First Emanuel Baptist Church Volume 4 Issue 9 Dr
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Stewardship of Tithes and Talents
STEWARDSHIP OF TITHES AND TALENTS MUSIC & WORSHIP RESOURCES Sunday, May 18, 2008 Nolan Williams, Jr., Lectionary Team Liturgist 1. Introit or Processional We Are an Offering. By Dwight Liles 2. Litany Stewardship Leader O God, we desire to be good stewards of all that you have made: the earth, the world, and all that dwells therein. All that we have comes as a trust from you. Congregation God, Elohim, we give thanks for your gifts to us. Leader We are called by God to use whatever gifts we have been given in service to others. Congregation As you have so freely given to us and lovingly made us what we are, we now STEWARDSHIP OF TITHES AND TALENTS - MUSIC & WORSHIP RESOURCES 1 freely give back to you the substance of our lives—our time, talent, and money. Leader We are reminded in the gospel that from the poverty of the cross we have gained the richness of life. Congregation Thank you, Lord, for allowing us to give to the work you have assigned our hand to do in this your earthly kingdom. Leader You have put your divine stamp upon us, endowed us with honor, and created us in your likeness. We are fearfully and wonderfully made. Through providence and grace we offer our tithes and offerings on your altar. Congregation Lord, Adonai, where our hearts and hands are closed, open them. Where our resolve is weak, strengthen us. Leader Our health and strength have come from you and it is you who make our financial resources possible. Congregation Teach us to give as we have received. -
Complex, Bloody Bond for Safety on Public
Volume 79, No. 55B ©SS 2020 CONTINGENCY EDITION SUNDAY, JULY 5, 2020 stripes.com Free to Deployed Areas VIRUS OUTBREAK Governors put onus Complex, bloody bond for safety on public BY KIMBERLEE KRUESI Associated Press NASHVILLE, Tenn. — As Tennessee registered what then was its highest single-day coro- navirus case increase, Gov. Bill Lee held a news conference and issued a stern response. It wasn’t a mandate to wear masks in public or clamp down on businesses or social gatherings. Instead, it was a plea for residents to do the right thing. “When we have people dying in this state as a result of this virus, we should be taking personal re- sponsibility for this,” the Republi- can governor said. It was the same message Lee issued in late March as the COVID-19 disease was beginning to spread. He has vowed to stick to the personal responsibility mantra, with no plans to reinstate stay-at-home restrictions or im- pose statewide mandates — even as photos of unmasked people crowding bars and outdoor con- certs across Tennessee spread across social media. Instead, Lee signed an execu- tive order Friday that allows local officials to issue their own mask mandates if they want — as Nash- US, Russia share brutal history in Afghanistan ville and Memphis had already done. Elevating a message of person- al responsibility over statewide BY KATHY GANNON Now both superpowers are linked again country that does not serve as a base for crackdowns on businesses and Associated Press over Afghanistan, with intelligence re- extremists to export terrorism. -
The Case of Rihanna: Erotic Violence and Black Female Desire
Fleetwood_Fleetwood 8/15/2013 10:52 PM Page 419 Nicole R. Fleetwood The Case of Rihanna: Erotic Violence and Black Female Desire Note: This article was drafted prior to Rihanna and Chris Brown’s public reconciliation, though their rekindled romance supports many of the arguments outlined herein. Fig. 1: Cover of Esquire, November 2011 issue, U. S. Edition. Photograph by Russell James. he November 2011 issue of Esquire magazine declares Rihanna “the sexiest Twoman alive.” On the cover, Rihanna poses nude with one leg propped, blocking view of her breast and crotch. The entertainer stares out provocatively, with mouth slightly ajar. Seaweed clings to her glistening body. A small gun tattooed under her right arm directs attention to her partially revealed breast. Rihanna’s hands brace her body, and her nails dig into her skin. The feature article and accompanying photographs detail the hyperbolic hotness of the celebrity; Ross McCammon, the article’s author, acknowledges that the pop star’s presence renders him speechless and unable to keep his composure. Interwoven into anecdotes and narrative scenes explicating Rihanna’s desirability as a sexual subject are her statements of her sexual appetite and the pleasure that she finds in particular forms of sexual play that rehearse gendered power inequity and the titillation of pain. That Rihanna’s right arm is carefully positioned both to show the tattoo of the gun aimed at her breast, and that her fingers claw into her flesh, commingle sexual pleasure and pain, erotic desire and violence. Here and elsewhere, Rihanna employs her body as a stage for the exploration of modes of violence structured into hetero- sexual desire and practices. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
Music Business in Detroit
October 18, 2013 Music Business in Detroit: Estimating the Size of the Music Industry in the Motor City Prepared by: Anderson Economic Group, LLC Colby Spencer Cesaro, Senior Analyst Alex Rosaen, Senior Consultant Lauren Branneman, Senior Analyst Forward by: Patrick L. Anderson, Principal & CEO Anderson Economic Group, LLC 1555 Watertower Place, Suite 100 East Lansing, Michigan 48823 Tel: (517) 333-6984 Fax: (517) 333-7058 www.AndersonEconomicGroup.com © Anderson Economic Group, LLC, 2013 Permission to reproduce in entirety granted with proper citation. All other rights reserved. Foreword I'm pleased to share with readers of Crain's Detroit Business, as well as with others in the Detroit region, this first-of-its-kind study of the business of music in southeast Michigan. Everyone that grew up in this area knows of the "Motown sound," as well as the heritage of jazz, blues, and rock that has steeped into our culture. Many of us are also aware of the more recent innovations of techno and hip-hop, much of which has roots in Detroit. However, until now there has been no systematic analysis of the business of music in our area. Our Anderson Economic Group consultants have combed census and other business records; examined the geographic pattern of nightclubs and perfor- mance venues; scanned demographic patterns for concentrations of heavy enter- tainment consumers; and even conducted primary research into the days/nights of live music available to metro Detroiters at over two hundred specific bars, taverns, and clubs. What we have assembled is a thorough analysis of an indus- try that has always been important to our culture, but can now also be known for its contributions to our employment and earnings. -
101 Congregational Worship Songs in the Gospel Style
from Kirk Ward blog - worshipinthecity.wordpress.com/2012/10/25/101-congregational-worship-songs-in-the-gospel-style 101 Congregational Worship Songs in the Gospel Style A friend of mine asked for help with leads on where to get good congregational songs for worship in the Gospel style. I did a quick Planning Center filter of our songs at New City Fellowship and then cut it down to a solid 101. I organized it by artist and I apologize for any spelling errors in names or miss-matched artists. I decided to connect the song with the best recording not as much with the composer or original artist. I recommend YouTube as a place to hear all of this music.This is not supposed to be “the best,” but just a good place to start. The Blood Will Never Lose Its Power Andrae Crouch Bless His Holy Name Andrae Crouch Holy Spirit Come And Fill This Place Bebe Winans I Call You Faithful Donnie McClurkin Create In Me A Clean Heart Donnie McClurkin Jesus Lover Of My Soul Edwin Hawkins O Happy Day Edwin Hawkins Worship The Lord Edwin Hawkins This Is The Day Forever Jones They That Wait Fred Hammond Our Father Fred Hammond You Are The Living Word Fred Hammond Your Name Is Jesus Fred Hammond Lord Of The Harvest Fred Hammond Glory To Glory To Glory Fred Hammond We’re Blessed Fred Hammond Order My Steps Gospel Music Worshop I Need You To Survive Hezekiah Walker/David Fraiser Souled Out Hezekiah Walker/David Fraiser Power Belongs to God Hezekiah Walker/David Fraiser Again I Say Rejoice Israel Houghton Friend Of God Israel Houghton Better Than Life Israel Houghton -
Triller Network Acquires Verzuz: Exclusive
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app. -
Download Free Inner Court Album by Fred Hammond Download Free Inner Court Album by Fred Hammond
download free inner court album by fred hammond Download free inner court album by fred hammond. Enjoy our Budget Air/Ground Shipping - starting as low as $2.99! Simply choose Budget Air/Ground as your shipping method during checkout. Note: Budget Air/Ground takes a little longer than our other shipping options, but it's a great value if you're not in a rush. Details: • Length of delivery depends on the time required for products to move through your country's customs or import tax system. Budget Air/Ground may take 3-6 weeks. • Budget Delivery is not the default shipping option, so customers must choose this option during checkout. • All shipping costs are in US dollars. • We reserve the right to discontinue or change Budget Air/Ground Shipping at any time. Customs or Import Taxes. Packages delivered outside the US may incur customs or import taxes. For all international shipments, we identify the order contents and cost of the order on the custom form, however, we have no control over whether your country will charge customs or import tax when the package arrives. The person who received the order is responsible for paying all customs or import tax. We do not refund customers who refuse shipments or return items because they do not want to pay customs or import taxes. We recommend that you contact your local customs or import office for further information. fred hammond & radical for christ - inner court CD 1995 benson new. factory sealed, immediate first class shipping domestic and international. tracks: 1. Proclamations: Jesus Is 2. -
November 2014 and Introducing
New Releases November 2014 and introducing www.authenticmedia.co.uk Authentic Books – November 2014 Fields of Grace Faith, Friendship and the Day I Nearly Lost Everything Hannah Luce A deeply moving story of SUMMAry spirituality and friendship; Hannah Luce shares her extraordinary a plane crash, recovery childhood travelling the globe, evangelizing alongside her parents, and her time of ques- and discovery, from the tioning her faith. She shares the agonies arising daughter of preacher Ron from being the only survivor of a crash which killed her dearest friends and left her with Luce who co-founded severe burns, and how she has since found Teen Mania Ministries. resolution. HAnnAH LUCe is the founder of Mirror tree, a not-for-profit organization devoted to re-integrating refugees who have ‘This riveting personal account endured the horrors of rape, is not for sissies, yet it deftly genocide, civil wars, and conveys the beauty and depth of other traumas by funding educational research to love and faith among friends.’ improve their lives. She lives in Chicago. November 2014 // £9.99 Booklist KEY POINTS MORE INFO... • Autobiography of the daughter of a well-known American Written with robin gaby Fisher, the author of New York Times bestseller preacher After the Fire, who has twice been a finalist for the Pulitzer Prize in • gives insights into the difficulties faced by post-traumatic Feature Writing. stress and burns victims • Shows how we each have to find our own relationship withg od ‘gripping . a calamitous, fascinating memoir, written with surprising spiritual sophistication . Luce’s story serves as a tragic microcosm for MArketing an entire generation finding a faith of their own.’ • Sample to key media for interviews and excerpt publication • Profile through social media platforms Publishers Weekly tArget AUDienCe ‘i am astounded by Hannah’s will to live . -
2016 Dove Awards Nominees
2016 DOVE AWARDS NOMINEES Song of the Year – Cat 1 “Brother” (writers) Bear Rinehart, Bo Rinehart (publishers) NeedToBreathe Music, Bear Lee Breathing Music “First” (writers) Hank Bentley, Jason Ingram, Lauren Daigle, Mia Fieldes, Paul Mabury (publishers) All Essential Music, CentricSongs, Open Hands Music, Upside Down Under, Flychild Publishing, Be Essential Songs, So Essential Tunes, Bentley Street Songs “Flawless” (writers) Barry Graul, Bart Millard, Ben Glover, David Garcia, Mike Scheuchzer, Nathan Cochran, Robby Shaffer, Solomon Olds (publishers) Soul Glow Activator Music, 9t One Songs, Universal Music Brentwood Benson Publishing, D Soul Music, MercyMe Music, Wet As A Fish Music, Ariose Music “Good, Good Father” (writers) Pat Barrett, Tony Brown (publishers) Vamos Publishing, Capitol CMG Parago, Common Hymnal Publishing, Housefires Sounds, Tony Brown Publishing Designee, worshiptogether.com songs, sixsteps Music “Just Be Held” (writers) Bernie Herms, Mark Hall, Matthew West (publishers) My Refuge Music, Atlas Holdings, Highly Combustible Music, House of Story Music Publishing, Be Essential Songs “No Longer Slaves” (writers) Jonathan David Hesler, Brian Johnson, Joel Case (publisher) Bethel Music Publishing “The River” (writers) Colby Wedgeworth, Jordan Feliz, Joshua Silverberg (publishers) CentricSongs, Colby Wedgeworth Music, Capitol CMG Amplifier, Red Red Pop, Fair Trade Music Publishing “Touch The Sky” (writers) Joel Houston, Dylan Thomas, Michael Guy Chislett (publisher) Hillsong Music Publishing “Trust In You” (writers) -
ミュージック 576 曲、1.5 日、4.11 Gb
ミュージック 576 曲、1.5 日、4.11 GB 名前 アーティスト Don't Stop...Planet Rock (LP Version) Afrika Bambaataa & The Soul Sonic Force Don't Stop Believin Ahmir Mira Mira AL Be Back Feat. Fabolous I'm A Ryda (Prod. By Suthun Music) Alphy Nics Last Time (Prod. By Brian Kennedy) An'Dre' Merritt Kitchen Music Arab Feat. OJ Da Juiceman Keep Winning Archie Eversole Feat. Ray L The World Ashanti The World (Full) Ashanti Try Again (Prod. By Soulshock & Karlin) Atozzio Ghost In The Machine B.o.B. Mr. Bobby B.o.B. Bottom Of The 9th (Feat. Knine) B.Reith Girls Gone Wild Baby Bash Feat. Pitbull & David Rush Tiemblo Baby Ranks Feat. Pitbull She's A Hoodrat (Prod. By Terrace Martin) Bad Lucc Feat. Terrace Martin Call Me On Beenie Man Feat. Maicol (Super Star) Warm It Up, Kane (Album Version) Big Daddy Kane I Do Big Kuntry King Feat. T.I. & Young Dro Not A Stain On Me (Official Remix) Big Tuck Feat. Gucci Mane Let's Get It Bigg Steele Feat. Glasses Malone & Young Buck That's What I'm Bout Bigg Steele Feat. Ne-Yo Boom Boom Pow (Official Remix) Black Eyed Peas Feat. Jo Well Away (Prod. By Next Selection) Blu-J Nuff Respect Bone Thugs N Harmony She's My (Feat. T-Pain) Bow Wow If You Only Knew (With Shout) Bow Wow Feat. Lil Eddie Big Time (What They Call Me) Bow Wow Feat. Ron Browz, Jermaine Dupri & Nelly Shake It (Prod. By Swizz Beatz) Bow Wow Feat. Swizz Beatz I Ain’t Playing Bow Wow Feat.