Septiembre2021
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
La Mujer Es Cosa De Hombres-Isabel Coixet
50 años de... - La mujer, cosa de hombres. Isabel Coixet. Corto dirigido por Isabel Coixet en torno al tradicional papel de la mujer en la sociedad española y la repercusión que tienen en los medios los delitos por violencia de género. http://www.rtve.es/alacarta/videos/50-anos-de/50-anos-mujer-cosa- hombres/1491834/ Isabel Coixet nació en Sant Adrià del Besós el 9 de abril de 1960. Estudió Historia Contemporánea en la Universidad de Barcelona, trabajó como periodista en la revista Fotogramas . Su afición a la imagen le hace acercarse al mundo del cine, desempeñando diversas tareas y al mundo de la publicidad en el que, tras un tiempo, creará productora propia. Años más tarde, decidida a filmar su primer largometraje, se traslada a Estados Unidos a rodar Cosas que nunca te dije (1996). Un año después, nace su hija Zoe. Es un peso pesado de la industria publicitaria, y dirigió anuncios por todo el mundo: ha sido directora creativa de la agencia JWT, fundadora y directora creativa de la agencia Target y la productora Eddie Saeta, obteniendo los más prestigiosos premios por sus trabajos en este campo. En el año 2000 creó la productora Miss Wasabi Films desde donde también ha realizado destacados documentales -y vídeo clips a los más variados músicos En 2005 realiza La vida secreta de las palabras cuyos protagonistas son Tim Robbins y Sarah Polley. En 2006 formó, junto a otras cineastas como Inés París, Chus Gutiérrez o Icíar Bollaín, CIMA (Asociación de mujeres cineastas y de medios audiovisuales). Isabel ha contado con Penélope Cruz para el papel protagonista de su película Elegy, estrenada en 2008, y basada en una novela de Philip Roth. -
Marta Díaz De Lope Díaz: a Conversation with the Filmmaker
This work is on a Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) license, https://creativecommons.org/licenses/by-nc/4.0/. Access to this work was provided by the University of Maryland, Baltimore County (UMBC) ScholarWorks@UMBC digital repository on the Maryland Shared Open Access (MD-SOAR) platform. Please provide feedback Please support the ScholarWorks@UMBC repository by emailing [email protected] and telling us what having access to this work means to you and why it’s important to you. Thank you. 1 The Passion of Marta Díaz de Lope Díaz: A Conversation with the Filmmaker In her directorial debut, Ronda native Marta Díaz de Lope Díaz takes inspiration from the cartography of her origin for her filmic vision. Her cultural roots anchor her life and filmography, that she has been perfecting over the years of her study and teaching at the ESCAC film school in Barcelona. Her first feature-length film, Mi querida cofradía (Hopelessly Devout), clearly reflects this influence since it drinks and revels in the most traditional celebration of her hometown: Holy Week. Likewise, as can be seen in this interview, the feature establishes an interesting parallel between the passion of the protagonist Carmen (Gloria Muñoz) to realize her dream of leading her Catholic brotherhood and the aspiration of its own Marta Díaz to become a film director. With humor, her cinema masterfully delves into the experiences of women, of their sisterhood, in both the private and public spheres, displaying the obstacles that they encounter when trying to fulfill their goals in a man’s world and exhibiting their skills at overcoming interference. -
Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)
December 8 (XXXI:15) Michael Powell and Emeric Pressburger, A MATTER OF LIFE AND DEATH/ STAIRWAY TO HEAVEN (1946, 104 min) (The version of this handout on the website has color images and hot urls.) Written, Produced and Directed by Michael Powell & Emeric Pressburger Music by Allan Gray Cinematography by Jack Cardiff Film Edited by Reginald Mills Camera Operator...Geoffrey Unsworth David Niven…Peter Carter Kim Hunter…June Robert Coote…Bob Kathleen Byron…An Angel Richard Attenborough…An English Pilot Bonar Colleano…An American Pilot Joan Maude…Chief Recorder Marius Goring…Conductor 71 Roger Livesey…Doctor Reeves Robert Atkins…The Vicar Bob Roberts…Dr. Gaertler Hour of Glory (1949), The Red Shoes (1948), Black Narcissus Edwin Max…Dr. Mc.Ewen (1947), A Matter of Life and Death (1946), 'I Know Where I'm Betty Potter…Mrs. Tucker Going!' (1945), A Canterbury Tale (1944), The Life and Death of Abraham Sofaer…The Judge Colonel Blimp (1943), One of Our Aircraft Is Missing (1942), 49th Raymond Massey…Abraham Farlan Parallel (1941), The Thief of Bagdad (1940), Blackout (1940), The Robert Arden…GI Playing Bottom Lion Has Wings (1939), The Edge of the World (1937), Someday Robert Beatty…US Crewman (1935), Something Always Happens (1934), C.O.D. (1932), Hotel Tommy Duggan…Patrick Aloyusius Mahoney Splendide (1932) and My Friend the King (1932). Erik…Spaniel John Longden…Narrator of introduction Emeric Pressburger (b. December 5, 1902 in Miskolc, Austria- Hungary [now Hungary] —d. February 5, 1988, age 85, in Michael Powell (b. September 30, 1905 in Kent, England—d. Saxstead, Suffolk, England) won the 1943 Oscar for Best Writing, February 19, 1990, age 84, in Gloucestershire, England) was Original Story for 49th Parallel (1941) and was nominated the nominated with Emeric Pressburger for an Oscar in 1943 for Best same year for the Best Screenplay for One of Our Aircraft Is Writing, Original Screenplay for One of Our Aircraft Is Missing Missing (1942) which he shared with Michael Powell and 49th (1942). -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
Walter Salles
Selenium Films / A Contracorriente films / Altiro Films Original title: “La contadora de películas” A film by Isabel Coixet Screenplay by Walter Salles & Isabel Coixet Based on the novel «La Contadora de Películas» of Hernán Rivera Letelier This is the captivating story of Maria Margarita, The story develops hand in hand with a young girl who lives in a mining town nestled relevant cultural events in the history of in the heart of Chile's Atacama Desert in the the town, like the arrival and success of 60s. She has a very special gift — an almost un- cinema exhibition, followed by its decline canny ability to retell movies. Her talent and as the TV arrives. On a broader passion soon spread beyond her impoverished perspective, ‘The Movie-Teller’ portrays the family circle — five siblings and their disabled decay of the historical salt-peter mining father confined to a wheel-chair, who can only towns in the North of Chile. The film afford a ticket for one at the local movie thea- reveals the untold memories buried deep tre— to reach the whole community. People get in our historical roots; we are taught how together to listen Maria Margarita with delight all the dreams and hopes of ordinary and amusement, so they can forget the harsh people are ultimately subjected to the routines of their day-to-day lives. tyranny of fate. « I was immediately touched « It has all the elements by its profound humanity, that fascinate me and that by the innate capacity to blend make me love cinema humor and drama, and, of course, above all things » by its utter passion for film » _ _ Isabel Coixet Walter Salles Production storytelling. -
All-Celluloid Homage to a Diva of the Italian Cinema
ALL-CELLULOID HOMAGE TO A DIVA OF THE ITALIAN CINEMA Sept. 24, 2016 / Castro Theatre / San Francisco / CinemaItaliaSF.com ROMA CITTÀ APERTA (ROME OPEN CITY) Sat. September 24, 2016 1:00 PM 35mm Film Projection (100 mins. 1945. BW. Italy. In Italian, German, and Latin with English subtitles) Winner of the 1946 Festival de Cannes Grand Prize, Rome Open City was Roberto Rossel- lini’s revelation – a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it. Told with melodramatic flair and starring Aldo Fabrizi as a priest helping the partisan cause and Anna Magnani in her breakthrough role as Pina, the fiancée of a resistance member, Rome Open City is a shockingly authentic experi- ence, conceived and directed amid the ruin of World War II, with immediacy in every frame. Marking a watershed moment in Italian cinema, this galvanic work garnered awards around the globe and left the beginnings of a new film movement in its wake. Directed by Roberto Rossellini. Written by Sergio Amidei and Federico Fellini. Photo- graphed by Ubaldo Arata. Starring Anna Magnani and Aldo Fabrizi. Print Source: Istituto Luce-Cinecittá S.r.L. BELLISSIMA Sat. September 24, 2016 3:00 PM 35mm Film Projection (115 mins. 1951. BW. Italy. In Italian with English subtitles) Bellissima centers on a working-class mother in Rome, Maddalena (Anna Magnani), who drags her daughter (Tina Apicella) to Cinecittà to attend an audition for a new film by Alessandro Blasetti. Maddalena is a stage mother who loves movies and whose efforts to promote her daughter grow increasingly frenzied. -
SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL for More Information Go To
NEWS FROM EGEDA US Phone: 310 246 0531 Fax: 310 246 1343 Email: [email protected] SPANISH MOVIES IN USA – JUNE 2013 LOS ANGELES LOS ANGELES INTERNATIONAL FILM FEST For more information go to http://filmguide.lafilmfest.com/tixSYS/2013/xslguide/eventnote.php?EventNumber=5446 I’m So Excited! Thu, June 13 – 7:30 PM (Opening Night) at Regal Cinemas, 1000 W. Olympic Blvd. Dir. Pedro Almodovar - Spain|2012|90 min. Cast: Antonio de la Torre, Hugo Silva, Miguel Ángel Silvestre, Laya Martí, Javier Cámara, Carlos Areces, Raúl Arévalo, José María Yazpik, Guillermo Toledo, José Luis Torrijo, Lola Dueñas, Cecilia Roth, Blanca Suárez When a passenger jet headed for Mexico--which you are free to take or leave as a metaphor for Spain today--develops dangerous mechanical problems, all hell breaks loose in business class. Here we meet an amazing assortment of Almodóvarian characters, including a psychic, a chic dominatrix, a crooked businessman and a soap star. Tending to their peculiar, increasingly frantic needs are a trio of high camp stewards who react to the crisis in ways only the mischievous director could dream up--like lacing their passengers drinks with mescaline. Fasten your seat belts as this bawdy, pointed farce takes us up, up and away. Opens on Friday june 28th in New York & Los Angeles…!!! SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL For more information go to http://www.siff.net/festival-2013/films-a-to-z?country=Spain Yesterday Never ends Sat, June 1 – 5:30 PM at SIFF Cinema Uptown, 511 Queen Anne Avenue N Dir. Isabel Coixet - Spain|2013|108 min. -
Series Tv Series Tv Dvd Tv 791 Dvd Tv
SERIES TV DVD TV 791 SEVERO OCHOA: LLaa conquista de un Nobel / director Sergio Cabrera; guión Ulises Bermejo, Enrique Clavo, Sergio Cabrera. Valladolid: Divisa Ediciones, 2006 1 disco (Series clásicas TVE) Nacionalidad: española DVD TV Int.Int.érpretesérpretesérpretes:: Imanol Arias, Ana Duato, Daniel Guzmán, MaiteMaite 791 Pastor, Ximo Solano, Joan GaGadea,dea, Cristina Perales, Juan GeaGea.... SEV TODOS LOS PÚBLICOS. REALIZADA EN 2001 Series de televisión CCCERVANTESCERVANTES / dirigido por Alfonso Ungría; guión de Daniel Sueiro. Valladolid: Divisa Home Video, 2006 3 DVDs. Nacionalidad: española Contiene: DVD1 Capítulos 1-3. DVD 2. Capítulos 4-6. DVD 3. Capítulos 7-9 DVD Intérpretes: Julián Mateos, Carlos Lucena, Carmen Maura, TV Francisco Rabal, Agustín González, etc. 791 CER TODOS LOS PÚBLICOS. REALIZADA PARA RTVE EN 1980 Series de televisión LLLALA BARRACA / dirigida por León Klimovsky Valladolid: Divisa Home Vídeo, D. L. 2003 3 discos .Nacionalidad: española. Intérpretes: Álvaro de Luna, Marisa de Leza, Victoria Abril, Juan DVD Carlos Naya, Eduardo Fajardo, Terele Pávez, Gabriel Llopart, TV 791 Fernando Hilbec, Adrián Ortega, MiMiguelguel Ayones BAR Todos los públicos. Basada en la novela de Vicente Blasco Ibáñez Realizada en 1979 Series de televisión LA FORJA DE UN REBELDE / dirigida por Mario Camus Intérpretes: Antonio Valero, Jorge Juan G. Contreras, Manuel Alexandre, MarMargaritagarita Calahorra, Eduardo Calvo, ÁngelÁngel de Andrés López, Ángel de Andrés, Rafael Alonso, Luis Barboo, Francisco DVD Catalá, Juan AnAntoniotonio Correa, María Barranco TV 791 Todos los públicos. Realizada en 1988 FOR Nacionalidad: española 3 discos (DVD vídeo). TVE 50 años Series de televisión MIGUEL HERNÁNDEZ: viento del pueblo / director José Ramón Larraz; guión Rafael Moreno Alba. -
Misoginia Y Feminismo En El Cine De Berlanga
Real Academia de Bellas Artes de San Fernando MISOGINIA Y FEMINISMO EN EL CINE DE BERLANGA Discurso de la académica electa EXCMA. SRA. D.a JOSEFINA MOLINA REIG Leído en el Acto de su Recepción Pública el día 26 de marzo de 2017 y contestación del EXCMO. SR. D. MANUEL GUTIÉRREZ ARAGÓN MADRID MMXVII [ 2 ] MISOGINIA Y FEMINISMO EN EL CINE DE BERLANGA [ 4 ] Real Academia de Bellas Artes de San Fernando MISOGINIA Y FEMINISMO EN EL CINE DE BERLANGA Discurso de la académica electa EXCMA. SRA. D.a JOSEFINA MOLINA REIG Leído en el Acto de su Recepción Pública el día 26 de marzo de 2017 y contestación del EXCMO. SR. D. MANUEL GUTIÉRREZ ARAGÓN MADRID MMXVII [ 6 ] Pintura y concreciones en población mediana, todavía. José Luis Cuerda, 2005. Discurso de la EXCMA. SRA. D.a JOSEFINA MOLINA REIG [ 8 ] Excelentísimo señor Director, señoras y señores académicos, amigas y amigos: o puedo comenzar este discurso sin agradecer a los miembros de esta Academia, excelentísimos señores Pu- Nblio López Mondéjar, José María Cruz Novillo y Ma- nuel Gutiérrez Aragón, el haberme propuesto como académica [ 9 ] de número en la Sección de Nuevas Artes de la Imagen; y a este último, especialmente, por su generosidad al querer acompañar- me hoy aquí en el uso de la palabra. Ellos me dan la ocasión de expresar ante ustedes mi admiración por el cine del maestro Berlanga, nuestro contemporáneo, que es ya figura histórica e inolvidable de la cultura española. En cuanto a mí, hoy es la primera vez en mi vida que me en- frento a un reto semejante llamando a la puerta de una Acade- mia centenaria, a cuyos componentes quizá nada nuevo les pueda descubrir sobre un cineasta de culto, que fue el primer director de cine en ingresar en ella. -
Las Mujeres Profesionales Detrás De La Cámara De
LAS MUJERES DIRECTIVAS DETRÁS DE LA CÁMARA EN LA HISTORIA DE LA TELEVISIÓN EN ESPAÑA Del nacimiento de la TV a la primera directora general de RTVE Autora: María Gallego Reguera Tutora: Asunción Bernárdez Rodal TRABAJO FIN DE MÁSTER Curso académico 2010/2011 Máster Universitario en Estudios Feministas Instituto de Investigaciones Feministas Facultad de Ciencias Económicas y Empresariales Universidad Complutense de Madrid ÍNDICE CAPÍTULO 1. INTRODUCCIÓN ......................................................................................... 2 CAPÍTULO 2. ASPECTOS TEÓRICOS Y METODOLÓGICOS ................................................ 3 2.1. Hipótesis ....................................................................................................... 3 2.2. Objetivos ...................................................................................................... 3 2.3. Metodología ................................................................................................. 4 2.4. Corpus del análisis ........................................................................................ 4 2.5. Bibliografía ................................................................................................... 4 CAPÍTULO 3. EL EMPODERAMIENTO DE LAS MUJERES PROFESIONALES DETRÁS DE LAS CÁMARAS DE TELEVISIÓN: DESDE SUS INICIOS HASTA LA PRIMERA DIRECTORA GENERAL DE RTVE ........................................................................................................... 6 3.1. CONTEXTO GENERAL ................................................................................... -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.