Walter Salles
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La Mujer Es Cosa De Hombres-Isabel Coixet
50 años de... - La mujer, cosa de hombres. Isabel Coixet. Corto dirigido por Isabel Coixet en torno al tradicional papel de la mujer en la sociedad española y la repercusión que tienen en los medios los delitos por violencia de género. http://www.rtve.es/alacarta/videos/50-anos-de/50-anos-mujer-cosa- hombres/1491834/ Isabel Coixet nació en Sant Adrià del Besós el 9 de abril de 1960. Estudió Historia Contemporánea en la Universidad de Barcelona, trabajó como periodista en la revista Fotogramas . Su afición a la imagen le hace acercarse al mundo del cine, desempeñando diversas tareas y al mundo de la publicidad en el que, tras un tiempo, creará productora propia. Años más tarde, decidida a filmar su primer largometraje, se traslada a Estados Unidos a rodar Cosas que nunca te dije (1996). Un año después, nace su hija Zoe. Es un peso pesado de la industria publicitaria, y dirigió anuncios por todo el mundo: ha sido directora creativa de la agencia JWT, fundadora y directora creativa de la agencia Target y la productora Eddie Saeta, obteniendo los más prestigiosos premios por sus trabajos en este campo. En el año 2000 creó la productora Miss Wasabi Films desde donde también ha realizado destacados documentales -y vídeo clips a los más variados músicos En 2005 realiza La vida secreta de las palabras cuyos protagonistas son Tim Robbins y Sarah Polley. En 2006 formó, junto a otras cineastas como Inés París, Chus Gutiérrez o Icíar Bollaín, CIMA (Asociación de mujeres cineastas y de medios audiovisuales). Isabel ha contado con Penélope Cruz para el papel protagonista de su película Elegy, estrenada en 2008, y basada en una novela de Philip Roth. -
Marta Díaz De Lope Díaz: a Conversation with the Filmmaker
This work is on a Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) license, https://creativecommons.org/licenses/by-nc/4.0/. Access to this work was provided by the University of Maryland, Baltimore County (UMBC) ScholarWorks@UMBC digital repository on the Maryland Shared Open Access (MD-SOAR) platform. Please provide feedback Please support the ScholarWorks@UMBC repository by emailing [email protected] and telling us what having access to this work means to you and why it’s important to you. Thank you. 1 The Passion of Marta Díaz de Lope Díaz: A Conversation with the Filmmaker In her directorial debut, Ronda native Marta Díaz de Lope Díaz takes inspiration from the cartography of her origin for her filmic vision. Her cultural roots anchor her life and filmography, that she has been perfecting over the years of her study and teaching at the ESCAC film school in Barcelona. Her first feature-length film, Mi querida cofradía (Hopelessly Devout), clearly reflects this influence since it drinks and revels in the most traditional celebration of her hometown: Holy Week. Likewise, as can be seen in this interview, the feature establishes an interesting parallel between the passion of the protagonist Carmen (Gloria Muñoz) to realize her dream of leading her Catholic brotherhood and the aspiration of its own Marta Díaz to become a film director. With humor, her cinema masterfully delves into the experiences of women, of their sisterhood, in both the private and public spheres, displaying the obstacles that they encounter when trying to fulfill their goals in a man’s world and exhibiting their skills at overcoming interference. -
80 Years of Spanish Cinema Fall, 2013 Tuesday and Thursday, 9:00-10:20Am, Salomon 004
Brown University Department of Hispanic Studies HISP 1290J. Spain on Screen: 80 Years of Spanish Cinema Fall, 2013 Tuesday and Thursday, 9:00-10:20am, Salomon 004 Prof. Sarah Thomas 84 Prospect Street, #301 [email protected] Tel.: (401) 863-2915 Office hours: Thursdays, 11am-1pm Course description: Spain’s is one of the most dynamic and at the same time overlooked of European cinemas. In recent years, Spain has become more internationally visible on screen, especially thanks to filmmakers like Guillermo del Toro, Pedro Almodóvar, and Juan Antonio Bayona. But where does Spanish cinema come from? What themes arise time and again over the course of decades? And what – if anything – can Spain’s cinema tell us about the nation? Does cinema reflect a culture or serve to shape it? This course traces major historical and thematic developments in Spanish cinema from silent films of the 1930s to globalized commercial cinema of the 21st century. Focusing on issues such as landscape, history, memory, violence, sexuality, gender, and the politics of representation, this course will give students a solid training in film analysis and also provide a wide-ranging introduction to Spanish culture. By the end of the semester, students will have gained the skills to write and speak critically about film (in Spanish!), as well as a deeper understanding and appreciation of Spain’s culture, history, and cinema. Prerequisite: HISP 0730, 0740, or equivalent. Films, all written work and many readings are in Spanish. This is a writing-designated course (WRIT) so students should be prepared to craft essays through multiple drafts in workshops with their peers and consultation with the professor. -
SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL for More Information Go To
NEWS FROM EGEDA US Phone: 310 246 0531 Fax: 310 246 1343 Email: [email protected] SPANISH MOVIES IN USA – JUNE 2013 LOS ANGELES LOS ANGELES INTERNATIONAL FILM FEST For more information go to http://filmguide.lafilmfest.com/tixSYS/2013/xslguide/eventnote.php?EventNumber=5446 I’m So Excited! Thu, June 13 – 7:30 PM (Opening Night) at Regal Cinemas, 1000 W. Olympic Blvd. Dir. Pedro Almodovar - Spain|2012|90 min. Cast: Antonio de la Torre, Hugo Silva, Miguel Ángel Silvestre, Laya Martí, Javier Cámara, Carlos Areces, Raúl Arévalo, José María Yazpik, Guillermo Toledo, José Luis Torrijo, Lola Dueñas, Cecilia Roth, Blanca Suárez When a passenger jet headed for Mexico--which you are free to take or leave as a metaphor for Spain today--develops dangerous mechanical problems, all hell breaks loose in business class. Here we meet an amazing assortment of Almodóvarian characters, including a psychic, a chic dominatrix, a crooked businessman and a soap star. Tending to their peculiar, increasingly frantic needs are a trio of high camp stewards who react to the crisis in ways only the mischievous director could dream up--like lacing their passengers drinks with mescaline. Fasten your seat belts as this bawdy, pointed farce takes us up, up and away. Opens on Friday june 28th in New York & Los Angeles…!!! SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL For more information go to http://www.siff.net/festival-2013/films-a-to-z?country=Spain Yesterday Never ends Sat, June 1 – 5:30 PM at SIFF Cinema Uptown, 511 Queen Anne Avenue N Dir. Isabel Coixet - Spain|2013|108 min. -
Introduction
Introduction 1 Iciar Bollaín (left) rehearsing Mataharis Iciar Bollaín (Madrid, 1967), actress, scriptwriter, director and producer, is one of the most striking figures currently working in the Spanish cinema, and the first Spanish woman filmmaker to make the Oscars shortlist (2010). She has performed in key films directed by, among others, Víctor Erice, José Luis Borau, Felipe Vega and Ken Loach. Starting out as assistant director and coscriptwriter, she has Santaolalla_Bollain.indd 1 04/04/2012 15:38 2 The cinema of Iciar Bollaín gone on to make four short films and five feature films to date, all but one scripted or coscripted by her. She is also one of the founding members of Producciones La Iguana S. L., a film production company in existence since 1991. Her work raises questions about authorship, female agency and the mediation in film of social issues. It also highlights the tensions between creative and industrial priori ties in the cinema, and national and transnational allegiances, while prompting reflection on the contemporary relevance of cinéma engagé. Bollaín’s contribution to Spanish cinema has been acknowledged both by filmgoers and the industry. Te doy mis ojos (Take My Eyes, 2003) is one of a handful of Spanish films seen by over one million spectators, and was the first film made by a woman ever to receive a Best Film Goya Award (Spanish Goyaequivalent) from the Academia de las Artes y las Ciencias Cinematográficas de España (Spanish Film Academy).1 Recognition has also come through her election to the Executive Committee of the College of Directors and Scriptwriters of the SGAE (Sociedad General de Autores y Editores) in July 2007, and to the VicePresidency of the Spanish Film Academy in June 2009.2 The varied range of Bollaín’s contribution to Spanish cinema, and the extent to which she is directly involved in key roles associated with filmmaking, inevitably lead to speculation on the extent to which she may be regarded as an auteur. -
La Vida Secreta De Las Palabras, Galardonada Con El XI Premio Cinematográfico José María Forqué
EGEDA BOLETIN 42-43 8/6/06 11:44 Página 1 No 42-43. 2006 Entidad autorizada por el Ministerio de Cultura para la representación, protección y defensa de los intereses de los productores audiovisuales, y de sus derechos de propiedad intelectual. (Orden de 29-10-1990 - B.O.E., 2 de Noviembre de 1990) La vida secreta de las palabras, galardonada con el XI Premio Cinematográfico José María Forqué Una historia de soledad e incomunicación, La vida secreta de las palabras, producida por El Deseo y Mediapro y dirigida por Isabel Coixet, ha sido galardonada con el Premio José María Forqué, que este año ha llegado a su undécima edición. En la gala, celebrada en el Teatro Real el 9 de mayo, La vida secreta de las palabras compartió homenaje con el documental El cielo gira, que se llevó el IV Premio Especial EGEDA, y con el productor Andrés Vicente Gómez, galardonado con la Medalla de Oro (Foto: Pipo Fernández) (Foto: de EGEDA por el conjunto de su carrera. La gala tuvo como maestros de ceremo- cida por Maestranza Films, ICAIC y Pyra- vertirán a los creadores españoles en los nias a Concha Velasco y Jorge Sanz, y con- mide Productions, y dirigida por Benito más protegidos de Europa. tó con la actuación musical del Grupo Sil- Zambrano; Obaba, producida por Oria ver Tones, que interpretó temas de rock Films, Pandora Film y Neue Impuls Film, y Por su parte, el presidente de EGEDA, En- and roll de los años 50 y 60. Esto supone dirigida por Montxo Armendáriz, y Prince- rique Cerezo, entregó la Medalla de Oro una novedad en el escenario del Teatro sas, producida por Reposado PC y Media- de la entidad al veterano productor An- Real, pues es la primera vez que acoge este pro, y dirigida por Fernando León de Ara- drés Vicente Gómez en reconocimiento “a género musical. -
Download Our Documentary 2017/2022
Entertain your brain 2021-2022 DOCUMENTARY CATALOGUE Nexo Digital Entertain your Brain A leading player in international sales and distribution of cinematic documentaries and 4k native con- tents to portray Art, narrate History and experience Music pop icons and Sport legends. Since 2017 we are also involved in production. Nexo+ is the newest art & culture OTT platform to entertain your brain. Our catalogue also includes Stories to tell of Disability and Inclusion, Expedition one-offs specials as well as mini factual series. Nexo Digital has also been producing cinematic documentaries with important partners like The Hermitage, The Prado, The Vatican Museums, The Uffizi Gallery - prestigious mu- seums, important exhibitions - stories narrated by Oscar winners such as Jeremy Irons and Helen Mirren. SERIES DELIVERY: SPRING 2022 PILOT AVAILABLE: JULY 2021 The Grand Egyptian Museum Collection A brand new original 13x 26’ series on the collections from the biggest Archaeological Museum in the World to be inaugurated in 2022 NEXO DIGITAL KICKS OFF PRESALES MOOD TEASER >> EGYPT NEW NEW NEW YESTERDAY AND TOMORROW INDEX >> 1 TUTANKHAMUN ONCE UPON A TIME ROOTS OF EGYPT THE THROBBING RED SEA THE EGYPTIAN THE LAST EXHIBITION IN EGYPT SERIES DESERT THE HERITAGE OF THE PHARAOHS SERIES ICONS TO NEW NEW NEW DISABILITY NEW NEW CELEBRATE AND >> INCLUSION >> FRIDA MARIA MONTESSORI FREUD 2.0 PELÉ FERRARI 312B ROBERTO BOLLE BECAUSE OF MY DON’T BE AFRAID IF VIVA LA VIDA THE VISIONARY THE LAST SHOW WHERE THE THE ART OF DANCE BODY I HUG YOU EDUCATOR REVOLUTION -
CURRICULUM VITAE Name: María Camí-Vela University
CURRICULUM VITAE Name: María Camí-Vela University Address: University of North Carolina-Wilmington 601 S. College Rd. Wilmington, NC 28403-5954 Tel: (910)962-3342 E-mail: [email protected] I. EDUCATION Ph.D. in Spanish Literature Spring 1995 Romance Languages and Literatures University of Florida Dissertation: La búsqueda de la identidad en la obra de Carme Riera (The Search for Identity in Carme Rieras’s Narrative) Summer 1993 Universidad Complutense Madrid, Spain Course title: “Mujeres Creadoras” (“Women Creators”) M.A. in Spanish Fall 1989 Romance Languages and Literatures University of Florida Master’s Thesis: El feminismo en la obra periodística de Emilia Pardo Bazán (Feminism in Emilia Pardo Bazán’s Journalistic Works) B.A. in Spanish Fall 1986, Romance Languages and Literatures University of Florida Other Studies Fall 1975-Fall 1976 Universidad de Murcia, Spain II. TEACHING EXPERIENCE Professor: 2007- Associate Professor: 2003- 2007 Department of Foreign Languages and Literatures, U. of North Carolina -Wilmington. Assistant Professor: 1997-2003 Department of Foreign Languages and Literatures, U. of North Carolina -Wilmington. III.PUBLICATIONS AND ACADEMIC PRESENTATIONS A. Publications Books Mujeres detrás de la cámara: Entrevistas con cineastas españolas 1990-2004. (Women Behind the Camera: Interviews with Spanish Women Filmmakers 1990-2004.) Madrid: Madrid/Ocho y Medio, 2005. Mujeres detrás de la cámara: Entrevistas con cineastas españolas de la década de los 90. (Women Behind the Camera: Interviews with Spanish Women Filmmakers of the 90’s.) Madrid: Festival de Cine Experimental de Madrid/Ocho y Medio, 2001. La búsqueda de la identidad en la obra literaria de Carme Riera. (The Search for Identity in the Narrative Works of Carme Riera.) Madrid: Pliegos, 2000. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
THE SECRET LIFE of WORDS the SECRET LIFE of WORDS Av Isabel Coixet, Spanien/Kanada 2005, 115 Min, Engelskt Tal, Svensk Text
Sarah Polley i THE SECRET LIFE OF WORDS THE SECRET LIFE OF WORDS Av Isabel Coixet, Spanien/Kanada 2005, 115 min, engelskt tal, svensk text. Premiär 17 augusti. Hanna (Sarah Polley) är ett mysterium för omgivningen. Hon är en av fabrikens flitigaste arbetare, tar varken ut semester eller sjukdagar, men är helt isolerad från sina arbetskamrater. Till slut får hon order av chefen att ta ut lite semester. Hon tar bussen till kusten där hon redan första kvällen av en händelse får jobb på en oljeplattform där det har varit en stor olycka. Hanna är sjuksköterska och ska ta hand om den svårt skadade Josef (Tim Robbins). Olyckan har gjort honom tillfälligt blind och han är i desperat behov av att ha någon att prata med. Hanna däremot är lika inbunden som vanligt. Men mellan Hanna och Josef uppstår en försiktig kärlek och långsamt börjar Hanna öppna upp sig och ge ord till det fruktansvärda trauma hon bär på. THE SECRET LIFE OF WORDS vann det spanska filmpriset GOYA för bästa film 2006. I birollerna medverkar bland annat Javier Cámara och Leonor Watling, som vi bland annat sett i TALA MED HENNE i Sverige.. Filmen är tillägnad danskan Inge Genefke, som under trettio års tid varit en av frontfigurerna i kampen mot tortyr. Inge Genefke är verksam inom organisationen International Rehabilitation Council for Torture Victims (IRCT, www.irct.org). Hon och IRCT:s generalsekreterare Brita Sydhoff introducerar filmen den 17 augusti kl. 20.30 på biografen Zita. För mer info om IRCT och intervju med Inge Genefke och Brita Sydhoff kontakta Sune Segal, [email protected]. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
Barcode Title Language Category Allafri001 Tweetalige Skool
Barcode Title Language Category ALLAfri001 Tweetalige Skool-Woordeboek Afrikaans Text ALLAfri002 Teach Yourself Afrikaans Afrikaans Text ALLAfri003 Teach Yourself Afrikaans Disc 1 Afrikaans Audio CD ALLAfri004 Teach Yourself Afrikaans Disc 2 Afrikaans Audio CD ALLAfri005 Colloquial Afrikaans Afrikaans Text ALLAfri006 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri007 Colloquial Afrikaans Disc 2 Afrikaans Audio CD ALLAfri008 Colloquial Afrikaans Afrikaans Text ALLAfri009 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri010 Colloquial Afrikaans Disc 2 Afrikaans Audio CD a0001 Le Destin (Destiny) Arabic VHS a0003 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0004 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0005 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0006 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0007 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 1 Arabic DVD a0009 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 2 Arabic DVD a0011 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 3 Arabic DVD a0013 The Yacoubian Building Arabic DVD a0014 Ali Zaoua, Prince of the Streets Arabic DVD a0018 Le Destin (Destiny) Arabic DVD ALLArab001 The Qur'an Arabic Text ALLArab002 Arabic-English Dictionary Arabic Text ALLArab003 Let's Read and Write Arabic, Vol. 1 Arabic Text ALLArab004 Alif Baa with DVDs Arabic Text ALLArab005 Alif Baa with DVDs Disc 1 Arabic DVD ALLArab006 Alif Baa with DVDs Disc 2 Arabic