Hotel Palacio Provincial-Diplomatic History
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Artistic Fabrics, Unique Portraits (I)
33 OPEN SOURCE LANGUAGE VERSION > CATALÀ Artistic fabrics, unique portraits (I) by Sílvia Carbonell Basté Textil Museum and Documentation Centre PH.D. student Art History, Universitat Autònoma de Barcelona Photographs: ©CDMT, Quico Ortega Conserved in museums and private homes across Catalonia are a series of artistic fabrics – or woven artworks – that share many similarities with engravings and photographs but reflect a unique production technique popularised in a specific period in the history of the textile industry. These limited edition decorative fabrics generally feature portraits of illustrious figures (monarchs, politicians, military leaders, captains of industry), historical, religious or commemorative scenes, or reproductions of famous paintings, created in black and white silk on a Jacquard loom. In Catalonia, the majority of these fabrics were produced over the period between 1862 and 1974. These Jacquard pieces, originally referred to as artistic, or “singular”, fabrics, came to the museums from private owners who recognised their value in marking a crucial period in the transformation of the textile industry. The private collectors who donated the pieces all had a direct link of some sort to textile production, whether as teachers, theorists, merchants or artists. The fact that many of the fabrics bore the company name, the artist’s signature, the production date, or the name of the director and even the school at which they were plotted and weaved makes them, if nothing else, unique pieces, distinct from any other textile produced until that time and freely available on the market. These singular pieces also serve to illustrate the successful marriage of technology with the skill of the artist. -
San Juan, Puerto Rico Via East Orange, New Jersey, Making It Work: Cultural Resource Management from Across an Ocean
SAN JUAN, PUERTO RICO VIA EAST ORANGE, NEW JERSEY, MAKING IT WORK: CULTURAL RESOURCE MANAGEMENT FROM ACROSS AN OCEAN Timothy R. Sara and Sharla C. Azizi The Louis Berger Group, Inc. ❐ ABSTRACT This paper describes the principal findings of an urban archaeological investigation conducted in a cultural resource management (CRM) context in Old San Juan, Puerto Rico (Sara and Marín Rom n 1999). The inves- tigation was prompted by the United States General Services Administration’s need to rehabilitate the Federal Courthouse and Post Office Building in the Old City. A major component of the investigation was the recovery and analysis of more than 16,000 Spanish colonial-period artifacts from urban fills beneath the building. The col- lection includes a total of 106 ceramic ware types, various small finds including gun flints, tobacco pipes, bone combs, die, and buttons, dietary faunal remains, and fine examples of European decorated glass. Analysis of these artifacts revealed that, despite strict trade laws imposed by the Spanish Crown, San Juan was well-integrated in the world economy early in its history. As a result of careful planning and coordination by project archaeologists and engineers, the remains of the Bastión de San Justo del Muelle, a massive seventeenth-century fortification work, was left in situ beneath the building during new construction. The successful outcome of the project was owed to the close coordination by the Federal and local government agencies, historic preservation consultants, and local specialists in Puerto Rican history and historical archaeology. Resumen Esta ponencia describir una programa de investigación arqueológica manejar en un contexto de Manejo de Recursos Culturales en el Viejo San de Puerto Rico (Sara y Marín Rom n 1999). -
National Historic Landmark Nomination Old San Juan
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 OLD SAN JUAN HISTORIC DISTRICT/DISTRITO HISTÓRICO DEL VIEJO SAN JUAN Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Old San Juan Historic District/Distrito Histórico del Viejo San Juan Other Name/Site Number: Ciudad del Puerto Rico; San Juan de Puerto Rico; Viejo San Juan; Old San Juan; Ciudad Capital; Zona Histórica de San Juan; Casco Histórico de San Juan; Antiguo San Juan; San Juan Historic Zone 2. LOCATION Street & Number: Western corner of San Juan Islet. Roughly bounded by Not for publication: Calle de Norzagaray, Avenidas Muñoz Rivera and Ponce de León, Paseo de Covadonga and Calles J. A. Corretejer, Nilita Vientos Gastón, Recinto Sur, Calle de la Tanca and del Comercio. City/Town: San Juan Vicinity: State: Puerto Rico County: San Juan Code: 127 Zip Code: 00901 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): ___ Public-Local: X District: _X_ Public-State: X_ Site: ___ Public-Federal: _X_ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 699 128 buildings 16 6 sites 39 0 structures 7 19 objects 798 119 Total Number of Contributing Resources Previously Listed in the National Register: 772 Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form ((Rev. 8-86) OMB No. 1024-0018 OLD SAN JUAN HISTORIC DISTRICT/DISTRITO HISTÓRICO DEL VIEJO SAN JUAN Page 2 United States Department of the Interior, National Park Service National Register of Historic Plaaces Registration Form 4. -
Application for Merchant's Registration Certificate Part I - Information of Merchant's Principal Office 1
Commonwealth of Puerto Rico Serial Number Form AS 2914.1 DEPARTMENT OF THE TREASURY Rev. Aug 30 11 APPLICATION FOR MERCHANT'S REGISTRATION CERTIFICATE PART I - INFORMATION OF MERCHANT'S PRINCIPAL OFFICE 1. Legal name of the corporation, partnership, individual owner (name, initial, last name) or other Receipt Stamp 2. Social security or employer identification number under which the income from this activity will be informed on the income tax return (It is mandatory to complete this line) 3. Telephone Ext. 4. E-mail address 5. Postal address (Post Office Box, Urbanization or Building, Number or Apartment, Street) Municipality / City State Zip Code Country 6. Principal office's physical address (Urbanization or Building, Number or Apartment, Street) Municipality / City State Zip Code Country 7. Type of organization: Individual Estate or Trust Corporation or Partnership 8. Date of incorporation or creation: Day Month Year 9. Closing date of your accounting period: Day Month 10. Aggregate business volume, estimated or projected, at the end of the current calendar year (It shall be the sum of the business volume of all your locations): $ , , . 11. Amount of locations / activities included in this application: 12. Amount of Schedules included with this application: (It cannot be less than one) PART II - LOCATIONS / ACTIVITIES Indicate the information for each one of the locations operated by the business (submit Schedule AS 2914.1 if necessary). - * - You shall complete all lines of this part in order to process the application. - * - 13. Trade name or "DBA" 14. Type of registration certificate requested (Check one): Merchant Mobile business Temporary business Exhibitor If you checked Temporary Business or Exhibitor, indicate:(From: Day Month Year To: Day Month Year ) 15. -
Experience the Life of South America and Caribbean Islands
Experience the life of South America and Caribbean Islands Beautiful weather rich cultures wonderful people spectacular sites to visit Tour presented by Cristina Garcia, Julie Hale, Laura Hamilton, Lupita Zeferino, Ramona Villavicencio You deserve a vacation of a lifetime Focus South America and the Caribbean will leave you enchanted by the fabulous landscapes, rich cultures and beautiful people. A native and expert guide your tour to each region providing you and your group with the experience of a lifetime. Points of Focus Itinerary Day Port Arrive Depart 1. Ft. Lauderdale --------- 5:00pm 2. At Sea --------- ---------- 3. Puerto Rico 1:30 12:00 midnight 4. Martinique 7:00am 7:00pm 5. Trinidad 8:00am 6:00pm 6. At Sea --------- ---------- 7. At Sea --------- ---------- 8. Cruising Amazon 9:00am 9:00pm 9. Santarem, Brazil 7:00am 10:00pm 10. Cruising Amazon 9:00am 9:00pm 11. Mauaus, Brazil 7:00pm 7:00pm 12.-14. Cruising Amazon 9:00am 4:00pm 15. Iquitos Peru 8:00am 2:00pm 16. Back to Ft. Lauderdale, Florida 9:00am ----------- Inquitos, Peru to Ft. Lauderdale Departure Arrival Airline Flight Travel Time Inquitos, Peru Ft. Lauderale Aero 2118 2 stops next day arrival change planes Delta Air Lines 274/1127 in Lima, Peru and Atlanta Total travel time: 15 h4s. 19 min. Price One way total: $1,346.00 Cruise Itinerary Details Ship Name: Paradise Cruise Line Enchantment of Seas Sailing Date: May 2004, June, 2004, July 2004, August 2004, September 2004 and more etc. Staterooms From: Interior Ocean view Balcony Suite $ 314 $ 426 $ 689 $ 694 Cruise Description Aboard the Paradise Cruise Line leaving Ft. -
BOLETÍN DE LA REAL SOCIEDAD GEOGRÁFICA Tomo CLVI 2021
DESARROLLO URBANÍSTICO DEL VIEJO SAN JUAN. PUERTO RICO URBAN DEVELOPMENT IN OLD SAN JUAN. PUERTO RICO Dr. Miguel A. Sánchez-Celada 1 INTRODUCCIÓN Según Friedrich Ratzel, la tarea fundamental del geógrafo es entender la relación que se establece entre el medio y los grupos sociales que lo habitan en cada zona específica, lo que los obliga a asumir comportamientos y actua- ciones diferentes en correspondencia con ese medio físico y cultural, a partir de este principio es que se pueden establecer diferentes paisajes geográficos. Por supuesto, sin llegar a la pretensión de la geopolítica clásica de hacer corresponder las posibilidades de desarrollo y expansión de los países a su posición en el espacio geográfico, se pretende en este artículo explicar el de- sarrollo urbano del centro histórico más emblemático de Puerto Rico, el Viejo San Juan, a partir de las características físicas de su emplazamiento y a su devenir histórico desde la conquista hasta la actualidad. Hasta hace relativamente poco tiempo los estudios sobre centros urbanos se referían principalmente al análisis descriptivo de datos primarios obtenidos en investigaciones en el terreno, además de la utilización de datos numéricos de demografía y econometría, no entendiendo a la ciudad como un ente vivo y 1 Universidad de Puerto Rico. Facultad de Ciencias Sociales. Dpto. de Geografía. miguel.sanchez11@ upr.edu Recibido: 20/05/2020. Aceptada versión definitiva: 17/11/2020. Boletín de la R.S.G., CLVI, 2021 (173-201) 174 MIGUEL A. SÁNCHEZ-CELADA complejo, que crece a partir de sus características internas y evoluciona a par- tir de externalidades. Por ejemplo, en las investigaciones llevadas a cabo en Brasil «… en los últimos 30 años del siglo XX se pasó de un énfasis centrado en los estudios de las dinámicas demográficas durante la década de 1960 y el inicio de la de 1970, a un énfasis en los estudios sobre la dinámica económica en la déca- da de 1970. -
Chapter 4 Legibility and Continuity in the Built Environment
Chapter 4 Legibility and Continuity in the Built Environment Michael R. King and Elise de Jong 4.1 Introduction When people are asked about wayfi nding, they usually respond with “signs.” Wayfi nding has become shorthand for adding signs to help people on their way. And yet, wayfi nding is so much more. According to Massimo Vignelli, author of the 1972 New York City subway map, Any sign is an admission of architectural failure. (Busch 2007 ) This chapter discusses wayfi nding with emphasis on design considerations rather than signage. It focuses on two paramount themes in community wayfi nding: legi- bility and continuity . Legibility revolves around reading. We “read” streets and cit- ies in much the same way that we read landscapes and maps. Water fl ows downhill from hills toward creeks. Thicker lines on maps represent higher concentrations. We look for clues that tell us where we are, what others are doing, where we want to go, and how to get there. The clues are context, network, and markers. Continuity is about consistency—in design, colors, signs, structure, and phases. Driving along the highway you typically encounter a consistent set of signs. Crosswalks are typically the same wherever you might be. Bike lanes are consis- tently green (or red or blue depending on the country). Trolley tracks indicate the presence of transit (or in some cases the former presence of transit). When these markers are placed consistently and continually along a path, wayfi nding is enhanced. M. R. King , RA (*) Traffi cCalmer , Brooklyn , NY , USA e-mail: miking@traffi ccalmer.com E. -
Ex-Kaiser in Exile
THE EX-K~lSER: IN~ EXILE (l'holo. Centtal NcwJ.) THE EX-KAISER IN EXILE Tl,... t>x-1-";.iser walking m the grounds at Amcrongen, with his Adjutant-Geni'rcl Dr·....,m'"•· ~ '"'VI'&_u/k , --:5t:-ue~~")«?'lte/ -4.,& _, ~$i " ~,_/;_ d / ~,ou,z//.9/~ ~_9~~Ud 5:/:..J.wwJ~/ _.,,...4 ~,.._yr-- 4,~ _.._, +-......y-~,.J:..to ' .../-.,h......r.u _g,.,n:r..;._,,,k/.i '-~~~~··!~' {:,.eM d.·\~ ..., .,. f"""' d.'.cfto ~~ !uuwi.. - ~ k - (o. l.~\ fl:J\Cp.ulutuo\l . d (.~ l~~ \ it~ u'H\u .:.l lc l'lul"l l u• :.~ , (.:l" . INVITATION TO THE BAL-BEI-HOF IN VIENNA (Showing the mistake made in the writing of my name). 1'"' Walur Souper du 7 Fevrier 1910. \ .. Quadrille 2- Waller IJouillon. - Creme d'orge. Laucier Dick a Ia gelee. Ce&iUoa lephyr St. Hubert.. 1 SOUPEB ( / 6!2 U..., Chapons ..Otis, salade, compote . ........ Charlotte. aux p~ches . ! .. Quadrille Dessert. _. ... Walur Schn•llpelb PROGRAMME OF THE DANCING MENU OF THE SUPPER . at the Bal-bei-Hof. At th~_Bal-bei-Hof in Vienna at which I was present. It is identical witb that used during the reign of Maria-Theresa. tbe last of tbe Hapsburgs (1717- 178o). Her father (Charles VI) it was who conferred a Countsbip on tbe Hon. William Bentinck on December 24tb, 1732. THE . EX-KAISER· ·IN' . EXILE. BY LADY NORAH BENTINCK HODDER AND STOUGHTON LIMITED • LOND_ON .APPENDIX I.-OUTSTANDING DATES OF THE' EUROPEf\N ··WAR 4TH AUGUST 1914-9TH NOVEMBER 1918 1914 June 28 • Archduke Frane Ferdinand shot at Sarajevo. -
The Solemnity of Shadows: Juan Laurent's Vision of Spain
The Solemnity of Shadows: Juan Laurent’s Vision of Spain National Gallery of Art November 7–December 30, 2011 Checklist of the exhibition Unless otherwise noted, all photographs are by Juan Laurent and are albumen silver prints made from wet collodion negatives; dates are those of the collodion negatives. 1 Entrance to Toledo by way of the Alcántara 3 Plaza de la Constitución, Valencia, 1870 Bridge, c. 1864–1870 Recent research suggests that this photograph, previously Toledo is the ancient capital of Castile. Dominating the attributed to Juan Laurent, was actually taken by Julio skyline in this photograph is the sixteenth-century Alcázar Ainaud (1837–1900), a French-born photographer working on the site of old Roman, Visigoth, and Moorish citadels. for the Laurent Company in the eastern Spanish provinces The Puente de Alcántara, the most famous of the city’s in 1870–1872. The two churches in the background are the bridges, was begun in 1259 and rebuilt several times. In Basílica de la Virgen de los Desamapardos (begun in 1652) 1870, Laurent began printing a catalogue number at the and the Seu, or Cathedral of Valencia (consecrated 1238). bottom of each photograph in a distinctive label that Between them is a 1566 addition to the cathedral known as included the name of the city or art collection, the title of the Obra Nueva, a tribunal gallery for viewing ecclesiastic the subject, and his trade name. At first, the trade name on spectacles. José Martínez Sánchez, with whom Laurent the labels was simply J. Laurent, but in 1875 it became J. -
Josã© Antonio Ulloa Collection of Cartes De Visite
http://oac.cdlib.org/findaid/ark:/13030/c8g44wcf No online items José Antonio Ulloa collection of cartes de visite Finding aid prepared by Carlota Ramirez, Student Processing Assistant. Special Collections & University Archives The UCR Library P.O. Box 5900 University of California Riverside, California 92517-5900 Phone: 951-827-3233 Fax: 951-827-4673 Email: [email protected] URL: http://library.ucr.edu/libraries/special-collections-university-archives © 2017 The Regents of the University of California. All rights reserved. José Antonio Ulloa collection of MS 027 1 cartes de visite Descriptive Summary Title: José Antonio Ulloa collection of cartes de visite Date (inclusive): circa 1858-1868 Collection Number: MS 027 Creator: Ulloa, José Antonio Extent: 0.79 linear feet(2 boxes) Repository: Rivera Library. Special Collections Department. Riverside, CA 92517-5900 Abstract: This collection consists of 60 cartes de visite, owned by José Antonio Ulloa of Zacatecas, Mexico. Items in the collection include photographs and portraits of European, South American, and Central American royalty and military members from the 19th century. Many of the cartes de visite depict members of European royalty related to Napoleon I, as well as cartes de visite of figures surrounding the trial and execution of Mexican Emperor Maximilian I in 1867. Languages: The collection is mostly in Spanish, with some captions in French and English. Access The collection is open for research. Publication Rights Copyright Unknown: Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, the reproduction, and/or commercial use, of some materials may be restricted by gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing agreement(s), and/or trademark rights. -
The Papers of Ueen Victoria on Foreign Affairs
A Guide to the Microfilm Edition of The Papers of ueen QVictoria on Foreign Affairs Part 4: Portugal and Spain, 1841-1900 UNIVERSITY PUBLICATIONS OF AMERICA A Guide to the Microfilm Edition of Files from the Royal Archives, Windsor Castle THE PAPERS OF QUEEN VICTORIA ON FOREIGN AFFAIRS Edited by Kenneth Bourne Part 4: Spain and Portugal, 1841-1900 Guide compiled by David Loving A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data Victoria, Queen of Great Britain, 1819-1901. The papers of Queen Victoria on foreign affairs [microform] edited by Kenneth Bourne. microfilm reels. — (Files from the Royal Archives, Windsor Castle) Contents: Pt. 1. Russia and Eastern Europe, 1846-1900 Pt. 6. Greece, 1847-1863. ISBN 1-55655-187-8 (microfilm) 1. Great Britain ~ Foreign relations — 1837-1901 ~ Sources — Manuscripts ~ Microform catalogs. I. Bourne, Kenneth. II. Hydrick, Blair. HI. Title. IV. Series. [DA550.V] 327.41-dc20 92-9780 CIP Copyright Her Majesty Queen Elizabeth n 1993. This is a reproduction of a series of documents preserved in the Royal Archives at Windsor Castle, published by gracious permission of Her Majesty the Queen. No further photographic reproduction of the microfilm may be made without the permission of University Publications of America. Copyright © 1993 Her Majesty Queen Elizabeth II. All rights reserved. ISBN 1-55655-187-8. TABLE OF CONTENTS General Introduction v Introduction: Part 4: Spain and Portugal, 1841-1900 xii Reel Index Reell Spanish Marriage Question, 1841-1846, Vol. J.43 1 Spanish Marriage Question, 1846, Vol. -
The Museo Cerralbo Is Special in That It Is One of the Few Examples in Madrid of a 19 Th -Century Mansion Which Preserves Its Original Décor
The Museo Cerralbo is special in that it is one of the few examples in Madrid of a 19 th -century mansion which preserves its original décor. It was the residence of the 17 th Marquis of Cerralbo, don Enrique de Aguilera (1845-1922), and his family, comprised of his wife, doña Inocencia Serrano y Cerver (1816-1896), widow of don Antonio del Valle, who brought two children to the marriage, don Antonio del Valle y Serrano (1846-1900), 1 st Marquis of Villa-Huerta, and doña Amelia (1850- 1927), Marquise of Villa-Huerta upon the death of her brother. As a House-museum it is a must-see for learning about the lifestyle of the aristocracy in Madrid in the late 19 th century and the early 20 th century. Moreover, as a collector’s Museum it reflects the artistic tastes of its time, a collection that was considered, at that time, to be one of the most important private collections in the country and, without a doubt, the most complete of its time. THE MUSEUM The building, built between 1883 and 1893, was designed from the outset as a residential home and as a place to exhibit art, antiques and curiosities in a harmonious way, which were brought together due to the owners’ liking for collecting. The former mansion, now a museum, has four floors: lower ground floor, mezzanine, first floor and attic areas. The lower ground floor and the attic areas, which were once the service areas of the home, such as kitchens, larders, the carriage garage, stables, harness rooms, boiler rooms and servants’ quarters, are now the auditorium and the areas for the internal use of the Museum: offices, restoration laboratories and storerooms.