DOCSLIB.ORG

Italy Lorenzo Codelli

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Italy Lorenzo Codelli ).4%2.!4)/.!,ĺ&),-ĺ'5)$%ĺĺITALY | 207 )TALYĺ,ORENZOĺ#ODELLI IDĺ.ANNIĺ-ORETTIlSĺANTI "ERLUSCONIĺ THEĺüLMĺINDUSTRYĺ"ERNARDOĺ"ERTOLUCCI ĺONEĺ SATIRE ĺ4HEĺ#AIMANĺ)LĺCAIMANO ĺ OFĺTHEĺGROUPlSĺLEADERS ĺWROTEĺAĺPASSIONATEĺ $RELEASEDĺJUSTĺBEFOREĺTHEĺELECTIONSĺINĺ OPENĺLETTERĺTOĺ,Aĺ2EPUBBLICAĺLAMENTINGĺHOWĺ -AYĺ ĺCONVINCEĺANYĺOFĺTHOSEĺ ĺVOTERSĺ )TALIANĺNATIONALĺHERITAGEĺITSELFĺISĺINĺDANGERĺ pĺAĺNARROWĺMARGINĺpĺWHOĺDETERMINEDĺTHEĺFALLĺ #ULTUREĺ-INISTERĺ&RANCESCOĺ2UTELLIĺREACTEDĺ OFĺ3ILVIOĺ"ERLUSCONIlSĺRIGHT WINGĺGOVERNMENTĺ BYĺPROMISINGĺINCREASEDĺüNANCIALĺRESOURCES ĺ ANDĺTHEĺVICTORYĺOFĺ2OMANOĺ0RODIlSĺCENTRE LEFTĺ TAXĺSHELTERSĺANDĺOTHERĺREMEDIESĺ4OOĺLATEĺANDĺ COALITIONĺ4HEĺ#AIMANlSĺSUCCESSĺWASĺSOĺüERCEĺ NOTĺENOUGH ĺRESPONDEDĺANGRYĺüLMMAKERS ĺTOĺ THATĺEVENĺ"ERLUSCONI OWNEDĺCINEMAĺCHAINSĺ REVIVEĺPRODUCTIONĺANDĺDISTRIBUTIONĺONĺASĺLARGEĺAĺ WANTEDĺTOĺSCREENĺIT ĺBUTĺ-ORETTIĺREPLIED ĺk.O ĺ SCALEĺASĺISĺNEEDEDĺ THANKSlĺ(ISĺüLMĺHUMOROUSLYĺDESCRIBESĺBOTHĺ THEĺIMPOSSIBILITYĺOFĺPORTRAYINGĺSUCHĺANĺALMIGHTYĺ )TALYlSĺANNUALĺOUTPUTĺOFĺAPPROXIMATELYĺEIGHTYĺ MANIPULATOR ĺANDĺHOWĺAĺWHOLEĺCOUNTRYĺHASĺ üLMSĺREMAINSĺSCANDALOUSLYĺDIVIDEDĺINTOĺTWOĺ DETERIORATEDĺUNDERĺHISĺLEADERSHIPĺ&EDERICOĺ ECHELONSĺATĺONEĺEND ĺAĺDOZENĺGUARANTEEDĺ &ELLINIĺWOULDĺHAVEĺBEENĺVERYĺPROUDĺOFĺ-ORETTI ĺ BLOCKBUSTERS ĺWIDELYĺRELEASEDĺFORĺ#HRISTMAS ĺ HAVINGĺLANDEDĺTHEĺüRSTĺBLOWĺINĺĺWITHĺ %ASTER ĺORĺTHEĺEARLYĺ.OVEMBERĺHOLIDAYSĺATĺTHEĺ 'INGERĺANDĺ&RED OTHER ĺALLĺTHEĺREMAININGĺüLMS ĺPARSIMONIOUSLYĺ SCREENEDĺFORĺELITEĺAUDIENCES ĺORĺTHROUGHĺ FESTIVALS ĺLATE NIGHTĺ46ĺANDĺ$6$ĺRELEASES )TĺISĺMAINLYĺTHEĺFESTIVALS ĺFROMĺTHEĺ!LPSĺTOĺ 3ICILY ĺTHATĺFEATUREĺMOSTĺOFĺTHEĺNON COMMERCIALĺ üLMSĺSCREENEDĺINĺ)TALIANĺCINEMASĺ4HEĺBATTLEĺ BETWEENĺ-OSTRAĺDELĺ#INEMAĺOFĺ6ENICEĺANDĺ ITSĺAGRESSIVEĺNEWĺRIVAL ĺTHEĺČEDGLINGĺpĺTHOUGHĺ CERTAINLYĺVERYĺHEALTHYĺpĺ&ESTAĺDELĺ#INEMAĺOFĺ 2OMEĺITSĺŇĺMILLIONĺBUDGETĺISĺMAYORĺ7ALTERĺ 6ELTRONIlSĺPROUDĺACCOMPLISHMENT ĺCONCERNSĺ Angelo Orlando in Nanni Moretti’s The Caiman GRANDĺINTERNATIONALĺCUISINEĺASĺOPPOSEDĺTOĺSMALLĺ HOME COOKEDĺDELICACIESĺ.ANNIĺ-ORETTI ĺFRESHLYĺ !UTHORSĺINĺREVOLT APPOINTEDĺHEADĺOFĺTHEĺ4URINĺ&ILMĺ&ESTIVAL ĺ THEĺNATIONlSĺTHIRDĺMAJORĺEVENT ĺMIGHTĺMAKEĺAĺ 3EVERALĺüLMĺDIRECTORSĺpĺBOTHĺYOUNGĺANDĺOLDĺpĺ DIFFERENCEĺBECAUSEĺOFĺHISĺLONGSTANDINGĺPLEAĺFORĺ FEATUREĺINĺ4HEĺ#AIMAN ĺSIDEĺBYĺSIDEĺWITHĺITSĺ CHALLENGINGĺ)TALIANĺTALENTS DIRECTOR ĺASĺAĺSIGNĺOFĺSOLIDARITYĺ/NEĺHUNDREDĺ OFĺTHEMĺFOUNDED ĺATĺAĺ4RASTEVEREĺBOOKSTOREĺ 2EGIONALĺüLMĺCOMMISSIONSĺAREĺINVESTINGĺMOREĺ INĺ2OME ĺAĺMOVEMENTĺBAPTISEDĺk#ENTO!UTORIlĺ MONEYĺINĺLOCALĺCOMPANIESĺANDĺüLMMAKERS ĺ kĺ!UTHORSl ĺ4HROUGHĺFREQUENTĺPUBLICĺ BUILDINGĺSTATE OF THE ARTĺFACILITIES ĺLABSĺANDĺ MEETINGSĺANDĺPROPAGANDAĺSHORTS ĺTHEYĺAREĺ SPECIALISEDĺSCHOOLSĺ#INECITT÷ĺSTUDIOSĺINĺ2OMEĺ URGINGĺTHEĺ0RODIĺGOVERNMENTĺTOĺREFORMĺüLMĺ AREĺALSOĺTRYINGĺTOĺKEEPĺUPĺWITHĺSTRONGERĺ ANDĺTELEVISIONĺLAW ĺANDĺTOĺEXTENSIVELYĺSUPPORTĺ %UROPEANĺCOMPETITIONĺ!MERICANĺDIRECTORSĺ 208 | ITALY ).4%2.!4)/.!,ĺ&),-ĺ'5)$% SUCHĺASĺ!BELĺ&ERRARAĺ'Oĺ'Oĺ4ALES ĺANDĺ 3PIKEĺ,EEĺ-IRACLEĺOFĺ3Tĺ!NNA ĺANNOUNCEDĺ FORĺ ĺAREĺWISELYĺCAPITALISINGĺONĺTHESEĺ NOVELĺOPPORTUNITIESĺSPRINGINGĺUPĺAROUNDĺTHEĺ PENINSULA *UNKĺVSĺDIAMONDS 4YCOONĺ!URELIOĺ$Eĺ,AURENTIISĺREPLICATEDĺHISĺ OWNĺFARCICALĺ&ILMAUROĺPOTPOURRIS ĺPRODUCINGĺ BOTHĺ#ARLOĺ6ERDONElSĺFORMULAICĺFARCE ĺ-Yĺ Fausto Brizzi’s Night Before Finals "ESTĺ%NEMYĺ)LĺMIOĺMIGLIORĺNEMICO ĺANDĺ 'IOVANNIĺ6ERONESIlSĺDULLĺPORTMANTEAU ĺ,OVEĺ üGURESĺISĺMAINLYĺDUEĺTOĺTHISĺADOLESCENTĺVOGUEĺ -ANUALĺĺ-ANUALEĺDlAMOREĺ ĺ2ICCARDOĺ AĺTRENDĺNATURALLYĺSNUBBEDĺBYĺADULTSĺANDĺMOREĺ 4OZZIlSĺSOMEWHATĺMOREĺSOPHISTICATEDĺ#ATTLEYAĺ DISCRIMINATINGĺAUDIENCESĺ COMPANYĺINAUGURATEDĺANOTHERĺPOPULARĺ SUB GENREĺ2ICCARDOĺ3CAMARCIOĺROMANCES ĺ #ARLOĺ6ANZINAlSĺĺ!Nĺ%XCEPTIONALĺ9EARĺ ADAPTEDĺFROMĺ&EDERICOĺ-OCCIAlSĺMEGA SELLINGĺ ĺ5NĺANNOĺECCEZIONALE ĺAĺDROLLĺPROPHECYĺ PULPĺNOVELSĺ"UTĺNOTĺEVERYĺSINGLEĺONEĺOFĺ OFĺAĺNEWĺ-IDDLEĺ!GES ĺPROMOTESĺ$IEGOĺ 3CAMARCIOlSĺVEHICLESĺMEANSĺSHEERĺTEEN TRASH ĺ !BATANTUONOlSĺCLOWNISHĺVERVE ĺWHILEĺEX ASĺSHOWNĺBYĺ-Yĺ"ROTHERĺISĺANĺ/NLYĺ#HILDĺ BUFFOONĺ,ANDOĺ"UZZANCAĺSHINESĺINĺAĺDRAMATICĺ -IOĺFRATELLOĺġĺüGLIOĺUNICO ĺWHICHĺWASĺWELLĺ ROLEĺINĺ2OBERTOĺ&AENZAlSĺPAGEANTĺ4HEĺ6ICEROYSĺ RECEIVEDĺATĺ#ANNESĺ'UIDEDĺBYĺEXPERTĺDIRECTORĺ )ĺVICERÀ $ANIELEĺ,UCHETTIĺANDĺFOLLOWINGĺAĺMUSCULARĺ ĺĺĺĺĺĺĺ SCRIPTĺBYĺ"ESTĺOFĺ9OUTHlSĺSCREENWRITERS ĺ 4HEĺAUTEURSĺINĺPARTICULARĺAREĺHAVINGĺAĺROUGHĺ 3ANDROĺ0ETRAGLIAĺANDĺ3TEFANOĺ2ULLI ĺ3CAMARCIOĺ TIME ĺFORCEDĺTOĺPICKĺEASIERĺSTORIESĺANDĺCHEAPERĺ CONVINCINGLYĺPORTRAYSĺAĺCOMMUNISTĺSTUDENTĺ SETSĺ!ĺFEWĺEXCEPTIONSĺSTILLĺSURVIVE ĺMOSTLYĺ DUELLINGĺWITHĺHISĺFASCISTĺBROTHERĺPLAYEDĺBYĺ SUPPORTEDĺBYĺTHEĺSTATE BACKEDĺ2AIĺ#INEMAlSĺ %LIOĺ'ERMANO ĺDURINGĺTHEĺSĺ 'IANNIĺ!MELIOĺTRAVELLEDĺTOĺTHEĺ#HINESEĺ PROVINCESĺINĺORDERĺTOĺSHOOTĺHISĺAMBITIOUSĺ 4HEĺ-ISSINGĺ3TARĺ,AĺSTELLAĺCHEĺNONĺClġ ĺ !CCLAIMEDĺATĺ6ENICEĺINĺ ĺTHISĺODYSSEYĺ OFĺAĺSTUBBORNLYĺEARNESTĺ)TALIANĺTECHNICIANĺpĺ 3ERGIOĺ#ASTELLITTO ĺONĺTOPĺFORMĺpĺLOOKINGĺFORĺAĺ BLASTĺFURNACEĺSOLDĺOFFĺTOĺ#HINAĺWITHOUTĺSOMEĺ CRUCIALĺGEARING ĺDISSECTSĺTHEĺPSYCHOLOGICALĺ Ricardo Scamarcio’s My Brother is an Only Child .ICOLASĺ6APORIDIS ĺANOTHERĺROMANTICĺICON ĺ STARREDĺINĺTWOĺHIGH SCHOOLĺROMPS ĺ.IGHTĺ "EFOREĺ&INALSĺ,AĺNOTTEĺPRIMAĺDEGLIĺESAMI ĺANDĺ .IGHTĺ"EFOREĺ&INALSĺpĺ4ODAYĺ,AĺNOTTEĺPRIMAĺ DEGLIĺESAMIĺpĺ/GGI ĺBOTHĺCONCOCTEDĺBYĺWRITER DIRECTORĺ&AUSTOĺ"RIZZIĺANDĺPRODUCEDĺBYĺ&ULVIOĺ ,UCISANOĺ4HEĺCELEBRATEDĺINCREASEĺINĺBOXĺOFüCEĺ Tai Ling in Gianni Amelio’s The Missing Star ).4%2.!4)/.!,ĺ&),-ĺ'5)$% | 209 210 | ITALY ).4%2.!4)/.!,ĺ&),-ĺ'5)$% INĺ"OLOGNAĺ(ISĺküNALlĺPARABLEĺISĺSCATHINGLYĺ ANTI EVANGELICALĺAĺBARBARIANĺSCHOLARĺLITERALLYĺ CRUCIüESĺANCIENTĺBIBLESĺINSIDEĺAĺMONASTERY ĺ THENĺESCAPESĺCIVILISATIONĺANDĺLIVESĺLIKEĺAĺHERMITĺ !ĺHYMNĺTOĺINNER ĺNATURALĺRELIGIOUSĺINSTINCTS ĺASĺ OPPOSEDĺTOĺFORMAL ĺREPRESSIVE ĺ6ATICANĺRULES ĺITĺ SHEDSĺNEWĺLIGHTĺONĺ/LMIlSĺFRUITFULĺCAREER (ORRORSĺpĺFAKEĺĺREALĺONES $ARIOĺ!RGENTO ĺTHEĺPOPEĺOFĺTERROR ĺCOMPLETEDĺ Marco Bellocchio’s The Wedding Director HISĺk4HREEĺ-OTHERSlĺTRIPTYCH ĺWHICHĺBEGANĺ ANDĺPHILOSOPHICALĺGAPĺBETWEENĺTHEĺDECAYINGĺ WITHĺHISĺCLASSICĺ3USPIRIAĺANDĺ)NFERNO ĺANDĺ 7ESTĺANDĺBOOMINGĺ!SIAĺ7ITHĺ4HEĺ7EDDINGĺ ENDSĺWITHĺTHEĺDELIRIOUSLYĺBAROQUEĺ-OTHERĺOFĺ $IRECTORĺ)LĺREGISTAĺDIĺMATRIMONI ĺ ĺ-ARCOĺ 4EARSĺ,AĺTERZAĺMADRE ĺSTARRINGĺHISĺDAUGHTER ĺ "ELLOCCHIOĺCREATESĺHISĺOWNĺ× ĺAĺBRILLIANTĺANDĺ !SIA ĺASĺAĺDAMSELĺLOSTĺINĺHELLĺ0UPIĺ!VATIĺ AMBIGUOUSĺSELF PORTRAITĺ!ĺDOUBTFULĺüLMMAKERĺ DIRECTEDĺAĺPERSONALĺBLOOD FEAST ĺ4HEĺ(IDEOUTĺ pĺAGAINĺPLAYEDĺBYĺACTOR CHAMELEONĺ3ERGIOĺ )LĺNASCONDIGLIO ĺSTARRINGĺ,AURAĺ-ORANTEĺASĺAĺ #ASTELLITTO ĺMADEĺUPĺEXACTLYĺASĺHEĺWASĺINĺ WOULD BEĺRESTAURANTĺMANAGERĺTORMENTEDĺBYĺ "ELLOCCHIOlSĺMASTERFULĺ-Yĺ-OTHERlSĺ3MILEĺ NUN WITCHESĺ!LSOĺFROMĺ!VATIlSĺUNSTOPPABLEĺ ĺpĺPURSUESĺLOVE ĺGLORYĺANDĺHISĺSUPER üLMĺFACTORYĺpĺHEĺISĺABLEĺTOĺWRITE ĺüNANCEĺ EGOĺALONGĺAĺSURREALĺ3ICILIANĺRIVIERAĺINVADEDĺBYĺ ANDĺDIRECTĺAĺCOUPLEĺOFĺHIGHLYĺORIGINALĺMOVIESĺ BIZARREĺMOVIEĺGHOSTSĺ4RUTHSĺANDĺLIESĺABOUTĺ PERĺYEARĺpĺISĺ4HEĺ'ET 4OGETHERĺ$INNERĺ CONTEMPORARYĺCINE MARTYRDOM ĺDISTILLEDĺBYĺ ,AĺCENAĺPERĺFARLIĺCONOSCERE ĺAĺCOMEDYĺ Aĺ,UBITSCH LIKEĺ"ELLOCCHIOĺ3IMILARĺMATERIAL ĺ LAMPOONINGĺDEGENERATEĺ46ĺNETWORKSĺ$ESPITEĺ BUTĺINĺANĺIMPROMPTU ĺCINÀMAĺVÀRITÀĺVEIN ĺWASĺ SCHEMATISINGĺTHEĺ!RMENIANĺGENOCIDEĺINĺ OFFEREDĺBYĺ-IMMOĺ#ALOPRESTIlSĺ4HEĺ"LOW 4URKEY ĺ4HEĺ,ARKĺ&ARMĺ,AĺMASSERIAĺDELLEĺ /UTĺ,lABBUFFATA ĺWHEREĺAĺPAIRĺOFĺWANNABEĺ ALLODOLE ĺREAFüRMEDĺ0AOLOĺANDĺ6ITTORIOĺ4AVIANIlSĺ üLMMAKERSĺATTEMPTĺTHEIRĺüRSTĺMOVIE PICTORIALĺČAMBOYANCEĺ3AVERIOĺ#OSTANZOlSĺ)Nĺ -EMORYĺOFĺ-YSELFĺ)NĺMEMORIAĺDIĺME ĺTHEĺ FOLLOW UPĺTOĺHISĺAWARD WINNINGĺ0RIVATE ĺRELATESĺ AĺSEMINARISTlSĺTHEOLOGICALĺANXIETIESĺTHROUGHĺ AĺMONOTONOUSĺKAMMERSPIELĺANNIHILATEDĺBYĺ ITSĺOVERBLOWNĺSELF IMPORTANCEĺ&ORĺ3ATURNĺINĺ /PPOSITIONĺ3ATURNOĺ#ONTRO ĺ&ERZANĺ­ZPETEKĺ REUNITEDĺAĺLARGEĺCASTĺOFĺACTORSĺTOĺATTEMPTĺAĺ GROTESQUEĺFRESCOĺONĺFRIENDSHIPĺANDĺMORTALITYĺ Raz Degan in Ermanno Olmi’s One Hundred Nails %RMANNOĺ/LMIĺANNOUNCEDĺTHATĺ/NEĺ(UNDREDĺ .AILSĺ#ENTOCHIODI ĺWOULDĺBEĺHISĺLASTĺüLMĺ 3HOULDĺWEĺBELIEVEĺHIMĺ(EĺISĺUNIQUEĺFORĺHISĺ PROFOUNDĺVISIONĺASĺWELLĺASĺFORĺHISĺONEĺHUNDREDĺ ANDĺMOREĺDISCIPLES ĺWHOĺLEARNEDĺTHEIRĺCRAFTĺATĺ /LMIlSĺSCHOOLĺk)POTESIĺ#INEMAl ĺONCEĺBASEDĺ ATĺ"ASSANOĺDELĺ'RAPPA ĺBUTĺNOWĺLOCATEDĺ André Dussollier in Paolo and Vittorio Taviani’s The Lark Farm ).4%2.!4)/.!,ĺ&),-ĺ'5)$%ĺĺITALY | 211 /NLYĺEX 46ĺSTARLETĺ!MBRAĺ!NGIOLINIlSĺWITTYĺ CHARMĺRESCUESĺTHISĺLIFELESSĺSOAPĺOPERAĺFROMĺ TOTALĺBATHOSĺ 'IANNIĺ:ANASIlSĺHILARIOUSĺ$ONlTĺ4HINKĺ!BOUTĺ )Tĺ.ONĺPENSARCI ĺREAWAKENEDĺTHEĺLOSTĺ TRADITIONSĺOFĺ#OMEDYĺpĺ)TALIANĺ3TYLEĺ!ĺFAMILYĺ OFĺSYMPATHETICĺFOOLSĺAREĺHELDĺTOGETHERĺBYĺTHEĺ BLACK SHEEPĺSON ĺANĺAWFULĺROCKĺSINGER ĺPLAYEDĺ BYĺ6ALERIOĺ-ASTANDREAĺ YEAR OLDĺDIRECTORĺ -ARIOĺ-ONICELLI ĺAĺSUPREMEĺEXPONENTĺOFĺ THISĺPREVIOUSLYĺDORMANTĺGENRE ĺDIRECTEDĺ4HEĺ Giacomo Rizzo in Paolo Sorrentino’s The Family Friend $ESERTĺ2OSESĺ,EĺROSEĺDELĺDESERTO ĺAĺ7ORLDĺ 7ARĺ))ĺSAGAĺFEATURINGĺAĺBUNCHĺOFĺ)TALIANĺSOLDIERSĺ FORĺ6INCENZOĺ-ARRA ĺWHOĺHASĺFREQUENTLYĺBEENĺ STRANDEDĺONĺ,IBYAlSĺDUNESĺ-ONICELLIĺMIRRORSĺ COMPAREDĺTOĺ2OBERTOĺ2OSSELLINI ĺBASEDĺTHEĺ THEĺDIFFERENTĺAGESĺTHROUGHĺHISĺCHARACTERS ĺ EVENTSĺINĺ2USHĺ(OURĺ,lORAĺDIĺPUNTA ĺONĺREALĺ LAMENTINGĺTHEĺMISSEDĺOPPORTUNITIESĺOFĺHISĺ EVENTSĺ!NĺATTEMPTĺTOĺEXPOSEĺCORRUPTIONĺWITHINĺ LONGĺLIFEĺ&RANCESCAĺ!RCHIBUGIĺTOOKĺAĺCOUPLEĺ üNANCIALĺPRACTICESĺANDĺTHEĺHAUTEĺBOURGEOISIE ĺ OFĺBRAINLESSĺ)TALIANĺBRATSĺTOĺ)NDIAĺFORĺ&LYINGĺ PAPER THINĺCHARACTERS ĺLOUSYĺACTINGĺANDĺAĺ ,ESSONSĺ,EZIONIĺDIĺVOLO ĺ(ERĺUNPREDICTABLEĺ CONVOLUTEDĺPLOTĺCONTRIBUTEDĺTOĺ-ARRAlSĺüRSTĺ ANDĺUNPRETENTIOUSĺTRAVELOGUEĺOFFERSĺSOMEĺ AESTHETICĺMISüREĺ)NĺSTARKĺCONTRAST ĺHISĺFEATUREĺ FUNNYĺMORALSĺALONGĺTHEĺWAYĺ DOCUMENTARY ĺ4HEĺ3ESSIONĺISĺ/PENĺ,lUDIENZAĺ ġĺAPERTA ĺ ĺWASĺAĺREMARKABLYĺDETAILEDĺ ACCOUNTĺOFĺ)TALYlSĺCHAOTICĺJUDICIARYĺSYSTEM
Load more

Recommended publications
  • 4 FESTIVAL ITALIANO CINEMA SOCIALE Cartella Stampa.Pmd
    IV FESTIVAL ITALIANO DEL CINEMA SOCIALE Arezzo e provincia 4/9 dicembre 2011 Cartella stampa 28 novembre 2011 0. sommario 1. comunicato generale Ricchissimo il programma della quarta edizione AD AREZZO IL CINEMA PARLA ALLE COSCIENZE Dal 4 al 9 dicembre torna il Festival Italiano del Cinema Sociale promosso dal CESVOT-Centro Servizi Volontariato Toscana conil Patrocinio delle Presidenze di Camera e Senato 2. i film in concorso in ordine di proiezione /crediti, trama, trailer /tutti i registi saranno presenti alle proiezioni CORPO CELESTE regia di Alice Rohrwacher GANGOR regia di Italo Spinelli IL CACCIATORE DI ANATRE regia di Egidio Veronesi IL GIOIELLINO regia di Andrea Molaioli IL PRIMO GIORNO D’INVERNO regia di Mirko Locatelli 3. premi speciali /1 Premio della Presidenza della Camera alla Carriera al Maestro CARLO LIZZANI 4. premi speciali /2 Premio della Presidenza del Senato al Maestro VITTORIO DE SETA 5. i Giurati /1 Alessio Boni, attore 6. i Giurati /2 Filippo Scarafia, attore Fausto Mesolella, musicista compositore 7. i Giurati /3 Antonietta Nembri, giornalista - presidente Loredana Betti, antropologa e psicoanalista, Centro Franco Basaglia Arezzo Annamaria Granatello, direttore artistico Premio Franco Solinas Vincenzo Marega, artista e produttore 8. il programma /proiezioni e ospiti /eventi speciali Le PROIEZIONI dei FILM in CONCORSO e gli OSPITI IN SALA EVENTI SPECIALI / Arezzo SERATA FINALE / Arezzo, 9 dicembre - Multisala Eden ore 21 9. RINCORRENDO LA REALTÀ Rassegna di film e documentari Arezzo, 4/9-12 - Borsa Merci e Auditorium Ducci 10. RAI CINEMA presenta il progetto IL VIAGGIO CONTINUA 11. patrocini e sponsor /C’È UN MONDO INTORNO. Registi e attori in erba nel campo del sociale la prima edizione del concorso nazionale per cortometraggi riservato alle scuole superiori www.festivalcinemasociale.it 12.
    [Show full text]
  • It 2.007 Vc Italian Films On
    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
    [Show full text]
  • Italian Cinema WL 3390/CTV 3390 No Prerequisites. in English
    Italian Cinema WL 3390/CTV 3390 No prerequisites. In English. SYLLABUS Brandy Alvarez [email protected] 416 Clements Hall Tel. 214 768 1892 Required texts: Peter Bondanella, Italian Cinema from Noerealism to the Present ; Continuum, New York, 1997 (Third Edition 2001) and course packet Grading: 25 % class discussion 25 % daily response papers 25 % oral presentation 25 % final paper Methods of evaluation : Students will write short responses to each film (generally one page to a page and a half) and answer analytical questions that are distributed with each film, present to the class a summary of a critical film essay, and write a five-page final paper on one of the film's we viewed in class. Absences: Given the nature of the J-term course, any absence will affect the final grade (one grade for each absence). Student Learning Outcomes: (from Creativity and Aesthetics: Level One : 1). Students will be able to identify methods, techniques, or languages of a particular art form and explain how those inform its creation, performance, or analysis, and 2. Students will be able to demonstrate an understanding of concepts fundamental to the creative impulse through analysis. Overview and additional learning expectations : This course offers a brief chronological survey of renowned Italian films and directors as well as exemplars of popular cinema that enjoyed box office success abroad. We will explore the themes and cinematic style of Neorealism and the 'generational' waves of those directors who followed in its wake, including Fellini. Students will watch the films in original language with English subtitles. • Students learn the fundamentals of film analysis, including the basic structural and narrative components of a film, and the terminology necessary to describe both.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • Separate and Consolidated Interim Financial Statements As at 30 June 2020
    Separate and Consolidated Interim Financial Statements as at 30 June 2020 Separate and Consolidated Interim Financial Statements as at 30 June 2020 Contents 7 Introduction 17 Report on Operations 171 Interim Separate Financial Statements as at 30 June 2020 239 Interim Consolidated Financial Statements as at 30 June 2020 303 Corporate Directory 4 Contents Introduction 7 Corporate Officers 8 Organisational Structure 9 Introduction from the Chairman of the Board of Directors 11 Financial Highlights 12 Report on Operations 17 Mission 18 Market scenario 18 The Rai Group 24 Television 41 Radio 97 RaiPlay and Digital 107 Public broadcasting service function 116 TV production 119 Technological activities 120 Transmission and distribution activities 129 Sales activities 130 Other activities 135 Changes in the regulatory framework 143 Corporate governance 148 Corporate Governance Report - the Rai Control Governance Model and the Internal Control and Risk Management System (SCIGR) 150 Other information 155 Human Resources and Organisation 155 Safety & Security 159 Intercompany Relations 161 Significant events occurring after 30 June 2020 168 Outlook of operations 168 5 Interim Separate Financial Statements as at 30 June 2020 171 Analysis of the results and performance of operating results, financial position and cash flows for the first half of 2020 172 Financial Statements of Rai SpA 186 Notes to the Interim Separate Financial Statements as at 30 June 2020 191 Certification pursuant to article 154-bis of Italian Legislative Decree 58/98 235 Independent
    [Show full text]
  • Entretien Avec Sergio Castellitto/Non Ti Muovere
    Document generated on 10/01/2021 1:44 a.m. Ciné-Bulles Le cinéma d'auteur avant tout Entretien avec Sergio Castellitto Non ti muovere Michel Coulombe Volume 22, Number 4, Fall 2004 URI: https://id.erudit.org/iderudit/26493ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this document Coulombe, M. (2004). Entretien avec Sergio Castellitto / Non ti muovere. Ciné-Bulles, 22(4), 28–33. Tous droits réservés © Association des cinémas parallèles du Québec, 2004 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Non ti muo*s&r& « Le film raconte l'histoire d'un homme qui apprend à demander des excuses. » Sergio Castellitto PAR MICHEL COULOMBE En Italie, Sergio Castellitto est un acteur de premier plan. Il a fait ses débuts au cinéma au côté de Marcello Mastroianni dans Le Général de l'armée morte de Luciano Tovoli il y a un peu plus de 20 ans. Par la suite, il a partagé l'écran avec, notamment, Marie Trintignant (Le Cri de la soie de Yvon Marciano), Nino Manfredi (Alberto Express d'Arthur Joffé), Isabelle Adjani (Toxic Affair de Philomène Esposito) et Michel Serrault (Ne quittez pas! d'Arthur Joffé).
    [Show full text]
  • Il Cinema E Bologna
    si svolge a Bologna e coinvolge numerosi luoghi del centro storico, tra 9. Centochiodi i quali piazza Maggiore. Il festival contribuisce a rendere sempre vivo e vitale il legame tra cinema e città. di Ermanno Olmi (2007) www.cinetecadibologna.it Stazione Centrale Via Zamboni, 35 viale P. Pietramellara via I. Barozzi via G. Matteotti via A. Muggia via Bovi Campeggi Autostazione via Boldrini 11. LaPiazza banda XX Casaroli via Boldrini Settembre viale A. Masini via F. Zanardi via L. Cipriani via Cairoli via Amendola di Florestano Vancini (1962) via Stalingrado via Milazzo Piazza Medaglie d’Oro Piazza Maggiore Il Cinema Ritrovato. viale P. Pietramellara via Milazzo Parco della via C. Casarini Montagnola Porta viale C. Berti Pichat via AntonioE’ Gramsciin una Bologna nebbiosa che si svolge La bandaMascarella Casaroli, ispirato via F.lli Rosselli via Don Minzoni alle vicissitudini della banda di rapinatori che tenne in scacco la città Grafiche E. GASPARI - Cadriano di G. (BO) -stampa ottobre 2015 Piazza via C. Ranzani dei Martiri via Pier de’ Crescenzi agli inizi degli anni Cinquanta. Sullo sfondo di grandi eventi storici, Porta via del Porto 1943-1945 via dei Mille via Galliera Lame come la caduta del fascismo evia del Pallonela seconda guerra mondiale, il regista via Mascarella via Capo di Lucca via delle Lame fa emergere la povertà e la rabbia di unavia del Borgo di gioventùS. Pietro disorientata. Una via del Porto via dell’Indipendenza via Azzo Gardino via F.lli Rosselli Piazza delle scene finali si svolge nel piazzalevia Irnerio della stazione, dove passa un via Malvasia dell’8 Agosto Scena da Centochiodi di E.
    [Show full text]
  • All-Celluloid Homage to a Diva of the Italian Cinema
    ALL-CELLULOID HOMAGE TO A DIVA OF THE ITALIAN CINEMA Sept. 24, 2016 / Castro Theatre / San Francisco / CinemaItaliaSF.com ROMA CITTÀ APERTA (ROME OPEN CITY) Sat. September 24, 2016 1:00 PM 35mm Film Projection (100 mins. 1945. BW. Italy. In Italian, German, and Latin with English subtitles) Winner of the 1946 Festival de Cannes Grand Prize, Rome Open City was Roberto Rossel- lini’s revelation – a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it. Told with melodramatic flair and starring Aldo Fabrizi as a priest helping the partisan cause and Anna Magnani in her breakthrough role as Pina, the fiancée of a resistance member, Rome Open City is a shockingly authentic experi- ence, conceived and directed amid the ruin of World War II, with immediacy in every frame. Marking a watershed moment in Italian cinema, this galvanic work garnered awards around the globe and left the beginnings of a new film movement in its wake. Directed by Roberto Rossellini. Written by Sergio Amidei and Federico Fellini. Photo- graphed by Ubaldo Arata. Starring Anna Magnani and Aldo Fabrizi. Print Source: Istituto Luce-Cinecittá S.r.L. BELLISSIMA Sat. September 24, 2016 3:00 PM 35mm Film Projection (115 mins. 1951. BW. Italy. In Italian with English subtitles) Bellissima centers on a working-class mother in Rome, Maddalena (Anna Magnani), who drags her daughter (Tina Apicella) to Cinecittà to attend an audition for a new film by Alessandro Blasetti. Maddalena is a stage mother who loves movies and whose efforts to promote her daughter grow increasingly frenzied.
    [Show full text]
  • Giacomo Martini L'importanza Dei Territori Nella Storia Del Cinema Italiano. Dagli Stimoli Culturali E Antropologici Alle Film
    Giacomo Martini L’importanza dei territori nella storia del cinema italiano. Dagli stimoli culturali e antropologici alle film commission Che cosa è un territorio? E’ uno spazio fisico, geografico, materiale, visibile ma anche una dimensione sociale, culturale, morale e politica dove accadono dei fatti, dove si muovono delle persone, dove ‘pulsa’ la vita sociale e collettiva di una comunità. Prendo spunto da questa schematica definizione per avviare una rifles- sione che si basa esclusivamente sul mio lavoro più che trentennale come Responsabile delle Attività Cine-Audiovisiva relativamente al rapporto tra cinema e territorio da ottiche e criteri diversi: politici, sociali e culturali. Un’esperienza che va anche oltre la mia esperienza professionale e che forse può aiutarci a rileggere storicamente e antropologicamente parte della storia del cinema italiano, ma soprattutto guardare al futuro attraverso la nascita delle film commission regionali e non solo. Il cinema ha trovato nell’impatto con il territorio, la provincia ita- liana, una fonte inesauribile per le proprie storie di carattere diverso; una fonte ispiratrice dal punto di vista scenografico, letterario, creativo, sociale e politico. Il Cinema Italiano rinasce sulle rive del Po, nella bassa Padania, tra le risaie piemontesi e mantovane e i boschi di pioppi che segnano il confine tra il grande fiume e la pianura lombardo-emiliana. Quelle terre diventano l’ispirazione e non poteva essere diversamente, per Cesare Zavattini Antonioni, Fellini, Zurlini, Bertolucci, Bellocchio, Avati, Rossellini le cui storie s’identificano con quelle terre sia dal punto di vista drammatico/narrativo ( la sceneggiatura ) che dal punto di vista scenografico/storico e anche come documentazione/denuncia di carat- tere sociale.
    [Show full text]
  • Carlo Verdone to Open Festival “Focus” on Roberto Faenza
    CARLO VERDONE TO OPEN FESTIVAL “FOCUS” ON ROBERTO FAENZA Dates for the 2009 Est Film Festival officially released: Cinema returns to Montefiascone from July 25th to August 2nd EST FILM FESTIVAL (www.estfilmfestival.it) – produced by Arcopublic (www.arcopublic.it), in collaboration with the media partner magazine www.cinemadelsilenzio.it and promoted by the Lazio Region, Viterbo Province, the Viterbo Chamber of Commerce, Montefiascone City and RomaLazioFilmCommission – will celebrate its 3rd anniversary from July 25th to August 2nd 2009 at Montefiascone (Vt), with nine days of great cinema COMPLETELY FREE to the public. After the success of last year’s EST FILM FESTIVAL, (over 8000 people attending over one week), with prestigious guests like Nanni Moretti, Pupi Avati, Giuliano Montaldo, Giorgio Diritti, Francesco Patierno and Carmine Amoroso, winner of the 2008 Arco for "Cover Boy", this year’s festival aims to involve the whole of the Tuscia area in a cultural programme packed with cinematographic and other events. A BRIEF PREVIEW OF THE PROGRAMME Carlo Verdone will be the chief guest at the inauguration. He will meet the public and receive a Special lifetime achievement award during the inauguration ceremony at 6 pm on Saturday July 25th at Rocca dei Papi. Also present will be Giulia Rodano (Lazio Region Cultural Councillor), Alessandro Mazzoli (President of the Viterbo Province), the Mayor of Montefiascone, Luciano Ventanni (Director General of Banca Cattolica), Sergio Finesso (Director General of Italiana Assicurazioni), Paolo Cavalli (Director of Postal Services, Viterbo Province), Renato Trapè (President, Acropoli Association), Riccardo Rizzo and Vaniel Maestosi (Art Directors of Est Film Festival).
    [Show full text]
  • 2.5. El Cine De Ettore Scola Valeriano Durán Manso
    2.5. El cine de Ettore Scola Valeriano Durán Manso 2.5.1. Introducción Italia cuenta con una historia del cine muy particular. Es un país en el que siempre ha habido una gran sensibilidad a la hora de contar historias, algo que se ha dado de igual forma en la literatura o en la música. Esta característica permite hablar de una cinematografía con mayúsculas pues el cine italiano es, junto con el americano, el que ha tenido mayor proyección internacional y el que ha dado mayores éxitos en el ámbito europeo a nivel de directores, actores o productores. Como si de Hollywood se tratara, en los años veinte se construyó Cinecittá, una nueva ciudad dentro de Roma equipada para la realización de películas, es decir, para fabricar sueños y este elemento supone un revolución total en el ámbito de la realización en el viejo continente. En un principio, el cine italiano se enfocó mucho a las películas históricas, una etapa que se superó en la década de los treinta, a través de películas como Cabiria (1914), Los últimos días de Pompeya (1925) o Escipión el africano (1937). Con la llegada de la II Guerra Mundial, el cine cambió debido a la concienciación social que los cineastas tomaron tras la contienda y esto supuso una revolución internacional en el ámbito cinematográfico. De esta manera, el Neorrealismo se convirtió en el reflejo de la realidad italiana pues existía una necesidad de narrar lo que ocurría en las familias, en el mundo laboral y, en definitiva, había un gran interés por contar al mundo la situación de Italia tras la guerra.
    [Show full text]
  • Film Lives Heresm
    TITANUS Two Women BERTRAND BONELLO NEW YORK AFRICAN FILM FESTIVAL MARTÍN REJTMAN TITANUS OPEN ROADS: NEW ITALIAN CINEMA HUMAN RIGHTS WATCH FILM FESTIVAL NEW YORK ASIAN FILM FESTIVAL SPECIAL PROGRAMS NEW RELEASES EMBASSY / THE KOBAL COLLECTION / THE KOBAL EMBASSY MAY/JUN 2015SM FILM LIVES HERE Elinor Bunin Munroe Film Center 144 W 65th St | Walter Reade Theater 165 W 65th St | filmlinc.com | @filmlinc HERE STARTS PROGRAMMING SPOTLIGHT TABLE OF CONTENTS I PUT A SPELL ON YOU: THE FILMS OF BERTRAND BONELLO Festivals & Series 2 I Put a Spell on You: The Films of Bertrand Bonello (Through May 4) 2 PROVOKES PROVOKES Each new Bertrand Bonello film is an event in and of itself.Part of what makes Bonello’s work so thrilling is that, with some exceptions, world cinema has yet to catch up with his New York African Film Festival (May 6 – 12) 4 unique combination of artistic rigor and ability to distill emotion from the often extravagantly Sounds Like Music: The Films of Martín Rejtman (May 13 – 19) 7 stylish, almost baroque figures, places, and events that he portrays. He already occupies Titanus (May 22 – 31) 8 HERE FILM a singular place in French cinema, and we’re excited that our audiences now have the Open Roads: New Italian Cinema (June 4 – 11) 12 opportunity to discover a body of work that is unlike any other. –Dennis Lim, Director of Programming Human Rights Watch Film Festval (June 12 – 20) 16 New York Asian Film Festival (June 26 – July 8) 17 HERE FILM Special Programs 18 INSPIRES TITANUS Sound + Vision Live (May 28, June 25) 18 We have selected 23 cinematic gems from the Locarno Film Festival’s tribute to Titanus.
    [Show full text]