Strategies of Sanity and Survival Religious Responses to Natural Disasters in the Middle Ages
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Yngve Brilioth Svensk Medeltidsforskare Och Internationell Kyrkoledare STUDIA MISSIONALIA SVECANA LXXXV
SIM SWEDISH INSTITUTE OF MISSION RESEARCH PUBLISHER OF THE SERIES STUDIA MISSIONALIA SVECANA & MISSIO PUBLISHER OF THE PERIODICAL SWEDISH MISSIOLOGICAL THEMES (SMT) This publication is made available online by Swedish Institute of Mission Research at Uppsala University. Uppsala University Library produces hundreds of publications yearly. They are all published online and many books are also in stock. Please, visit the web site at www.ub.uu.se/actashop Yngve Brilioth Svensk medeltidsforskare och internationell kyrkoledare STUDIA MISSIONALIA SVECANA LXXXV Carl F. Hallencreutz Yngve Brilioth Svensk medeltidsforskare och internationell kyrkoledare UTGIVENAV Katharina Hallencreutz UPPSALA 2002 Utgiven med forord av Katharina Hallencreutz Forsedd med engelsk sammanfattning av Bjorn Ryman Tryckt med bidrag fran Vilhelm Ekmans universitetsfond Kungl.Vitterhets Historie och Antivkvitetsakademien Samfundet Pro Fide et Christianismo "Yngve Brilioth i Uppsala domkyrkà', olja pa duk (245 x 171), utford 1952 av Eléna Michéew. Malningen ags av Stiftelsen for Âbo Akademi, placerad i Auditorium Teologicum. Foto: Ulrika Gragg ©Katharina Hallencreutz och Svenska lnstitutet for Missionsforskning ISSN 1404-9503 ISBN 91-85424-68-4 Cover design: Ord & Vetande, Uppsala Typesetting: Uppsala University, Editorial Office Printed in Sweden by Elanders Gotab, Stockholm 2002 Distributor: Svenska lnstitutet for Missionsforskning P.O. Box 1526,751 45 Uppsala Innehall Forkortningar . 9 Forord . 11 lnledning . 13 Tidigare Briliothforskning och min uppgift . 14 Mina forutsattningar . 17 Yngve Brilioths adressater . 18 Tillkommande material . 24 KAPITEL 1: Barndom och skolgang . 27 1 hjartat av Tjust. 27 Yngve Brilioths foraldrar. 28 Yngve Brilioths barndom och forsta skolar . 32 Fortsatt skolgang i Visby. 34 Den sextonarige Yngve Brilioths studentexamen. 36 KAPITEL 2: Student i Uppsala . -
Erwin Panofsky
Reprinted from DE ARTIBUS OPUSCULA XL ESSAYS IN HONOR OF ERWIN PANOFSKY Edited l!J M I L LA RD M EIS S New York University Press • I90r Saint Bridget of Sweden As Represented in Illuminated Manuscripts CARL NORDENFALK When faced with the task of choosing an appropriate subject for a paper to be published in honor of Erwin Panofsky most contributors must have felt themselves confronted by an embarras de richesse. There are few main problems in the history of Western art, from the age of manuscripts to the age of movies, which have not received the benefit of Pan's learned, pointed, and playful pen. From this point of view, therefore, almost any subject would provide a suitable opportunity for building on foundations already laid by him to whom we all wish to pay homage. The task becomes at once more difficult if, in addition to this, more specific aims are to be considered. A Swede, for instance, wishing to see the art and culture of his own country play apart in this work, the association with which is itself an honor, would first of all have to ask himself if anything within his own national field of vision would have a meaning in this truly international context. From sight-seeing in the company of Erwin Panofsky during his memorable visit to Sweden in 1952 I recall some monuments and works of art in our country in which he took an enthusiastic interest and pleasure.' But considering them as illustrations for this volume, I have to realize that they are not of the international standard appropriate for such a concourse of contributors and readers from two continents. -
The Swedish Approach to Fairness
FACTS ABOUT SWEDEN | GENDER EQUALITY sweden.se PHOTO: MELKER DAHLSTRAND/IMAGEBANK.SWEDEN.SE PHOTO: The Swedish welfare system, which entitles both men and women to paid parental leave, has been central in promoting gender equality in Sweden. GENDER EQUALITY: THE SWEDISH APPROACH TO FAIRNESS Gender equality is one of the cornerstones of Swedish society. The aim of Sweden’s gender equality policies is to ensure that women and men enjoy the same opportunities, rights and obligations in all areas of life. The overarching principle is that every- areas of economics, politics, education school level onwards, with the aim of one, regardless of gender, has the right and health. Since the report’s inception, giving children the same opportunities to work and support themselves, to bal- Sweden has never finished lower than in life, regardless of their gender, by ance career and family life, and to live fourth in the Gender Gap rankings, which using teaching methods that counteract without the fear of abuse or violence. can be found at www.weforum.org. traditional gender patterns and gender Gender equality implies not only equal roles. distribution between men and women Gender equality at school Today, girls generally have better in all domains of society. It is also about Gender equality is strongly emphasised grades in Swedish schools than boys. the qualitative aspects, ensuring that in the Education Act, the law that gov- Girls also perform better in national the knowledge and experience of both erns all education in Sweden. It states tests, and a greater proportion of girls men and women are used to promote that gender equality should reach and complete upper secondary education. -
Medeltidskyrkornas Modernisering Analyserar 1900-Talets Kyrkorestaurer- Ingar Främst Ur Ett Arkitekturhistoriskt Perspektiv
ANNA ELMÉN BERG Landets medeltidskyrkor har under tidernas gång omprövats, omvärderats och omgestaltats. Under 1900-talet fanns både ekonomiska förutsättningar och moderniseringsvilja. Särskilt under efterkrigstiden undergick många kyrkor restaureringar som syftade till att modernisera dem. Medeltidskyrkornas modernisering analyserar 1900-talets kyrkorestaurer- ingar främst ur ett arkitekturhistoriskt perspektiv. Modernitet och föränd- ringar i samhälle och kyrkoliv bildar bakgrund till de faktiska åtgärder av antikvarisk eller nyskapande art som dessa kyrkobyggnader blev föremål för. Särskilda fallstudier ägnas de åtta stenkyrkor i Luleå stift som räknar sitt ursprung till senmedeltiden. I dagens situation ställs allt högre krav på kyrkobyggnadernas anpassning till en mer flexibel användning med nya inslag. Det krävs därför att både den kyrkliga och den antikvariska praktiken kontinuerligt tar ställning till dessa miljöer samt till olika tiders gestaltningar och inredningar. Mot den bak- grunden är det angeläget att kunskapen omkring dem ökar. Anna Elmén Berg (f. 1962) är fil. dr i konstvetenskap och antikvarie vid Piteå museum. Boken är resultatet av forskningprojektet Medeltidskyrkor- nas modernisering, vilket har bedrivits vid Konstvetenskapliga institutio- nen, Uppsala universitet, inom Forum för forskning kring de kyrkliga kul- turarven (FFKK). Projektet har finansierats av Kungl. Vitterhetsakademien och Konstvetenskapliga institutionen och volymen ingår som nr 3 i FFKK:s skriftserie. Arcus sacri inom Acta universitatis upsaliensis. -
Svensk Teologisk Kvartalskrift
SVENSK TEOLOGISK KVARTALSKRIFT ÅRGÅNG ii HÄFTE 2 INNEHÅLL Sid. O lof Lin t o n : Den paulinska forskningens båda huvudproblem .. i i j Folke H olmström : Tre utkast till en eskatologisk totalsyn ............ 142 G un n a r W estin : Ett närmande mellan Protestant-episkopalkyrkan i U. S. A. och svenska kyrkan ................................................................... 167 Teologisk litteratur: D ick H elander : Den liturgiska utvecklingen i Sverige under 1800- talet. I. Tillkomsten av 1811 års kyrkohandbok, av Yngve Brilioth 192 A rthur C. H eadlam : Christian Theology, The Doctrine of God, av Gustaf Aulén ............................................................................................... 196 W illiam T emple: Nature, Man and God, av Sven Edvard Rodhe 199 Fragments of an Unknown Gospel and Other Early Christian Papyri, av Hugo Odeberg .............................................. 204 Ur tidskrifterna ................................................................................................... 208 LUND C. W. K. GLEERUPS FÖRLAG DEN PAULINSKA FORSKNINGENS BÅDA HUVUDPROBLEM AV DOCENT OLOF LINTON, UPPSALA vå huvudfrågor ha i olika varianter och kombinationer behärskat Tden senare Paulus-forskningen: Frågan om Pauli plats i urkristen domens historia och frågan om enheten i Pauli teologi — för kort hetens skull nedan kallade den kyrkohistoriska och den teologiska frågan. Båda ha med principiell klarhet och med full insikt om deras inbördes samband ställts av F. Chr. B aur (Paulus, der Apostel Jesu Christi, 1845, “1866 —7 , Das Christentum und die christliche Kirche der drei ersten Jahrhunderte, 1853, ;i 1863 ). Efter det hegelska sche mat: tes, antites, syntes, betraktar Baur det urapostoliska, petrinska evangeliet som tes, paulinismen som antites och den gammalkatolska kyrkan som syntes. Denna idé, som vill vara nyckeln till förståelsen av urkristendomens hela historia, korresponderar med en enhetlig syn på den paulinska teologien. -
Towards the Kalmar Union
S P E C I A L I Z E D A G E N C I E S TOWARDS THE KALMAR UNION Dear Delegates, Welcome to the 31st Annual North American Model United Nations 2016 at the University of Toronto! On behalf of all of the staff at NAMUN, we welcome you to the Specialized Agency branch of the conference. I, and the rest of the committee staff are thrilled to have you be a delegate in Scandinavia during the High Middle Ages, taking on this challenging yet fascinating topic on the futures of the three Scandinavian Kingdoms in a time of despair, poverty, dependence and competitiveness. This will truly be a new committee experience, as you must really delve into the history of these Kingdoms and figure out how to cooperate with each other without sending everyone into their demise. To begin, in the Towards the Kalmar Union Specialized Agency, delegates will represent influential characters from Denmark, Norway and Sweden, which include prominent knights, monarchs, nobles, and important religious figures who dominate the political, military and economic scenes of their respective Kingdoms. The impending issues that will be discussed at the meeting in Kalmar, Sweden include the future of the Danish and Norwegian crowns after the death of the sole heir to the thrones, Olaf II. Here, two distant relatives to Valdemar IV have a claim to the throne and delegates will need to decide who will succeed to the throne. The second order of business is to discuss the growing German presence in Sweden, especially in major economic cities. -
29 CHILOSI 249 254.Ps, Page 3 @ Preflight
MINISTERO PER I BENI E LE ATTIVIT À CULTURALI © BOLLETTINO D’ARTE E AF D CAB : E DE CAD AE AE DE BA D EA S (2009 -S II) A A A A C E DE CAD AE AE DAD A AA A A A EA. AE, EA E AC DA A EC CA EEC A CASA EDITRICE LEO S. OLSCHKI 29_CHILOSI.qxp:Layout 1 1-12-2010 16:21 Pagina 249 MARIA GRAZIA CHILOSI IL MONUMENTO DEL CARDINALE GUILLAUME DURAND A SANTA MARIA SOPRA MINERVA. LO SPOSTAMENTO, I RESTAURI E ALCUNI DATI SULLA TECNICA ESECUTIVA* Il monumento funebre del vescovo di Mende, Guil- concavo è decorato a mosaico; la camera del giacente, laume Durand, morto nel 1296, opera di Giovanni di incassata nella muratura, è costituita da tre pareti che Cosma, era in origine nella Cappella di Ognissanti, figurano un drappo appeso, sorretto alle estremità da poi Altieri; ne fu rimosso nel 1670 per consentire i due angeli; in essa è deposto il corpo del defunto. lavori di ammodernamento, voluti da Clemente X Sotto il giacente il catafalco è riccamente drappeggia- nella cappella di famiglia, e fu ricollocato sull’adiacen- to e mostra in basso cinque scudi mosaicati con l’im- te parete di testata del braccio destro del transetto presa della famiglia Durand. Al di sotto è murata una (figg. 1 e 2). È stato oggetto di una campagna di lapide con iscrizione incisa. restauro nel 1998 da parte della Soprintendenza per i Il monumento risulta oggi gravemente sacrificato Beni Artistici e Storici di Roma.1) nel piccolo spazio tra la Cappella Altieri e la Cappella Il monumento, formato da blocchi apparentemente di San Tommaso d’Aquino, schiacciato tra elementi -
Terracotta Tableau Sculpture in Italy, 1450-1530
PALPABLE POLITICS AND EMBODIED PASSIONS: TERRACOTTA TABLEAU SCULPTURE IN ITALY, 1450-1530 by Betsy Bennett Purvis A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of Art University of Toronto ©Copyright by Betsy Bennett Purvis 2012 Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450-1530 Doctorate of Philosophy 2012 Betsy Bennett Purvis Department of Art University of Toronto ABSTRACT Polychrome terracotta tableau sculpture is one of the most unique genres of 15th- century Italian Renaissance sculpture. In particular, Lamentation tableaux by Niccolò dell’Arca and Guido Mazzoni, with their intense sense of realism and expressive pathos, are among the most potent representatives of the Renaissance fascination with life-like imagery and its use as a powerful means of conveying psychologically and emotionally moving narratives. This dissertation examines the versatility of terracotta within the artistic economy of Italian Renaissance sculpture as well as its distinct mimetic qualities and expressive capacities. It casts new light on the historical conditions surrounding the development of the Lamentation tableau and repositions this particular genre of sculpture as a significant form of figurative sculpture, rather than simply an artifact of popular culture. In terms of historical context, this dissertation explores overlooked links between the theme of the Lamentation, the Holy Sepulcher in Jerusalem, codes of chivalric honor and piety, and resurgent crusade rhetoric spurred by the fall of Constantinople in 1453. Reconnected to its religious and political history rooted in medieval forms of Sepulchre devotion, the terracotta Lamentation tableau emerges as a key monument that both ii reflected and directed the cultural and political tensions surrounding East-West relations in later 15th-century Italy. -
Agrarian Metaphors 397
396 Agrarian Metaphors 397 The Bible provided homilists with a rich store of "agricultural" metaphors and symbols) The loci classici are passages like Isaiah's "Song of the Vineyard" (Is. 5:1-7), Ezekiel's allegories of the Tree (Ez. 15,17,19:10-14,31) and christ's parables of the Sower (Matt. 13: 3-23, Mark 4:3-20, Luke 8:5-15) ,2 the Good Seed (Matt. 13:24-30, Mark 4:26-29) , the Barren Fig-tree (Luke 13:6-9) , the Labourers in the Vineyard (Matt. 21:33-44, Mark 12:1-11, Luke 20:9-18), and the Mustard Seed (Matt. 13:31-32, Mark 4:30-32, Luke 13:18-19). Commonplace in Scripture, however, are comparisons of God to a gardener or farmer,5 6 of man to a plant or tree, of his soul to a garden, 7and of his works to "fruits of the spirit". 8 Man is called the "husbandry" of God (1 Cor. 3:6-9), and the final doom which awaits him is depicted as a harvest in which the wheat of the blessed will be gathered into God's storehouse and the chaff of the damned cast into eternal fire. Medieval scriptural commentaries and spiritual handbooks helped to standardize the interpretation of such figures and to impress them on the memories of preachers (and their congregations). The allegorical exposition of the res rustica presented in Rabanus Maurus' De Universo (XIX, cap.l, "De cultura agrorum") is a distillation of typical readings: Spiritaliter ... in Scripturis sacris agricultura corda credentium intelliguntur, in quibus fructus virtutuxn germinant: unde Apostolus ad credentes ait [1 Cor. -
The Linköping Mitre Ecclesiastical Textiles and Episcopal Identity
CHAPTER 9 THE LINKÖPING MITRE ECCLESIASTICAL TEXTILES AND EPISCOPAL IDENTITY Ingrid Lunnan Nødseth Questions of agency have been widely discussed in art history studies in recent decades, with scholars such as Alfred Gell and W. T. Mitchell arguing that works of art possess the qualities or powers of living beings. Recent scholar ship has questioned whether Max Weber’s notion of charisma as a personal quality can be extended to the realm of things such as charismatic objects or charismatic art. Textiles are particularly interesting in this regard, as clothing transforms and extends the corporal body acting as a ‘social skin’, this prob lematizes the human/object divide. As such, ecclesiastical dress could be con sidered part of the priest’s social body, his identity. The mitre was especially symbolic and powerful as it distinguished the bishop from the lower ranks of the clergy. This article examines the richly decorated Linköping mitre, also known as Kettil Karlsson’s mitre as it was most likely made for this young and ambitious bishop in the 1460s. I argue that the aesthetics and rhetoric of the Linköping mitre created charismatic effects that could have contributed to the charisma of Kettil Karlsson as a religious and political leader. This argument, however, centers not so much on charismatic objects as on the relationship between personal charisma and cultural objects closely identified with char ismatic authority. The Swedish rhyme chronicle Cronice Swecie describes [In Linköping I laid down my episcopal vestments how bishop Kettil Karlsson in 1463 stripped himself of and took up both shield and spear / And equipped his episcopal vestments (biscopsskrud) in the cathedral myself as a warrior who can break lances in combat.] of Linköping, only to dress for war with shield and spear (skiöll och spiwt) like any man who could fight well with This public and rhetorical event transformed the young a lance in combat: bishop from a man of prayer into the leader of a major army. -
The English Dream Vision
The English Dream Vision ANATOMY OF A FORM J. Stephen Russell The English Dream Vision ANATOMY OF A FORM By J. Stephen Russell The first-person dream-frame nar rative served as the most popular English poetic form in the later Mid dle Ages. In The English Dream Vision, Stephen Russell contends that the poetic dreams of Chaucer, Lang- land, the Pearl poet, and others employ not simply a common exter nal form but one that contains an internal, intrinsic dynamic or strategy as well. He finds the roots of this dis quieting poetic form in the skep ticism and nominalism of Augustine, Macrobius, Guillaume de Lorris, Ockham, and Guillaume de Conches, demonstrating the interdependence of art, philosophy, and science in the Middle Ages. Russell examines the dream vision's literary contexts (dreams and visions in other narratives) and its ties to medieval science in a review of medi eval teachings and beliefs about dreaming that provides a valuable survey of background and source material. He shows that Chaucer and the other dream-poets, by using the form to call all experience into ques tion rather than simply as an authen ticating device suggesting divine revelation, were able to exploit con temporary uncertainties about dreams to create tense works of art. continued on back flap "English, 'Dream Vision Unglisfi (Dream Vision ANATOMY OF A FORM J. Stephen Russell Ohio State University Press • Columbus Copyright © 1988 by the Ohio State University Press. All rights reserved. Quotations from the works of Chaucer are taken from The Complete Works of Geoffrey Chaucer, ed. -
Retrieving a Catholic Tradition of Subjective Natural Rights from the Late Scholastic Francisco Suárez, S.J
Copyright © 2012 Ave Maria Law Review RETRIEVING A CATHOLIC TRADITION OF SUBJECTIVE NATURAL RIGHTS FROM THE LATE SCHOLASTIC FRANCISCO SUÁREZ, S.J. Steven J. Brust, Ph.D. g INTRODUCTION There is good reason to inquire into the Catholic contributions to the foundation of human rights.1 There is a global proliferation of natural rights in nation-states, international treaties, charters and conventions, as well as in political rhetoric, court decisions, law, and even in personal conversation. Furthermore, the Catholic Church herself has emerged as one of the leading advocates of natural rights in its moral and social teachings as well as in its charitable practices. As a result of these omnipresent rights claims, debates have arisen with respect to the origin and nature of, and justification for, natural rights. These debates are not only between Catholics and those outside the Church (e.g., with contemporary secular liberals), but also between Catholics themselves. At the heart of these debates are a number of questions: Do natural rights even exist? If so, what is a right? Are natural rights compatible with or contradictory to natural law understood as an objective order of justice? Are natural rights derived from natural law or is natural law derived from natural rights? Which is given a priority? Do natural rights entail a rejection or diminution of virtue and the common good? For some Catholics, a very important aspect of this overall debate is the supposed break between pre-modern views on natural right/law and modern views on natural rights. They offer a narrative which includes the claim that rights are more of an invention of the modern political philosophers such as Hobbes and Locke, and/or have their g Steven J.