Research of Ancient Architectures in Jin-Fen Area Based on GIS&BIM Technology
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Chinese Religious Art
Chinese Religious Art Chinese Religious Art Patricia Eichenbaum Karetzky LEXINGTON BOOKS Lanham • Boulder • New York • Toronto • Plymouth, UK Published by Lexington Books A wholly owned subsidiary of Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 10 Thornbury Road, Plymouth PL6 7PP, United Kingdom Copyright © 2014 by Lexington Books All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Karetzky, Patricia Eichenbaum, 1947– Chinese religious art / Patricia Eichenbaum Karetzky. pages cm Includes bibliographical references and index. ISBN 978-0-7391-8058-7 (cloth : alk. paper) — ISBN 978-0-7391-8059-4 (pbk. : alk. paper) — ISBN 978-0-7391-8060-0 (electronic) 1. Art, Chinese. 2. Confucian art—China. 3. Taoist art—China. 4. Buddhist art—China. I. Title. N8191.C6K37 2014 704.9'489951—dc23 2013036347 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America Contents Introduction 1 Part 1: The Beginnings of Chinese Religious Art Chapter 1 Neolithic Period to Shang Dynasty 11 Chapter 2 Ceremonial -
Guangxiao Temple (Guangzhou) and Its Multi Roles in the Development of Asia-Pacific Buddhism
Asian Culture and History; Vol. 8, No. 1; 2016 ISSN 1916-9655 E-ISSN 1916-9663 Published by Canadian Center of Science and Education Guangxiao Temple (Guangzhou) and its Multi Roles in the Development of Asia-Pacific Buddhism Xican Li1 1 School of Chinese Herbal Medicine, Guangzhou University of Chinese Medicine, Guangzhou, China Correspondence: Xican Li, School of Chinese Herbal Medicine, Guangzhou University of Chinese Medicine, Guangzhou Higher Education Mega Center, 510006, Guangzhou, China. Tel: 86-203-935-8076. E-mail: [email protected] Received: August 21, 2015 Accepted: August 31, 2015 Online Published: September 2, 2015 doi:10.5539/ach.v8n1p45 URL: http://dx.doi.org/10.5539/ach.v8n1p45 Abstract Guangxiao Temple is located in Guangzhou (a coastal city in Southern China), and has a long history. The present study conducted an onsite investigation of Guangxiao’s precious Buddhist relics, and combined this with a textual analysis of Annals of Guangxiao Temple, to discuss its history and multi-roles in Asia-Pacific Buddhism. It is argued that Guangxiao’s 1,700-year history can be seen as a microcosm of Chinese Buddhist history. As the special geographical position, Guangxiao Temple often acted as a stopover point for Asian missionary monks in the past. It also played a central role in propagating various elements of Buddhism, including precepts school, Chan (Zen), esoteric (Shingon) Buddhism, and Pure Land. Particulary, Huineng, the sixth Chinese patriarch of Chan Buddhism, made his first public Chan lecture and was tonsured in Guangxiao Temple; Esoteric Buddhist master Amoghavajra’s first teaching of esoteric Buddhism is thought to have been in Guangxiao Temple. -
In This Issue
TAG-Confucius & TAG-Visa Newsletter | Issue 47 - April 2020 Talal Abu Ghazaleh-Confucius Institute: IN THIS ISSUE: The Institute was established in September 2008 Abu-Ghazaleh Chairs Online Board Meeting to introduce the Chinese language and culture, as of TAG-Confucius Institute well as achieving a greater mutual understanding Abu-Ghazaleh: I do believe in China’s Ability between the Arab and Chinese cultures. This unique to swiftly overcome coronavirus crisis. Jordan initiative is based on the cooperation agreement achieved success in crisis management between TAG-Org and Confucius Institute in Most Famous Temples and Monasteries in China China. The Institute has been named after the great intellectual, mentor and philosopher, Confucius, whose ideas had influenced China and other regions around the world for over 2,000 years. For inquiries please contact us Tel: +962 - 6 5100600 | Fax: +962 - 6 5100606 website: www.tagconfucius.com | Email: [email protected] TAG-Confucius Newsletter Issue 47 - April 2020 TAG-Confucius Institute is the first institute accredited by the Chinese Government to teach Chinese language in Jordan. TAG-Confucius Institute is holding a new course to teach the basics of the Chinese language for beginners: A. Online Threshold Level for Adults: starting 03/05/2020 Schedule: Sunday to Wednesday from 4:00 – 6:00 pm B. Online Threshold Level for Kids : starting 03\05\2020 Schedule: Sunday to Wednesday from 4:00 – 6:00 pm *All Chinese language teachers are from China specialized in teaching Chinese language for foreigners and accredited by the Confucius Institute in China. Abu-Ghazaleh Chairs Online Board Meeting of TAG-Confucius Institute Mr. -
Download File
ENHANCING THE INTERPRETATION OF SITES ON THE SILK ROADS: A STUDY OF SHAANXI PROVINCE Xuechun Zhang Submitted in partial fulfillment of the requirements for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University May 2018 Advisor William Raynolds Adjunct Assistant Professor, Columbia University GSAPP Program Director, Heritage Conservation in J.M. Kaplan Fund Readers Carolina Castellanos Adjunct Associate Professor, Columbia University GSAPP Consultant of UNESCO World Heritage Centre Bryony Roberts Principal of Bryony Roberts Studio Acknowledgments I am grateful to all of those with whom I have had the pleasure to work during this research. I would first and foremost like to thank my advisor, Will Raynolds, who has provided me extensive professional guidance and taught me a great deal about academic studies in general. This thesis would not have been possible without his interest in this topic, his insight, and his patience. I would also like to thank my two readers, Professor Carolina Castellanos and Bryony Roberts, who gave me lots of helpful comments in a variety of aspects and polished the final product. I am deeply grateful to those who took time to speak with me on behalf of their organizations: Liang Zhang, Assistant to Director, IICC-X (ICOMOS International Conservation Center, Xi’an) Li Zhang, Secretary of the Department of Education and Promotion, Xi’an Museum Mr. Cui, Curator, Zhangqian Memorial Hall Jianping Feng, Secretary of the Conservation and Reform Office, Daming Palace National Heritage Park Xisheng Zhang, Director, Heritage Protection Office of Daming Palace Haimei Han, Secretary, Heritage Protection Office of Daming Palace Additionally, I wish to thank the interpreters who generously volunteered their time and knowledge and all the visitors who helped me with the survey. -
Structural Monitoring and Safety Assessment During Translocation of Mahavira Hall of Jade Buddha Temple
sustainability Article Structural Monitoring and Safety Assessment during Translocation of Mahavira Hall of Jade Buddha Temple Rui Zhang 1, Songtao Xue 1,2, Liyu Xie 1,* , Fengliang Zhang 3 and Wensheng Lu 1 1 Department of Disaster Mitigation for Structures, Tongji University, Shanghai 200092, China; [email protected] (R.Z.); [email protected] (S.X.); [email protected] (W.L.) 2 Department of Architecture, Tohoku Institute of Technology, Sendai 982-8577, Japan 3 School of Civil and Environmental Engineering, Harbin Institute of Technology, Shenzhen 518055, China; [email protected] * Correspondence: [email protected]; Tel.: +86-21-6598-2390 Received: 20 August 2019; Accepted: 30 September 2019; Published: 2 October 2019 Abstract: The Mahavira Hall of the Jade Buddha Temple in Shanghai, China is a century-old traditional timber structure with a post-and-lintel construction. To improve the temple’s architectural layout and enhance the lintel structural integrity, the Mahavira Hall was moved 30.66 m and then elevated 1.05 m in September 2017. To assist in the structural translocation and uplift, the authors designed a monitoring system to continuously measure the relative displacement and inclination of the overall structure, individual components, and inside statues to ensure the integrity of the hall and its contents. This article presents and summarizes the priority issues and principles of monitoring the ancient Chinese timber structure. The time series of monitored data are decimated in order to minimize the fluctuation of data. The structural integrity of the Mahavira Hall was evaluated based on the inclination angle of its vital members. -
Tourism, Heritage Authorization, and Spatial Transformation of the Shaolin Temple
sustainability Article The Uses of Reconstructing Heritage in China: Tourism, Heritage Authorization, and Spatial Transformation of the Shaolin Temple Xiaoyan Su 1,2,*, Changqing Song 1 and Gary Sigley 2 1 State Key Laboratory of Earth Surface Processes and Resource Ecology, Faculty of Geographical Science, Beijing Normal University, No. 19, XinJieKouWai St., HaiDian District, Beijing 100875, China; [email protected] 2 Central Plains Economic Zone Smart Tourism Cooperative Innovation Center in Henan Province, School of Land and Tourism, Luoyang Normal University, 6#Jiqing RD, Yibin District, Luoyang 471934, China; [email protected] * Correspondence: [email protected] Received: 15 October 2018; Accepted: 11 January 2019; Published: 15 January 2019 Abstract: Recently, debates on authenticity in the West and China have attracted attention of critical heritage studies. This paper aims to better understand how Western Authorized Heritage Discourse (AHD) influences local heritage practice in China. This paper employs observation, semi-structured interviews and textual analysis to examine how authenticity criteria in Western AHD has shaped perceptions on the spatial consequences of what is “authentic” by different agents in regards to the cultural heritage of the Shaolin Temple. It is argued that the implementation of authenticity criteria found in Western AHD influences Shaolin heritage practice both in hegemonic and negotiated ways, in which a Chinese AHD is formed through the creation of a Western AHD with Chinese characteristics. The understandings on authenticity criteria derived from Western AHD by Chinese heritage experts dominates Shaolin heritage practice, whilst the perceptions on “authentic” Shaolin Temple cultural heritage attached closely to their emotions and experiences by local residents are neglected and excluded. -
Study on the Protection of the Lama Temple Heritage in Inner Mongolia As a Cultural Landscape
Study on the Protection of the Lama Temple Heritage in Inner Mongolia as a Cultural Landscape Jiayu Wu*1 and Yong Fang2 1 Ph.D. Candidate, College of Urban and Environmental Sciences, Peking University, China 2 Professor, School of Archaeology and Museology, Peking University, China Abstract The Lama temple in Inner Mongolia, which was originally built in the Yuan Dynasty, was once the social, economic, and cultural center of Inner Mongolia, and is the most important tangible cultural heritage and intangible cultural carrier for the religious activities of Inner Mongolia throughout its history. The Lama temples in Inner Mongolia are the typical cultural landscape heritage: First, the Lama temples in Inner Mongolia are intentionally designed and created by humans and bear continuous organic evolution; second, the Lama temples in Inner Mongolia are located in a distinct geographical environment of grassland farms The Lama temples in Inner Mongolia bear an architecture type gradually formed by Mongolian society in seeking social development and religious dissemination in the prairie geographical environment, and have strong regional characteristics. Finally, the Lama temples in Inner Mongolia are the typical religious associative landscape. From the point of view of the perspective of cultural landscape heritages, this paper analyzes the characteristics and values of the Lama temple heritages in Inner Mongolia through a category comparison, proposes the organic evolution characteristics of Lama temple heritages in Inner Mongolia and the -
The Key to Achieving Great Dishes Is to Learn, Adapt and ISSN 2076-3743 Create
2021.01 THE KEY TO Interview with Tom Deng ACHIEVING Chinese Executive Chef Pan Pacific Tianjin 专访邓震飞 GREAT 中餐行政总厨 DISHES 天津泛太平洋大酒店 LEARN, ADAPT and CREATE Follow us on Wechat! 实现美味佳肴的秘诀 学习与改变、融合与创新 InterMediaChina www.tianjinplus.com Editor's Notes Hello Friends: What can be said about the end of 2020? On January 1st of every year, we’re inundated with Managing Editor retrospectives of the last 12 months in world news. Pandemic is the operative word for Sandy Moore 2020 for most popular dictionaries. The Oxford English Dictionary declined to name one [email protected] single word, citing the hyper-speed at which we all gained new vocabulary terms this year: doomscrolling, lockdown, bubbles or pods, BLM, COVID-19. Advertising Agency InterMediaChina Recently, while sitting around a table after a disappointing day, we began intermittently [email protected] going around the group, listing the things we never would have done if this had been a normal year, and we also asked our readers and friends in order to add more options to the Publishing Date list. So far, at the top of the list has been finding an egg on a ledge in someone backyard January 2021 and setting up a webcam so we could watch it from the moment it hatched until the baby bird was big enough to fly away. Slightly stalkerish, I admit, but very uplifting. Tianjin Plus is a Lifestyle Magazine. For Members ONLY In this first issue of 2021, we talk about chatting with Tom Deng, Chinese Executive Chef at www. tianjinplus. com Pan Pacific Tianjin, to learn some interesting details about his career and his commitment to customer satisfaction. -
Mount Wutai (China) Consultations: ICOMOS Has Consulted Its International Scientific Committee on Cultural Landscapes
Background: This is a new nomination. Mount Wutai (China) Consultations: ICOMOS has consulted its International Scientific Committee on Cultural Landscapes. No 1279 Literature consulted (selection): Naquin, Susan, and Yu, Chun-fang, Pilgrims and Sacred Sites in China, University of California Press, Berkeley, 1992. Official name as proposed by the State Party: Mount Wutai Birnbaum, Raoul, Visions of Manjusri on Mount Wutai, in Lopez, Donald (ed.), Religions of China in Practice, 1996. Location: Xinzhou City, Shanxi Province, Technical Evaluation Mission: A joint ICOMOS/IUCN People’s Republic of China mission visited the site from 8 to 13 September 2008. Brief description: Additional information requested and received from the State Party: ICOMOS sent a letter to the State Party on 13 Mount Wutai with its five flat peaks is one of the four October 2008 and the State Party responded with sacred Buddhist mountains in China. Its fifty-three supplementary information on 13 November 2008. monasteries, include the East Main Hall of Foguang ICOMOS sent further letters to the State Party on 9 st Temple, with life size clay sculptures, the highest ranking December 2008 and 21 January 2009. The State Party timber building to survive from the Tang Dynasty, and the responded on 2 March 2009 (51 pages). The responses are Ming Dynasty Shuxiang Temple with a huge complex of included in the report below. 500 ‘suspension’ statues, representing Buddhist stories woven into three dimensional pictures of mountains and Date of ICOMOS approval of this report: 10 March 2009 water. Overall the temple buildings present a catalogue of the way 2. -
Week 11 Buddhism
Week 11 Buddhism Historical Overview The medieval period is a complex history of division between north and south. It begins with the dissolution of the Han dynasty and the establishment of Three Kingdoms, which divided China between the kingdom of Wei in the north, Shu in the west, and Wu in the south. Although none of these kingdoms could successfully restore order in China, the Jin dynasty superseded the Wei and defeated the kingdom of Wu into 280, briefly reunifying China for just over 30 years until invading northern tribes sacked the central plains and the Jin court was forced south. The fragmentation of the Han into three kingdoms brings us back to the uprising of the yellow turbans, a religious group that preached about a way of great peace and challenged the authority of Han government. The armies raised to suppress this uprising eventually grew more powerful than the state. And civil war ensued. One powerful general, Cao Cao, joined forces with the Han and assumed real political power as dictator in northern China, although he never took the name "emperor" during his lifetime. His son, Cao Pi, forced the abdication of the last Han emperor and declared the Wei dynasty in 220 A.D. After Wei defeated Shu in 263, the Sima family usurped the throne and declared the Jin Dynasty in 265. They finally defeated Wu in the south in 280. In the capital at Luoyang, however, tensions grew between Chinese, or Hanren, people culturally identified with the state of Han, and non-Chinese northern tribes. A sinified Xiongnu by the name of Liu Yuan declared himself King of Han in 304. -
(Title of the Thesis)*
Tracing Incense: The Affective Power of Objects by Emma Bass A thesis submitted to the Department of Cultural Studies In conformity with the requirements for the degree of Master of Arts Queen’s University Kingston, Ontario, Canada (January , 2019) Copyright ©Emma Bass, 2019 Abstract Incense has been an integral part of Chinese culture since before the introduction of Buddhism in the third century B.C.E. A rise in the popularity of Buddhist practice marked an increase in the importation, production, and use of incense in China. Incense was used for everything from acting as an aid in the most mundane activities, like telling time, to accomplishing the most extraordinary activities, like helping Buddhist practitioners achieve instant enlightenment. Yet, despite incense being a seemingly integral part of Chinese history and culture the government has created a policy limiting the use of incense in Buddhist temples. “Tracing Incense: The Affective Power of Objects” asks the question: what can be gained by introducing new materialism and affect theory to religious studies research? Specifically, how can embodied, sensory observations of incense in four Buddhist temples in Shanghai enrich our understanding of contemporary Chinese Buddhism? There is scholarship discussing the role of material objects in religion, as well as scholarship introducing affect theory to religious studies but there is little to no writing that brings religious studies into conversation with both new materialism and affect theory to investigate what each theoretical model lends to the other and to the greater study of religion. To illustrate how material and affect based research can be helpful in developing the field of religious studies, I will share my observations of incense in four Buddhist temples in Shanghai that I gathered while conducting sound and smellwalks. -
Starring: ANDY LAU, NICHOLAS TSE Special Appearance by JACKIE CHAN With: FAN BINGBING, WU JING,YU SHAOQUN, YU HAI, YANNENG, XION
EMPEROR MOTION PICTURES CHINA FILM GROUP HUAYI BROTHERS MEDIA BEIJING SILVER MOON PRODUCTIONS SHAOLIN TEMPLE CULTURE COMMUNICATION COMPANY Present A BENNY CHAN Film Starring: ANDY LAU, NICHOLAS TSE Special appearance by JACKIE CHAN with: FAN BINGBING, WU JING,YU SHAOQUN, YU HAI, YANNENG, Xiong Xinxin, BAI BING Action Director: CORY YUEN Director of Photography: Anthony Pun (HKSC) Production Designed by: YEE CHUNG-MAN Produced and Directed by: BENNY CHAN Credits not contractual CONTENT The Film the FilmmAkErs The CAsT the prOduction 2 | S H A O L I N THE FILM 4 | S H A O L I N the Film DIRECTOR’S STATEMENT “Like many of my peers who were starting out in the film industry wealth of materials, we consciously set out not to remake the 1982 Shaolin disciples still hold on to their somewhat pacifist beliefs. in the early 1980s, I was influenced and inspired by the original Jet Li classic. Instead, we set our Shaolin in China during the This is ironic but this is also a message that I want to convey in The Shaolin Temple. I found the martial arts portrayed in this 1982 1920s – the age of the warlords. Shaolin. classic radically different from anything I have seen before. I mean, wow, there was Jet Li executing the most perfect of 360-degree Of course, martial arts is still the core element of our film. I have been deeply touched by how people rallied around those roundhouse kicks in mid-air! It was both stunning and riveting. However, we have tried not to replicate what Jet Li accomplished affected by natural disasters in recent years.