The Devils of Oki-Shima: a Group of Presumed Micronesian Castaways in Japan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
©Copyright 2012 Sachi Schmidt-Hori
1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power. -
Learning from SHOGUN
Learning from Shǀgun Japanese History and Western Fantasy Edited by Henry Smith Program in Asian Studies University of California, Santa Barbara Santa Barbara, California 93106 Contents Designed by Marc Treib Contributors vi Copyright © 1980 by Henry D. Smith II Maps viii for the authors Preface xi Distributed by the Japan Society, 333 East 47th Street, New York, Part I: The Fantasy N.Y. 10017 1 James Clavell and the Legend of the British Samurai 1 Henry Smith 2 Japan, Jawpen, and the Attractions of an Opposite 20 Illustrations of samurai armor are David Plath from Murai Masahiro, Tanki yǀryaku 3 Shǀgun as an Introduction to Cross-Cultural Learning 27 (A compendium for the mounted Elgin Heinz warrior), rev. ed., 1837, woodblock edition in the Metropolitan Museum Part II: The History of Art, New York 4 Blackthorne’s England 35 Sandra Piercy 5 Trade and Diplomacy in the Era of Shǀgun 43 Ronald Toby 6 The Struggle for the Shogunate 52 Henry Smith 7 Hosokawa Gracia: A Model for Mariko 62 Chieko Mulhern This publication has been supported by Part III: The Meeting of Cultures grants from: 8 Death and Karma in the World of Shǀgun 71 Consulate General of Japan, Los William LaFleur Angeles 9 Learning Japanese with Blackthorne 79 Japan-United States Susan Matisoff Friendship Commission 10 The Paradoxes of the Japanese Samurai 86 Northeast Asia Council, Henry Smith Association for Asian Studies 11 Consorts and Courtesans: The Women of Shǀgun 99 USC-UCLA Joint East Asia Henry Smith Studies Center 12 Raw Fish and a Hot Bath: Dilemmas of Daily Life 113 Southern California Conference on Henry Smith International Studies Who’s Who in Shǀgun 127 Glossary 135 For Further Reading 150 Postscript: The TV Transformation 161 vi Contributors vii Sandra Piercy is a graduate student in English history of the Tudor- Stuart period at the University of California, Santa Barbara. -
OFFICIAL GAZETTE GOVERNMENT PRINTINGBUREAU ENQLISH EDITION Ia*)--I―'4-S―/I:-I-I-Ak^Asefts^I
f OFFICIAL GAZETTE GOVERNMENT PRINTINGBUREAU ENQLISH EDITION ia*)--i―'4-s―/i:-i-i-aK^asefts^i No. 910 WEDNESDAY, APRIL 13, 1949 Price 28.00 yen of currencies and kinds of such financial instru- MINISTERIAL ORDINANCE ・ ments as indicated by foreign currencies and to be impounded by the Government in accordance Ministry of Communications Ordinance with the provisions of Article 4 of the said Cabinet No. 11 Order shall be determined as follows: April 13, 1949 Minister of Finance Regulations for Ministry of Communications IKEDA Hayato Mutual Aid Association(Cabinet Ordinance No. 30 Minister of Commerce & Industry of September, 1945),Special Regulations for Mini- INAGAKI Heitaro stry of Communications Mutual Aid Association 1. The name of owner and quantity of gold to be Camp-followers (Ministry of Communications Ordi- purchased by the Government in accordance with nance No. 97 of November, 1941) and Regulations the provisions of Article 1 of the Cabinet Order for Ministry of Communications Mutual Aid Asso- concerning gold, foreign currencies and foreign ciationsSeamen Insurance Members (Cabinet Ordi- financial instruments (Cabinet Order No. 52 of nance No. 33 of September, 1945) shallbe abolished. 1949; hereinafter to be called Order): Minister of Communications Name of owner: MINOMO Nagashiko OZAWA Saeki' Quantity: 50 gram Supplementary Provision: 2. The units of foreign currencies to be purchased The present MinisterialOrdinance shall come by the Government in accordance with the pro- into force as from the day of its promulgation and visions of Article 1 of the Order: shallbe applied as from July 1, 1948. ££■,£ Countries 1. Republica Argentina Pesos NOTIFICATIONS 2. -
Encyclopedia of Japanese History
An Encyclopedia of Japanese History compiled by Chris Spackman Copyright Notice Copyright © 2002-2004 Chris Spackman and contributors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License.” Table of Contents Frontmatter........................................................... ......................................5 Abe Family (Mikawa) – Azukizaka, Battle of (1564)..................................11 Baba Family – Buzen Province............................................... ..................37 Chang Tso-lin – Currency............................................... ..........................45 Daido Masashige – Dutch Learning..........................................................75 Echigo Province – Etō Shinpei................................................................ ..78 Feminism – Fuwa Mitsuharu................................................... ..................83 Gamō Hideyuki – Gyoki................................................. ...........................88 Habu Yoshiharu – Hyūga Province............................................... ............99 Ibaraki Castle – Izu Province..................................................................118 Japan Communist Party – Jurakutei Castle............................................135 -
Conventions of This Guide
The VINTAGE NINJA Movie & TV Guide VOL. 1: JAPAN, LIVE ACTION — 1920s-1980s © Keith J. Rainville, 2021 You want to see the movies Sho Kosugi grew up watching, the ones that inspired animation designers and video game artists of the 80s and 90s, the ones the James Bond people ripped off in the 60s, but where to start? Or, you’ve amassed a collection of these gems already but know there’s more out there. Here’s a user- friendly reference for both pursuits, with quick-and-easy recommendations for Japanese ninja titles from the silent era to the late 80s — their general flavor and tone, varying trends and tropes, and a lot of surprises. CONVENTIONS OF THIS GUIDE: • TITLES — for better or worse I’ve used the most commonly used translations out there. These are often the most accessible references to these films so, even if the title’s been butchered, there’s still a practical advantage when searching them out. • VN as an entity has to be cautious when it comes to supporting/endorsing certain not-so-authorized film collecting activities out there, so sorry, there’s no links here... • YES THERE’S MORE TO COME! This will be updated often and I have a huge stack of discs and files awaiting input. Plus future volumes on Anime, Japan 1990—present, Hong Kong/Chinese films, ninja-like hooded heroes, and more. • Yes, we welcome corrections and additions. Email me through the website. • See the Appendixes at the end for more info! Images © Shochiku Co., Ltd, 1965. Text © Keith J. -
The Shinagawa Batteries
●Shinagawa Historical Museum Explanatory Sheet The Shinagawa Batteries The Arrival of Commodore Perry and the Construction of the Shinagawa Battery Islands Commodore Matthew C. Perry of the U.S. Navy arrived on June 3, 1853, seeking to force the Edo shogunate government to change its long-standing policy of limiting oversea trade. As soon as Perry left, the shogunate government set about strengthening the defenses of Edo Bay. Based on a survey carried out by Honda Tadanori and Egawa Hidetatsu, it was decided to build a series of man-made battery islands off the coast ▲ Design plans for the Shinagawa batteries, 1853 ("Illustrated Scrolls of the Arrival of Commodore of Shinagawa. Perry", Yokohama Archives of History) The design for the batteries was based on Western Prefecture, today). documents, and called for 11 artificial islands to be built The rubble for the landfill construction was from Minami Shinagawa Ryoshimachi to Fukagawa obtained by excavating Gotenyama, the estate in Edo of (present-day Koto City, Tokyo). Construction of the the Imabari Domain (currently, the area around Imabari islands was launched in August, 1853. The batteries City, Ehime Prefecture), and the hills around Sengaku-ji required a massive amount of construction materials, Temple. On some days, over 2,000 ships were needed to and the wooden piles such as pines and cedars, were transport the enormous amounts of rubble. As many as harvested from forests managed directly by the 5,000 field workers were also required a day, The shogunate throughout the Kanto region, and rocks were construction cost an astonishing sum of 750,000 ryo . -
The Life of Nichiren Daishonin
The Life of Nichiren Daishonin ichiren Daishonin (1222–82) dedicated his life to propagating Nthe Mystic Law—Nam-myoho-renge-kyo—motivated by an unwavering commitment and compassion to eradicate suffering and enable all people to reveal their innate Buddhahood. Hardship and persecution dogged him throughout his life as he sought to address and put an end to the evils obstructing people’s happiness. Early Years Nichiren Daishonin1 was born on February 16, 1222, in the coastal hamlet of Kataumi in Tojo Village of Nagasa District in Awa Province (part of present-day Kamogawa City in Chiba Prefecture). He was the son of commoners, his family earning its livelihood from fishing. At the age of twelve, he began his schooling at a nearby temple called Seicho-ji. During this period, he made a vow to become the wisest person in Japan (see “The Tripitaka Master Shan-wu-wei,” The Writings of Nichiren Daishonin, vol. 1, p. 175). He sought to gain the wisdom of the Buddhist teachings for overcoming the funda- mental sufferings of life and death, and thereby lead his parents and all people to genuine happiness. At the age of sixteen, in pursuit of a deeper understanding of the Buddhist teachings, he formally entered the priesthood at Seicho-ji, receiving instruction from Dozen-bo, a senior priest there. It was Nichiren Daishonin 51 shortly thereafter, the Daishonin writes, that he attained “a jewel of wisdom as bright as the morning star” (“The Tripitaka Master Shan- wu-wei,” WND-1, 176), which can be interpreted to mean wisdom regarding the Mystic Law that is the essence of Buddhism. -
A SHIZUHIRO KATANA Signed, Early Edo Period (Kanbun Era: 1661-1673)
[email protected] uniquejapan.com ! Welcome! Thank you for your interest in Japanese swords and downloading this reference document. The following pages contain the description of an authentic and certified Japanese sword that was sold in Japanese Sword Catalogue 22. The catalogue was first released on September 9th, 2015 to only those who are part of our VIP Email list. To download the entire pdf catalogue (~87MB), please visit: http://tinyurl.com/uj-catalogue-22 Please contact [email protected] to become informed on our latest acquisitions and your name will be added to our VIP emailing list. We look forward to assisting you. We have service offices in Tokyo, Japan and near London, England. Pablo Kuntz Founder, Unique Japan [email protected] +44 7954 102 277 (mobile, on british time) Photos taken by Eric Bossick for Unique Japan. All rights reserved. [email protected] uniquejapan.com ! item# ujka145 A SHIZUHIRO KATANA signed, early edo period (kanbun era: 1661-1673) Swordsmith: Hizen no Kami SHIZUHIRO Location: Iga province (Mie prefecture) Measurements: Length: 67.3cm (ubu) Curvature: 1.3cm Moto-haba: 3.2cm Jihada: Itame tsumu (tight wood grain pattern) Hamon: Futome naka-suguha (wide straight line) Certificate #1: NTHK-NPO Yushusaku (a sword designated as Highly Excellent by the Society for the Preservation of the Japanese Sword) Certificate #2: NTHK-NPO Kanteisho (a koshirae designated as Important by the Society for the Preservation of the Japanese Sword) Provenance: This sword was owned by Mr. Yamamoto Toyoshirou, eighth rank Included: Customs koshirae, shirasaya, brocade carry bags, sword stand, maintenance kit, DVD, booklet, all exportation paperwork from Japan, Yushuto Book SOLD [email protected] uniquejapan.com ! Iga, present-day western Mie prefecture, is a little known province surrounded by mountains that was for centuries innaccesible by road. -
A BOWL for a COIN a Commodity History Of
A BOWL FOR A COIN A BOWL FOR A COIN A Commodity History of Japanese Tea William Wayne Farris University of Hawai‘i Press Honolulu © 2019 University of Hawai‘i Press Library of Congress Cataloging-in-Publication Data Names: Farris, William Wayne, author. Title: A bowl for a coin: a commodity history of Japanese tea / William Wayne Farris. Description: Honolulu: University of Hawai‘i Press, [2019] | Includes bibliographical references and index. Identifiers: LCCN 2018040370 | ISBN 9780824876609 (cloth alk. paper) Amazon Kindle 9780824878528 EPUB 9780824882624 PDF 9780824882617 Subjects: LCSH: Tea—Japan—History. | Tea trade—Japan—History. Classification: LCC HD9198.J32 F37 2019 | DDC 338.1/73720952–dc23 LC record available at https://lccn.loc.gov/2017025008 Cover art: Tea peddlers around 1400. Source: "A Bowl for a Coin (ippuku issen)," Shichijūichi ban shokunin utaawase emaki (artist unknown). TNM Image Archives. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. The open-access ISBNs for this book are 9780824882617 (PDF) and 9780824882624 (EPUB). More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. The open access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher. -
The Socio-Political Dimensions of Warlord Tea Praxis in Early Modern Japan, 1573-1860
Aesthetic Authorities: The Socio-Political Dimensions of Warlord Tea Praxis in Early Modern Japan, 1573-1860 By Melinda Sue Landeck Submitted to the graduate degree program in History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Dr. Eric C. Rath ________________________________ Dr. J. Megan Greene ________________________________ Dr. Eve Levin ________________________________ Dr. Michael Baskett ________________________________ Dr. William Lindsey Date: October 21, 2015 The Dissertation Committee for Melinda Sue Landeck certifies that this is the approved version of the following dissertation: Aesthetic Authorities: The Socio-Political Dimensions of Warlord Tea Praxis in Early Modern Japan, 1573-1860 ________________________________ Chairperson, Dr. Eric C. Rath Date approved: October 21, 2015 ii Abstract This dissertation examines the practice of chanoyu (a performative art form featuring the formalized preparation of tea) by the regional warlords who took up the art in great numbers in Japan from the late sixteenth century forward. Spanning the period from 1573 until 1860, the case studies of seven warlord tea masters, as well as many ancillary figures, demonstrate the manner in which warlord tea praxis first developed in Japan and provide insight into why the art was embraced so widely by the military elite. Tracing this development through four chronological stages, this dissertation challenges the -
The Estate System in Medieval Japan Janet R
University of Hawai'i Manoa Kahualike UH Press Book Previews University of Hawai`i Press Fall 7-31-2018 Land, Power, and the Sacred: The Estate System in Medieval Japan Janet R. Goodwin Joan R. Piggott Follow this and additional works at: https://kahualike.manoa.hawaii.edu/uhpbr Part of the Asian History Commons, and the Buddhist Studies Commons Recommended Citation Goodwin, Janet R. and Piggott, Joan R., "Land, Power, and the Sacred: The Estate System in Medieval Japan" (2018). UH Press Book Previews. 8. https://kahualike.manoa.hawaii.edu/uhpbr/8 This Book is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in UH Press Book Previews by an authorized administrator of Kahualike. For more information, please contact [email protected]. LAND, POWER, AND THE SACRED LAND, POWER, and the SACRED The Estate System in Medieval Japan EDITED BY Janet R. Goodwin AND Joan R. Piggott University of Hawai‘i Press Honolulu © 2018 University of Hawai‘i Press All rights reserved Printed in the United States of America 23 22 21 20 19 18 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Names: Goodwin, Janet R., editor. | Piggott, Joan R., editor. Title: Land, power, and the sacred : the estate system in medieval Japan / Janet R. Goodwin and Joan R. Piggott, [editors]. Description: Honolulu : University of Hawai‘i Press, [2018] | Includes bibliographical references and index. Identifiers: LCCN 2017052550 | ISBN 9780824875466 (cloth alk. paper) Subjects: LCSH: Manors—Japan—History—To 1500. -
Formation of Early Noh Drama and Legends of Yüzaki
ASIAN AND AFRICAN STUDIES, 77, 2008, 2, 261-289 FORMATION OF EARLY NOH DRAMA AND LEGENDS OF YÜZAKI Ivan R. V. RUMÁNEK Institute of Oriental Studies, Slovak Academy of Sciences, Klemensova 19, 813 64 Bratislava, Slovakia [email protected] This paper is based partly on official noh research done in Japan and overseas, and partly on my field research at Yüzaki in February 2008. I am outlining the development from the earliest known records of performing forms towards the medieval sarugaku, and through that onto the classical noh drama. The breaking point might have been at Yüzaki, a countryside community in central Nara Basin. It is reported to be the birthplace of Zeami and the cradle of the classical noh which Kannami made out of the sarugaku performances played at the local Itoi shrine. Two lines of development started then, the one leading to the formation of the exclusive art of noh in Kyoto, while the original annual sarugaku performances at Itoi shrine in Yüzaki might have continued unchanged well into the 19th century. Key words: noh, Kannami, Kan’ami, Zeami, sarugaku, sangaku, shushi sarugaku, okina, Itoi shrine, Kasuga shrine, Yamato sarugaku, Kanze, Menzuka, Töya, Ise-kö, Yüzaki The earliest period and Shin Sarugaku ki One of the oldest primary sources of noh are considered to be the Chinese performances called sanyue (sangaku in Japanese) which were introduced to Japan still before the 8th century together with the first Chinese cultural influences and probably consisted of music, dance, singing and acting. In the Heian period (794-1192) the humorous element of the performances started to get emphasized, leading to the change of the name “sangaku” into “sarugaku”, monkey plays, written and this development culminated in the formation of kyogen, comedy or farce indispensably connected with noh.