elm study. The Gallery previously had no drawings or watercolors by Constable, a crucial figure in the development of nineteenth-century landscape painting. Gallery archives organized With a view toward our fiftieth anniversary in 1991 and in recogni- tion of the need to marshal our considerable resource material, the Gallery formally established an archive department in fiscal 1984, and in fiscal 1985 named Maygene Daniels as its chief. Formerly the special assistant to the Deputy Archivist of the United States, Ms. Daniels will oversee the care of the Gallery's historical records, including documents relating to the design and construction of John Russell Pope's 1941 West Building and I.M. Pei's 1978 East Building. Degas sesquicentennial exhibition In late November Degas: The Dancers opened to mark the 150th anniversary of the artist's birth. The image of the female dancer, whether in rehearsal, donning a costume, performing, or resting, was a source of endless fascination to the artist. And yet never before had there been a study focused on how Degas approached this subject and what it meant to him. George Shackelford, formerly a David E. Finley Fellow at the Gallery's Center for Advanced Study in the Visual Arts and now assistant curator of European painting

22 John Constable, A Great Elm Tree, Gift of Paul Mellon, 1985.9.1 and sculpture at Houston's Museum of Fine Arts, organized this exhibition of paintings, drawings, monotypes, and sculpture. Its four thematic sections presented rehearsal imagery; Degas' princi- pal piece of sculpture, Dressed Ballet Dancer (Little Dancer Four- teen Years Old); a select group of paintings and drawings in the horizontal, friezelike format that he first used in 1879; and Degas' very late dance pictures, including his last monumental oil, the Gallery's Four Dancers. Opening just before Thanksgiving, the exhi- bition was available for the large holiday crowds which traditionally visit the Gallery. The show was seen only in Washington. Prints from local collections On 9 December we opened Master Prints from Washington Private Collections. Timed to coincide with the twentieth anniversary of the Washington Print Club, the exhibition brought together ninety of the finest prints from Washington private collections, relying on fifty-four different lenders. Andrew Robison, the Gallery's senior curator and curator of prints and drawings, cast his nets wide and pulled in prints as radically different as Durer's Melancholia and Richard Estes' Vatican Restaurant. Ranging widely in styles and dates, the show's common denominator was technical excellence. Inaugural celebrations In January the Gallery had several chances to participate in the presidential inauguration. American Paintings from the Armand Hammer Collection opened on 13 January. The exhibition embraced our history from the time of George Washington to Ronald Reagan and included American artists from Gilbert Stuart to Andrew Wyeth. One of the key works in the installation was William Harnett's Cincinnati Enquirer, the splendid still life which Dr. Hammer pre- sented to the White House in 1978. At the same time, and in a gallery adjacent to the Hammer paintings, we installed the Gallery's Edward Savage portrait, The Washington Family. A two-year labora- tory treatment of this picture had just been completed so that this important American icon could come back to public view at a highly appropriate moment. Among its details are Pierre Charles L'Enfant's plans for the Federal City. Also, the Gallery's orchestra, under the baton of Richard Bales, performed The Republic, Mr. Bales' patriotic cantata. The Public Broadcasting Service made a televised program based on this event available around the country. The Gallery went beyond its own walls in two distinct ways in observance of the president's inauguration. The Trustees loaned a spectacular nineteenth-century American landscape painting, Jas- per Francis Cropsey's Autumn—On the Hudson River, which was hung in the Capitol's Statuary Hall, where it provided a noble backdrop for the official luncheon that followed the oath-taking ceremonies. Also, at the request of CBS, the writer vacated his office, which has a splendid view of the Capitol's west front. Here a temporary broadcast studio was built in order to cover the inaugura- tion. When record-setting low temperatures and bitter wind forced

24 Maurice Prendergast, Saint Mark's, Venice, Gift of Eugenie Prendergast, 1984.63.1

the proceedings indoors, the network was left with that remarkable, though decidedly unpopulated, view of the Capitol. As the tempera- ture dropped, condensation repeatedly obscured the view from their specially-constructed studio, much as an automobile windshield will fog over in similar circumstances. Certain raconteurs were overheard comparing the Capitol to Brigadoon as the building alternately appeared and disappeared in the frigid weather.

New intensive study coarse We also began the year with a new lecture program, The Great Styles of Western Art. This ten-week slide lecture series investigated the idea of style in the Western tradition and went on to explore the visual characteristics of the major period styles from the classical era to the foundations of modernism. Almost 6,000 Gallery visitors

25 participated in this condensed course in art history that served both as an end in itself and as a broad context in which to assess the Gallery's permanent collection and temporary exhibitions.

Winter exhibitions In mid-January Monotypes by Maurice Prendergast from the Terra Museum of American Art opened in the East Building. Prendergast was one of the finest and most prolific creators of monotypes in the history of art. This demanding medium is unlike other forms of printmaking; instead of permitting many copies to be made, the monotype process allows one, and at most three, copies. Each grows fainter as the process is repeated. Of the 151 known Prendergast monotypes, 55 —more than one-third —are in the Daniel J. Terra Collection. Thus the exhibition permitted an in-depth look at one of America's most important turn-of-the-century artists. Gallery visi- tors had the opportunity to contrast Prendergast's monotypes with those made by Degas, some of which were included in Degas: The Dancers. Moreover, an important Prendergast watercolor, Saint Mark's, Venice, entered the Gallery's collection at this time. The work was the gift of the artist's sister-in-law, Mrs. Charles Prendergast. The artist's brother, Charles, well-known in his own right for his frames and decorative panels, carved the frame for the watercolor. For the seventh time in six years, Her Majesty Queen Elizabeth II generously lent drawings from her collection to the Gallery. Leonardo's Horses: Studies of Horses and Other Animals by Leonardo da Vinci from the Royal Library at Windsor Castle presented a selection of fifty animal studies relating to several of the artist's major projects. The exhibition, seen in Florence and in the United States, was shared with The Museum of Fine Arts, Houston, and The Fine Arts Museums of San Francisco, courtesy of Olivetti. March saw the opening of one of the writer's favorite exhibitions of the year, it one of our least attended: Ancient Art of the American Woodland Indians, an innovative exploration of the artistic achieve- ment in the Late Archaic, Woodland, and Mississippian periods (3000 B.C.-A.D. 1500) of the woodland area of North America. This vast region stretches from the Atlantic coast to the western prairies and from the Great Lakes to the Gulf of Mexico. Sculpture of wood, ceramic, copper, and shell, fashioned with great skill and high aesthetic sensitivities, gave tantalizing evidence of our sophisti- cated native civilizations. The exhibitions introduced many visitors to Cahokia, a twelfth-century city that existed near present-day Saint Louis. In size and population it was larger than Paris or London at that time.

Turkish exhibition announced His Excellency Turgul Ozal, the prime minister of Turkey, visited the Gallery on 5 April and announced a forthcoming exhibition, The Age of Sultan Siileyman the Magnificent, which will open in Washington before traveling to Chicago's Art Institute and New York's Metropolitan Museum of Art. The exhibition will document

26 the splendid artistic production of the reign of Sultan Suleyman I, who ruled from 1520 to 1566. A major military figure, lawgiver, and a powerful diplomatic force, Suleyman was also an important patron and collector of the arts. More than three-quarters of the objects in the exhibition will be on loan from Turkish national museums.

Important marine painting acquired In April the Gallery purchased at auction in London Ludolf Bak- huysen's 1667 Dutch Ships in a Stormy Sea. The painting is in sharp contrast to the pastoral landscapes that form such an important part of the Gallery's collection of seventeenth-century Dutch paint- ing. The images of stormy seas and boats in distress were popular with the Dutch, and we were fortunate to secure Bakhuysen's canvas, which, since cleaning by our staff, has emerged as a splendid example of an artist and theme previously unrepresented here.

Old masters from Dulwich One of the best, but least-known, small museums in Great Britain is the Dulwich Picture Gallery. Some ten years older than the National Gallery in London, it is the oldest public art museum in Britain. Sir John Soane designed the neoclassical building that houses the collection, and his was the first building designed for use as a public picture gallery. For 4V2 months we borrowed thirty-six old master paintings, including works by Rembrandt, Claude, Poussin, Guer- cino, Tiepolo, Murillo, Canaletto, Gainsborough, and Hogarth. Installed on the ground floor of the West Building, Old Master Paintings from the Dulwich Picture Gallery was heavily visited. In a tour organized by the Gallery, the exhibition was subsequently seen in Los Angeles and New York.

Paul Mellon s retirement commemorated On 3 May Paul Mellon retired as chairman of the board and as Trustee of the National Gallery of Art. At the same time he was elected an Honorary Trustee for life and became the first person to be so designated in the Gallery's history. The board elected as its chairman Dr. Franklin D. Murphy, a longtime supporter and Trustee of the Gallery. To succeed Mr. Mellon as one of the Gallery's five general or private Trustees, the board elected Robert H. Smith, chairman of the Trustees' Council. Paul Mellon first served as a Gallery Trustee in 1938. To mark that retirement, the third Andrew W. Mellon Dinner became a celebration of Paul Mellon's commitment to the National Gallery. President and Mrs. Reagan were required to be in Bonn for the economic summit, but the president videotaped a message, shown at the dinner on a large screen, which focused on the Mellon family's great tradition of generosity to the Gallery and on Paul Mellon's particular contributions. Among the guests that evening were Vice President and Mrs. Bush, many justices of the Supreme Court, and members of the Cabinet and of the diplomatic commu- nity, who joined with many private friends of the Gallery to partake in this tribute. The Gallery caused a new medal to be struck in the

27 name of Andrew Mellon and awarded the first one to Paul Mellon in further recognition of his service. One great source of satisfaction was in being able to announce that the $50 million goal of the Patrons' Permanent Fund was not only met but exceeded at the time of Paul Mellon's retirement. With eight months remaining in the capital campaign, the fund had raised $52.8 million by 2 May. The dinner also marked the opening of Stubbs: An Exhibition in Honor of Paul Mellon. The paintings in it had all appeared at London's Tate Gallery or at the Yale Center for British Art (estab- lished by Mr. Mellon). In addition to selected paintings which had formed part of the Stubbs monographic exhibition shared by the two museums in London and New Haven, the Gallery's tribute included Pumpkin with a Stable-Lad. This fragile panel was the first Stubbs bought by Mr. Mellon, who acquired it in 1936. Thus two of Paul Mellon's keenest interests, horses and the visual arts, were acknowledged in the West Building: in the Stubbs exhibition, and in the continuing exhibition of Leonardo's horse drawings from Windsor Castle, a show which Mr. Mellon had helped underwrite.

India exhibition The next morning, 4 May, a puja was held to mark the opening of The Sculpture of India: 3000 B.C.-1300 A.D. This traditional Hindu religious rite involves music, chanting, storytelling, and offerings to

28 Ganesha, the Indian god who appears in the form of an elephant and who removes all obstacles at the beginning of a new endeavor. As such, it was appropriate not only for our first day without Paul Mellon as a board member but also as an opening ceremony for an exhibition of Indian sculpture. A complex project, The Sculpture of India fulfilled a dual purpose. It was conceived, from the outset, as a survey of masterpieces that would convey the richness and stylistic diversity of India's great old-master sculptural tradition. It was, as well, the first event of the Festival of India. This year-and-a-half- long, nationwide celebration of the many facets of Indian culture was endorsed by President Reagan and the late Prime Minister Indira Gandhi during her official visit to the United States in 1982. In keeping with his mother's wishes, Prime Minister Rajiv Gandhi also supported the project and visited the Gallery's exhibition. The works of sculpture, executed in bronze, stone, and ivory, ranged in size from the miniature to the colossal, and in familiarity from Krishna Dancing on the Serpent Kaliya from the Asia Society's Rockefeller Collection to the architectural fragments from the great stupa at Sanghol that had been discovered and excavated only a few weeks before. Budapest loans In mid-May, Leonardo to Van Gogh: Master Drawings from Budapest went on view. For those interested in old master drawings it must have seemed too good to be true that within the same twelve months many of the great drawings from both the Szepmuveszeti Muzeum in Budapest and the Albertina were housed at the National Gallery. Budapest's museum is the largest public museum of European art in Hungary, and its drawings cabinet contains some 8,000 works. The great Esterhazy bequest is the source of much of this richness. One hundred drawings from Italy, Germany, Flanders, Holland, and France, which constitute the largest number of works from Budapest ever to be loaned as a group, were selected for exhibition. The strength of this collection is its representation of the great masters of the fifteenth through the seventeenth centuries. Accordingly, Leonardo, Raphael, Correggio, Veronese, Diirer, Hans Baldung Grien, Altdorfer, Goltzius, Rembrandt, Jacob van Ruisdael, and Poussin were represented in the exhibition, which was shared with The Art Institute of Chicago and the Los Angeles County Museum of Art. On 20 May at a live video press conference transmitted between Washington and San Francisco it was announced jointly with our colleagues at the Fine Arts Museums of San Francisco that the exhibition The New Painting: Impressionism 1874-1886 would take place. Made possible by a grant from AT&T, The New Painting is timed to coincide with the one-hundredth anniversary of the last impres- sionist exhibition in 1886. On 22 May The Art Dealers Association of America honored the Gallery's chief curator, Sydney J. Freedberg, with its award for outstanding achievement in the field of art history. At a dinner at New York's Guggenheim Museum, Professor Freedberg received a grant and a piece of sculpture by the late Alexander Calder. International project unveiled May ended with the announcement of the first loan of a work in a major new series by Robert Rauschenberg. This seminal contempo- rary American artist has undertaken an ambitious project, the Rauschenberg Overseas Culture Interchange. Known by its initials, R.O.C.I., the project is an evolving exhibition that begins with some two hundred of the artist's works. Rauschenberg intends to produce new material in collaboration with local painters, writers, and arti- sans he meets as he travels around the world in the next four years. The project is intended to culminate in an exhibition at the Gallery in 1988-1989. The first loan, Altar Peace, was part of the R.O.C.I, series for Mexico. A second loan, Copperhead Grande, was produced in Chile and went on view in late July. A few important collections of drawings are still in private hands. One of the finest, assembled by the late Curtis 0. Baer, embraces six centuries, from the fifteenth to our own, with Titian and Rubens at one end and Picasso and Matisse at the other. One hundred sheets from this important collection were loaned to the Gallery in an exhibition organized by Atlanta's High Museum.

30 Planners of Treasure Houses of Britain inspect progress Summer activities Over the summer, work was progressing on the installation of Treasure Houses of Britain: Five Hundred Years of Private Patronage and Art Collecting as trucks were gathering objects from 225 houses all over Britain. Our twentieth-century collections were reinstalled on the concourse level and opened to the public in August. In mid-August, German Expressionist Prints from the Collection of Ruth and Jacob Kainen went on view. Significant and eclectic, the Kainen collection is remarkably rich in German expressionist graphics. Here exhibited publicly for the first time, the Kainens' prints are a heady introduction to the bold technique and unrestrained subjects of German artists before World War II. The Kainens assign Kirchner the central role in twentieth-century printmaking; the first room of the exhibition housed twenty-three of his works, including his famous 1914 woodcut Five Tarts. Among the more intelligent and discerning contemporary collectors of German expressionist prints, both Ruth and Jacob Kainen contributed esssays to the show's catalogue. Their collaborators were Andrew Robison, the Gallery's senior curator and curator of prints and drawings, and Christopher With of the education department. The excitement caused by the exhibition increased when the Kainens made it clear that these prints would come eventually to the Gallery. Staff changes The Gallery has grown in size and complexity, and the year saw changes in key staff positions. Carroll Cavanagh left his post as secretary-general counsel in January to work for Paul Mellon, and the Trustees elected Philip C. Jessup, Jr., formerly vice president, general counsel, and secretary for INCO Limited, to carry on the duties which pertain to that vital office. Joseph J. Krakora came to the Gallery in May to assume a new executive officer's position, that of external affairs officer. He will report to the director and is responsible for planning, implementing, and overseeing the Gal- lery's relations with the general public on regional, national, and international levels. He will also administer the Gallery's contacts with the media, government officials, and the corporate and philan- thropic communities. Katherine Warwick, the Gallery's longtime head of the informa- tion office, left after fifteen years to become the director of the Hill-Stead Museum in Farmington, Connecticut. Coming to the Gallery at the beginning of its major expansion, she saw it through the opening of the East Building and a series of successful exhibi- tions. Her successor, Neill Heath, comes from an effective career with a variety of nonprofit organizations. Richard Bales retired from his role as assistant to the director for music after forty-two years with the National Gallery. His career, long and fruitful, was an important part of the Gallery's life. His annual American Music Festival, his own compositions, and his enthusiasm for making and sharing music endeared him to the millions who either heard him in the East Garden Court or over the

32 Richard Bales conducting his last regular concert at the Gallery air. He conducted more than 500 concerts during his time at the Gallery and he will be much missed. In July George Manos, conductor, pianist, and composer, was appointed as assistant to the director for music. The conductors he has studied with include Leonard Bernstein, Leopold Stokowski, and Charles Munch. It is with sadness that we note the deaths of two members of the Gallery's extended family. Fern Rusk Shapley, who served as a curator for twenty-five years and who specialized in Italian paint- ings, died on 15 November. Mrs. Shapley took on the daunting task of cataloguing all the Italian paintings in the Kress collection, which is shared by the National Gallery and museums in eighteen other American cities. Huntington Cairns, a man of extraordinary learning who held various posts at the Gallery from 1943 to 1965, died on 19 January. Mr. Cairns served as secretary, treasurer, and general counsel at the National Gallery. A brilliant scholar with an encyclopedic fund of knowledge, he helped guide the Gallery through many of its formative years. The staff of the National Gallery performed in many extraordi- nary ways in fiscal year 1985. A sense of the variety of their achievements, and hence the Gallery's, can be had by reading the detailed reports that follow.

33 Hans Muelich, Portrait of a Member of the Froschl Family, Gift of David Edward Finley and Margaret Eustis Finley, 1984.66.1

34 DONORS AND ACQUISITIONS

DONORS DURING FISCAL YEAR 1985

Harry N. Abrams, Inc. Willy Arnheim In memory of Brother Raymond E. Barzilai Acacia Mutual Life Insurance Company Mr. and Mrs. Isaac Arnold, Jr. John Baskett Alice S. Acheson Mrs. Ivy Arnold Perry R. and Nancy Lee Bass E. James Adams Jean Wilkes Arnold Mr. and Mrs. Robert M. Bass Richard H. Adams, Jr. The Art Lovers League. Baltimore Mr. and Mrs. Sid R. Bass Mr. and Mrs. Timothy J. Adams The Artery Organization, Inc. Eleanor J. Bateman In memory of Arlyn Adolf Simon Arzigian Carol L. Bates The Ahmanson Foundation Aaron Ashley Inc. John D. Batson William A. Albaugh Maude Atherton Nancy McCoy Bauer Steven R. Albersheim Atlanta Arts Alliance, Inc. Ruth Margaret Beakley Alcoa Foundation The Atlas Foundation Mr. and Mrs. Walter H. Beal, Jr. Mr. and Mrs. Edward K. Aldworth Maj. Gen. and Mrs. Gordon H. Austin Mr. and Mrs. John D. Beckler Mr. and Mrs. Thomas W. Alexander T. R. Averett Mrs. Max Beckmann Joe L. and Barbara B. Allbritton Mary C. Axmann in memory of my mother Mr. and Mrs. Thomas H. Beddall Jessie Allen Mary A. Axman In memory of F. Lammot Belin Dr. and Mrs. David W. Ailing Susan Babaie Bell Atlantic Corporation Susan Mary Alsop Dr. and Mrs. Gerald J. Babbitt Mrs. Irvin Bernstein In memory of Alfred and Clara Altheide Judge and Mrs. Carl W. Bacharach Ruth Benedict Dr. and Mrs. Aaron M. Altschul Rodney J. and Phyllis S. Badger In memory of Stanley Benik, Sr. American Brands, Inc. Ethel K. Baier Evelyn M. Bennett American Security Bank Dr. and Mrs. A. P. Bailey William F. Bennett Goetna G. Ames In memory of my mother. Rose Zeserman, Helene and Ralph Benson by Helen Z. Baker Mr. William H. Amman Liz Bent Carol Ann Bakinowski Howard K. and W. Arlene Ammerman Stanton K. and Rosa R. Berdrow Richard Bales Mrs. Robert Amory, Jr., in honor of Ruth Berenson in honor of Margaret Richard Bales Mr. and Mrs. A. L. Ballard Bouton Virginia and Arthur L. Anagnost James E. Ballowe, Jr. Mr. and Mrs. Edwin A. Bergman Christianne Anderson BankAmerica Foundation George and Ruth Bergquist Marion E. Anderson Helen Banniettis Bernard and Audrey Berman Roy Anderson in memory of Tiffany Gwen Baptist Diane and Norman Bernstein Esther and Laurence Andrews Gina E. Barile Erma V. Berkley Patricia Mae Andrews Mr. Jean Lawrence Barker Mr. and Mrs. Eugene A. Berlin Lawrence Unlimited — Lawrence Anenberg Marian T. Barnes Mrs. Julius Berman Mrs. Robert G. Angle Richard L. and Nancy H. Barnoski Mr. and Mrs. Seymour Bernett Walter H. and Leonore Annenberg In memory of Gene Baro Robert Hunt Berry in memory of Richard Anonymous In honor of Bernard Barryte King Mellon Antiques Forum Pilgrimage Garden Club David B. Bartlett Mr. and Mrs. Thomas S. Beyt Mr. and Mrs. Mahlon Apgar IV Mr. and Mrs. Jacques Z. Baruch in memory Anne W. Biberman of Dr. Harold Joachim The Honorable Anne A. Armstrong The Siegfried and Josephine Bieber Foundation

35 Ms. Ann Margaret Bigley Pam A. Brown Center for Palladian Studies in America Imogene Bingaman Robert Brown Christine B. Cestello Capt. and Mrs. H. Harold Bishop Mrs. Robert S. Brown Dorothy Jordan Chadwick Fund Ms. Avis E. Black Sarah E. Brown Carl W. Chamberlin Mr. and Mrs. Ray A. Blackburn Mrs. Stewart Brown Mr. and Mrs. John E. Chance Ethel Blaine Mr. and Mrs. W. L. Lyons Brown, Jr. Mr. and Mrs. George V. Charlton The Honorable William McCormick W. W. Brown Clara H. Chase Blair, Jr. The Brown Foundation in memory of Leslie Cheek, Jr. Bernadette M. Blais Mrs. George R. Brown Laura C. Chertock and Stephen H. Miss Frances Blank Eugene C. and Helen L. Brownson Chertock "Art Gives Life"—Sherry Blasberg Ailsa Mellon Bruce Fund Mr. and Mrs. George M. Cheston Millie and Harold Bless Emma K. Brunner Andrew Chiarodo Richard Block, Jr. in memory of my The Honorable* and Mrs. Wiley T. Antony Childs, Inc. parents and sister Buchanan, Jr. Mary Cole Childs Gloria M. Blottenberger Marie 0. Buckets Mr. and Mrs. Samuel J. Chilk Beverly Boas Eugene J. and Simone M. Buehler Eloise W. Choate Sarah S. Boasberg Christine E. Burke Mr. William B. Christensen Angel Boccia Ella Poe Burling Mames C. Christenson E. E. Bode Mrs. John Burroughs Belle Church Boeing Commercial Airplane Company Nancy and Frederick S. Buschmeyer, Jr. Patricia and Philip Churchley Peter Boesch Donald R. and Lynn G. Bush Mrs. Adriana J. Chutter Georgia T. Boines Howard and Diana Butner Ann Ciszek Boise Cascade Corporation Marilyn D. Butts Citicorp Mr. and Mrs. James C. H. Bonbright James Allen Byrne In memory of Miss Adele Clark, Richmond, Mr. and Mrs. Jean Bony cbs News Virginia, artist Earl and Jean Bellows Booth Buffy Cafritz Kathleen S. Clark Helen B. Bornefeld The Morris and Gwendolyn Cafritz Leslie Lee Clark In memory of Anne Katherine Boswell Foundation Mr. and Mrs. Stephen C. Clark, Jr. Evgenia Botkin William N. Cafritz Alice W. Clement Jenny A. Bounous Dr. and Mrs. James F. Callahan John Clemmer Margaret I. Bouton Larry Calyn Linda E. Cleveland Mrs. Barbara G. Bowen Dr. and Mrs. Don B. Cameron Judith Clifford In memory of Lee Weems from Pat and Gerard L. and Suzanne Campagna Mr. and Mrs. J. S. Clopper Dexter Bowman Adele A. Campbell Katherine J. Cobates Paul Bowron Mrs. John M. Campbell The Coca-Cola Foundation Mr. and Mrs. J. Harry Boyles B. G. Cantor Art Foundation Mr. and Mrs. Robert M. Coffelt Anne Marie Bradford Family of Oliver T. Carr In memory of Mr. and Mrs. Ernest Morino Lois Bradshaw and Carey Gordon Louise Lyon in memory of by Mr. and Mrs. Robert M. Coffelt Brady Foundation H. D. G. Carroll Daniel S. Cohen Ethel W. and Seymour Brandwein Muriel D. S. Carroll Herman Cohen Mr. and Mrs. Carl E. Bredlau Mary Carson Hyman J. Cohen James A. Bridenstine Nancy Jane Carson Melvin S. and Ryna G. Cohen Susan B. Bristol Comdr. and Mrs. Beverly E. Carter Nina Jo Cohen Mrs. Sidney F. Brody Mr. and Mrs. Edward W. Carter In honor of Rena T. Cohen Mr. and Mrs. Harry A. Brooks Amon G. Carter Foundation In memory of Douglas Robbins by Margaret Parham Brooks Carter Hawley Hale Stores, Inc. Elisabeth R. Cole Lt. Col. and Mrs. Neil R. Brooks Cecil P. Carusi Mrs. Cecile A. Colquhoun In memory of Myer D. Bross Dorothy F. Cascioni Mrs. H. Dumscombe Colt Dr. and Mrs. John B. Brough Howard M. Casper Communications Satellite Corporation J. Carter Brown In memory of Bridget and Patrick Cassidy The Conde Nast Publications Inc. Jayne Stone Brown Gary P. Castor Edith Elliott Conger Katherine L. Brown For all artists' cats! Sandra Lynn Connors Capt. Lawrence W. Brown, U.S.A.F. The Honorable and Mrs. Henry E. Catto Catherine M. Conover Olga Jamison Brown Carroll J. Cavanagh Mr. and Mrs. Joseph E. Conrad Valerie M. Cavanagh Louis and Barbara Conte *deceased Angela S. Caveness Robert and Lelah* Conway

36 Donald Cook Col. and Mrs. J. E. Decher Dynalectron Corporation In memory of Edith McKean Cook Stanley and Lynn DeGroote Sterling and Ruth Eagleton Alistair Cooke Mr. and Mrs. John Dehnel A. Louise Eckburg T. J. Coolidge Chagit and Roger M. Deitz Mr. and Mrs. William B. Edmondson Steve Cordle Art Spirit —Delewski Margaret Edsall Dr. and Mrs. Ronald H. Cordover Mr. and Mrs. Leonard T. DeLisio Mr. and Mrs. Robert L. Edwards Dorothy M. Cormier Sally J. Dempster Mr. and Mrs. Samuel Efron Corning Glass Works Foundation Clara Demuling Ursula M. Ehrhardt Mr. and Mrs. Louis Costrell Denver Art Museum Etan Edward Eiches Adelaide Courtney Sandra Lea Derr Mrs. Robert B. Eichholz Elizabeth R. Covert The Detroit Institute of Arts Founders Rochelle and Barry Eisenberg and family J. Harry Covington III Society Ruth C. Eisenhart Mr.* and Mrs. Gardner Cowles Dr. John E. DeTurck Mr. and Mrs. James A. Elkins, Jr. Edward Hyde Cox Mr. and Mrs. Albert B. Dewey, Jr. Mrs. Henry H. Elliott, Jr. Mrs. Raymond C. Cox G. Di Lorenzo In memory of Lt. Frank T. Ellis, Jr. Marshall B. Coyne In memory of Mrs. Bess E. Dick Mrs. Neil L. Ellis, Jr. Mrs. Sydnor M. Cozart William C. Dickinson In memory of Joseph Nelson Else and Rear Adm. and Mrs. Robert R. Craighill Digital Equipment Corporation Virginia Stewart Else Cecil G. Crider Bernard and Frieda Dillman Julia B. Engel Janet McClayton Crites James A. Dillon Walter and Inge Engel J. Byron and Leila P. Grossman Lura May Dillow Mrs. Charles W. Engelhard Christian Ayne Crouch Barbara W. Dix The Charles Engelhard Foundation Marion C. Crough Yvonne Dixon Stephen E. Engle Charles E. Culpeper Foundation Mary S. Dobbie Zoe Kranson Engler Mr. and Mrs. Charles C. Cunningham, Jr. Dorothy Dockterman Irene R. Eno in honor of J. Carter Brown Mary and Lamar Dodd Lionel C. Epstein Susan Holmberg Currie Don and Renee Domogauer in memory of Sarah G. Epstein Helen and Edward Curry Sol Cohen Cheryl Beazley Erdman Mary Elizabeth Curry Mrs. Thomas C. Donnahue Glory D. Erdman Mrs. Dahar Cury Mr. and Mrs. John R. Donnell Linda Erskian Mr. and Mrs. Allerton Cushman Mr. and Mrs. Howard C. Doolittle Professor L. D. and Helen S. Ettlinger In memory of Mark Tobey, artist, Baha'i Janet P. Dorman Thomas M. and Betty B. Evans friend—Joyce Lyon Dahl Dorleen Dove Exxon Corporation Chester Dale Fund Betty P. Dow Frank and Jeannette Eyerly Chester Dale Trust Maurine A. Drake In memory of Leo E. Fabricius Mrs. James W. Daly Muriel M. Dreswick Arthur Fagan George T. Dalziel, Jr. In memory of Mildred E. Drew William Stamps Parish Fund The Charles A. Dana Foundation Mary Ellen Drier Mr. and Mrs. Norman Farquhar David N. Danforth, Jr. E. I. du Pont de Nemours & Company John S. and Lucy H. Farrington Mrs. N. R. Danielian Dr. and Mrs. Arthur M. Dubit Dorothy Faul M. L. Dante Dr. and Mrs. Thomas D. Dublin Carma Fauntleroy Jane 0. Dart John A. Dudeck, Jr. Paul B. Fay, Jr. Dart & Kraft Robert W. and Louisa C. Duemling Miss Alice M. Fearen Hermana W. Dasent In memory of Harry E. Duey, Sr. Federal National Mortgage Association Eleanor Davidov James T. Duff Alberta Fehler Hugh M. Davidson In honor of Ann and Harry Dukeley In memory of Ernest Reynold Feidler John B. Davidson In memory of Floyde J. Duncan Sylvan and Ruth Feigenson Marie M. Davidson Roger A. Duncan Bernard Fein Adrianne P. Davis Georgiana P. Dunham Minnie K. Feinman Mr. and Mrs. H. Z. Davis Lucia J. Dunham Peter H. Feist Elsie Cole Davison Mrs. Donald T. Dunne In memory of Horace J. Feldman Dr. and Mrs. Edwin J. De Costa Raquel R. Dunning In memory of Samson Feldman by his Sylvia De Cuevas Gregory P. Dunsky sisters Rossetta A. and Sadie B. Feldman Lina De Rosa Richard Durocher Mr. and Mrs. Daniel Fendrick The Museum Society, The de Young In memory of Edwin Dutcher Elizabeth M. Ferguson Memorial Museum Mr. and Mrs. Herbert Dvm Ruth Ferrer

37 Caren F. Ferris Mr. and Mrs. Theodore A. Fetter Donald M. Feuerstein and Jacqueline H. Dryfoos In memory of Edward R. Fickenscher, Jr. Mr. and Mrs. Seymour Fiekowsky Miss Susan J. Finke Mr. and Mrs. E. Jay Finkel In memory of Mr. and Mrs. David Finley David Edward Finley and Margaret Eustis Finley Fund In memory of Dorothy F. Fischer Mr. and Mrs. Donald G. Fisher Annelise and William H. G. FitzGerald George M. Fitzgerald Judith Fitzpatrick Mary G. Flannery Mrs. Julius Fleischmann Mr. and Mrs. John F. Fleming Donald B. Fletcher Don and Marilyn K. Flickinger Harold W. Fogle Mrs. Edward H. Foley Mr. and Mrs. Lee Merritt Folger In memory of Henry W. Forbes Ford Motor Company Eugene T. Ford Samuel S. Ford Mr. and Mrs. Ben J. Fortson Carol M. Fox Elizabeth J. Foy Mrs. Jack R. Frank Peg M. Frankosky Arnold D. Frese Foundation The Friends of American Art Mr. and Mrs. Clayton Fritchey Gerrit Willemsz. Heda, Still Life with Ham, Gift of John S. Thacher, 1985.16.1 In loving memory of Grey Harman Froelich Harold D. and Sarah J. Fuerst Anna S. Fujimori The Fuller Foundation, Inc. Andrew P. and Geraldine Spreckels Fuller William P. Garrity Ralph Ginzberg Gladys and Everett Fuller Joseph L. Gastwirth Mr. and Mrs. Stephen D. Gladis Rosemary Furtak Mr. and Mrs. Anthony Geber Lorna Jury Gladstone GTE Corporation Mr. and Mrs. William F. Gelabert Mildred B. Clancy George and Jacqueline Gabelia Genevieve Finn German Dr. and Mrs. Ralph Gofstein Jean Gage Mary H. Getsinger Ms. Valerie Golden Joanne E. Gaines Gordon and Ann Getty Dr. Milton Goldin In memory of Jacke Gaither Mr. and Mrs. William Gibb III Mathilda S. Goldman Larry R. and Maureen V. Gamble John A. Gibbons Mr. and Mrs. Herbert A. Goldstone Mr. and Mrs. Bernard M. Gann James C. Giblin Martha L. Colon Jo Ann and Julian Ganz, Jr. Mr. and Mrs. Kenneth R. Giddens Peter and Gail Goltra Mr. and Mrs. Francis W. Gapp Evelyn H. Gilbert James M. Goode Ruth Avis Gardner James P. Gillece, Jr./Jane C. Szczepaniak I. Wayne Goodman Leonard Garment In memory of Mrs. Lawrence Gilman In memory of Pauline Goodman Gayle M. Garrett Pauline and Jack Gilstrap Carol E. Gordon James A. Garrison Robert Ginsberg Wilma L. Gordon

38 Herb Gordon Oldsmobile, Inc. Robert C. and Joan S. Hall Mr. and Mrs. Henry J. Heinz II Morton and Roberta Goren Wade Hampton Hall Professor Julius S. Held Dr. Conrad L. Gossels The Hall Family Foundations Samuel Heller In memory of Joseph Gottlieb Hallmark Cards Incorporated Mr. and Mrs. Joseph Helman Dorothy and Shirley Gould Sarah F. Halloran The Honorable and Mrs. Richard Helms Gould and Antonelli Sylvia and Harold Hal pert Dorothy L. Henry Paul C. Graffagnino Sharon L. Halpin and Frederick C. Schafrick F. Douglas and Annie Laurie Hereford Mrs. Brunei Graham David A. Hamod C. Eliette Hermann John F. and Dorothy G. Graham Mr. and Mrs. Mark Hampton Mr. and Mrs. Dudley Herndon Graham Foundation for Advanced Studies Mr. and Mrs. Gordon Hanes Phyllis F. Herndon in the Fine Arts Isidore and Jeannette Hankin John Hertzler, M.D. Katharine Graham Gerald V. Hannan Mr. and Mrs. James D. Hess and son, Jeffrey Marian Graham Mrs. Clarence B. Hanson Matilda B. Heyser Philip L. Graham Fund Mrs. Elisha Hanson Ellen Lea Hickey Wendy Emmer Grainger in honor of Joan Dee Hanson In memory of Paul Hughes Hildreth Paul E. Emmer Andrew and Dorothy Haramis In memory of Mamie A. and Albert J. Hilker Christabell C. Grant Mrs. B. Lauriston Hardin, Jr. Dorothy M. Hillegass Fredrika T. Graves Chester A. Harding Susan Morse Hilles Boyden Gray Ruth S. and Harry H. Hardy Carta and Roderick Hills Mr. and Mrs. Edward R. Gray Margaret H. Harlan in memory of her Josephine Hillyard James K. Gray daughter, Paige P. Harlan Sembler Hinduja Foundation Nancy Gray Averell and Pamela Harriman Gerald D. Hines Interests In memory of Edwin Green Charles U. and Janet C. Harris Mr. and Mrs. William J. Hines In memory of Mooney, Rose, and Mosey Mr. and Mrs. Paul S. Harris Howard W. Hinkeldey Greenberg Mr. and Mrs. Robert H. Harris Karen Hinson Mr. and Mrs. Gilbert C. Greenway Mr. and Mrs. Harlan Harrison Hirschl & Adler Edith S. Greer In memory of Harold Steele Harrison Mr. and Mrs. Stuart P. Feld on behalf of H. A. and Josephine E. Grennan Jane Turner Harrison Hirschl & Adler Galleries Joann and Paul Gretch Virginia B. Hart Mr. and Mrs. Edward S. Hirschler Daniel V. Griffin in honor of his parents, In memory of Winifred S. Hartley Mr. and Mrs. George C. Hixon Col. and Mrs. John J. Griffin Linda Hartman John R. Hoagland Mr. and Mrs. Chandler B. Griggs Ronald J. Hartranft Oveta Gulp Hobby Kimberly H. Groner Helen and George Hartzog Erwin C. and Hortense E. Hock In memory of Frances J. Gross Susan Leary Hassell Mary Hodapp Sue R. Groth Dorothy Seegar Hatch Mr. and Mrs. Philip Gibson Hodge Leonie Haenisch Grueninger Vel Davis Hatch Dr. and Mrs. Merle J. Hodges On behalf of my son, Manuel A. Guerrero Mrs. Wirt Hatcher Henry C. Hofheimer II Bernardo J. and Jane P. Guiliano Phyllis Hattis Richard D. Hofmann, Jr. Gail J. Gulliksen Haverford College Wallace F. and Wilhelmina Cole Holladay Mrs. Frank L. Gunderson Mr. and Mrs. Raymond F. Hawtin Dr. and Mrs. Alexander Hollaender Mr. and Mrs. George Gund III Jeffrey Hayden Mrs. W. Franklin Hollinger In memory of Mrs. Albert T. Gunner Rebecca Mabelle Haynes Patricia and Claude Hollyfield Lillian Guralnick Anne M. Hazen Miriam Holmes Jacqueline W. Gustaves Mr. and Mrs. Joseph H. Hazen Mrs. B. R. Holmgren Mrs. Harold Miller Gutekunst In memory of Samuel H. Hazleton III Dolores Holtsman John and Susan Gutfreund Mrs. Patrick Healy III Mr. and Mrs. Jacob R. Holzschuh Leo Guthman Hechinger Foundation Dr. and Mrs. Freddy Homburger Charles F. Guthmann, Jr. Cecile Hecht A1 and Lois Honick James C. Guyot Hedgerow House Art Publishing Company Joseph Hooban and Donna Ifill Mr. and Mrs. John H. Eager In memory of my mother, Geneva Hedges Eugene M. Hood, Jr. Marilyn M. Hahn John Robert Heffernan Janet A. Hooker To my daughter Linda Hains Mrs. Ernest P. Heiby Mrs. Bruce Duff Hooton John M. Halick Dolores M. Heikka Henry R. and Sarahanne A. Hope Mr. and Mrs. Prentis Cobb Hale John Dorsey Heinberg and Beverly John Jay Hopkins Foundation Mr. and Mrs. Melville W. Hall Brockus Heinberg Mr. and Mrs. Clement E. Conger Jason Y. Hall Mrs. Walter Heiner Ms. Anne Horan

39 Marta Madrid de Horgan Robert Emmet Jordan In memory of Lucile B. Kraseman Outerbridge Horsey Peter W. Josten Otto R. Krause In memory of Aida E. Horton Felix and Helen Juda Samuel H. Kress Foundation Houghton Mifflin Company Dr. Mary W. Juday In honor of Charlotte Kriete Mr. and Mrs. Harvey H. Houser The Junior League of Washington, D.C. In honor of Opal Kristich The Howe Family In memory of Leon A. Kahn In memory of Henry C. Krom Mrs. J. Raymond Hoy, Jr. The Ruth and Jacob Kainen Collection Dorothy B. Krug Mr. and Mrs. Darryl F. Hubbard Kaiser Aluminum & Chemical Corpora- Helen M. Krupovich Mr. and Mrs. Edward R. Hudson, Jr. tion Fund John T. Krynicky Mr. and Mrs. Arthur W. Hughes, Jr. Roslyn Kaiser In memory of Barbara Tussey Kuban Suzanne and Evan Hughes Kenneth E. Kaplan Celia J. Kuhlmann Mr. and Mrs. Carlisle H. Humelsine The Honorable David Brewer Karrick, Sr. Mr. and Mrs. William Kummings Mr. and Mrs. Christopher W. Hurd Mr. and Mrs. Frederick M. Karsten Rev. and Mrs. John Kyllo Elbridge 0. Hurlbut Kavita Katti Mr. Cameron LaClair Emma Randolph Hurst Dr. Solomon Katz David John Lajuett Mr. and Mrs. Danny Husta Mr. and Mrs. George M. Kaufman Dr. and Mrs. Roy Lambert Mrs. J. Dwight Hutchinson Peter K. Kautsky Richard Lambriola Hyatt Foundation Mrs. George C. Keiser Edward E. Lamm Mrs. Enid G. Hyde Stephen M. and Anna-Maria Kellen David R. Lampe The George Hyman Construction Company Kathleen Raye Keller Arnell and Everett Land Mr. and Mrs. Richard W. Hynson George H. Kelley Ralph Landau ibm Corporation John Kendall Landmark Services-Tourmobile, Inc. itt Corporation Mary Kelly Memorial Fund Mr. and Mrs. Edward W. Lane, Jr. Sue Inafuku William M. Kelso Elizabeth A. Lane Monika Ingenhoff-Danhauser Mrs. Morley Kennerley In memory of my husband James K. Lane Mr. John Peters Irelan Eugene J. and Dale Burchard Kenney Laura Brown Lane Mr. and Mrs. John N. Irwin II In memory of Louise D. Kent Mrs. Walsie A. Langley Miss Roberta Irwin Earl and Doris Kettler Mr. and Mrs. Julian Lapides Anne M. Jacks In honor of Khelevah Khatonah The Lauder Foundation Margaret M. Jackson Mr. and Mrs. Randolph A. Kidder The Leonard and Evelyn Lauder Fund Mr. and Mrs. Leonard Jacobson Dr. Casey Kiernan Ronald S. and Jo Carole Lauder Mrs. Sidney B. Jacques Jim and Diane Kilbourne Mrs. Ann G. Largent Dr. Donald R. Jaffe George V. Kinal Vivienne M. Lassman Lorna Jaffe Ethel V. A. King in memory of Anna M. In memory of my father, Irwin B. Laughlin King Sally C. Jaffee Florence D. Lavine Marian King In honor of Mr. and Mrs. Casimer Jagielo Mr. and Mrs. Theodore N. Law Mr. and Mrs. Herbert Kinsolving H. M. P. Jagodzinske John S. Lawrence Richard A. and Lee Kirstein Mrs. MacGill James In loving memory of William Lawson Kenneth and Carol Doran Klein In memory of Samuel Wilson Jamison Mr. and Mrs. Arthur Lazarus, Jr. H. Klotz In memory of Irene V. Carson from Mr. and Col. U.S.A. (Ret.)and Mrs. James H. Leach Mrs. F. B. Jasperson The Honorable and Mrs. Herbert W. Klotz Margaret W. League Linda J. Jaszcz Adelaide S. Knapp Josefa G. Lee Mary F. Jensen Knoll Art Appreciation Club, Lakehurst, Virginia A. Lee New Jersey Marcia Jestadt Sarah Barney Lefferts Seymour H. Knox Lucille and George F. Jewett, Jr. Bob and Donna Leftwich Virginia S. Knull Mrs. J. Seward Johnson Edgar P. Leggett Robert P. and Arlene R. Kogod James A. Johnson, Jr. Lucinda K. Leigh V. A. Kolve Kenneth T. and Virginia V. Johnson Doris A. Leizear Akira Komoriya The Ralph R. Johnson family John and Lydia Lenaghan In memory of Elli Konig Johnson Wax Edward C. Leonard, Jr. Mr. and Mrs. Stanley L. Konski Alice Grier Johnston In memory of Elsie Persky Lesser Basil P. and Marlyn W. Korin Meredith Johnston Daniel W. Leubecker Audrey Koy R. Juanita Johnston in memory of Given by Bertha B. Leubsdorf in memory Wilmer E. Weaver, Sr. Antoinette F. Kraj car of Karl Leubsdorf Henrietta Jones In memory of Frank J. and Anna A. Kramer Blanche Levenberg Martha Yvonne Jones Ronald P. and Elaine S. Kramer In memory of Samuel L. Levin

40 Maurice H. and Madeline LeVita In memory of our little "Cellini": Margot Florence T. Meschter In loving memory of Abraham and Rose and James Marino, Jr. Mr. and Mrs. Charles A. Meyer Levitt Lois B. Markus Eugene and Agnes E. Meyer Foundation In honor of birthday —Arnold Levy Maj. Gen. Raymond B. Marlin H. Emerson and Emma Holt Meyers Dorothy Dort Levy Matthew Marmor In memory of James Michelsen Susanne Levy William F. Marquardt III Simonne J. Michenon Alverta V. D. Lewis Mars Foundation Ann E. Middelthon Muriel E. Lewis Wm. McChesney Martin Dunlevy Milbank Foundation, Inc. in Sydney and Frances Lewis John A. Masters memory of Ella Milbank Foshay In memory of our parents—Lena and Rear Adm. and Mrs. Kleber S. Masterson, Jr. Edwin Van R. and Cassandra Mellon Lou Liebl Antonietta G. Mastrangelo Milbury Mr. and Mrs. Morton Liftin Ann Matchinsky Liselotte Millard William R. Liggett Nicolas and Martha Mathieu Mark J. Millard* Donald V. Lincoln Mr. and Mrs. John P. Mathis in honor of A. Richard Miller In memory of Sarah Okun Lipnick Nelda McHugh Elise G. Miller Michael and Marilyn Litt Miss Armen Matossian Gerald J. and Judith Miller Little Farms Garden Club of Potomac Alice M. Mayer Iris Miller Mary Elizabeth Little Mrs. Robert B. Mayer Mr. and Mrs. MacKenzie Miller In memory of Charles Cornelius Lockett Virginia Mitts Mayo Marion N. Miller Lockheed Corporation Mary Kessler McAteer Mr. and Mrs. Thomas A. Miller Mrs. Richard C. Loebs John A. McCart Marvin Millison Mr. and Mrs. Earl H. Look Robert J. McCarthy Pepita Milmore Memorial Fund Harriet Willard Looney and Howard C. Muriel McClanahan The Minneapolis Society of Fine Arts Looney Donald M. McClelland In memory of Julia Minton Mr. and Mrs. Donald S. Lopez Mr. and Mrs. John A. McCone Richard A. Mirsky Ms. Angela M. LoRe In memory of my mother, Mrs. Charles D. Mr. and Mrs. Carleton Mitchell Mr. and Mrs. Nash M. Love McCormick, by Mary Law McCormick Constance Green Mitchell Beverly Levenson in memory of Dr. E. M. Mr. and Mrs. John F. McCune Mobil Foundation, Inc. LuBow Elizabeth W. McCutcheon Mobil Oil Corporation Clare Boothe Luce Mrs. Eugene McDermott Edith Monroe Moe In memory of Wallace Luchs, Jr. Dr. and Mrs. R. L. McDonald Mr. and Mrs. Sam Molinas In memory of my father Sam Lugerner Laurence P. McGinnis Mr. and Mrs. Thomas V. Monahan Asbjorn R. Lunde Mrs. Robert C. McGuire Mr. and Mrs. Richard W. Moncrief G. Lusignoli Mr. and Mrs. W. A. McGuire Mrs. Anita P. Mongiovi Lloyd and Barbara Luther Elsa K. Mcllwain Gladys E. Montier Joseph M. Lyle Joan McKervey Robert Moody Foundation John and Rosemary Lyon James W. McLaughlin Mr. and Mrs. Arthur Cotton Moore Dorothy M. Macauley Mr. and Mrs. Guy H. McMichael III Mrs. 0. Ray Moore Edward E. MacCrone Fund Eleanor K. McMillan W. G. Moore Bruce Walter MacDonald Mabel E. McNary In memory of Domenick and Eugenia Morda Elisabeth Blair MacDougall Frederick J. and Ruth H. McNulty Morgan Guaranty Trust Company of In memory of Louise Mattila Madison Heather McPherson in memory of John New York Hazel L. Madsen B. McPherson Sylvia W. Morris Jenny W. Magee Mr. and Mrs. William R. McWhirter, Jr. Mr. and Mrs. Alexander H. Morrison Mr. and Mrs. Robert F. Maguire III Benjamin and Catharina M. Mehlan Esther Morrison Michael and Susan Mahoney The Andrew W. Mellon Foundation Margaret B. Morrison The Honorable Robert P. Mangieri Mr. and Mrs. Paul Mellon Richard Mouton Manhattanviile College R. K. Mellon Family Foundation Father Joseph Muha Phillip L. Mann Richard King Mellon Foundation Olga R. and Ralph L. Muros Nancy K. Mannes In loving memory of Percy Freeman Dr. and Mrs. Franklin D. Murphy Melville Mr. and Mrs. Frank L. Mansell Rev. Monsignor John Joseph Murphy Ana R. Menapace E. A. G. Manton Anita Murray Lydia Mendoza Mr. and Mrs. Melvin A. Mapes III Jennie Mustapha Shirley Moore Menendez, Ph.D. In honor of Joseph Valmore Marcoux Ruth E. Myer Dr. Georges and Dr. Lois de Menil Mrs. 01 ya Margolin E. Evelyn Myers Maria Teresa Merriam Mr. and Mrs. Lawrence S. Myers, Jr.

41 Mr. and Mrs. Richard A. Nagelhout Herbert B. Pahl Amy H. Pound Natalia Corporation Alice Wang Pai and Shih-I Pai Anastasia A. Pratt Mrs. Charles W. Naudain Mrs. Anita P. Paige Eugenie Prendergast Deborah Copeland Neely Gilbert and Lynn Paige From Eugenie Prendergast in memory of Mr. and Mrs. John U. Nef William S. Paley Maurice and Charles Prendergast Nancy Brown Negley Jennie Paluskiewicz The Preservation Society of Newport County Paul and Marilyn Nejelski In loving memory of Rose Panaia Norris and Betty Price Mrs. Clarence F. Nelson Mr. and Mrs. Michael A. Papillo The Frederick Henry Prince Testamentary Chris and Miriam Parel Josephine Nelson Trust Dr. Rosemary Park Arthur Neufeld Mr. and Mrs. A. N. Pritzker Hugo V. Neuhaus, Jr. Charles Parkhurst Mr. and Mrs. John C. Pritzlaff Glenn and Lee Parrish Neutrogena Corporation Charles R. and Linda M. Privitera Pier Giorgio Pasini Mr. and Mrs. James C. New Herbert Prokesch New York State Historical Association Anna L. Patrick Mr. and Mrs. Donald C. Pulcipher Dr. M. V. Patrone Elizabeth L. Newhouse Dr. and Mrs. M. F. Quesada Mrs. Jefferson Patterson Harold F. Newstead, Jr. Jean A. Quick/R. C. Horn Patt Patterson William L. Nicholls II J. Gary Quigg William E. Paulk, Jr. Bruce W. Nichols Lenard and Sara F. Quinto Mr. and Mrs. G. Richard Nisbeth Lois M. and Robert D. Pausch Lois L. Ramm Blanche Pavidis Nelleke Nix, artist Pauline Ramsey Thomas and Katharine Pearce Pat Nolan William L. Rankin In memory of Mr. Henry Pearlman Saka Noma Florence and Eugene Ransom Carl Nordenfalk Col. and Mrs. Harold J. Pearson Meigs L. Ranney Henry Charles Pearson Gerson Nordlinger, Jr. In memory of Dr. Alfred L. Raphael Mr. and Mrs. Nathan W. Pearson Mrs. P. Roussel Norman Gen. Dillman A. Rash Dr. William D. Pederson State of North Carolina In honor of Eliza Rathbone Marie K. Noster I. M. Pei and Partners Susan E. Rausch Professor and Mrs. Benjamin Nunez The Honorable and Mrs. Claiborne Pell Ravenal Foundation In honor of Pyrma Tilton Pell JoAnne S. O'Brien, D.V.M. In memory of Lucy Thomas Rayman John O'Brien Pennzoil Company Sara and Jim Read Paul and Carla Olman Peperzak Occidental Petroleum Corporation Col. (Ret.) and Mrs. John Redmond Justice O'Connor and Mr. John J. PepsiCo Janet C. Reed O'Connor III Perpetual American Federal Savings & Virginia B. Reed Merry G. Oddo and Eric C. Walle Loan Association Kay L. Rees in memory of V. G. Brigante Mr. and Mrs. Paul T. O'Donoghue Marianne Perry Julie L. Reese Elliot Offner Catherine Peters Robert Newton Reid Comdr. and Mrs. Lester E. Ogilvy Ella R. Pfeiffer Edward Rensin Brian and Margaret Oliver Helen C. Pfohl Mr. and Mrs. Stewart A. Resnick Mrs. Margaret D. Olsen The Phillips Family Fund Michael Revetta Patricia Ryan Olson Christopher H. and Mabel 0. Phillips Walter E. Rex Yvonne S. Olson and Charles F. A. Hall Mr. and Mrs. Stephen Pichetto, Jr. in Walter J. and Carole P. Rhodes Nancy Bertelsen O'Malley memory of Stephen Pichetto Marcelle G. Ricca Jacqueline Kennedy Onassis Nancy Pierce Annette Rich in memory of Sophie William B. O'Neal Ethel R. Pike Hoberman Rich Ethel Orendorff Dr. Edmund P. Pillsbury Pamela Beth Richards Nathaniel J. and Ellen S. Orleans Mr. and Mrs. Sumner Pingree III Mr. and Mrs. Donald H. Richardson M. E. O'Rourke Mr. and Mrs. David W. Pinkard Judith Richelieu Pauline Ortega The Pittway Corporation Charitable Foundation Rev. and Mrs. George Harriss Ricks, Sr. Donald R. Osborn Elizabeth Ann Plack Nancy Ridenour Ned A. Ostenso Eleanor Poland Ridgewell's Caterer, Inc. Mr. and Mrs. Lambert B. Ott The Honorable and Mrs. Leon B. Polsky Richard W. Rieder Mr. and Mrs. S. Kaufman Ottenheimer Mrs. John A. Pope In memory of my father, Rev. W. B. Rigg, Mr. and Mrs. Joseph H. Overwein and my brother, Rev. F. W. Rigg Mrs. Sarah H. Pope Ruth A. Oviatt The Riggs Bank of Washington, D.C. Lillian L. Poses Pacific Bell In memory of C. Spencer Rippon Potomac Electric Power Company

42 Frank and Helen Rippon Mr. and Mrs. S. Thomas Saltz Yoshiaki Shimizu Joseph R. Ristorcelli Mr. and Mrs. Joseph W. Salus II Nicholas and Eleanor Short M. H. W. Ritchie Florence M. Salvan Mary Jean Shugars George M. Riveire, Sr. Mrs. Delfina Sandelin Mrs. Norman P. Shumway Michael and Cynthia Roark Marjorie Sanger Drs. James N. and Mary Dunn Siedow Lucie M. Robbins Anne Coates Sangree Jack and Lenore Silberman Josephine T. Roberts Dee and Nick Sarelas Mr. and Mrs. Joseph A. Silberstein Ronald S. Robins Mr. and Mrs. Fayez Sarofim Miss Sophie Silfin in gratitude to the In loving memory of my wife Jan Robison B. Francis Saul National Gallery of Art —James E. Robison Jennifer Saville Judith A. Sillstrop David Rockefeller Adele M. Sawicki Dr. and Mrs. Joseph Silverman Mr. and Mrs. David Rockefeller, Jr. Edith M. Sawin Mrs. John Farr Simmons Mr. and Mrs. Joseph Rodano Mrs. Leroy Lee Sawyer, Jr. William G. Simpson, Jr. Dorothy Rodgers in memory of Richard Mr. and Mrs. Morteza Sazegar William K. Simpson Rodgers Sarah Scaife Foundation Nancy Ann Sinagra Jane Rodman Leslie and Edna Scattergood Mr. and Mrs. George Singer In memory of Elsa G. Rodriguez Debbie Schaefer-Jacobs and John M. Jacobs Joel Alan Sink Miguel A. and Isabel Rodriguez In memory of Agnes E. Schaeffer Mr. and Mrs. Michael R. Skalka Alice and John B. Rogers Rebecca L. Schafer Carolyn Skelly Rosemary F. Rogers Herman F. Schexnyder Roger L. Slakey, Jr. Matthew L. Rohn Rosi Schilling In memory of Charles E. Slatkin Roland International Corporation Mr. and Mrs. Stuart B. Schimmel Regina Slatkin Judy F. Romer —in appreciation of the Elisabeth Jacqueline Schindler Jonathan W. Sloat beauty the National Gallery bestows Roger and Suzanne Schlaifer Bernard Slosberg Ingrid Rose Mr. and Mrs. Adolph W. Schmidt In memory of Adele Smailis, painter, Adele and Bernard Rosen Mr. and Mrs. Benno C. Schmidt 1893-1984 Arthur G. Rosen Mr. and Mrs. Rodney T. Small Miss Marguerite V. Schneeberger Mary Westfall Rosen Elizabeth F. Smith Lynn Scholz and Tedson J. Meyers Martin N. Rosen Mr. and Mrs. G. Wayne Smith In memory of my father, Abraham Donald Rosenbaum Schreiber —Madeleine H. Schreiber The Honorable and Mrs. Gerard C. Smith Jean L. Rosenheim Mrs. Taft B. Schreiber Hugh Stewart Smith Benjamin J. Rosenthal Foundation The Florence and John Schumann Joshua P. Smith Rosenwald Collection Foundation Laura E. Smith Mr. and Mrs. Richard D. Roth The Honorable and Mrs. Robert M. Lowell S. Smith and Sally A. Sanford Toby M. Rotman Schwarzbart Margaret Lawson Smith Marya and Keturah B. Rowan Merva E. Schweikart Margaret R. Smith Mr. and Mrs. Hobart Rowe Malvina Schweizer Mr. and Mrs. Richard S. Smith May E. Roxburgh Mary Ann Scott Robert H. and Clarice Smith Enid Rubenstein Mr. and Mrs. Thomas H. Scott S. Wylie Smith Mr. and Mrs. Albert Ruberg Joseph Scovronek Wiley J. S. Smith Lawrence Rubin, President, M. Knoedler Dorothy J. Seelmann Mr. and Mrs. Sherwood B. Smith, Jr. Co., Inc. Louise and Perry Sellon Mrs. William W. Smith Nancy and Miles Rubin Pearl Selwyn Marion and Nathan Smooke Mr. John B. Rudder In memory of Rhoda G. Senft, by Robert L. and Phyllis A. Snyder In honor of my art history teachers- Elizabeth Senft Rose S. Snyder Dorothy E. Runge Miss Esther Severud Mr. and Mrs. Rudolf Sobernheim Madeleine H. Russell Kristine J. Shanahan Juli and Jim Sobka Chlorinda V. Russo Ernest Shapiro Mrs. Sonia Storich Solmssen Mr. and Mrs. Edward B. Sabine II Ms. Barbara J. Sharf Dr. and Mrs. Arthur K. Soloman Donation by Marie C. Sadd in memory Isaac and Estelle L. Sharon Mr. and Mrs. James R. Sowell of Victor Sadd John McKee Shaw Barbara Spangenberg Dr. and Mrs. H. Harrison Sadler Mrs. Charles P. Shephard Nell R. Spannare Mr. and Mrs. William C. Sadler Mrs. John C. Shepherd Beulah Sadoff In memory of Pfc. Donald W. Spark, Vicki A. Sherman U.S.M.C., and Col. Michael M. Spark, Saint Anthony School Janice W. Sherwood U.S.M.C. Rebecca Ann Saltz Nancy and Alan Shestack Robert L. and Elizabeth M. Spatz

43 Stephen Spector* Mildred B. Spence Dr. George F. Spilenberg Theodore J. Spilman Natalie Davis Spingarn W. Cannon Spots wood In memory of Pearl Sprinzen Margaret D. Spurling Mary Jane Stafford Mary M. Stafford Lucile W. Stanton Mr. and Mrs. Theodore 0. Stark John E. Starrett Mr. and Mrs. William C. Starzman Mrs. Ursula Stechow in memory of Wolfgang Stechow Dr. and Mrs. Kenneth Steel Alice Steiner in memory of John H. Steiner H. Peter Stern Mr. and Mrs. S. L. Sternberg Grace D. Sterne Dr. DeWitt Stetten and Jane Lazarow Stetten Adele de Werff Stevens Col. (Ret.) Donald K. Stevens Lisa Stevens In memory of Stoddard M. Stevens Deborah L. Stevenson John R. Stevenson Ruth Carter Stevenson Mr. and Mrs. J. William Stewart Chris L. Stokely Susan Cooper Stokes Michael S. and JaneAnn Stout Bertram W. and Frances G. Strauss Samantha Acson Streicher Mr. and Mrs. Edgar A. Stromberg Benjamin C. and Eleanore B. Sturgill Suburban Bancorp Eleanor Louise Sullivan Mrs. Roger Sullivan Janet Lord Sumner Bruce G. Sundlun Joanne Sunquist Dechen P. Surkhang Julie Sutton Alice L. Swalm Mr. and Mrs. Edward F. Swenson, Jr. In memory of Roy Bruce Swenson and in honor of Mr. and Mrs. R. L. Swenson Elizabeth C. Swift George G. Szarvas Bernardino Betti, called Pinturicchio, Grotteschi, Gift of Mrs. Alice Steiner in memory of Britton D. Tabor John H. Steiner, 1984.55.1 In honor of Angelo F. Tamanini Martha Barris Taylor Ruth K. Taylor

44 William J. Taylor III Charles Owen Verrill, Jr. Mr. and Mrs. John Kirkpatrick White Dorothy Tebbetts Mr. and Mrs. Arthur E. Vershbow Mrs. Helen M. Whitebread In loving memory of Margaret E. Donald and Deborah Vidican The John C. Whitehead Fund Hutchinson — Chiyo and Morton Telford Thomas G. Vitez The Honorable and Mrs. Charles S. Texas Eastern Transmission Corporation Jane G. Vogel Whitehouse Texas School Pictures by Willis L. Smith Barbara Von Goetz Mrs. John Hay Whitney Paul Theerman Chintamani Vyas Mrs. Leslie H. Whitten Ursula M. Theobald Marcia F. Wackerhagen Ms. Dorothy Whittington Marcia Thomas Maj. Gen. and Mrs. Jack J. Wagstaff William J. Wiatrowski James R. Thomason Camile M. Waldrop Mr. Kurt Wiener J. Bradbury Thompson Dr. and Mrs.* Allan E. Walker, Jr. A. L. Wild Josephine Cockrell Thornton Anne M. Walker Mrs. Harold G. Williams Tides Foundation Mr. and Mrs. Brooks Walker, Jr. Sharon N. Willig Mr. and Mrs. Marvin Tievsky Elizabeth A. Walker Mr. and Mrs. Alfred S. Wilsey Time Incorporated John Walker Edna M. Wilson The Times Mirror Foundation Susan P. Walker James H. Wilson Ruth I. Timmony DeWitt Wallace Fund Mr. and Mrs. Wallace S. Wilson Dr. L. Tirnauer Lila Acheson Wallace Fund Judith Winshel Felicia May Titus in memory of May C. Lynette E. Waller Clement and Sophie Z. Winston and Leo M. Titus William Wallman Mr. and Mrs. Stuart J. Winston Mr. and Mrs. Maurice B. Tobin Mr. and Mrs. F. Howard Walsh, Jr. Mr. and Mrs. Thomas B. Winston Mary Tod a Mr. and Mrs. Charles B. Walstrom Stanley B. and Zdenka Winters Michel Tombelaine Mr. and Mrs. James M. Walton Karl P. and Flora N. Wirth Hugh Oscar Tomlinson Mr. and Mrs. Alex Warner Dr. Paul E. and Mary Wisenbaugh John Edward Toole Monroe Warshaw Milton and Evelyn D. Wittman Mr. and Mrs. Timothy L. Towel I Grace Ann Washbourne Mr. and Mrs. Alan F. Wohlstetter Elizabeth K. Townsend The Washington Post Company Francis W. and Gloria P. Wolek Fran Towson in memory of Clifford Stech Krystyna Wasserman Emile Wolf Mary D. Tracy Leslie Watson Sidney Wolins Ida T. Tracy in memory of Robert L. Tracy Mrs. Paul L. Wattis Noel Tripp Woll The Honorable and Mrs. Russell E. Train Diane B. Waxman Mr. and Mrs. Harry Wolpoff Mrs. M. Tremblay Charles and Ellen Wayne Bob Womack Mr. and Mrs. Stephen A. Trentman Eileen and Jesse Wayne William and Eleanor Wood Prince Trinity College Melvin R. Weaver Hilda L. Woodford Joseph and Pamela Troy Harold Webb Ian Woodner John Chur Tsao Clytie F. Webber The Honorable and Mrs.* Stanley David Tunick Woodward Mr. and Mrs. Francis D. Weeks Larry J. Turner Ellen Wormser In memory of my father, Dave Weinberg, Capt. and Mrs. Paul N. Turner by son, Edward A. Weinberg Eleanora M. Worth Ann Ugelow Martin A. and Diana K. Weiner Dr. and Mrs. Bernard Wortman Ernst Ullmann Ann L. Weinstein Mrs. Charles K. Wright Mr. and Mrs. Samuel linger Mary Z. Weisend Kenneth M. Wright US Air Marcia S. Weisman Mrs. Robert E. Wright United Dreamers of Eraser Valley Beverle and Ed Weller George W. Wyckoff United Technologies Corporation Rose Marie Wells Mrs. George A. Wyeth Mr. and Mrs. George H. Vaillancourt Jan Wepsiec Wyeth Laboratories Janet C. Vance Geraldine Westerfield Xerox Corporation Mildred Vance-Secular Mrs. Peggy M. Westerhold Amanda Yauger Mrs. John L. Vanderslice Kathryn M. Westhoff Mrs. Lowe Yost Ann P. Van Gaasbeek Dr. Alice Sunderland Wet hey Barbara Ethel Weaver Young Jane Van Nimmen William F. Whalen Bing Edward Young Mrs. Robert D. van Roijen Dr. and Mrs. Robert Wheat Mr. and Mrs. George M. Young Varian Associates Arthur K. Wheelock, Jr. Richard Margetts Young, D.D.S. Magda Vasillov Mr. and Mrs. Morgan Dix Wheelock, Jr. Young Women of the Arts, Inc. Mr. and Mrs. James M. Vaughn, Jr. In memory of Gertrude Griffiths White Capt. and Mrs. Curtis T. Youngblood

45 Horace Havemeyer Bernice Chrysler Garbisch Edgar William Garbisch Syma Aaron Busiel Eugene and Agnes Meyer Edith Stuyvesant Gerry Lillian S. Timken Ferdinand Lammot Bel in Adele R. Levy Alvan T. Fuller Horace Havemeyer, Jr. Harry Waldron Havemeyer Josephine Bay and C. Michael Paul Arthur Sachs W. Averell Harriman, in memory of Marie N. Harriman Robert II. and Clarice Smith Oscar L. Milmore, in memory of Pepita Mil more Angelika Wertheim Frink Burton G. and Emily Hall Tremaine Herbert M. and Nannette F. Rothschild David K. E. Bruce Cornelius Van Schaak Roosevelt Enid Annenberg Haupt David Edward and Margaret Eustis Fin lay Morris and Gwendolyn Cafritz Katharine Graham John Hay Whitney Robert H. and Virginia Pratt Thayer The A. W. Mellon Educational and Charitable Trust

Yves Tanguy, The Look of Amber (Le Regard d'Ambre), Chester Dale Fund, 1984.75.1 Doris Dick Havemeyer Georgia O'Keeffe The Woodward Foundation Mrs. Eugene Youngs Chester Dale Gemini G. E. L. Mr. and Mrs. Robert B. Yunger Lessing J. Rosenwald Dorothea Tanning Ernst In memory of Hyman Zaretsky Paul Mellon The Andrew W. Mellon Foundation Alfred and Judith Zernik Ailsa Mellon Bruce Grace Vogel Aldworth Edith R. Zeydel Rush Harrison Kress The Samuel H. Kress Foundation Dorothy Zimmermann in memory of John and Louise Booth Frederick Zimmermann benefactors i 1941-1985) The Kresge Foundation Louis G. and Pamela Zinnecker John Davis and Olivia Hatch Mollie B. Zion Frieda Schift Warburg Dorothy J. and Benjamin B. Smith Col. and Mrs. Michael N. Zirkle Adaline Havemeyer Frelinghuysen Walter H. and Leonore Annenberg Saretta Zitver Duncan Phillips David Rockefeller In memory of Marilyn Zucker Zupkoff Kate Seney Simpson The Samuel H. Kress Foundation Harris Whittemore John Davis and Olivia Stokes Hatch BENEFACTORS OF THE Barbara Hutton Stavros S. Niarchos NATIONAL GALLERY OF ART Ralph and Mary Booth Dorothy J. and Benjamin B. Smith founding benefactors William Nelson Cromwell Mrs. Max Beckmann Benjamin E. and Regine S. Levy Arnold D. Frese Foundation Andrew William Mellon Adolph Caspar Miller Mrs. Charles W. Engelhard Samuel Henry Kress Sam A. and Margaret Lewisohn Richard King Mellon Foundation Joseph E. Widener in memory of Therese K. and Herbert N. Straus Family of Constance B. Mellon Peter A. B. Widener William Robertson Coe In memory of Mrs. George R. Brown

46 Ludolf Bakhuysen, Dutch Ships in a Stormy Sea, Ailsa Mellon Bruce Fund, 1985.29.1

ACQUISITIONS Conte, Jacopino del, Italian, 1510-1598 Muelich, Hans (or Mielich), German, Madonna and Child with Saint Elizabeth and 1516-1573 Each acquisition is listed by artist, title, descrip- Saint John the Baptist, c. 1535 Portrait of a Member of the Froschl Family tion, acquisition number; atul source. Dimensions oil on panel, 1.613 x 1.190 x .029 c. 1539-1540 are in meters (inches); height precedes width (6314 x 46% x l'/s) oil on panel, .616 x .470 (2414 x 1814) 1984.66.1 precedes depth. 1985.11.1 Ailsa Mellon Bruce Fund Gift of David Edward Finley and Margaret Eustis Finley PAINTINGS Copley, John Singleton, American, 1738-1815 Mrs. Adam Babcock, c. 1774 Rauschenberg, Robert, American, 1925- Bakhuysen, Ludolf, Dutch, 1631-1708 oil on canvas, 1.173 x .915 x .032 Doric Circus, 1979 Dutch Ships in a Stormy Sea, 1667 (461/6 x 36H) x 1!4) board/mixed media, 2.438 x 3.467 x .660 oil on canvas, 1.143 x 1.673 x .019 1985.20.1 (96 x 136*4 x 26) 3 (45 x 65% x A) Gift of Mrs. Robert Low Bacon 1985.28.1 1985.29.1 Gift of Lila Acheson Wallace Ailsa Mellon Bruce Fund Ht da, Gerrit Willemsz, Dutch, active 1642-1667 Still Life with Ham, 1650 Rothko, Mark, American, 1903-1970 Beal, Jack, American, b. 1931 oil on wood, .980 x .825 x .010 Untitled (Seagram Mural), 1958 Portrait of the Doyles, 1970 (38%„ x 32% x %) oil and acrylic on canvas, 1.831 x 1.526 oil on canvas, 1.937 x 1.476 (7614 x 58'/s) 1985.16.1 (72% x 60'/s) 1984.86.1 Gift of John S. Thacher 1985.38.1 Gift of Evelyn and Leonard Lauder Gift of The Mark Rothko Foundation Kelly, Ellsworth, American, 1923- Mural Sketch, 1959 White Curve VIII, 1976 oil and acrylic on canvas, 1.828 x 1.526 oil on canvas, 2.440 x 1.954 x .035 l5 (72 x 60%) (96'/i6 x 76 /if> x 1%) 1985.38.2 1984.105.1 Gift of The Mark Rothko Foundation Gift of Mr. and Mrs. Joseph Helman

47 Untitled (Seagram Mural), 1959 oil and acrylic on canvas, 1.828 x 1.526 (72 x60%) 1985.38.3 Gift of The Mark Rothko Foundation Untitled (Seagram Mural), 1959 oil and acrylic on canvas, 2.672 x 2.892 (10514 x 113%) 1985.38.4 Gift of The Mark Rothko Foundation Untitled (Seagram Mural), 1959 oil and mixed media on canvas, 2.654 x 2.883 (104'/2 x 1131/2) 1985.38.5 Gift of The Mark Rothko Foundation Untitled (Seagram Mural), 1959 oil on canvas, 2.654 x 4.572 (1041/2 x 180) 1985.38.6 Gift of The Mark Rothko Foundation

Tanguy, Yves, French, 1900-1955 The Look of A mber (Le Regard d A mbre ), 1929 oil on canvas, 1.00 x .81 x .023 (39% x 31% x %) 1984.75.1 Chester Dale Fund

SCULPTURE

Anonymous, Italian (Padua), 16th Century Seated Bacchante, c. 1500/1525 gilt bronze, .159 x .117 x .092 (6W x 4% x 3%) 1985.24.1 Ailsa Mellon Bruce Fund Andrea Briosco, called Riccio,^ I tar with a Female Bust, Gift of David Edward Finley and Margaret Eustis Finley, 1984.73.3 Barye, Antoine-Louis, French, 1796-1875 The Lion of the Colonne de Juillet, 1836 tinted terra cotta, .210 x .440 x .070 (814 x 15% x 2%) 1984.62.1 Gift of Asbjorn R. Lunde Gorilla, 1938 Moderno, Italian, late 15th-early 16th century stone, .354 x .206 x .152 (14% x 8% x 6) Cacus Stealing the Oxen of Hercules Bertoia, Harry, American, 1915-1978 Tonal Sculpture, 1977 1985.18.2 bronze plaquette, .071 x .054 (2% x 2%2) Given in memory of Frederick Zimmermann beryllium copper with bronze weights, 5.791 1984.73.2 (228) high by his wife, Dorothy Zimmermann Kaiser Fund 1984.103.1 Flotner, Peter, German, c. 1485-1546 Moore, Henry, British, 1898- Gift of Bernard and Audrey Berman Temperance Sketch-Model for Reclining Figure, 1946 Calisto, Tommaso di, Italian, known active bronze plaquette, .082 x .067 (3%2 x 2%) plaster, .168 x .083 x .072 (6% x 314 x 2%) 1470-1482 1984.73.1 1985.18.3 Antique Sacrifice, c. 1470/1480 Edward E. MacCrone Fund Given in memory of Frederick Zimmermann by his wife, Dorothy Zimmermann bronze, .127 (5) diameter Gilbert, Sir Alfred, English, 1854-1934 1985.23.1 Comedy and Tragedy: 'Sic Vita,' 1892 Ravenna, Severo da, Italian, 1496-1543 Edward E. MacCrone Fund bronze, attached to marble base, .345 h./.392 Kneeling Satyr Supporting the Figure of an 9 7 Delaune, Etienne, French, 1518/1519-1583( ?) with base (13 /i6 h./15 /if> with base) Emperor, c. 1500 7 Henry II, 1519-1559, King of France 1547, 1552 1984.67.1 bronze, .238 x .124 x .113 (9% x 4% x 4 /i6) gilt bronze, .056 (2 3/i6) diameter Pepita Milmore Memorial Fund 1985.12.1 1985.27.1 a, b Pepita Milmore Memorial Fund Graham, Robert, American, 1938- Andrew W. Mellon Fund Olympic Torso (Female), 1983 Andrea Briosco (called Riccio), Italian, Flannagan, John Bernard, American, cast bronze, .673 x .318 x .178 (26'A x 12'/2 x 7) c. 1470-1532 1895-1942 1985.30.1 Altar with a Female Bust 5 Christ, 1925 Anonymous Gift bronze plaquette, .083 x .092 (3 /if> x 3%) wood, .854 x .165 x .216 (33% x 6V2 x 8V2) Olympic Torso (Male), 1983 1984.73.3 1985.18.1 cast bronze, .679 x .330 x .159 (26% x 13 x 614) Gift of David Edward Finley and Given in memory of Frederick Zimmermann 1985.37.1 Margaret Eustis Finley by his wife, Dorothy Zimmermann Gift of Lila Acheson Wallace

48 Rodin. Auguste, French, 1840-1917 Anonymous, Italian, 16th century Quappi with Cigarette, 1929 Jean d'Aire, c. 1887 The Rest on the Flight into Egypt, c. 1500 black chalk sculpture, .476 x .584 x .400 (18% x 23 x 15%) pen and ink 1984.64.4 1984.85.1 1985.1.8 Gift of Mrs. Max Beckmann Gift of the B. G. Cantor Art Foundation Julius S. Held Collection Judith and Holophernes, 1909 pen and ink Anonymous, Italian, 17th century 1984.64.5 DRAWINGS An Angel, c. 1600 Gift of Mrs. Max Beckmann pen and ink Alberti, Cherubino, Italian, 1553-1615 1985.1.9 Christ in Limbo, 1947 Justice Julius S. Held Collection graphite and pen and ink pen and brown ink with gray wash over black 1984.64.6 chalk on paper Anonymous, Italian or German, 18th century Gift of Mrs. Max Beckmann 1985.7.5 Massacre of the Innocents Max Beckmann Sketchbooks (two bound Ailsa Mellon Bruce Fund pen and ink volumes with sketches) 1985.1.10 graphite, chalk, pen and ink Alma-Tadema, Laura Theresa, British, Julius S. Held Collection 1852-1909 1984.64.22 and 1984.64.24 Young Girl Dressing Anonymous, Netherlandish, 18th century Gift of Mrs. Max Beckmann graphite and chalk A llegory in Honor of a Gentleman Max Beckmann Sketchbook (bound volume 1985.1.1 graphite and pen and ink with one sketch) Julius S. Held Collection 1985.1.11 pen and ink Julius S. Held Collection 1984.64.23 Amigoni, Jacopo, Italian, 1675-1752 Gift of Mrs. Max Beckmann Portrait of a Lady Aretusi, Cesare, Attributed to, Italian, graphite and pen and ink c. 1586-1612 Max Beckmann Sketchbooks (six bound 1985.1.2 Saint Nicolas of Bari volumes with sketches) Julius S. Held Collection graphite and pen and ink graphite and pen and ink 1985.10.12 1984.64.24, 1984.64.25, 1984.64.27, Anonymous, French, late 17th century Julius S. Held Collection 1984.64.30, 1984.64.31, 1984.64.41, Portrait of a Boy 1984.64.55 Asselijn, Jan, Attributed to, Netherlandish, black chalk heightened with white chalk on Gift of Mrs. Max Beckmann blue laid paper c. 1610-1652 Max Beckmann Sketchbook (bound volume 1985.5.1 The Ruins of the Colosseum with sketches) Gift of John B. Davidson pen and ink 1985.1.13 graphite and chalk Anonymous, French, 18th century Julius S. Held Collection 1984.64.26 Venus at the Forge of Vulcan Gift of Mrs. Max Beckmann Baglione, Giovanni, Italian, 1573-1644 gouache, pen and ink Max Beckmann Sketchbook (bound volume Woman Walkirig to the Right 1984.57.1 with sketches), 1933-1934 chalk Gift of Regina Slatkin graphite and chalk 1985.1.14 1984.64.28 Anonymous, French, 16th century Julius S. Held Collection Design for an Architectural Framework, c. 1500 Gift of Mrs. Max Beckmann pen and ink Barbudo Sanchez, Salvador, Spanish, Max Beckmann Sketchbooks (twenty-six 1985.1.3 1857-1917 volumes with sketches) Julius S. Held Collection Lady in Formal Dress, 1886 graphite watercolor 1984.64.29, 1984.64.32 through Anonymous, French, 17th century 1985.10.15 1984.64.36, 1984.64.39, 1984.64.40, Imperfectorum Academia, c. 1600 Julius S. Held Collection 1984.64.42, 1984.64.43, 1984.64.45 pen and ink through 1984.64.49, 1984.64.51 through 1985.1.4 Beckmann, Max, German, 1885-1950 1984.64.53, 1984.64.56, 1984.64.57, Julius S. Held Collection Audience Watching Stage, 1928 or after 1984.64.59 through 1984.64.63, 1984.64.65 graphite Anonymous, French, 17th century Gift of Mrs. Max Beckmann 1985.18.17 Two Seated Saints Given in memory of Frederick Zimmermann Max Beckmann Sketchbook (bound volume pen and ink by his wife, Dorothy Zimmermann with sketches), 1937 1985.1.5 graphite and pen and ink Boulder, Colorado, 1949 Julius S. Held Collection 1984.64.37 graphite and pen and ink Gift of Mrs. Max Beckmann Anonymous, French, 18th century 1984.64.1 Seated Woman, probably c. 1740 Gift of Mrs. Max Beckmann Max Beckmann Sketchbook (bound volume with sketches), 1944-1949 chalk Quappi and Cowboy, 1949 1985.1.6 graphite and pen and ink graphite and pen and ink Julius S. Held Collection 1984.64.38 1984.64.2 Gift of Mrs. Max Beckmann Anonymous, Italian, 16th century Gift of Mrs. Max Beckmann Max Beckmann Sketchbook (bound volume The Triumph of Venus The Rescue, 1947 with list and one sketch) pen and ink graphite and pen and ink graphite 1985.1.7 1984.64.3 1984.64.44 Julius S. Held Collection Gift of Mrs. Max Beckmann Gift of Mrs. Max Beckmann

49 Max Beckmann Sketchbook (bound volume Soldier and Prostitute, 1947 Reclining Female Nude, 1947 with sketches), c. 1914-1915 pen and black ink on wove paper graphite on graph paper with blue lines graphite and pen and ink 1985.18.11 1985.18.22 1984.64.50 Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann Gift of Mrs. Max Beckmann by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann Max Beckmann Sketchbook Figures in an Interior, 1946 Figure Studies, 1937 or after graphite graphite on paper with blue printed lines graphite 1984.64.54 1985.18.12 1985.18.23 Gift of Mrs. Max Beckmann Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann Max Beckmann Sketchbooks (bound volumes by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann with sketches) Triptych, 1946 Figure in a Rowboat and Reclining Female Nude watercolor, graphite, pen and ink pen and black ink on blue laid paper graphite 1984.64.58 and 1984.64.64 1985.18.13 1985.18.24 Gift of Mrs. Max Beckmann Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann Faust der Tragodie Erster und Zweiter Teil by by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann J. W. von Goethe (bound volume with Woman's Face Reclining Nude, 1947 illustrations), published 1925 or after black crayon pen and blue ink with watercolor over graphite graphite 1985.18.14 1985.18.25 1984.64.67 Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann Gift of Mrs. Max Beckmann by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann Study for Left Panel of "Departure, " Wooded Landscape with Bridge Sketches of Unidentified Subjects 1932/1935 graphite on wove paper pen and black ink pen and blue ink over graphite on 1985.18.15 1985.18.26 letterhead paper Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann 1985.18.4 by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann Given in memory of Frederick Zimmermann Dancer and Man with Top Hat, 1920 by his wife, Dorothy Zimmermann Crowd of People, 1918 pen and brown ink on graph paper graphite on wove paper Sketch for "The Night, " 1918 1985.18.16 1985.18.27 pen and black ink on laid paper Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann 1985.18.5 by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann Given in memory of Frederick Zimmermann Dancing Figures, possibly 1950 by his wife, Dorothy Zimmermann A udience Watching Stage graphite pen and blue ink Sketch for "Perseus (Hercules)' Last Du ty," 1985.18.17 1985.18.28 1946 Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann pen and black ink on paper by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann 1985.18.6 Sketch for "Death" and Two Unidentified Two Sketches of Uniden tified Subjects, 1946 Given in memory of Frederick Zimmermann pen and black ink over graphite on blue paper by his wife, Dorothy Zimmermann Subjects, 1929 green crayon 1985.18.29 Nude Figures 1985.18.18 Given in memory of Frederick Zimmermann graphite on paper with printed lines Given in memory of Frederick Zimmermann by his wife, Dorothy Zimmermann 1985.18.7 by his wife, Dorothy Zimmermann Seated Woman and Woman Reading, 1945 Given in memory of Frederick Zimmermann Argonauts (Sketch for Triptych and Study for graphite on wove paper by his wife, Dorothy Zimmermann Center Panel), 1946 and 1950 1985.18.30 Sheet of Sketches Including Triptych, pen and black ink and graphite on paper Given in memory of Frederick Zimmermann Skyscrapers, and Nude Female Figure, 1948 with printed lines by his wife, Dorothy Zimmermann pen with blue ink and graphite on paper 1985.18.19 Portrait of a Woman 1985.18.8 Given in memory of Frederick Zimmermann pen and blue ink on wove paper Given in memory of Frederick Zimmermann by his wife, Dorothy Zimmermann 1985.18.31 by his wife, Dorothy Zimmermann Three Figures, 1937 or after Given in memory of Frederick Zimmermann Sketch for "Birth, " 1937 pen with brown and blue ink by his wife, Dorothy Zimmermann graphite on light brown wove paper 1985.18.20 Dancer and Male A udience, 1922 1985.18.9 Given in memory of Frederick Zimmermann graphite on wove paper Given in memory of Frederick Zimmermann by his wife, Dorothy Zimmermann 1985.18.32 by his wife, Dorothy Zimmermann Triptych, 1946 Given in memory of Frederick Zimmermann Still Life pen and blue-black ink on paper by his wife, Dorothy Zimmermann graphite/letterhead stationery from Hotel with printed lines Kneeling Female Nude Esplanade, Berlin 1985.18.21 pen and blue ink, pink crayon?, and graphite 1985.18.10 Given in memory of Frederick Zimmermann on wove paper Given in memory of Frederick Zimmermann by his wife, Dorothy Zimmermann 1985.18.34 by his wife, Dorothy Zimmermann Given in memory of Frederick Zimmermann by his wife, Dorothy Zimmermann

50 Two Nude Figures and Serpent Kin Trommler und sein Weib Braun, Augustin, German, c. 1591-1639 graphite on wove paper graphite on graph paper Title Page for a Bible 1985.18.35 1985.18.47 pen and ink Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann 1984.1.22 by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann Julius S. Held Collection

Sketch of Unidentified Subject Dancing Couple and Part of a Head, c. 1923 Breenbergh, Bartholomeus, Netherlandish, graphite on paperboard graphite on wove paper 15997-1657 1985.18.36 1985.18.48 The Fantastic Rocks and Castle at Bomarzo, Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann c. 1625 by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann pen and brown ink with brown and gray wash Studies of Heads and Figures, possibly 1944 Nude Figures, 1934 or after over black chalk pen and black ink on paperboard graphite 1985.14.1 1985.18.37 1985.18.49 Gift of The Morris and Gwendolyn Cafritz Given in memory of Frederick Zimmermann Given in memory of Frederick Zimmermann Foundation by his wife, Dorothy Zimmermann by his wife, Dorothy Zimmermann Burne-Jones, Sir Edward Coley, British, Sketch for Finished Drawing "In the Studio Sketch for "Carnival, " 1920 1833-1889 (Dutch Women)," c. 1944 pen and ink over black crayon on wove paper Lady Picking Flowers pen and black ink over graphite on laid paper 1985.18.50 graphite and pen and ink 1985.18.38 Given in memory of Frederick Zimmermann 1985.1.23 Given in memory of Frederick Zimmermann by his wife, Dorothy Zimmermann Julius S. Held Collection by his wife, Dorothy Zimmermann Sketch for "The Dream," 1920 Callow, William, British, 1812-1908 Two Bass Players, 1918 pen and black ink French Fishing Boats off a Rocky Coast, 1833 graphite on wove paper 1985.18.51 watercolor and white gouache over graphite 1985.18.39 Given in memory of Frederick Zimmermann on laid paper Given in memory of Frederick Zimmermann by his wife, Dorothy Zimmermann 1985.33.1 by his wife, Dorothy Zimmermann Bertoia, Italian, 1544-1574 Ailsa Mellon Bruce Fund Women's Orchestra, 1908 Nude with Putto Calvaert, Denys, Flemish, 1540-1619 charcoal on wove paper pen and ink Coronation of the Virgin 1985.18.40 1985.1.16 pen and ink Given in memory of Frederick Zimmermann Julius S. Held Collection 1985.1.24 by his wife, Dorothy Zimmermann Bloemaert, Abraham, Dutch, 1564-1651 Julius S. Held Collection Compositional Sketch, possibly 1915 Studies of Legs and Drapery (recto), Studies of Camuccini, Vineenzo, Italian, 1771-1844 graphite on graph paper Hands and Bending Figures (verso) Psyche Received on Mount Olympus 1985.18.41 chalk graphite Given in memory of Frederick Zimmermann 1984.71.1 a and b 1985.1.25 by his wife, Dorothy Zimmermann Ailsa Mellon Bruce Fund Julius S. Held Collection Nude Figures, probably 1930s Boeyermans, Theodor, Flemish, 1620-1678 pen and blue ink Ciafferi, Pietro. Attributed to, Italian, d. 1650 The Trinity and the Virgin Appearing 1985.18.42 or after to Ecclesiastics Given in memory of Frederick Zimmermann Galley under Construction pen and ink by his wife, Dorothy Zimmermann pen and ink 1985.1.17 1985.1.26 Sketches of Unidentified Subjects, possibly 1944 Julius S. Held Collection Julius S. Held Collection pen and black ink 1985.18.43 Boissard, Jean-Jacques, French, 1533-1598 Conca, Tommaso, Italian, 1734-1822 Given in memory of Frederick Zimmermann A Noble Lady of Pisa, before 1581 Homer and Calliope, c. 1786 by his wife, Dorothy Zimmermann pen and ink black chalk 1985.1.18 Les Trois 1985.1.27 Julius S. Held Collection purple crayon on brown paper Julius S. Held Collection 1985.18.44 Boissieu, Jean-Jacques de, French, 1736-1810 Constable, John, British, 1776-1837 Given in memory of Frederick Zimmermann A Farmyard A Great Elm Tree, c. 1801 by his wife, Dorothy Zimmermann pen and ink black chalk with gray wash Kneeling Figure 1985.1.19 1985.9.1 pen and black ink on paper Julius S. Held Collection Gift of Paul Mellon 1985.18.45 Bough ton, George Henry, British, 1833-1905 Given in memory of Frederick Zimmermann Cooke, Hereward Lester, American, Washerwomen on the Beach at Etretat by his wife, Dorothy Zimmermann 1916-1973 watercolor View of Stockholm, 1970 Two Men on a Boardwalk, 1945 or after 1985.1.20 pen and ink pen and blue ink Julius S. Held Collection 1984.92.1 1985.18.46 Given to the National Gallery of Art in memory Given in memory of Frederick Zimmermann Bramer, Leonard, Dutch, 1596-1674 of Lester Cooke and Katharine Shepard, by his wife, Dorothy Zimmermann Stellio Changed into a Lizard by Ceres brush and ink old friends 1985.1.21 Julius S. Held Collection

51 Caltavuturo in the Madonie Mountains, Sicily, 1932 graphite 1984.96.2 Gift of Martin N. Rosen Coast of A malfi, 1931 graphite 1984.96.3 Gift of Martin N. Rosen Palizzi, Calabria, 1930 graphite 1984.97.1 Gift of Arthur C. Rosen

Nicosia, Sicily 1932 graphite 1984.97.2 Gift of Arthur C. Rosen

Corte, 1933 graphite 1984.98.1 Gift of Mr. and Mrs. Ronald H. Cordover

Etty, William, British, 1787-1849 Scene from the Inferno (canto IX) Bartholomews Breenbergh, The Fantastic Rocks and Castle at Bomarzo, Gift of The Morris and pen and ink Gwendolyn Cafritz Foundation, 1985.14.1 1985.1.31 Julius S. Held Collection

Francken, Frans II, Flemish, 1581-1642 An Artist's Studio; verso: Study for Allegory on the Abdication of Emperor Charles V in Brussels, 25 October 1555 pen and ink 1985.1.32 a, b Julius S. Held Collection

Fyt, Jan, Netherlandish, 1611-1661 Still Life with Two Children Feeding Goats Cortona, Pietro da, After, Italian Dove, Arthur, American, 1880-1946 black and white chalk on faded blue paper Masinissa and Sophonisba Along the Shore, 1937 1985.7.3 black chalk watercolor Ailsa Mellon Bruce Fund 1985.1.28 1984.95.2 Julius S. Held Collection Gift of Frank and Jeannette Eyerly Gabbiani, Anton Domenieo, Italian, 1652-1726 Satyr Leaning on a Column Cozens, Alexander, British, c. 1717-1786 Escher, Maurits C., Dutch, 1898-1972 black and white chalk Mountain Landscape with a Hollow Circle Limit III (preparatory drawing), 1959 1985.17.1 pen and ink graphite and pen and ink Ailsa Mellon Bruce Fund 1984.68.1 1984.61.2 Ailsa Mellon Bruce Fund Cornelius Van S. Roosevelt Collection Giani, Felice, Italian, 1758-1823 Mountainous Landscape with Classical Temple Circle Limit III (preparatory drawing), 1959 Crane, Walter, British, 1845-1915 pen and ink Prince Charming in the Forest pen and ink 1985.1.33 1984.61.1 pen and ink Julius S. Held Collection 1985.1.29 Seymour and Iris Schwartz Collection Goltzius, Hendrik, Dutch, 1558-1617 Julius S. Held Collection Circle Limit III (preparatory drawing), 1959 Urania graphite and pen and ink Delacroix, Eugene, French, 1798-1863 chalk, pen and ink The Edge of a Wood at Nohant, c. 1842/1843 1984.61.3 1984.76.1 Seymour and Iris Schwartz Collection watercolor Ailsa Mellon Bruce Fund 1985.16.2 Circle Limit III (preparatory drawing), 1959 Goyen, Jan van, Dutch, 1596-1656 Gift of John S. Thacher graphite and pen and ink View of Scheveningen; verso: Six Men 1984.61.4 Diziani, Gaspare, Italian, 1689-1767 probably c. 1650/1652 Diana and Endymion Seymour and Iris Schwartz Collection black chalk pen and ink Santa Severina, Calabria, 1930 1985.1.34 a, b 1985.1.30 graphite Julius S. Held Collection Julius S. Held Collection 1984.96.1 Gift of Martin N. Rosen

52 Rustic House with a Well black chalk 1985.1.35 Julius S. Held Collection

Homer, Winslow, American, 1836-1910 On the Sands, 1881 watercolor, gouache, graphite, pen and ink 1984.58.1 Bequest of Julia B. En gel Danger, 1883-1887 watercolor, gouache, graphite, pen and ink 1984.58.2 Bequest of Julia B. Engel Mewling the Nets. 1882 watercolor, gouache, graphite, pen and ink 1984.58.3 Bequest of Julia B. Engel Santiago de Cuba, 1885 watercolor, graphite, pen and ink 1984.58.4 Bequest of Julia B. Engel Palm Trees, Red, 1890 watercolor, graphite, pen and ink 1984.58.5 Bequest of Julia B. Engel

Jotle, Pieter de, I, Flemish, 1570-1634 Five Saints pen and ink 1985.1.36 Julius S. Held Collection

Jones, George, Attributed to, British, 1786-1869 A Religious Procession in Landeck, probably 1820/21 watercolor. graphite, pen and ink 1985.1.37 Julius S. Held Collection

Joris, Pio, Italian, 1843-1921 Spanish Dancers, 1873 graphite and pen and ink 1985.1.38 Julius S. Held Collection

Kirchner, Ernst Ludwig, German, 1880-1938 Ernst Ludwig Kirchner, Three Bathers in the Sea, Ruth and Jacob Kainen Collection, 1984.94.1 Three Bathers in the Sea, c. 1914 crayon 1984.94.1 Ruth and Jacob Kainen Collection Sleeping Peasant Moore, Albert Joseph, Attributed to, British, Klinger, Max, German, 1857-1920 charcoal 1841-1893 Standing Nude, 1914 1985.1.40 Studies for Three Figures black chalk Julius S. Held Collection graphite 1984.59.1 1985.1.43 Gift of Lionel C. Epstein Mas y Fondevila, Arcadio, Spanish, 1850-? Julius S. Held Collection A Young Girl with a Red Bandana Ligozzi, Jacopo, Italian, c. 1547-1626 watercolor Motherwell, Robert, American, 1915- Avarice, 1590 1985.1.41 Untitled, 1958 pen and ink Julius S. Held Collection pen and ink 1984.56.1 1984.100.1 Gift of Robert H. and Clarice Smith Meissonier, Jean-Louis-Ernest, French, Gift of Mr. and Mrs. Daniel Fendrick 1815-1891 Londonio, Francesco, Italian, 1723-1783 Lazarille de Tormes Stealing Drink from a Blind Seated Peasant Woman Man, probably c. 1846 charcoal graphite 1985.1.39 1985.1.42 Julius S. Held Collection Julius S. Held Collection

53 Nogari, Giuseppe, Italian, 1699-1763 Robert, Hubert, French, 1733-1808 Soutman, Pieter Claesz., Dutch, c. 1580-1657 An Elderly Woman in a Striped Shawl Young Woman with Donkeys Riding under a Lion Hunt, after Rubens pastel Natural Bridge pen and ink 1984.69.1 chalk 1984.81.1 Ailsa Mellon Bruce Fund 1984.90.1 Ailsa Mellon Bruce Fund Gift of Emile E. Wolf Noort, Lambert van, Netherlandish, Portrait of a Man c. 1520-1571 Three Ladies Chatting chalk Christ Before Caiphas pen and ink 1985.1.53 pen and ink 1985.36.1 Julius S. Held Collection 1985.1.44 Ailsa Mellon Bruce Fund and Mary Kelly Memorial Fund Stella, Jacques, French, 1596-1657 Julius S. Held Collection The Fair at Impruneta Nucci, Avanzino, Attributed to, Italian, Rosaspina, Francesco, Italian, 1762-1841 pen and ink c. 1552-1629 A lie gory of Strength 1985.1.54 Saint Homobono pen and ink Julius S. Held Collection pen and ink 1985.1.49 Julius S. Held Collection Strada, Vespasiano, Attributed to, Italian, 1985.1.45 1582-1622 Julius S. Held Collection Rovere, Giovanni Mauro ilella, Italian, The Virgin and Infant Jesus with Saints Palmieri, Pietro Giacomo, Italian, 1737-1804 1575-1640 pen and ink A Fortified Bridge against Distant Mountains, Three Herms 1985.1.55 c. 1760 pen and ink Julius S. Held Collection Pen and brown ink over black chalk 1985.1.50 Julius S. Held Collection Tesi, Mauro Antonio, Italian, 1730-1766 1985.7.4 A Stage Design Ailsa Mellon Bruce Fund Rowlandson, Thomas, British, 1756-1827 graphite and pen and ink Bernardino Betti (called Pinturicchio), Italian, A Young English Beauty 1984.87.2 1454-1513 pen and ink Gift of William B. O'Neal Grotteschi 1985.1.51 Julius S. Held Collection Thierry, Jean, Attributed to, French, 1669-1739 pen and ink Saint John on Patmos 1984.55.1 Rugendas, Georg Pliilipp, German, 1666-1742 pen and ink Gift of Mrs. Alice Steiner in memory of Studies of Soldiers in Camp 1985.1.56 John H. Steiner graphite on laid paper Julius S. Held Collection 1985.34.1 Pontius, Paulus, Flemish, 1603-1658 Thulden, Theodor van, Flemish, 1606-1669 Ailsa Mellon Bruce Fund Two Studies of an Elderly Man's Head The Delivery of A ntwerp after Rubens Sabatelli, Luigi I., Italian, 1772-1850 chalk, pen and ink pen and ink Cavalryman Mounting a Horse 1985.1.57 1985.1.46 pen and brown ink on laid paper Julius S. Held Collection Julius S. Held Collection 1985.22.1 Tissot, James Jacques Joseph, French, Ailsa Mellon Bruce Fund Porta, Giuseppe, Italian, c. 1520-c. 1575 1836-1902 Saint Michael with Lucifer Salviati, Francesco, Italian, 1510-1563 Pensive Girl Adrift in a Boat pen and ink Design for an A Itar chalk 1984.87.1 pen and ink 1985.1.58 Gift of William B. O'Neal 1985.1.52 Julius S. Held Collection Julius S. Held Collection Prendergast, Maurice, American, 1859-1924 Troyon, Constant, French, 1810-1865 Saint Mark's, Venice, 1898 Shinn, Everett, American, 1873 or 1876-1953 River Bank with Cattle, probably after 1850 watercolor, graphite, pen and ink Over the Audience, 1940 chalk 1984.63.1 pastel 1985.1.59 Gift of Eugenie Prendergast 1984.58.6 Julius S. Held Collection Gift of Julia B. Engel Procaccini, Giulio Cesare. Italian, 1574-1625 Uggeri, Angelo, Italian. 1754-1837 Cupid Boys Sliding, Washington Square, 1902 or View of Livorno pen and ink 1903 graphite and pen and ink 1985.1.47 gouache and pastel 1985.1.60 Julius S. Held Collection 1984.58.7 Julius S. Held Collection Gift of Julia B. Engel Kicci, Giovanni Battista, Italian, 1537-1627 Tomb ofScipios, 1803 The Founding of Santa Maria Maggiore Joan of Arc Square, Paris, 1914 pen and ink pen and ink gouache over graphite 1985.1.61 1985.1.48 1984.58.8 Julius S. Held Collection Julius S. Held Collection Gift of Julia B. Engel Vernet, Claude Joseph, French, 1714-1789 Fifth Avenue Bus, 23rd Street and Broadway, Trees Reflected in a Brook 1914 pen and ink pastel 1984.78.1 1984.58.9 Ailsa Mellon Bruce Fund Gift of Julia B. Engel

54 Vos, Marten «le, Flemish, 1532-1603 David and Abigail/Old Testament Scenes, Satyr, Nymph, and River God after Frangois A Roman Triumph c. 1745 Boucher, from the series Second Livres de pen and ink etching and engraving Fontaines, after 1736 1985.1.62 1984.84.2 etching Julius S. Held Collection Ailsa Mellon Bruce Fund 1984.91.7 Fortitude Rebecca at the Well/Old Testament Scenes, Gift of Regina Slatkin pen and ink c. 1745 Balechou, Jean-Joseph, French, 1716-1764 1985.1.63 etching and engraving Don Philippe, Infant d'Espagne, after Louis Rene Julius S. Held Collection 1984.84.3 de Vialy Ailsa Mellon Bruce Fund Ward, James, British, 1769-1859 etching Study of an Elderly Woman for "Disobedience Moses Striking a Shepherd/Old Testament Scenes, 1984.92.9 Discovered" c. 1745 Gift of John O'Brien etching and engraving chalk Barbari, Jacopo de, Italian, c. 1460/1470-1516 1985.1.64 1984.84.4 Ailsa Mellon Bruce Fund Mars and Venus, 1509-1516 Julius S. Held Collection etching Abraham Kneeling before the Three A ngels/0\A 1985.26.1 Watson, John Dawson, British, 1832-1892 Testament Scenes, c. 1745 Ailsa Mellon Bruce Fund Standing Nude Binding Her Hair, 1879 etching and engraving graphite and pen and ink 1984.84.5 Beauvarlet, Jacques-Firmin, French, 1985.1.65 Ailsa Mellon Bruce Fund 1731-1797 Julius S. Held Collection Jacob's Ladder/Old Testament Scenes, c. 1745 La Confidence, c. 1774/1775 engraving Staiuiing Nude with Crossed Arms, 1879 etching and engraving graphite and pen and ink 1984.84.6 1984.80.1 1985.1.66 Ailsa Mellon Bruce Fund Ailsa Mellon Bruce Fund Julius S. Held Collection Moses and the Burning Bush/Old Testament Beckmann, Max, German, 1884-1950 Wilkie, Sir David, Scottish, 1785-1841 Scenes, c. 1745 Self Portrait, 1918 Two Girls Uruler a Cloak etching and engraving drypoint black chalk 1984.84.7 1984.64.7 1985.1.67 Ailsa Mellon Bruce Fund Gift of Mrs. Max Beckmann Julius S. Held Collection Jephthah and His Daughter/Old Testament Woman with Candle, 1920 Willaerts, Cornells, Flemish, c. 1622-1666 Scenes, c. 1745 woodcut An Old Water Mill etching and engraving 1984.64.8 graphite, chalk, pen and ink 1984.84.8 Gift of Mrs. Max Beckmann 1985.1.68 Ailsa Mellon Bruce Fund Weeping Woman, 1914 Julius S. Held Collection Abraham Dismissing Hagar/Old Testament drypoint Scenes, c. 1745 1984.64.9 Wille, Pierre Alexandre, French, 1748-182 1 etching and engraving Gift of Mrs. Max Beckmann Gentleman with a Riding Crop 1984.84.9 Main River Landscape, 1918 chalk Ailsa Mellon Bruce Fund 1985.1.69 drypoint Julius S. Held Collection Joseph and His Brothers/0\A Testament Scenes, 1984.64.10 c. 1745 Gift of Mrs. Max Beckmann Wyeth, Andrew, American, 1917- etching and engraving The Crier (Self Portrait), from Jahrmarkt TTif SW/, 1959 1984.84.10 (The Fair), 1921 watercolor Ailsa Mellon Bruce Fund drypoint 1984.99.1 The Blind Tobias/Old Testament Scenes, c. 1745 1984.64.11 Gift of Sarah Barney Lefferts etching and engraving Gift of Mrs. Max Beckmann 1984.84.11 The Dressing Room, from Jahrmarkt (The Fair), P HINTS Ailsa Mellon Bruce Fund 1921 Audenaerd, Robert van, Flemish, 1663-1743 drypoint Altdorfer, Albreeht, German, 1480-1538 Death of the Virgin after Carlo Maratti 1984.64.12 The Roman Courtesan (The Revenge of the Gift of Mrs. Max Beckmann etching Magician Virgil), c. 1520/1526 1984.92.13 Behirul the Scenes, from Jahrmarkt (The Fair), engraving Gift of John O'Brien 1921 1984.77.1 drypoint Ailsa Mellon Bruce Fund Aveline, Pierre-Alexandre, 1702?-1760 1984.64.13 Two Tritons and a Swan after Frangois Boucher, Gift of Mrs. Max Beckmann Anonymous, Italian, 18th century from the series Second Livre de Fontaines, The Finding of Moses/Old Testament Scenes, after 1736 The Shooting Gallery, from Jahrmarkt (The Fair), c. 1745 1921 etching Etching and engraving 1984.91.6 drypoint 1984.64.14 1984.84.1 Gift of Regina Slatkin Ailsa Mellon Bruce Fund Gift of Mrs. Max Beckmann

55 Sleeping Athlete, from Day and Dream, 1946 lithograph 1984.64.70 Gift of Mrs. Max Beckmann Tango, from Day and Dream, 1946 lithograph 1984.64.71 Gift of Mrs. Max Beckmann

Crawling Woman, from Day and Dream, 1946 lithograph 1984.64.72 Gift of Mrs. Max Beckmann I Don't Want to Eat My Soup, from Day and Dream, 1946 lithograph 1984164.73 Gift of Mrs. Max Beckmann Dancing Couple, from Day and Dream, 1946 lithograph 1984.64.74 Gift of Mrs. Max Beckmann King and Demagogue, from Day and Dream, 1946 lithograph 1984.64.75 Gift of Mrs. Max Beckmann The Buck, from Day and Dream, 1946 lithograph 1984.64.76 Gift of Mrs. Max Beckmann Dream of War, from Day and Dream, 1946 lithograph 1984.64.77 Gift of Mrs. Max Beckmann Morning, from Day and Dream, 1946 lithograph 1984.64.78 Gift of Mrs. Max Beckmann

Max Beckmann, The Negro, from Jahrmarkt (The Fair), Gift of Mrs. Max Beckmann, 1984.64.16 Circus, from Day and Dream, 1946 lithograph 1984.64.79 The Tall Man, from Jahrmarkt (The Fair), 1921 The Snake Lady, from Jahrmarkt (The Fair), Gift of Mrs. Max Beckmann 1921 drypoint Magic Mirror, from Day and Dream, 1946 1984.64.15 drypoint lithograph Gift of Mrs. Max Beckmann 1984.64.20 1984.64.80 Gift of Mrs. Max Beckmann The Negro, from Jahrmarkt (The Fair), 1921 Gift of Mrs. Max Beckmann Untitled (woodblock) drypoint The Fall of Man, from Day and Dream, 1946 1984.64.16 woodcut lithograph Gift of Mrs. Max Beckmann 1984.64.21 1984.64.81 Gift of Mrs. Max Beckmann The Carousel, from Jahrmarkt (The Fair), 1921 Gift of Mrs. Max Beckmann The Apocalypse (bound volume with drypoint Christ and Pilate, from Day and Dream, 1946 1984.64.17 lithographs), 1943 lithograph Gift of Mrs. Max Beckmann lithograph 1984.64.82 1984.64.66 The Tightrope Walker, from Jahrmarkt (The Gift of Mrs. Max Beckmann Gift of Mrs. Max Beckmann Fair), 1921 Stadtnacht by Lili von Braunbehrens (bound Self Portrait, from Day and Dream, 1946 drypoint volume with lithographs), published 1921 1984.64.18 lithograph lithograph Gift of Mrs. Max Beckmann 1984.64.68 1984.64.83 Gift of Mrs. Max Beckmann The Negro Dance, from Jahrmarkt (The Fair), Gift of Mrs. Max Beckmann 1921 Weather Vane, from Day and Dream, 1946 drypoint lithograph 1984.64.19 1984.64.69 Gift of Mrs. Max Beckmann Gift of Mrs. Max Beckmann

56 Die Fiirstin by Kasimir Edschmid (bound volume with drypoint restrike from original plate), published 1971 drypoint 1984.64.84 Gift of Mrs. Max Beckmann Rev. 1:16, "His countenance was as the sun shineth in his strength," 1941/1942 hand-colored lithograph on laid paper 1985.18.33 Given in memory of Frederick Zimmerinann by his wife, Dorothy Zimmermann

Bega, Cornells, Dutch, c. 1631/1632-1664 The Mother etching 1984.89.1 Gift of Mr. and Mrs. Arthur Vershbow

Bellotto, Bernardo, Italian, 1721-1780 Village on a Riverbank, c. 1750 etching 1984.102.1 Gift of David Tunick

Bishop, Isabel, American, 1902- Noon Hour, 1935 etching dauacjc Original dc lt7/? (krllcik 'ffollcindau 1985.19.4 qui ,/r I mm-thru fcr^hilai< dt (m iC* \(*lc Cmk^t3rhu! //rmioD/im.itit kJacH/tRoi* Mjm QxfoJm ta Gift of Mrs. Virginia M. Gray

Businck, Ludwig, German, c. 1590-1669 Bernardo Bellotto, Vilhge on a Riverbank, Gift of David Tunick, 1984.102.1 Aeneas Saving His Father from Troy, after Georges Lallemand woodcut 1984.79.1 Chedel, Quentin-Pierre, French, 1705-1763 Corot, Jean-Baptiste-Camille, French, Ailsa Mellon Bruce Fund Veue de quelques Grottes solitaires de la Thebaide, 1796-1875 after Francois Boucher A Lake in the Tyrol, 1863 Carracci, Annibale, Italian, 1560-1609 etching etching The Holy Family with Saint John the Baptist, 1590 1984.91.8 1984.70.1 etching Gift of Regina Slatkin Ailsa Mellon Bruce Fund 1984.82.1 Veue des ruines d'une Tour qu 'on dit avoir et batie Ailsa Mellon Bruce Fund Cot man, John Sell, British, 1782-1842 par les Romains, after Francois Boucher Etchings, published 1811 Cars, Laurent, French, 1699-1771 etching illustrated, etched title page, dedication, and Oeuvres de Moliere, after Frangois Boucher, 1984.91.9 twenty-four plates published 1734 Gift of Regina Slatkin 1985.8.1 bound volumes with engraved plates Cochin, Charles-Nicolas, I, French, 1688-1754 Ailsa Mellon Bruce Fund 1984.72.1 through 1984.72.6 Village Fair, after Francois Boucher, 1740 Ailsa Mellon Bruce Fund Daulle, Jean, French, 1703-1763 etching Louis Philippe d'Orleans, after Alexis-Simon Francois Boucher, after Charles-Nicolas Cochin I 1984.91.1 Belle etching Gift of Regina Slatkin etching 1984.91.10 1984.92.14 Gift of Regina Slatkin Cole, B., British, active 18th century Gift of John O'Brien The Bucolich of Virgil (translated and annotated Castiglione, Giovanni Benedetto, Italian, by John Martyn), published 1749 Delia Bella, Stefano, Italian, 1610-1664 1610-1670 bound volume with engravings The Cannon, from the series Varii capricci Pan Reclining before a Large Vase, c. 1645/1648 1984.89.4 militari, c. 1641 etching with tonal wiping on laid paper Gift of Mr. and Mrs. Arthur Vershbow etching 1985.6.1 1985.3.1 Ailsa Mellon Bruce Fund Corinth, Lovis, German, 1858-1925 Ailsa Mellon Bruce Fund 1921/1922 The Flight into Egypt, c. 1648 soft-ground etching on wove paper Baggage Train, from the series Varii capricci etching on laid paper 1985.32.1 militari, c. 1641 1985.7.2 Ailsa Mellon Bruce Fund etching Ailsa Mellon Bruce Fund 1985.3.2 Ailsa Mellon Bruce Fund

57 Officer Giving Orders to a Sentinel, from the series Varii capricci militari, c. 1641 etching 1985.3.3 Ailsa Mellon Bruce Fund Soldier Playing a Drum, from the series Varii capricci militari, c. 1641 etching 1985.3.4 Ailsa Mellon Bruce Fund Soldier in Armor and a Cannon, from the series Varii capricci militari, c. 1641 etching 1985.3.5 Ailsa Mellon Bruce Fund Firing the Cannons, from the series Varii capricci militari, c. 1641 etching 1985.3.6 Ailsa Mellon Bruce Fund

De Marteau, Gilles, French, 1722 or 1729-1776 Head of a Young Woman, after J. B. LePrince engraving 1984.57.2 Gift of Regina Slatkin Paul Gauguin, The Washerwomen (Les Lave uses), Rosenwald Collection, 1985.7.1 Head of a Faun, after Frangois Boucher engraving 1984.91.2 Edelinek, Gerard, French. 1640-1707 Goltzius, Hendrik, Dutch, 1558-1617 Gift of Regina Slatkin Bossuet, after Hyacinthe Rigaud Adoration of the Shepherds, after Jacopo Bassano, Tete-a-tete (La baigneuse surprise), after Frangois etching 1594 1984.92.12 Boucher engraving engraving Gift of John O'Brien 1984.88.1 Gift of Ruth B. Benedict 1984.91.3 Eseher, Mauri Is C., Dutch, 1898-1972 Gift of Regina Slatkin Circle Limit III (five original woodblocks), 1959 Haberer, E. Winston, American, 1905- woodblocks Dine, Jim, American, 1935- Two Poplars on a Hilltop 1984.60.1 through 1984.60.5 Four Dutch Hearts, 1970 drypoint lithograph Gift of Dr. and Mrs. Ronald H. Cordover 1984.65.1 (Special Collection) 1984.101.1 Circle Limit III (partial proofs), 1959 Gift of Kentucky Educational Television twelve woodcuts Gift of Joshua P. Smith Hall, Susan, American, 1943- 1984.61.5 through 1984.61.16 Two Dutch Hearts, 1970 Greelings from Afar, 1980 Rosenwald Collection lithograph color silkscreen with lithography and hand 1984.101.2 Fantuzzi, Antonio, Italian, c. 1510-1550 coloring Gift of Joshua P. Smith Sacrifice to Priapus, after Rosso Florentine, 1542 1984.104.1 etching in brown on laid paper Gift of Nancy and Miles Rubin Drevet, Pierre, French, 1663-1738 1985.25.1 Maria Serre, Mater Hyacinth Rigaud, after Pages from the Diaries, 1950 Ailsa Mellon Bruce Fund Hyacinthe Rigaud, 1703 color silkscreen with lithography and hand coloring etching Gainsborough, Thomas, British, 1727-1788 1984.92.2 1984.104.2 Wooded Landscape with Two Country Carts and Gift of Nancy and Miles Rubin Gift of John O'Brien Figures, 1779/1780 soft-ground etching on laid paper Dupuis, Nicolas-Gabriel, French, 1698-1711 Hay ley, William, British. 1745-1820 1985.31.1 Charles Francois Paul Le Normant de Tournehem, The Life of George Romney, Esq., illustrated by Pepita Milmore Memorial Fund after Louis Tocque, 1754 various artists after George Romney, published 1809 etching Gauguin, Paul, French, 1848-1903 bound volume with engravings 1984.92.8 The Washerwomen (Les Laveuses), 1889 Gift of John O'Brien 1984.89.5 lithograph Gift of Mr. and Mrs. Arthur Vershbow 1985.7.1 Dusart, Cornelia, Dutch. 1660-1704 Rosenwald Collection Homer, Winslow, American, 1836-1910 The Merry Shoemaker The Courtin by James Russell Lowell, published etching 1874 1984.88.2 bound volume with heliotypes Gift of Ruth B. Benedict 1984.89.6 Gift of Mr. and Mrs. Arthur Vershbow

58 Huquier, Gabriel, French, 1695-17 72 Marcenay de Ghuy, Antoine de, French, Double-arched Bridge, 1696 Triton and Nymph, after Frangois Boucher, from 1724-181'I etching the series Recueil de Fontaines, after 1736 Charles, Due Regnant de Brunswick, after Ludolf 1985.3.11 etching Ernst Andreas Lafontaine Ailsa Mellon Bruce Fund 1984.91.4 etching A Waterfall, 1696 Gift of Regina Slatkin 1984.92.11 etching Gift of John O'Brien Faith and Charity, after Frangois Boucher 1985.3.12 etching Marcoussis, Louis Casimir Ladislas, French, Ailsa Mellon Bruce Fund 1984.91.5 1883-1941 The Stream, 1696 Gift of Regina Slatkin Serge Lifar, c. 1933 etching etching in brown on brown chine applique 1985.3.13 Isabey, Jean-Baptiste, French, 1767-1855 1985.13.1 Ailsa Mellon Bruce Fund Voyage en Italie (suite of thirty unbound Ailsa Mellon Bruce Fund lithographs), published 1822 Mars' Revenge on Adonis, 1696 lithographs Marisol, American, 1930- etching 1984.93.1 through 1984.93.30 Untitled, from Untitled Suite series, 1978 1985.3.14 Gift of The Atlas Foundation four lithographs in eight colors Ailsa Mellon Bruce Fund 1984.104.3, 1984.104.4, 1984.104.6, 1984.104.8 Apollo and a Nymph Leading a Lion, 1696 Jacque, Charles Emile, French. 1813-1894 Gift of Nancy and Miles Rubin etching Crepuscule poetique Untitled, from Untitled Suite series, 1978 1985.3.15 lithograph lithograph in black and yellow Ailsa Mellon Bruce Fund 1984:89.2 1984.104.5 Gift of Mr. and Mrs. Arthur Vershbow Balthus Turned to Stone, 1696 Gift of Nancy and Miles Rubin etching Johns, Jasper, American, b. 1930 Untitled, from Untitled Suite series, 1978 1985.3.16 The Critic Smiles from the series Lead Reliefs, lithograph in four colors Ailsa Mellon Bruce Fund 1969 1984.104.7 Jupiter in a Landscape, 1696 lead Gift of Nancy and Miles Rubin etching 1985.4.1 1985.3.17 Gift of Gemini G. E. L. McCoy, Ann, American, 1946- 7Tie Underworld. 1980 Ailsa Mellon Bruce Fund kirkall, Elisha, English, c. 1682-1742. two lithographs, hand-colored with crayon and A Man Showing Mercury the Fagle oj Jupiter, 1696 Attributed to, after various artists colored pencil etching The Georgicks of Virgil, translated and annotated 1984.104.9 and 1984.104.10 1985.3.18 by John Martyn, published 1741 Gift of Nancy and Miles Rubin Ailsa Mellon Bruce Fund bound volume with engravings and mezzotints 1984.89.3 Meid, Hans, German. 1883-1957 Parmigianino, Italian, 1503-1540 Gift of Mr. and Mrs. Arthur Vershbow Oriental Landscape with Two Riders, 1913 Peter ami John at the Gate of the Temple, drypoint on wove paper after Raphael Kollwitz, Kathe, German, 1867-1945 1985.32.3 etching 1927 Ailsa Mellon Bruce Fund 1984.74.1 lithograph Ailsa Mellon Bruce Fund 1985.19.1 Moreelse, Ran Ins, Netherlandish, 1571-1638 Gift of Mr. and Mrs. Edward R. Gray Cupid Dancing with Two Allegorical Women, 1612 Petit, Louis, French, 1760-c. 1812 woodcut printed from two blocks in black and Marie Gallelise de la Fontaine, after Maurice- Woman Meditating, 1920 gray Quentin de la Tour lithograph 1985.10.1 etching 1985.19.2 Ailsa Mellon Bruce Fund 1984.92.7 Gift of Mr. and Mrs. Edward R. Gray Gift of John O'Brien The Ploughman, 1906 Onofri, Creseenzio, Italian, 1632( ?)-1712 etching, aquatint, and soft-ground or after Piranesi, Giovanni Battista, Italian, 1720-1.78 1985.19.3 The Flutist, 1696 Vedute cli Roma, published 1748/1749 Gift of Mr. and Mrs. Edward R. Gray etching bound volume illustrated with etchings 1985.3.7 1985.2.1 Manet, Edouard, French, 1832-1883 Ailsa Mellon Bruce Fund Rosenwald Collection The Convalescent. 1876/1878 The Withered Tree, 1696 etching in dark brown on laid paper Poons, Larry, American, 1937- etching 1985.15.1 Untitled, from Untitled Suite series, 1980 1985.3.8 Ailsa Mellon Bruce Fund four color silkscreens Ailsa Mellon Bruce Fund 1984.104.11 through 1984.104.14 The Convalescent, 1876/1878 Two Men in Conversation, 1696 Gift of Nancy and Miles Rubin etching and aquatint in dark brown on laid etching paper Bead, David Charles, British, 1790-1851 1985.3.9 1985.32.2 A Series of Etchings from Nature Designed to Ailsa Mellon Bruce Fund Ailsa Mellon Bruce Fund Illustrate a Few of the Leading Features of English Houses beside a Mountain, 1696 Scenery, published 1845 etching book, gilt cloth binding embossed with coat of 1985.3.10 arms Ailsa Mellon Bruce Fund 1985.35.1 Ailsa Mellon Bruce Fund

59 Redon, Odilon, French, 1840-1916 The Dog, from the series La Maison Hantee, 1896 lithograph 1984.88.3 Gift of Ruth B. Benedict

Ricehini, Tommaso Agostino, Italian, 1675-1762, author; various artists De vita ac rebus gest beati Gregorii Barbadici . . . libri tres, published 1761 illustrated etchings in blue 1985.8.2 Ailsa Mellon Bruce Fund

Rosa, Salvator, Italian, 1615-1673 Shepherd in a Landscape, c. 1660/1661 etching 1985.3.19 Ailsa Mellon Bruce Fund The Crucifixion of Polycrates, c. 1662 etching and drypoint on laid paper 1985.21.1 Ailsa Mellon Bruce Fund The Fall of the Giants, 1663 etching and drypoint on laid paper 1985.21.2 Ailsa Mellon Bruce Fund

Ross, Charles, American, 1937- Star Space Nightlight, Milkyway Center by Earth Hour, diptych, Star Space series, 1980 color silkscreens Pieter Claesz. Soutman, Portrait of a Man, 1984.104.15 and 1984.104.16 Julius S. Held Collection, 1985.1.53 Gift of Nancy and Miles Rubin Star Space Daylight, Milkyway Center by Earth Schmidt, Georg Friedrich, German, 1712-1775 Vignon, Claude, French, 1593-1670 Hour, diptych, Star Space series, 1980 Samuel Liber Baro de Cocceji, after Jean Pesne, The Martyrdom of Saint Lawrence color silkscreens 1751 etching on laid paper 1984.104.17 and 1984.107.18 etching and engraving 1985.21.4 Gift of Nancy and Miles Rubin 1984.92.10 Ailsa Mellon Bruce Fund Star Space Daylight, Sun Center by Earth Degree, Gift of John O'Brien diptych, Star Space series, 1980 Warhol, Andy, American, 1928- color silkscreens Sloan, John, American, 1871-1951 Vote McGovern, 1972 1984.104.19 and 1984.104.20 McSor ley's color silkscreen on Arches 88 paper Gift of Nancy and Miles Rubin monotype 1984.104.23 1984.95.1 Gift of Nancy and Miles Rubin Star Space Nigh tlight, Sun Center by Earth Degree, Gift of Frank and Jeannette Eyerly diptych. Star Space series, 1980 Wille, Johann Georg, German, 1715-1808 color silkscreens Specchi, Alessandro Marquis de Marigny, after Louis Tocque 1984.104.21 and 1984.104.22 Templum Vaticanum, by Carlo Fontana, published etching and engraving Gift of Nancy and Miles Rubin 1694 1984.92.3 bound volume with etchings Gift of John O'Brien Sadeler, Aegidius, II, Flemish, c. 1570-1629 1984.87.3 Diana Surprised by Actaeon, after Josef Heintz I Elizabeth de Gouy, femme de Hyacinthe Rigaud, Gift of William B. O'Neal engraving after Hyacinthe Rigaud, 1743 etching and engraving 1984.88.4 Suavius, Lambert, Netherlandish, c. 1510-1567 1984.92.4 Gift of Ruth B. Benedict Apostles Peter and John Healing a Paralytic, 1553 Gift of John O'Brien etching and engraving Saint-Non, Richard de, French, 1727-1791 1985.21.3 Jean de Boullongne, after Hyacinthe Rigaud, Eros and Psyche, after Francois Boucher, 1766 Ailsa Mellon Bruce Fund 1758 aquatint etching and engraving 1984.57.3 Tiepolo, Lorenzo Baldissera, Italian, 1984.92.5 Gift of Regina Slatkin 1736-1776 Gift of John O'Brien Monument to the Glory of Heroes, after Giovanni Louis Phelypeaux, Comte de Saint Florentin, Battista Tiepolo after Louis Tocque, 1761 etching etching 1984.83.1 1984.92.6 Ailsa Mellon Bruce Fund Gift of John O'Brien

60 LENDERS

LENDERS TO SPECIAL EXHIBITIONS

PRIVATE COLLECTIONS

The Alexander Collection Mr. and Mrs. Andrew Keck Anonymous lenders* Ellsworth Kelly Dr. George B. Baer and family The Dennis Labatt Collection Mr. and Mrs. Frank Bartholow Mr. and Mrs. Ronald Lauder Pierre Berge Joan A. Lees Adelyn D. Breeskin Roy Lichtenstein Cynthia Bumstead The Robin B. Martin Collection Isabel A. Burgess Henry P. Mcllhenny The Lady Juliet de Chair Dr. and Mrs. Richard J. Meisinger Harryette and Marcus Cohn Mr. and Mrs. Paul Mellon Lloyd and Louise Cutler Charles Millard Richard Diebenkorn Dr. and Mrs. John Minna Mona E. Dingle The Feroze Mistry Collection Charles Durand-Ruel John Overbeck Shelly and Gerry Elliot Stephen and Claudine Ostrow Mr. and Mrs. Herman W. Engel The Honorable and Mrs. Claiborne Pell Epstein Collection The Lord Rayne Lionel Epstein Mr. James Rosenquist Mr. and Mrs. Alan Fern David E. Rust Jerald Dillon Fessenden Bernice Richards Gemini G.E.L. Douglas and Katherine Rigler His Excellency Allan Gotlieb, Ambassador of Canada Betty Ross Sue R. Groth Lee G. Rubenstein Helena Gunnarsson Umakant P. Shah The Armand Hammer Collection Joshua Smith The Gordon Hart Collection Sherwood B. Smith, Jr. Sabine Helms Joan and Roger Sonnanbend Mr. and Mrs. Laurence I. Hewes III Mr. and Mrs. Eugene B. Syndor, Jr. Harold Horowitz Prentiss Taylor Richard and Mary Isaacson Anne Wall Thomas Pupul Jayakar Jack and Magrit Vanderryn Jasper Johns Donald Vogler Ruth and Jacob Kainen David and Eleanor Whitehead Mr. and Mrs. Elmer Wingrove These include staff members. It is the Gallery's policy to keep such loans anonymous.

61 PUBLIC COLLECTIONS Kannauj, Puratattva Samgrahalaya Konarak, Archaeological Museum Kota, Museum and Saraswati Bhandar austria Lucknow, State Museum Vienna, Graphische Sammlung Albertina Madras, Archaeological Survey of India england Madras, Government Museum The City of Bristol Museum and Art Gallery Mathura, Government Museum Cambridge, The Syndics of the Fitzwilliam Museum Mathura Museum Egham, Royal Holloway College, University of London Nagarjunakonda, Archaeological Museum London, The Governors of the Dulwich Picture Gallery Nagpur, Central Museum London, Guildhall Art Gallery Nalanda, Archaeological Museum London, National Portrait Gallery New Delhi, Archaeological Survey of India London, Royal Academy of Arts New Delhi, National Museum London, Royal College of Surgeons of England Patna Museum London, The Trustees of the Tate Gallery Raipur, Mahant Ghasidas Memorial Museum London, The Trustees of the Victoria and Albert Museum Shadol, Thakur Saheb of Sohagpur Collection City of Manchester Art Galleries Sanchi, Archaeological Museum Southampton Art Gallery Sarnath, Archaeological Museum Windsor, Royal Library at Windsor Castle Srinagar, Sri Pratap Singh Museum Thanjavur Art Gallery france Bayonne, Musee Bonnat italy Montpellier, Musee Fab re Florence, Gallerie degli Uffizi Nantes, Musee des Beaux-Arts Milan, Biblioteca Ambrosiana Paris, Musee du Louvre, Cabinet des Dessins norway Paris, Musee du Louvre Oslo, Nasjongalleriet Paris, Musee National d'Art Moderne, Centre Georges Pompidou Paris, Musee d'Orsay scotland Toulouse, Musee des Augustins Edinburgh, Scottish National Portrait Gallery Versailles, Musee National du Chateau de Versailles sweden federal republic of germany Stockholm, Moderna Museet Berlin, Museum fur Indische Kunst Stockholm, Nationalmuseum Kunsthalle Bremen Cologne, Wallraf-Richartz Museum switzerland Staatliche Kunsthalle Karlsruhe Zurich, Foundation E. G. Buhrle Collection Munich, Stadtische Galerie im Lenbachhaus united states hungary Alabama Budapest, Museum of Fine Arts University, University of Alabama Museum of Natural History india A rkansas Amaravati Museum Fayetteville, University of Arkansas Museum Alampur, Archaeological Museum California Banaras, Bharat Kala Bhavan Los Angeles County Museum of Art Banaras Hindu University, Department of Archaeology Connecticut Bangalore, Karnataka Government Museum and Venkatappa Art New Haven, Yale Center for British Art Gallery New Haven, Yale University Art Gallery Baroda, Museum and Picture Gallery Colorado Maharaja Sayajirao University of Baroda, Department of The Denver Art Museum Muscology, Faculty of Fine Arts Bhanpura, Local Museum District of Columbia Bhopal, Central Museum The Corcoran Gallery of Art Bhubaneswar, Orissa State Museum National Museum of American History, Smithsonian Institution Calcutta, Indian Museum National Museum of Natural History, Smithsonian Institution Chandigarh, Government Museum and Picture Gallery The White House Chandigarh, Directorate of Archaeology and Museums, Punjab Florida Guwahati, Assam State Museum Fort Walton Beach, Temple Mound Museum Halebidu, Archaeological Site Museum Gainesville, Florida State Museum, University of Florida Hyderabad, Archaeological Museum Georgia Hyderabad, Jagdish and Kamla Mittal Museum of Indian Art Athens, The University of Georgia, Department of Anthropology Indore, Central Museum Atlanta, The High Museum of Art

62 Blakely, Kolomoki Mounds Museum, Georgia Department of Tennessee Natural Resources Knoxville, Frank H. McClung Museum, University of Tennessee Cartersville, Etowan Mounds Museum, Georgia Department of Memphis, The Dixon Gallery and Gardens Natural Resources Virginia Illinois Norfolk, The Chrysler Museum Carbondale, Center for Archaeological Investigations, Southern Richmond, The Virginia Museum of Fine Arts Illinois University Washington The Art Institute of Chicago Seattle Art Museum Evanston, Terra Museum of American Art Karnpsville, Center for American Archeology Springfield, Illinois Department of Transportation LENDERS OF WORKS OF ART DISPLAYED Springfield, Illinois State Museum of Natural History and Art WITH THE GALLERY COLLECTIONS Urbana, Illinois Archaeological Survey kurt allen brod Urbana, University of Illinois Museum of Natural History Peter Paul Rubens, Triumph of Henry IV Maryland nereo fioratti The Baltimore Museum of Art Italian, 16th Century, Lock-Plate and Clasp Baltimore, The Evergreen House Foundation fisk university, the alfred stieglitz collection Baltimore, The Walters Art Gallery Georgia O'Keeffe, Radiator Building—Night, New York Massachusetts collection of helen frankenthaler Andover, Robert S. Peabody Foundation for Archaeology, Helen Frankenthaler, Mountains and Sea Phillips Academy john r. gaines Boston, Museum of Fine Arts Gian Lorenzo Bernini, Saint Bibiana Cambridge, Fogg Art Museum, Harvard University Cambridge, Peabody Museum of Archaeology and Ethnology, guido goldman sprinkling trust Harvard University Anthony Cam, Scheherazade Williamstown, Sterling and Francine Clark Art Institute collection of esther gottlieb Worcester Art Museum Adolph Gottlieb, Black Plus White Michigan adolpii and esther gottlieb foundation, inc. Ann Arbor, University of Michigan Museum of Anthropology Adolph Gottlieb, Letter to a Friend The Detroit Institute of Arts Adolph Gottlieb, Expectation of Evil Adolph Gottlieb, Flotsam Minnesota The Minneapolis Institute of Arts collection of mrs. ernest hemingway Joan Miro, The Farm Missouri Kansas City, The Nelson-Atkins Museum of Art estate of hans hofmann Hans Hofmann, Joy Sparks of the Gods Saint Louis Science Center Saint Louis, Washington University Gallery of Art collection of mr. and mrs. raymond j. horowitz Dennis Bunker, Roadside Cottage New Jersey Theodore Robinson, From the Hill, Giverny Princeton, The Art Museum, Princeton University peter jay New York Gilbert Stuart, John Jay The Brooklyn Museum Hudson, Olana State Historic Site collection of boris and sophie leavitt William Baziotes, Tropical New York, The Asia Society Adolph Gottlieb, Coalescence New York, The Forbes Magazine Collection Robert Guinan, The Intruder New York, The Metropolitan Museum of Art Philip Guston, Beggar s Joy New York, Museum of the American Indian, Heye Foundation Willem de Kooning, Woman Ohio Lois Lane, Untitled #159 Chillicothe, Mound City Group National Monument, National Robert Motherwell, Two Figures with Cerulean Blue Stripe Park Service Susan Rothenberg, ING-Spray The Cleveland Museum of Art musee du louvre, reunion des musees nationaux Columbus, Ohio Historical Society Venetian School, Cupid on a Dolphin The Dayton Art Institute Severn da Ravenna, Saint Christopher Oberlin, Allen Memorial Art Museum, Oberlin College The Toledo Museum of Art the medical museum ofthe armed forces institute of pathology Oklahoma Thomas Eakins, Dr. John H. Brinton Tulsa, Thomas Gilcrease Institute of American History and Art collection of mr. and mrs. paul mellon Pennsylvania Paintings: Philadelphia Museum of Art Balthasar van der Ast, Basket of Flowers

63 Balthasar van der Ast, Basket of Fruit the morton g. neumann family collection Abraham Bosschaert, Vase of Flowers in a Niche Paul Klee, Capriccio in February Jan Bruegel, the Elder, A Basket of Mixed Floivers and a Vase of alfred stieglitz collection, lent by georgia o'keeffe Flowers Georgia O'Keeffe, Lake George with Crows Richard Diebenkorn, Ocean Park No. 50 Charles Demuth, Chimneys and Water Tower Richard Diebenkorn, Ocean Park No. 61 the pell family trust Richard Diebenkorn, Ocean Park No. 87 George Caleb Bingham, The Jolly Flatboatmen Mark Rothko, Red, Black, White on Yellow the rijksmuseum, amsterdam Mark Rothko, White and Orange G. A. Berckheyde, Town Hall of Amsterdam Mark Rothko, No. 20 P. Wouwerman, The Riding School Mark Rothko, White and Greens in Blue J. Lingelbach, Italian Harbor Mark Rothko, Yellow and Blue Jan Steen, Supper at Emmaus Mark Rothko, Blue, Green and Brown J. C. Verspronck, Portrait of a Man Sculpture: the john and mable ringling museum, sarasota. bronze florida Edgar Degas, Dancer with a Tambourine Jan Davidsz. de Heem, Still Life with Parrots Edgar Degas, Dancer Adjusting the Shoulder Strap of Her Bodice Agostino Carracci, Susannah and the Elders Edgar Degas, Woman Arranging Her Hair collection of candida and rebecca smith, courtesy Edgar Degas, Woman Seated in an Armchair Wiping Her Neck of m. knoedler & company, new york Edgar Degas, Study in the nude for Dressed Ballet Dancer David Smith, Sentinel Marino Marini, The Concept of the Rider David Smith, Gondola II wax David Smith, Agricola VIII Edgar Degas. Dancer Adjusting the Shoulder Strap of Her Bodice David Smith, Zig V Edgar Degas, Study for Dancer Adjusting the Shoulder Strap of David Smith, Wagon II Her Bodice David Smith, Sentinel V Edgar Degas, Study for Picking Apples David Smith, Woman Bandit Edgar Degas, Study for Pregnant Woman David Smith, Untitled [Zig VI?) Edgar Degas, Study for Woman Stretching mariette m. van beek and oltmann g. siemens Edgar Degas, Study for The Bow Emanuel de Witte, Church Interior Edgar Degas, Study for Woman Taken Unawares Edgar Degas, Study for Dancer Putting on Her Stocking erving and joyce wolf Edgar Degas, Study for Dancer Holding Her Right Foot in Her Francis A. Silva, Indian Rock, Narragansett Bay Right Hand (two) richard s. zeisler collection Edgar Degas, Study for Woman Seated in an Armchair, Wiping Laszlo Moholy-Nagy, Z VII Her Neck anonymous Edgar Degas, Study for Fourth Position Front, on the Left Leg Attributed to Giovanni Bologna, Rape of the Sabines Edgar Degas, Study for Woman Seated in an Armchair, Wiping Dirck Bouts, Madonna and Child Her Left Armpit Burgundian or North French, Heraclius I Edgar Degas, Study for Seated Woman Wiping Her Left Side Central or North Italian, 16th Century, Madonna and Child with Edgar Degas, Study in the nude for Dressed Ballet Dancer Saint John Edgar Degas, Study for The Tub Central Italian, mid-16th Century, Feast of the Olympian Gods Edgar Degas, Study for The Masseuse Central Italian, mid-16th Century, Apollo and Marsyas plaster Sam Francis, Untitled, 1966 Edgar Degas, Dressed Ballet Dancer (Little Dancer Fourteen Sam Francis, Untitled, 1966 Years Old) Sam Francis, Untitled, 1968 collection of lois and georges de menil Sam Francis, Untitled, 1968 Anthony Cam, Prairie Sam Francis, Untitled, No. 11, 1973 Morris Louis, Veil Sam Francis, Looking Through (Untitled) German or South Netherlandish, Triumph of Wealth collection of robert motherwell Arshile Gorky, Self Portrait Robert Motherwell, Mural Sketch (no. SLO-380-2-10-76) Italian, 16th Century, Hercules Robert Motherwell, Mural Sketch (dated 22 October 1975) Ellsworth Kelly, Kite II Robert Motherwell. Sketch for Celebration Elegy Ellsworth Kelly, Yellow White munch museum. oslo, norway Ellsworth Kelly, Blue Green Edvard Munch, Death of Marat Ellsworth Kelly, Blue Yellow Red III museum of fine arts. boston Ellsworth Kelly, Chatham V: Red Blue Hendrick Terbrugghen, Boy Singing Ellsworth Kelly, Green Curve III national museum of american art Ellsworth Kelly, Window, Museum of Modern Art, Paris Guercino, Gregory XV Ellsworth Kelly, White Relief Sebastiano Mazzoni, The Banquet of Cleopatra Ellsworth Kelly, Painting for a White Wall

64 Franz Kline, Caboose Georgia O'Keeffe, Jack-in-the-Pulpit II Roy Liechtenstein, Rouen Cathedral, Set III Georgia O'Keeffe, Jack-in-the-Pulpit III Roy Liechtenstein, Yellow Brushstroke II Georgia O'Keeffe, Jack-in-the-Pulpit IV Roy Lichtenstein, Look Mickey Georgia O'Keeffe, Jack-in-the-Pulpit V Roy Lichtenstein, GRRR Georgia O'Keeffe, Jack-in-the-Pulpit VI Roy Lichtenstein, Girl with Hair Ribbon Robert Rauschenberg, Female Figure (Blueprint) Roy Lichtenstein, Still Life with Goldfish Bowl Robert Rauschenberg, White Painting Roy Lichtenstein, Cosmology Robert Rauschenberg, Untitled (Venetian) Netherlandish, second half 16th Century, Amorous Couple Robert Rauschenberg, Blue Eagle Isamu Noguchi, Untitled Robert Rauschenberg, Red Rock Georgia O'Keeffe, Black Place III Robert Rauschenberg, Minutiae Georgia O'Keeffe, From a New Jersey Weekend I Robert Rauschenberg, Black Painting Georgia O'Keeffe, From the Lake No. Ill David Smith, Zig I Georgia O'Keeffe, In the Patio IX Thomas Sully, Queen Victoria Georgia O'Keeffe, Dark Tree Trunks Johan Gregor Van der Schardt, Minerva

Hubert Robert, Three Ladies Chatting, Ailsa Mellon Bruce Fund and Mary Kelly Memorial Fund, 1985.36.1

65 Jacopo Ligozzi, Avarice, Gift of Robert H. and Clarice Smith, 1984.56.1

66 LOANS TO EXHIBITIONS

NATIONAL GALLERY LOANS TO TEMPORARY EXHIBITIONS

AUSTRALIA Toronto, Royal Ontario Museum Sydney, Art Gallery of New South Wales georgian canada: conflict and culture, 7 June-21 picasso, 10 October-2 December 1984 October 1984 Pablo Picasso, Lady ivith a Fan Benjamin West. Colonel Guy Johnson

AUSTRIA ENGLAND Vienna, Graphische Sammlung Albertina London, Arts Council of Great Britain, Hayward Gallery albrecht durer, und die tier- und pflanzenstudien renoir, 30 January-21 April 1985 der renaissance, 18 April-30 June 1985 Auguste Renoir, Madame Monet and Her Son Georg Hoefnagel, Stag-beetle (pi. V from Ignis) Auguste Renoir, Pont Neuf, Paris Georg Hoefnagel, Hare (pi. XXXXVII from Terra) Auguste Renoir, Young Woman Braiding Her Hair Circulated to Reunion des musees nationaux, Galeries nationales Vienna, HistorischesMuseumderStadt Wien,KunstlerhausWien du Grand Palais, Paris, 15 May-2 September 1985 traum und wirklich keit-wien 1870-1930, 28 March-6 October 1985 London, Royal Academy of Arts Gustave Klimt, Baby the age of vermeer and de hooch - masterpieces of 17th century dutch genre painting, 12 September-18 BELGIUM November 1984 Brussels, Commissariaat-Generaal voor de Internationale Adriaen van Ostade, The Cottage Dooryard Culturele Samenwerking, Maison de Roi Jan Vermeer, Woman Holding a Balance william of orange, 21 September-4 November 1984 London, The Tate Gallery Anonymous French 16th century, Prince Hercule-Franqois, Due george stubbs 1724-1806, 18 October 1984-6 January 1985 d'Alengon George Stubbs, Captain Samuel Sharpe Pocklington with His Wife CANADA Pleasance and (?) His Sister Frances Toronto, Art Gallery of Ontario Circulated to Yale Center for British Art, New Haven, the etchings of james mcneill whistler, 24 November Connecticut, 13 February-7 April 1985 1984-11 January 1985 FRANCE James McNeill Whistler, Nocturne Paris, Bibliotheque Nationale James McNeill Whistler, Nocturne les tarots, 17 October 1984-6 January 1985 James McNeill Whistler, Woods Fruit Shop Anonymous Italian 15th century Lombardy, Playing Cards James McNeill Whistler, Hotel de Ville, Loches Anonymous Italian 15th century Lombardy, Playing Cards James McNeill Whistler, F. R. Leyland Anonymous Italian 15th century Lombardy, Playing Cards James McNeill Whistler, Nocturne, Dance House James McNeill Whistler, Mr. Henry Newnham Davis Paris, Hotel de la Monnaie James McNeill Whistler, Wine Glass diderot et l'art, de boucher a david, 5 October 1984-7 James McNeill Whistler, Hangman's House, Tours January 1985 James McNeill Whistler, Sketch from Billingsgate Pierre-Antoine Baudouin, Le modele honnete James McNeill Whistler, Axenfeld Paris, Musee national d art moderne, Centre Georges Pompidou James McNeill Whistler, Greenwich Park vassily kandinsky, 30 October 1984-28 January 1985 Vassily Kandinsky, Improvisation 31 (Sea Battle)

67 Paris, Reunion des musees nationaux, Galeries nationales du Henri Matisse, Still Life with Pineapple Grand Palais Circulated to Louisiana Museum of Modern Art, Humlebaek, henri rousseau, 15 September 1984-7 January 1985 Denmark, 19 January-14 April 1985 Henri Rousseau, Tropical Forest with Monkeys Stockholm, Nationalmuseum Henri Rousseau, Rendezvous in the Forest love and death in manet's art, 16 February-12 May 1985 Circulated to Museum of Modern Art, New York, Edouard Manet, The Dead Toreador 5 February 1985-4 June 1985 Paris, Reunion des musees nationaux, Galeries nationales du SWITZERLAND Grand Palais Basel, Galerie Beyeler landscapes by max ernst, 3 June-12 October 1985 watteau: tercentenary of the artist's birth, 25 October 1984-25 January 1985 Max Ernst, A Moment of Calm Antoine Watteau, Italian Comedians Kunstmuseum Bern Antoine Watteau, Ceres (Summer) picasso, the early work, 6 December 1984-17 February Antoine Watteau, The Violin Player 1985 Antoine Watteau, Three Women's Heads Pablo Picasso, Self Portrait Antoine Watteau, The Bower Kunsthaus Zurich Circulated to Schloss Charlottenburg, Berlin, Federal Republic pierre bonnard, 14 December 1984-10 March 1985 of Germany, 22 February-26 May 1985 Pierre Bonnard, Stairs in the Artist's Garden Paris, Reunion des musees nationaux, Galeries nationales du Pierre Bonnard, The Cab Horse Grand Palais Pierre Bonnard, Two Dogs on a Deserted Street from the bible to today, 3000 years of art, 6 June-29 UNITED STATES July 1985 Anonymous Italian 16th century, Alexander and the High Priest CALIFORNIA of Jerusalem Fine Arts Museums of San Francisco Palace of the Legion of Honor FEDERAL REPUBLIC OF GERMANY venice: the american view, 20 October-8 December 1984 Frankfurt am Main, Stadelsches Kunstinstitut und Stadtische John Singer Sargent, The Library in Venice Galerie Circulated to The Cleveland Museum of Art, pierre bonnard, 30 April-14 July 1985 27 February-10 April 1985 Pierre Bonnard, Stairs in the Artist's Garden CONNECTICUT Pierre Bonnard, The Cab Horse New Haven, Yale Center for British Art Neue Staatsgalerie Stuttgart english caricature, 12 September-4 November 1984 art and music in the twentieth century, 5 July- Anonymous British 18th century, The Singing Party 22 September 1985 Circulated to Library of Congress, Washington, 22 November Georges Braque, Aria de Bach (exhibited until 20 August 1985) 1984-17 February 1985 and National Gallery of Canada, Ottawa, Henri Laurens, Llnstrument de musique (exhibited 20 August- 14 March-5 May 1985 22 September 1985) DISTRICT OF COLUMBIA MEXICO Washington, Architect of the United States Capitol Mexico City, Museo del Palacio de Rellas Artes inaugural luncheon exhibition, 21 January 1985 obras maestros de los museos del mundo, 14 Septem- Jasper Francis Cropsey, Autumn—On the Hudson River ber-9 December 1984 Washington, Dumbarton Oaks John Sloan, The City from Greenwich Village temporary installation, 1 February-30 June 1985 Ivan Albright, There Were No Flowers Tonight Jan Raes II, Life of Man: Time Drives Away the Joys of Life SCOTLAND (tapestry) Edinburgh, Royal Scottish Museum Washington, National Museum of American Art, Smithsonian french connections: scotland and the arts of Institution france, 10 August-10 November 1985 sharing traditions: five black artists in nine- Jacques-Louis David, Napoleon in His Study teenth-century america, 15 January-7 April 1985

SPAIN Joshua Johnson, Sarah Ogden Gustin Madrid, Ministerio de Cultura, Salas Pablo Ruiz Picasso, Washington, National Portrait Gallery Riblioteca Nacional a truthful likeness: chester harding and his juan gris, 24 September-24 November 1985 portraits, 12 April-3 September 1985 Juan Gris, Fantomas Chester Harding, Amos Lawrence Chester Harding, Charles Carroll of Carrollton SWEDEN Circulated to J. B. Speed Museum, Louisville, Kentucky, Stockholm, Moderna Museet 27 September-9 December 1985 henri matisse, 3 November 1984-6 January 1985 Henri Matisse, Palm Leaf, Tangier

68 West Palm Beach, Norton Gallery the fine line: drawing with silver in america, 23 March-5 May 1985 Tom Lea, Texas Farm Circulated to Pensacola Museum of Art, Pensacola, Florida, 15 July-16 September 1985

ILLINOIS The Art Institute of Chicago a day in the country: impressionism and the french landscape, 18 October 1984-6 January 1985 Paul Cezanne, Mont Sainte-Victoire Henri-Edmond Cross, Coast Near Antibes Auguste Renoir, Oarsmen at Chatou Georges Seurat, Seascape at Port-en-Bessin, Normandy Circulated to Reunion des musees nationaux, Galeries nationales du Grand Palais, Paris, 8 February-22 April 1985 Evanston, Terra Museum of American Art two centuries of naive painting, 10 February-21 April 1985 Anonymous American 19th century, After the Wedding in Warren, Pennsylvania Anonymous American 19th century, The Dog Anonymous American 19th century, Lexington Battle Monument Anonymous American 19th century, Watermelon on a Plate James Bard, Towboat John Birkbeck H. Call, Prize Bull

maryland Wassily Kandinsky, Improvisation 31 (Sea Battle), was loaned to the The Baltimore Museum of Art Centre Georges Pompidou, Paris regency to empire: french printmaking, 1715-1814, 11 November 1984-6 January 1985 Charles-Nicolas Cochin I, The Village Bride Charles-Nicolas Cochin II, Port of Toulon Philibert-Louis Debucourt, Le Menuet de la mariee Philibert-Louis Debucourt, Promenade de la Gallerie du Palais florida Royal Coral Gables, Lowe Art Museum, University of Miami Gilles Demarteau 1'aine, Jeune fille a la rose m. c. escher: pattern and paradox, 10 October-25 Charles-Melchior Descourtis, Noce de village (Suite of 10) November 1984 Claude-Joseph Dorat, Fables nouvelles (Vol. I) Maurits Cornells Escher, Eight Heads Antoine Houdart de Lamotte, Fables nouvelles Maurits Cornells Escher, Division Charles-Etienne Gaucher, Couronnement de Voltaire Maurits Cornells Escher, Up and Down Jean-Laurent Legeay, Tombeaux ( View with a Bridge) Maurits Cornells Escher, Sky and Water Jean-Laurent Legeay, Tombeaux ( View with Arch and Man on Maurits Cornells Escher, Verbum (Earth, Sky and Water) Pedestal) Maurits Cornells Escher, Magic Mirror Maurits Cornells Escher, Three Spheres II massachusetts Maurits Cornells Escher, Convex and Concave Boston University, School for the Arte Maurits Cornells Escher, Waterfall celestial images: astronomical charts, 1500-1900, Maurits Cornells Escher, Snakes 24 January-14 March 1985 Albrecht Durer, Celestial Map, The Southern Hemisphere Sarasota, John and Mable Ringling Museum of Art Albrecht Durer, Celestial Map, The Northern Hemisphere baroque portraiture in italy, works from north Circulated to National Museum of American History, Smith- american collections, 5 December 1984-3 February sonian Institution, Washington, 16 May-23 August 1985 1985 Boston, Museum of Fine Arte Sir Anthony van Dyck, Doha Polyxena Spinola Guzman de edgar degas: the painter as printmaker, 13 November Leganes 1984-13 January 1985 Peter Paul Rubens, Marchesa Brigida Spinola Doria Edgar Degas, Dame agee Bernardo Strozzi, Bishop Alvise Grimani Edgar Degas, Manet en buste Tiberio Tinelli, Count Lodovico Vidmano Edgar Degas, Manet assis, tourne a gauche Circulated to Wadsworth Atheneum, Hartford, Connecticut, Edgar Degas, Marguerite Degas 20 March-20 May 1985

69 Edgar Degas, Loges d'actrices Erastus Salisbury Field, Biel Le Doyt Edgar Degas, Au Louvre: la peinture (Mary Cassatt) Erastus Salisbury Field, "He Turned Their Waters into Blood" Edgar Degas, Sur la scene Erastus Salisbury Field, Leverett Pond Edgar Degas, La sortie du bain Erastus Salisbury Field, Man with a Tune Book: Mr. Cook (?) Edgar Degas, La sortie du bain Erastus Salisbury Field, Mrs. Paul Smith Palmer with Her Twins Edgar Degas, La sortie du bain Erastus Salisbury Field, Pharaoh's Army Marching Edgar Degas, La sortie du bain Erastus Salisbury Field, The Taj Mahal Edgar Degas, Au X ambassadeurs: Mile. Becat Circulated to Marion Koogler McNay Art Institute, San Antonio, Circulated to Philadelphia Museum of Art, Texas, 27 January-10 March 1985 16 February-14 April 1985 and Hay ward Gallery, New York, The Metropolitan Museum of Art London, England, 15 May-14 July 1985 the age of caravaggio 1590-1610, 6 February-14 April 1985 Williamstown, Williams College Museum of Art Follower of Caravaggio, Still Life america in transition: benton and his contempo- Circulated to Museo e Gallerie Nazionali di Capodimonte, raries, 1920-1940, 14 April-15 July 1985 Naples, Italy, 12 May-30 June 1985 Grant Wood, Haying New York, The Metropolitan Museum of Art Grant Wood, New Road george inness (1825-1894), 1 April-9 June 1985 Worcester Art Museum George Inness, The Lackawanna Valley john frederick kensett, 26 March-9 June 1985 Circulated to Cleveland Museum of Art, John Frederick Kensett, Beacon Rock, Newport Harbor 14 August-6 October 1985 John Frederick Kensett, Beach at Newport New York, The Metropolitan Museum of Art Circulated to Los Angeles County Museum of Art, vincent van gogh in arles, 3 0ctober-30 December 1984 9 July-8 September 1985 Vincent van Gogh, Farmhouse in Provence, Aries NEW JERSEY New York, Museum of American Folk Art Montclair Art Museum american naive paintings from the national gallery george catlin: pioneer painter of the north of art, 10 September-1 December 1985 american indian, 22 September 1985-12 January 1986 46 American naive paintings George Catlin, nineteen paintings of Indian life OHIO NEW MEXICO Cincinnati Art Museum Santa Fe, Museum of Fine Arts robert henri, painter, 5 October-2 December 1984 georgia o'keeffe: works on paper, 12 September-17 Robert Henri, Young Woman in White November 1985 Robert Henri, Volendam Street Scene Georgia O'Keeffe, Shell Circulated to Phoenix Art Museum, 6 January-17 February 1985 and Corcoran Gallery of Art, Washington, 19 April-9 NEW YORK June 1985 Brooklyn, Museum of the Borough of Brooklyn at Brooklyn College Cincinnati, The Taft Museum politics in art, the art of politics, 22 October-4 night lights- 19th and 20th century american December 1984 nocturnes, 2 May-30 June 1985 Anonymous American 19th century, Liberty Thomas Chambers, Storm-Tossed Frigate John Sloan, The City from Greenwich Village Flushing, The Queens Museum joseph ternbach: conservator-collector, 8 September OKLAHOMA 1984-13 January 1985 Oklahoma City, Oklahoma Museum of Art Anonymous Florentine 15th century, Cosimo de' Medici songs of glory: medieval art from 900 to 1500, 21 Anonymous Italian 16th century, Laura of Brescia January-29 April 1985 Anonymous Paduan 15th century, Virgin and Child between Two Master AG, Saint George and the Dragon Candelabra Master FVB, Saint George and the Dragon Donatello, Saint Jerome Israhel Van Meckenem, Ornament Panel with Two Lovers Etienne-Maurice Falconet, Madame de Pompadour as the Venus Anonymous Bavarian, Saint Francis Receiving the Stigmata of the Doves Anonymous Rhenish, Saint Martin and the Beggar Style of Niccolo Fiorentino, Giovanni Pico della Mirandola Anonymous Basel, Allegory of War and Peace Matteo de' Pasti, Isotta degli Atti da Rimini TEXAS New York, Coopei^Hewitt Museum, Smithsonian Institution Fort Worth, Kimhell Art Museum the continental image: allegorical representations the golden age of spanish still life: 1600-1650, 11 of the four continents, 19 February-12 May 1985 May-3 August 1985 After Ludwig van Schoor, America (tapestry) Juan van der Hamen y Leon, Still Life New York, The Metropolitan Museum of Art Circulated to Toledo Museum of Art, Ohio, 7 September-2 erastus salisbury field 1805-1900, 31 October 1984-6 November 1985 January 1985 Erastus Salisbury Field, Ark of the Covenant

70 Houston, The Museum of Fine Arts ITALY LEE KRASNER: A RETROSPECTIVE, 3 May 1984-7 March 1985 Rome, United States Embassy Lee Krasner, Cobalt Night Anonymous American 19th century, Fruit and Flowers Anonymous American 19th century, Boston and North Chungahochie Express LOANS FROM THE GALLERY'S COLLECTIONS Anonymous American 19th century, View of Concord Leila T. Bauman, U.S. Mail Boat AUSTRIA Walt Kuhn, Green Apples and Scoop Vienna, United States Embassy Ammi Phillips, The Strawberry Girl JORDAN George Catlin, four paintings of Indian life Amman, United States Embassy George Catlin, five paintings of Indian life BELGIUM Brussels, United States Ambassador to NATO MEXICO Gilbert Stuart, George Pollock Mexico City, United States Embassy Gilbert Stuart, Mrs. George Pollock George Catlin, four paintings of Indian life Thomas Sully, Ann Biddle Hopkinson Thomas Hart Benton, Trail Riders Thomas Sully, Francis Hopkinson THE NETHERLANDS Thomas Sully, The Leland Sisters The Hague, United States Embassy COLOMBIA Anonymous American 19th century, Civil War Battle Bogota, United States Embassy Billy Morrow Jackson, Eve Anonymous American 19th century, Five Children of the Budd Walt Kuhn, Pumpkins Family Walt Kuhn, Dryad George Catlin, four paintings of Indian life Allen Tucker, Madison Square, Snow

ENGLAND NORWAY Bath, The American Museum in Britain Oslo, United States Embassy George Catlin, two paintings of Indian life George Catlin, five paintings of Indian life (returned) Anonymous American 19th century, Farmhouse in Mahantango London, United States Embassy Valley Sir William Beechey, General Sir Thomas Picton Winslow Homer, Sunset Francis Cotes, Miss Elizabeth Crewe Walt Kuhn, Zinnias Thomas Gainsborough, William Yelverton Davenport Gilbert Stuart, Captain Joseph Anthony Michiel van Miereveld, Portrait of a Lady with a Ruff Alexander H. Wyant, Peaceful Valley FEDERAL REPUBLIC OF GERMANY SAUDI ARABIA Bonn, United States Embassy Riyadh, United States Embassy Alexej von Jawlensky, Murnau (returned) Anonymous American 19th century, Spring on the Range lacob Lawrence, Daybreak—A Time to Rest (returned) Attributed to Charles S. Humphreys, The Trotter Chaim Soutine, Pastry Chef(returned) Walt Kuhn, Hare and Hunting Boots FINLAND SWEDEN Helsinki, United States Embassy Stockholm, United States Embassy George Catlin, four paintings of Indian life (returned) Anonymous American 19th century, Portrait of a Man FRANCE Susan C. Waters, Brothers Paris, Musee du Louvre Lyonel Feininger, Storm Brewing Anonymous Italian 16th century, A Child with a Ball (bronze) Rembrandt Peale, George Washington Paris, United States Ambassador to UNESCO Benjamin West, Elizabeth, Countess of Effingham

George Catlin, four paintings of Indian life (returned) SWITZERLAND John Singer Sargent, Mathilde Townsend (returned) Geneva, United States Ambassador to the United Nations Mission Paris, United States Embassy Anonymous American 19th century, Abraham Lincoln George Catlin, two paintings of Indian life T. Davies Bangor, Ship in Full Sail John Singer Sargent, Mrs. Joseph Chamberlain George Catlin, Falls of the Snake River Gilbert Stuart, Dr. William Hartigan( ?) Gilbert Stuart, Ann Barry Thomas Sully, John Quincy Adams Gilbert Stuart, Mary Barry Jeremiah Theus, Mrs. Cuthbert USSR. IRELAND Moscow, United States Embassy Dublin, United States Embassy James Reid Lambdin( ?), Daniel Webster George Catlin, two paintings of Indian life James McNeill Whistler, Head of a Girl George Ropes, Mount Vernon

71 Jasper Cropsey's Autumn — On the Hudson River was sent to the United States Capitol for the inauguration of President Reagan

UNITED STATES Washington, National Museum of American History, DISTRICT OF COLUMBIA Smithsonian Institution Washington, The Architect of the Capitol Anonymous American 19th century, The President's Fan Franklin C. Courter, Lincoln and His Son, Tad Anonymous American 18th century, Catharine Hendrickson Washington, Blair House, The President's Guest House Jacob Eichholtz, Robert Coleman Anonymous Chinese, Ch'ing Dynasty, Archery Contest (returned) Robert Edge Pine, General William Smallwood Anonymous Chinese, Ch'ing Dynasty, Procession by a Lake Charles Peale Polk, General Washington at Princeton (returned) Thomas Sully, Major Thomas Biddle Henri-Joseph Harpignies, Landscape (returned) Washington, National Portrait Gallery, Smithsonian Institution Gilbert Stuart, George Washington (returned) Gardner Cox, Earl Warren Washington, Department of State, Diplomatic Reception Rooms Chester Harding, Self-Portrait George Catlin, six paintings of Indian life Daniel Huntington, Henry Theodore Tuckerman Daniel Huntington, Dr. James Hall Washington, The Director of the Central Intelligence Agency John Wesley Jarvis, Thomas Paine Anonymous American 19th century, Imaginary Regatta of Gilbert Stuart, Stephen Van Rensselaer America's Cup Winners Joseph Bartholomew Kidd, Sharp-Tailed Sparrow Washington, National Trust for Historic Preservation Joseph Bartholomew Kidd, Yellow Warbler Anonymous American 19th century, Birds (returned) Bernard Hailstone, David E. Finley Washington, Dumbarton House, The National Society of the F. Mullen, Confederate Blockade Runner and Union Man-of-War Colonial Dames of America (returned) John Trumbull, William Rogers Washington, The Octagon, The American Institute of Architects Washington, The Library of Congress Foundation Carl Milles, Orpheus (bronze) Gilbert Stuart, William Thornton Washington, National Museum of American Art, Smithsonian Gilbert Stuart, Mrs. William Thornton Institution Washington, The Secretary of Agriculture Jacob Eichholtz, James R Smith Anonymous American 19th century, The Start of the Hunt Edward Greene Malbone, Maria Miles Heyward (locket) Anonymous American 19th century, The End of the Hunt Anonymous American 19th century, Washington at Valley Forge

72 Charles C. Hofmann, View of Benjamin Reber's Farm (returned) Washington, The Vice President's House Amzi Emmons Zeliff, The Barnyard Anonymous American 19th century, Girl with Toy Rooster Anonymous American 19th century, Flowers and Fruit Washington, The Secretary of Defense John Bradley, Little Girl in Lavender After Greuze, Benjamin Franklin Edward Savage, George Washington Frederick Carl Frieseke, Memories Titian and Assistant, Girolamo and Cardinal Marco Correr Childe Hassam, Oyster Sloop, Cos Cob Investing Marco, Abbot of Carrara, with His Benefice Washington, The White House Douglas Volk, Abraham Lincoln Anonymous American 18th century, Attack on Bunker's Hill with Washington, The Secretary of Education the Burning of Charles Town George Catlin, thirty-three paintings of Indian life Anonymous American 19th century, New England Farm in John Frederick Kensett, Landing at Sabbath Day Point, Lake George Winter (returned) Mary Gallery, Amity (bronze — returned) A. A. Lamb, Emancipation Proclamation Anonymous Dutch 17th century, Flowers in a Classical Vase Thomas Sully, Andrew Jackson

(returned) FLORIDA Washington, The Secretary of State St. Petersburg, Museum of Fine Arts Jean Beraud, Paris, Rue du Havre School of Gerard Ter Borch, The Concert Thomas Chambers, Boston Harbor Thomas Chambers, New York Harbor with Pilot Boat "George NEW YORK Hamilton, The Picker Art Gallery, Colgate University Washington" Andy Warhol, A Boy for Meg Henri Moret, The Island of Raguenez, Brittany George Peter Alexander Healy, Roxanna Atwater Wentworth OKLAHOMA After Gilbert Stuart, James Lloyd Oklahoma City, Oklahoma Museum of Art Washington, The Secretary of Transportation Pierre Bonnard, Bouquet of Flowers Anonymous American 19th century, A City of Fantasy Jean-Louis Forain, The Stockade Anonymous American 19th century, Northwestern Town Berthe Morisot, Young Woman with a Straw Hat George Catlin, two paintings of Indian life Auguste Renoir, Nude Gilbert Stuart, John Bill Ricketts Washington, Supreme Court of the United States Mr. Chief Justice Warren E. Burger VIRGINIA Anonymous Unknown Nationality 18th century, Portrait of a Man Alexandria, Boyhood Home of Robert E. Lee, Lee-Jackson Anonymous American 19th century, Boy in Blue Foundation, Inc. Anonymous American 19th century, Pink Roses Anonymous American 19th century, Portrait of a Man Anonymous American 19th century, Boy and Girl Anonymous British 18th century, Honorable Sir Francis N. P. Lily Gushing, Chapala Beach, Mexico Burton (?) Lily Gushing, Posada Garden with a Monkey James Frothingham, Ebenezer Newhall Jacob Eichholtz, Julianna Hazlehurst After Stuart, William Constable Attributed to Sturtevant Hamblin, Little Girl with Pet Rabbit Fairfax, George Mason University Ammi Phillips, Jane Storm Teller Alfredo Halegua, Untitled (Going-Up) (steel) John Toole, Skating Scene Lila Katzen, Antecedent (steel) Susanne Walters, Memorial to Nicholas M. S. Catlin Mr. Justice Thurgood Marshall TEMPORARY EXCHANGE LOANS Anonymous American 19th century, Leaving the Manor House ENGLAND Enrique Castrocid, Untitled Southampton, Southampton Art Gallery Imitator of van Gogh, Landscape Paul Cezanne, At the Waters Edge Mme Justice Sandra Day O'Connor 10 May-20 November 1984 George Catlin, five paintings of Indian life NORWAY Mr. Justice William H. Rehnquist Oslo, Munch-museet Circle of Hendrik van Anthonissen, Ships in the Scheldt Estuary Camille Pissarro, Hampton Court Green Leonid, Faraduro, Portugal 15 May 1984-21 May 1985 George Catlin, three paintings of Indian life George Cuitt the Younger, Easby Abbey, near Richmond UNITED STATES Frits Thaulow, River Scene FLORIDA Eugene Laurent Vail, The Flags, Saint Mark's, Venice Sarasota, John and Mable Ringling Museum of Art Sir Anthony van Dyck, Doha Polyxena Spinola Guzman deLeganes Mr. Justice John Paul Stevens Anonymous American 19th century, Portland Harbor, Maine 5 June 1985-15 December 1985

George Catlin, Scene from the Lower Mississippi OHIO Gustave Courbet, Landscape near the Banks of the Indre Toledo Museum of Art Alphonse Legros, Hampstead Heath Frans Hals, Portrait of a Gentleman Franz Winterhalter, Queen Victoria 2 February-3 November 1985

73 Winslow Homer, Mending the Nets, Bequest of Julia B. Engel, 1984.58.3 EDUCATIONAL SERVICES

EDUCATION DIVISION The annual survey of visitors asking for assistance at the information desks was conducted during one week The education division provides programs and informa- tion to the Gallery's visitors and, through its extension in the summer. service, circulates films, slides, and videotapes about art Visitors Stopping at Information Desks, 24-30 August to millions of people in this country and abroad. 1985 saw From 48 states 3,483 a number of important organizational changes when the From 70 foreign countries 1,248 department of tours and lectures and the department of Total 4,731 art information were combined to form the department of public programs. A separate department of young persons' The interpretation unit, consisting of eighteen lectur- programs was created. The reorganization resulted in ers, has revised and augmented the range of educational increased services to the public by using staff resources programs offered the public. In addition to the traditional more efficiently. general tours, special subject tours, collection highlight talks on single objects, and special-appointment tours, the DEPARTMENT OF PUBLIC PROGRAMS department inaugurated lecture courses. They were: a This new department consists of two sections: an informa- ten-week series called "The Great Styles of Western Art" in tion unit and an interpretation unit. Beginning in the fall the fall, an eight-week series, "An Introduction to Modern of 1984, two members of the education department re- Art," in the spring, and four lectures comprising "Intro- cruited and trained a force of approximately eighty volun- duction to the Sculpture of India" and a six-week series, teer information specialists to staff the information desks "American Painting: 1750-1950," in the summer. During of the Gallery. This group, drawn from civic and service September 1985 "Prints and Printmakers" began. These organizations or solicited through a notice published in courses were very popular, drawing more than ten thou- the Gallery's monthly Calendar of Events, is serving enthu- sand attendees, and will continue. siastically and capably to assist visitors. This volunteer The department produces a weekly radio talk to accom- program is an important way of involving the community pany the broadcasts of National Gallery concerts on radio in Gallery activities. The senior information specialists in WGMS; this year thirty-seven intermission talks and inter- charge of this group have also taken over crowd control views were prepared. During the summer, two staff members developed and responsibility during special exhibitions. Questions from the public concerning the Gallery's implemented a week-long pilot program for local children collections and special exhibitions or almost any art sub- ages eleven to thirteen. Working on an experimental basis ject can often be answered immediately. Only those requir- with the District of Columbia Department of Recreation, ing special attention from a curator are recorded. groups of about fifteen young people met for an hour with Gallery staff in their recreation centers, and then came to Inquiries Requiring Special Research the museum each morning for two hours of activities. Staff Letters from 45 states and 15 foreign countries 487 members worked with three groups from various areas in Telephone inquiries 208 the city. Results were so encouraging that we hope to Total 695 expand this program to a broader audience next summer.

75 One of the most original activities sponsored by the department was a series of interviews with three artists, Robert Rauschenberg, Roy Lichtenstein, and David Hockney, in connection with the Gemini G.E.L.: Art and Collaboration exhibition. These discussions, which also featured prominent critics or curators, drew standing- room-only crowds. Other special events for the public were a puja, or dedication ceremony, to mark the opening of The Sculpture of India: 3000 B. C.-1300 A.D. Education's involvement with special exhibitions con- tinued to be active. The coordinator of special projects supervised the production of wall texts for twelve shows, brochures for five, and recorded tours for The Orientalists: Delacroix to Matisse, Degas: The Dancers, Collection for a King: Old Master Painting from the Dulwich Picture Gal- lery, and The Sculpture of India. In addition, the department produced two major audiovisual programs: for Dulwich and The Sculpture of India. An interdepartmental exhibition- program planning committee has been created with the aim of improving communication and long-term planning. A new, streamlined system of creating recorded tours DEPARTMENT OF YOUNG PERSONS' has saved many hundreds of hours of staff time. For PROGRAMS Degas, Dulwich, and The Sculpture of India a professional writer was contracted to interview the curators of the This was an eventful year for the volunteer docent pro- exhibitions. The scripts were finished in a day or two, with gram. All five docent groups dropped their affiliations consistently excellent results. An outside consultant, with their original sponsoring organizations and now work Daniel Ehnbom, was hired to train the staff and create the directly with the National Gallery of Art. The foreign interpretive programs for The Sculpture of India. language docents had been affiliated with the Hospitality The department also supervised the summer intern and Information Service; other docents from Montgom- program, which matched seventeen graduate students with ery, Prince George's, and the northern Virginia counties different departments of the Gallery. As a group students had originally been recruited under the aegis of the Ameri- attended sessions on all phases of museum operations; can Association of University Women. Though men have individually they participated in the activities of the depart- been active in the foreign language program for some time, ments to which they were assigned. The education depart this was the first season that male docents participated in ment intern, for example, prepared and delivered a Sunday school tours. Twenty-one individuals were certified in the lecture, a collection highlight talk, and lectured regularly. school program and eleven in the foreign language group, The students and the offices in which they served were: making a total of thirty-two new docents. Volunteers have Bernadine Barnes, graphic arts; Kathleen Butler, exhibi- always received certificates and booklets at the end of tions and loans; Sarah Cash, American painting; Mary their first year, but this spring National Gallery pins were Christian, sculpture; Kimball Clark, curatorial records; also awarded to all of the docents. Alternate training, Cynthia Cote, northern European painting; Melissa Plan- including slide lectures and special talks, was added to the ner y, library; Peggy Fogelman, education; Elizabeth Era- schedule for experienced docents, and conservation depart- ser, twentieth century; Susan Lynch, decorative arts; ment tours for small groups of volunteers became avail- Richard Miller, American painting; Jeffrey Orrell, Italian able for the first time. painting; Joyce Robinson, nineteenth century; Terri The number of student visitors continued to rise. The Sabatos, curatorial records; Leslie Simon, Gallery archives; "Elements of Design" film-tour-workshop programs were Sara Wages, baroque painting; and Jeffrey Weaver, pho- full all year, and preschool tours were especially popular. tographic archives. Prince George's County second and third graders enjoyed a special tour and self-guide on mythology prepared for talented and gifted classes. Other children's guides were written for Christmas paintings in the permanent collec-

76 tion, and for two visiting exhibitions, The Orientalists and who was interviewed by staff curator Jack Cowart. Other The Sculpture of India. The redesigned and reprinted "Great guest speakers for 1985 included: Picture Hunt" was also widely used by visitors. 1st van Barkoczi, assistant curator, Szepmuveszeti Muzeum, In May, the department offered a new program for Budapest parents and children which was very enthusiastically "Spanish Paintings in the Budapest Museum of Fine Arts" received. These family events took place on Saturday Yve-Alain Bois, professor of art history, The Johns Hop- mornings and included films and special-topic tours. kins University, Baltimore Similar family-oriented activities will be held next year. "Kahnweiler's Lesson: Cubism, African Art and the Arbi- Members of the staff were able to attend the National trariness of the Sign" Docent Symposium in Oakland and the Families in Muse- ums Conference in Rochester, New York, as well as visit Pramod Chandra, Bickford professor of Indian and South the High, Oakland, San Francisco, and Los Angeles County Asian art, The Fogg Art Museum, Harvard University, museums to gain more information about young people's Cambridge, Massachusetts programs. "The Sculpture of India 3000 B.C.-1300 A.D." Carol Clark, executive fellow, Prendergast Project, Wil- STATISTICAL SUMMARY Number liams College Museum of Art, Williamstown, Massachusetts Types of Educational Events Given A ttendance "Thomas Moran's Watercolors of Yellowstone" Introductions to the Collection 812 21,962 Walter Denny, professor of art history, University of Special Subject Tours 1,140 31,411 Massachusetts, Amherst Collection Highlights 308 7,642 "The Roots of Orientalism in European Art" Special Appointment Tours 1,088 27,626 Charles Dempsey, professor and acting chairman, depart- Special Programs 85 17,557 ment of the history of art, The Johns Hopkins University, Scheduled Visits for Baltimore Area Schoolchildren 2,422 31,357 "Naturalism and Idealism in the Age of Caravaggio" Scheduled Tours in a Wolf-Dieter Dube, general director, Staatliche Museen, Foreign Language 100 1,451 Preussischer Kulturbesitz, Berlin Sunday Auditorium Programs 52 16,844 "Expressionism and Graphic Art" Scheduled Film Programs 542 98,018 Recorded Tours David N. Durant, historian and author, Nottingham, (number available and used) 14 25,957 England "British Portraiture in the Grand Manner" Total 6,563 279,825 Elizabeth Gordon, lecturer, London, England SUNDAY LECTURERS "Seurat's 'Sunday Afternoon on the Island of the Grande- Jatte' and Beyond" The Sunday auditorium programs consisted of hour-long formal lectures with slides. Eleven Sunday talks were Anne C. Hanson, professor of art history, Yale University, given by the following education and curatorial personnel: New Haven Eric Denker, Gwendolyn Everett, Frances Feldman, Peggy "The Part or the Whole: Edouard Manet and the Trans- Fogelman, Philip Leonard, John Kent Lydecker, Stanley formation of Perspective" Robertson, Lynn Russell, Julie Springer, William J. Wil- Robert Grant Irving, associate fellow, Berkeley College, liams, and Christopher With. Yale University, New Haven There were thirty-two guest speakers: Richard Wollheim, "Architecture for Empire's Sake: Viceroy's House at New the 1984 Andrew W. Mellon Lecturer in the Fine Arts, Delhi" gave six talks, "Painting as an Art," in November and Alison Kettering, professor of art history, Carleton Col- December 1984, since he was unable to schedule a time in lege, Northfield, Minnesota the spring of 1984, and James S. Ackerman, the 1985 "Mirror of Nature, or Mirror of Virtue: Realism in Dutch Andrew W. Mellon Lecturer in the Fine Arts, gave six Art" talks, "The Villa in History." A program of "Conversa- Agnes Mongan, former director and curator of drawings tions with Artists"included Robert Rauschenberg, who was emeritus, Fogg Art Museum, Harvard University, Cam- interviewed by Nan Rosenthal; David Hockney, who was bridge, Massachusetts interviewed by Henry Geldzahler; and Roy Lichtenstein,

77 "Some Portraits and Landscapes in the Albertina Exhibi- 1954 Sir Herbert Read, "The Art of Sculpture" tion" 1955 Etienne Gilson, "Art and Reality" Konrad Oberhuber, professor of art history, Fogg Art 1956 E. H. J. Gombrich, "The Visible World and the Museum, Harvard University, Cambridge, Massachusetts Language of Art" "European Drawings of the Renaissance in the Albertina" 1957 Sigfried Giedion, "Constancy and Change in Art and Architecture" David W. Penney, associate curator, Department of Afri- 1958 Sir Anthony Blunt, "Nicolas Poussin and French can, Oceanic, and New World Cultures, The Detroit Insti- Classicism" tute of Arts 1959 Naum Gabo, "A Sculptor's View of the Fine Arts" "Images of the Cosmos: Iconography of the American 1960 Wilmarth Sheldon Lewis, "Horace Walpole" Woodland Indians" 1961 Andre Grabar, "Christian Iconography and the Chris- William Pressly, art historian, Washington tian Religion in Antiquity" "The Romantic Artist as Melancholy Hero" 1962 Kathleen Raine, "William Blake and Traditional The Honorable Mrs. Roberts, curator of the print room, Mythology" Royal Library, Windsor Castle, Windsor, Berkshire, Eng- 1963 Sir John Pope-Hennessy, "Artist and Individual: land Some Aspects of the Renaissance Portrait" "An Introduction to Leonardo's Horse Drawings" 1964 Jakob Rosenberg, "On Quality in Art: Criteria of Duncan Robinson, director, Yale Center for British Art, Excellence in the Past and Present" Yale University, New Haven 1965 Sir Isaiah Berlin, "Sources of Romantic Thought" "Mr. Stubbs: The Horse Painter" 1966 Lord David Cecil, "Dreamer or Visionary: A Study of English Romantic Painting" Martin Rosenberg, professor of art history, The Univer- 1967 Mario Praz, "On the Parallel of Literature and the sity of Tulsa Visual Arts" "Raphael and France: The Artist as Paradigm and Symbol" 1968 Stephen Spender, "Imaginative Literature and Myra Nan Rosenfeld, art historian, Montreal, Canada Painting" "Nicolas de Largilliere and the Creation of the Rococo 1969 Jacob Bronowski, "Art as a Mode of Knowledge" Portrait" 1970 Sir Nikolaus Pevsner, "Some Aspects of Nineteenth- George T. M. Shackelford, assistant curator of European Century Architecture" painting and sculpture, The Museum of Fine Arts, Houston 1971 T. S. R. Boase, "Vasari, the Man and the Book" "Degas* Dancers in Context" 1972 Ludwig H. Heydenreich, "Leonardo da Vinci" Richard Thomson, lecturer, History of Art Department, 1973 Jacques Barzun, "The Use and Abuse of Art" University of Manchester, England 1974 H. W. Janson, "Nineteenth-Century Sculpture "Degas and Classical Sculpture" Reconsidered" 1975 H. C. Robbins Landon, "Music in Europe in the Giles A. Waterfield, director, Dulwich Picture Gallery, Year 1776" London, England 1976 Peter von Blanckenhagen, "Aspects of Classical Art" "Collection for a King: The Dulwich Picture Gallery" 1977 Andre Chastel, "The Sack of Rome, May 1527" John Welchman, Fulbright fellow, department of art his- 1978 Joseph Alsop, "The History of Art Collecting" tory and archaeology, Columbia University, New York 1979 John Rewald, "Cezanne and America" "Art Works and Titles: Word and Image in Modern Art" 1980 Peter Kidson, "Principles of Design in Ancient and Barbara Ehrlich White, assistant professor of art history, Medieval Architecture" Tufts University, Medford, Massachusetts 1981 John Harris, "Palladian Architecture in England, "Pierre-Auguste Renoir: Struggle and Triumphs" 1615-1760" 1982 Leo Steinberg, "The Burden of Michelangelo's THE ANDREW W. MELLON LECTURERS Painting" IN THE FINE ARTS 1983 Vincent Scully, "The Shape of France" 1952 Jacques Maritain "Creative Intuition in Art and 1984 Richard Wollheim, "Painting as an Art" Poetry" 1985 James S. Ackerman, "The Villa in History" 1953 Sir Kenneth Clark, "The Nude: A Study of Ideal SLIDE LIBRARY Form" A total of 150,414 slides are now in the education divi- sion's slide library. During the year, 11,209 accessions serial with Margot Fonteyn called The Magic of Dance (counting 925 replacements) were made. This figure proved to be the highlights of this series. includes new photography of Gallery objects (4,319), cov- For the fourth consecutive year, the work of a noted erage of exhibitions (1,483), and material for lec- contemporary filmmaker was featured in February and tures (1,419). Purchases from outside sources numbered March. "The Films of Kenji Mizoguchi," was selected and 2,629. More than 800 slides of paintings in small Euro- introduced by Peter Brunette, professor of English and pean museums were acquired from Ethan Matt Kavaller. cinema at George Mason University, and attracted a total Furthermore, a total of 730 slides were donated to of 6,511 viewers. In addition to this Japanese director's the library, including 340 slides from the Spanish Min- well-known Ugetsu and The Life of Oharu, the eight-part istry of Culture and a gift of slides on Indian archae- retrospective included two unusual early films, Sisters of the ological sites from Francis D. Weeks. Exchange programs Gion and The Story of the Last Chrysanthemum, as well as one continued with the Nationalmuseum, Stockholm, and of Mizoguchi's last color films, The Princess Yang Kwei-Fei. the Chrysler Museum, Norfolk. Exchanges of individual Two summer film programs organized in conjunction slides were made with the Museum of Fine Arts, Bos- with The Sculpture of India attracted an unprecedented ton, the Los Angeles County Museum of Art, and the 20,264 viewers—the largest audience ever for an exhibition- National Gallery of Canada, Ottawa. The number of new related film series. The first of these summer programs, slides catalogued was 7,182 and, with receipt of new infor- titled "Merchant-Ivory: An Experience of India," com- mation, 1,253 were recatalogued. During the year the staff prised ten documentary and feature-length films by the mounted 9,726 slides in metal binders and approximately highly acclaimed team of James Ivory and Ismail Mer- 3,500 slides in cardboard. chant. The second program consisted of nine narrative In October and November the number of slides bor- films by Bengali filmmaker Satyajit Ray. The films selected rowed (8,773 total) set new records and in January more for the Ray series were organized around the theme of slides were catalogued (1,501) than in any one month in growing up in India. They included TheApu Trilogy, Three the past. A total of 34,442 slides were borrowed from the Daughters, Devi (The Goddess), The Adventures of Goopy library this year, an overall increase of 6 percent over last and Bagha, and The Golden Fortress. year's loans. The staff used 15,163 slides, a 19 percent Through the cooperation of the Royal Netherlands Em- increase, and 19,259 slides were borrowed by 612 people bassy, the Gallery presented in May the recent Dutch outside the Gallery, a decrease of 1M> percent. The slide theatrical film Rembrandt Fecit 1669, directed by Jos Stelling. library had 212 slides duplicated in-house and gave per- Virtually unknown in the United States, this beautifully mission to have 467 slides copied on the outside, in order photographed narrative film comprises tableaux based on to provide slides of National Gallery objects not available a number of Rembrandt's paintings. through the Publications Office to members of the public In September, a salute to the National Endowment for and the academic community. In addition, 526 slides were the Arts' twentieth anniversary included a program of five made for CASVA scholars. award-winning art documentaries which the Endowment helped to fund: Georgia O'Keejfe, Alice Neel—Collector of FILM Souls, Grandma's Bottle Village: TheArtofTressaPrisbrey, Throughout the year a number of feature film series were Final Marks—the Art of the Carved Letter, and The Stone organized to complement special exhibitions as well as the Carvers. National Gallery's permanent collection. During the fall Twenty-five new titles were acquired, through gift or of 1984, for example, two simultaneous series, "John Ford: purchase, for the film collection. Among them were two 1939-1950" and "The American Documentary: 1936-1948" series produced by the BBC: "Royal Heritage" (ten sixty- ran on Saturday afternoons in the East Building audito- minute programs on the history of the British monarchy, rium to coincide with the exhibition of works from the its collections, and buildings) and "Spirit of the Age" Index of American Design. One program paired two rarely (eight fifty-minute programs on architecture in Great screened 35mm archival prints, Robert Flaherty's Louisi- Britain.) ana Story and John Ford's Wagon Master, which were borrowed respectively from Dartmouth College and RKO AUDIOVISUAL SERVICES Pictures Inc. In December and January a popular series of Two television public service announcements, for Degas: dance films was organized in conjunction with the exhibi- The Dancers and Ancient Art of the American Wood- tion Degas: The Dancers. Backstage at the Kirov, The Chil- land Indians, were produced this year to promote the dren of Theatre Street, Tales of Hoffman, and a British-made National Gallery's temporary exhibitions. The Woodland

79 Indians announcement was also edited for use by the This scope of service reflects increased demand for greater Detroit Institute of Arts and The Museum of Fine Arts, numbers of programs by a variety of audience groups, Houston. Videotaped information about several other better use of program resources by borrowers, and the exhibitions was distributed to the news departments of effectiveness of departmental efforts to reach a larger broadcast television stations. Two public service an- number of organizations, particularly those with educa- nouncements produced last year in association with the tional or public television facilities. There was a notable information office received Emmy award nominations rise in new agencies added to the Affiliate Loan System, from the Washington Chapter of the National Academy bringing the total number of participants to more than of Television Arts and Sciences. three hundred. These educational resource centers, public To commemorate the presidential inauguration this libraries, school systems, college and university instruc- year, the department produced a one-hour television pro- tional media, and television facilities, serving as satellite gram in association with WETA-TV, "The Republic: A Con- distributors of extension programs, reported levels of pro- cert in Honor of the Inauguration of the President and the gram use that are almost double those of the preceding Vice President of the United States." The Republic, a year. patriotic cantata, was composed and conducted by Rich- Another aspect of the increase in program utilization ard Bales, the Gallery's retiring director of music. This can be related to videocassette distribution. In response television special was broadcast nationally by PBS and was to demand from borrowers, this year the department began made possible by a generous grant from Occidental Petro- offering videocassette titles in one-half-inch Beta and VHS leum Corporation and the Armand Hammer Foundation. sizes, along with the three-quarter-inch size previously In May a six-projector multi-image program, "The Sculp- available. Providing program material in these popular ture of India," was produced by the department in con- formats has resulted in the doubling of videocassette use. junction with Daniel Ehnbom, a historian of Indian art. International use of extension programs remained high The ten-minute interpretive program, which helped to during the year; Argentina, Austria, Burundi, Czech- explain the symbolism and religious context of the sculp- oslovakia, Denmark, Great Britain, Greece, India, the ture as well as show the architectural settings of many of Netherlands, Peru, Portugal, Sri Lanka, Uruguay, and West the pieces, was shown in the East Building tower gallery Germany are among the more than sixty foreign nations in on a continuous basis for the duration of the exhibition. which programs were presented. The department continues Another multi-image production, produced by Shah-Kelton to foster active circulation of programs to United States Productions, "Bharat Yatra: Indian Journey," was also embassies abroad through USIA. In addition, extension installed in conjunction with the Sculpture of India exhibi- programs were broadcast by the American Forces Radio tion. and Television Service to military installations in Europe, A number of events and exhibitions were recorded on in Asia, and to the Atlantic and Pacific Fleets. Gallery videotape. They included a press preview for the exhibition films such as Picasso and the Circus, David Smith, Calder: on Ansel Adams, the conversations with Robert Rauschen- Mobile, and Picasso: the Saltimbanques were chosen to berg, David Hockney, and Roy Lichtenstein, and the third represent the United States in international film festivals Andrew W. Mellon dinner. Five temporary exhibitions in Finland, France, Spain, India, and Belgium. Important were documented on videotape. Comprehensive footage Information Inside: John F. Peto and the Idea of Still-Life was also taken of the construction and installation of The Painting, the film produced by the department last year, Treasure Houses of Britain : Five Hundred Years of Private was awarded a CINE Golden Eagle and was selected for Patronage and Art Collecting. USIA's "CINE Showcase," transmitted by satellite through- out Europe via that agency's international television sys- tem, WORLDNET. DEPARTMENT OF EXTENSION PROGRAMS During fiscal year 1985 program development activity For fiscal year 1985, audience reports indicate that centered upon research, writing, development, and pro- 125,569,311 persons viewed extension programs, exceed- duction of a film titled John James Audubon: The Birds of ing the record audiences of the previous fiscal year America. Produced in connection with the exhibition of and representing more than a fivefold increase over the plates from the Gallery's original unbound edition of the audience level of just five years ago. There was a cor- Double Elephant Folio, the film shows a range of hand- responding rise in the total of program presentations, colored engravings from the Gallery's collection, many of which reached 70,929, the highest level in the depart- Audubon's original watercolor drawings for The Birds of ment's history and a 45 percent increase over last year. America, and works of art by other artists of the period.

80 Interwoven with the images of the works of art is photog- raphy of the natural environment and of sites significant to Audubon's life and work. With quotations from the artist's journals and commentary by the Gallery's deputy director, John Wilmerding, the film traces Audubon's development as an artist and tells of his uncompromising devotion to his dream of publishing The Birds of America. The program is available as a film, for direct circulation; video forms are being provided for educational and public television. Another film, Raphael and the American Collector, origi- nally made for presentation with the 1983 exhibition of the same title, was expanded to include an introductory sequence surveying Raphael's art; it has been completed and added to extension programs' offerings in both film and videocassette forms. In the course of the year, the department developed and produced a new color slide program based on the Gallery exhibition Degas: The Dancers and completed develop- ment of another on Ancient Art of the American Woodland Indians. Both programs contain images which illuminate the central ideas of the exhibitions, recorded commentary by the guest curators, and illustrated text brochures. To reflect the addition of numerous new titles and types of materials to the department's offerings, a new extension programs catalogue was written, redesigned, and has been published. John Singleton Copley, Mrs. Adam Babcock, Gift of Mrs. Robert Low Bacon, 1985.20.1 ART & MAN This secondary-school art education magazine, published by Scholastic Magazines, Inc., with the Gallery's coopera- tion, featured the work of such diverse artists as Michelan- gelo, Frederick Remington, and Jackson Pollock in the year's issues. The subscription level for the 1985-1986 academic year remained consistent with that of previous years, at more than 140,000 subscribers.

SUMMARY Showings A udience Color Slide Programs 19,583 797,805 Automated Programs 245 37,803 Films 27,428 1,405,581 Videocassettes 1,513 165,128 Special Long-term Loans 1,232 121,800 Affiliate Loan System: Extended Loans 15,506 1,878,792 Public/Educational Television 5,405 117,125,418 International Television (Europe) 17 4,036,984 Grand Total 70,929 125,569,311

81 Severn da Ravenna, Kneeling Satyr Supporting the Figure of an Emperor, Severn da Ravenna, Saint Christopher Carrying the Christ Child, Musee du Pepita Milmore Memorial Fund, 1985.12.1 Louvre and National Gallery of Art, exhibited at the Gallery in con- junction with the CASVA symposium on Italian plaquettes

82 CENTER FOR ADVANCED STUDY

ITil -tij VI S U-AlT J Report for the Academic Year 1984-1985

During the fifth academic year of the Center, resident tecture, Dumbarton Oaks, Getty Center for the History of members included the Kress professor, senior and visiting Art and the Humanities, The J. Paul Getty Museum, The senior fellows, an associate and several predoctoral fel- Huntington Library, Institute for Advanced Study, The lows, as well as research assistants and research associates. Metropolitan Museum of Art, Smithsonian Institution, In the program of scholarly meetings, the format of Villa I Tatti, and the Yale Center for British Art. One colloquia was modified on an experimental basis to include meeting of the association was held at the Center in informal presentations restricted to members of the Cen- October 1984, and another in February 1985 in Los Angeles ter. During the year the Center organized two seminars: in conjunction with the annual meeting of the College Art one in the fall and another in the spring, where specialists Association. Issues under discussion at these meetings met for a daylong discussion. In addition to the colloquia, included the possibility of joint appointments and joint seminars, and shoptalks, which were attended by relatively sponsorship of programs and scholarly meetings, the use limited audiences, the Center also sponsored several larger of computers for research in the history of art, the coor- gatherings with participants from the United States and dination of automated research projects sponsored by Europe. Among these were a lecture and three symposia members of the Association, and the compilation of an held in Washington, and one symposium in Paris. automated directory of international scholars in the his- The Center continued to develop relationships with tory of art and related disciplines. The Center also partic- allied organizations in the Washington area, as well as ipated in meetings of the Washington Collegium for the elsewhere in the United States and abroad, by inviting Humanities, a consortium of Washington-area research representatives of these institutions to meet periodically institutions, including The Catholic University of Amer- during the year. Several meetings were held at the Center ica, Center for Hellenic Studies, Center for Renaissance with chairmen of the art history departments at local and Baroque Studies at the University of Maryland, universities to explore the creation of a collective curricu- Dumbarton Oaks, Folger Institute of Renaissance and lum for graduate studies in the history of art, to be built Eighteenth-Century Studies, Library of Congress, Smith- upon the Consortium of Washington Area Universities. sonian Institution Libraries, and Woodrow Wilson Inter- In addition to discussing the coordination of course offer- national Center for Scholars. Established in the spring ings and the publication of a combined list of courses, the of 1948, the Collegium is intended to promote scholar- representatives from American University, Catholic Uni- ship in the humanities through collaborative programs versity, George Mason University, George Washington such as lectures, symposia, conferences, exhibitions, and University, Georgetown University, Howard University, research and publication projects. Representatives of and the University of Maryland also considered other member institutions of the Collegium met at the Center possible types of collaboration, such as sharing responsi- in April and May 1985 to discuss plans for a lecture bility for special lecture series. series in 1985-1986. For the fifth year the Center served as convener for the At the beginning of the academic year the Center pub- association of research institutes in art history, comprised lished its fourth annual report of research and activities, of the American Academy in Rome, American School ol covering the period June 1983-May 1984. Volume 14 of Classical Studies at Athens, the Canadian Centre for Archi- Studies in the History of Art, consisting of papers pre-

83 sented at the Claude Lorrain symposium held in Decem- MEMBERS ber 1983, was also published in the fall. Other publications During 1984-1985, the resident community of scholars at in various stages of preparation during 1984-1985 included the Center consisted of the Kress professor, six senior the volumes resulting from symposia, such as Raphael fellows, nine visiting senior fellows, one associate, and before Rome, Pictorial Narrative in Antiquity and the Mid- five predoctoral fellows. Among the senior fellows were dle Ages, James McNeill Whistler, Italian Medals, and professors of English literature and Renaissance history Watteau, as well as the fourth volume of Sponsored Research as well as scholars in the history of art and architecture. in the History of Art. The members' research involved cultures ranging from The Architectural Drawings Advisory Group, a pro- Han-dynasty China and classical Greece to twentieth- gram of long-term research at the Center, continued to century America. Their topics and approaches also varied develop international standards for cataloguing architec- widely, and included questions of theory and criticism, tural drawings. monographic studies on individual artists or on particular Support for the fellowship program came from a variety works of art, as well as studies of patronage, iconography, of private sources, including endowed funds from the historiography, and painting technique. Andrew W. Mellon Foundation and endowed funds deriv- The year began with the two annual events that bring ing from a bequest from Chester Dale. The Samuel H. together the members of the Center and their colleagues at Kress Foundation once again provided funds for the Kress the Gallery and in the Washington area. On 21 Septem- professor, the Kress senior fellowships, and Kress and Davis ber, the senior curator of the National Gallery and the predoctoral fellowships, as well as two symposia. The Cen- dean of the Center presided jointly over the meeting at ter also received funds from Robert H. and Clarice Smith which senior members of the Center and curators of the to continue the Smith fellowship in northern painting, Gallery are invited to speak briefly about their current and from Lawrence and Barbara Fleishman to support the research. On 3 October, the annual reception to introduce second year of a two-year fellowship in American art. The the Kress professor and the members of the Center to J. Paul Getty Trust funded the continuation of the work of associates at the Gallery and in the Washington area was the staff of the Architectural Drawings Advisory Group. held in the Garden Court Cafe of the West Building. Every Tuesday from mid-September to mid-May the BOARD OF ADVISORS AND members gathered for a weekly luncheon. Lunch was SELECTION COMMITTEE MEMBERS followed by discussion, either of a paper presented the The Board of Advisors of the Center is comprised of previous week to the members, or of other matters of members with overlapping terms. Irving Lavin (Institute mutual interest. Visiting scholars and curators, as well as for Advanced Study), one of the original members of the curators from the National Gallery, were also invited to board and its chairman since 1981, and Craig Hugh Smyth attend. The other regular weekly gathering at the Center, (Villa I Tatti) completed their terms in December 1984. In Thursday tea, was continued through the summer to give January 1985 Charles Dempsey (The Johns Hopkins Uni- members residing during those months the opportunity to versity) and Ilene Forsyth (University of Michigan) were pursue informal discussions among themselves and with appointed for three-year terms. Four other members, pre- staff members of the Gallery. viously appointed, continued to serve: Dore Ashton (The In February the Center sponsored the fourth annual Cooper Union), James Cahill (University of California, reunion of past and present members at the College Art Berkeley), Alfred Frazer (Columbia University), and Alan Association convention. Shestack (Yale University Art Gallery). On 12 April the Board of Advisors met in Washington to discuss the programs and policies of the Center. Mem- KRESS PROFESSOR bers of the board also convened in five selection commit- Charles Mitchell, Professor Emeritus of Bryn Mawr Col- tees to review fellowship applications for the coming year. lege, is a specialist of the Italian Renaissance. Professor After reviewing a total of 136 applications—45 for senior Mitchell took the B.A. and M.A. degrees in literature at fellowships, 26 for visiting senior fellowships, 2 for the Oxford. He spent the first half of his professional life in National Gallery of Art curatorial fellowship, and 53 for his native Britain, as assistant at the National Maritime predoctoral fellowships—the board nominated seven senior Museum, Greenwich, and then as lecturer at the War- fellows and four alternates, ten visiting senior fellows and burg Institute, University of London. Professor Mitchell two alternates, eight predoctoral fellows and one alter- came to the United States as Tallman Visiting Professor at nate, and one curatorial fellow. Bowdoin College (1956-1957), and was named Professor

84 Richard C. Trexler State University of New York, Binghamton Ailsa Mellon Bruce Senior Fellow, 1984-1985 The Journey of the Magi: The Social History of a Christian Image

VISITING SENIOR FELLOWS Beryl Barr-Sharrar New York City Ailsa Mellon Bruce Visiting Senior Fellow, spring 1985 The Derveni Krater and Its Legacy Alessandro Bettagno Universita di Venezia; Fondazione Giorgio Cini, Venice Ailsa Mellon Bruce Visiting Senior Fellow, winter 1985 Anton Maria Zanetti il Vecchio Kathleen Weil-Garris Brandt Institute of Fine Arts, Washington Square and University College, New York University Ailsa Mellon Bruce Visiting Senior Fellow, spring 1985 Sidera Domus: Raphael's Chigi Chapel in Santa Maria del Popolo in Rome of the History of Art at Bryn Mawr College in 1960. Over Peter Heinz Feist the years he has been appointed a distinguished lecturer at Institut fur Aesthetik und Kunstwissenschaften, Akademie Yale University, Swarthmore College, the British Academy, der Wissenschaften der DDR, Berlin Cornell University, and Sydney University, Australia. Ailsa Mellon Bruce Visiting Senior Fellow, spring 1985 While at the Center, Professor Mitchell continued re- Public Sculptures from Abroad: American Commissions search toward the completion of a study of the Tempio to German Sculptors in the Second Half of the Nineteenth Malatestiano in Rimini. Century

SENIOR FELLOWS Anne Walter Lowenthal Barnard College Jonathan J. G. Alexander Ailsa Mellon Bruce Visiting Senior Fellow, spring 1985 University of Manchester The Paintings of Pieter Claesz: A Study of Style, Method, Samuel H. Kress Senior Fellow, 1984-1985 and Meaning in Still Lifes of Holland's Golden Age Exhibition of English Gothic Art; Artists and the Book in Padua, Venice, and Rome in the John Browning Onians Second Half of the Fifteenth Century University ot East Anglia Ailsa Mellon Bruce Visiting Fellow, fall 1984 Elizabeth Cropper Classical Questions (final revision of work on the classical Temple University orders, and research into the transformation of man's Samuel H. Kress Senior Fellow, 1984-1985 relation to nature in the Roman world) Imitation, Novelty, and Theft in Seventeenth-Century Rome Myra Nan Rosenfeld Montreal Mojmir Svatopluk Frinta Ailsa Mellon Bruce Visiting Senior Fellow, spring 1985 State University of New York, Albany Studies on the Hotel de Cluny in Paris: The Sources and Ailsa Mellon Bruce Senior Fellow, 1984-1985 Typology of the French Renaissance Urban Palace Punched Decoration on Early, Principally Italian, Panel Paintings Margarita Anna Russell Gresham College, City University, London Martin J. Powers Ailsa Mellon Bruce Visiting Senior Fellow, summer 1985 University of California, Los Angeles The Influence of Dutch Marine Painting on the Develop- Ailsa Mellon Bruce Senior Fellow, 1984-1985 ment of Dutch Landscape Painting of the Seventeenth Immortals and Their Imagery in Han Pictorial Art Century Edward A. Snow Rice University Samuel H. Kress Senior Fellow, 1984-1985 Interpreting Bruegel

85 Christine Smith David Gillerman Georgetown University, Charles Strong Center, Villa le [New York University, Institute of Fine Arts] Baize, Fiesole Chester Dale Fellow, 1984-1985 Ailsa Mellon Bruce Visiting Senior Fellow, summer 1985 S. Fortunato, Todi Architectural Descriptions in Western Europe and Byzan- Jeffrey Hamburger tium from Late Antiquity to the Renaissance [Yale University]

NATIONAL GALLERY OF ART CURATORIAL FELLOW David E. Finley Fellow, 1983-1986 The Rothschild Canticles David Alan Brown National Gallery of Art, Department of Early Italian Lucy MacClintock* Painting [Harvard University] Ailsa Mellon Bruce National Gallery of Art Curatorial David E. Finley Fellow, 1982-1985 Fellow, fall 1984 Eugene Delacroix and the Significance of Finish in Roman- Studies on Andrea Solario tic Painting Carol McMichael ASSOCIATE [University of Texas at Austin] David Porter Chester Dale Fellow, 1984-1985 University of Massachusetts Denver 1893-1941: Architecture, Urbanism, and the Fall 1984 City Beautiful Linguistic Theory and the Art of Joseph Cornell Sasha Newman FELLOWS [New York University, Institute of Fine Arts] Samuel H. Kress Fellow, 1984-1985, 1986-1987 Susan MacMillan Arensberg* Pierre Bonnard [The Johns Hopkins University] Samuel H. Kress Fellow, 1983-1985 Judith Testa The Padua Bible and the Phenomenon of the Late Biblical University of Chicago Picture Book Robert H. and Clarice Smith Fellow, 1984-1985 The Beatty Rosarium, a Manuscript with Miniatures by Barbara Butts* Simon Bening [Harvard University] Chester Dale Fellow, 1984-1985 Linda Wolk* "Durerschuler" Hans Suss von Kulmbach [University of Michigan, Ann Arbor] Mary Davis Fellow, 1983-1985 Sarah R. Cohen The Paintings of Perino del Vaga (1501-1547) [Yale University] Mary Davis Fellow, 1984-1986 The Interrelationship between the Fete Galante and 18th- MEETINGS Century Dance COLLOQUIA Francesca Consagra The Center offers the Kress professor and senior fellows [The Johns Hopkins University] the opportunity to discuss their work with their col- Chester Dale Fellow, 1984-1985 leagues. In 1984-1985, some chose to speak informally The De Rossi Print-Publishing House: 1615-1739 to the other members of the Center, while others pre- Tracy Cooper sented papers to a larger audience from the Washington [Princeton University | metropolitan area at meetings, each followed by a reception David E. Finley Fellow, 1984-1987 and buffet dinner in the refectory. Those invited to attend The Campaign of Decoration in the Church of S. Giorgio such colloquium presentations included art history faculty Maggiore, Venice members, senior curators and directors of museums, Linda Docherty* fellows of local research institutes (Dumbarton Oaks, [University of North Carolina, Chapel Hill] Smithsonian Institution, etc.), and other scholars engaged Lawrence and Barbara Fleischman Fellow, 1983-1985 in advanced research, either sponsored or working inde- A Search for Identity: American Art Criticism and the pendently. The gatherings provide a lively forum for the Concept of the Native School, 1876-1893 exchange of information and ideas. Seven colloquia (XLI- XLVII) were held during the academic year.

9 October 1984 Henry Millon, "Observations on the *in residence 1984-1985 Cantiere at Saint Peter's, 1546-1580"

86 8 November 1984 Edward A. Snow, "Interpreting tions in the field of Dutch genre painting. Specialists Bruegel: A Reading of Children's Games" discussed such issues as the extent of symbolism or moral- 20 November 1984 John Onians, "The Meaning of izing content in genre paintings, their emblematic, liter- Disorder" ary, or other culture-bound associations, and the relation- 6 December 1984 Mojmir S. Frinta, "What Can the ship between style, medium, and meaning in Dutch genre Study of Punched Decoration Do for the History of Art?" painting. 30 January 1985 Richard Trexler, "A Social History 26 October 1984 Precedent, Paradigm and Norm; of the Magi" The Value of Ancient, Renaissance and Later Classical 14 March 1985 Martin J. Powers, "Paradoxes about Architecture, Urban Design and Landscape for an Archi- Paradise in Chinese Mural Engravings of the Mid-Second tect in the Late-Twentieth Century Century A.D." 19 April 1985 Seventeenth-Century Dutch Genre 30 April 1985 Elizabeth Cropper, "Domenichino's Painting Last Communion of Saint Jerome: Patronage, Plagiarism, SYMPOSIA and Paternity" Three of the four symposia held under the auspices of the SHOPTALKS Center in 1984-1985 were organized in collaboration The three predoctoral fellows who were in residence for with other institutions. One took place in Paris. Special- the full year presented shoptalks on their dissertation ists in the relevant art historical fields, as well as art research to other members of the Center and to art histori- historians and other scholars in the Washington area and ans in the National Gallery. These gatherings give the elsewhere, were invited to participate in these gatherings. fellows a chance to discuss their work in progress and to In October, the Societe de l'histoire de l'art frangais receive criticism and suggestions on method and ideas. and the Center jointly sponsored a symposium on Wat- teau in Paris. The three days of talks coincided with the 15 November 1984 Linda Docherty, "Winslow Homer and Thomas Eakins: Critical Problems" Grand Palais showing of the Watteau exhibition that was also mounted at the National Gallery and at the 24 January 1985 Linda Wolk, "Perino del Vaga's Schloss Charlottenburg in Berlin. Sessions at the sym- Frescoes in the Palazzo Baldassini, Rome" posium were devoted to themes and techniques in Wat- 11 April 1985 Lucy MacClintock, "Unfinished Busi- teau's oeuvre, as well as to his place in the historical ness: Delacroix and Constable at the Salon of 1824" and cultural ambience of his time. The participation of SEMINARS six scholars from the United States was made possible The seminar series of the Center consists of informal by a grant to the Center from the Samuel H. Kress meetings organized for the critical examination of theoret- Foundation. The symposium papers will be published in ical, methodological, and historiographic issues in art Paris under the auspices of the Center and the Societe history and related disciplines. The gatherings take the de l'histoire de l'art frangais. form of unstructured roundtable discussions; customarily The annual spring symposium cosponsored by the Cen- there are no formal presentations. Participation at each ter and the department of the history of art at The Johns seminar is limited to approximately twenty scholars, usu- Hopkins University was held in Washington in March. ally from universities and research institutions in the Eleven speakers delivered papers that dealt with the issue United States. Readings to stimulate discussion may be of originality in art from antiquity to modern times. The suggested in advance to the participants. The choice of presentations, to be published in a future volume of Stud- seminar topics is often guided by the current research ies in the History of Art, shed light on the diverse attitudes interests of the members of the Center and colleagues in about originality, and on the way that replicas vary in the local area, including curators at the National Gallery function and in value from culture to culture. of Art, as well as by the goal of the Center to encourage Also in March, the Center organized a symposium on discussion on a wide range of issues and themes. Italian plaquettes, the second in a series of meetings on Two such meetings were held in 1984-1985. In the Italian Renaissance sculpture supported by the Samuel H. fall, architects, historians, and critics gathered to debate Kress Foundation. Scholars from Europe and America the importance of ancient, Renaissance, and later classical met to present their findings on individual artists or col- architecture, urban design, and landscape for the architect lections, on the uses of plaquettes, and on their relation to in the late twentieth century. The spring seminar took antique gems. These papers will also be published in advantage of the recent spate of exhibitions and publica- Studies in the History of Art.

87 The Fifteenth Annual Middle Atlantic Symposium was J. R. Mantion sponsored jointly by the Center and the Department of "Les sites de Watteau" Art, University of Maryland. Nine graduate students in R. Demons art history from universities of the Middle Atlantic region "Watteau en son temps: le paysage et les figures" were chosen by their departments to speak at the gather- Donald Posner, New York University, Institute of Fine Arts "Watteau's Landscapes and Park-landscapes" ing. Their research dealt with cultures ranging from ancient G. Le Coat Greece to nineteenth-century America, and involved stud- "Watteau et l'imaginaire social: la representation animate comme ies of works in various media as well as considerations of etude de cas" iconography, patronage, and trade. A. M. Rieu 29-31 October 1984 "Watteau: la nature dans le tableau et 1'esthetique de la grace" Antoine Watteau: le peintre, son temps, et sa legende Watteau: l'oeuvre au singulier Jointly sponsored with the Societe de Fhistoire de Tart Y. Zolotov, President de seance frangais and held in Paris Martin Eidelberg, New York City "Early Works of Watteau" Watteau et I'histoire J. Baticle Donald Posner, New York University, Institute of Fine Arts, "Le 'Gilles' de Watteau: recherches sur les origines et connota- President de seance tions historiques" F. Machelard S. Bergeon and L. Faillant-Dumas "Valenciennes dans les dernieres annees du XVlT siecle" "Quelques points de technique picturale et de restauration" M. Vangheluwe Watteau: I'atelier de l'oeuvre "Watteau a Valenciennes" R. Demons, President de seance J. de la Gorce P. Rosenberg "Watteau a l'Opera (1702)" "Les repetitions dans l'oeuvre de Watteau" Hal Opperman, University of Washington Mary Vidal, Berkeley, California "Le theme de la paix chez Watteau" "Conversation as literary and painted form: C. Nordenfalk Madeleine de Scudery, Roger de Piles and Watteau" "L'annee 1715" Y. Boerlin-Brodbeck Watteau et son environnement culturel "Die in der Landschaft gelagerte Figur: J. Deprun, President de seance zum Verhaltnis Watteaus zur Vorromantik" Y. Zolotov Watteau et les arts de son epoque "Watteau: iconosphere et personnalite d artiste" F. Moureau, President de seance T. Lefrangois G. Macchia "L'influence d'Antoine Watteau sur l'oeuvre de Charles Coypel" "Mythe theatrical de Watteau" B. Sani A. Blanc "La 'furia francese' de Rosalba Carriera: "Watteau et le theatre frangais" ses rapports avec Watteau et les artistes frangais" P. Hourcade F. Moureau "Watteau et l'Opera de son temps: Problematique d'un parallele" "Watteau libertin?" Jolynne Edwards, Seattle, Washington Watteau: dessins et gravures "Watteau and the Dance" C. Nordenfalk, President de seance Y Deslandres Margaret Morgan Grasselli, National Gallery of Art "Watteau, peintre de costume de son temps" "New Observations on Some Watteau Drawings" Robert Tomlinson, Emory University M. Roland Michel "Fete galante et/ou Fete foraine" "Figures de differents caracteres" Le mythe de Watteau Conferences: hommage a Watteau P. Rosenberg, President de seance D. Kocks Beverley Schreiber Jacoby, New York City "Hommage a Watteau: J. B. Carpeaux, die Watteau-Rezeption in "Watteau's International Reputation before 1740 and Gabburi" der Kunst des Deuxieme Empire und die Ikonographie des J. Luna Watteau-Denkmals in Valenciennes" "Watteau et l'Espagne" E. Moutsopoulos B. Allen "Les structures dialectiques de la temporalite dans l'oeuvre de "Watteau and His Imitators in England in the Mid-Eighteenth Watteau" Century" Watteau: themes et variations S. Wittingham D. Ponnau, President de seance "Watteau and 'Watteaus* in Britain (1780-1851)"

88 A. Montandon Richard Shiff, University of North Carolina at Chapel Hill "Theophile Gautier et Antoine Watteau" "Handling the Original: Painting, Photography, and the L.Jones Commonplace" "Pierrot-Watteau: Nineteenth-Century Pantomime and Poetry" 21-22 March 1985 S. Simon Italian Plaquettes "Watteau et les Goncourt" A symposium made possible by the Samuel H. Kress H. Marx Foundation "Watteau et ses imitateurs en Saxe" Soiree John Pope-Hennessy, The Metropolitan Museum of Art R. Astier "The Study of Italian Plaquettes" "Watteau et les danses de son temps" Graham Pollard, The Fitzwilliam Museum (dance performance) "The Collections of Plaquettes in the British Museum" Christopher H. Lloyd, The Ashmolean Museum 8-9 March 1985 "Two Large Plaquettes in Oxford from the C. D. E. Fortnum Retaining the Original: Multiple Originals, Copies, and Collection" Reproductions Christopher Fulton, National Gallery of Art Jointly sponsored with the department of the history of "Master 10. F. F. and the Function of Plaquettes" art, The Johns Hopkins University Anthony R. A. Hobson, Whitsbury, Fordingbridge "Plaquettes on Bookbindings" Session I Andrew Oliver, National Endowment for the Arts, Moderator Pietro Cannata, Rome "Le placchette del Filarete" Brunilde S. Ridgway, Bryn Mawr College "Defining the Issue: The Greek Period" Anthony Geber, Chevy Chase, Maryland Miranda Marvin, Wellesley College "Name Inscriptions: Solution or Problem?" "Copy and Original in Roman Classical Sculpture" Nicole Dacos Crifd, Fonds national de la recherche scientifique de Belgique Session II "The Role of Plaquettes in the Transmission of Antique Gems" Marianna Shreve Simpson, Center for Advanced Study in the Visual Arts, Moderator Francesco Rossi, Accademia Carrara, Bergamo "Le gemme antiche e le origini delta placchetta" Gary Vikan, The Walters Art Gallery "Ruminations on Edible Icons: Originals and Copies in the Art Anthony Radcliffe, Victoria & Albert Museum of Byzantium" "Two Early Romano-Mantuan Plaquettes: The Master L. C. I." Jonathan J. G. Alexander, University of Manchester Shelley Sturman, National Gallery of Art "Facsimiles, Copies, and Variations: The Relationship to the "Work in Progress: Technical Analysis of Riccio Plaquettes" Model in Medieval and Renaissance European Manuscripts" Bertrand Jestaz, Ecole pratique des hautes etudes, Sorbonne Alan Cowans, University of Victoria "Riccio et Ulocrino" "Paradigmatic Social Functions in Anglican Church Architec- Douglas Lewis, National Gallery of Art ture in the Fifteen American Colonies" "Moderno's Plaquettes: A New Look at the Extent ofHis Oeuvre" Session III Charles Davis, Villa I Tatti Richard Spear, Oberlin College, Moderator "Jacopo Sansovino and the Italian Plaquette" Caroline Karpinski, Washington Charles Avery, Christie's, London "The Print in Thrall to Its Original: A Historiography "Fontainebleau, Milan, or Rome? A Mannerist Bronze Lock- Perspective" plate and Hasp" Beverly Louise Brown, Center for Advanced Study in the Visual 13 April 1985 Arts and National Gallery of Art The Fifteenth Annual Middle Atlantic Symposium in the "Replication and the Art of Veronese" History of Art Jeffrey Midler, Brown University Jointly sponsored with the department of art, University "Measures of Authenticity: The Detection of Copies in the Early Literature on Connoisseurship" of Maryland Saul Zalesch [University of Delaware] Session IV "Reconstructing the Delphi Charioteer" Elizabeth Cropper, Temple University, Moderator Glenn Gunhouse [The Johns Hopkins University] Egon Verheyen, The Johns Hopkins University "Early Christian Sources for the Vercelli Rotulus and Their "Questioning the Original: Observations on Portraits of George Implications for the Origin of Acts Illustrations" Washington" Bernadine Barnes [University of Virginia] Rosalind Krauss, Hunter College and The Graduate Center, City "Two Copies of Michelangelo's Invention of the Last Judgment" University of New York "You Irreplaceable You" Nina Serebrennikov [University of North Carolina, Chapel Hill] "Pieter Bruegel the Elder and the Privileged Point of View"

89 Pamela D. King [University of Maryland] editorial work on volumes 17 (Raphael before Rome), 19 "The Wedding of Peleus and Thetis by Cornells Cornelisz. van (James McNeill Whistler: A Reexamination), and 21 (Italian Haarlem" Medals) continued. The contributions to two symposia of Annemarie Jordan [George Washington University] 1984-1985, those on originality and Italian plaquettes, "Hapsburg Patronage in Portugal, 1580-1640" were gathered in the summer and editorial work on them Marianne Berardi [University of Pittsburgh] "Not only Hercules, but Alexander: A Reevaluation of Bernini's was begun for future volumes of Studies. Equestrian Monument of Louis XIV" Another major project undertaken during the summer Christine Challingsworth [The Pennsylvania State University] was the compilation of the fourth issue of Sponsored Re- "The Accademia di San Luca and the Establishment of the search in the History of Art, a listing of nearly one thousand Academy of Arts and Sciences as a Building Type" fellowships in the humanities and social sciences sup- Marjorie Principato [The American University] ported by forty-four public and private foundations in the "Fitz Hugh Lane and the China Trade Connection" United States and Canada.

RESEARCH PROGRAMS

The Architectural Drawings Advisory Group, now in its third year, with a staff supported by the J. Paul Getty Trust, continued to prepare international standards for the cataloguing and sharing of information about architec- tural drawings in repositories in North America, Europe, and England. Project staff prepared tools such as glossa- ries and conceptual models, and made plans for imple- menting an automated system. The cataloguing system is intended to be a flexible standard for research and cata- loguing of architectural drawings, albums, sketchbooks, and archives. Initial cataloguing is expected to begin in 1986, using an automated system prepared by the Art History Information Program of the J. Paul Getty Trust.

PUBLICATIONS Every fall the Center publishes an account of the events and research of the preceding academic year. Center 5: Research Reports and Record oj Activities, published in September 1985, contains general information about the fellowship program, program of meetings, publication and research programs of the Center, as well as the roster of Hendrik Goltzius, Head of a Young Woman, Ailsa Mellon Bruce Fund, 1984.48.1 the Center's board of advisors, professional staff, and mem- bers, and the list of activities for 1984-1985. Center 5 also contains summary reports on research accomplished under the auspices of the Center by the members in residence during 1984-1985 and by several predoctoral fellows from the previous academic year. During 1984-1985 the Center also continued the preparation and publication of volumes resulting from symposia sponsored by the Center to be published in the symposium series of the Gallery's Studies in the History of Art. Claude Lorrain 1600-1682, containing five papers presented at the symposium in December 1982, was pub- lished as volume 14 of Studies. It was edited by Pamela Askew of Vassar College. Volume 16, Pictorial Narrative in Antiquity and the Middle Ages, went into production, and

90 OTHER DEPARTMENTAL REPORTS

CURATORIAL DIVISION

PAINTING AND TWENTIETH-CENTURY ART laboration with the Tel Aviv Art Museum, Alexander Archipenko: A Centennial Tribute. The curatorial division's main preoccupation continued Extensive discussions this year with the artist Robert to be the reconciliation of its two prime obligations: work Rauschenberg have resulted in the Gallery's participation on exhibitions and progress on the systematic catalogue in an ambitious twenty-two-nation world exhibition tour of the collections. The considerable and important com- known as Rauschenberg Overseas Culture Interchange mitment to a heavy exhibition schedule is certain to (R.O.C.I.). In each country, the artist will create paintings continue in the visible future. Since exhibition demands and other artworks inspired by the particular locale and tend to be immediate, they take priority in the use of the often with the assistance of local artists and artisans. After curators' time, with the unfortunate consequence of fre- the overseas tour, in 1988-1989, the National Gallery, as quent postponement of work on the systematic catalogue. the unique United States site, will present works selected Efforts to deal with this conflict of responsibility have from the entire tour. been earnest, but at this point it is far from resolved. Sixty of our finest and most important paintings from Exhibitions the Garbisch collection were chosen for a circulating The Renaissance department worked toward the realiza- exhibition organized by the Gallery for the International tion of several loan exhibitions, including one devoted Exhibitions Foundation. The show, which opened at the to Netherlandish drawings in the age of Bruegel. A major Museum of American Folk Art in New York in September event organized by the baroque painting department was 1985, will travel to seven other museums before moving the exhibition Old Master Paintings from the Duludch Pic- on to Europe in late 1987. It is accompanied by a fully ture Gallery, which consisted of thirty-six paintings by illustrated catalogue with sixty color plates. British and European masters from the seventeenth to the A selection of Garbisch paintings not included in the nineteenth centuries. It was on view in the West Building IEF exhibition was installed in the ground floor galleries of from April to early September. Research continued on the West Building in the summer of 1985. This group The Age of Correggio and the Carracci, a major exhibition of included many smaller paintings from the collection, some sixteenth- and seventeenth-century Emilian painting orga- of which have been seen infrequently. nized jointly with the Pinacoteca Nazionale in Bologna Planning for the Ansel Adams exhibition, which opened and The Metropolitan Museum of Art. at the gallery in fiscal year 1986, took place this year, and The department of modern painting mounted the exhi- an essay was written for its catalogue. Earlier in the year bition Degas: The Dancers, from November 1984 to March an exhibition of monotypes by Maurice Prendergast from 1985, to commemorate the artist's birth 150 years before. the Terra Museum of American Art was mounted. A Research and preparation involving extensive travel display of American masterpieces from the collection of continued on two major international exhibitions which Dr. Armand Hammer, as well as an exhibition devoted to the department of twentieth-century painting will present Edward Savage's The Washington Family, were held in in the fall of 1986: Henri Matisse: Mastery of Light and conjunction with the inauguration of President Reagan. Pattern —The Early Years in Nice, 1916-1932 and, in col- The installation of the permanent collection is a contin-

91 Edward Savage's The Washington Family was displayed during the Gallery's inaugural festivities after recent conservation

uing concern of the curators. The contents of the galleries For the first time, a coherent survey of the twentieth- of later Italian paintings were shifted and rehung. Con- century collection may be seen on the concourse level of struction of a suite of new galleries in an area left unfin- the East Building in specially constructed galleries. An ished since the opening of the West Building in 1941 made important highlight of the presentation is a series of art- necessary the closing of three galleries of nineteenth- ists' rooms featuring concentrations of the work of Robert century French paintings on the main floor. The Ameri- Rauschenberg, Sam Francis, Ellsworth Kelly, Roy Lich- can, baroque, and modern departments worked jointly tenstein, Georgia O'Keeffe, and Mark Rothko, most on under the guidance of the chief curator to install a selec- long-term loan from the artists to the Gallery. In addition, tion of these French paintings in spaces normally devoted generous loans from other patrons of the Gallery augmented to the British and American collections. The newly con- the works from our permanent collection. A substantial structed galleries will be inaugurated in January 1986 amount of rehanging also took place in the department with an exhibition, The New Painting: Impressionism of American art. 1874-1886, in honor of Mr. and Mrs. Paul Mellon. The major event in the department of twentieth-century Loans art for this year was the reinstallation of its collection in The Gallery's fine though small collection of seventeenth- preparation for the Treasure Houses oj Britain exhibition. century Italian paintings was enhanced by the loan of

92 selected works from other museums, including Guercino's Narragansett Bay, by Francis Silva, and a large and impres- Pope Gregory XV, from the Smithsonian Institution's sive painting, Wingersheek Creek Beach, Gloucester, by National Museum of American Art in Washington, and William Lamb Picknell. Raymond and Margaret Horowitz Susannah and the Elders, formerly attributed to Agostino lent Dennis Miller Bunker's Roadside Cottage, which beau- Carracci but now given to Sisto Badalocchio, from the tifully complemented our holdings of American impres- John and Mable Ringling Museum of Art in Sarasota, sionist paintings. Thomas Sully's portrait Queen Victoria Florida. continued on loan from an anonymous friend of the Gallery. The Dutch and Flemish collections were enhanced this year through a number of paintings generously loaned to Acquisitions the Gallery. These include: Peter Paul Rubens, The Today there is seldom an opportunity to acquire a Renais- Triumphal Entry of Henry IV, lent by Kurt A. Brod; Bar- sance work of highest quality, let alone one that is also of tholomew van der Ast, Basket of Fruit and Basket of great importance for the history of art. Yet just such a Flowers, Abraham Bosschaert, Vase of Flowers in a Niche, painting, Jacopino del Conte's Madonna and Child with and Jan Bruegel the Elder, A Basket of Mixed Flowers and Saint Elizabeth and Saint John the Baptist, has recently Vase of Flowers, all lent by Mr. and Mrs. Paul Mellon. The joined the Gallery's small but superb group of sixteenth- Gallery was also fortunate to be able to exhibit last year a century Florentine masterworks. Representing manner- major Dutch painting that was on loan from the Museum ism at its mature stage in the 1530s, Jacopino's altarpiece of Fine Arts in Boston, Hendrick Terbrugghen's Boy combines, in an original way, influences from Andrea del Singing. Finally, the Rijksmuseum in Amsterdam gener- Sarto, who may have been his teacher, and Pontormo; at ously extended their loan of five Dutch paintings. These the same time it captures the grandeur of form and spirit of works are G. A. Berckheyde, The Town Hall of Amster- Michelangelo's statuary in the Medici Chapel in the church dam, J. Lingelbach, Italian Harbor, J. Steen, The Supper at of San Lorenzo in Florence. Emmaus, J. C. Verspronck, Portrait of a Man, and Phillips The Gallery's outstanding collection of early German Wouwerman, The Riding School. painting was further broadened by the acquisition of Hans As part of a long-term loan exchange, Van Dyck's Dona Muelich's Member of the Froschl Family, the gift of David Polyxena Spinolu Guzman de Leganes was lent to the Edward Finley and Margaret Eustis Finley. This fine work Ringling Museum and their painting by Jan Davidsz. de of c. 1540 by the Bavarian court painter exemplifies Ger- Heem, Still Life with Parrots, was lent to the Gallery. A man patrician portraiture of the Renaissance as well as similar arrangement was made with the Toledo Museum of Muelich's own early ties to the Danube school. Art. In exchange for our painting by Frans Hals, Portrait of During the year Ludolf Bakhuysen's Dutch Ships in a a Gentleman, the Toledo museum will send to the Gallery a Stormy Sea, signed and dated 1667, was acquired. It is the major work by William van de Velde the Younger, Ships in first Dutch maritime painting in our collection. It was a Stormy Sea. bought at auction, the first painting so acquired since the Numerous American works from the permanent collec- Trustees gave the Gallery permission to purchase at auc- tion were on loan to special exhibitions at other museums tion in 1984. during the past year, and significant loans were received Two members of our Collectors Committee purchased by the Gallery. John F. Kensett's Beach near Newport and an untitled 1946 wood sculpture by Isamu Noguchi as a Beacon Rock, Newport Harbor were included in the Kensett promised gift to the Gallery. Finally, planning continued exhibition seen at the Worcester Art Museum, the Los for the transfer of 285 works of art and extensive archival Angeles County Museum of Art, and the Metropolitan material from the Mark Rothko Foundation to the National Museum of Art. The Lackawanna Valley, George Inness' Gallery, expected to be completed by late 1986. The first early masterpiece, was part of the Inness retrospective at selection from the gift, the Seagram Murals of 1958-1959, the Los Angeles County Museum of Art, which will have its goes on view in the fall of 1985 as part of the newly final stop here at the Gallery after having been seen in New installed concourse level galleries. York, Cleveland, Minneapolis, and Los Angeles. Chester Acquisitions included the purchase of Yves Tanguy's Harding's portrait Amos Lawrence, Robert Henri's Woman Le RegarddAmbre and the following generous gifts: White in White and Volendam Street Scene, and John Sloan's The Curve VIII by Ellsworth Kelly, from Mr. and Mrs. Joseph City from Greenwich Village were also lent to significant Helman; Olympic Torso (Female) by Robert Graham, from exhibitions. We were fortunate to receive several loans to Mr. Fred Koch; a large-scale realist painting, Portrait of the the collection which were particularly welcome additions. Doyles, by Jack Beal, from Mrs. and Mrs. Leonard Lauder; Erving and Joyce Wolf lent us a radiant view, Indian Rock, Tonal Sculpture by Harry Bertoia, from Bernard and Audrey

93 A number of ongoing projects in the baroque painting department have been the focus of much research. The systematic catalogue of the Dutch and Flemish paintings has progressed, as well as research on the Rembrandts. John Hayes, director of the National Portrait Gallery, London, has continued his work for the systematic cata- logue of the British paintings. Nineteenth-century paintings whose treatment has been completed this year include La Mousme by Vincent van Gogh, Gare Saint-Lazare by Edouard Manet, Still Life with Peppermint Bottle by Paul Cezanne, and In the Dining Room by Berthe Morisot. Treatment of several others, among them The Sisters and The Mother and Sister of the Artist by Morisot and Haystacks in Brittany by Paul Gauguin, is progressing. Research on the collection produced changes of attribution to Imitator of Vincent van Gogh for two paintings as well as a title change for a Cezanne. The American collection received considerable atten- tion in reframing and conservation projects. New frames were acquired for Edward Hopper's Cape Cod Evening, George Bellows' Blue Morning, Robert Henri's Snow in New York, and Grant Wood's Haying and New Road. Several important paintings were treated in the Gallery's conservation laboratory, including Alexander Wyant's Peaceful Valley, Willard Metcalfs Midsummer Twilight, Ellsworth Kelly, White Carve VIII, Gift of Mr. and Mrs. Joseph Helman, and Martin Johnson Heade's Rio de Janeiro Bay. The 1984.105.1 cleaning of the latter was of special interest, since it revealed not only the subtlety of Heade's handling of light and atmosphere, but also his more robust and painterly brush work in the foreground waves. Work was also begun Berman; and Olympic Torso (Male) by Robert Graham and on cleaning Thomas Eakins' Baby at Play, which came to Doric Circus by Robert Rauschenberg, from the Lila Ache- the Gallery in 1982 from the John Hay Whitney Collection. son Wallace Fund. The most significant conservation project for this depart- Conservation and Research ment, however, involved the examination of the sixty Major treatment of Maerten van Heemskerck's Rest on the paintings from the Garbisch collection in preparation for Flight into Egypt, formerly attributed to Jan van Scorel, the exhibition that was circulated by the International was completed. Cleaning together with research for the Exhibitions Foundation. Each painting was carefully exam- catalogue of early Netherlandish painting indicated that ined in the lab to make sure its condition was suitable for it is an important early work by Heemskerck from about travel, and two works by Am mi Phillips, the portraits 1530 when he worked in association with Scorel. The Joseph Slade and Alsa Slade, were treated and cleaned. Italian or southern section of the Renaissance paintings Work continued on the three volumes of the systematic department made fourteen attribution changes as part of catalogue on American paintings. One of these volumes is ongoing research toward completion of the systematic devoted to academic artists, another to naive paintings, catalogue. One particularly interesting change involves a and the third to George Catlin's paintings of American painting formerly known as The Standard Bearer, attributed Indians. Research on Catlin's La Salle paintings was greatly to Dosso Dossi, and now recognized as Portrait of a Man as aided by the reappearance of their original labels, which Saint George by Jacopo Tintoretto; a second reattribution include quotations describing each scene. These labels concerns a Judgment of Paris, formerly given to the Emilian were given to us by Paul Mellon. master Bertoia, but now regarded as by the landscape Staff Changes painter Giovanni Sons, active at the court of Parma in the The curatorial division has had a number of changes in late-sixteenth century. personnel in the year covered by this report. Sheldon

94 Grossman, who had been curator of southern baroque graduate students in art history and museum studies at painting, left the Gallery's service after fourteen years. George Washington University, Barbara Meyer, a Ger- Work in this area, and also in the southern Renaissance, man Fulbright fellow at New York University, and Elisa- has been performed by a new curator, Beverly Louise beth Eraser of Yale University. Brown, who previously taught at Harvard and has a dis- SCULPTURE AND DECORATIVE ARTS tinguished background as a scholar of Italian art. Because of the extensive Gallery activities in the southern Euro- Perhaps the most exciting event of the year was the pean area, the chief curator has assumed additional respon- unexpected gift to the National Gallery of a rare maquette sibility for a number of the functions that would normally for a Reclining Figure by Henry Moore. Donated by Doro- be discharged by individual curatorial departments. thy Zimmermann of New York in memory of her husband Frederick, the 1946 model is one of only two such works The vacant curatorship of modern painting was filled in March by the appointment of Charles Stuckey, a young by Moore known to be in American collections; it comes from one of the most fertile and inventive periods of the scholar of high reputation with a distinguished record of participation in major exhibitions in his field. A new artist's work. The department's curators concentrated on production curator has also been appointed in the twentieth-century department. Nan Rosenthal has until now been professor of entries for the systematic catalogue. They also wrote catalogue entries on a group of fifteenth-century works and chairman of the department of the history of art at the University of California, Santa Cruz. The interests and from the National Gallery collections that went on view in the exhibition Italian Renaissance Sculpture in the Time of experience of Ms. Rosenthal make a complement to those Donatello at the Detroit Institute of Arts (23 October of Jack Cowart, the department head. Joseph Hershenson, research assistant in Renaissance 1985-5 January 1986) and at the Kimbell Art Museum, painting, left at the end of 1984 to pursue graduate study. Fort Worth (22 February-27 April 1986). The exhibition Marion Call is Diffenderfer left in July 1985 to become commemorated the six-hundredth anniversary of the birth assistant for loans at the National Lending Service. The of Donatello. summer intern was Cynthia Cote. Suzanne Lindsay joined Planning continued, in cooperation with the Smith- the staff of the department of modern painting in Septem- sonian Institution Traveling Exhibition Service, for the ber 1985 as a research associate for the Morisot exhibition. show Renaissance Master Bronzes from the Kunsthistorisches Museum, Vienna, to take place at the National Gallery ol In the area of twentieth-century art, assistant curator Eliza Rathbone left the Gallery this year to become associ- Art in the fall of 1986. Some seventy-five major bronzes ate curator of The Phillips Collection. Susan Pitler, depart- from Italy and northern Europe, including works by Riccio, ment secretary, went on maternity leave in July; she is Antico, and Giambologna, were to be lent to the National being replaced by Kate Allen. In March 1985 Franklin Gallery for this exhibition. Kelly joined the American department as assistant cura- The sculpture department took part in a symposium on tor. He was formerly associate curator of paintings at the Renaissance plaquettes, sponsored by the Gallery's Cen- Minneapolis Institute of Arts and in 1981-1983 he was a ter for Advanced Study in the Visual Arts (CASVA), on Samuel H. Kress Fellow at the Gallery's Center for Ad- 21-22 March 1985. Experts from the United States and vanced Study in the Visual Arts. Europe discussed various problems concerning the art Various volunteers contributed to the research projects form. This gathering was the latest in a series that began in undertaken during the year. Alice Kreindler assisted with 1983 with two lectures celebrating the opening of new research on the British paintings. Greg Rubinstein, from sculpture galleries, and continued in 1984 with a sympo- the Williams College Graduate Program in the History of sium on Renaissance medals. Art, spent a January term here helping to write text labels For the occasion of the plaquette symposium, the Musee for the Dulwich exhibition. Shirley Bennett, who was the du Louvre lent the National Gallery an important early University of Maryland intern at the National Gallery, sixteenth-century bronze group, Saint Christopher Carry- spent the spring semester doing research on Rembrandt ing the Christ Child, by Severo da Ravenna. The group is for the systematic catalogue of Dutch painting. Sara Wages, composed of a Saint Christopher belonging to the Louvre the National Gallery of Art intern for the summer, did and a Christ Child with the globe belonging to the National research on landscape paintings in the Dutch collection. Gallery. The group has been reunited since 1971 when it Important contributions to research on the twentieth- was discovered that the two bronzes fit together perfectly. century volumes of the systematic catalogue were made At that time the Christ Child was placed on indefinite loan by volunteers Carma Fauntleroy and Sharon Wilenski, to the Louvre, and the symposium was only the second

95 occasion on which the united group was exhibited at the this year on landscape prints, with an accompanying room National Gallery. The Saint Christopher group was dis- of landscape drawings, and figure prints, with a room of played together with a major National Gallery of Art figure drawings, as well as selections from the Index of acquisition that seems to be an iconographic counterpart American Design. to it, Severe da Ravenna's bronze Kneeling Satyr Support- Department members organized a large number of the- ing the Figure of an Emperor. matic exhibitions this year. The most extensive and com- A number of important American Beaux-Arts bronzes plex was Gemini G.E.L.: Art and Collaboration, a show of with allegorical and mythological themes from a private 110 prints and sculptures plus preliminary studies and collection were lent to the National Gallery in 1985 for working proofs by thirty-one contemporary American art- exhibition in 1986. Major bronzes from other private ists celebrating the founding of the Gallery's Gemini G.E.L. collections that were lent to and exhibited by the Gallery Archive. Master Prints from Washington Private Collections included Johann Gregor van der Schardt's Minerva, belong- was organized on the occasion of the twentieth anniver- ing to an anonymous private collector, and Gian Lorenzo sary of the Washington Print Club. The ninety prints Bernini's Saint Bibiana, lent by John R. Gaines. included a number of unique, rare, and extraordinarily August marked completion of the renovation of a room fine impressions. Robert Nanteuil: Portrait Engraver to the adjacent to the ground-floor small sculpture exhibition Sun King consisted of fifty-five prints by the French seven- galleries. It will serve as a new study, storage, and seminar teenth-century master and his contemporaries, drawn from room to house the National Gallery of Art's preeminent the Gallery's extensive holdings. In the exhibition John collection of small bronzes, medals, and plaquettes. Cabi- James Audubon: The Birds of America were fifty-four hand- nets, study tables, a seminar table and slide projection colored engravings from Audubon's ambitious publica- system, display cases and special lighting were designed by tion, The Birds of America (1827-1838). The Index of the Washington firm of Keyes, Condon and Florance, American Design: Watercolors of American Decorative Arts under the supervision of the sculpture department. The included eighty-five renderings organized to reflect the new room provides an excellent setting for examination various geographic regions of the United States in which and study of our superb collection of bronzes. the original objects as well as the Index watercolors were Summer interns Mary Christian and Susan Lynch did produced. A merican Naive Watercolors and Drawings, orga- research toward a number of new sculpture attributions. nized by a curator from the Department of American Art, Interns Susan Lynch and Kimball Clark collaborated in an included forty-nine works given by Edgar William and intensive campaign to weigh, measure, and transcribe the Bernice Chrysler Garbisch. As the year ended, we opened collection marks on medals and plaquettes, including the German Expressionist Prints from the Collection of Ruth and establishment of Munsell color chart equivalents, to pro- Jacob Kainen. The ninety works, drawn from one of the vide documentation for the systematic catalogue volumes. finest private collections, showed a survey of the expres- The work went on under the supervision of the objects sionists' freedom in draftsmanship and creative use of conservation staff and curatorial assistant Christopher printmaking media, with special emphasis on Ernst Ludwig Fulton. Mr. Fulton, who first joined the department in Kirchner. Each of these exhibitions was accompanied by a 1983 as a summer intern, departed at the end of August to scholarly catalogue or brochure. assume his new duties as curator of the Allentown Art Other exhibitions were organized by guest curators, Museum. Alan Braddock, a 1984 summer intern and a with extensive help from department members. Old Mas- curatorial assistant after October 1984, continued in that ter Drawings from the Albertina included some of the finest capacity, with particular responsibilities for aiding in sys- drawings in the world; an extraordinary group of ten tematic catalogue research. Durers was accompanied by other early German, Nether- Gladys Clearwaters, the sculpture department secre- landish, Italian, and French masterpieces. Leonardo da tary since 1977, left and was succeeded by Wilhelmina Vinci Drawings of Horses from the Royal Library at Windsor Johnson. Castle comprised fifty sheets by the incomparable Italian master showing the variety of his approach to horses and GRAPHIC ARTS other real and imaginary animals. Leonardo to Van Gogh: This was our third year exhibiting prints and drawings in Master Drawings from Budapest, the first exhibition from the new suite of fourteen galleries in the West Building. the Szepmiiveszeti Muzeum brought to the United States, Exhibitions in the rotating series, using works from the included drawings from the late quattrocento through the Gallery's permanent collection and providing continuing end of the nineteenth century, such as Leonardo studies historical surveys of major artists' prints, were focused and an extensive group from the early German Danube

96 school. Master Drawings jrom Titian to Picasso: The Curtis Among gifts of prints, the eighteenth century was pre- 0. Baer Collection contained one hundred masterworks dominant: there were Bernardo Bellotto's large and from this major private collection. Thomas Morans Water- beautiful etching Village on a Riverbank, given by David colors of Yellowstone showed nineteen brilliant sheets from Tunick, a group of ten prints related to Boucher, given by the Thomas Gilcrease Institute of American History and Regina Slatkin, and twelve French portrait engravings, Art in Tulsa, Oklahoma. Each of the above exhibitions given by John O'Brien. Frank and Jeannette Eyerly was also accompanied by a catalogue or brochure. donated a fine John Sloan monotype, McSorley's, as well Gifts of drawings this year included three outstanding as a charming late watercolor by Arthur Dove, Along the groups. Julius S. Held added sixty-nine old-master and Shore. Other prints, drawings, and illustrated books were modern drawings to those already here from his collec- given by a number of friends including Ruth Benedict, tion. The new ones include sixteenth- to nineteenth- Arthur and Charlotte Vershbow, William B. O'Neal, Mr. century French, British, Italian, and Netherlandish draw- and Mrs. Martin Atlas, and Nancy and Miles Rubin. ings, with a strong group by Flemish artists around Rubens. Purchases of drawings were highlighted by a number of This gift adds numerous sheets by artists previously un- fine Netherlandish works: an elegant Karel van Mander; represented in our collection. two chalk drawings by Hendrick Goltzius, one early and The second group was an extraordinary selection of softly modulated, the other late and bold; a fresh sheet of works by Max Beckmann given by Quappi Beckmann, the studies by Abraham Bloemaert; a Lion Hunt by Pieter artist's widow. It includes drawings, portfolios, prints, Soutman and Peter Paul Rubens; Jan Fyt's Still Life with illustrated books, and a partially cut woodblock. The cen- Children Feeding Goats; and one of Bartholomeus Breen- terpiece is the artist's own collection of forty-four sketch- bergh's most striking large Italian drawings. Among other books spanning his entire working life. These sketchbooks purchases, we added our first Jusepe de Ribera and a direct have been complemented by Mrs. Frederick Zimmer- yet sensitive eighteenth-century pastel and watercolor by mann's gift of forty-nine Beckmann drawings from the 1920s Giuseppe Nogari. Our small English collection continued through the 1940s, most of a warmly personal nature. to grow with a chalk drawing by Franz Cleyn and a fine The third major group was Julia Engel's bequest of her example of Alexander Cozens' brush landscapes. choice collection of works by Winslow Homer and Purchases of prints included perhaps the finest surviv- Everett Shinn. The five Homer watercolors from his ing impression of Jacopo de' Barbari's large and beautiful English and Cuban periods include one of Homer's finest engraving, Mars and Venus. We also acquired a rich art- classical works, Mending the Nets. We received two other ist's proof of one of Gainsborough's soft-ground etchings important American watercolors: the large and beautiful and the earliest surviving collection of Piranesi's Vedutedi Saint Mark's, Venice, by Maurice Prendergast, donated Roma still in its original binding. Thirty-seven early states by Mrs. Charles Prendergast, and the subtle The Stall, completed our collection of portraits by one of the most by Andrew Wyeth, bequeathed by Mrs. Sarah Barney sensitive and telling portrait printmakers, Jean Morin. Lefferts. Finally, from the French nineteenth century, we pur- Gifts of individual drawings this year included two rare chased a striking Corot etching printed in rust-colored early Italian works, Pinturicchio's study of Grotteschi, ink, a rare Daubigny cliche-verre in brush technique, and given by Mrs. John Steiner, and one of Jacopo Ligozzi's Gauguin's zincograph Les Laveuses from the first edition finest drawings, Avarice, donated by Robert H. and Clarice on brilliant yellow paper. Smith. Paul Mellon provided the funds to purchase John Work proceeded on the computerization of our graphic Constable's A Great Elm Tree, which marvelously reveals art collection. The drawings have been finished, and eleven Constable's sensitivity to the effects of light and weather. thousand prints were completed as of 30 August 1985. The Friends of Mary Kelly, a Gallery docent for many years, Index of American Design continued to make audiotaped donated funds to help purchase a charming Hubert Robert, interviews with former Index artists, and that entire col- Three Ladies Chatting. Ruth and Jacob Kainen gave Ernst lection was placed in new high-density mobile storage Ludwig Kirchner's extremely swift but completely com- units which will significantly expand graphic arts storage posed Three Bathers in the Sea. Six early drawings of Italy capacity in the West Building. by M. C. Escher, including four he used for prints, were Robin Dowden joined the Gallery's staff to work on the added to the Gallery's fine collection of his prints by computerization of the prints and drawings. We also wel- Arthur G. Rosen, Martin N. Rosen, and Dr. and Mrs. comed receptionist/typist Tom Coolsen to the department. Ronald H. Cordover, who also gave the five original wood- We received 953 visitors to work in our two study blocks for Escher's Circle Limit III. rooms this year, accessioned or catalogued 430 works of

97 art, and lent 78 works to twenty-four exhibitions in this sculpture, drawings, and decorative arts objects in the country and abroad. collection. Work proceeds on recording prints and the watercolor renderings in the Index of American Design. A SENIOR CURATORIAL STAFF new project, under Joyce Giuliani, will gather data about John Wilmerding, deputy director the acquisition history of each object. Robin Dowden, Sydney J. Freedberg, chief curator who has worked on development of the data base for four Andrew Robison, senior curator and years, has assumed responsibility for managing it and for curator of graphic arts acquainting staff throughout the Gallery with the art David A. Brown, curator of Renaissance painting information system and its many applications in their Nicolai Cikovsky, Jr., curator of American art activities. A user's manual has been prepared, and a cata- John C. Cowart, curator of twentieth-century art loguer's manual is almost ready. Diane DeGrazia, curator of graphic arts As we move into developing more complex extensions Ruth Fine, curator of graphic arts of the data base, such as information on provenance, John Hand, curator of northern Renaissance painting exhibition history, and bibliography, we anticipate fruit- Douglas Lewis, curator of sculpture ful cross-pollination with the Museum Prototype Project. Nan Rosenthal, curator of twentieth-century art The Gallery is one of eight major museums taking part in H. Diane Russell, curator of graphic arts this endeavor, sponsored by the J. Paul Getty Trust, to Charles Stuckey, curator of modern art develop a standard for computer cataloguing of scholarly Arthur K. Wheelock, Jr., curator of northern data on Western paintings. It is hoped that it will lead baroque painting eventually to a shared data base in which many more Martha Wolff, curator of northern Renaissance painting museums can participate, and to which scholars can have access. J. Russell Sale, formerly of the National Gallery's DIVISION OF RECORDS AND LOANS education department, has served as acting director of the prototype project during much of the year. During this Considerable progress was made during the year on The time M. E. Warlick assumed his role as the Gallery's Collections of the National Gallery of Art: Systematic research curator for the prototype project. Catalogue. The first of twenty-seven projected volumes, The registrar's office has undergone a year of intense Early Netherlandish Paintings was written by National activity in preparation for the forthcoming Treasure Houses Gallery curators John Hand and Martha Wolff and is in of Britain exhibition, one of the most complex ever under- production. The second and third volumes, dealing with taken by the Gallery. In addition, during the past year the Gallery's non-Western decorative arts and with a they recorded the accession of fifteen paintings, sixteen segment of its sculpture and Western decorative arts pieces of sculpture, and 430 works of graphic art, a total of holdings, are well advanced. Careful research by outside 461 objects. The Gallery received 394 shipments containing specialists preparing these volumes in areas of expertise 2,108 works of art, and sent out 356 shipments of 1,521 not covered by the Gallery's curatorial staff, such as furni- works of art. Some seventy permits to copy works in the ture, tapestries, rugs, and Chinese porcelains has been collection were issued. immediately useful; our enhanced knowledge about these During fiscal 1985, the department of loans and the objects is already being reflected in the curatorial records National Lending Service administered the loans of 142 and the computerized data base. objects on outgoing loan to forty-one exhibitions at fifty- Many aspects of our records will be strengthened by the nine other institutions and 232 objects on extended loan intense scholarly study undertaken for the systematic to forty-eight museums and United States government offi- catalogue project. The results to date have already been cials and embassies. In addition, four paintings were on incorporated in the latest edition of the Summary Cata- temporary exchange loan at two foreign and two domestic logue of European Paintings, which will be issued soon. For institutions. Within this total figure, there were 99 objects the first time this catalogue, which has traditionally been from the National Lending Service lent to twenty exhibi- revised every decade, was typeset directly from the auto- tions at thirty-one institutions. The majority of objects on mated data base, a method that yields considerable econo- extended loan, 230 works, are from the lending service. mies in production time and printing costs and greatly One NLS painting, At the Water's Edge by Cezanne, was on reduces the possibility of error. temporary exchange loan at the Southampton Art Gal- The computerized data base now contains over 22,000 lery, Southampton, England. records on individual works of art, including all paintings, With the encouragement of the Board of Trustees, the

98 National Lending Service will in the coming year begin to Number and Former A ttribution Changed to lend larger groups of objects to museums throughout the 1961.9.80 country. Works from the Index of American Design have Bertoia Giovanni Sons been selected for this new loan program, and we hope to The Judgment of Paris offer groups of contemporary prints and of Catlin and Samuel H. Kress Collection Rothko paintings in the future. The concept is that a 1960.6.5 Attributed to Correggio After Correggio museum could borrow a selection of up to fifty objects, Madonna and Child with the Infant tailored to its available space and time, and to some extent Saint John adjustable to its programmatic needs as well. In this way the Timken Collection National Gallery hopes to share more of its resources with 1937.1.15 Domenico Veneziano Florentine, 15th century smaller institutions and make its holdings more available Matteo Olivieri c. 1440-1450 (object date) to Americans who are unable to journey to Washington. Andrew W. Mellon Collection Mary Suzor assumed the position of registrar upon 1939.1.98 Peter Davidock's retirement. Judy Cline replaced Samantha Dosso Dossi Jacopo Tintoretto The Standard Bearer Portrait of a Man as Saint Johnston as museum technician in the registrar's office, Samuel H. Kress Collection George and Rachel Danzing joined the staff as secretary. Stephanie 1956.9.1 Belt moved from the department of exhibitions and loans Thomas Gainsborough Thomas Barker of Bath to become head of the newly-created department of loans Shepherd Boys and Dog Sheltering c. 1790 (object date) and the National Lending Service, which administers loans from Storm Gift of Howard St urges to and from the Gallery's collections. Cheryl Mauser and 1963.10.153 subsequently Marion Diffenderfer have served as assistants Vincent van Gogh Imitator of van Gogh for the National Lending Service. Self Portrait Portrait of van Gogh Chester Dale Collection 1925/1928 (object date) 1937.1.32 CHANGES OF ATTRIBUTION Andrea Mantegna Paduan, 15th century Saint Jerome in the Wilderness c. 1450/1460 (object date) The following changes of attribution are the result of Andrew W. Mellon Collection scholarly research utilizing the latest art historical investi- 1952.5.23-26 gations and scientific examinations. It is the policy of Simone Martini and Assistants Workshop of Simone Martini Saints Matthew, Simon, James Major, the National Gallery of Art to publish these changes and Thaddeus regularly. The following changes in attribution were made Samuel H. Kress Collection and approved by the Gallery's Board of Trustees during 1937.1.14 the 1985 fiscal year. Masaccio Florentine, 15th century Profile Portrait of a Young Man c. 1430-1450 (object date) Andrew W. Mellon Collection PAINTING The following list is arranged in alphabetical order accord- 1937.1.6 a-c Master of the Fabriano Altarpiece and Puccio di Simone and ing to former attribution; where more than one work Allegretto Nuzi Allegretto Nuzi by an artist was reattributed, the objects appear alpha- Madonna Enthroned with Saints betically by title. Andrew W. Mellon Collection 1952.4.1 Number and Former A ttribution Changed to School of Parmigianino Giovanni Andrea Donducci, 1978.80.16 A llegorical Landscape called Mastelletta American School Ammi Phillips Gift of Duncan Phillips Catherine A. May 1939.1.280 Gift of Edgar William and Bernice Chrysler Perugino Follower of Perugino Garbisch Saint Jerome in the Wilderness 1953.5.59 Samuel H. Kress Collection American School Ammi Phillips 1939.1.79 The Strawberry Girl Pontormo Florentine, 16th century Gift of Edgar William and Bernice Chrysler Ugolino Martelli Garbisch Samuel H. Kress Collection 1960.6.1 1942.9.76 Attributed to Giovanni Bellini Venetian, 15th century Sir Joshua Reynolds After Sir Joshua Reynolds Portrait of a Man late 15th century (object Nelly O'Brien 19th century (object date) Timken Collection date) Widener Collection

99 Number and Former A ttribution Changed to Number and Former A ttribution Changed, to

1937.1.35 1939.1.321 Titian Attributed to Titian Giovanni Antonio Amadeo Workshop of Giovanni Andrea dei Frariceschi Kneeling Angel Antonio Amadeo Andrew W. Mellon Collection Samuel H. Kress Collection 1939.1.326 1937.1.36 Desiderio da Settignano Andrea del Verrocchio Titian Polidoro Lanzani Bust of a Lady A Lady of the Vespucci Madonna and Child and the Infant Saint Samuel H. Kress Collection Family (?) John in a Landscape Andrew W. Mellon Collection 1939.1.333 Andrea del Verrocchio Francesco di Simone Ferrucci 1956.13.8 The Adoration of the Shepherds Unknown Susan C. Waters Samuel H. Kress Collection Brothers, c. 1845 Gift of Edgar William and Bernice Chrysler 1939.1.336 Garbisch Pyrgoteles Lombard, early 16th century Madonna and Child with Saints Madonna and Child with 1953.5.38 Samuel H. Kress Collection Saints and Donors Unknown After Susan C. Waters Henry L. Wells, c. 1845 1942.9.115 Gift of Edgar William and Bernice Chrysler Donatello Bernardo or Antonio Garbisch David of the Casa Martelli Rossellino Widener Collection 1955.11.8 Unknown Susan C. Waters 1942.9.137 Henry L. Wells, 1845 Italian, 16th century North Italian (Paduan?) Gift of Edgar William and Bernice Chrysler probably Leone Leoni c. 1500-1525 (object date) Garbisch A Warrior Widener Collection 1939.1.142 Venetian School (Possibly Giorgione) Circle of Giorgione 1943.4.78 Venus and Cupid in a Landscape Antonio Rossellino After Antonio Rossellino Samuel H. Kress Collection Madonna and Child with Angels Samuel H. Kress Collection 1955.11.7 Susane Walters Anonymous American, 1943.4.81 Memorial to Nicholas M. S. Catlin 19th century Andrea del Verrocchio Master of the David and Saint Gift of Edgar William and Bernice c. 1852 (object date) David John Statuettes Chrysler Garbisch Samuel H. Kress Collection 1971.83.21 1943.4.84 Attributed to William John Wilgus After William John Wilgus Leone Leoni Attributed to Giovanni Ichabod Crane and the Headless Horseman Giovanni Capponi Caccini Gift of Edgar William and Bernice Chrysler Samuel H. Kress Collection Garbisch 1943.4.85 Alessandro Vittoria Venetian, late 16th or early SCULPTURE Jacopo Contarini 17th century The following list is arranged by accession number. Samuel H. Kress Collection A Knight of Santiago

Number and Former Attribution Changed to 1943.4.86 Germain Pilon Barthelemy Prieur 1937.1.120 A llegory of Victory Justice Giovanni Antonio Amadeo Benedetto Briosco Samuel H. Kress Collection Lodovico Sforza, Called II Moro Lodovico Sforza, Duke of Bari 1957.14.7 Andrew W. Mellon Collection Florentine, 16th century Roman, 18th century, 1937.1.121 Lion after the antique Giovanni Antonio Amadeo Workshop of Benedetto Samuel H. Kress Collection Gian Galeazzo Sforza Briosco 1957.14.50 Andrew W. Mellon Collection Gian Galeazzo Maria Sforza, Venetian, second half 16th cenury Workshop of Francesco Duke of Milan Cupid on a Dolphin Fanelli 1937.1.130 Samuel H. Kress Collection c. 1635-1660 (object date) Studio of Benedetto da Maiano Benedetto da Maiano Saint John the Baptist 1957.14.53 Andrew W. Mellon Collection North Italian, 16th century Severn da Ravenna 1939.1.319 Child with a Ball The Christ Child Annibale Fontana After Annibale Fontana Samuel H. Kress Collection The Adoration of the Shepherds Samuel H. Kress Collection

100 Number and Former A ttribution Changed to Number and Former A ttribution Changed to

1957.14.148 1961.1.5 Florentine, 15th century Roman, mid-15th century, Attributed to Michelangelo Follower of Michelangelo Apollo and Marsyas after the antique Apollo and Marsyas Buonarroti Samuel H. Kress Collection Samuel H. Kress Collection

1957.14.149 GRAPHICS Florentine, 15th century Roman, mid-15th century, The following list is arranged alphabetically by former Apollo and Marsyas after the antique Samuel H. Kress Collection artist. Former accession numbers are given in parentheses 1957.14.150 following the new accession numbers. Florentine, 15th century Roman, mid-15th century, Bacchus and A riadne in a Chariot after the antique Number and Former A ttribution Changed to Samuel H. Kress Collection 1972.57.1 a,b (6 26,201) 1957.14.154 Anonymous Italian, Ferrarese Biagio Pupini Florentine, 15th century Roman, mid-15th century, The Standing Magdalene with Magdalene Mary Magdalene Ceres and Triptolemus after the antique in the Wilderness Samuel H. Kress Collection Ailsa Mellon Bruce Fund 1957.14.160 1973.11.1 (B 26,222) Florentine, 15th century Roman, mid-15th century, Anonymous Netherlandish Attributed to Pieter de Jode I Diomedes and the Palladium after the antique Christ Healing the Leper Samuel H. Kress Collection Ailsa Mellon Bruce Fund 1957.14.161 1971.60.2 (B 25,803) Florentine, 15th century Florentine, late 15th or early Bartholomeus Breenbergh Filippo Napoletano Diomedes and the Palladium 16th century, after the Landscape with Large Rock Samuel H. Kress Collection antique Ailsa Mellon Bruce Fund 1957.14.162 1943.3.8886(8 10,951) Florentine, 15th century Roman, mid-15th century, Bernardo Castello Anonymous North Italian, Diomedes, Ulysses and the Palladium after the antique Virtue Triumphing over Vices 16th century Samuel H. Kress Collection Rosenwald Collection 1957.14.164 1943.3.3830(8 6,855) Florentine, 15th century Roman, late 15th or early Jean Louis Forain Edgar Degas Warrior Fighting a Horseman 16th Century, after the Mile Becat Samuel H. Kress Collection antique Rosenwald Collection 1957.14.169 1964.3.1 (B 22,715) Florentine, 15th century Roman, mid-15th century, Orazio Gentileschi After Orazio Gentileschi Abundance after the antique The Lute Player Samuel H. Kress Collection Gift of David E. Rust 1957.14.497 1973.50.1 (B 26,782) Valerio Belli Anonymous Italian, Gianbattista Piazzetta Pietro Roselli Christ Appearing to the Apostles 16th century The Virgin Appearing to Saints The Apotheosis of Saint Mark Samuel H. Kress Collection Ailsa Mellon Bruce Fund 1957.14.676 1974.78.1 (B 27,278) Giancristoforo Romano Circle of Giancristoforo Lodoweijk Toeput, called Pozzoserrato Attributed to Hermann Weyer Beatrice of A ragon, 1457-1508 Romano Abraham and Isaac Samuel H. Kress Collection Ailsa Mellon Bruce Fund 1957.14.744 a, b Vittore Gambello Circle of Vittore Marco Barbarigo, c. 1413-1486, Gambello, called LIBRARY Doge of Venice, 1485 Camelio Samuel H. Kress Collection Reader services spent a busy year working to improve 1957.14.746 a, b services in all areas, learning to use new on-line biblio- Style of Vittore Gambello Circle of Vittore Andrea Gritti, Doge of Venice Gambello, called graphic research data bases, and assimilating the changes 1523-38; Venetia Holding Camelio taking place in the field of information organization and Scales and Cornucopia retrieval. Requests from casva fellows with their heavy use Samuel H. Kress Collection of interlibrary loan service, the special research needs of 1961.1.4 German (?), late 19th century C. Verona curators working on the Gallery's systematic catalogue, Louis XIV Probably c. 1875-1900 (object and the projects of the Gallery's summer interns add to the Samuel H. Kress Collection date) volume of work in circulation, reference, and interlibrary loan. Reader services provided library orientation and

101 reference instruction and maintained book reserve shelves tary material received special attention this past year. for students from area colleges and universities. Through a generous grant from the Andrew W. Mellon In addition to the many repeat library users from local Foundation we were able to hire a professional librarian for museums, universities, government agencies, commercial a one-year temporary appointment which has been ex- galleries, and private collectors, the library continues to tended for an additional year. An enormous quantity of serve a broad range of new users, many of whom are material (more than eleven thousand items) has been visiting scholars from across the United States and abroad. processed and filed, the appearance of the room improved, Visitors this year came from the major cities in Europe, in and a circulation system developed. In addition, the sub- addition to Melbourne, Canberra, Jerusalem, Mexico City, ject vertical file has been reorganized, with Library of Montreal, Hong Kong, and Shenyang, China. Congress and Art Index subject headings used as sources The circulation section reorganized many procedures. for establishing subject headings; files have been expanded A systematic check of circulation charges was instituted to and cross-references have been included where necessary. match charge records with each book, to renew books out There was a significant increase in monographic bind- for six months or longer, and to help locate missing books. ing resulting from the completion of the ILS (Integrated The project was very successful, and it is hoped that staff Library System) cataloguing project. In the future we can will be available soon for it to resume. expect greater binding activity as the various special col- Surprisingly, the statistics for fiscal 1985 show that lections are catalogued and the backlog is reduced. some circulation figures are down. These include outside The library received gifts from seventy-five individual visitors, new registrants, volumes retrieved, and volumes donors, including Mrs. Max Beckmann, who gave 2 books reshelved. Other figures, however, have increased. For dealing with her late husband's work, and William instance, reference queries, computer-based searches, Dickinson, who gave a 10-volume set Costumes, oeuvres interlibrary loans, and tours are up. However, there is d'art et ustensiles depuis le commencement de moyen-age more in-depth service to individual readers, a fact that jusqu'a la fin du dix-huitieme siecle by J. H. de Hefner- does not show up in the figures. Alteneck, in memory of Mr. Dickinson's late father. New acquisitions of the reference section were: Mrs. Sarah Epstein continued to enrich our holdings on Archives of American Art, The Card Catalog of the Oral Edvard Munch through a donation of English translations History Collections of the Archives of American Art (Wash- of Swedish articles on Munch and also translations of ington, Scholarly Resources, 1984). diaries by members of his family. Mr. and Mrs. Jacob Donald Matthew, Atlas of Medieval Europe (New York, Kainen gave exhibition catalogues and pamphlets, and 1983). George Kelly donated 8 volumes on French and Italian The Folger Shakespeare Library, Catalog of Prints, Engrav- eighteenth-century decorative arts. The late Mark Millard ings, Photographs and Other Art Materials, 4 volumes gave 5 important and rare books on architecture, includ- (Boston, 1984). ing La pittura di Leonbattista Alberti (1547), I died libri de Willi August Koch, Musisches Lexikon: Kunstler, Kunstwerke Varchitettura di Leon Battista Alberti (1546), Leonis Baptiste and Motive aus Dichtung, Musik and bildender Kunst (Stutt- Alberti de Re Aedificatoria (1485), and Theatrum pontificale gart, 1976). oder Schau Platz der Briicke und Briickenbaues by Jacob Glenn B. Opitz, Dictionary of American Sculptors: 18th Leupold (1726). Althea Schlenoff donated 14 volumes on Century to the Present (Poughkeepsie, 1984). French history and culture and John Walker, director Brigid Peppin, Book Illustrators of the Twentieth Century emeritus, gave 350 books, periodical volumes, and cata- (New York, 1984). logues to the library. In addition, nga staff members and The gift and exchange section continued to record large casva fellows made important contributions to the col- amounts of material from exchange partners and donors. lection. During the past year there was a significant increase in the In June the library became an official contributing number of incoming gifts. We are systematically reducing member of SCIPIO, the auction catalogue data base of the the backlog of unprocessed gift collections and are now Research Libraries Group (rlg). able to keep current with the increasing volume of mate- Major purchases of periodicals this year included: rial that is acquired by donation. This is particularly Le Fait Accompli, numbers 1-135 (1968-1975). important because a number of gifts are books already on Vortrage der Bibliothek Warburg, volumes 1, 3-6, 8 (1921/ order, and we can avoid unnecessary duplication and ex- 1922-1928/1929). penditure of funds by processing them promptly. Konstrevy, volumes 1-37 (1925-1961). The vertical file collection of pamphlets and documen- Bulletin de la Societe pour la Conservation des Monuments

102 Historiques dAlsace, n.s., volumes 1-27 (1862-1956). Cataluna Artistica, series 1-2 (1900-1905). Geseta de les Arts, series 1-2 (1924-1980). Homo (1899-1901). D'Aci i d'Alla, volumes 1-13 (1918-1924). In addition to our current subscriptions to 869 serials, we purchased 1,258 noncurrent European and American auc- tion catalogues, primarily of the nineteenth and early twentieth centuries. In fiscal 1985 the cataloguing section took significant steps to improve access to the library's resources. The library adopted RLIN (the Research Libraries Information Network) as its chief cataloguing system in March. By joining this system, we became a contributing member of a select group of museum and research libraries specializing in the fine arts. By the end of the year approximately 1,500 titles had been catalogued on RLIN. Membership in RLIN and support from the J. Paul Getty Trust enabled the section to begin a long-awaited project to convert pre-1978 manual cataloguing records into machine-readable form. This two-year project will add approximately 30,000 nga cataloguing records to the RLIN data base and bring the library closer to having a thoroughly automated catalogue. The OCLC (Online Computer Library Center) system was used for two cataloguing projects. Approximately 2,200 artist monographs in the old classification scheme were recatalogued and reclassified into the N44 classification scheme. TeleSec, an outside contractor, catalogued 850 titles from various special collections and from the regular backlog to our specifications on OCLC. These titles were subsequently added to the LS2000 (formerly the ILS, Integrated Library System); this system now contains 4,536 records. The section plans to prepare 1,900 addi- tional titles from the regular backlog to be catalogued by TeleSec on OCLC during fiscal 1986. All cataloguing done on OCLC will eventually be transferred via magnetic tape into the RLIN system. The Reti and Sallemi collections of Leonardo da Vinci material were searched on RLIN by the library's 1985 summer intern and are now being catalogued. National Gallery library The order section processed all requests for purchase in an exemplary manner. The section was short-staffed and Giorgio Beltrutti, La Sacra di San Michele: vicende storiche della grande Abbazia e del Piemonte narrate in Chronica Monasterii yet significantly increased both the number of titles Sancti Michaelis Clusini . . . (Cuneo, 1984). searched and the number of titles actually purchased. Edmund Wilhelm Braun, Die Bronzen der Sammlung Guido von Notable acquisitions for the year include: Rho in Wien (Vienna, 1908). Accademia Virgiliana di scienze, lettere ed arti, Mantua. Museo Cenni storici sullefamiglie di Padova esui monumenti dell'Universitd della Reale accademia di Mantova (Mantova, 1790). premesso un breve trattato sull'arte araldica (Padova, 1842). Album du Salon de 1840, de 1841, de 1842, de 1843, & de 1844; Pietro Grazioli, Depraeclaris Mediolani aedificiis quae aenobarbi collection desprincipaux ouvrages exposees au Louvre (Paris, 1844). cladem antecesserunt dissertatio . . . (Milan, 1735).

103 Jacopo Grimaldi, Descrizione della basilica antica di S. Pietro in There were significant staffing changes in the past year. Vaticano: Codice Barberini latino 2733 (Vatican, 1972). Three longtime employees retired: Katie Heflin, head of Charles Antoine Jombert, Nouvelle methode pour apprendre a the order section, Dorothy Faul from gift and exchange, dessiner sans maitre, ou Ion expliquepar nouvelles demonstrations and Murial Reichard from the cataloguing section. Jane les premiers elemens et les regals . . . (Paris, 1740). Collins resigned from her position as head of cataloguing Andreas Rudolf Karlstadt, Von abtuhung der Bylder, unddaskeyn Betdler anther den Christen seyn soli (Wittenberg, 1522). but continues as a part-time cataloguer and Roger Lawson Die Kunstdenkmaler der Provinz Brandenburg. Band 2, Teil 3. Die was appointed the new head of the section. Julia Wisniewski Kunstdenkmaler von Stadt und Dom Brandenburg (Berlin, 1912). received a promotion to a professional cataloguing position. Die Kunstdenkmaler der Rheinprovinz. Band 6, Abteilung 1 and 2. New appointments include Cassandra Johnson, vertical Die Kunstdenkmaler der Stadt Koln (Dusseldorf, 1906). file librarian, James Gerrity, circulation technician, George Laszlo Moholy-Nagy, L. Moholy-Nagy; 60fotos (Berlin, 1930). T. Dalziel, Jr., reference technician, and Mary Wasserman, Alessandro Luzio, II trionfo di Cesare di Andrea Mantegna (Roma, order technician. 1940).

M. Matet, Tapis modernes (Paris, 1929). COMPARATIVE LIBRARY STATISTICS-FISCAL YEARS Jean Michel Moreau, Carnet de croquis: facsimilie de I'album du 1984 & 1985 Musee du Louvre (Paris, 1914). 7984 7985

Pellegrino Antonio Orlandi, Abecedariopittorico dalVorigine delle Total volumes (monographs, bound belle arti a tutto I'anno MDCCLXX V: supplemento alia serie dei serials including auction catalogues, trecento elogi e ritratti degli uomini i piu ill. pamphlets, microforms) 116,252 122,164 Francisco Pacheco, Libro de descripcion de verdaderos Retratos de Serials accessioned (including auction Ilustres y Memorables Varones (Primera reproduccion facsimilar catalogues) 17,237 13,364 que se hizo en Sevilla en 1870 del manuscrito de 1599). Titles/volumes acquired with federal Paris, Salon. More than 200 catalogues ranging from 1806 to funds 1,107/1,436 1,447/1,716 1944. Titles/volumes acquired with trust funds 2,934/3,084 488/519 Arsene Alexandre, Jean-Franco is Raffaelli, peintre, graveur et Titles/volumes acquired by gift 939/1,012 1,433/1,500 sculpteur (Paris, 1909). Titles/volumes acquired by exchange 617/633 561/617 Roma anno 1300: atti della IVsettimana di studi di storia delVarte Added microform titles 43 13 medievale dell'universitd di Roma La Sapienza" (Rome, 1983). Added vertical file material 1,769 11,974 Jakob Christian Schacffer, Entwurf einer allgemeinen Farbenverein Added unprocessed ephemera 1,981 1,682 oder Versuch und Muster einer gemeinnuetzlichen Bestimmung urtd NGA publications distributed to Benennung der Farben (Regensburg, 1769). exchange partners 1,200 1,778 Les tendances nouvelles (Paris: Union Internationale des beaux- Continuing serial subscriptions 888 869 arts, des lettres, des science & de [Industrie). Total serial titles/volumes 1,623/17,320 1,644/18,867 Delineatio statuarum et imaginum turn simplicium, turn composi- Library Services tarum, sive configurationum, thermarum fontium, vasorum, et orna- Reference inquiries 4,918 7,663 mentorum similium . . . (s.I.: Michaelis Wagneri, 1755). Computer-based bibliographic searches La Toscane: album pittoresque et archeologique {Firenze, 1973). (RLIN, OCLC, ILS, ARTQUEST, DIALOG) 1,865 2,603 Notable microfilm/microform acquisitions include: Outside visitors 2,622 1,718 Armenian Architecture: A Documented Photo-archival Collection on New registrants 423 416 Microfiche for the Study of Armenian Architecture Transcaucasia . . . Volumes retrieved for visitors 9,406 6,620 (Zug, Switzerland, 1981). Volumes reshelved 38,326 32,300 Henry Francis du Pont Winterthur Museum. Architectural Build- Tours 106 165 ing Plans and Materials (New York, 1984). Microform readers 136 128 Henry Francis du Pont Winterthur Museum. Ceramic and Glass- Vertical file requests 147 215 ware (New York, 1984). Interlibrary loans obtained for NGA Henry Francis du Pont Winterthur Museum. Furniture (New staff and CASVA fellows 1,655 1,736 York, 1984). Interlibrary loans to other institutions 239 163 Kunsthistorisches Museum, Vienna. Paintings in the Kunst- Technical Services historisches Museum, Vienna (Cambridge, England, 1984). Monograph titles/volumes catalogued 5,714/6,212 4,352/5,008 M. Knoedler & Company. The Knoedler Library of Art Exhibition Serial titles/volumes catalogued 136/475 118/417 Catalogs on Microfiche: Group 3 (Teaneck, New Jersey, 1984). Catalogue cards filed 53,500 46,600 M. Knoedler & Company. The Knoedler Library of Art Exhibition Monographs bound 2,265 3,678 Catalogs on Microfiche: Group 7 (Teaneck, New Jersey, 1984). Serial volumes, including auction catalogues, bound 1,765 1,861

104 7984 7985 Brumfield of Tulane University, who has loaned us over Bibliographic checking five hundred of his black and white negatives of Russian Total titles checked 6,495 7,375 architecture. The prints from this remarkable collection Titles owned 4,719 6,045 will give the photo archives material that would be impos- Titles not owned 1,776 1,330 sible to obtain by an other means. PHOTOGRAPHIC ARCHIVES CONSERVATION DIVISION Benefiting from recent progress in shaping information retrieval systems generated by a computer, the photo- CHIEF OF CONSERVATION graphic archives has just completed its second year with Emphasis for the past year has been placed on the plan- such a program and now has stored information for about ning and implementation of conservation measures for 30,000 artists whose works are represented in its collec- the safe transportation of paintings and objects relating to tion. These artist authority records give not only the the exhibition The Treasure Houses of Britain: Five Hundred standard biographical information but also give variant Years of Private Patronage and Art Collecting. Our conser- names, types of work produced, and various countries or vator of exhibitions and loans, working out of our London cities where the artists studied or worked. office, spent much of the last year visiting the lenders, We have also used the computer to provide names, inspecting works for the exhibition, assessing the conser- addresses, and price per photo of over three hundred vation needs, designing shipping containers, performing institutions and photographers frequently used by the minor treatments, and arranging for follow-up visits for photographic archives. Scholars needing photographs for packing and shipping each object. The division was also their research find this a useful tool. responsible for arranging for conservators to prepare and Entering individual photo records moves ahead steadily treat objects in Britain to insure their safe transport. and each photo processed is given a unique bar-code The reissue of On Picture Varnishes and Their Solvents identification sticker. has been published and is being distributed through the This past year the photographic archives acquired over American Institute for Conservation. Writing and editing 32,000 photos and 108,000 microform images primarily of a series of pigment monographs is continuing as con- through the generosity of a grant from the Samuel H. tributing authors complete their research. The series will Kress Foundation. The foundation has also given grants to be a comprehensive study of pigment characteristics, sur- individual scholars for special photography with the stipu- veying their history, usage, and chemical formulation. lation that these photos eventually be deposited in the Continued recruitment of staff members has enabled photographic archives. Nine hundred photographs of the division to undertake a host of new and exciting objects in the Peggy Guggenheim Collection were among projects. Gary Carriveau was selected as department head the most interesting images we received under this program. for the scientific laboratory, coming to the Gallery from This past year we have concentrated on expanding our The Detroit Institute of Arts. He has spent much of his time coverage of architecture, concentrating on Portugal and recruiting support-staff members and planning the pur- Great Britain. The Conway Library, Courtauld Institute, chase and installation of new, sophisticated instruments University of London has provided three thousand photos for the analysis of objects in the collection. Barbara Berrie of sites in both countries, and the Royal Commission on joined the laboratory as scientist, and Paul Angiolillo has Ancient and Historical Monuments in Wales sent nine been appointed as laboratory technician. Gina Fino worked hundred photos. Bildarchiv Foto Marburg in West Germany during the summer months as laboratory technician and provided an additional four thousand photographs of Por- was replaced by Pamela Cefaratti. Johanna Perron, gradu- tuguese architecture. ate of the art conservation program at Queen's University, Our continuing search for nineteenth-century photo- Ontario, Canada, was chosen as the first science depart- graphs of works of art brought us two multivolume sets ment Mellon fellow this year. illustrated with photos: Galerie contemporaine des illustra- Joyce Plesters visited the painting and science laborato- tions frangaises, eight volumes published in 1888, and ries as the first recipient of the division's Mellon Research Galerie contemporaine artistique, seven volumes published Fellowship. Ms. Plesters, Principal Scientific Officer at in 1876( ?). These rare and unusual sets contain photos the National Gallery in London, undertook the first stage not only of works of art but also of the artists and authors in a technical analysis of the materials used in Bellini's covered in the series. The Feast of the Gods. Last, we are greatly indebted to Professor William David Bull was appointed head of painting conserva-

105 tion. Teresa Longyear was selected for a part-time position PAINTING CONSERVATION as a conservator in the painting conservation laboratory, Twenty-two major treatments were completed during the and Carolyn Tallent and Kermit Cederholm joined the year. These include work on two new acquisitions to the painting conservation depart ment staff in a one-year intern- permanent collection, Jacopino del Conte's Madonna and ship as part of their training experience. Holly Coffey is Child with Saint Elizabeth and Saint John the Baptist and the new assistant frame conservator. Ludolf Bakhuysen's Dutch Ships in a Stormy Sea. Both The paper conservation laboratory announced the selec- paintings came to the Gallery with heavily discolored tion of Pia DeSantis for the associate conservator position varnish and were cleaned in the department with reward- and Patricia Harpring as a laboratory technician. ing results. The paintings are in very good condition. In a position shared between the paintings and objects Paintings from different schools were selected for treat- conservation departments, Suzanne Udel was appointed ment. Among the most interesting were Rembrandt's pow- to serve as laboratory technician. Ann Boulton filled a erful Lucretia, painted on canvas in 1664, and his dignified summer internship in the objects laboratory as part of her Polish Nobleman, painted on panel in 1637. Although in conservation training program. Candace Adelson assisted both cases the varnish was not greatly discolored, its the textile department for several weeks in an inventory removal produced a remarkable transformation and allowed and inspection of textiles in the collection, and Kimberly fluent and dazzling brushwork to be seen clearly. The Haulk joined the administrative staff in the position of cleaning of Raphael's Nicolini-Cowper Madonna revealed secretary for the division. Because there was a large vol- its wonderful state of preservation. ume of objects in the Treasure Houses of Britain exhibition Other major treatments were undertaken on the Frago- that needed to be inspected, Robin Chamberlin was hired nard A Young Girl Reading, whose accomplished, fresh on contract to assist in this special project. and colorful brushwork was exposed, the Frans Hals Por- trait of a Gentleman, and the tender double-sided panel by Memling of Saint Veronica and The Chalice of Saint John the Evangelist. Major tasks that continue are the treatment of Andrea Solario's Pieta and the intriguing technical analy- sis of Bellini's The Feast of the Gods. This examination of the medium and paint structure is helping to unravel many problems of authorship in the painting. During this year there have been 224 major examina- tions of paintings for entries in the systematic catalogue. Work related to the catalogue will expand for this long- term project. This year the majority of examinations were for the American school; the collection of paintings by George Catlin was inspected, as were eighty paintings from the Garbisch Collection, before they left the Gallery to go on traveling exhibition.

PAPER CONSERVATION The paper conservation department completed 42 major treatments and 234 minor treatments of works of graphic art. Among the objects receiving major treatment were a flaking, cockled gouache by Mark Tobey, Interior of the Artist's Studio; a collage study for Ernest Trova's tapestry Falling Man; a recto/verso figure study by Erich Heckel; Breenbergh's The Gardens at Bomarzo; and several recent acquisitions from the Held collection including a work by Sargent, Figure Studies. Drawings by Watteau and Degas from the Baer collection were also treated. Large groups of graphics receiving minor treatment were fifteenth-century Italian tarocchi, prints by Callot and Toulouse-Lautrec,

Painting conservator David Bull at work and forty acquisitions including fifteen Held collection

106 drawings. Prototype major and minor treatments were Expressionist Prints from the Collection of Ruth and Jacob developed for Index of American Design renderings. Emer- Kainen and for the Leonardo horses exhibition. Members gency procedures for works of art on paper were developed of the staff gave workshops on conservation matting and as part of the overall review of Gallery emergency framing for the Smithsonian Associates and for personnel preparedness. from other museums. Special packaging for loans and Paper conservators continued to examine artists' work- preparation of large loans were also undertaken. The East ing methods and media. Ten drawings from Budapest and Building matting/ framing workshop systematically re- four Leonardo horse drawings from Windsor Castle were matted graphics in the collection, matted and framed examined, and research continued on materials and tech- small loans, and prepared new acquisitions. Maintenance niques in Degas pastels. Gauguin prints were examined of the collection included work on early Italian prints, the also to determine his working methods, and Japanese supervision of rematting the Callot prints, and the matting papers in Whistler etchings were studied. Consideration of works included in rotating exhibitions. was given to the problems of drawings mounted on large OBJECT CONSERVATION solid supports and to the problematic classification of During the year fourteen major treatments were com- Toulouse-Lautrec paintings on paperboard. Ten small pleted by the object conservation department. The appear- French paintings from the Ailsa Mellon Bruce Collection ance of the painted terra-cotta statuette attributed to were examined in detail and some minor treatments were Civitali, Saint Sebastian, was greatly enhanced following performed on them. treatment. After removal of discolored overpaint and aged Beta radiography has been used to record watermarks fillings, the remains of six arrow holes and traces of painted on all the Rembrandt prints in the National Gallery collec- blood were revealed on the figure's chest and legs, and tion. The watermarks now have been assembled by type x-radiography revealed the presence of additions cleverly and degree of similarity, producing a compendium of pre- attached to the sculpture. Many of the eighteenth-century cise and completely referenced images. Within this rela- ormolu mounts for the seventeenth-century Chinese por- tively small group of one hundred watermarks several celains, including a pair of Meissen swans, have regained identical examples were discovered. This gives a positive their original luster after cleaning. In two instances it was indication that comparision of our images with prints in discovered that holes had been drilled through the bases several other Rembrandt collections should produce more of the porcelain vases in order to secure them in their identical marks, further enhancing our knowledge about fire-gilded mounts. The marble bust of Young Saint John his use of specific papers. The systematic categorization of the Baptist by Antonio Rossellino appears much improved these watermarks will be used to produce a catalogue for following removal of stains caused by previous restora- Rembrandt scholars. tions, fresh inpainting, and filling of old losses. Once again Exhibition-related activities included examining art for Henry Moore's Knife Edge Mirror Two Piece was surrounded incoming and outgoing condition for several major loan by scaffolding and a year's accumulation of Washington exhibitions: Leonardo da Vinci: Drawings of Horses from dust, dirt, and pollution was washed away. Laboratory the Royal Library at Windsor Castle, Gemini G.E.L.: Art experiments were conducted to determine the most suita- and Collaboration, and Leonardo to Van Gogh: Master ble protective coating for this monumental outdoor sculp- Drawings from Budapest. Index of American Design ture. Two of the objects that received major treatment renderings proposed for the National Lending Service were Robert Rauschenberg's Capitol 1975 and Claes were also examined. Oldenburg's Ice Bag, Four Foot, in preparation for the Paper conservators gave a session on examining art Gemini G.E.L. exhibition. Furniture from the council on paper to agents from the FBI art recovery section, and room and the director's dining room was restored, and an prepared a lecture for a Georgetown University print additional eighty-seven objects received minor treatment seminar. Numerous visitors came to the laboratory to throughout the year. share the findings of their research. Among them were In preparation for the systematic catalogue, physical Richard Wolbers, assistant painting conservator at the measurements were completed on 708 medals and pla- Winterthur Training Program, to discuss the use of en- quettes. Several of these, including small reliefs signed by zymes in paper conservation, and Richard S. Field, cura- or attributed to Riccio, a sixteenth-century Paduan sculp- tor, Yale University Art Gallery, to discuss Gauguin prints. tor, received detailed technical examinations and x-ray The West Building matting/framing workshop prepared fluorescence analysis. These tests were conducted in an graphics for special exhibitions and in-house survey exhi- effort to identify an alloy that could be associated with his bitions. Special sets of frames were built for German

107 workshop as well as to determine surface composition. materials used to prepare papers, and evaluation of mate- Preliminary results of these examinations and analyses on rials used in conservation treatments. works attributed to Riccio were presented during the The tools available to the science department include CASVA symposium Italian Plaquettes. microscopes, one of which is being equipped to study Object conservators worked on the following special fluorescence and the other to allow both transmitted- and exhibitions: John James Audubon: The Birds of America, reflected-light microscopy, and a gas chromatograph Gemini G.E.L., Degas: The Dancers, Ancient Art of the (GC), which has been converted recently to use a modern American Woodland Indians, The Sculpture of India, and column capable of rapid separation of components in The Treasure Houses of Britain. Over 600 sculptures, eth- minute samples. New columns have been purchased for nographic artifacts, and decorative arts were examined for the high-pressure-liquid chromatographic (HPLC) system incoming and outgoing condition. Members of the staff to allow examination of a wide range of samples. Our x-ray performed some of these duties on-site in India and have fluorescence capabilities have recently been improved by served as couriers for the works of art to help ensure their acquisition of a KEVEX 0750A spectrometer, which pro- safe arrival. Daily monitoring of temperature and relative vides rapid, quantitative, and nondestructive analysis of humidity was required for certain exhibition objects sen- the elements in situ. sitive to heat and moisture. Detailed guidelines for pack- Technical examination of several paintings was under- ing the wide variety of art objects for The Treasure Houses taken to help understand the artists' techniques. Paint- of Britain were prepared. ings examined include the The Niccolini-Cowper Madonna The Mellon fellow research project on Severn da Ra- by Raphael, A Young Girl Reading by Fragonard, and View venna was organized and begun this past year. The sculp- in Venice by Canaletto. In each instance, taking cross tures attributed to Severo in the Gallery's collections have sections and photomicrographs revealed methods employed been carefully examined and studied. Microscopic sam- by the artist, and in the case of the Canaletto, of a former ples of the surface coatings were taken for further analy- restorer also. sis, and x-ray fluorescence examination for metallic com- Members of the science department have engaged in position of the surface of the sculptures and x-radiography, long-term projects in collaboration with conservators, performed at the Freer Gallery of Art, were also conducted. such as the investigation of the Riccio plaquettes, under- Severn's two-piece sculpture, Saint Christopher and the taken in cooperation with the objects department. Christ Child, reunited from the collections of the Louvre In situ, nondestructive techniques for characterization and the National Gallery of Art, was closely examined for and identification of inks used in master drawings are the Mellon fellow project while at the Gallery. being investigated in conjunction with research by mem- The department performed fourteen major and eighty- bers of the paper conservation department. Initial work seven minor treatments upon pieces of sculpture and has focused on the elemental differences observed among decorative art, 624 examinations for special exhibitions, inks using x-ray fluorescence. The chemistry of iron gall and 213 other examinations. More than seven hundred ink, found to be most prevalent in our collections, is being physical measurements for the systematic catalogue were examined. Old recipes for iron gall ink have been collected taken by summer interns, and twenty pieces of furniture and some samples prepared according to these directions. were repaired or restored by outside contractors. Preliminary findings indicate that the color of the ink may be related to its acidity; the presence of potassium is due perhaps to alum in some recipes from the eighteenth and SCIENCE DEPARTMENT nineteenth centuries. During the last year the science department has grown Temperature and humidity changes inside packing cases rapidly in both staff and equipment and has expanded its used for shipping art are being investigated, using modern technical support to the other departments within the monitoring devices, in a project with the conservator of conservation division and to the curatorial staff. Existing exhibits. The results suggest that in sealed metal cases the instrumentation has been upgraded to meet new demands. internal environment is remarkably independent of the Seventy-one requests have been answered during the last varying external conditions. year. These include: identification of the grounds used in Techniques recently developed in-house include Laue a selection of van Gogh paintings, confirmation of Gau- back-scatter diffraction to aid evaluation of medals, coins, guin's palette in several of his works, examination of and plaquettes and use of HPLC to distinguish casein and ormolu, identification of the colorants in glazes of ceram- gum arabic as media for pastels. Future work will be aimed ics, identification of Leonardo metal-point drawings and at medium identification using HPLC and GC. Immunological

108 techniques will be evaluated for their potential to identify Design, Thomas Morans Watercolors of Yellowstone, Ancient media in layers of a cross section taken from an object or a Art of the American Woodland Indians, Leonardo da Vinci: painting. Drawings of Horses from the Royal Library at Windsor Castle, Stubbs: An Exhibition in Honor of Paul Mellon, and FRAME CONSERVATION Gods and Goddesses of India, a children's guide to The Fourteen new frames have been produced during the year Sculpture of India. There was a booklet produced iox Ameri- and selections have been made for the reframing of Rem- can Painting from the Armand Hammer Collection: An Inau- brandt's Polish Nobleman and Saenredam's Cathedral of gural Celebration and one petit journal for Robert Nanteuil: Saint John at s'Hertogenbosch. The linen liners of many of Portrait Engraver to the Sun King. the nineteenth-century paintings are being replaced with In addition to exhibition-related projects, the office painted or gilded liners. worked on volumes of symposium papers. We edited and The frame department has undertaken sixty-eight major produced volumes 14 and 15 of Studies in the History of treatments, eighty minor treatments, and has been heav- Art {ClaudeLorrain 1600-1682: A Symposium and Stained ily involved in the exhibition and loan programs. Glass before 1700 in American Collections: New England and New York), and as well edited the contribution in TEXTILE CONSERVATION English to the collection of Watteau colloquium papers in A semiannual vacuum cleaning of all tapestries on exhibit collaboration with the Reunion des musees nationaux de was carried out this year, along with the monthly care of France. Studies continue to be distributed by University the velvets and furniture with fabric covering. Press of New England; distribution arrangements with Much work has been done on the systematic catalogue. other publishers include that with Harvard University A volunteer spent a period of time examining and docu- Press for the hardbound edition of The Sculpture of India menting the tapestry collection on view in the Gallery. and with W. W. Norton for Degas: The Dancers. This documentation plays an important role in the schol- One important ongoing project is the systematic cata- arly understanding of the textiles contained within the logue; the first volume, Northern European Painting, will Gallery's collection. go to press shortly. And, Stained Glass is the first of a Four major textile treatments and 249 minor textile monograph series on that subject within Studies in the treatments were performed. History of Art. A major portion of staff time was devoted to a project that was completed just after the end of the fiscal year, the catalogue The Treasure Houses of Britain: Five Hundred Years of Private Patronage and Art Collecting, EDITORS OFFICE accomplished in cooperation with Yale University Press. Exhibition catalogues published last year by the editors The editors office produced Center 5, the annual report of office included Degas: The Dancers, The Sculpture of India: the Center for Advanced Study in the Visual Arts as well as 3000 B.C.-1300 A.D., and German Expressionist Prints National Gallery of Art: 1984 Annual Report, and copro- from the Collection of Ruth and Jacob Kainen; in addition, duced with Universe Books a date book illustrated with Leonardo to Van Gogh: Master Drawings from Budapest was watercolors by Winslow Homer. We redesigned the coproduced with the Art Institute of Chicago and Ameri- monthly Calendar of Events, and produced a catalogue of can Naive Paintings from the National Gallery of Art was slides offered for sale in National Gallery bookstores and a produced for the International Exhibitions Foundation. A brochure for Christmas card sales. revised edition of On Picture Varnishes and Their Solvents Degas: The Dancers received a merit award in the Amer- was published. Posters were created for the following ican Association of Museums Publications Competition exhibitions: John James Audubon: The Birds of America, and the cover of Index of American Design a silver award Index of American Design, Gemini G.E.L.: Art and Collabo- from the Council for the Advancement and Support of ration, Degas, Monotypes by Maurice Prendergast in the Education in their Great Cover Show; a poster for the Terra Museum of American Art, Collection for a King: Old Index of American Design won an award from the Printing Master Paintings from the Dulwich Picture Gallery, German Industries of America. Expressionist Prints, and American Naive Watercolors and During the year editors Paula Smiley and Amy Pastan Drawings. Brochures produced for exhibitions included left the staff and Jane Sweeney joined it. Gemini G.E.L., Degas, Master Drawings from Washington Private Collections, The Washington Family, Audubon, Amer- ican Naive Watercolors and Drawings, Index of A merican

109 EXHIBITIONS OFFICE coordinated by MaryAnne Stevens, Royal Academy of Arts, D. Dodge Thompson, and Florence E. Coman In fiscal year 1985 the exhibitions office prepared for forty john james audubon: birds of america future exhibitions and administered the loan of approxi- 14 October 1984 to 10 March 1985 mately 2,500 works of art for nineteen current exhibi- coordinated by Carlotta J. Owens tions. Five applications for indemnity were prepared, american naive watercolors and drawings submitted, and approved by the Federal Council on the 14 October 1984 to 13 lanuary 1985 Arts and the Humanities. coordinated by Deborah Chotner Deborah F. Shepherd, formerly with the International index of american design Exhibitions Foundation, joined the exhibitions staff to 14 October 1984 to 27 January 1985 coordinated by Laurie Weitzenkorn assist in the planning and coordination of future exhibi- tions. Another new staff member, Cheryl A. Hauser, for- thomas moran's watercolors of yellowstone 14 October 1984 to 27 January 1985 merly with the National Museum of American Art, came coordinated by the Thomas Gilcrease Institute, Nicolai Cikovsky, to the department to assist with the administration of Jr., and Linda Ay res current exhibitions. Carolina J. Olivieri was hired as the old master drawings from the albertina departmental secretary. 25 October 1984 to 13 January 1985 With the addition of new staff, the department began to coordinated by the International Exhibitions Foundation and expand its automated files for the tracking of loans and Andrew Robison supported by the Federal Council on the Arts and the Humanities related information for National Gallery exhibitions. The and United Technologies automated files facilitate the retrieval of information to gemini c e l.: art and collaboration meet the needs of other Gallery offices and museums 18 November 1984 to 24 February 1985 sharing exhibitions. Working closely with the treasurer's coordinated by Ruth Fine office, the staff developed new reporting systems for degas: the dancers exhibition budgets. 22 November 1984 to 10 March 1985 The automated file systems made possible the adminis- coordinated by George T M. Shackelford tration of The Treasure Houses of Britain: Five Hundred supported by the Federal Council on the Arts and the Humanities Years of Private Patronage and Art Collecting, the most master prints from washington collections complicated exhibition ever undertaken by the National 24 November 1984 to 3 March 1985 coordinated by Andrew Robison Gallery. A satellite office was established in London to coordinate negotiations with more than two hundred lend- the washington family by edward savage: an inaugural celebration ers, catalogue production, and conservation, packing, and 13 January to 18 February 1985 shipping of more than seven hundred objects. For the first american paintings from the armand hammer collection: time, a trans-Atlantic data link permitted instantaneous an inaugural celebration communications between the offices in London and 13 January to 18 February 1985 Washington. Cameran Greer Castiel of the exhibitions coordinated by Nicolai Cikovsky, Jr. office was sent to London to assist the British staff. supported by the Armand Hammer Foundation and the Occi- dental Petroleum Corporation Kathleen Butler, the department's summer intern, con- tinued compiling exhibition histories and researching the monotypes by maurice prendergast from the terra museum of american art department archives as far back as the early 1970s. As this 27 January to 14 April 1985 information is computerized, it will be a valuable source of coordinated by Cecily Langdale, Terra Museum of American Art, information on Gallery exhibitions, lenders, and works of Evanston, and Nicolai Cikovsky, Jr. art borrowed. landscape drawings from the collection The temporary exhibitions and their dates were: 3 February to 2 June 1985 renaissance drawings from the ambrosiana, 1370-1600 landscape prints from the collection continued from the previous fiscal year to 7 October 1984 3 February to 4 August 1985 coordinated by The Medieval Institute, University of Notre Dame, leonardo da vinci drawings of horses from the royal and Diane DeGrazia library at windsor castle supported by The Samuel H. Kress Foundation and the Federal 24 February to 9 June 1985 Council on the Arts and the Humanities coordinated by the Honorable Jane Roberts, Curator, Prints and the orientalists: delacroix to matisse, the allure of Drawings, The Royal Library, Windsor Castle, and H. Diane north africa and the near east Russell continued from the previous fiscal year to 28 October 1984 supported by the Federal Council on the Arts and the Humanities

110 robert nanteuil: portrait engraver to the sun king Hundred Years of Private Patronage and Art Collecting, 10 March to 28 April 1985 which opened in November 1985. coordinated by H. Diane Russell Nine exhibitions were installed in the inner and outer ancient art of the american woodland indians tiers of the graphic arts galleries in the West Building 17 March to 4 August 1985 during fiscal 1985: Thomas Morans Water colors of Yellow- coordinated by David W. Penney, Detroit Institute of Arts supported by The National Endowment for the Arts, The Stroh stone, Index of A merican Design, Master Prints from Wash- Foundation, and the Founders Society, Detroit Institute of Arts ington Private Collections, Drawings from the National Gal- collection for a king: old master paintings from the lery Collection, Prints from the National Gallery Collection, dulwich picture gallery Leonardo da Vinci Drawings of Horses from the Royal Library 14 April to 2 September 1985 at Windsor Castle, Robert Nanteuil: Portrait Engraver to the coordinated by Giles Waterfield, director, Dulwich Picture Gal- Sun King, Leonardo to Van Gogh: Master Drawings from lery, and Arthur K. Wheelock, Jr. supported by the Federal Council on the Arts and the Humanities Budapest, and Master Drawings from Titian to Picasso: The Curtis 0. Baer Collection. Of these, Leonardo da Vinci the sculpture of india: 3000 b.c.-1300 a.d. 3 May to 2 September 1985 Drawings of Horses received a special installation. Although coordinated by Pramod Chandra, The George P. Bickford Profes- it was an exhibition small in size, the fifty drawings were sor of Indian Art, Harvard University, and D. Dodge Thompson distributed very spaciously in three galleries in anticipa- supported by the Hinduja Foundation, Boeing Company, The tion of the show's great impact and popularity. The rooms Coca-Cola Foundation, The General Foods Fund, ITT Corpora- were embellished with architecturally detailed, freestanding tion, Lockheed Corporation, Roland International Corporation, Varian Associates, and Wyeth Laboratories pedestals for the recto-verso drawings and panels with period molding to set off the drawings mounted on the stubbs: an exhibition in honor of paul mellon 4 May to 2 June 1985 walls. The extraordinary sensitivity to light of these objects coordinated by D. Dodge Thompson necessitated a system wherein a balance of incandescent supported by the Federal Council on the Arts and the Humanities and low-voltage fixtures created an impression that the leonardo to van gogh: master drawings from budapest drawings were well illuminated. 12 May to 14 July 1985 John James Audubon: Birds of America was installed in coordinated by Klara Garas, Szepmuveszeti Muzeum, Budapest, the West Building central gallery. These wonderfully col- and Diane DeGrazia supported by Occidental Petroleum Corporation, The National orful prints were presented in period maple frames. Endowment for the Arts, and the Federal Council on the Arts Old Master Drawings from the A Ibertina, Monotypes by and the Humanities Maurice Prendergast from the Terra Museum of A merican A rt, nga twentieth century collection and German Expressionist Prints from the Collection of Ruth May 1985 to April 1986 and Jacob Kainen were installed in the East Building figure drawings from the collection ground floor galleries. For each of these exhibitions, the 9 June to 19 October 1985 spaces were redesigned. selections from the index of american design The most ambitious graphics art exhibition of the year, 25 June to 29 September 1985 Gemini G.E.L.: Art and Collaboration, was presented in a master drawings from titian to picasso: the curtis o. series of galleries on the concourse level in the East baer collection 28 July to 6 October 1985 Building. Sculpture as well as prints in unusual media coordinated by The High Museum, Atlanta, and Andrew Robison requiring special presentations were integrated with framed figure prints from the collection graphics. A wall system of seamless linen-covered panels 18 August 1985 to 16 February 1986 was devised to scale down some of the sixteen-foot-high german expressionist prints from the collection of ruth walls, while the full height of other walls was utilized to and jacob kainen exhibit multiple states of individual prints and their blocks 22 September 1985 to 9 February 1986 and plates in layers. coordinated by Andrew Robison Degas: The Dancers, an exhibition of five essays around a centra] theme, was installed in the East Building in DEPARTMENT OF INSTALLATION AND DESIGN spaces especially designed to accommodate each topic: Although the department of installation and design was "The Opera Ballet," "The Master of the Dance," "A Way responsible for the installation of some twenty-two tempo- of Seeing Form," "Theme and Variations," and "The Last rary exhibitions during fiscal year 1985, its principal effort Dancers." Given the mixture of paintings, drawings, pas- was directed toward completing the design and realizing tels, and sculpture, the lighting conditions were var- the production of The Treasure Houses of Britain: Five ied from space to space, eliminating daylight in those

111 galleries where graphics were present. In order to accen- tuate Degas' unusual color harmonies, a palette of neutral grays was selected for the backgrounds. For the presidential inauguration, a double presenta- tion of American art was mounted in the east end of the West Building. The recently restored painting The Wash- ington Family by Edward Savage was presented on a baffle in the center of the West Building lobby adjacent to an installation of selected American paintings from The Armand Hammer Collection. Ancient Art of the American Woodland Indians presented a wide range of challenges in the unusual and fragile media of the objects, such as mica, shell, terra cotta, wood, and stone. Special armatures of clear plastic were devised to not interfere with the translucency of the mica. The installation was shared by a number of museums, and was, therefore, designed for maximum ease of setting up. Collection for a King: Old Master Paintings from the Dulwich Picture Gallery was installed in the central gallery, West Building. Though these paintings are housed in one of the most splendid museums in England, we made no attempt to simulate or suggest their home setting. Instead we tried to communicate the context in which they are normally seen through photomurals, texts, and an audio- visual presentation. Stubbs: A n Exhibition in Honor of Paul Mellon was installed in main-floor galleries of the West Building. The Sculpture of India: 3000 B. C.-1300 A.D. was divided into four sections; the first was installed in the daylight space of the west bridge terrace, East Building. Sculptural lintels and other architectural elements were installed above doors to suggest their proper context and large figural sculptures were presented against baffles finished with a stonelike texture. The central feature of the second section was a group of freestanding, sculp- tural torsos placed underneath a suspended grid. The grid enhanced the scale of the figures by reducing the space above them while it hid the light fixtures. The third room of the exhibition was much darker in tone and Treasure Houses of Britain construction in progress featured both monumental sculptures presented in archi- tectural niches and small bronzes and ivories in climate- two very large and four smaller galleries for our own controlled wall cases. The final room featured freestand- twentieth-century collection; the other, a series of five ing bronze and stone sculptures. The central axis of this medium-size galleries which house minimonographic room displayed a great bronze Shiva seen in front of a exhibitions. massive lintel. In preparation for The Treasure Houses of Britain, which The Treasure Houses of Britain is the largest and most occupied 35,000 square feet of the East Building, the complex exhibition ever mounted by the National Gallery entire concourse exhibition space was redesigned to accept of Art. Members of the design department spent a total of the Gallery's twentieth-century collection. The new 120 days over a period of thirty-two months working with installation incorporates two objectives: one, a suite of the curator of the exhibition, Gervase Jackson-Stops, in England, while he, in turn, devoted an equal amount of

112 time working with the design department in Washington. up of objects from many houses and, therefore, it would be In addition to the exquisitely detailed set of elevations inappropriate to recreate any specific room for their pres- developed to show each object in its room setting, mem- entation. In certain cases rooms were intended to reflect bers of the department prepared more than 150 drawings the scale, color, taste, and architectural detail of specific of construction details for the production of the exhibi- historical precedents without attempting to be period rooms tion. Given the magnitude of this project and the limited per se, while in other cases museum installations were construction and installation time, it was decided that the envisioned. Preparations for The Treasure Houses of Britain, department should engineer the exhibition in-house and an installation tour-de-force in its ambition and magni- manage the complex fabrication of the exhibition with its tude, heightened everyone's sense of the marvelous ver- own staff. The successful achievement of these objectives satility of the Gallery's East Building for the presentation was made possible by the extensive experience that the of exhibitions of works of art. design department has amassed over the past dozen years GALLERY ARCHIVES in mounting many diverse exhibitions, especially The Splen- dor of Dresden: Five Centuries of Art Collecting of 1978, The National Gallery of Art archives was established in which in many ways set the precedent for The Treasure August 1984 to care for and systematize the records gener- Houses of Britain. The production of the exhibition was ated here in the past. The records include papers, photo- organized in three phases to keep as many works of art graphs, motion pictures, video and tape recordings, and in the permanent collection as possible on public view architectural drawings and models. The archives is respon- and to minimize the distraction to the public caused by sible for determining which of the Gallery's voluminous the construction. records have permanent value, bringing these records From the beginning the idea of replicating existing coun- together as archives, managing them and ensuring their try house rooms was rejected for two reasons; the first preservation, and organizing and describing them to make being that to do so would be, if not impossible, prohibitively them accessible to users. expensive, and the second that each room would be made During the year, staff archivists devoted their energies

113 to introducing the Gallery to the principles of archives grew in variety and volume. The majority of the depart- administration, to developing and implementing systems ment's work was to provide support for the programs of for management and disposition of Gallery records, and to other Gallery departments. Documentation of treatment assisting in planning and development of a permanent programs for the conservation department required a large archival facility. Steps also were begun to transfer selected percentage of the department's efforts. Recording new historical materials and photographs from temporary acquisitions is an ongoing task. records storage areas to archival processing facilities adja- Support for special exhibitions, particularly The Treas- cent to the Gallery archives offices. ure Houses of Britain, generated a large number of photo- Gallery archives staff began a pilot project to develop graphs for release to the press. Catalogue photography was retention and disposition schedules for selected Gallery completed for the Steele collection of ceramics, and con- offices. These records schedules will describe existing tinues on several other systematic catalogues. The photo filing systems and appropriate dispositions for them with a lab produced the slides for the symposium on bronze pla- particular view to identifying those records with sufficient quettes held at the Gallery under the auspices of CASVA. value to warrant archival retention. All of the photography for reproductions sold by the The Gallery's emergency preparedness was augmented Gallery's publications office, as well as the illustrations for by establishing an off-site storage facility for copies of the Christmas catalogue, was done by Gallery photogra- essential Gallery records. phers. In June the photo lab provided extensive photo- Archival staff worked closely with the department of graphic coverage of the Gallery for accreditation by the graphic art and the registrar's office to catalogue more American Association of Museums. This included up-to- than one hundred works of the architectural firm of John date photographs of the buildings, both interior and exte- Russell Pope and Associates and the successor firm of rior, mechanical and support facilities, and views of the Eggers and Higgins. A comprehensive system for handling staff and the public. historical photographs also was developed and imple- To improve the department's service a room in the mented. In addition, the Gallery archives provided refer- photo lab was remodeled, providing space for slide dupli- ence information services to Gallery staff members and to cation. The increased demand for duplicate slides from scholarly researchers. all sizes of original transparencies made the new facili- ties necessary. PHOTOGRAPHIC SERVICES During the year William Sumits retired from the posi- tion of department head, which he held for nearly ten Photographic services continued to provide color trans- years. Richard Amt, formerly supervisory photographer, parencies and black and white photographs to museums, was appointed department head. William Wilson, former scholars, institutions, publishers, visitors, and Gallery laboratory photographer, was appointed to the newly added staff; to authorize reproductions of works belonging to the position of photographer. Richard Carafelli rejoined the National Gallery of Art where appropriate; and to coordi- staff as a laboratory photographer to fill the vacancy left nate all requests for work to be performed by the photo- by William Wilson. graphic laboratory. Black and white photographs added to the files of prints During the past year, photographic services worked on available, 17,352 the massive job of changing the photographic filing system Color transparencies added to files, 961 to the Gallery's new accession numbering system. In addi- Black and white photographs sold, 1,891 tion to the photographs distributed as listed below, several Black and white photographs distributed for official use large groups of photographs were exchanged, through the within the Gallery, 16,690 photographic archives, with such diverse institutions as Permits authorizing reproduction of works of art from the the Getty Museum and the Archives of American Art in Gallery's collections, 1,236 this country, and the Soprintendenza, Genoa, and the Color transparencies lent for reproduction, 1,467 Hunterian Art Gallery, Glasgow, abroad. Works authorized for reproduction, 2,899 The committee for media projects continued to review Black and white negatives produced, 6,435 and oversee all audiovisual projects involving the Gallery, Black and white prints produced, 40,909 both by outside producers and Gallery staff. The coordina- 35mm slides produced, 16,419 tor of photography serves as executive secretary to the Color transparencies produced, 1,907 committee. Color negatives produced, 1,032 The services provided by the photographic laboratory

114 STAFF ACTIVITIES AND PUBLICATIONS

J. CARTER BROWN, director, served ex officio on the Federal pole Library in Farmington, Connecticut, and the North- Council on the Arts and Humanities, the National Trust east Harbor Library, Maine. During the year he was elected for Historic Preservation, and the Pennsylvania Avenue a trustee of the Wendell Gilley Museum, Southwest Har- Development Corporation. He was reappointed by Presi- bor, Maine. He continued as honorary curator of paint- dent Reagan to a fourth four-year term as chairman of the ings at the Peabody Museum, Salem, Massachusetts, and Commission of Fine Arts, a panel that meets monthly to as consultant to the curator of the White House. He review architectural and design proposals and to advise served on the advisory boards of the New Zealand-United the President, Congress, and government agencies in areas States Foundation, fine arts committee of the State Depart- related to design and art. Ex officio in that capacity, he ment, the Washington Committee of the Archives of Amer- served as a member of the board of trustees of the John F. ican Art, American Art Program of Wellesley College, and Kennedy Center for the Performing Arts and was a mem- the American Galleries of the Fine Arts Museums of San ber of its executive and fine arts accessions committees. Francisco, and on the editorial boards of The American Art He continued, as well, as a member of the President's Journal and Smithsonian Institution Press. During the Committee on the Arts and Humanities, and to serve as year he presented lectures on various American artists treasurer of the White House Historical Association. He and aspects of American art at the Museum of Fine Arts, served on the board of trustees of the National Geographic Boston, Groton School, Haverford College, Huntington Society and on the boards of the Winterthur Museum, the Library and Art Gallery, Natchez Antiques Forum, Denver Corning Museum of Glass, Storm King Art Center, the Art Museum, North Carolina Museum of Art, Monticello, National Trust for Historic Preservation, and the Ameri- Johnson Wax Company, Portledge School, New York, and can Federation of Arts, of whose national exhibitions the Newport Preservation Society. He gave the Bigelow Lec- committee he is chairman. In addition, he served on the ture at the Middlesex School in Concord, Massachusetts. Harvard College Visiting Committee for the Arts, as vice president of the U.S. National Committee for the History SYDNEY J. FREEDBERG, chief curator, continued to serve on of Art, and continued as a member of the advisory boards advisory committees and boards of various institutions, of the Morris and Gwendolyn Cafritz Foundation, the among them that of the Lehman Collection catalogue in British Institute of the United States, the Brown Univer- The Metropolitan Museum of Art; the Guggenheim Foun- sity Department of Art, and the Federal Reserve System. dation; the Harvard University Center for Renaissance He also continued as a member of the National Portrait Studies at I Tatti; the International Foundation for Art Gallery Commission, serving on its acquisitions commit- Research; Save Venice, Inc.; and on the visiting commit- tee. In February he was named Knight Commander of the tees of the department of paintings at The Metropolitan Order of Isabel la Catolica by King Juan Carlos of Spain. Museum of Art in New York and the Museum of Fine Arts JOHN WILMERDING, deputy director, continued to serve as in Boston. In addition, he recently accepted nomination vice president of the Shelburne Museum in Vermont and to the advisory board of the International Fund for Monu- the Dunlap Society and to sit on the boards of trustees of ments and was named recipient of the annual award of the the Saint-Gaudens National Historic Site, Monticello, The Art Dealers' Association of America, an award given for Thomas Jefferson Memorial Foundation, the Lewis Wal- lifetime accomplishment in the history of art. He lectured

115 on the late works of Titian for the Washington Wellesley BEVERLY BROWN, research curator of European painting Club and delivered the annual Bakwin Memorial Lecture and senior research associate of the Center for Advanced at Wellesley College on the same theme. Study in the Visual Arts, lectured at Georgetown Univer- He assumed the general editorship of the series Out- sity on "Raphael's Madonnas." She presented a paper standing Dissertations in the Fine Arts for Garland Pub- entitled "Replication and the Art of Veronese" at the lishing Company. symposium Retaining the Original: Multiple Originals, Copies and Reproductions sponsored by the Center for RICHARD AMT, supervisory photographer, served as a judge Advanced Study and The Johns Hopkins University. She for the photographic vocational program competition for also participated in a conference on the Medici Villa Poggio the Virginia department of education. a Caiano held at the University of Michigan by reading the NANCY ASH, senior paper conservator, served on an Ameri- paper "Enthusiastic Amateurs: Patrons as Architects." can Institute for Conservation Book and Paper Group DAVID BROWN, curator of Italian painting, was a curato- committee to develop a catalogue of paper conservation rial fellow at the Gallery's Center for Advanced Study in treatments and was appointed its editor for 1986. the Visual Arts, where he completed research leading to a CAROLINE BACKLUND, head of reader services, continued monograph on Andrea Solario. He continued as a member to serve as chairman, ARLIS/NA (Art Library Society of of the advisory board to the Center for Renaissance and North America) Art Documentation Advisory Board. She Baroque Studies at the University of Maryland. He gave a was appointed chairman of the 15th annual ARLIS/NA public lecture in Milan on Leonardo da Vinci and portrai- conference to be held in Washington in 1987. She lec- ture, in the "Leonardo Oggi" series sponsored by the city tured at Syracuse University Graduate School of Informa- of Milan and the Institute for the Study of Lombard Art. tion Science on the documentation of art auctions and the DAVID BULL, head of painting conservation, gave a lecture iconography of Salome and gave a similar presentation to on the painting technique of John Singleton Copley at the a graduate art history class at American University. She Timkin Gallery in San Diego, California, during a sympo- continued to serve on the advisory board of the National sium on the artist. Museum of Women in the Arts. GARY W. CARRIVEAU, head of the science department, spent RICHARD BALES, conductor emeritus of the National Gal- three weeks in Japan participating in an international lery Orchestra, continued as an honorary member of the study group on urushi; while there, he presented a paper, board of directors of the Oratorio Society of Washington. "Technical Examination of Lacquer using Electromag- He was reelected a trustee of the Kindler Foundation and netic Radiation." He presented a paper "Diagnostic Images: served again on the music committee of the Cosmos Club. Production, Improvement and Use" during a week at the During the autumn of 1984 he gave ten lectures before the J. Paul Getty Conservation Institute at Malibu, Califor- Alexandria, Virginia, Monday Music Class. His composi- nia, and he discussed "Chemistry as an Aid in Understand- tions were played on a number of National Gallery pro- ing Art" at a meeting of the Chemical Society of Washing- grams and at various concerts throughout the country. ton and Alpha Chi Lambda Chemistry Fraternity, On 7 May he was given the Cosmos Club Award and Washington. He coauthored a paper, "Progress in the conducted the National Gallery Orchestra and Musikanten Computerization of Infrared Reflectography," presented Chorus in a program of his settings of Civil War music. at an international symposium on underdrawings in Mr. Bales retired 3 August 1985. Louvain-la-Neuve, Belgium, and participated in a work- SUSAN J. BARNES, acting assistant dean of the Center for shop Infrared Reflectography: Theory and Practice. Dur- Advanced Study in the Visual Arts, presented a paper, ing three days at the University of Michigan electrical and "Van Dyck's Italian Portraits," at the symposium Ap- computer engineering department, Mr. Carriveau worked proaches to Seventeenth-Century Portraiture, organized on applications of digital image processing applied to images in conjunction with the exhibition Baroque Portraiture in of works of art. Italy at the Wadsworth Atheneum in Hartford. She was PHILIP CHARLES, photographer, served on the advisory guest curator for the exhibition Jim Muehlemann: Recent committee for the Arlington County career center and Works and Kindred Expressions in Kent, Connecticut. was state chairman for the vocational program competi- DEAN BEASOM, photographer, served as a judge for the tion in photography. photographic vocational program competition for the Vir- ginia department of education.

116 CAROL CHRISTENSEN, assistant conservator of paintings, DIANE DE GRAZIA, curator of Italian drawings, lectured on lectured on changes in paintings over time to Yale Univer- "The Academy Drawings" at the Philadelphia Museum of sity graduate students at New Haven and lectured on the Art and presented the paper "Sixteenth-Century Italian care of paintings at a seminar for collectors at George Drawings: Are Stylistic Categories Possible?" at the sym- Washington University. posium on Italian Renaissance drawings at the University of Notre Dame in South Bend, Indiana. NICOLAI CIKOVSKY, JR., curator of American art, delivered lectures on George Inness at the Montclair Art Museum ERIC DENKER. lecturer, delivered a talk, "Whistler in and the Medfield, Massachusetts, Public Library, on Amer- Amsterdam," at the New York Print Fair. He delivered ican nineteenth-century painting at the Baltimore Museum two slide presentations to the Art Seminar Group in Balti- of Art and the Marion Koogler McNay Art Institute in San more, "Printmaking in Twentieth Century America: Antonio, on Winslow Homer at the National Museum of 1900-1940," and "Printmaking Since 1945," and he also American Art in Washington and at the annual meeting of lectured at the University of Maryland on "Whistler as the College Art Association in Los Angeles, and on Ameri- Etcher." Mr. Denker served as adjunct assistant professor can Pre-Raphaelite painting at the Brooklyn Museum. He of art history at George Mason University and taught also served as a panelist reviewing applications to the courses on "Northern Baroque Painting" and "The His- National Endowment for the Humanities. tory of the Graphic Arts." He was elected to the board of directors of the Washington Print Club for the two-year FLORENCE E. COMAN, assistant curator of modern painting, term 1984-1986. served as the juror of the seventh Wake County Artists' Exhibition, an event sponsored by the Raleigh Fine Arts LAMIA DOUMATO, reference librarian, delivered a talk on Society. DIALOG, the on-line bibliographic search system, at the ARLIS/NA annual conference in Los Angeles, and served as JACK COWART, curator of twentieth-century art, lectured a member of its Art and Architecture Advisory Committee. on Roy Lichtenstein to the Collectors Club of the Museum of Contemporary Art in Chicago and at the Columbus Art ANTOINETTE DWAN, Mellon Fellow in paper conservation, Museum in Ohio, and on Swiss art from Fuseli to Castelli gave a talk to the Smithsonian Associates titled "Whis- to the Resident Associates Program at the Smithsonian tler's Use of Oriental Paper in His Graphic Work." Institution. He judged exhibitions in Port Arthur, Texas, J. M. EDELSTEIN, chief librarian, was awarded a fellowship at the Kansas City Art Museum, at East Tennessee State by the Herzog August Bibliothek in Wolfenbuttel, West University, and for the Mayor's Advisory Committee on Germany, to work on Vespasiano da Bisticci studies. He Art and Culture in Baltimore. He is a member of the art gave two lectures: "Rare Books for Art Libraries: Auction selection panel for the Transpotomac Corporation in Alex- Sale and Private Collection Catalogues" and "Out of Print andria, Virginia, and became a member of the Exhibition Book Buying: The Indispensable Element" at the 1985 Advisory Committee of the American Federation of Art in ARLIS/NA conference in Los Angeles. During the year, he New York. continued to serve on the boards of directors of the Center MAYGENE DANIELS, chief of the Gallery archives, was for Book Arts in New York and The Jargon Society, Inc. appointed United States representative to the Interna- He is a member of the board of advisors of the Beyond tional Council on Archives Working Group on Architec- Baroque Foundation and is an adjunct faculty member of tural Records. She also was appointed shorter features the Catholic University of America. editor of the American Archivist and North American cor- ELIZABETH EDER, lecturer, presented a lecture to the Art respondent for Janus, the journal of the International Lovers League of Baltimore on the Henri Rousseau exhibi- Council on Archives Section of Professional Archival tion at the Museum of Modern Art. She also conducted Associations. She continued to serve as chair of the Soci- two adult-child workshops for the Smithsonian Young ety of American Archivists International Archival Affairs Associate Program. One workshop was on Greek mythol- Committee. In May, she presented a paper on museum ogy and the other was called "Gods and Goddesses of records to the joint meeting of the Mid-Atlantic Regional India." Archives Conference and the South Atlantic Archives and Records Conference. An article, "The International World SUZANNAH EARING, managing curator of records and loans, of Archives," was published in the April New England chaired the visiting committee of the Fitchburg Art Mu- Archivists Newsletter. seum in Massachusetts. She served on the advisory and

117 building committees of the Textile Museum, Washington, drawings symposium at the Fogg Art Museum, Harvard and on the board of directors of the Museum Computer University, in March 1985. In May she wrote an explana- Network. tory text, "Lautrec's Images of the Circus," for Meridian House in Washington. GAIL FEIGENBAUM, curator in charge of special projects, education department, was appointed Fellow-by-Courtesy MAR GOT E. GRIER, serials librarian, continued to act as to the department of art history of The Johns Hopkins editor of the "Serials SIG Column" in Art Documentation University. She also taught a course on baroque painting and served on the editorial advisory board of the New Art for Georgetown University Alumni College. Examiner. She conducted a workshop on auction cata- logue management entitled Under the Hammer/Beneath FRANCES FELDMAN, lecturer, delivered a slide presenta- the Wheel, at the twelfth annual ARLIS/NA conference in tion, "Gertrude Stein and Her Friends," to the Art Semi- Los Angeles. nar Group in Baltimore. GRETCHEN HIRSCHAUER, assistant curator of Italian paint- RUTH FINE, curator, department of prints and drawings, ing, spoke on Fra Filippo Lippi's Madonna and Child for presented the lecture "Artists at Gemini: A View Behind the 1984 Christmas Stamp First Day Issue Ceremony at the Scenes" at the Seattle Art Museum when the Gemini the Gallery, gave a lecture for the Smithsonian Resident G.E.L. exhibition was seen there. She lectured on "Whis- Associates Program, "The Cathedrals of Tuscany," and in tler's Etchings: The Premise of Process" at the Art Gallery June accompanied a Smithsonian study group to Italy. of Ontario, at Columbia University, and at the Los Angeles County Museum of Art. She also lectured on "The Art of ANN HOENIGSWALD, conservator of paintings, continued Michael Heizer" at Rice University. She was elected to the research on van Gogh's materials and techniques in the board of directors of the Print Council of America and was United States, Paris, and Amsterdam. She gave a talk to a panel member for The Collaborative Print Workshop: the Washington Conservation Guild on the problems of Its Impact on Contemporary Printmaking at the College Manet's pastel, Mme Michel Levy. Art Association meeting in Los Angeles. She served as one PHILIP C. JESSUP JR., secretary-general counsel, delivered a of three jurors for the Alice Kimball English Traveling talk on U.S. government art programs: "Immunity, Indem- Fellowship, Yale University School of Art. She continued nity, and Implementation of the 1970 UNESCO Convention to serve on the advisory boards of the Philadelphia Print on Cultural Property," at the Symposium on Legal Aspects Club and the Washington Print Club and as a member of of the International Trade in Art, which was held in April the editorial board of The Tamarind Papers, Tamarind in Geneva, under the auspices of the Department of Pri- Institute, Albuquerque, New Mexico. vate International Law of the University of Geneva and SARAH FISHER, senior conservator of paintings, was elected the Institute of International Business Law and Practice head of the Painting Specialty Group of the American of the International Chamber of Commerce. In addition, Institute for Conservation and is organizing the session on he continued as a member of the National Advisory Com- painting conservation for the May 1986 annual meeting. mittee of the Hubert H. Humphrey Fellowship Program She wrote an article for the Bulletin of the Intermuseum (funded by the United States Information Agency) and as Laboratory, Oberlin, Ohio, on the refresher course on lining a trustee of the Obor Foundation. techniques that she organized last year at the laboratory. CAROL KELLEY, assistant to the deputy director, presented SHELLEY FLETCHER, head of paper conservation, chaired an a slide lecture on the National Gallery to the American American Institute for Conservation ad hoc committee to College of Physicians, and lectured to groups from River review procedures for certification of paper conservators. Oaks, Texas, and the Shreveport Symphony of Louisiana. She also presented a talk, "Examination Techniques for FRANKLIN KELLY, assistant curator of American art, lec- Art on Paper," to conservation students at the Winter- tured on nineteenth-century American painting at the thur training program. Baltimore Museum of Art.

MARGARET M. GRASSELLI, assistant curator, department of ROGER LAWSON, head, cataloguing section, served as chair- prints and drawings, presented a paper at the symposium man of the ARLIS/NA Art and Architecture Thesaurus held at the Grand Palais, Paris, cosponsored by the Center Ad-hoc Advisory Committee. For the ARLIS/NA confer- for Advanced Study in the Visual Arts and the Societe de ence held in Los Angeles he organized a session on the l'histoire de l'art frangais. She also gave a paper at the thesaurus entitled "One Year Later: AAT in the Field";

118 there he assisted in directing a workshop entitled "Managing rial Revivals in Italy, England, and America: Palladio, Art Information with a Microcomputer. " Palladians, and Palladianists."

PHILIP LEONARD, lecturer, spoke on "The Decorative Gothic ALISON LUCHS, assistant curator of sculpture, gave a talk, of English Cathedrals" in the series Great Cathedrals of "The Demonet Building and Connecticut Avenue Archi- Western Europe for the Smithsonian Resident Associates tecture," to the Oldest Inhabitants of the District of Colum- Program. He delivered a slide presentation to the Art bia and a lecture on the Widener Trinity morse in a session Seminar Group in Baltimore on "Monet and Derain: Views on Burgundian sculpture in North American collections of London." at the Twentieth International Congress on Medieval Stud- ies at Western Michigan University, Kalamazoo, Michi- DOUGLAS LEWIS, curator of sculpture, was appointed by gan. During the summer she prepared a landmark applica- the Postmaster General as chairman of the Quality Assur- tion for a house that was the home and studio of Alma ance Subcommittee and as vice chairman of the Citizens' Thomas, the Washington arts educator and painter. Stamp Advisory Committee, United States Postal Service, on which he has served since 1979. He continued as a JOHN KENT LYDECKER, curator in charge of public pro- member of the consiglio scientifico of the Center for the grams, lectured on "The Formation of the Guicciardini International Study of Architecture in Vicenza, Italy, the Collection in Later Renaissance Florence" at The Johns American fellowship committee of the Belgian-American Hopkins University Center for Italian Studies, The Villa Educational Foundation, the counselors' committee and Spelman, Florence. He gave a lecture, "Devotional Art in the advisory committee of the Smith College Museum of the Renaissance Florentine Home," at the Christianity Art, the art advisory committee of the Mount Holyoke and the Renaissance conference at Florida State Univer- College Art Museum, and as as professorial lecturer at sity, Tallahassee. He lectured on "Buy, Borrow, or Steal: Georgetown University. He lectured in Ohio on "Henry The Formation of the Guicciardini Collection in Later Moore—The Reclining Figure" in conjunction with an Renaissance Florence" at the Mid-Atlantic Renaissance exhibition organized by the Columbus Museum of Art, and Reformation Conference at the University of Virginia, and participated in the three-day Giamatti Festival of Charlottesville. Italian Culture at Mount Holyoke College. His addresses DONNA MANN, lecturer, gave a slide presentation entitled included "The Sculptural Tradition of Bronze" in a lec- "We the People: American Folk Art of the 19th Century" ture series associated with the exhibition Six in Bronze, at at the Smithsonian and presented a lecture, "Modern the Newport Harbor Art Museum, Newport Beach, Cali- Art," for the Washington Opera. She spoke on "The fornia, and "The Sculpture of Henry Moore" at the Utah Pedagogical Role of Public Art Museums" at the Univer- Museum of Fine Arts in Salt Lake City. He delivered the sity of Salamanca, Spain. paper "Moderno's Plaquettes—A New Look at the Extent of His Oeuvre" and chaired one of the sessions in the CASVA GEORGE MANOS, the new assistant to the director for music, symposium on Italian plaquettes. He led a museum semi- continued as an honorary member of the board of the nar on Italian sculpture and taught a semester course on Levine School of Music, the Washington Chamber Orches- Venetian art for Georgetown University and was a partici- tra, ALEA II of Philadelphia Music Academy, ALEA III of pating consultant for a successful application to the Mellon Boston University, and music director of the Killarney Foundation for the reorganization of the Washington Col- Bach Festival, Republic of Ireland. Currently he serves on legium for Humanistic Study and Research. He spoke on the music committee of the Cosmos Club, the board of "Problems of Authenticity in Renaissance Sculpture" for trustees of the Kindler Foundation, and has accepted an the North American Association of Summer Sessions. For appointment to the advisory council of the Peabody Con- Georgetown University's Villa Le Baize at Fiesole, near servatory of Music of The Johns Hopkins University in Florence, he led a two-week alumni study tour of fifteenth- Baltimore. He is also the designated choice of the Kindler and sixteenth-century art and architecture in Florence, Foundation of the Library of Congress for a composers' Siena, Orvieto, and Rome; for Georgetown's Alumni Col- commission for 1987. lege he gave a course, "Eighteenth-Century American ROSS MERRILL, chief of conservation, served as reviewer of Architecture and Decorative Arts," which included study grant proposals for conservation projects funded by the visits to Stratford Hall and Kenmore in Fredericksburg, National Endowment for the Arts. Virginia. In the annual conference of the American Cen- ter for Palladian Studies he delivered the lecture "Impe-

119 HENRY A. MILLON, dean of the Center for Advanced Study RUTH R. PERLIN, head of the department of extension pro- in the Visual Arts, continued to serve as vice chairman of grams, gave a seminar for graduate students in art history the board of trustees of the American Academy in Rome, and art education at Louisiana State University, Baton chairman of the senior fellows of the Program of Studies in Rouge; she spoke about and presented the film Important Landscape Architecture at Dumbarton Oaks, and on the Information Inside: John F. Peto and the Idea of Still-Life board of directors of the College Art Association, the Painting. At the annual National Videodisc and Optical committee on computerization of art history information Disc Conference, held in Washington, Mrs. Perlin's pre- and the committee on publications of the J. Paul Getty sentation, "The National Gallery's Experience in Produc- Trust, as the scientific secretary of the working group for ing a Videodisc," was part of a session dealing with the arts art history information of the International Committee of and humanities on videodisc. She was a panelist at a the History of Art, on the American committee overseeing national workshop on outreach sponsored by the Office of the merger of the United States-based Repertoire interna- Museum Programs, Smithsonian Institution, and also dis- tionale de la litterature dart (RILA) with the French Reper- cussed "Reaching Audiences Outside the Museum" for an toire dart et archeologie (RAA), and on the architecture international seminar titled "Education In and Outside of advisory group for the Art and Architecture Thesaurus. Museums," presented under the aegis of USIA and the In addition he was elected vice chairman of the Council Smithsonian Institution. on American Overseas Research Centers, to membership HUGH PHIBBS, head of West Building matting/framing, on the United States delegation to the International gave the class "Archival Matting and Framing Techniques" Committee of the History of Art, and appointed to the at the Smithsonian Associates Program during the winter Reproduction Rights Study Committee of the College Art and spring quarters. Association. He also chaired the art history jury for the American Academy in Rome, and served on the review DANIELLE RICE, curator in charge of education, lectured on panel for the Gladys Kriebel Delmas Foundation. Profes- "Vigee-Lebrun and Labille-Guiard: Self-Portraits of the sor Millon presented a paper on the formation of the Artists as Rivals" at the annual meeting of the Women's French Academy of Architecture at a symposium The Caucus of the College Art Association. She gave the talk French Academy: Classicism and Its Antagonists, at the "Painting by the Book: Recipes and Secret Formulas in University of Maryland in October, took part in a panel Eighteenth-Century Art" at the annual meeting of the examining the development of the department store in the American Society for Eighteenth Century Studies. She United States on PBS, and spoke on architectural criticism delivered the lecture "Knowing vs. Understanding: The at the annual AIA-ACSA Cranbrook Seminar in June. He Art Museum as a Tool for Humanistic Learning" at Bowdoin conducted a seminar on Piedmontese architecture at the College and also served as outside evaluator for a new Massachusetts Institute of Technology in the spring. undergraduate course in the humanities funded through the National Endowment for the Humanities at the Uni- MELANIE B. NESS, managing editor, served as a judge and versity of Hartford. panel member for the National Park Service 1984 publica- tions competition. She taught a course, "Book Design and ANDREW C. ROBISON, curator of prints and drawings and Production," for the Center for Continuing Education, senior curator, lectured on "The Interpretation of George Washington University, and gave two lectures, Piranesi's Carceri' at Washington University, Saint Louis, "Photography and Design" at George Washington Uni- on the origins of pure landscape in European art to the versity and "Editing by Design" at the National Gallery Literary Society, and on "Washington Private Collec- for the Council for the Advancement and Support of tions" to the Washington Print Club. He was chairman of Education. a panel, Fine Prints, at the Guggenheim Museum, and of a symposium session, Collecting Drawings, at the Fogg Art TRUDI OLIVETTI, cataloguer, cochaired a discussion group Museum. He was a participant in the symposium Albrecht entitled Cataloguing Facsimiles of and Works about Illu- Durer und die Tier- und Pflanzenstudien der Renaissance minated Manuscripts at the ARLIS/NA conference in Los at the Albertina in Vienna. He continued to serve as Angeles and coauthored the accompanying manual. president of the International Advisory Committee of MARGARET PARSONS, coordinator of auditorium programs, Keepers of Public Collections of Graphic Art, on the was a juror for the American Film Festival and a reviewer international editorial advisory board of Master Drawings, for the Program for Art on Film, a joint venture of The on the board of directors of the Drawing Society, and on Metropolitan Museum of Art and the J. Paul Getty Trust. the advisory board of the Washington Print Club.

120 H. DIANE RUSSELL, assistant head of the department of FRANCES R SMYTH, editor-in-chief, served as a judge for prints and drawings, taught a seminar, "Observation and two competitions held by the Council for the Advance- Convention in 17th-Century Landscape Art," at The Fol- ment and Support of Education: one on cover design and ger Institute of Renaissance and Eighteenth-Century Stud- one on the design of scholarly books. ies. She gave a paper, "Claude Lor rain: The Problem of JULIE SPRINGER, lecturer, presented a paper, "Symbolist Content," in the symposium session The Interpretation of Painting of Women by John White Alexander," at the Landscape Painting at the College Art Association Annual symposium Symbolist Art and Literature at Dickinson Meeting in Los Angeles. She also read a paper on the College, Carlisle, Pennsylvania. engravings of Robert Nanteuil at the Louis XIV sympo- sium, sponsored by The Folger Institute, and gave a lec- ROLLY STRAUSS, assistant to the curator in charge of edu- ture, "Leonardo and the Art of Drawings," at the Museum cation, gave a slide presentation, "Early Modern Sculpture: of Fine Arts in Houston. Rodin to Brancusi," at the International Sculpture Center in Washington. LYNN RUSSELL, curator for young persons' programs, edu- cation department, presented a slide lecture to the Wom- CHARLES F. STUCKEY, curator of modern painting, served en's Club of Roland Park in Baltimore titled "Decorative as moderator for the symposium Van Gogh in Aries at The Arts in the National Gallery's Collection." She also lec- Metropolitan Museum of Art, New York, and delivered a tured on medieval art to the Blue Ridge Chapter of the lecture on Toulouse-Lautrec at Meridian House, Wash- Virginia Museum of Fine Arts, and conducted a half-day ington. docent training program at the University of Virginia Art SHELLEY STURMAN, acting head of objects conservation, Gallery in Charlottesville. presented a paper entitled "Technical Analysis of Riccio MICHAEL B. SASSANI, head of audiovisual services, wrote, Plaquettes" at the CASVA symposium on Italian plaquettes. produced, and directed two television public service She also gave a slide presentation to the Washington announcements for the Montgomery County Office of Conservation Guild on "Oil Finishes for Outdoor Metals, Consumer Affairs. The thirty-second spot won the 1985 based on experiments she conducted with Helen Ingalls of Emmy award from the Washington Chapter of the National the conservation department. Ms. Sturman was chair of Academy of Television Arts and Sciences for best public the poster sessions for the annual meeting of the Ameri- service announcements. It also won the best television can Institute for Conservation, and completed a three- program award from the National Association of Public year term as director of the AIC executive board. Affairs Administrators. WILLIAM SUMITS, chief photographer, served as a judge WILFORD W. SCOTT, lecturer, gave a talk on American for the photographic vocational program competition for landscape painting for the docents of the Corcoran Gallery the Virginia department of education. of Art. He spoke to the Annapolis chapter of Mensa on the MARY E. SUZOR, registrar, served as a panelist at the Ple- history of the National Gallery of Art and the role of the nary Session of ICOM (International Committee on Exhibi- universal survey museum in contemporary culture. tion Exchange). MARIANNA SHREVE SIMPSON, associate dean of the Center D. DODGE THOMPSON, chief of exhibition programs, deliv- for Advanced Study, gave a course at Georgetown Univer- ered two lectures, "Special Exhibitions at the National sity entitled "Introduction to Islamic Art: Art of the Gallery of Art" and "A Preview of The Treasure Houses of Object and Art of the Book." She served on an art history Britain Exhibition," for the sixtieth anniversary of the panel for the Division of General Programs at the National Mulvane Art Center in Topeka, Kansas. Endowment for the Humanities and presented a paper, "The Search for Meaning in Iranian Epic Imagery," at the VIRGINIA TUTTLE, assistant curator, department of prints College Art Association meeting in Los Angeles. and drawings, taught "Introduction to the History of Art' at Georgetown University for two semesters. MICHAEL R. SKALKA, assistant for conservation programs, presented an entry on Data Base Designs for Multiple Users FRANCIS E. VERRIER, chief of security, presented a talk on in the poster session at the thirteenth annual meeting of security systems and procedures at the seminar Security the American Institute for Conservation. is Everybody's Business sponsored by the Smithsonian Institution.

121 LAURIE WEITZENKORN, assistant curator in the Index of the History of Art and was elected its chairman. She taught American Design, lectured on the Index to an American a seminar on northern European prints through the time University class studying American history of the 1930s. of Durer at Georgetown University. She also delivered a lecture entitled "Highlights of the Prado Museum" in New York for the Smithsonian Institu- SCHOLARLY PUBLICATIONS tion. For the second year in a row she served on the review panel for the Congressional Art Competition for High ARONSON, JULIE, contributor. American Naive Paintings School Students. from the National Gallery of Art (Washington, National Gallery of Art, 1985). ARTHUR K. WHEELOCK, JR., curator of northern baroque painting, taught a graduate seminar on the Haarlem school ASH, NANCY. "Media Problems. * Paper Conservation Cata- and one on Dutch and Flemish landscape traditions at the log (1985). University of Maryland, where he is an associate profes- BROWN, BEVERLY LOUISE. "Giorgione, Michelangelo and sor. He also served as a member of the visiting committee the maniera moderna." Renaissance Studies in Honor of for the Williams College Art Museum. During the year he Craig Hugh Smyth (Florence, 1985). gave talks to the Art Seminar Group from Baltimore and to students from the Foreign Service Institute and the BROWN, DAVID. "Leonardo and the Idealized Portrait in University of North Carolina. He also gave the following Milan." Arte Lombarda 67 (1983-1984): 102-116. public lectures: "The Art Historian in the Laboratory: "A Leonardesque Madonna in Cleveland." Scritti Technical Examinations of Dutch Seventeenth-Century di storia delVarte in onore di Federico Zeri, 2 vols. (Milan, Paintings" at Pennsylvania State University and at Phil- 1984), 1:291-301. lips Exeter Academy; "Pentimenti in Vermeer's Paint- "Parmigianino at Fontenellato." FMR, no. 1 ings: Changes in Style and Meaning" at Carleton College, (1984): 140-147. Northfield, Minnesota; "Rembrandt's The Mill: Its Myths, Its Restoration, and Its Controversy" at the Minneapolis CARHIVEAU, GARY W., et al. "Some Comparisons Among Institute of Arts and at the Maumee Valley Country Day Majolica Samples from Faenza and Pesaro." Faenza 70 School, Toledo, Ohio; "Flora in Dutch Art: Still Life (1985). Paintings in the Seventeenth Century" at the U.S. Na- , et al. "A Characterization of the Pesaro Samples tional Arboretum, Washington; and "Science, Magic, in the Trace Elements." Bulletin American Ceramics Soci- and Art: The Dutch View of Nature in the Seventeenth ety, no. 5 (1985). Century" at the Toledo Museum of Art. , et al. "Caratterizzazioni chemico-fisiche di WILLIAM J. WILLIAMS, lecturer, led docent training work- campioni di majolica d'area romagnolo medioevale e post shops on "Eighteenth-century Decorative Arts" at The medioevale." Faenza 71 (1985). Baltimore Museum of Art and on "The Sun King" exhibi- CHOTNER, DEBORAH, contributor. American Naive Paint- tion at the Corcoran Gallery of Art in Washington. ings jrom the National Gallery of Art {Washington, National CHRISTOPHER WITH, lecturer, delivered two of the slide Gallery of Art, 1985). presentations in a series for the Art Seminar Group in CIKOVSKY, NICOLAI. JR., contributor. George Inness (Los Baltimore, "The Realm of Dada and Surrealism" and Angeles County Museum of Art, 1985). "Kandinsky, the Improvisations." He also presented a "The Civilized Landscape." American Heritage lecture on the art and career of Marc Chagall for the (April/May 1985): 32-41. Smithsonian's Resident Associate Program. He organized "George Inness." FMR (1985). with a colleague an eight-week lecture series for the Smithsonian's Resident Associate Program, Life is a "Notes on the Museum Set." Ansel Adams: Classic Cabaret: Weimar Culture in the 1920s, and delivered one Images (Washington, National Gallery of Art, 1985). of the lectures, "Abstraction and Realism: The Path of DANIELS, MAYGENE. "The International World of Archives." German Art in the 1920s." New England Archivists Newsletter 12, no. 2 (April MARTHA WOLFF, curator of northern Renaissance paint- 1985): 1-3. ing, continued to serve on the editorial board of Studies in DOUMATO, LAMIA, contributor. American Reference Books Annual (Littleton, Colorado, Libraries Unlimited, 1985).

122 Review. Contemporary Designers, ed. Ann Lee HIRSCHAUER, GRETCHEN. Leonardo da Vinci. Drawings of Morgan. Reference Quarterly 23, no. 4 (Summer 1985): Horses from the Royal Library at Windsor Castle (Washing- 495, 505. ton, National Gallery of Art, 1985). Review. Helen Frankenthaler: Works on Paper by "Leonardo da Vinci's Studies of the Horse." The Karen Wilkin. Choice (July/August 1985): 13. Chronicle of the Horse 48, no. 11 (15 March 1985): 38-39. Review. A Woman s Touch: Women in Design from KELLY, FRANKLIN. Review. Reflections of Nature by Ella 1860 to the Present Day by Isabelle Anscombe. Choice Foshay. Winterthur Portfolio (Autumn 1985). (March 1985): 21. LEWIS, DOUGLAS. "Madonna and Child, 1420s." The Mount , contributor. Gemini G.E.L.: Art and Collaboration Holyoke College Art Museum, Handbook of the Collection, (Washington, National Gallery of Art and New York, ed. Jean C. Harris (South Hadley, Massachusetts, 1984), Abbeville Press, 1984). 22-23. , contributor. Dictionary of Women Artists (Boston, "II significato della decorazione plastica e pittorica G. K. Hall, 1985). a Maser." Bollettino del Centro Internazionale di Studi di EDELSTEIN, J. M. Review. Devour the Fire: Selected Poems of Architettura 22 (1980 [1985]), pt. 1, Atti del convegno Harry Crosby. Fine Print 2, no. 2 (April 1985): 112. internazionale su Palladio e il palladianesimo: 203-213. Review. Ezra Pound: A Bibliography by Donald "David with the Head of Goliath, Cast no. 1," Gallup. Credences: A Journal of Twentieth-Century Poetry "David with the Head of Goliath, Cast no. 2," and "David and Poetics, n.s. 3, no. 1 (Spring 1984): 202-203. of the Casa Martelli." Italian Renaissance Sculpture in the Time of Donatello (Detroit Institute of Arts, 1985). FABING, SUZANNAH, contributor. Spectra 11, no. 3 (Fall 1984): 1. LUCHS. ALISON. "Madonna and Child under an Arch." "Art Information System." Census; Computeriza- "Cosimo de'Medici, Pater Patriae," "Bernardo Rossellino," tion in the History of Art (Scuola Normale Superiore, Pisa, "A Lady of the Vespucci Family(?)," "Francesco di Gior- and The J. Paul Getty Trust, Los Angeles, 1984), 50-51. gio," "The Deposition," "Saint John the Baptist," and "David." Italian Renaissance Sculpture in the Time of Dona- FEIGENBAUM, GAIL, contributor. Around 1610: The Onset of tello (Detroit Institute of Arts, 1985). the Baroque (London, Matthiesen Gallery, 1985). "Old Master Exhibitions in New York." Burling- LYDECKER, JOHN KENT. "The Patron, Date and Original ton Magazine 127, no. 985 (1985): 255-256. Location of Andrea del Sarto's Tobias Altar-piece." The Burlington Magazine 127 (1985): 349-355. FINE. RUTH. Gemini G.E.L.: Art and Collaboration (Wash- ington, National Gallery of Art and New York, Abbeville MILLON. HENRY A. Filippo Juvarra—Drawings from the Roman Period: 1704-1714 (Rome, Edizione dell'Elefante, Press, 1984). 1984). "L.A. Prints." A Bibliophile's Los Angeles, ed. "Integration." A utomatic Processing of Art History John Bidwell (William Andrews Clark Memorial Library, Data and Documents, ed. L. Corti and M. Schmitt (Pisa, University of California at Los Angeles, 1985). 1984), 283-294. FREEDBERG, SYDNEY J. Foreword. Five Centuries of Italian OLIVETTI, TRUDI, contributor. Scholars' Guide to Washing- Painting, 1300-1800 (Houston, The Blaffer Collection, ton, D. C., for Audio Resources: Sound Recordings in the Arts, 1985). Humanities, and Social, Physical and Life Sciences (Wash- "On Art History." New Criterion 4, no. 1 (Septem- ington, Smithsonian Institution Press, 1985). ber 1985): 18-21. OWENS, CARLOTTA J. John James Audubon: The Birds of GRASSELLI, MARGARET. "Prodiges des crayons." Beaux Arts America (Washington, National Gallery of Art, 1984). (Collection Les Grandes Expositions, special issue devoted , contributor. Gemini G.E.L.: Art and Collaboration to Watteau, October 1984): 50-55. (Washington, National Gallery of Art and New York, GRIER, MAR GOT E., contributor. Gemini G.E.L.: Art and Abbeville Press, 1984). Collaboration (Washington, National Gallery of Art and RICE. DANIELLE. "Elizabeth Vigee-Lebrun vs. Adelaide New York, Abbeville Press, 1984). Labille-Guiard: A Rivalry in Context." Proceedings of the ""Belvedere Examined "ArtDocumentation 3, no. 4 Western Society of French History 11 (1984). (Winter 1984): 128-130.

123 , contributor. "Women and the Visual Arts." WILLIAMS, WILLAM JAMES. Introduction. "Impressionism French Women and the Age of Enlightenment, ed. Samia I. from Paris to Washington." Impressionist Masterpieces, Spencer (Bloomington, Indiana University Press, 1984). National Gallery of Art, Washington by John House (New York, Hugh Lauter Levin Associates, Inc., 1985), 6-23. ROBISON. ANDREW C. Master Prints from Washington Pri- vate Collections (Washington, National Gallery of Art, WILMERDING, JOHN. Foreword. Monotypes by Maurice 1985). Prendergast in the Terra Museum of American Art (Chicago, "Prints of the Briicke Artists." German Expres- 1984), 5-6. sionist Prints from the Collection of Ruth and Jacob Kainen WITH, CHRISTOPHER, contributor. "Prints of the 1920s: An (Washington, National Gallery of Art, 1985). Art of Engagement" and "Prints of the 1920s: A New "The Museum Curator and Fine Prints: Past, Direction." German Expressionist Prints from the Collection Present, and Future." Books and Prints, Past and Future of Ruth and Jacob Kainen (Washington, National Gallery (New York, The Grolier Club, 1984). of Art, 1985), 71-103. RUSSELL, H. DIANE. Robert Nanteuil: Portrait Engraver to the WOLFF, MARTHA. German and Netherlandish Masters of the Sun King (Washington, National Gallery of Art, 1985). Fifteenth and Sixteenth Centuries. The Illustrated Bartsch 10 STUCKEY, CHARLES F. "Degas as an Artist; Revised and Still (New York, 1985). Unfinished/' Degas —Form and Space (Paris, Centre cul- ture! du Marais, 1984), 13-64. "Monet's Art and the Act of Vision." Aspects of Monet, ed. John Rewald and Frances Weitzenhoffer (New York, Harry N. Abrams, Inc., 1984), 108-121. Seurat (Mount Vernon, New York, The Artist's Limited Edition, 1984). , editor. Monet: A Retrospective (New York, Hugh Lauter Levin Associates, Inc., 1985). Letter to the editor. "Parthenon Fever." Art in America 73 (February 1985): 5. "Rebecca Howland's Brainwash." ABC No Rio Dinero: The Story of a Lower East Side Art Gallery (New York, 1985), 159-161. Review. Renoir: Flis Life, Art, and Letters by B. E. White. Art in America 72 (December 1984): 23-24. Review. Degas: His Life, Times and Work by R. McMullen, and James Tissot by M. Wentworth. Art in America 73 (June 1985): 17-19. Review. 19th-century Art by R. Rosenblum and H.W. Janson. Art in America 73 (February 1985): 17-19. "Recent Degas Publications." Burlington Maga- zine 127, no. 988 (July 1985): 465-467.

THOMPSON. D. DODGE. "Edwin Lord Weeks, American Painter in India." The Magazine Antiques 128, no. 2 (August 1985): 246-257.

TUTTLE, VIRGINIA. "Lilith in Bosch's Garden of Earthly Delights." Simiolus 16, no. 2 (1985).

Thomas Rowlandson, A Young English Beauty; Julius S. Held Collection 1985.1.51

124 MUSIC AT THE GALLERY

Thirty-nine Sunday evening concerts were given in the 13 January —National Gallery Orchestra, Concert in Honor of the East Garden Court between 1 October 1984 and 30 Sep- Presidential Inauguration, with Catholic University Chorale and soloists tember 1985. Concerts were supported by funds bequeathed 20 Jan uary — Concert in Honor of the Presiden tial Inauguration, to the Gallery by William Nelson Cromwell and F. Lammot piano recital by Martha Ann Verbit Belin, as well as by a grant from the Music Performance 27 January—The Stier Basch Hosford Trio Trust Fund of the Recording Industry through Local 3 February — National Gallery Orchestra, Richard Bales' Seven- 161-710 of the American Federation of Musicians. Eight tieth Birthday Concert Sunday concerts from 7 April through 26 May comprised 10 February —The Shenandoah Conservatory Choir, Robert the 42nd American Music Festival held at the Gallery. Shafer, conductor The National Gallery Orchestra, conducted by Richard 17 February —Morton Estrin, pianist (The 24 Rachmaninoff Bales, played twelve Sunday concerts. Intermission talks preludes) and interviews during the broadcasts of the Sunday 24 February—The Howard University Singers, J. Weldon Nor- evening concerts were delivered by members of the edu- ris, conductor cation department. Mr. Bales gave music notes dur- 3 March—The American Chamber Trio ing each of these intermissions. 10 March — Wanda Paik, pianist The traditional prelecture recorded music on Sunday 17 March —National Gallery Orchestra, Saint Patrick's Day Pro- gram, with Geraldine O'Grady, violin soloist afternoons was continued. All Sunday evening con- 24 March —Patricia Parker, soprano, Gerald Brown, pianist certs were broadcast in their entirety by radio station 31 March—National Gallery Orchestra, Bach and Handel Tricen- WGMS on both AM and FM. Attendance at the concerts tennial Concert remained high throughout the season, exceeding capacity Forty-second American Music Festival: 7 April-26 May at the orchestral programs. A complete 1984-1985 sched- 7 April —Nan Nail, soprano; Veda Zuponcic, pianist ule of the Sunday evening concerts follows: 14 April—The Tremont String Quartet 7 October—National Gallery Orchestra 21 April —The Ames Piano Quartet 14 October —National Gallery Orchestra 28 April —Kevin Lawrence, violin; Juliana Osinchuk, pianist 21 October —Anthony and Mary Ann Lenti, piano four hands 5 May —Raymond Jackson, pianist (Black American Composers) 28 October—Alan Mandel, pianist 12 May —Capitol Woodwind Quintet 4 November—The Portland String Quartet (Bloch cycle) 19 May —National Gallery Orchestra, with Donald Shore, 11 November—The Portland String Quartet (Bloch cycle) bassoon soloist 18 November —National Gallery Orchestra 26 May —National Gallery Orchestra 25 November —Regina McConnell, soprano with assisting artists Short Piano Series VI: 2 December —Vivien Harvey Slater, pianist 3 June —Gary McMurran 9 December—Jill Timmons, pianist 10 June —Edith Cornfield 16 December—Sheila Akin Pearl, soprano; Margaret Singer, 17 June —Barbro Dahlman and Ingrid Lindgren, piano four pianist hands 23 December—National Gallery Orchestra 24 June—Jeffrey Campbell 30 December—Charles King, classical guitarist 1 July— National Gallery Orchestra, Alexandria Choral Society 6 January —National Gallery Orchestra, Music of Vienna (Mr. Bales' final concert as music director)

125 FIRST WASHINGTON PERFORMANCES

judith shatin allen Icarus, 28 April 1985 grant beglarian from "To Manitou!,"! April 1985 john childs Choreographic Impressions, 5 May 1985 john d1ercks Three Sonatinas from Volume II, 20 January 1985 vivian fine Two Elizabethan Songs, 7 April 1985 alan hovhaness Symphony No. 50, Opus 360, Mount St. Helens, 19 May 1985 gyorgy li get i Ejszaka, 10 February 1985 david liptak Time-Piece, 28 April 1985 tod machover String Quartet No. 1, 14 April 1985 william mayer Always, Always Forever Again, 7 April 1985 robert palmer String Quartet No. 3, 14 April 1985 vincent persichetti Three Books of Poems, 2 June 1985 antonio salieri Symphony Veneziana, 18 November 1984 ralph shapey String Quartet No. 4, 14 April 1985 albert stoessel Suite from the opera Garrick, 19 May 1985 terry wallstein Heavan-Haven and Stopping by Woods on a Snowy Evening, 7 April 1985 gary white # Epitaph, 21 April 1985 1 ' ' - - , - . . FIRST PURLIC PERFORMANCE AT THE NATIONAL — - . . , GALLERY OF ART

richard bales George Manos, assistant to the director for music The Spirit of Engineering, a Suite for Orchestra, 7 October 1984

FIRST PERFORMANCE WITH ORCHESTRA

WORLD PREMIERES richard bales Dirge for Two Veterans, 30 June 1985 thomas beveridge A Woman s Love, 7 April 1985 Richard Bales retired alter the concert season. George ronald caltabiano Manos succeeded him as music director of the National Duo for Violin, Cello and Piano, 5 May 1985 Gallery Orchestra and concert series. At the same time adolphus c. hailstork Ande Feldman resigned and Juliana Munsing joined the Piano Sonata, 5 May 1985 staff as Mr. Manos1 assistant. meyer kupferman Plans have been made for concerts to celebrate the Image for Viola and Clarinet, 27 January 1985 themes of exhibitions, for the UMRC Camerata to appear thomas ludwig with the orchestra, and for a new National Gallery vocal Two Divertissements, 12 May 1985 arts ensemble to debut in the spring. clare shore Concerto for Bassoon and String Orchestra, 19 May 1985

126 PUBLICATIONS SERVICE

During this year 57,201 catalogues of special exhibitions were sold to the visiting public, and sales of posters related to these exhibitions amounted to 59,006 copies. The pub- lications service also sold 10,185 permanent exhibition catalogues. The special exhibition that sold the most publications was Degas: The Dancers; 3,297 catalogues, 4,030 petit journals, and 7,026 posters were sold from it. The AIbertina Drawings, Sculpture of India, and Leonardo Drawings of Horses exhibitions all had strong sales. The publications service maintains a considerable inventory of backlist catalogues from these and many other special exhibitions. Reproductions purchased by the public numbered 1,440,331. The publications service also sold 57,281 cop- ies of books on art and other related subjects. The number of visitors who purchased printed reproductions, exhibi- tion catalogues, books, and related educational materials was 457,550. Through the worldwide mail order service, 6,091 re- quests for merchandise were filled. Telephone requests for information about available materials amounted to 8,900, and five thousand letters were received requesting addi- tional information about services offered. Revenues generated as a direct result of publications service sales were again used to lend support to the sys- tematic catalogue.

Jacopo de' Barbari, Mars and Venus, Ailsa Mellon Bruce Fund, 1985.26.1

127 BUILDING MAINTENANCE, SECURITY, AND ATTENDANCE

For the Andrew W. Mellon dinner the horticulture staff issued identification cards which list their office affilia- established a rose garden in the Rotunda and Virginia tions and other pertinent information. The system regis country gardens in the garden courts. They also have ters daily arrival and departure times. replaced four large ficus trees in the East Building and During fiscal year 1985, a total of 5,079,858 persons continue to replace boxwoods on the Fourth Street plaza visited the Gallery. with white azaleas. The building superintendent's staff has been involved in such major projects as a new suite of offices for the newly appointed external affairs officer, the new educa- tion docents' lounge, the new temporary photography lab Jack Beal, Portrait of the Doyles, Gift of Evelyn and Leonard Lauder, located in the West Building, and modifying the office 1984.86.1 space for the x-ray equipment in the conservation lab. Over the past several years the original air-conditioning systems have been replaced as the areas served were remodeled. This year brought the completion of that proj- ect. In addition, the original water chilling units were replaced. New flow meter systems and control systems, serving both the East and West Buildings, were also in- stalled for the chilled water system. The security staff, in cooperation with representatives of the United States Secret Service and the Department of State, provided security for a number of high-ranking government officials and dignitaries who visited the Gal- lery this year, including Vice President and Mrs. George Bush and India's Prime Minister and Mrs. Rajiv Gandhi. Fire protection in the West Building has been greatly increased. Ionization smoke detectors have been installed in the attic, in the upper-level machine and elevator equip- ment rooms, and in the West Building archives storage areas. The new halon fire-suppressing system, located in the storage area of the Index of American Design, is now in operation. A power supply unit has been installed in the security console room. This added protection insures a continuous power supply to the security computers, which are the heart of the security and fire detection systems. Identification card reader access units have been located at all employee building entrances. Employees have been

128 FINANCIAL STATEMENTS

1801 KStreet, N.W. Telephone 202 296 0800 Washington, DC 20006

Price Water house

December 2, 1985

To the Board of Trustees National Gallery of Art

In our opinion, the accompanying balance sheet and the related statements of activity and of changes in fund balances present fairly the financial position of the National Gallery of Art at September 30, 1985 and the results of its operations and the changes in its fund balances for the year then ended, in conformity with generally accepted accounting principles applied on a basis consistent with that of the preceding year after giving retroactive effect to the change, with which we concur, in the method of accounting for investments as described in Note 2 to the financial statements. Our examination of these statements was made in accordance with generally accepted auditing standards and accordingly included such tests of the accounting records and such other auditing procedures as we considered necessary in the circumstances.

p/i*ic C6

129 BALANCE SHEET SEPTEMBER 30, 1985

7985

Non-Federal Federal Total Funds

ASSETS Cash, including amounts on deposit with U.S. Treasury and interest-bearing demand deposits (Note 1) $ 1,429,339 $ 8,520,943 $ 9,950,282

Investments, at market (Notes 2 and 4) 101,927,008 — 101,927,008

Publications inventory, at the lower of cost or market 2,164,039 — 2,164,039

Receivables (Note 6) 3,597,785 — 3,597,785 Buildings and equipment (Note 7)

Non-Federal funds 122,777,470 — 122,777,470

Federal funds — 21,999,760 21,999,760

Collections (Note 1) — — — Total assets $231,895,641 $30,520,703 $262,416,344

LIABILITIES AND FUND BALANCES Liabilities: Accounts payable and accrued expenses $ 6] 0,694 $ 1,849,710 $ 2,460,404

Undelivered orders (Note 1) — 2,621,229 2,621,229

Deferred grants and pledges 1,634,589 — 1,634,589 Total liabilities 2,245,283 4,470,939 6,716,222 Fund balances (Notes 3 and 5):

Funds for Operations 2,255,198 — 2,255,198

Funds for Special Purposes 17,580,044 — 17,580,044

Endowment Funds 87,037,646 — 87,037,646

Unobligated appropriations — 4,050,004 4,050,004 106,872,888 4,050,004 110,922,892 Capital invested in buildings and equipment 122,777,470 21,999,760 144,777,230 Total fund balances 229,650,358 26,049,764 255,700,122 Total liabilities and fund balances $231,895,641 $30,520,703 $262,416,344

130 STATEMENT OF ACTIVITY FOR THE YEAR ENDED SEPTEMBER 30,1985

7985

Non-Federal Federal Total Funds

SUPPORT A!Nh REVENUES U.S. Government appropriation (Note 1) $ $33,767,530 $33,767,530 Return from endowment funds, less $460,288 returned to principal (Note 1) 2,140,745 — 2,140,745

Grants for special exhibitions 3,059,154 - 3,059,154

Income from special purpose funds utilized 402,724 — 402,724

Publication sales, royalties, and other 4,300,396 — 4,300,396

Interest income 168.812 — 168,812

Income from cafeteria 185,479 — 185,479 Total support and revenues 10,257,310 33,767,530 44,024,840

OPERATING EXPENSES

Programs: Curatorial 897,171 3,589,602 4,486,773 Conservation 144,872 751,473 896,345 Special exhibitions 2,515,120 2,500,750 5,015,870

Editorial and photography - 723,569 723,569 Research services 192,041 1,511,751 1,703,792 Educational services 242,294 2,398,338 2,640,632

Fellowships 317,716 — 317,716 Music 137,480 99,987 237,467

Publications 4,329,828 — 4,329,828 Total program expenses 8,776,522 11,575,470 20,351,992

Operations, Security, and Administration:

Operations and maintenance - 11,160,742 11,160,742

Security - 5,564,541 5,564,541 Administration, fiscal and legal 790,333 3,160,657 3,950,990 Total operations, security, and administration 790,333 19,885,940 20,676,273

Renovation expenditures — 1,469,702 1,469,702

Equipment expenditures - 836,418 836,418 Total expenses 9,566,855 33,767,530 43,334,385 Excess of support and revenues over expenses $ 690,455 $ $ 690,455

131 STATEMENT OF CHANGES IN FUND BALANCES FOR THE YEAR ENDED SEPTEMBER 30, 1985

Non-Federal Federal

No-year Funds for No-year Special Funds for Special Endowment One-year Renovation Exhibitions Total Operations Purposes Funds Funds Funds Funds Funds

BALANCES, BEGINNING OF YEAH (Note 3) i 1,564,743 $14,010,074 $60,650,05] 685,152 $ 287,304 $ 77,197,324 Additions: U.S. Government appropriation 29,800.000 3,136,000 3,912,000 36,848.000 Return from endowment funds restricted to special purposes 2,352,931 2,352,931 Endowment fund income returned to principal (Note 1) 460,288 460,288 Investment income 914,127 914,127 Increase in investment appreciation and gain on sale of securities (Note 4) 658,616 9,157,898 9,816,514 Gifts and bequests 1,481,403 17,766,612 19,248,015 Insurance recovery—art 149,000 149,000 Excess of support and revenues over expenses 690,455 - - - 690,455 1,150,743 5,556,077 26,924,510 29,800,000 3,136,000 3,912,000 70,479,330 Deductions: Art purchases 2,421,465 2,421,465 Fixed asset expenditures 116,563 116,563 Fellowships, projects, and other 445,282 445,282 2,983,310 2,983,310

Federal operating expenses 29,797,078 1,469,702 2,500,750 33,767,530 Returned to U.S. Treasury 2,922 2,922 Interfund transfers to (from ): Endowment fund income returned to principal ( Note 1) (460,288) 460,288 Other 997,203 1997,203) 460,288 1,986,107 536,915 29,800,000 1,469,702 2,500,750 36,753,762 BALANCES, END OF YEAR { 2,255,198 $17,580,044 $87,037,646 $2,351,450 $1,698,554 $110,922,892

132 NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED SEPTEMBER 30, 1985

Note 1 Summary of Significant Accounting Policies Cash Non-Federal cash represents amounts held on Non-Federal Funds The accounts of the Non-Federal deposit by banks including interest bearing demand Funds are prepared on the accrual basis of accounting, deposits. Federal cash represents appropriated amounts which is in accordance with generally accepted account- not yet disbursed by the U.S. Treasury. ing principles. Under this method, revenues are recorded Investments Investments are carried on the Balance Sheet when earned and expenses are recorded when incurred at market value. See Note 2 which describes a change without regard to receipts or disbursements of cash. in the method of accounting for investments in 1985. Non-Federal Funds include Funds for Operations, Funds Collections The Gallery acquires its art collections and for Special Purposes, and Endowment Funds. research materials through purchase or by donation Federal Funds The Gallery receives a normal "one-year"1 in-kind of the items themselves. In accordance with poli- appropriation from Congress for the operations of the cies generally followed by art museums, no value has Gallery. Normal one-year appropriations which are not been assigned on the Balance Sheet to the Gallery's col- obligated or expended must be returned to the U.S. lections, and only current year purchases, and not dona- Treasury. The Gallery also receives uno-year" appropria- tions in-kind, are reflected in the Statement of Changes tions for the repair, renovation, and restoration of the in Fund Balances. buildings and for special exhibitions. No-year appropria- Fixed Assets The land occupied by the Gallery's build- tions which are not obligated or expended are retained ings was appropriated and reserved by the Congress for until expended. that purpose, and no value has been assigned in the accom- The accounts of the Federal Funds are prepared on the panying financial statements. Buildings are recorded at obligation basis of accounting, which is in accordance cost and not depreciated since they are considered national with accounting principles prescribed by the Comptroller landmarks. Equipment, furniture, and computer software General of the United States as set forth in the Policy are also recorded at cost and are depreciated on a straight- and Procedures Manual for Guidance of Federal Agencies. line basis over estimated useful lives which range from The obligation basis of accounting differs in some respects five to twenty-five years. from generally accepted accounting principles. Under Income Taxes The Gallery is exempt from income taxa- this basis of accounting, commitments, such as pur- tion under the provisions of §501(c)(3) of the Internal chase orders and contracts, are recognized as expendi- Revenue Code. tures and the related obligations are carried as liabilities even though the related goods or services have not been Support and Revenue The Gallery's policy is to recog- received. Such amounts are shown as undelivered orders nize grants, gifts, and bequests as support and revenues and relate principally to building and equipment obliga- or additions to Funds for Special Purposes or Endow- tions and are available until expended. ment Funds in the year received. Amounts pledged for construction commitments, fellowships, and special Fund Accounting In order to ensure observance of lim- exhibitions are recorded as receivables and deferred itations and restrictions placed on the Non-Federal Funds, revenue. Pledges for the purchase of works of art are the accounts of the Gallery are maintained in accordance recorded when collected. with the principles of fund accounting. Under this proce- Contributions received by the Gallery in support of dure, resources designated or available for various pur- special exhibitions occurring at one or more participat- poses are classified for accounting purposes into separate ing museums are recorded as revenue to the Gallery to funds. the extent that shared costs are incurred by the Gallery. Depending upon their nature, gifts, bequests, and grants are recorded in the Funds for Operations, Funds Operating Income from Endowment Funds A 1942 trust for Special Purposes, or the Endowment Fund. Restricted indenture established a National Gallery Endowment gifts, contributions, and other resources are accounted Fund for the purpose of providing income to support for as Funds for Special Purposes or Endowment Funds. certain non-government expenditures of the Gallery. Certain gifts and bequests are accepted by the Gallery Subsequent to the original endowment, other funds have with the understanding that the principal be retained been established for the operation of the Center for intact. Advanced Study in the Visual Arts, conservation work,

133 creating fellowships, and various other operating purposes Note 4 Investments in addition to the purchases of works of art. In order to The Gallery has three pooled investment funds: the minimize the inflationary erosion of these funds, it is Capital Appreciation Fund, the Balanced Fund, and the the policy of the Board of Trustees to limit the amount Special Purpose Fund. The Capital Appreciation and Bal- of dividends and interest available for expenditures in anced Funds include high-grade debt and equity securities any year and to return unused funds to the principal of which are generally held for longer periods, whereas the the endowment. In 1985 total return from endowment Special Purpose Fund is primarily comprised of short- funds for operations was $2,601,033. Of this amount, term securities so that funds will be available to meet $2,140,745 was used for operating purposes and, pur- current operating expenses. suant to the Trustees' policy noted above, $460,288 was The aggregate cost and market values of the invest- returned to principal. ments for each of the pools at September 30, 1985 were Note 2 Change in the Method of Accounting as follows:

for Investments September 30, 1985

To allow for a better measurement of the value of invested Investment Pool Cost Market Value assets, the Gallery changed its method of accounting for Capital Appreciation Fund $46,526,656 $ 49,361,627 investments from cost to market value in 1985. This Balanced Fund 35,839,126 40,017,982 change has been applied retroactively in the accompany- Special Purpose Fund 7,506,149 7,547,399 ing financial statements. The effect of the new account- 89,871,931 96,927,008 ing policy was to increase fund balances as previously Permanent loan to U.S. Treasury 5,000,000 5,000,000 reported at September 30, 1984 by $2,693,487 (Note 3). Total $94,871,931 $101,927,008 Net unrealized appreciation for the year ended Septem- ber 30, 1985 in the amount of $4,361,590 is reflected in A summary of the investment portfolio at cost and the Statement of Changes in Fund Balances. market value by type of security as of September 30, Note 3 Changes in Presentation of Financial 1985 follows:

Statements September 30, 1985 The presentation of the financial statements has been Cost Market Value changed from prior years to provide the reader with a Permanent loan to U.S. Treasury $ 5,000,000 $ 5,000,000 greater amount of detail regarding the various funds Other U.S. Treasury obligations 22,018,937 23,667,307 which are included within the broad categories of Non- Short-term certificates of deposit Federal and Federal Funds. This has necessitated the and commercial paper 13,981,495 13,981,495 reclassification of amounts as previously reported as Bonds and notes 5,738,765 5,574,325 follows: Common stocks 48,132,734 53,703,881 Non-Federal Federal Total $94,871,931 $101,927,008 Fund balances at September 30, 1984, as previously reported ^3,531,381 Adjustment for change in method A detailed listing of all securities held by the Gallery of accounting (Note 2) 2,693,487 as of September 30, 1985 has been included in this report Reclassification of unobligated at Note 9. no-year funds 972,456 In 1942 the Gallery, under authority of an Act of Con- Fund balances at September 30, gress, made a $5,000,000 permanent loan to the U.S. 1984, as restated ),224,868 $972,456 Treasury. This loan bears interest at the average monthly Consisting of rate for long-term funds, less ]A%, paid by the U.S. Funds for Operations S 1,564,743 Treasury (ranging from approximately 10% to 11% during Funds for Special Purposes 14,010,074 fiscal year 1985). Interest income on this loan was Endowment Funds 60,650,051 $561,979 in 1985. Unobligated appropriations: Dispositions of securities in 1985 resulted in net No-year Renovation Funds 685,152 realized gains of $5,454,924. This amount is included No-year Special Exhibition Funds 287,304 with the increase in investment appreciation in the Statement of Changes in Fund Balances. "6,224,868 ^972,456

134 Note 5 Balances of Non-Federal Funds Non-Federal funds include the following as of Septem- ber 30, 1985: Endowment Funds Endowment funds, the income of which is available for: Restricted Purposes $ 43,756,550 Gallery Operations 31,597,400 Funds functioning as endowment funds, the principal and income of which are available for: Restricted Purposes 4,920,981 Unrestricted Purposes 6,762,715 Total endowment funds 87,037,646 Funds for Special Purposes Accumulated income, gifts, grants, and bequests which are available for: Art purchases 6,103,025 Capital construction 3,635,107 Publications 6,068,519 Fellowships, projects, and other 1,773,393

Total funds for special purposes 17,580,044 Auguste Rodin, Jean d'Aire, Gift of the B. G. Cantor Art Foundation, Funds for Operations 2,255,198 1984.85.1 Total Non-Federal funds $106,872,888 Note 8 Retirement Benefits Note 6 Receivables All permanent employees of the Gallery, both Federal and The following items were included in receivables as of Non-Federal, hired prior to January 1, 1984 participate September 30, 1985: in the Civil Service Retirement System (CSR) and those Accrued investment income $1,612,110 hired subsequent to January 1, 1984 participate in both Accounts receivable 581,628 the Social Security Retirement System and CSR. Pledges and gifts receivable 1,404,047 The Gallery funds all retirement contributions on a Total receivables $3,597,785 current basis and accordingly there are no unfunded retirement costs. Total pension expense of the Gallery Note 7 Buildings and Equipment was approximately $1,203,000 for the year ended Sep- tember 30, 1985. The buildings and equipment category on the Balance Sheet consists of the following as of September 30, 1985:

September 30, 1985

Non-Federal Federal Toted Funds

Buildings $121,885,074 $ 6,810,569 $128,695,643 Equipment 1,609,679 12,768,207 14,377,886 Construction in progress 37,669 7,503,481 7,541,150 123,532,422 27,082,257 150,614,679 Accumulated depreciation on equipment (754,952) (5,082,497) (5,837,449) $122,777,470 $21,999,760 $144,777,230

135 Note 9 Summary of Investments The following is a detailed listing of all securities held by the Gallery as of September 30, 1985.

Face Interest Maturity Total Total Value Rate Date Description Market Cost

S 5,000,000 Variable None PERMANENT LOAN TO U.S. TREASURY $ 5,000,000 $ 5,000,000

OTHER U.S. TREASURY OBLIGATIONS 100,000 11.75 % 11/15/85 United States Treasury Notes 100,500 91,750 2,000,000 10.0 12/31/86 United States Treasury Notes 2,040,000 1,998,750 150,000 9.0 2/15/87 United States Treasury Notes 150,750 129,844 800,000 10.0 6/30/87 United States Treasury Notes 824,000 788,500 1,160,000 8.25 5/15/88 United States Treasury Notes 1,136,800 925,940 1,520,000 8.75 11/15/88 United States Treasury Notes 1,504,800 1,233,338 1,000,000 11.75 5/15/89 United States Treasury Notes 1,065,000 980,000 900,000 10.75 8/15/90 United States Treasury Notes 931,500 891,367 2,300,000 11.5 10/15/90 United States Treasury Notes 2,438,000 2,296,407 420,000 7.25 8/15/92 United States Treasury Notes 363,300 339,375 2,720,000 10.5 11/15/92 United States Treasury Notes 2,774,400 2,619,657 3,300,000 11.75 11/15/93 United States Treasury Notes 3,547,500 3,282,985 3,100,000 11.625 11/15/94 United States Treasury Notes 3,317,000 3,115,344 1,500,000 11.25 5/15/95 United States Treasury Notes 1,575,000 1,500,000 1,000,000 7.82 7/10/86 United States Treasury Bills 929,097 929,097 300,000 8.25 5/15/90 United States Treasury Bonds 292,500 281,625

1,485,000 - 5/15/93 Coupon Treasury Receipts 677,160 614,958 23,755,000 Subtotal Other U.S. Treasury Obligations 23,667,307 22,018,937

SHORT-TERM CERTIFICATES OF DEPOSIT AND COMMERCIAL PAPER 13,981,495 7.54 % Scudder Cash Investment Trust 13,981,495 13,981,495 Subtotal Short-Term Certificates of Deposit 13,981,495 and Commercial Paper 13,981,495 13,981,495

MEDIUM-TERM BONDS AND NOTES 150,000 9.55 % 6/1/86 Philip Morris Inc. Notes 150,000 137,478 235,000 4.5 1/1/90 Bethlehem Steel Corporation 170,375 230,638 2,500,000 12.375 5/1/91 Federal Home Loan Mortgage Corporation 2,618,750 2,489,844 1,000,000 12.125 12/1/94 Government National Mortgage Association 1,030,000 1,006,250 3,885,000 Subtotal Medium-Term Bonds and Notes 3,969,125 3,864,210

LONG-TERM BONDS AND NOTES I 250,000 9.2 % 7/11/04 Amoco Company $ 213,750 $ 260,000 165,000 4.875 1/1/06 New York Telephone Company Ref. 83,325 165,000 125,000 7.75 6/1/11 Michigan Bell Telephone Co. Deb. 88,125 121,563 250,000 8.25 8/1/13 South Central Bell Telephone Co. Deb. 185,000 239,867 790,000 Subtotal Long-Term Bonds and Notes 570,200 786,430

CONVERTIBLE BONDS AND STOCK EQUIVALENTS 450,000 7.75 % 3/15/03 MCI Com. Corp. Sub. Conv. Deb. 351,000 380,625 200,000 7.625 3/15/03 Beverly Enterprises Sub. Conv. Deb. 212,000 183,000 200,000 9.25 5/15/06 M/A-Com Inc. Sub. Conv. Deb. 192,000 180,500 400,000 8.0 12/1/09 Computervision Deb. 280,000 344,000 1,250,000 Subtotal Convertible Bonds and Stock Equivalents 1,035,000 1,088,125 5,925,000 Subtotal Bonds and Notes 5,574,325 5,738,765

136 Total Total Shares Description Market Cost

COMMON STOCKS 12,200 Air Products and Chemicals, Inc. $ 640,500 $ 382,963 6,000 Alcan Aluminum Ltd. 150,000 228,600 14,926 Allied Signal Corp. 662,341 479,324 9,800 American Can 523,075 502,769 24,000 American Greetings 759,000 603,000 31,000 American Medical Int'L, Inc. 639,375 746,480 36,600 American Standard, Inc. 1,093,425 1,025,741 18,000 Anheuser Busch 589,500 370,879 25,400 Armstrong World Industries 863,600 886,083 22,500 Barry-Wright Corporation 402,187 651,248 15,800 Bearings, Inc. 507,575 482,748 4,185 Bell South Corporation 165,308 121,759 6,000 A. H. Belo Corporation 270,000 258,094 7,500 Best Products Co., Inc. 106,875 79,375 2,500 Betz Laboratories, Inc. 77,500 72,171 11,300 Bristol Myers 610,200 499,585 7,000 Burlington Northern, Inc. 438,375 308,838 15,500 CSX Corporation 373,938 240,346 1,400 Capital Cities Communications 273,700 224,747 36,400 Central and South West Corporation 887,250 653,074 9,300 Chubb Corporation 638,212 444,452 42,000 Citizens & Southern Georgia Corp. 708,750 982,850 10,000 Comerica, Inc. 370,000 337,500 13,000 Data General Corp. 503,750 493,415 5,900 Digital Equipment Corp. 639,413 586,692 5,400 Dun & Bradstreet Corp. 383,400 332,715 16,000 Duke Power Co. 502,000 404,850 6,300 E. I. DuPont de Nemours 361,463 334,146 10,600 Emerson Electric 731,400 734,398 7,100 Farmers Group, Inc. 416,238 350,563 10,000 First Bank System Inc. 357,500 268,500 21,500 GTE Corporation 835,812 891,250 8,000 General Electric 460,000 477,378 10,000 Genuine Parts 312,500 319,550 10,300 Gillette Company 632,162 501,020 10,900 H. J. Heinz Company 626,750 413,586 14,600 Hercules, Inc. 525,600 449,685 3,750 Hewlett-Packard Co. 121,875 127,155 8,300 Houghton Mifflin Company 291,538 202,893 21,600 Harvey Hubbell Inc. 475,200 340,600 8,500 Ingersoll-Rand Co. 433,500 471,754 11,800 International Business Machines 1,461,725 1,246,618 8,500 Interpublic Group of Companies, Inc. 331,500 229,925 12,000 JWT Group, Inc. 348,000 315,335 24,200 James River Corp. 798,600 707,709 13,000 Jefferson Pilot Co. 591,500 381,221 10,000 Johnson & Johnson 443,750 480,800 10,100 Kerr-McGee Corporation 305,525 356,701

137 Total Total Shares Description Market Cost

23,400 Kroger Company $ 991,575 $ 872,959 5,300 Eli Lilly & Co. 458,450 416,712 10,500 MCA, Inc. 483,000 283,409 6,100 MCI Communications 52,613 149,007 8,700 Marsh & McLennan 585,075 419,445 29,500 Masco Corporation 947,688 892,539 25,000 Maxicare Health Plans, Inc. 425,000 586,540 16,000 McDonalds 1,038,000 892,593 22,300 McGraw-Hill, Inc. 953,325 898,989 21,800 Midcon Corporation 1,010,975 887,678 10,600 Millipore Corp. 425,325 349,800 21,200 Motorola 731,400 631,648 14,700 Murphy Oil Corporation 428,137 477,964 10,600 NCR Corporation 351,125 321,247 10,000 National City Corp. 420,000 339,750 22,400 National Medical Enterprises 495,600 619,342 18.000 Nicolet Instruments Corporation 229,500 350,940 17,000 PHH Group Inc. 582,250 338,045 4,700 Parker-Hannifin 153,925 144,995 10,000 Penn Central Corp. 490,000 528,538 15,800 Pfizer Inc. 748,525 623,493 7,700 Philip Morris Inc. 577,500 501,270 4,400 RCA Corporation 183,150 149,490

1,269 Republic Pictures Corp. 8,883 — 23,500 R. J. Reynolds 625,687 561,323 9,100 Royal Dutch Petroleum 568,750 447,198 11,000 Sara Lee Corp. 471,625 315,782 15,800 Schering-Plough Corporation 752,475 592,193 12,000 Scientific Atlanta 147,000 248,363 21,439 Scudder Development Fund 1,126,857 1,189,878 173,120 Scudder International Fund 4,482,087 3,803,455 12,400 Security Pacific Corporation 311,550 306,545 34,000 Southern Company 663,000 634,610 3,495 Southwestern Bell 272,610 211,389 39,600 Super Valu Stores 787,050 611,280 6,500 TRW 527,313 504,160 16,600 Tandy 549,875 525,553 11,500 Telecommunications 359,375 215,457 5,500 Texas Pacific Land Trust 161,562 45,605 29,000 Texas Utilities 757,625 767,990 12,300 Time Inc. 659,588 479,590 10,000 Tracor Inc. 175,000 193,283 10,000 UAL Inc. 472,500 556,950 56,000 Union Electric Co. 945,000 935,480 20,500 U.S. Tobacco Co. 645,750 741,220 3,495 U.S. West, Inc. 257,319 206,687 12,200 Viacom International 571,875 361,265 Subtotal Common Stock 53,703,881 48,132,734 Total $101,927,008 $ 94,871,931

138 ROSTER OF EMPLOYEES AND DOCENTS

Acampora, Ralph A. Barnes, Joseph J. Braddock, Alan Cameron, Shay Coleman, Elsie Adams, Alvin L. Barnes, Susan J. Brandon, Darnell Campbell, Alvia R. Collins, Jane S. D. Adams, Joyce A. Barnes, Willie C. Brinston, Keith L. Campbell, Anthony C. Collins, Janice L. Akers, Phyllis 0. Barnett, Robert E. Briscoe, Donald R. Campbell, Carl Collins, Phillip T. Alarcon, Antonio C. Barry, Lester Leroy Britt, George W. Canada, Karen Collins, Sally Alexander, Harold Bartfield, Ira A. Broad, Thomas P. Cantey, John Coman, Florence E. Allen, Christy A. Bart field, Kathryn K. Brooks, Carolyn M. C. Caputo, Michele M. Conyers, Robert L. Allen, Richard, Jr. Bates, Melinda N. Brooks, George L. Carafelli, Richard A. Cook, Susanne L. Allen, Robin Ann Battle, Mary J. Brooks, Johnnie M. Cardwell, Alan S. Cooke, Diana 0. Allen, Sandy Baucom, Margaret R. Brooks, Kenneth Carr, Albert, Jr. Cooke, Milton N. Allen, Wilbur, Jr. Bauer, Frank K. Brooks, Robert C. Carriveau, Gary Walter Coolsen, Thomas H. Allen-Roberts, Kate D. Baumann, Christopher A. Broom, Keith Carroll, Albert G. Copeland, Barbara Allison, James C., Jr. Bayer, Diane R. Broussard, Lois M. Carroll, Louis L. Copeland, Joseph W. Alston, Gerald F. Baytop, William D. Brown, Angelo B. Carter, Donald M. Copeland, Leslie L. Ames, Kristen Beasom, Dean A. Brown, Beverly L. Carter, Ernesto L. Corbitt, Robert J. Amiot, Carolyn Engel Becker, Robert G. Brown, Catherine F. Casey, Paula E. Cote, Cynthia Ann Amt, Richard C. Bell, David Bryan Brown, Cleven 0. Cash, Sarah D. Cotton, Paul Anderson, James H. Bell, Gracie E. Brown, David A. Castiel, Cameran G. Coulter, Page L. Anderson, Lionel Bell, Jean G. Brown, Dwight L. Catucci, Angelo J. Couzzens, Frederick L. Anderson, Nathaniel V. Bell, Reginald E. Brown, Gloria C. Ceasar, Raleigh Covey, Victor C. B. Andrews, Tyrone E. Bellofatto, Roberta Brown, Harold, Jr. Cederholm, Kermit Co wart, William J., Ill Androsik, Lynn M. Belt, Stephanie T. Brown, J. Carter Cefaratti, Pamela J. Cox, Bascom S. Angiolillo, Paul J. Benjamin, James R. Brown, Juanita D. Chapman, Bernard L. Cox, Gretl W. Anson, Gordon 0. Bennett, Julie A. Brown, Sterling D. Charles, Philip A., Jr. Cox, Milton E. Appenfelder, Allan L. Bennett, Mike Brown, Sylvester, Jr. Chobanoff, Ivan S. Craig, Tracey L. Applebaum, Vasiliki G. Benoit, Robert T.. Jr. Brown, Sylvester R. Chotner, Deborah R. Craig, William E. Arbizu, Linda Kay Berl, Paulette S. Brown, Thomas W. Christensen, Carol A. Cramer, Janice P. Arensberg, Susan M. Bernard, Barbara Browner, Paul, Jr. Christian, Mary T. Crawford, Geraldine Armenian, Vrejoohie Berrie, Barbara H. Brune, Monica T. Chuang, Wayloon Crawford, Willie E. Armstrong, Alison H. Bethune, Nathaniel, Jr. Bryant, Larry Cikovsky, Nicolai, Jr. Creighton, Sandra M. Arnold, Quentin Parr Bigley, Ann Margaret Bryant, Michael G. Cina, Dianne K. Crickenberger, Fred W. Artis, Cleveland R. Bishop, Lawrence Buchanan, Ernest, Jr. Claggett, Frederick Cristwell, Venus M. Arzadon, Yolanda M. Bitzer, Mary A. Buckalew, Kathleen M. Clark, Clifton L. Croog, Elizabeth A. Ash, Nancy E. Black, Eric Lee Bull, David Clark, Henry Crosby, Gail Ashton, Kendrick F. Blake, Janice Burch, Curtis L. Clark, James W. Croxton, Floyd L. Aspron, Martha H. Blankenbaker, Eileen W. Burch, Virginia B. Clarke, Juanita M. Currie, Susan H. Aukard, Steven P. Blankstein, Lucy J. Burnett, David Clay, Carlton B. Cutler, Deborah J. Bloom, Michael B. Burton, Adlade 0. Clay, Susan Elaine Backlund, Caroline H. Boomer, George A. Burton, George R. Clayton, Virginia T. Dale, Paul J. Bailey, Daniel J. Bostwick, Jean A. Butler, Alvin E. demons, Bernard Dalton, Elizabeth M. Bailey, William Bottiglione, Carole J. Butler, Edwin T. Cline, Judith L. Dalziel, George T., Jr. Baker, Michael E. Bottoms, Michael A. Butler, Kathleen L. Clingman, Wallace D. Daniels, Brenda Louise Bales, Richard H. Bo wen, Robert L., Jr. Butler, Lawrence Cluster, Edwin A., Sr. Daniels, Maygene Frost Ballard, Frances G. Bowman, David L. Butler, Michael L. Coates, Margie L. Dantignac, Paul N. Bankhead, Wilover, 11 Bowman, Delorace Bynum, Rosa A. Coehins, Walter R. Danzing, Rachel Leigh Banks, James M. Bowser, William R. Byrd, Felton W. Coffey, Holly S. Daugherty, Welden Barbour, Minnie Boyd, Charles T. Byrd, James B. Cogswell, John S. Davenport, Joseph E. Bardley, Sammy J. Boyes, Carol A. Cole, David R. Davidock, Peter, Jr. Barksdale, Dora D. Boykin, James S. Cacas, Rita M. Cole, Wendy A. Davis, Jack, Jr. Barnes, Bernadine A. Bozeman, Ira S. Cain, Shirley D. Coleman, Barbara A. Davis, Jerod A., Jr.

139 Davis, Judy A. Feldman, Frances L. Greatheart, Ulysses Henderson, Gus A. Jones, Ronald S. Davis, Zetta Mae Ferber, Elise V. H. Greatorex, Linda J. Henry, El Fitzgerald Jones, Steven C. Dawkins, James Ferguson, Benjamin C. Greene, Carlton R. Herrick, Daniel Jones, Virgil S. Day, Bruce A. Ferrante, Antonio Greene, Jerome L. Hershenson,Joseph B. Jordan, Kelvin R. Day, Franklin D. Ferrell, Joyce A. Grice, Michael E. Hester, Laura T. Jordan, Lafayette Dean, Sandra M. Fichtner, Harry J. Grice, Russell L. Higginbotham, Wallace J. Jorgensen, Barbara C. Decuir, Rick B. Figgins, Frank I. Grier, Marguerite E. Higgins, Jane E. Joyner, Willie J. Defrancia, Dorothy G. Fine, Ruth E. Griffin, Sidney R. Higginson, Genevra Justice, Michael A. Defreece, Franklind Fino, Gina M. Griffin, Stanley N. Hill, Gregory G. Kasulaitis, Jerome M. DeGrazia, Diane M. Fisher, Earl Gross, Tammy Hill, Lynette T. Kasun, Leo J. Delano, Juan F. Fisher, Edward Grossman, Sheldon Hilton, Paul C. Kelley, Carol Williams Denker, Eric Fisher, Jane Irene Guthrie, Eugene T. Hines, Gwendolyn Kelley, Kathleen V. Desantis, Pia C. Fisher, Sarah L. Hinnant, Cherrell Y. Kellibrew, Reginald Devolt, George Fisher, Sterling W. Hairston, Douglas A. Hirschauer, Gretchen A. Kelloff, Carolyn A. Dewald, Marquita Flannery, Melissa C. Hall, David L. Hochendoner, Gary Kelly, Franklin Wood Diffenderfer, Marion C. Fletcher, Shelley Hall, Leroy Hodges, Rudolph Kelly, Paul D'ltalia, William Fogelman, Peggy A. Hall, Valerie Hoenigswald, S. Ann Kelly, Stinson Dixon, Michael G. Fong, Brenda Hallamon, Josephine E. Hoffman, Angela D. Kenary, Mary Louise Dobbs, Lewis Fontana, Sarah E. Haller, Edward A. Hoffmann, Nancy Kennedy, Alonzo Dodson, William E. Ford, Frank W. Hal per, Audrey Holland, Thomas E. Kent, Carlisa A. Donaldson, Dennis N. Ford, Gregory Kim Hal pern, Anne L. Holloman, Alice L. Keyes, Barbara A. Dong, Margaret M. Forrest, Alex M. Hamilton, George H. Holt, Alphonso Keys, Oscar W. Donohue, J. M. Fox, Irving L. Hancock, Gary W. Honeycutt, Raymond J. Kielkucki, Mark Donovan, Patricia A. Francis, Jarvis Hand, Donald C. Hopson, Edgar D. Kitsoulis, S. J. Doty, Mary Louise B. Franklin, Elizabeth Hand, John 0. Hoston, Stamford Klugh, Melvin Douglas, Herbert L. Franks, Irwin A. Hansom, Gerald T., Jr. Howard, Jeffery D. Koch, Susan L. Doumato, Lamia Eraser, Elisabeth A. Hantsoo, Paavo L. Howard, Michael H. Koznowsky, David Dowden, R. D. Frazier, Raymond E. Harchick, Joseph J. Hsia, S. Y. Koznowsky, Steve A. Dozier, Michael Freedberg, Catherine B. Hardie, Roger L. Hunter, Richard W. Kraft, Roger W. Drummond, Frank Freedberg, Sydney J. Hardy, James, Jr. Hutchinson, Warren, Jr. Krakora, Joseph Dubar, George T. Friday, Frederick U. Harkins, William J. Hutton, John Krawczeniuk, Adrian S. Duggin, David H. Fried, Anne Summerscale Harley, Stanley D. Hutton, Richard W. Krevinas, Virginia M. Dunlap, James Frisby, James Harper, Betty M. Krieger, Andrew H. Dunn, Robert T. Fulton, Christopher Harper, Junior Iacomini, Nancy J. Kurfeerst, Gail Dunning, Roger Anthony Harper, Ted Ingalls, Helen Kusserow, Becky Dwan, Antoinette Gaina, Helen Anne Harpring, Patricia A. Irick, Willie J. Dyson, Ernest M. Gaines, Carlton R. Harris, Carroll R. Ladewski, Mariana Feldman Dyson, Thomas R. Gallagher, Cecelia A. Harris, Chuckie L. Jackson, Harold R. Land, Herb Gallas, E. Irene Harris, Eddie Jackson, John E. Lane, James B. Easterling, Aaron A. Galloway, Bernard Harris, James R. Jackson, Leslie E. Langley, Gary J. Ebb, Frank R., Jr. Gamble, Jimmy Harris, Linwood Jackson, Phyllis D. Lauer, Becky Edelstein, J. M. Gant, Clyde T. Harris, Robert L. Jacobs, Larry D. Lavarack, James Eder, Elizabeth K. Garcia, Gabriel Harris, Tempie E. Jasperson, Carolyn J. Lawrence, Joseph, Jr. Edwards, Ernest Joe Gardner, S. Symmes, Jr. Harris, Willie L. Jecmen, Gregory David Laws, Lawrence U. Edwards, Howard C. Garfield, Donald K. Harrison, Boyd L. Jefferson, Kirby G. Lawson, Roger C. Edwards, Jerome R. Gay, Neville K. Harrison, Eva M. Jenkins, Christine D. Lawson, Susan K. Eldridge, Schuyler T., Ill Gerbig, Beata Harrison, Linda P. Jessup, Philip C., Jr. Leach, Kenneth E. Emerson, Eve Gerrity, James T. Hartley, Armando H. Johnson, C. H. Leason, Max English, Joseph G. Gibbs, Andrea R. Hartswick, Thomas Johnson, Cecil Lederer, Frances P. Estes, Ronald L. Gibson, John L. Hartzell, Anne P. Johnson, Dorothy J. Lee, A. B. Etienne, Louberta M. Gillespie, Charles M. Harvey, Christian J. Johnson, Frank 0. Lee, Denise M. Evans, Gregory L. Givens, Eugene P., Jr. Hatton, William H. Johnson, Frankie L. Lee, Parris L. Evans, Robert N. Givens, Walter T. Haulk, Kimberly A. Johnson, Gladys Lee, Raymond N. Evans, Samuel L. Glade, Conrad H. Hauser, Cheryl Ann Johnson, Gregory M. Leeper, Charles W. Evans, Virtus E. Glascoe, Brigitte D. Hawkins, Kimberly A. Johnson, James E. Leggett, Charles P. Everett, Gwendolyn F. Glosson, Eunice A. Hawley, Rosa L. Johnson, James L. Leithauser, Mark A. Everly, Floyd F. Glover, Rose Lee T. Hayward, Carol B. Johnson, Keith A. Lemmon, William A. Goldberg, Debby Head, Warren, Jr. Johnson, Maurice E., Jr. Lenard, Ralph P. Fabing, Suzannah J. Gomez, Deborah A. Headley, Robert L. Johnson, Virginia H. Leonard, Lawrence P. Fantasia, John J. Gordon, Mamie L. Heath, Katherine K. Johnson, Wilhelmina Leslie, Deborah C. Fantozzi, Lawrence Lee Goudeau, Christine A. Heath, Neill R. Johnson, William R. Levine, Michael W. Farnsworth, Karen A. Graham, Isaac Heath, Paul D. Johnson, Yamashita S. Lewis, Claudine A. Farr, Susan Grant, Donnell M. Hebblethwaite, Bruce B. Johnston, D. Samantha Lewis, Douglas Faul, Dorothy W. Grant, James Hecht, Phyllis S. Jones, Lee Clarence Lewis, Joe M. Feeley, Cindy Grant, Rebecca L. Hedgspeth, Eunice M. Jones, Marvin L. Lewis, Ruth E. Feigenbaum, Gail Grantham, Jack Heflin, Catherine P. Jones, Nathaniel Lewis, Sonny Feigenbaum, Naomi R. Grasselli, Margaret M. Helm, Marshall E. Jones, Patricia D. Lightner, Ysabel

140 Linder, Dona C. Menson, Willard Norman, Albert J. Rachwald, Anna M. Savoy, Thomas J. Lineberger, Alvin H., Jr. Merrill, Ross Norman, Willie T. Ramsey, Eldridge B. Sayre, Elora A. Lippitt, Carol F. Messineo, Carol Norris, John C. Randall. Judith S. Schaeffer, William L. Little, Michael Mewborn, Michael Randall, Ronald L. Schiavone, Frank M. Lloyd, Humberto L. Meyer, Frank Joseph, Jr. O'Callaghan, Tom Randolph, Gloria S. Schmerler, Sarah L. Lofton, Kirkland S. Meyers, Andrew J. Offenbacher, Hurley F. Raspberry, Cassandra A. Scott, Eugene C. Long, Eugenia E. Mezines, Betty W. Offer, Rita Rathbone, Eliza E. Scott, Lisa Long, William Michael, Harold E., Jr. Olivetti, Gertrude W. Ratliff, Larry M. Scott, Patricia A. Longyear, Teresa J. Michaelson, Joan M. Olivieri, Carolina J. Ravenel, Gaillard F. Scott, Wilford W. Loos-Noji, Pamela E. Midgette, Joseph T. Olson, John H. Ray, Earl P. Scott, William D. O'Neil, Peggy M. Lopez, Juan E. Miles, John A. Ray, Willie, Jr. Sedlock, Michaele S. Ordonez, Maria E. Lo Re, Angela M. Miller, Bettye D. Reagin, Marlene Sharpe, Cecilia D. Loughran, Kristyne S. Miller, Carrington W. O'Reilly, Rosemary C. Reaves, Jerry L. Shay, Daniel B. Ott, John E. Loundermon, Vanessa Miller, Desiree M. Redman, Dion L. Shelley, Margaret A. Love, Joseph Miller, Leroy Owens, Carlotta J. Reed, Gary Shen, Sze-Tsung Lowe, Ronald J. Miller, Richard Reeves, Sallie M. Palensky, D. L. Shepherd, Deborah Lowery, Pearl Millon, Henry A. Reichard, Muriel Moody Shive, Sarah Palmer, John W. Luchs, Alison Mills, Donald Reis, Joseph J. Short, James P. Palmer, Michael R. Lyde, Morena D. Mingo, Zery C. Reynolds, Ernest C. Palumbo, Nick Short, John T. Lydecker, John K. Minnifield, Grant K. Rhoades, Floyd M. Short, Robert B. Parker, Frederic G. Lyles, Lise S. Mitchell, Albert J. Rice, Danielle Shorter, Kenneth A. Parker, Katherine J. Lynch, Amos D. Mitchell, Melvin G. Rice, Nancy L. Parker, Willie J. Silberfeld, Kay Lynch, Kelle Mitchell, Renee Rice, Robert L., Jr. Parks, Leslie, Jr. Simmons, Calvin P. Lynch, Susan M. Monroe, Walter T. Richard, Mervin J., Jr. Parsons, Margaret B. Simmons, Darry D. Montgomery, Betty J. Richard, Robert V., II Passero, Felice M. Simmons, Dorothy MacHare, Peter Allen J. Montgomery, Stanley D. Richardson, Vernon Pastan, Amy Simms, Zewdie M. Mack, Miller Montgomery, Timothy E. Richardson, Vernon W. Patterson, William F. Simon, Leslie M. Mackie, George A. Moody, Charles S. Richardson, William R. Payne, Reginald W. Simpkins, Alvin Mallett, Kerry S. Moody, Henry H. Payton, Freddie G. Ricker, Nora N. Simpson, Marianna S. Mallick, Jerry M. Moody, Ronald J. Rickerson, David R. Pearson, Doris A. Skalka, Michael R. Mallus, Maria M. Moon, Edward C. Riggles, Allan L., Jr. Skinner, Eugene E. Pena, Jesus J. Manigault, Edmund, Jr. Moon, Melvin J. R. Riggs, George W. Perlin, Ruth R. Sledd, Nathaniel E. Mann, Donna C. Moore, Clara A. Riley, Oscar Perron, Johanne Smalls, Franklin Manos, George Moore, Harvey R. Riley, William B., Jr. Perry, Bennie A., Jr. Smalls, Sam, Jr. Manuel, Ricky L. Moore, Henry L., Jr. Ritchie, Charles M. Peters, Michael 0. Smiley, Paula McDonough Marion, Annette M. Moore, Patricia A. Peterson, Claire A. Ritchie, Virginia L. Smith, Billy H. Marshall, Keith R. Morehead, Jimmy Peterson. Joe W. Ritterpusch, Susan A. Smith, James A., Sr. Marshall, Lawrence A. Moreno, Ignacio L. Pettiford, Linda Iris Roache, William H. Smith, Julia H. Marshall, Lawrence G. Moreno, Leroy R. Roberts, Edward 0. Phibbs, Hugh C. Smith, Larry L. Martin, K. J. Morgan, Julius Roberts, Michael L. Phifer, Jamal R. Smith, Laura E. Martin, Nicholas A. Morris, James L. Philbrick, Ruth Rowe Robertson, Stanley Smith, Leroy K. Martin, Roland M. Morris, Jasper Robie, Carol E. Phillips, James E. Smith, Lester H. Mason, Rusty Moses, Daphne A. Robinson, Andrew G. Smith. Vernon L. Pickett, Vanelle P. Massey, Debra K. Moss, Anthony B. Pierce, Evelyn K. Robinson, Joyce H. Smyth, Frances P. Mastracci, Joan Moss, Robert Pitler, Susan L. Robinson, Morris B. Smyth, Maryrose Matais, Pamela A. Muhgunzza, Mahmoud C. Robinson, Raymond Snyder, Richard Pittman, Craig J. Mathews, Wilbert R. Muise, Michele Robinson, Robert L. Snyder, Terrence W. Plush, James J. Matthews, Dorothy A. Munford, Jacqueline B. Robinson, Samuel L. Pocknett, Jon A., Jr. Sochor, Milton S., Jr. Matthews, Sylvia E. Munsing, Juliana D. Robison, Andrew C., Jr. Poindexter, Beatrice D. Speight, Howard G. Mauler, Carolyn J. C. Murphy, Moses A. Roche, William R. Spence, Andre D. Poliszuk, John F. Jr. Mauzy, Michael Murray, Chester B. Pollock. Lucia Ellen Roe, H. R. Erich Spicer, Buddie R. Mays, Eugene Murray, Evelyn Rogers, Anna M. Pope, Tommy, Jr. Spicknall, James L. McCoy, Rudolph V. Murray, Robert F. Rogue, Jeannette V. Poston, Willie J. Spieth, Marsha D. McEvitt, Stephen Mutts, Clifton R. Rose, Joseph E. Pratt, Henry, III Springer, Julie A. McFarland, Curtis Rowe, Kenneth K. Pratt, John T. Stanley, Ellen C. McGill, Thomas F.J., Jr. Naranjo, Jose A. Royal, Kevin D. Price, Kenneth B. Stanley, Frank J. Mclntyre, Pamela J. Nash, Veronica F. Rush. Cheryl B. Price, Maria J. Stensland, Jean B. McKinnie, Benjamin Nash, Vincent Russell, H. Diane Stephens, Scott Pridgen, Princess McLeod, Andre M. Nashwinter, Robert B. Russell, Lynn P. Probus, Mary Anne Stevanus, Thomas E. McLeod, Angela E. Navat, Laury R. Proctor, Delores Stevens, Adele McLin, Nathaniel Nealy, John Sabatos, Terri R. Pully, Mary P. Stevens, James T. McNeil, Ronald Nelson, Clarence E., Jr. Saito, Richard E. Stevenson, Eric V. Purnell, Joann S. McNew, Cynthia Nelson, Elliott B. Sale, John R. Putman, Michael H. Stewart, James A. McPhatter, Wade F. Ness, Melanie B. Sanders, Roderick A. Stokes, Mable E. Melton, Charles W. Nicholls, Patricia L. Queen, Walter E. Santiago, Diane A. Strauss, Roily T. Meltzer, Phyllis J. Nicholson, Donnell Quenroe, Elroy Sassani, Michael B. Stubbs, Billy Melvin, Luther A. Nirk, Nora L. Quinn, Catherine F. Saville, Jennifer Stuckey, Charles F.

141 Sturman, Shelley G. Viebranz, A. C. Williams, Lynn Sturtz, Bob Vines, Harold S. Williams, Paul 0. Sumits, William J. Vogel, James C. Williams, Raymond T. Sumter, Jay Bee Von Rebhan, Elinor A. Williams, Vincent B. Sumter, Wade Williams, William J. Suplee, Charles I. Waddington, Harry W. Williamson, Donald R. Sutton, William H. Wages, Sara M. Willis, Anthony Suzor, Mary E. Walker, David D. Willis, Bennie W. Swales, James V., Jr. Walker, John M. Wilmerding, John Sweeney, Jane G. Walker, Robert F. Wilson, Gail L. Swicklik, Michael Wallace, Margaret Wilson, George Sysma, Kathleen Walls, David M. Wilson, James C. Walton, Ronald G. Wilson, Mary E. Tallent, Carolyn Warlick, M. E. Wilson, Patrick A. Tasker, James H. Warren, Alvester Winford Wilson, Terrell K. Tate, Frederick D., Jr. Warrick, Michael D. Wilson, William D. Taylor, Bill Warwick, Katherine Wilson, Willie R. Taylor, Chuck Washington, Darrell L. Winston, Frances C. Taylor, Jeanne G. Washington, Henry B. Wisniewski, Julia L. Taylor, Karen R. Washington, James E. With, Christopher B. Taylor, Larry Washington, Jerome Witherspoon, Felicia A. Teng, Margurita M. Washington, Ronald C. Wolff, Martha A. Terrell, Ronald Washington, Tyrone Woodall, George 0. Thomas, Anthony G. Washington, Virginia S. Worthington, Roddie J. Thomas, Chandra Wassermann, Mary S. Wortman, Dorothy S. Thomas, Harold W. Watkins, Terry L. Wright, Jeremiah S. Thomas, Joseph W. Watona, Pauline M. Wright, Ralph L. Thompson, Anthony W. Watson, Edward L. Wright, Sheila A. Thompson, David Dodge Wayt, Martha F. Wright, Susan L. Thompson, James E. Waytes, Darrell C. Wright, Willie L. Thompson, James H. Weaver, Jeffrey W. Thompson, Maurice D. Weaver, Latanya S. Yakush, Mary L. Thompson, Nadine Webber, Gary L. Yancey, James S. Thome, William L. Webber, Rebecca A. Yancey, Regina Thorpe, Rochelle W. Webster, Michael Yancy, Gregory Thorpe, Stephanie Webster, Queen E. Yeager, Carolyn A. Thurston, Neil B. Webster-Bey, Ronald D. Yeatts, John H. Tibbs, Gary Weinberger, Karen H. Young, Donald P. Tinsley, Robert L. Weitzenkorn, Laurie B. Young, Roland Tolbert, Martin D. Wendt, Diane L. Young, Zsa Zsa Tonic, Alexander Werner-Blankenbaker, Eileen Troiani, Anthony L. Wert, John A. Zelenik, John R. Trosky, Cheryl Wheeler, Tyrone P. Zimmerman, Phyllis M. Tsang, Jia-Sun Wheelock, Arthur K., Jr. Tucker, Gloria Whidby, Carlton J. Tucker, J. M. White, Jesse C. Tucker, Marlene D. White, Lee R., Jr. Turner, Edward M., Jr. White, Paula L. Turner, Jackie L. White, Phillip C. Turner, Sarah E. Whitted, Laverne D. Turner, William Whittington, William F. Turtell, Neal T. Wiggins, William D. Tyler, Sheila M. Wilde, Deborah Tyndle, Raymond H. Wildhack, Elizabeth H. Wilkey, Jerry W. Udel, Suzanne F. Wilkey, Theresa Ursitti, Chris Wilkins, James, Jr. Wilkinson, Mary R. Valentine, Thomas W. Williams, Alfred, Jr. Van Meter, Larry L. Williams, Bessie A. Vass, Joy M. Williams, Carlton T. Veney, Anita R. Williams, Daniel R. Verdan, Luciana C. Williams, David W. Verrier, Francis E. Williams, Francine Verrill, Mary Ann B. Williams, Herbert R. Verts, Sam Williams, Isiah, Jr. Vick, Milton E. Williams, James L.

142 VOLUNTEER DOCENTS

Sharon Adams Patsy Hicks Joy Ogden-Stigger Ginger Vanderver Sherry Alexander Shannon Hobbs Marjorie O'Neil Susan Van Nice Constance Anderson Jane Hochberg Linn Ong Irit Vasbinder Hannah Aurbach Mimi Hodsoll Cecelia Ouspensky Mary Ann Verrill Joyce Austin Winton Holladay Louise Owen Joy Vige Betsy Holleman Patrisia Owens Mary Visscher Margaret Bailey lone Hong Bunny Baker Ann Hsiao Susana Palmieri Heather Walker Rosalie Baker Maryan Hurtt Martha Parker Krystyna Wasserman Danielle de la Bassetiere Lydia Hutchinson Connie Patrick Christie Weeks Kathleen Battle Piera Pearce Jane Weems Heinz Bauer Edie Izenberg Ella Pelish Maria Elena Weissman Helen Baxter-South worth Annabel Perlik Anne West Carol Becker Miriam Jacobson Maxie Phillips Carol West B. J. Beers Carolyn Jasperson Helen Powers William Whalen Jean Bell Joan Jordano Anne Prange Elizabeth Wildhack Ilona Benham Anastasia Pratt Martha Wildhack Evelyn Bennett Evelyn Katz Mary Wilkinson Laurie Black Carolyn Kelloff Sharon Quinn Betty Wilson Donna Burnett Mary Lou Kenary Fran Winston Ilze King Anne Imelda Radice Jean Wolf Chantal Carderera Carol Kuehl Nancy Rankin Dorothy Wright Marian Carroll Barbara Kurtz Sonja Rasmussen Jane Carter Anne Marie Raude Joanne Chutter Anne Lancaster Sally Ray Jean Conrad Jacqueline Landfield Colleen Reed Elizabeth Corbin Jean Langley Janet Renshaw Anne Lanman Rebecca Reynolds Arthur Daley Rita Lecat Anna Rhodes Paul Davis Karen Leete Margot Riddick Janice Delaney Anne Marie Lemaire Carol Robie Virginia Dillon Brenda Levenson Aimee Roche Lura May Dillow Christine Liger Marilyn Rodenhuis Barbara Dix Mary Liipfert Isabel Rodriguez Joan Dugan Harriet Looney Wynefred Rogerson Kay Looney Sarah Rohrer Barbara Eberhardt Jean Loper Jo Roland Mary Edwards Franchia Loren Myriam Rollert Mariby Egea Maja Rothenbuhler Stephanie Ellis Lucyle Mace Deborah Rucci Marta Madrid de Horgan Sheila Ruffine Wanda Flynn Ruth Manchester Phyllis Freirich Barbra Mann Lorrie Samburg Marianne Freudenthal Ann Marino Vicki Sant Myriam Martin Helen Santini Beba Gaines Patricia Martin Leota Sarraf Claude Gaujard Terry Matan Marie Noelle Scaduto-Mendola Mary Gibb Karen Mathis Mary Schaad Kay Giddens Virginia Mayo Gabriele Schmid Emilie Gillanders Jill McKee Gladys Segal Pauline Gilstrap Rebekah McKenna Sylvia Shafroth Luz Maria de Goni Marenco Ronald Meek Dee Shoemaker Enza Gorges Maria Teresa Merriam Joan Silverman Anne Graham Betty Mezines Antonia Smiley Linda Graham Emma Michaels Tita Somalo Nancy Gray Renee Mikus Ruth Stokoe Emmie Griggs Blanche Miller Patricia Strohm Susan Grigsby Margaret Miller Nancy Swain Eleanor Monahan Mary Sullivan Patricia Hadley Nancy Hafer Herlene Nagler Joy Tallent Joan Hall Elizabeth Niederman Sue Taylor Ludwine Hall Joan Nolan Ida Tracy Linda Harrison Saka Noma Susan Trinka Kathy Hayes Kappy Hendricks

143 GIFTS AND BEQUESTS

Both the buildings and the collections of the National Gallery of Art are the result of private generosity. The Board of Trustees has full power to receive property, real and personal, for the general purpose of the National Gallery of Art. Offers of gift or bequest of particular property should be discussed in advance with the Secretary's Office for specific important works of art, or with the Chief Librarian for books of art historical importance. Gifts may also be made by check payable to the Trustees of the National Gallery of Art.

The following form of bequest may be used:

I bequeath to the Trustees of the National Gallery of Art the sum of for the general purposes of the National Gallery of Art, Washington, District of Columbia.

All gifts and bequests are deductible, within the limits prescribed by law, for applicable Federal tax purposes.

144