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Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
La Mujer Es Cosa De Hombres-Isabel Coixet
50 años de... - La mujer, cosa de hombres. Isabel Coixet. Corto dirigido por Isabel Coixet en torno al tradicional papel de la mujer en la sociedad española y la repercusión que tienen en los medios los delitos por violencia de género. http://www.rtve.es/alacarta/videos/50-anos-de/50-anos-mujer-cosa- hombres/1491834/ Isabel Coixet nació en Sant Adrià del Besós el 9 de abril de 1960. Estudió Historia Contemporánea en la Universidad de Barcelona, trabajó como periodista en la revista Fotogramas . Su afición a la imagen le hace acercarse al mundo del cine, desempeñando diversas tareas y al mundo de la publicidad en el que, tras un tiempo, creará productora propia. Años más tarde, decidida a filmar su primer largometraje, se traslada a Estados Unidos a rodar Cosas que nunca te dije (1996). Un año después, nace su hija Zoe. Es un peso pesado de la industria publicitaria, y dirigió anuncios por todo el mundo: ha sido directora creativa de la agencia JWT, fundadora y directora creativa de la agencia Target y la productora Eddie Saeta, obteniendo los más prestigiosos premios por sus trabajos en este campo. En el año 2000 creó la productora Miss Wasabi Films desde donde también ha realizado destacados documentales -y vídeo clips a los más variados músicos En 2005 realiza La vida secreta de las palabras cuyos protagonistas son Tim Robbins y Sarah Polley. En 2006 formó, junto a otras cineastas como Inés París, Chus Gutiérrez o Icíar Bollaín, CIMA (Asociación de mujeres cineastas y de medios audiovisuales). Isabel ha contado con Penélope Cruz para el papel protagonista de su película Elegy, estrenada en 2008, y basada en una novela de Philip Roth. -
Marta Díaz De Lope Díaz: a Conversation with the Filmmaker
This work is on a Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) license, https://creativecommons.org/licenses/by-nc/4.0/. Access to this work was provided by the University of Maryland, Baltimore County (UMBC) ScholarWorks@UMBC digital repository on the Maryland Shared Open Access (MD-SOAR) platform. Please provide feedback Please support the ScholarWorks@UMBC repository by emailing [email protected] and telling us what having access to this work means to you and why it’s important to you. Thank you. 1 The Passion of Marta Díaz de Lope Díaz: A Conversation with the Filmmaker In her directorial debut, Ronda native Marta Díaz de Lope Díaz takes inspiration from the cartography of her origin for her filmic vision. Her cultural roots anchor her life and filmography, that she has been perfecting over the years of her study and teaching at the ESCAC film school in Barcelona. Her first feature-length film, Mi querida cofradía (Hopelessly Devout), clearly reflects this influence since it drinks and revels in the most traditional celebration of her hometown: Holy Week. Likewise, as can be seen in this interview, the feature establishes an interesting parallel between the passion of the protagonist Carmen (Gloria Muñoz) to realize her dream of leading her Catholic brotherhood and the aspiration of its own Marta Díaz to become a film director. With humor, her cinema masterfully delves into the experiences of women, of their sisterhood, in both the private and public spheres, displaying the obstacles that they encounter when trying to fulfill their goals in a man’s world and exhibiting their skills at overcoming interference. -
Lacoste Press Kit 2011
Press Kit LACOSTE S.A. The LACOSTE legend was born in 1933, when René Lacoste revolutionized mens’ fashion replacing the classical woven fabric, long-sleeved and starched shirts on the courts, by what has now become the classic LACOSTE polo shirt. 78 years after its creation, LACOSTE has become a « lifestyle » brand which allies elegance and comfort. The LACOSTE art of living expresses itself today through a large collection of apparel for women, men and children, footwear, fragrances, leather goods, eyewear, watches, belts, home textiles, mobile phones and fashion jewelry. LACOSTE founds its success on the essential values of authenticity, performance, and elegance. The crocodile incarnates today the elegance of the champion, René Lacoste, as well as of his wife Simone Lacoste and their daughter Catherine Lacoste, both also champions, in everyday life as on the tennis courts and golf courses. Key Figures (31/12/10) - 2 LACOSTE items sold every second worldwide. - Wholesale Turnover 1,4 billion euros, 90% of which is out of France Michel Lacoste is Chairman of the Board of LACOSTE S.A. since April, 2008. Christophe Chenut is CEO of LACOSTE S.A. since April, 2008. LACOSTE S.A. is owned 65% by the Lacoste family and 35 % by Devanlay (Maus family). LACOSTE S.A. owns simultaneously 10% of Devanlay, its worldwide clothing licencee. A worldwide presence in 114 countries The most important markets in order of importance are : the USA, France, Italy, UK and Spain ASIA EUROPE 18 * 48 * A selective distribution throughout - more than 1100 LACOSTE boutiques MIDDLE-EAST - more than 2000 «corners» in department stores AMERICA 13 * - specialized outlets and sports stores 26 * AFRICA 7 * OCEANIA 2 * * Number of countries by continent :21/02/11 date p u t s La Press Kit LACOSTE S.A. -
The Left Atrium
The Left Atrium Film review Spheres of influence read his book Letters from Hell. has to get to know him. She is given a The sea inside (Mar adentro) Sampedro even arranged to have his box of photographs that the filmmaker Directed by Alejandro Amenábar Sogecine, 2004, 125 min own death videotaped, right down to uses to take the audience back to when Screenplay by Alejandro Amenábar and the last agonizing cyanide-induced Sampedro, as a young man afflicted by Mateo Gill spasm, to prove to the authorities that wanderlust, decided to join the mer- Starring Javier Bardem, Belén Rueda and others should not suffer the way he did. chant marine. The sea and travelling Lola Dueñas Amenábar held extensive interviews were his passion. The photos reveal his Rory O’Shea Was Here and obtained script approvals from larger-than-life appetite for love and Directed by Damien O’Donnell Sampedro’s close friends and the fam- adventure. Through Julia’s probings, Screenplay by Jeffrey Caine ily members who took care of him for Sampedro flashes back to the moment Focus Features, 2004, 105 min almost three decades. where, mentally preoccupied, he dives Starring Steven Robertson, James McAvoy The movie begins and ends with the off a cliff into water made shallow by a and Ramola Garai theme of the metamorphic sea, giving retreating undertow — a phenomenon life and claiming it back. Sampedro is familiar to any sailor. As he hits bottom in the 28th year of his fight for the right his neck snaps; images from his life lthough The Sea Inside and to die with dignity and is about to meet flood his consciousness. -
Cochran,-Diana---Seeing-Inside--The-Sea-Inside-.Pdf
“Among college-age youth (20–24 years) in the United States, suicide is the third leading cause of death.”1 Our youth today struggle with emotional and mental issues which are sometimes manifested in self-destructive behaviors or even attempts at suicide. Thus, I believe the Spanish film “Mar Adentro” (The Sea Inside) is powerful and relevant to our college-aged students. It relates the true story of Ramón Sampedro who is paralyzed in a diving accident and spends the next twenty-nine years of his life fighting for the legal right to carry out an assisted suicide. He loses the legal battle, but does find someone to help him end his life. He sips potassium cyanide from a straw as this person films his death. This event, which occurs in Galicia, Spain in 1998, sparks a national debate in Spain about the legality and justification of euthanasia, assisted suicide, and suicide in general. In the aftermath of Sampedro’s death, the filming of which was exposed to the public, his suicide assistant (a close female friend) is arrested, then released, and a popular campaign erupts in Spain with many claiming to be “the one” who helped him die. Even politicians show their support for his decision by signing a document stating they helped Sampedro to die.2 I use this film in a 300-level course called “Hispanic Culture through the Media Arts”. One of my objectives in the course is to begin to develop the skill of comprehending a wide variety of topics in films. This movie certainly helps in that regard. -
Contemporary Films Related to Content in a Course on Death And
Contemporary Films Related to Content in a Course on Death and Grief Barbara Head, PhD, CHPN, ACSW, FPCN University of Louisville, Kent School of Social Work [email protected] Title Year Leading Actor(s) Brief Synopsis Related Course Content Amour 2012 Jean-Louis Trintignant An elderly, loving couPle struggles to Grief and loss in later life (French) Emmanuelle Riva maintain their indePendence after the Euthanasia wife suffers a Paralyzing stroke. Caregiver stress Anticipatory grief A Single Man 2009 Colin Firth A gay university Professor struggles Disenfranchised grief Julianne Moore with his grief after the sudden death of Suicide risk in bereavement his partner. Story is set in the early Historical/cultural imPacts on grief and 1960’s. loss Beyond Belief 2007 Susan Retik Two women (both Pregnant at the time) Meaning reconstruction (Documentary) Patti Quigley who lost their husbands on 911 find Resiliency meaning in their loss. Sudden, traumatic loss The Descendants 2011 George Clooney A family struggles with the imPending Children and grief Beau Bridges death and infidelity of the mother/wife Disenfranchised grief who is rendered brain dead after a Families and grief boating accident. Discontinuation of life suPPort 50/50 2011 JosePh Gordon-Levitt A young radio journalist faces treatment Counseling the seriously ill Patient Seth Rogan for a serious malignancy with a 50/50 Professional boundaries chance of survival. Grief and loss related to serious illness in a young person Social suPPort during illness Grace is Gone 2007 John Cusack The father of two young daughters Families and grief reacts to the news of the death of his Sudden, traumatic loss wife who was killed during a tour of duty Stages and tasks of grieving in Iraq. -
Transformations of Queer Iberian Cinema a Dissertation SUBMITTED
Living and Dying for the Plural: Transformations of Queer Iberian Cinema A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Scott Michael Ehrenburg IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisers: William Viestenz & Ofelia Ferrán March 2017 © Scott Michael Ehrenburg 2017 Acknowledgements This dissertation would not have been realized without the help of so many wonderful people. First and foremost, I would like to thank my advisors, Bill Viestenz and Ofelia Ferrán, for serving as encouraging, deliberate, and thoughtful interlocutors throughout my time in graduate school. I sincerely thank Nicholas Spadaccini for his committement to mentoring me about the profession as well as allowing me to serve as a member of the Hispanic Issues team. I am grateful to Jigna Desai for being so generous with her time in helping shape my work in a way that truly crosses disciplinary divides. I would also like to acknowledge the sustained funding by the Department of Spanish and Portugese Studies, particulary during the summer months, which was vital for my timely progress toward degree. I am thankful for being the recpient of Hella Mears Fellowship for German and European Studies, which provided generous funding needed for me to complete this dissertation. I must recognize all of my teachers, professors, and instructors throughout the years. All of you have informed the kind of educator I have become and will continue to be. Thank you so much, Katie Levin and the Center for Writing! You provided me with hundreds of hours of non-judgmental support in a space that was safe and comfortable. -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
Walter Salles
Selenium Films / A Contracorriente films / Altiro Films Original title: “La contadora de películas” A film by Isabel Coixet Screenplay by Walter Salles & Isabel Coixet Based on the novel «La Contadora de Películas» of Hernán Rivera Letelier This is the captivating story of Maria Margarita, The story develops hand in hand with a young girl who lives in a mining town nestled relevant cultural events in the history of in the heart of Chile's Atacama Desert in the the town, like the arrival and success of 60s. She has a very special gift — an almost un- cinema exhibition, followed by its decline canny ability to retell movies. Her talent and as the TV arrives. On a broader passion soon spread beyond her impoverished perspective, ‘The Movie-Teller’ portrays the family circle — five siblings and their disabled decay of the historical salt-peter mining father confined to a wheel-chair, who can only towns in the North of Chile. The film afford a ticket for one at the local movie thea- reveals the untold memories buried deep tre— to reach the whole community. People get in our historical roots; we are taught how together to listen Maria Margarita with delight all the dreams and hopes of ordinary and amusement, so they can forget the harsh people are ultimately subjected to the routines of their day-to-day lives. tyranny of fate. « I was immediately touched « It has all the elements by its profound humanity, that fascinate me and that by the innate capacity to blend make me love cinema humor and drama, and, of course, above all things » by its utter passion for film » _ _ Isabel Coixet Walter Salles Production storytelling. -
La Piccola Fonte
Cari amici, ASSEMBLEA DEI SOCI Associazione Giosue Carducci 22100 Como - Viale Cavallotti, 7 LA PICCOLA FONTE la luce settembrina ci sta accompagnando dopo L’Assemblea ordinaria è convocata per venerdì 26 Ottobre 2012, alle ore www.associazionecarducci.it un’estate accecante. 16.00 in prima convocazione e alle ore 17.00 in seconda convocazione, [email protected] ASSOCIAZIONE GIOSUE CARDUCCI - COMO presso la Sede sociale, in Como, Viale Cavallotti 7, per discutere e deliberare Tel. 031.267365 Ottobre - Dicembre 2012 Abbiamo preparato un programma il cui schema si ripete sul seguente: Fax 031.267365 Ordine del Giorno Bollettino di informazione ai soci - Anno 98 N. 3-4 2012 anno dopo anno, pensando di interpretare al meglio i vostri 1. Presentazione del rendiconto 2011/2012 e le relative delibere; Direttore responsabile Maria Fonticoli Terraneo - Autorizz. Trib. Como 12/49 desideri. Certo, anche le nostre risorse si sono affievolite, ma 2. Relazione del Presidente sull’attività svolta nel corso dell’esercizio www.associazionecarducci.it la fantasia e soprattutto i buoni rapporti che ogni membro 2011/2012; In relazione alla Legge 675/96 “Tutela delle persone e di altri soggetti rispetto al trattamento dei dati del Consiglio Direttivo e ognuno di voi è riuscito a mettere 3. Presentazione del bilancio preventivo 2012/2013; personali” informiamo che i vostri dati, inseriti nel in campo, ci permettono di proporre iniziative dense di 4. Varie ed eventuali nostro indirizzario, saranno utilizzati esclusivamente per l’invio della nostra corrispondenza e trattati con contenuti, di qualche originalità. Ogni socio può essere portatore di due deleghe. la massima riservatezza. -
SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL for More Information Go To
NEWS FROM EGEDA US Phone: 310 246 0531 Fax: 310 246 1343 Email: [email protected] SPANISH MOVIES IN USA – JUNE 2013 LOS ANGELES LOS ANGELES INTERNATIONAL FILM FEST For more information go to http://filmguide.lafilmfest.com/tixSYS/2013/xslguide/eventnote.php?EventNumber=5446 I’m So Excited! Thu, June 13 – 7:30 PM (Opening Night) at Regal Cinemas, 1000 W. Olympic Blvd. Dir. Pedro Almodovar - Spain|2012|90 min. Cast: Antonio de la Torre, Hugo Silva, Miguel Ángel Silvestre, Laya Martí, Javier Cámara, Carlos Areces, Raúl Arévalo, José María Yazpik, Guillermo Toledo, José Luis Torrijo, Lola Dueñas, Cecilia Roth, Blanca Suárez When a passenger jet headed for Mexico--which you are free to take or leave as a metaphor for Spain today--develops dangerous mechanical problems, all hell breaks loose in business class. Here we meet an amazing assortment of Almodóvarian characters, including a psychic, a chic dominatrix, a crooked businessman and a soap star. Tending to their peculiar, increasingly frantic needs are a trio of high camp stewards who react to the crisis in ways only the mischievous director could dream up--like lacing their passengers drinks with mescaline. Fasten your seat belts as this bawdy, pointed farce takes us up, up and away. Opens on Friday june 28th in New York & Los Angeles…!!! SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL For more information go to http://www.siff.net/festival-2013/films-a-to-z?country=Spain Yesterday Never ends Sat, June 1 – 5:30 PM at SIFF Cinema Uptown, 511 Queen Anne Avenue N Dir. Isabel Coixet - Spain|2013|108 min.