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Animals and Morality Tales in Hayashi Razan's Kaidan Zensho
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses March 2015 The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho Eric Fischbach University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Chinese Studies Commons, Japanese Studies Commons, and the Translation Studies Commons Recommended Citation Fischbach, Eric, "The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho" (2015). Masters Theses. 146. https://doi.org/10.7275/6499369 https://scholarworks.umass.edu/masters_theses_2/146 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2015 Asian Languages and Literatures - Japanese © Copyright by Eric D. Fischbach 2015 All Rights Reserved THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Approved as to style and content by: __________________________________________ Amanda C. Seaman, Chair __________________________________________ Stephen Miller, Member ________________________________________ Stephen Miller, Program Head Asian Languages and Literatures ________________________________________ William Moebius, Department Head Languages, Literatures, and Cultures ACKNOWLEDGMENTS I would like to thank all my professors that helped me grow during my tenure as a graduate student here at UMass. -
CNY-Activity-Pack-2021.Pdf
This is an activity pack to learn about the culture and traditions of Chinese New Year as observed in Malaysia. Due to the pandemic, many Girl Guide/Girl Scout units may not be able to meet face to face, therefore, leaders/units may adapt the activities to be done by individuals at home or in a group through virtual events. Suggested activities are simple and accompanied by references for leaders/units to do further research on each topic. A couple of references are suggested for each topic and these are not exhaustive. Leaders/units can do more research to find out more information. Individuals/units can choose activities they like from the list. It is not necessary to do all the activities listed in each topic. Most important is enjoy them with people whom you care! Due to the lack of time, we were not able to turn this into a nicely designed activity pack. We hope that by learning about culture, we could develop better understanding between people of different ethnicities as part of the peacebuilding process, and at the same time, having fun. Please note that the activities and descriptions are mostly based on the authors’ own knowledge and experience plus information from the internet. We apologize in advance should there be any parts that are inaccurate or cause discomfort in anyone. We would also like to record appreciation to the websites we referred in compiling information for this page. This is a volunteer project, not through any organisations, therefore there is no official badge linked to this pack. -
Chinese Religious Art
Chinese Religious Art Chinese Religious Art Patricia Eichenbaum Karetzky LEXINGTON BOOKS Lanham • Boulder • New York • Toronto • Plymouth, UK Published by Lexington Books A wholly owned subsidiary of Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 10 Thornbury Road, Plymouth PL6 7PP, United Kingdom Copyright © 2014 by Lexington Books All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Karetzky, Patricia Eichenbaum, 1947– Chinese religious art / Patricia Eichenbaum Karetzky. pages cm Includes bibliographical references and index. ISBN 978-0-7391-8058-7 (cloth : alk. paper) — ISBN 978-0-7391-8059-4 (pbk. : alk. paper) — ISBN 978-0-7391-8060-0 (electronic) 1. Art, Chinese. 2. Confucian art—China. 3. Taoist art—China. 4. Buddhist art—China. I. Title. N8191.C6K37 2014 704.9'489951—dc23 2013036347 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America Contents Introduction 1 Part 1: The Beginnings of Chinese Religious Art Chapter 1 Neolithic Period to Shang Dynasty 11 Chapter 2 Ceremonial -
Guangxiao Temple (Guangzhou) and Its Multi Roles in the Development of Asia-Pacific Buddhism
Asian Culture and History; Vol. 8, No. 1; 2016 ISSN 1916-9655 E-ISSN 1916-9663 Published by Canadian Center of Science and Education Guangxiao Temple (Guangzhou) and its Multi Roles in the Development of Asia-Pacific Buddhism Xican Li1 1 School of Chinese Herbal Medicine, Guangzhou University of Chinese Medicine, Guangzhou, China Correspondence: Xican Li, School of Chinese Herbal Medicine, Guangzhou University of Chinese Medicine, Guangzhou Higher Education Mega Center, 510006, Guangzhou, China. Tel: 86-203-935-8076. E-mail: [email protected] Received: August 21, 2015 Accepted: August 31, 2015 Online Published: September 2, 2015 doi:10.5539/ach.v8n1p45 URL: http://dx.doi.org/10.5539/ach.v8n1p45 Abstract Guangxiao Temple is located in Guangzhou (a coastal city in Southern China), and has a long history. The present study conducted an onsite investigation of Guangxiao’s precious Buddhist relics, and combined this with a textual analysis of Annals of Guangxiao Temple, to discuss its history and multi-roles in Asia-Pacific Buddhism. It is argued that Guangxiao’s 1,700-year history can be seen as a microcosm of Chinese Buddhist history. As the special geographical position, Guangxiao Temple often acted as a stopover point for Asian missionary monks in the past. It also played a central role in propagating various elements of Buddhism, including precepts school, Chan (Zen), esoteric (Shingon) Buddhism, and Pure Land. Particulary, Huineng, the sixth Chinese patriarch of Chan Buddhism, made his first public Chan lecture and was tonsured in Guangxiao Temple; Esoteric Buddhist master Amoghavajra’s first teaching of esoteric Buddhism is thought to have been in Guangxiao Temple. -
Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan
UNIVERSITY OF CALIFORNIA Los Angeles The Jeweled Broom and the Dust of the World: Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Emi Joanne Foulk 2016 © Copyright by Emi Joanne Foulk 2016 ABSTRACT OF THE DISSERTATION The Jeweled Broom and the Dust of the World: Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan by Emi Joanne Foulk Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Herman Ooms, Chair This dissertation seeks to reconsider the eighteenth-century kokugaku scholar Motoori Norinaga’s (1730-1801) conceptions of language, and in doing so also reformulate the manner in which we understand early modern kokugaku and its role in Japanese history. Previous studies have interpreted kokugaku as a linguistically constituted communitarian movement that paved the way for the makings of Japanese national identity. My analysis demonstrates, however, that Norinaga¾by far the most well-known kokugaku thinker¾was more interested in pulling a fundamental ontology out from language than tying a politics of identity into it: grammatical codes, prosodic rhythms, and sounds and their attendant sensations were taken not as tools for interpersonal communication but as themselves visible and/or audible threads in the fabric of the cosmos. Norinaga’s work was thus undergirded by a positive understanding ii of language as ontologically grounded within the cosmos, a framework he borrowed implicitly from the seventeenth-century Shingon monk Keichū (1640-1701) and esoteric Buddhist (mikkyō) theories of language. Through philological investigation into ancient texts, both Norinaga and Keichū believed, the profane dust that clouded (sacred, cosmic) truth could be swept away, as if by a jeweled broom. -
In This Issue
TAG-Confucius & TAG-Visa Newsletter | Issue 47 - April 2020 Talal Abu Ghazaleh-Confucius Institute: IN THIS ISSUE: The Institute was established in September 2008 Abu-Ghazaleh Chairs Online Board Meeting to introduce the Chinese language and culture, as of TAG-Confucius Institute well as achieving a greater mutual understanding Abu-Ghazaleh: I do believe in China’s Ability between the Arab and Chinese cultures. This unique to swiftly overcome coronavirus crisis. Jordan initiative is based on the cooperation agreement achieved success in crisis management between TAG-Org and Confucius Institute in Most Famous Temples and Monasteries in China China. The Institute has been named after the great intellectual, mentor and philosopher, Confucius, whose ideas had influenced China and other regions around the world for over 2,000 years. For inquiries please contact us Tel: +962 - 6 5100600 | Fax: +962 - 6 5100606 website: www.tagconfucius.com | Email: [email protected] TAG-Confucius Newsletter Issue 47 - April 2020 TAG-Confucius Institute is the first institute accredited by the Chinese Government to teach Chinese language in Jordan. TAG-Confucius Institute is holding a new course to teach the basics of the Chinese language for beginners: A. Online Threshold Level for Adults: starting 03/05/2020 Schedule: Sunday to Wednesday from 4:00 – 6:00 pm B. Online Threshold Level for Kids : starting 03\05\2020 Schedule: Sunday to Wednesday from 4:00 – 6:00 pm *All Chinese language teachers are from China specialized in teaching Chinese language for foreigners and accredited by the Confucius Institute in China. Abu-Ghazaleh Chairs Online Board Meeting of TAG-Confucius Institute Mr. -
Li Shangyin: the Poetry of Allusion
LI SHANGYIN: THE POETRY OF ALLUSION By TERESA YEE-WAH YU B.A., The University of Hong Kong, 1973 M.A., The University of British Columbia, 1977 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asicin Studies) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 1990 (o) Teresa Yee-wah Yu, 1990 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. 1 further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date DE-6 (2/88) ABSTRACT A major poet of the Tang period, Li Shangyin is highly regarded yet criticized because his work is densely allusive. Dazzling and rich in meaning, it is also difficult and obscure because of its pervasive allusiveness. Chapter I reviews critical opinion of Li's use of allusion. Many traditional critics see allusion as an ornamental rhetorical device and consider Li's profuse allusiveness an idiosyncrasy to be tolerated in an esteemed poet. Chapter II studies allusion broadly and precisely as a literary concept: generally, allusion is a "connector" of texts, a link between a poet's work and his literary heritage; specifi• cally, it is a linguistic device serving metaphorical functions. -
Chinese New Year Festival and Prayers
Chinese New Year Festival and Prayers Courtesy, Shepparton Interfaith Network Chinese New Year in 2018 is on Friday, the 16th of February (16/2/2018). According to the Chinese 12-year animal zodiac cycle, the Chinese year beginning in 2018 is the year of the Dog. Each Chinese zodiac year begins on Chinese New Year’s Day. Dog years are believed to be the most unlucky for people born in previous years of the Dog. Chinese New Year Festival – Cultural Background Chinese New Year is the first day of the first lunar month of Chinese calendar year. The Chinese New Year is always between January 20 to February 20 of the Gregorian calendar. The preparation to celebrate the Chinese New Year festival begins around 8th day of 12th lunar month. The last day of the Chinese New Year festival is on the 15th day of first lunar month. That means it takes around three weeks to prepare the festival and 15 days to celebrate… Traditionally, a Chinese man works outside for living and his wife takes care everything inside home. A month is not long enough for a housewife to clean entire house, put new interior and exterior decoration, prepare new clothes and gifts for all family members, and food for many events. You can imagine that Chinese New Year festival is a combination of Thanksgiving, Christmas and New Year together. To understand more about 15-day Chinese New Year festival, we need to know some Chinese culture background. Thousands of years ago, China was mainly an agriculture society. Each year, the dynasty government announced annual calendar for farmers. -
Research of Ancient Architectures in Jin-Fen Area Based on GIS&BIM Technology
12th International Conference on Damage Assessment of Structures IOP Publishing IOP Conf. Series: Journal of Physics: Conf. Series 1234567890842 (2017) 012035 doi :10.1088/1742-6596/842/1/012035 Research of Ancient Architectures in Jin-Fen Area Based on GIS&BIM Technology Jing Jia1, Qiuhong Zheng 1*, Huiying Gao1 and Hai Sun1 1 Civil Engineering Department, College of Engineering, Ocean University of China, No.238 Songling Road, Qingdao 266100, P. R. China *E-mail: [email protected], TEL: 86-1576227290, Fax: 86-0532-66781550 Abstract. The number of well-preserved ancient buildings located in Shanxi Province, enjoying the absolute maximum proportion of ancient architectures in China, is about 18418, among which, 9053 buildings have the structural style of wood frame. The value of the application of BIM (Building Information Modeling) and GIS (Geographic Information System) is gradually probed and testified in the corresponding fields of ancient architecture’s spatial distribution information management, routine maintenance and special conservation & restoration, the evaluation and simulation of related disasters, such as earthquake. The research objects are ancient architectures in JIN-FEN area, which were first investigated by Sicheng LIANG and recorded in his work of “Chinese ancient architectures survey report”. The research objects, i.e. the ancient architectures in Jin-Fen area include those in Sicheng LIANG’s investigation, and further adjustments were made through authors’ on-site investigation and literature searching & collection. During this research process, the spatial distributing Geodatabase of research objects is established utilizing GIS. The BIM components library for ancient buildings is formed combining on-site investigation data and precedent classic works, such as “Yingzao Fashi”, a treatise on architectural methods in Song Dynasty, “Yongle Encyclopedia” and “Gongcheng Zuofa Zeli”, case collections of engineering practice, by the Ministry of Construction of Qing Dynasty. -
Yuan Hongdao's Shanhu Lin and the Revival of Chan Buddhism in the Wanli Period
Strolling in "Coral Grove": Yuan Hongdao's Shan Hu Lin and the Revival of Chan Buddhism in the Wanli Period (1573-1620) Item Type text; Electronic Thesis Authors Zi, Xin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 13:59:34 Link to Item http://hdl.handle.net/10150/293625 STROLLING IN “CORAL GROVE”: YUAN HONGDAO’S SHANHU LIN AND THE REVIVAL OF CHAN BUDDHISM IN THE WANLI PERIOD (1573-1620) By Xin Zi ____________________________ Copyright © Xin Zi 2013 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Xin Zi APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: 05/07/2013 Jiang Wu Date Associate Professor Department of East Asian Studies 3 ACKNOWLEDGEMENTS First and foremost, I would like to thank Professor Jiang Wu for the inspiration and precious photocopies to begin and continue this thesis on the Shan hu lin—an interesting and important work recording a famous man of letters of the late Ming China, Yuan Hongdao’s personal thoughts on Chan meditation and cultivation of the mind. -
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ENHANCING THE INTERPRETATION OF SITES ON THE SILK ROADS: A STUDY OF SHAANXI PROVINCE Xuechun Zhang Submitted in partial fulfillment of the requirements for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University May 2018 Advisor William Raynolds Adjunct Assistant Professor, Columbia University GSAPP Program Director, Heritage Conservation in J.M. Kaplan Fund Readers Carolina Castellanos Adjunct Associate Professor, Columbia University GSAPP Consultant of UNESCO World Heritage Centre Bryony Roberts Principal of Bryony Roberts Studio Acknowledgments I am grateful to all of those with whom I have had the pleasure to work during this research. I would first and foremost like to thank my advisor, Will Raynolds, who has provided me extensive professional guidance and taught me a great deal about academic studies in general. This thesis would not have been possible without his interest in this topic, his insight, and his patience. I would also like to thank my two readers, Professor Carolina Castellanos and Bryony Roberts, who gave me lots of helpful comments in a variety of aspects and polished the final product. I am deeply grateful to those who took time to speak with me on behalf of their organizations: Liang Zhang, Assistant to Director, IICC-X (ICOMOS International Conservation Center, Xi’an) Li Zhang, Secretary of the Department of Education and Promotion, Xi’an Museum Mr. Cui, Curator, Zhangqian Memorial Hall Jianping Feng, Secretary of the Conservation and Reform Office, Daming Palace National Heritage Park Xisheng Zhang, Director, Heritage Protection Office of Daming Palace Haimei Han, Secretary, Heritage Protection Office of Daming Palace Additionally, I wish to thank the interpreters who generously volunteered their time and knowledge and all the visitors who helped me with the survey. -
Structural Monitoring and Safety Assessment During Translocation of Mahavira Hall of Jade Buddha Temple
sustainability Article Structural Monitoring and Safety Assessment during Translocation of Mahavira Hall of Jade Buddha Temple Rui Zhang 1, Songtao Xue 1,2, Liyu Xie 1,* , Fengliang Zhang 3 and Wensheng Lu 1 1 Department of Disaster Mitigation for Structures, Tongji University, Shanghai 200092, China; [email protected] (R.Z.); [email protected] (S.X.); [email protected] (W.L.) 2 Department of Architecture, Tohoku Institute of Technology, Sendai 982-8577, Japan 3 School of Civil and Environmental Engineering, Harbin Institute of Technology, Shenzhen 518055, China; [email protected] * Correspondence: [email protected]; Tel.: +86-21-6598-2390 Received: 20 August 2019; Accepted: 30 September 2019; Published: 2 October 2019 Abstract: The Mahavira Hall of the Jade Buddha Temple in Shanghai, China is a century-old traditional timber structure with a post-and-lintel construction. To improve the temple’s architectural layout and enhance the lintel structural integrity, the Mahavira Hall was moved 30.66 m and then elevated 1.05 m in September 2017. To assist in the structural translocation and uplift, the authors designed a monitoring system to continuously measure the relative displacement and inclination of the overall structure, individual components, and inside statues to ensure the integrity of the hall and its contents. This article presents and summarizes the priority issues and principles of monitoring the ancient Chinese timber structure. The time series of monitored data are decimated in order to minimize the fluctuation of data. The structural integrity of the Mahavira Hall was evaluated based on the inclination angle of its vital members.