Two-Page Resume

______Faculty Resume

Michael J. Hatch, Assistant Professor, Art and Architecture History Affiliate Faculty, East Asian Studies

Professional Preparation PhD, Princeton University, Art & Architecture, 2015 MA, Princeton University, Art & Architecture, 2011 BA, Middlebury College, East Asian Studies, 2003

Book Manuscript (in progress, to be completed in 2021) The Tactful Literatus: Touch and Materiality in Chinese Art, 1790-1840

Peer-Reviewed Journal Articles “Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi’s Engraved Texts of the Lesser Penglai Pavilion (1800),” Archives of Asian Art 70:1 (April, 2020), 23-49. “Epigraphic and Art historical Responses to Presenting the Tripod, by Wang Xuehao (1803),” Metropolitan Museum Journal 54 (2019), 87-105.

Catalog Essays (forthcoming) “Feng Yan- The Things We Live with,” in 封岩：他山之石 (苏州：苏州博物院), 2020. 钱杜, 张崟与十九世纪初期对吴派画家的兴趣 (“Qian Du, Zhang Yin, and the Early Nineteenth-Century Interest in Wu School Painters”) in 古典的復興 (上海：上海古籍出版社), 2018, 22-26. “Xu Lei and Chinese Dreams,” in Xu Lei: New Works (New York: Marlborough Gallery), 2016, 23-29. “Texture and the Chinese Landscape— Photograph-Paintings by Michael Cherney and Arnold Chang,” in From Two Arises Three: Creating a Third Space, Collaborative Works of Arnold Chang and Michael Cherney, (New York: Early Spring Press), 2014, 14-21.

Multi-Author Edited Volumes (forthcoming) “Emulation and Fabrication in Chinese Painting Culture,” in Sharon Hecker and Peter J. Karol eds., Posthumous Art, Law and the Art Market (New York: Routledge), 2022. (forthcoming) “What Can Ad Reinhardt Teach Us about Asian Art,” in Michelle Lim and Kyunghee Pyun, eds., American Art in Asia: Artistic Praxis and Theoretical Divergence (New York: Routledge), 2021. “Jin Nong,” “Zheng Xie,” and “Yangzhou School,” Grove Encyclopedia of Asian Art and Architecture, (New York: Oxford University Press), 2017.

Magazine Articles “Learning about Asian Art from Ad Reinhardt,” The Brooklyn Rail, Ad Reinhardt Centennial, 1913–2013 (Jan. 16, 2014), 128.

Reviews “展评: 郝量－肖像与奇迹” “Exhibition Reviews: Hao Liang- Portraits and Wonders.” 艺术世界 Art World 331 (Jul., 2018), 104-105. “Learning about Asian Art from Ad Reinhardt,” The Brooklyn Rail, Ad Reinhardt Centennial, 1913–2013 (Jan. 16, 2014), 128. “Fresh Ink: Ten Takes on Chinese Tradition, Museum of Fine Arts, Boston,” LEAP: The Bilingual Art Magazine of Contemporary China 7 (January, 2011), 176-179. “Responses to ‘Fresh Ink: Ten Takes on Chinese Tradition’,” Orientations Magazine 42:3 (February, 2011), 57-58. “The Third Mind: American Artists Contemplate Asia: 1860-1989, and Outside In: Chinese x American x Contemporary Art,” Yishu: Journal of Contemporary Chinese Art 8.4 (July/August 2009), 74-87. “Reboot—The Third Chengdu Biennale: A Review,” Yishu: Journal of Contemporary Chinese Art 7.1 (January/February 2008), 59-69. “Reviews, Beijing— Zhao Liang: Three Shadows Photography Art Center,” Artforum International 47.1 (September 2008), 482-483.

Scholarly Presentations and Invited Talks "Epigraphy, Ruan Yuan, and the Haptic Imagination in Early Nineteenth-Century Chinese Painting," Visual and Material Perspectives of East Asia Workshop, University of Chicago, November 8, 2019. “Sensory Experience and Chinese Painting circa 1800,” Western Michigan University, April 19, 2019. “Text, Image, and Gendered Experience in Early Nineteenth-Century Figure Paintings by Gai Qi,” Understanding Media: New Perspectives on Ming-Qing Literature Conference, University of Michigan, Ann Arbor, MI, April 13-14, 2019. Panel Chair, “In Search of Artisans in China: Reading Words and Objects,” at the Association of Asian Studies Annual Conference, Denver, CO, March 21, 2019. “The Senses of Painting in China, 1790-1840,” Ohio State University, October 28, 2018. “Belated Bodies: Nineteenth-Century Chinese Painting, Historical Memory, and the Senses,” presented on the panel, “Transformation and Mobility,” Spring Fellows Colloquium, Metropolitan Museum of Art, New York, NY, April 5, 2018. Discussant, “Pride, Passion, and Patriotism: Exploring China’s Hunger for Antiquities,” China Institute, New York, Mar.20, 2018. “Awkward Brushes and Antique Stones: Epigraphic Style in the Arts of Early Nineteenth-Century China” and “The Struggle to Understand Early Nineteenth-century Painting in China, with Qian Du (1763-1844) as a case study,” Papp Lectures in Chinese Art, Phoenix Art Museum, Jan.31-Feb.1, 2018. “Linearity and Brushwork in Late Nineteenth and Early Twentieth-century Chinese Painting Theory,” presented on the panel, “Delineations: Linearity and Its Alternatives in Chinese Painting, Sixteenth to Twentieth Century," at the Association of Asian Studies Annual Conference, Seattle, WA, Mar. 18, 2016. “Delineating the Illegible in Huang Yi's Epigraphic Study, Epigraphic Inscriptions of the Lesser Penglai Pavilion (1800),” ‘UC Berkeley History of Art Graduate Symposium,’ Apr. 11, 2014. “Clarity and Quietude- Literati Aesthetics between Tea and Painting in the Work of Qian Du (1764-1844),” ‘China Project Workshop,’ Institute of Fine Arts, New York, Oct. 18, 2013. “An Imperially Produced Miniature Jade Book,” ‘Mellon Chinese Object Study Workshop- Calligraphy,’ Metropolitan Museum, New York, Aug.30, 2013. “The Myth of the Orthodox and Individualist Schools in Qing Dynasty Landscape Painting,” ‘Myths and Orthodoxies in East Asian Art,’ Princeton University, Mar.3, 2012. “Intermateriality: Porcelain and Painting, a Yongzheng Era Example,” ‘Intermateriality: Porcelain and Painting,’ Princeton University, Dec.10, 2010.

Conference Organization “Painting in China around 1800,” co-organized with Michele Matteini, NYU Department of Art History, and co-hosted at the Metropolitan Museum of Art and NYU’s Institute of Fine Arts, June 6-7, 2019. “Myths and Orthodoxies in East Asian Art,” graduate student conference, co-organized with Miriam Chusid, hosted by The Tang Center for East Asian Art, Princeton University, Mar.3, 2012. “Intermateriality: Porcelain and Painting,” co-organized with Prof. Susan Naquin, Princeton University, and co-hosted by Princeton Institute for International and Regional Studies, Dec.10, 2010.

Curated Exhibitions “Qian Du (1764-1844) and Style in Qing Dynasty Landscape Painting,” Princeton University Art Museum (21 January, 2012—22 April, 2012).

Courses Taught ART 285: Writing and the Visual Arts ART 286A: China, Korea, Japan ART 311: Chinese Painting ART 326: Modern and Contemporary East Asian Art ART 420D: Art and Its Markets ART 480F: East Asia in the Museum ART 498: Capstone Seminar- Global East Asia in the 19th Century

Externally-Funded Activities Metropolitan Museum of Art Andrew W. Mellow Postdoctoral Fellowship in Asian Art History, 2017-2018

Advising and Advisees Advising 6-10 students per semester Advising a 2021 Honors Thesis

Service 2018—present, University Senate Representative for the Art Department, Miami University 2018—present, Disciplinary Board Member, Office of Community Standards, Miami University 2015—present, East Asian Studies Committee Member, Miami University 2015—2017, VASE Committee, Art Department, Miami University