'Thinking from a Place Called London': the Metropolis and Colonial
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The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886
The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886 Sascha Nolden, Simon Nathan & Esme Mildenhall Geoscience Society of New Zealand miscellaneous publication 133H November 2013 Published by the Geoscience Society of New Zealand Inc, 2013 Information on the Society and its publications is given at www.gsnz.org.nz © Copyright Simon Nathan & Sascha Nolden, 2013 Geoscience Society of New Zealand miscellaneous publication 133H ISBN 978-1-877480-29-4 ISSN 2230-4495 (Online) ISSN 2230-4487 (Print) We gratefully acknowledge financial assistance from the Brian Mason Scientific and Technical Trust which has provided financial support for this project. This document is available as a PDF file that can be downloaded from the Geoscience Society website at: http://www.gsnz.org.nz/information/misc-series-i-49.html Bibliographic Reference Nolden, S.; Nathan, S.; Mildenhall, E. 2013: The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886. Geoscience Society of New Zealand miscellaneous publication 133H. 219 pages. The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886 CONTENTS Introduction 3 The Sumner Cave controversy Sources of the Haast-Hooker correspondence Transcription and presentation of the letters Acknowledgements References Calendar of Letters 8 Transcriptions of the Haast-Hooker letters 12 Appendix 1: Undated letter (fragment), ca 1867 208 Appendix 2: Obituary for Sir Julius von Haast 209 Appendix 3: Biographical register of names mentioned in the correspondence 213 Figures Figure 1: Photographs -
Changing Attitudes and Perceptions of Artists Towards the New Zealand
University ofCanterbury Dept. of Geography HA� LIBRARY CH&ISTCHUIICH, � University of Canterbury CHANGING ATTITUDES AND PERCEPTIONS OF ARTISTS TOW ARDS THE NEW ZEALAND MOUNTAIN LANDSCAPE by Katrina Jane Askew A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts m Geography Christchurch, New Zealand February 1995 "I go to the mountains, to get High" Anonymous Abstract The purpose of this study is to explore the changing attitudes and perceptions of artists and settlers towards the New Zealand mountain landscape from the period of colonisation to 1950. When European colonists first anived in New Zealand, they brought with them old world values that shaped their attitudes to nature and thus the mountains of this country. Tracing the development of mountain topophilia in landscape painting, highlighted that the perceptions settlers adopted on arrival differed greatly from those of their homeland. In effect, the love of European mountain scenery was not transposed onto their new environment. It was not until the 1880s that a more sympathetic outlook towards mountains developed. This led to the greater depiction of mountains and their eventual adoption into New Zealanders identification with the land. An analysis of paintings housed in the Art Galleries of the South Island provided evidence that this eventually led to the development of a collective consciousness as to the ideal mountain landscape. ll Acknowledgements The production of this thesis would not have been possible but for the assistance of a great number of people. The first person I must thank is Dr. Peter Perry who supervised this research. -
The Establishment of the Canterbury Society of Arts
New Zealand Journal of History, 44, 2 (2010) The Establishment of the Canterbury Society of Arts FORMING THE TASTE, JUDGEMENT AND IDENTITY OF A PROVINCE, 1850–1880 HISTORIES OF NEW ZEALAND ART have commonly portrayed art societies as conservative institutions, predominantly concerned with educating public taste and developing civic art collections that pandered to popular academic British painting. In his discussion of Canterbury’s cultural development, for example, Jonathan Mane-Wheoki commented that the founding of the Canterbury Society of Arts (CSA) in 1880 formalized the enduring presence of the English art establishment in the province.1 Similarly, Michael Dunn has observed that the model for the establishment of New Zealand art societies in the late nineteenth century was the Royal Academy, London, even though ‘they were never able to attain the same prestige or social significance as the Royal Academy had in its heyday’.2 As organizations that appeared to perpetuate the Academy’s example, art societies have served as a convenient, reactionary target for those historians who have contrasted art societies’ long-standing conservatism with the struggle to establish an emerging national identity in the twentieth century. Gordon Brown, for example, maintained that the development of painting within New Zealand during the 1920s and 1930s was restrained by the societies’ influence, ‘as they increasingly failed to comprehend the changing values entering the arts’.3 The establishment of the CSA in St Michael’s schoolroom in Christchurch on 30 June 1880, though, was more than a simple desire by an ambitious colonial township to imitate the cultural and educational institutions of Great Britain and Europe. -
(2008) Explore in Rich Detail the Lives of His Immigrant Subjects. The
106 New Zealand Journal of History, 42, 1 (2008) explore in rich detail the lives of his immigrant subjects. The writing is well-paced and engaging. As a result, this book achieves a new level of maturity in scholarship on the Irish in New Zealand. However, there are issues raised here that will give specialist readers cause for reflection. Fraser brings to his subject an unusual richness of disciplinary background and experience, and is aware how his work has been affected by this. Castles of Gold, he writes, is ‘far more “ethnographically informed” than any of my previous writing’ (p.22). Signs of this are evident, and welcome, though perhaps readers will, like me, wish for an even more self-conscious and sustained engagement with disciplinary difference and the possibilities for innovation in content and style that it raises. More importantly, the trans-Tasman connections so effectively identified in this book continue to raise questions about how we should best deal with those immigrants who moved throughout the New World in fits and starts, mobile people whose identities were made and remade in colonial or other national settings. The revival of interest over the last two decades in the diversity of New Zealand’s nineteenth-century European population has been a major achievement. However, the significant challenge remains to fully factor into our histories the ways in which New World experiences transformed what it was, and what contemporaries thought it meant, to be Irish. MALCOLM CAMPBELL The University of Auckland Dominion of New Zealand: Statesmen and Status 1907–1945. By W. -
List of Certain Foreign Institutions Classified As Official for Purposes of Reporting on the Treasury International Capital (TIC) Forms
NOT FOR PUBLICATION DEPARTMENT OF THE TREASURY JANUARY 2001 Revised Aug. 2002, May 2004, May 2005, May/July 2006, June 2007 List of Certain Foreign Institutions classified as Official for Purposes of Reporting on the Treasury International Capital (TIC) Forms The attached list of foreign institutions, which conform to the definition of foreign official institutions on the Treasury International Capital (TIC) Forms, supersedes all previous lists. The definition of foreign official institutions is: "FOREIGN OFFICIAL INSTITUTIONS (FOI) include the following: 1. Treasuries, including ministries of finance, or corresponding departments of national governments; central banks, including all departments thereof; stabilization funds, including official exchange control offices or other government exchange authorities; and diplomatic and consular establishments and other departments and agencies of national governments. 2. International and regional organizations. 3. Banks, corporations, or other agencies (including development banks and other institutions that are majority-owned by central governments) that are fiscal agents of national governments and perform activities similar to those of a treasury, central bank, stabilization fund, or exchange control authority." Although the attached list includes the major foreign official institutions which have come to the attention of the Federal Reserve Banks and the Department of the Treasury, it does not purport to be exhaustive. Whenever a question arises whether or not an institution should, in accordance with the instructions on the TIC forms, be classified as official, the Federal Reserve Bank with which you file reports should be consulted. It should be noted that the list does not in every case include all alternative names applying to the same institution. -
252 the NEW ZEALAND GAZETTE. [No. 12 Island Council of Niue Appointed
252 THE NEW ZEALAND GAZETTE. [No. 12 Island Council of Niue appointed. MICHAEL MYERS, Administrator of the Government. URSUANT to the authority vested in me by section sixty-five of the P Cook Islands Act, 1915, and by a:ri. Order in Council of the twenty first day of March, one thousand nine hundred and sixteen, providing for the constitution of Island Councils in the Cook Islands, I, Sir Michael Myers, the Administrator of the Government of the Dominion of New Zealand, do hereby revoke the appointment of the present members of the Island Council of Niue, and in lieu thereof do hereby nominate and appoint the following persons as members of the said Island Council of Niue, to hold office during my pleasure, that is to say :- Alofi South Veli Hagatuki. I Lakepa Taulagaono. Alofi North Patali. Liku Paihele Hagakau. Makefu Tamapeau. Hakupu Galiki. Tuapa Talima. Fatiau Kalotuki. Namukulu Taleleti Navahetau. Avatele Kalauta. Hikutavake Tafua. Tamakautoga Tionetini. Mutalau Togalima. And I do hereby declare that such revocation and appointment shall take effect on the 13th day of January, 1941. As witness the hand of His Excellency the Administrator of the Government of the Dominion of New Zealand, this 6th day of February, 1941. FRANK LANGSTONE, Minister of External Affairs. -----------------· ---··--·- --··----------- Notices under the Regulations Act, 1936. OTICE is hereby given in pursuance of the Regulations Act, 1936, of the making of regulations and orders N as under:- Authority for Enactment. Short Title or Subject-matter. Se.rial Date of Price (Postage. Number. Enactment. I ld. extra). The Emergency Regulations Act, The Stamp Duties Emergency Regulations 1941/12 12/2/41 Id. -
No 44, 23 May 1940, 1119
.,flumb. 44 1119 THE NEW ZEALAND GAZETTE WELLINGTON, THURSDAY, MAY 23, 1940. Doolaring Land ae,quired for a Government Wark, and not Declaring Land acquired for a Government Wark, and not required for that Purpose, to be Crown Land. required for that Purpose, to be Crown Land. [L.S.] GALWAY, Governor-General. [L.S,] GALWAY, Governor-General. A PROCLAMATION. A PROCLAMATION. N pursuance and exercise of the powers and authorities N pursuance and exercise of the powers and authorities I vested in me by the Public Works Act, 1928, and of I vested in me by the Public Works Act, 1928, and of every other power and authority in anywise enabling me in every other power and authority in anywise enabling me in this behalf, I, George Vere Arundell, Viscount Galway, this behalf, I, George Vere Arundell, Viscount Galway, Governor-General of the Dominion of New Zealand, do Governor-General of the Dominion of New Zealand, do herebv hereby declare the land described in the Schedule hereto to declare the land described in the Schedule hereto to be Crown be Crown land subject to the Land Act, 1924. land subject to the Land Act, 1924. SCHEDULE. SCHEDULE. APPROXIMATE area of the piece of land declared to be Crown APPROXIMATE area of the piece of stopped Government land : 28·68 perches. road declared to be Crown land: 1 rood 7·3 perches. Being part Lot 701 on D.P. 19, being part Subdivision A, Adjoining or passing through part Section 23, Mang:i,nui Manchester Block. District, and Lot 1, D.P. -
Julius Haast Towards a New Appreciation of His Life And
JULIUS HAAST TOWARDS A NEW APPRECIATION OF HIS LIFE AND WORK __________________________________ A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in History in the University of Canterbury by Mark Edward Caudel University of Canterbury 2007 _______ Contents Acknowledgements ............................................................................................... i List of Plates and Figures ...................................................................................... ii Abstract................................................................................................................. iii Chapter 1: Introduction ........................................................................................ 1 Chapter 2: Who Was Julius Haast? ...................................................................... 10 Chapter 3: Julius Haast in New Zealand: An Explanation.................................... 26 Chapter 4: Julius Haast and the Philosophical Institute of Canterbury .................. 44 Chapter 5: Julius Haast’s Museum ....................................................................... 57 Chapter 6: The Significance of Julius Haast ......................................................... 77 Chapter 7: Conclusion.......................................................................................... 86 Bibliography ......................................................................................................... 89 Appendices .......................................................................................................... -
Mercer Morgue (Former), MERCER (List No
New Zealand Heritage List/Rārangi Kōrero – Report for a Historic Place Mercer Morgue (Former), MERCER (List No. 1560, Category 2) Mercer Morgue (Former), looking southeast from Glass Road (Martin Jones, HNZPT, 18 March 2021) Martin Jones Last amended 15 June 2021 Heritage New Zealand Pouhere Taonga TABLE OF CONTENTS EXECUTIVE SUMMARY 3 1. IDENTIFICATION 4 1.1. Name of Place 4 1.2. Location Information 4 1.3. Legal Description 5 1.4. Extent of List Entry 5 1.5. Eligibility 5 1.6. Existing Heritage Recognition 5 2. SUPPORTING INFORMATION 6 2.1. Historical Information 6 2.2. Physical Information 16 2.3. Chattels 26 2.4. Sources 26 3. SIGNIFICANCE ASSESSMENT 27 3.1. Section 66 (1) Assessment 27 3.2. Section 66 (3) Assessment 28 4. APPENDICES 31 4.1. Appendix 1: Visual Identification Aids 31 4.2. Appendix 2: Visual Aids to Historical Information 34 4.3. Appendix 3: Visual Aids to Physical Information 34 4.4. Appendix 4: Significance Assessment Information 34 Disclaimer Please note that entry on the New Zealand Heritage List/Rārangi Kōrero identifies only the heritage values of the property concerned, and should not be construed as advice on the state of the property, or as a comment of its soundness or safety, including in regard to earthquake risk, safety in the event of fire, or insanitary conditions. Archaeological sites are protected by the Heritage New Zealand Pouhere Taonga Act 2014, regardless of whether they are entered on the New Zealand Heritage List/Rārangi Kōrero or not. Archaeological sites include ‘places associated with pre-1900 human activity, where there may be evidence relating to the history of New Zealand’. -
Country Coding Units
INSTITUTE Country Coding Units v11.1 - March 2021 Copyright © University of Gothenburg, V-Dem Institute All rights reserved Suggested citation: Coppedge, Michael, John Gerring, Carl Henrik Knutsen, Staffan I. Lindberg, Jan Teorell, and Lisa Gastaldi. 2021. ”V-Dem Country Coding Units v11.1” Varieties of Democracy (V-Dem) Project. Funders: We are very grateful for our funders’ support over the years, which has made this ven- ture possible. To learn more about our funders, please visit: https://www.v-dem.net/en/about/ funders/ For questions: [email protected] 1 Contents Suggested citation: . .1 1 Notes 7 1.1 ”Country” . .7 2 Africa 9 2.1 Central Africa . .9 2.1.1 Cameroon (108) . .9 2.1.2 Central African Republic (71) . .9 2.1.3 Chad (109) . .9 2.1.4 Democratic Republic of the Congo (111) . .9 2.1.5 Equatorial Guinea (160) . .9 2.1.6 Gabon (116) . .9 2.1.7 Republic of the Congo (112) . 10 2.1.8 Sao Tome and Principe (196) . 10 2.2 East/Horn of Africa . 10 2.2.1 Burundi (69) . 10 2.2.2 Comoros (153) . 10 2.2.3 Djibouti (113) . 10 2.2.4 Eritrea (115) . 10 2.2.5 Ethiopia (38) . 10 2.2.6 Kenya (40) . 11 2.2.7 Malawi (87) . 11 2.2.8 Mauritius (180) . 11 2.2.9 Rwanda (129) . 11 2.2.10 Seychelles (199) . 11 2.2.11 Somalia (130) . 11 2.2.12 Somaliland (139) . 11 2.2.13 South Sudan (32) . 11 2.2.14 Sudan (33) . -
The Evolution of the Rural Settlement Pattern Of
THE EVOLUTION OF THE RURAL SETTLEMENT PATTERN OF LOWLAND SOUTH TARAN.AKI 1860 - 1920 BEING A THESIS presented to UNIVERSITY OF CANTERBURY IN PARTIAL FULFILMENT of the requirements for the Degree of MASTER OF ARTS in Geography By G.I. RAWSON 1967 CONTENTS Page CHAPTER ONE: INTRODUCTION 1 Aim Sources Method Physical Setting References CHAPTER TWO: THE BEGININGS OF SETTLEMENT 11 (a) The Settlement Pattern 1868-1870 The Need For Security The ITilTllaturity Of Settlement The Pattern Was A Simple One (b) The 1870's - Some Continuing Themes Settlement Characteristics The Position Of The Maori Government Influence Increased Regional Identity References CHAPTER THREE: THE OCCUPATION OF THE BUSHLANDS 25 The Demand For Land Government Assistance The Prog+ess of Settlement References CHAPTER FOUR: SOUTH TARANAKI 1884-1886 33 (a) Where The People Were (b) The Farming Scene The Established Farms1 The Bush Farms First Attempts At Dairying (c) Some Continuing Themes References CHAPTER FIVE: THE GROWTH OF DAIRYING 1886-1920 49 Initial Difficulties Initiative Taken By The Farmers The Role Of The Entrepreneur Progress To 1893 1893-1920 - The Final Developments References CHAPTER SIX: THE PATTERN COMPLETED - SOUTH TA.RA.NAKI 64 In 1920 CHAPTER SEVEN: SUMMARY AND CONCLUSIONS 69 ANNOTATED BIBLIOGRAPHY 73 FIGURES: Following Page Fig. 1 SOUTH TARAN.AKI 1868 - 1870 14 Fig. 2 SOUTH TARAN.AKI 1884 - 1886 34 Fig. 3 THE EXPANSION OF DAIRYING - 1888 - 1920 54 Fig. 4 SOUTH TARAN.AKI 1920 65 Fig. 5 TOPOGRAPHICAL MAPS In End Pocket J;>LATES: Following Page PLATE ONE: The Waimate Plains 6 PLATE TWO: The Waingongoro Valley 6 PLATE THREE: Undulating Land near Eltham 7 PLATE FOUR: The Hurleyville area 7 PLATE FIVE: The Fringes of The Hill Country 39 PLATE SIX: A Raupo Whare In The 1880 1 s 39 PLATE SEVEN: The Manutahi Area 58 PLATE EIGHT: Kakaramea 58 PLATE NINE: The Fraser Road Dairy Factory 67 PLATE TEN: Unimproved Land Near Eltham 67 Unless otherwise acknowledged all photographs were taken by the author. -
The German Corpse Factory the Master Hoax of British Propaganda in the First World War Joachim Neander
t.g theologie.geschichte herausgegeben von der Universität des Saarlandes Beiheft 6: The German Corpse Factory The Master Hoax of British Propaganda in the First World War Joachim Neander The German Corpse Factory The Master Hoax of British Propaganda in the First World War universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre © 2013 universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre Postfach 151150, 66041 Saarbrücken ISSN 2191-1592 gedruckte Ausgabe ISSN 2191-4745 Online-Ausgabe ISBN 978-3-86223-117-1 gedruckte Ausgabe ISBN 978-3-86223-118-8 Online-Ausgabe URN urn:nbn:de:bsz:291-universaar-t.g.beihefte.v60 Gestaltung und Satz: Dr. August Leugers-Scherzberg, Julian Wichert Projektbetreuung universaar: Müller, Alt Gedruckt auf säurefreiem Papier von Monsenstein & Vannerdat Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen National bibliografie; detaillierte bibliografische Daten sind im Internet über <http://dnb.d-nb.de> abrufbar. TABLE OF CONTENTS INTRODUCTION ................................................................. 7 I. ATROCITIES, DENIAL, AND ANTI-DENIAL ............. 25 II. THE ROOTS OF THE LEGEND ............................... 43 III. A PROPAGANDA BLITZ: THE “CORPSE FACTORY” CONQUERS THE WORLD ...................................... 131 IV. “KEEP THE HOME FIRES BURNING” .................... 179 V. THE “CORPSE FACTORY” GOES GLOBAL