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CURRICULUM VITAE Name: María Camí-Vela University CURRICULUM VITAE Name: María Camí-Vela University Address: University of North Carolina-Wilmington 601 S. College Rd. Wilmington, NC 28403-5954 Tel: (910)962-3342 E-mail: [email protected] I. EDUCATION Ph.D. in Spanish Literature Spring 1995 Romance Languages and Literatures University of Florida Dissertation: La búsqueda de la identidad en la obra de Carme Riera (The Search for Identity in Carme Rieras’s Narrative) Summer 1993 Universidad Complutense Madrid, Spain Course title: “Mujeres Creadoras” (“Women Creators”) M.A. in Spanish Fall 1989 Romance Languages and Literatures University of Florida Master’s Thesis: El feminismo en la obra periodística de Emilia Pardo Bazán (Feminism in Emilia Pardo Bazán’s Journalistic Works) B.A. in Spanish Fall 1986, Romance Languages and Literatures University of Florida Other Studies Fall 1975-Fall 1976 Universidad de Murcia, Spain II. TEACHING EXPERIENCE Professor: 2007- Associate Professor: 2003- 2007 Department of Foreign Languages and Literatures, U. of North Carolina -Wilmington. Assistant Professor: 1997-2003 Department of Foreign Languages and Literatures, U. of North Carolina -Wilmington. III.PUBLICATIONS AND ACADEMIC PRESENTATIONS A. Publications Books Mujeres detrás de la cámara: Entrevistas con cineastas españolas 1990-2004. (Women Behind the Camera: Interviews with Spanish Women Filmmakers 1990-2004.) Madrid: Madrid/Ocho y Medio, 2005. Mujeres detrás de la cámara: Entrevistas con cineastas españolas de la década de los 90. (Women Behind the Camera: Interviews with Spanish Women Filmmakers of the 90’s.) Madrid: Festival de Cine Experimental de Madrid/Ocho y Medio, 2001. La búsqueda de la identidad en la obra literaria de Carme Riera. (The Search for Identity in the Narrative Works of Carme Riera.) Madrid: Pliegos, 2000. Articles “Mujer y cine en Cuba: La peregrina y revolucionaria mirada de Rosina Prado.” Ámbitos feministas, vol. 5 (Fall, 2015): 101-15. “Directoras de cine en Cataluña: Un recorrido histórico” Zeitschrift für Katalanistik/Revista d'Estudis Catalans 27 (2014): 27-45. "Negociar con la “Otredad” La mirada fílmica de las directoras españolas del nuevo milenio”. In Directoras de cine en España y América Latina: Nuevas voces y miradas. Feenstra, Pietsie, Gimeno Ugalde, Esther and Sartingen, Kathrin (eds.). Frankfurt; Peter Lang (2014): 149-164. “Contemporary Barcelona Through The Female Eye”. World Film Locations: Barcelona. Helio, San Miguel and Lorenzo Torres Hortelano Eds. Intellect: UK (2013): 106-107 “De la repugnancia a la humanidad: El viaje físico y cinemático de Marceline Loridan-Ivens de Chronique d’un été (1961) a La Petite Prairie aux Bouleaux (2003)”. La piel en la palestra. Estudios Corporales II. Del Pozo, Alba and Alba Serrano Eds. Barcelona: (2011): 115-126. “Cineastas españolas que filman en inglés. ¿Estrategia comercial o expresión multicultural?” In Rodríguez Pérez, María Pilar (Ed.). Bilbao: Estudios Culturales y de los medios de comunicación. (2010): 52-70 “Filmando lo invisible: la ausencia-presencia del cuerpo como metáfora existencial en La vida secreta de las palabras.” Cuerpos que cuentan. Pasen y vean: Estudios Culturales. Clúa, Isabel and Pau Pitarch Eds. Barcelona: (2010): 25-31. “El cine militante de Helena Lumbreras.” Puntos de vista. Una mirada poliédrica a la historia del cine. Aranda, Daniel, Esquirol Meritxell and Sánchez-Navarro, Jordi Eds. Barcelona: Editorial UOC (2009): 207-224. “Between Hope and Disillusion. The Militant Cinema of Helena Lumbreras.” Plan Rosebud. On Images, Sites and Politics of Memory. Ruído, María Ed. Galicia: Xunta de Galicia/Centro Gallego de Arte Contemporáneo. (2009): 251-262. “Entre la esperanza y el desencanto. El cine militante de Helena Lumbreras.” Plan Rosebud: sobre imágenes, lugares y políticas de memoria. Ruído, María Ed. Galicia: Xunta de Galicia/Centro Gallego de Arte Contemporáneo. (2009): 543-54. “Cineastas españolas que filman en inglés: Isabel Coixet.” Miradas sobre pasado y presente en el cine español (1990-2005). Feenstra, Pietsie and Hub Hermans Eds. Amsterdam and New York: Rodopi. (2008): 179-91. “Manuel Huerga y Salvador Puig Antich.” Arizona Journal of Hispanic Studies. (2007): 181-207. “Una cineasta española en la Revolución cubana: Margarita Alexandre”. El viejo topo. 231 (2007): 101- 07. “Mujeres, toreros e identidad en el cine español: Sol y sombra (1922) de Musidora.” ¿Savia nutria? El lugar del realismo en el cine español. Córdoba: Filmoteca de andalucia. XI Congreso Internacional de la Asociación Española de Historiadores de Cine. (2006): 82-93. “El modelo autobiográfico en Me llamo Sara de Dolores Payás.” Cuadernos de la Academia. Madrid: Academia de las Artes y las Ciencias Cinematográficas de España y Asociación Española de Historiadores del Cine. (2005): 479-492. “Entrevista con Helena Taberna.” Extranjeras: Guía didáctica. Helena Taberna Ed. Pamplona: Lamia. (2005): 48-53. “Mujer y sexo: Las directoras españolas de los noventa.” Los hábitos del deseo. Formas de amar en la modernidad. Carme Riera, Meri Torres, Isabel Clúa y Pau Pitarch Eds. Valencia: Ediciones Escultura. (2005): 71-79. “Mujer, erotismo y cinco cortometrajes: El dominio de los sentidos.” Años de Corto: Apuntes sobre el cortometraje español desde los noventa. Juan Francisco Cerón Ed. Murcia: Universidad de Murcia. (2002): 89-106. “Flores de otro mundo: Una mirada negociadora.” Cine-Lit 2000: Essays on Hispanic Film and Fiction. George Cabello-Castellet, Jaume Martí-Olivella and Guy H. Wood Eds. Oregon: Oregon State U. (2001): 176-88. “Una entrevista con Icíar Bollain.” Cine-Lit 2000: Essays on Hispanic Film and Fiction. George Cabello- Castellet, Jaume Martí-Olivella and Guy H. Wood Eds. Oregon: Oregon State U. (2001): 232-43. “From ‘Reespañolar’ to ‘Europeizar’: The Subversión of Francoist Mythology in La flor de mi secreto (The Flower of My Secret) by Pedro Almodóvar.” The Seeing Century: Film, Vision, and Identity. Wendy Everet Ed. Amsterdan: Rodopi B.V. (2000): 111-23. (Translation of the Spanish article published in Annual of Foreign Films and Literature). “Las dos caras de Bigas Luna: El cineasta y el artista.” Arizona Journal of Hispanic Cultural Studies. 4 (2000): 249-64. “Entrevista con la realizadora-guionista Rosa Vergés.” España Contemporánea. XII, 2 (otoño 2000): 93-102. “El desdoblamiento, la mascara y la seducción: Metáforas de la escritura.” El espejo y la mascara: Veinticinco años de ficción narrativa en la obra de Carme Riera. Luisa Cotoner Ed. Barcelona: Destino, 2000. “De “reespañolear” a “europeizar”: la subversión de la mitología franquista en la (re)construcción de la identidad nacional: La flor de mi secreto de Pedro Almodóvar.”Annual of Foreign Films and Literature. V (1999): 25-44. “El amor lesbiano: exilio, rechazo y búsqueda en ‘Te deix, amor, la mar com a penyora’ y Temps d’una espera de Carme Riera.” Letras femeninas. XXV, 1-2 (1999): 173-84. “La de-doxificación en Contra l’amor en companyia de Carme Riera.” España Contemporánea. XII, 1 (1999): 45-58. “El uso de lo carnavalesco-fantástico en Epitelis Tendrissimis.” Lectora. Revista de dones i textualitat. 2 (1996): 43-49. Forthcoming publications Book/Film reviews/Artistic publications Book review: Teoría y práctica de la adaptación fílmica. In Revista Canadiense de Estudios Hispánicos. 38.2 (2014): 416-418 The cinema of Iciar Bollaín. Studies in Spanish & Latin American Cinemas. 11.1 (2014): 101-109. Film Review: “Barcelona Before/Barcelona abans que el temps ho esborri (2010)” World Film Locations: Barcelona. Helio, San Miguel and Lorenzo Torres Hortelano Eds. Intellect: UK (2013): 120- 121. Contribution to Film Jounal Decine 29 (June-July), 2012 Editorial Review for the book Exile Through a Gendered Lens: Women's Displacement in Recent European History, Literature, and Cinema. NY: Palgrave Macmillan, 2012. Film review: Cami-Vela, M. In Lorenzo Torres (Ed.), The Secret Life of Words. Directory of World Cinema: Spain. (2011) http://www.intellectbooks.co.uk/books/view-Book,id=4791/ Film review: Cami-Vela, M. In Lorenzo Torres (Ed.), Flowers from Another World. UK: Directory of World Cinema: Spain. (2011) http://www.intellectbooks.co.uk/books/view-Book,id=4791/ Poem: “Suena el despertador”. El País. Suplemento cultural La noche en blanco. September 22, 2007. Book review: Raquel Medina and Barbara Zecchi, eds. Sexualidad y escritura (1850-2000). Symposium 58.3 (2004): 194-97. Book review: “Temps d’una espera de Carme Riera” Anales de la Literatura Española Contemporánea 25 (2000): 337-39. Other Artistic activities Film: The Shift (2013). Associate Editor http://www.imdb.com/title/tt2881296/?ref_=ttfc_fc_tt Video clip. Participant in the EWA (European Women Audiovisual Network) campaign video clip http://www.youtube.com/watch?v=Ni9EwWEDIyI&list=TL9IcmzU0ZLkifP1i7PQnkPgwlWpFr3HC5 TV Interview with film director Joseph Johnson Camí. UNC-TV. Wilmington, NC, USA. (April 21, 2011). http://uncwtv.uncw.edu/video/filmmaker_joseph_g20.mov Actor-Interview for the documentary: Amparito Puerto y los agujeros de gusano (2011). Almudena Verdes, director. Spain. http://www.imdb.com/title/tt1880119/ Associate producer of short film Keepers of the Water (2010), Ayelen Liberona director. http://www.imdb.com/title/tt1743339/ http://www.keepersofthewater.com/home.html Film interview with Mariano Lisa for the documentary Plan Rosebud 2 (2008), María Ruído director. http://www.youtube.com/watch?v=s2_IlpX6JVc Film Interview with José Ricardo Johnson Camí, director of documentary A grain of sand (2008) and Brendon Grimshaw. Associate producer of documentary
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