Enga, Zoe, Herder Şi Paşoptiştii Români, În Valori Şi Echivalenţe Umanistice, Bucureşti, Editura Eminescu, 1973, P
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Definingromanticnationalism-Libre(1)
UvA-DARE (Digital Academic Repository) Notes towards a definition of Romantic Nationalism Leerssen, J. Publication date 2013 Document Version Final published version Published in Romantik Link to publication Citation for published version (APA): Leerssen, J. (2013). Notes towards a definition of Romantic Nationalism. Romantik, 2(1), 9- 35. http://ojs.statsbiblioteket.dk/index.php/rom/article/view/20191/17807 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:30 Sep 2021 NOTES TOWARDS A DEFINITION Romantic OF ROMANTIC Nationalism NATIONALISM [ JOEP LEERSSEN ABSTR While the concept ‘Romantic nationalism’ is becoming widespread, its current usage tends to compound the vagueness inherent in its two constituent terms, Romanticism and na- tionalism. In order to come to a more focused understanding of the concept, this article A surveys a wide sample of Romantically inflected nationalist activities and practices, and CT nationalistically inflected cultural productions and reflections of Romantic vintage, drawn ] from various media (literature, music, the arts, critical and historical writing) and from dif- ferent countries. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Locating the Wallachian Revolution of *
The Historical Journal, , (), pp. – © The Author(s), . Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/./), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:./SX LOCATING THE WALLACHIAN REVOLUTION OF * JAMES MORRIS Emmanuel College, Cambridge ABSTRACT. This article offers a new interpretation of the Wallachian revolution of . It places the revolution in its imperial and European contexts and suggests that the course of the revolution cannot be understood without reference to these spheres. The predominantly agrarian principality faced different but commensurate problems to other European states that experienced revolution in . Revolutionary leaders attempted to create a popular political culture in which all citizens, both urban and rural, could participate. This revolutionary community formed the basis of the gov- ernment’s attempts to enter into relations with its Ottoman suzerain and its Russian protector. Far from attempting to subvert the geopolitical order, this article argues that the Wallachians positioned themselves as loyal subjects of the sultan and saw their revolution as a meeting point between the Ottoman Empire and European civilization. The revolution was not a staging post on the road to Romanian unification, but a brief moment when it seemed possible to realize internal regeneration on a European model within an Ottoman imperial framework. But the Europe of was too unstable for the revolutionaries to succeed. The passing of this moment would lead some to lose faith in both the Ottoman Empire and Europe. -
Strategies of 'Aesopian Language' in Romanian Literary Criticism Under
SLOVO , VOL. 24, NO . 2 (A UTUMN 2012), 75-95. The Rhetoric of Subversion: Strategies of ‘Aesopian Language’ in Romanian Literary Criticism under Late Communism ANDREI TERIAN Lucian Blaga University of Sibiu, Romania This paper analyses the subversive strategies of ‘Aesopian language’ with reference to the discourse of the Romanian literary criticism written under late communism (1971-1989). The first two sections of the paper signal certain gaps and inconstancies in defining Aesopian language and in delineating its forms of manifestation; at the same time, they explain the spread of this subversive practice in the political and cultural context of Romanian communism. The following three sections analyse the manner in which Aesopian language materialized in the writings of some of the most important contemporary Romanian critics: Mircea Iorgulescu, Nicolae Manolescu and Mircea Martin. The final section of the study considers a revision of the current definitions of Aesopian language (through the concept of “triggers” theorized in this paper), a new classification of the rhetorical strategies acting globally in a subversive text, as well as a re-evaluation of the relevance of Aesopian language in the context of ‘resistance through culture’, which was the main form of opposition against the communist regime in Romania. INTRODUCTION In the Foreword to his famous pamphlet Imperialism: the Highest Stage of Capitalism (1917), V.I. Lenin cautioned his readers that the paper had been written ‘with an eye to the tsarist censorship’; therefore, he had found it essential to render his subversive doctrine ‘with extreme caution, by hints, in an allegorical language – in that accursed Aesopian language – to which tsarism compelled all revolutionaries to have recourse whenever they took up the pen to write a “legal” work’. -
XII-3 2017 Jezyk Szkola Religia.Indd
Sanda Pădureţu Senior Lecturer Technical University of Cluj-Napoca Romania FREEDOM, HUMAN RIGHTS AND CENSORSHIP IN NINETEENTH-CENTURY ROMANIAN LITERATURE Mainstream contemporary literary studies and also research in the history of political thought1 consider that at the heart of serious exploration into the field of literary history and literary theory (expressed both in canonical and non-ca- nonical works of all kind) has always been the question: “How shall I read this text?”. The answers have varied greatly over time. When we revisit the works of the past, we read them with an eye towards their immediate application to the present. Throughout historically changing contexts, past literature has shaped its own form of political expression. Within the variety of ways of approaching past texts we must consider the interplay of text and context. The textual moments in the history of nineteenth-century Romanian literature include political thought, freedom and censorship and the debates about it. Cen- sorship at the time included: controlling the expression, communication and dissemination of ideas. This goes to the heart of issues: authority, obedience, subjection, civility, discrimination of the public and private spheres, control of speech, writing, performance, the state limiting the freedom of expression and thus the good citizen being the one who practices self-censorship, hegemonic pressures of patriarchy, ideology, gender or ethnic superiority, limits to the form of expression (subordinate groups or even majorities), reasons of state security, state secrets, state agencies. The key terms colliding are modern liberal/secular/ Western society. What “we may know” vs. what “we should remain in ignorance of” remain disputed issues, thus difficult, complex, and still unresolved. -
1Daskalov R Tchavdar M Ed En
Entangled Histories of the Balkans Balkan Studies Library Editor-in-Chief Zoran Milutinović, University College London Editorial Board Gordon N. Bardos, Columbia University Alex Drace-Francis, University of Amsterdam Jasna Dragović-Soso, Goldsmiths, University of London Christian Voss, Humboldt University, Berlin Advisory Board Marie-Janine Calic, University of Munich Lenard J. Cohen, Simon Fraser University Radmila Gorup, Columbia University Robert M. Hayden, University of Pittsburgh Robert Hodel, Hamburg University Anna Krasteva, New Bulgarian University Galin Tihanov, Queen Mary, University of London Maria Todorova, University of Illinois Andrew Wachtel, Northwestern University VOLUME 9 The titles published in this series are listed at brill.com/bsl Entangled Histories of the Balkans Volume One: National Ideologies and Language Policies Edited by Roumen Daskalov and Tchavdar Marinov LEIDEN • BOSTON 2013 Cover Illustration: Top left: Krste Misirkov (1874–1926), philologist and publicist, founder of Macedo- nian national ideology and the Macedonian standard language. Photographer unknown. Top right: Rigas Feraios (1757–1798), Greek political thinker and revolutionary, ideologist of the Greek Enlightenment. Portrait by Andreas Kriezis (1816–1880), Benaki Museum, Athens. Bottom left: Vuk Karadžić (1787–1864), philologist, ethnographer and linguist, reformer of the Serbian language and founder of Serbo-Croatian. 1865, lithography by Josef Kriehuber. Bottom right: Şemseddin Sami Frashëri (1850–1904), Albanian writer and scholar, ideologist of Albanian and of modern Turkish nationalism, with his wife Emine. Photo around 1900, photo- grapher unknown. Library of Congress Cataloging-in-Publication Data Entangled histories of the Balkans / edited by Roumen Daskalov and Tchavdar Marinov. pages cm — (Balkan studies library ; Volume 9) Includes bibliographical references and index. -
Philologialiv
Philologia LIV SEPTEMBRIE-DECEMBRIE 2012 Academia de Ştiinţe a Moldovei ___________ Institutul de Filologie Philologia LIV Nr. 5–6 (263–264) SEPTEMBRIE-DECEMBRIE 2012 SUMAR EMINESCIANA FLORIAN COPCEA. „Ideea europeană” sub formă instituţionalizată de „Ligă spirituală europeană”…………………………………………….............. 3 LITERATURĂ CONTEMPORANĂ NATALIA CUŢITARU. Liviu Damian: forme de interogare a eului şi de integrare în tradiţie…………………………………………………………........ 8 VICTORIA VÂNTU. Poezia basarabeană şaizecistă: viziuni asupra „artei poetice”……………………………………………….......................... 21 VIORICA ZAHARIA. Dramaturgia Nicoletei Esinencu: piesele unui puzzle nonconformist……………………………………………………........... 26 LILIA RUFANDA. Manifestările antieroului în literatura română contemporană………………………………………………………………………...... 30 TEORIA LITERATURII OLESEA GÂRLEA. Mitul antic şi basmul folcloric. Tranziţia ficţiunii de la religios la estetic……………………………………………………………...... 40 FOLCLORISTICĂ ION BURUIANĂ. O creaţie poetico-muzicală folclorizată despre „catastrofa secolului”………………………………………………............... 46 TATIANA BUTNARU. Imagini păstoreşti în poezia epică populară…............. 53 ONOMASTICĂ ANATOL EREMIA. Arealul onomastic Sângerei. Numele de familie: originea, structura derivaţională, semnificaţia(II) ………………………............. 63 ISTORIA LIMBII ECATERINA PLEŞCA. Traca – limbă a substratului pregrec (abordare interdisciplinară).................................................................................. 78 1 LIV Philologia 2012 SEPTEMBRIE-DECEMBRIE ANGELA SAVIN-ZGARDAN. -
Integrating Europe Through Travel Writing: Dinicu Golescu's Account Of
Integrating Europe through Travel Writing: Dinicu Golescu’s Account of My Travels (1826) Dr. Oana Cogeanu, PhD1 Hankuk University of Foreign Studies, Republic of Korea Before becoming the centripetal contemporary process, European integration was a personal, centrifugal undertaking in the emerging Romanian state. 19th century Romanian intellectuals would occasionally travel across the European continent and write accounts representing Europe as a model of civilization and culture to be integrated in their own land. Dinicu Golescu is such a traveller who not only produces what can be considered the first Romanian travelogue, but is also inspired by his European journeys to bring about change back home. Attempts such as his would gradually coagulate into a national reconfiguration project. This paper offers a close reading of Golescu’s travelogue, analyzing how Europe is represented by this Romanian traveler and to what purpose, with a view to illustrating the dynamics of European integration through travel (and) writing. Key words: Europe, Romania, integration, travel writing, Dinicu Golescu I. Introduction: the first Romanian travelogue Early travelogues by Romanian authors are plenty and well known in Romania, but they are little studied as such for their literary and/or cultural quality. The corpus of Romanian travel writing begins in the 17th century with the account by Nicolae Milescu “Spatarul” (the Chancellor) of his journey to China (Dicționarul literaturii române 1979:570). The Moldavian Nicolae Milescu, also known as the Snub-Nosed following a punishment meant to deprive him of regnal ambitions, undertook the voyage between 1675 and 1678 in his capacity as a Russian ambassador to Beijing. -
Perpessicius-Mentiuni-Critice.Pdf
PERPESSICIUS MEN|IUNI CRITICE CUPRINS Not[ asupra edi\iei .....................................................................2 Tabel cronologic ..........................................................................3 MEN|IUNI DE ISTORIOGRAFIE LITERAR{ +I FOLCLOR LOCUL LUI DIMITRIE CANTEMIR }N LITERATURA ROM~N{ .... 11 LA CENTENARUL LUI ANTON PANN ......................................... 29 EMINESCIANA PROZA LITERAR{ A LUI EMINESCU ......................................... 64 EMINESCU +I TEATRUL .......................................................... 107 POSTUMELE LUI EMINESCU .................................................. 132 EMINESCU +I FOLCLORUL ..................................................... 140 ALECSANDRIANA POEZIA LUI VASILE ALECSANDRI ........................................... 170 ALECSANDRI +I LIMBA LITERAR{ .......................................... 191 VASILE ALECSANDRI, DUP{ 75 DE ANI .................................. 208 MEN|IUNI CRITICE BOGDAN PETRICEICU HASDEU .............................................. 215 CARAGIALE — }NTEMEIETORUL REALISMULUI NOSTRU CRITIC ..................................................................... 244 NOTE DESPRE ARTA PROZEI LA CARAGIALE .......................... 248 GEORGE CO+BUC .................................................................. 262 LIRISM +I NARA|IUNE }N OPERA LUI MIHAIL SADOVEANU 265 CARTEA POEMELOR NE-”OSTENITE” ..................................... 270 ACTUALITATEA LUI BACOVIA ................................................ 274 CAMIL PETRESCU +I -
Introduction the Spirit of Young America
Cambridge University Press 978-0-521-87564-6 - The Young America Movement and the Transformation of the Democratic Party, 1828-1861 Yonatan Eyal Excerpt More information Introduction The Spirit of Young America In 1853, New York writer and lecturer George William Curtis tried to put into words the elusive mindset known as Young America. Curtis attempted to define a concept that had many meanings in the antebellum United States, and in his speech he focused on its spirit of freshness and boldness. “Youth, or Young America, smiles at greatness,” he observed. It confidently expects to exceed and rival in greatness, “the noblest Roman of them all.” It says “well done” to Alexander, and pats Hannibal on the back; it smiles patronizingly on Julius Caesar, and will acknowledge Homer to be a good poet, if you insist upon it; and even admits that, at present, two and two make four. But it is secretly convinced that all these works of antiquity are only partial and incomplete affairs, not to be compared with what can be done in our day, and resolves that the time shall come when two and two shall make five.1 The Young American “prowls about Cuba,” he continued, “seeking how he may devour it, and sends Commodore Perry to Japan, with the very pleasant message that he is the sun, that the moon is his wife, and the earth their her- itage.” This assessment only barely exaggerated the quest for novelty that lay at the heart of the Young America ethos.2 Curtis’s contemporaries came to similar conclusions about Young America. -
Romanticism Romanticism Dominated Literature, Music, and the Arts in the First Half of the 19Th Century
AP ACHIEVER Romanticism Romanticism dominated literature, music, and the arts in the first half of the 19th century. Romantics reacted to the Enlightenment’s emphasis on reason and science, instead stressing the following: • Emotions – Taking their cue from Rousseau, Romantics emphasized feeling and passion as the wellspring of knowledge and creativity. • Intuition – Science alone cannot decipher the world; imagination and the “mind’s eye” can also reveal its truths. • Nature – Whereas the philosophes studied nature analytically, the Romantics drew inspiration and awe from its mysteries and power. • Nationalism – Romanticism found a natural connection with nationalism; both emphasized change, passion, and connection to the past. • Religion (Supernatural) – Romanticism coincided with a religious revival, particularly in Catholicism. Spirit, mysticism, and emotions were central to both. • The unique individual – Romantics celebrated the individual of genius and talent, like a Beethoven or a Napoleon, rather than what was universal in all humans. With these themes in mind, consider the topics and individuals below: • THEME MUSIC AND EXAMPLE BASE Prior to the 19th century, you will have noted the rise of objective thinking toward the natural world (Scientific Revolution, Enlightenment), but with the Romantics, we see one of the first strong reactions to the notion that all knowledge stems from the scientific method (OS). Though not the first to do so, the Romantics embrace the subjectivity of experience in a singular and seductive manner. Literature and History Lord Byron (1788-1824 ) – As famous for his scandalous lifestyle as for his narrative poems, Lord Byron died from fever on his way to fight for Greek independence, a cause he supported in his writings. -
Novels, Histories, Novel Nations Historical Fiction and Cultural Memory in Finland and Estonia
Novels, Histories, Novel Nations Historical Fiction and Cultural Memory in Finland and Estonia Edited by Linda Kaljundi, Eneken Laanes and Ilona Pikkanen Studia Fennica Historica The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Sunstitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society, Finland Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Novels, Histories, Novel Nations Historical Fiction and Cultural Memory in Finland and Estonia Edited by Linda Kaljundi, Eneken Laanes & Ilona Pikkanen Finnish Literature Society SKS • Helsinki Studia Fennica Historica 19 The publication has undergone a peer review.