Obsidian Floater Washed up on a Beach in the Chatham Islands
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OBSIDIAN: an INTERDISCIPLINARY Bffiliography
OBSIDIAN: AN INTERDISCIPLINARY BffiLIOGRAPHY Craig E. Skinner Kim J. Tremaine International Association for Obsidian Studies Occasional Paper No. 1 1993 \ \ Obsidian: An Interdisciplinary Bibliography by Craig E. Skinner Kim J. Tremaine • 1993 by Craig Skinner and Kim Tremaine International Association for Obsidian Studies Department of Anthropology San Jose State University San Jose, CA 95192-0113 International Association for Obsidian Studies Occasional Paper No. 1 1993 Magmas cooled to freezing temperature and crystallized to a solid have to lose heat of crystallization. A glass, since it never crystallizes to form a solid, never changes phase and never has to lose heat of crystallization. Obsidian, supercooled below the crystallization point, remained a liquid. Glasses form when some physical property of a lava restricts ion mobility enough to prevent them from binding together into an ordered crystalline pattern. Aa the viscosity ofthe lava increases, fewer particles arrive at positions of order until no particle arrangement occurs before solidification. In a glaas, the ions must remain randomly arranged; therefore, a magma forming a glass must be extremely viscous yet fluid enough to reach the surface. 1he modem rational explanation for obsidian petrogenesis (Bakken, 1977:88) Some people called a time at the flat named Tok'. They were going to hunt deer. They set snares on the runway at Blood Gap. Adder bad real obsidian. The others made their arrows out of just anything. They did not know about obsidian. When deer were caught in snares, Adder shot and ran as fast as he could to the deer, pulled out the obsidian and hid it in his quiver. -
The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886
The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886 Sascha Nolden, Simon Nathan & Esme Mildenhall Geoscience Society of New Zealand miscellaneous publication 133H November 2013 Published by the Geoscience Society of New Zealand Inc, 2013 Information on the Society and its publications is given at www.gsnz.org.nz © Copyright Simon Nathan & Sascha Nolden, 2013 Geoscience Society of New Zealand miscellaneous publication 133H ISBN 978-1-877480-29-4 ISSN 2230-4495 (Online) ISSN 2230-4487 (Print) We gratefully acknowledge financial assistance from the Brian Mason Scientific and Technical Trust which has provided financial support for this project. This document is available as a PDF file that can be downloaded from the Geoscience Society website at: http://www.gsnz.org.nz/information/misc-series-i-49.html Bibliographic Reference Nolden, S.; Nathan, S.; Mildenhall, E. 2013: The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886. Geoscience Society of New Zealand miscellaneous publication 133H. 219 pages. The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886 CONTENTS Introduction 3 The Sumner Cave controversy Sources of the Haast-Hooker correspondence Transcription and presentation of the letters Acknowledgements References Calendar of Letters 8 Transcriptions of the Haast-Hooker letters 12 Appendix 1: Undated letter (fragment), ca 1867 208 Appendix 2: Obituary for Sir Julius von Haast 209 Appendix 3: Biographical register of names mentioned in the correspondence 213 Figures Figure 1: Photographs -
Changing Attitudes and Perceptions of Artists Towards the New Zealand
University ofCanterbury Dept. of Geography HA� LIBRARY CH&ISTCHUIICH, � University of Canterbury CHANGING ATTITUDES AND PERCEPTIONS OF ARTISTS TOW ARDS THE NEW ZEALAND MOUNTAIN LANDSCAPE by Katrina Jane Askew A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts m Geography Christchurch, New Zealand February 1995 "I go to the mountains, to get High" Anonymous Abstract The purpose of this study is to explore the changing attitudes and perceptions of artists and settlers towards the New Zealand mountain landscape from the period of colonisation to 1950. When European colonists first anived in New Zealand, they brought with them old world values that shaped their attitudes to nature and thus the mountains of this country. Tracing the development of mountain topophilia in landscape painting, highlighted that the perceptions settlers adopted on arrival differed greatly from those of their homeland. In effect, the love of European mountain scenery was not transposed onto their new environment. It was not until the 1880s that a more sympathetic outlook towards mountains developed. This led to the greater depiction of mountains and their eventual adoption into New Zealanders identification with the land. An analysis of paintings housed in the Art Galleries of the South Island provided evidence that this eventually led to the development of a collective consciousness as to the ideal mountain landscape. ll Acknowledgements The production of this thesis would not have been possible but for the assistance of a great number of people. The first person I must thank is Dr. Peter Perry who supervised this research. -
The Establishment of the Canterbury Society of Arts
New Zealand Journal of History, 44, 2 (2010) The Establishment of the Canterbury Society of Arts FORMING THE TASTE, JUDGEMENT AND IDENTITY OF A PROVINCE, 1850–1880 HISTORIES OF NEW ZEALAND ART have commonly portrayed art societies as conservative institutions, predominantly concerned with educating public taste and developing civic art collections that pandered to popular academic British painting. In his discussion of Canterbury’s cultural development, for example, Jonathan Mane-Wheoki commented that the founding of the Canterbury Society of Arts (CSA) in 1880 formalized the enduring presence of the English art establishment in the province.1 Similarly, Michael Dunn has observed that the model for the establishment of New Zealand art societies in the late nineteenth century was the Royal Academy, London, even though ‘they were never able to attain the same prestige or social significance as the Royal Academy had in its heyday’.2 As organizations that appeared to perpetuate the Academy’s example, art societies have served as a convenient, reactionary target for those historians who have contrasted art societies’ long-standing conservatism with the struggle to establish an emerging national identity in the twentieth century. Gordon Brown, for example, maintained that the development of painting within New Zealand during the 1920s and 1930s was restrained by the societies’ influence, ‘as they increasingly failed to comprehend the changing values entering the arts’.3 The establishment of the CSA in St Michael’s schoolroom in Christchurch on 30 June 1880, though, was more than a simple desire by an ambitious colonial township to imitate the cultural and educational institutions of Great Britain and Europe. -
Julius Haast Towards a New Appreciation of His Life And
JULIUS HAAST TOWARDS A NEW APPRECIATION OF HIS LIFE AND WORK __________________________________ A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in History in the University of Canterbury by Mark Edward Caudel University of Canterbury 2007 _______ Contents Acknowledgements ............................................................................................... i List of Plates and Figures ...................................................................................... ii Abstract................................................................................................................. iii Chapter 1: Introduction ........................................................................................ 1 Chapter 2: Who Was Julius Haast? ...................................................................... 10 Chapter 3: Julius Haast in New Zealand: An Explanation.................................... 26 Chapter 4: Julius Haast and the Philosophical Institute of Canterbury .................. 44 Chapter 5: Julius Haast’s Museum ....................................................................... 57 Chapter 6: The Significance of Julius Haast ......................................................... 77 Chapter 7: Conclusion.......................................................................................... 86 Bibliography ......................................................................................................... 89 Appendices .......................................................................................................... -
Bird-Man Amulets and Tridacna Shell Discs from Taumako, Solomon Islands
478 Susan Bulmer JONES, K.L., 1981. New Zealand Mataa from Marlborough, Nelson, and the Chatham Islands.New Zealand Journal of Archaeology, 3:89-107. KLEIN, J., J.C. LERMAN, D.E. DAMON, and E.K. RALPH, 1982. Calibration of Radiocarbon Dates.Radiocarbon, 24(2): 193-50. LEACH, H.M., 1981. Technological Changes in the Development of Polynesian Adzes, in F. Leach and J. Davidson (eds), Archaeological Studies of Pacific Stone Resources. B.A.R. International Series 104. Oxford, B.A.R. pp.167-82. MAJNEP, I.S., and R. BULMER, 1977. Birds of My Kalam Country. Auckland, Auckland University Press. McCOY, P.C., 1979. Easter Island, in J.D. Jennings (ed.), The Prehistory of Polynesia, Cambridge, Harvard University Press, pp. 135-66. MOUNTAIN, Mary-Jane, 1983. Preliminary Report of Excavations at Nombe Rockshelter, Simbu Province.Indo- Paciftc Prehistory Association Newsletter, 4:84-99. NASH, J., and D.D. MITCHELL, 1973. A Note on Some Chipped Stone Objects from South Bougainville.Journal of the Polynesian Society, 82(2):209-12. PAWLEY, A., and R.C. GREEN, 1984. The Proto-Oceanic Language Community.Journal of Pacific History, 19:123- 46. STUIVER, M., and B. BECKER, 1986. High Precision Decadel Calibration of the Radiocarbon Time Scale, AD 1950- 2500 BC. Radiocarbon, 23(28):863-910. SWADLING, P., 1984. Sepik Prehistory. Paper presented to Wenner Gren Symposium, Sepik Research Today: The Study of Sepik Cultures in and for Modem Papua New Guinea, Basel, Switzerland. SWADLING, P., J. CHAPPELL, G. FRANCIS, N. ARAHO, and B. IVUYO, 1989. A Late Quaternary Inland Sea and Early Pottery in Papua New Guinea.Archaeology in Oceania, 24(3): 106-9. -
Bill Ceevee 2014
curriculum vitae, William F. Martin Institutional address: Home address: Institut für Botanik III Rilkestrasse 13 Heinrich Heine-Universität Düsseldorf D-41469 Neuss Universitätsstraße 1 Germany D-40225 Düsseldorf Germany e-mail: [email protected] Tel. +49-211-811-3011 Date of birth : 16.02.57 in Bethesda, Maryland, USA Familial status : Married, four children Nationality : USA University degree : 1981-1985, Technische Universität Hannover, Germany: Biology Diplom thesis : 1985, Institut für Botanik, TU Hannover with Rüdiger Cerff: Botany PhD thesis : 1985-1988, Max-Planck-Institut für Züchtungsforschung, Cologne, with Heinz Saedler; degree conferred by the University of Cologne: Genetics Postdoc : 1988-1989, Max-Planck-Institut für Züchtungsforschung, Cologne Postdoc : 1989-1999, Institut für Genetik, Technische Universität Braunschweig Habilitation : 1992, TU Braunschweig, Germany, venia legendi for the field of Botany Full professor : 1999-2011 for "Ecological Plant Physiology" (C4), Universität Düsseldorf : 2011- for "Molecular Evolution" (C4), Universität Düsseldorf Honours 2013- Visiting Professor, Instituto de Tecnologia Química e Biológica, Oeiras, Portugal 2012 Elected Member of EMBO (European Molecular Biology Organisation) 2010- Science Advisory Committe, Helmholz Alliance Planetry Evoution and Life 2008 Elected Member of the Nordrhein-Westfälische Akademie der Wissenschaften 2007-2012 Selection Committee for the Heinz-Maier-Leibnitz Prize of the DFG 2006 Elected Fellow of the American Academy for Microbiology 2006-2009 Julius von -
Rich Man, Poor Man, Environmentalist, Thief
Rich man, poor man, environmentalist, thief Biographies of Canterbury personalities written for the Millennium and for the 150th anniversary of the Canterbury Settlement Richard L N Greenaway Cover illustration: RB Owen at front of R T Stewart’s Avon River sweeper, late 1920s. First published in 2000 by Christchurch City Libraries, PO Box 1466, Christchurch, New Zealand Website: library.christchurch.org.nz All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission in writing from Christchurch City Libraries. ISBN 0 908868 22 7 Designed by Jenny Drummond, Christchurch City Libraries Printed by The Caxton Press, Christchurch For Daisy, Jan and Richard jr Contents Maria Thomson 7 George Vennell and other Avon personalities 11 Frederick Richardson Fuller 17 James Speight 23 Augustus Florance 29 Allan Hopkins 35 Sali Mahomet 41 Richard Bedward Owen 45 Preface Unsung heroines was Canterbury Public Library’s (now Genealogical friends, Rona Hayles and Margaret Reid, found Christchurch City Libraries) contribution to Women’s overseas information at the Family History Centre of the Suffrage Year in 1994. This year, for the Millennium and 150th Church of Jesus Christ of Latter Day Saints. Professional anniversary of the founding of the Canterbury Settlement, researchers Valerie Marshall in Christchurch and Jane we have produced Rich man, poor man, environmentalist, thief. Smallfield in Dunedin showed themselves skilled in the use In both works I have endeavoured to highlight the lives of of the archive holdings of Land Information New Zealand. -
The Prehistoric Archaeology of Norfolk Island, Southwest Pacific
RECORDS OF THE AUSTRALIAN MUSEUM 2001 Supplement 27 ISBN 0 7347 2305 9 The Prehistoric Archaeology of Norfolk Island, Southwest Pacific Edited by A M Atholl Anderson and Peter White AUSTRALIAN MUSEUM A comprehensive list of Scientific Publications is available at our website http://www.amonline.net.au/publications/ Many items are available for sale; a secure online ordering facility makes international orders simple. Send enquiries to Scientific Publications, Australian Museum, 6 College Street, Sydney NSW 2010, Australia [email protected] • fax +612 9320 6073 SUPPLEMENT 27 12 December 2001 INSTRUCTIONS TO AUTHORS Manuscripts must be submitted to the Editor. Authors will then Authors should retain original artwork until it is called for. liaise with a nominated Associate Editor until a work is accepted, Previously published illustrations will generally not be accepted. RECORDS OF THE AUSTRALIAN MUSEUM rejected or withdrawn. All manuscripts are refereed externally. Artwork may be submitted either as hard copy or as digital images. Only those manuscripts that meet the following requirements The author, figure number and orientation must be clearly marked will be considered for publication. on each piece of artwork. Extra costs resulting from colour Submit three hard copies and one electronic file. Attach a cover production are charged to the author. All artwork must (a) be Editorial Committee: The Australian Museum’s mission is to increase sheet showing: the title; the name, address and contact details of rectangular or square and scalable to a width of 83 mm (one text understanding of, and influence public debate on, the each author; the author responsible for checking proofs; a suggested column) or 172 mm (both text columns) and any depth up to 229 Chair: J.M. -
'Thinking from a Place Called London': the Metropolis and Colonial
‘Thinking from a place called London’: The Metropolis and Colonial Culture, 1837-1907 FELICITY BARNES In April 1907, at the Colonial Conference in London, the premiers of the white self-governing colonies met with members of the imperial government to reconcile two apparently conflicting objectives: to gain greater acknowledgement of their de facto political autonomy, and commitment to strengthening imperial unity.1 The outcomes of this conference tend to be cast in constitutional and political terms, but this process also renegotiated the cultural boundaries of empire. The white settler colonies sought to clarify their position within the empire, by, on the one hand, asserting equal status with Britain, and, on the other, emphasizing the distinction between themselves and the dependent colonies.2 In doing so they invoked and reinforced a hierarchical version of empire. This hierarchy, underpinned by ideas of separation and similarity, would be expressed vividly in the conference’s outcomes, first in the rejection of the term ‘colonial’ as a name for future conferences. These were redesignated, inaccurately, as ‘imperial’, not ‘colonial’, elevating their status as it narrowed their participation.3 ‘Imperial’ might be metropolitan, but ‘colonial’ was always peripheral. Whilst the first Colonial Conference, held in 1887, had included Crown colonies along with the self-governing kinds,4 20 years later the former were no longer invited, and India, or, more precisely, the India Office and its officials, was only a marginal presence.5 As wider participation declined, imperial government involvement increased. From 1907 the conference was to be chaired by the British prime minister. This pattern was repeated in changes to the Colonial Office itself. -
Haast and the Moa: Reversing the Tyranny of Distance!
Pacific Science, vol. 54, no. 3: 251-263 © 2000 by University of Hawai'i Press. All rights reserved Haast and the Moa: Reversing the Tyranny of Distance! RUTH BARTON2 ABSTRACT: The powerful position of patrons and interpreters at the imperial centers and the secondary, supportive position of colonial contributors to the scientific enterprise have been emphasized in the literature on colonial science. For Sir Julius von Haast, however, New Zealand provided both the opportu nity and the resources for a scientific career of international fame. Moa bones were his most valuable resource. The exchange and sale of moa bones stocked his museum; gifts of moa skeletons brought him honors; and he began to claim that being at the periphery and having seen the bones in situ gave his interpre tations credibility. THERE ARE THREE leading characters in this The moa were a family of large flightless story of the scientific moa. Julius Haast birds that had occupied the ecological niche (1822-1887), who was German-born, arrived of browsing animals in New Zealand. In the in Auckland late in 1858, in the employment 1830s, Maori reported them as extinct and of an English shipping company, to investi they are now considered to have become rare gate the prospects for German immigration by 1600 (Anderson 1989: 178), but in the to New Zealand. He stayed to become one of mid-nineteenth century it was plausible to New Zealand's leading colonial geologists. In hope that groups might still exist in isolated 1858, the moa itself (16 million yr B.p.-ca. -
Maori Cartography and the European Encounter
14 · Maori Cartography and the European Encounter PHILLIP LIONEL BARTON New Zealand (Aotearoa) was discovered and settled by subsistence strategy. The land east of the Southern Alps migrants from eastern Polynesia about one thousand and south of the Kaikoura Peninsula south to Foveaux years ago. Their descendants are known as Maori.1 As by Strait was much less heavily forested than the western far the largest landmass within Polynesia, the new envi part of the South Island and also of the North Island, ronment must have presented many challenges, requiring making travel easier. Frequent journeys gave the Maori of the Polynesian discoverers to adapt their culture and the South Island an intimate knowledge of its geography, economy to conditions different from those of their small reflected in the quality of geographical information and island tropical homelands.2 maps they provided for Europeans.4 The quick exploration of New Zealand's North and The information on Maori mapping collected and dis- South Islands was essential for survival. The immigrants required food, timber for building waka (canoes) and I thank the following people and organizations for help in preparing whare (houses), and rocks suitable for making tools and this chapter: Atholl Anderson, Canberra; Barry Brailsford, Hamilton; weapons. Argillite, chert, mata or kiripaka (flint), mata or Janet Davidson, Wellington; John Hall-Jones, Invercargill; Robyn Hope, matara or tuhua (obsidian), pounamu (nephrite or green Dunedin; Jan Kelly, Auckland; Josie Laing, Christchurch; Foss Leach, stone-a form of jade), and serpentine were widely used. Wellington; Peter Maling, Christchurch; David McDonald, Dunedin; Bruce McFadgen, Wellington; Malcolm McKinnon, Wellington; Marian Their sources were often in remote or mountainous areas, Minson, Wellington; Hilary and John Mitchell, Nelson; Roger Neich, but by the twelfth century A.D.