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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
Northbound Single-Lane by Marsha Mathews Finishing Line Press AA Poeticpoetic Traveloguetravelogue Ofof Thethe Heartheart
Issue Number Fifteen Spring/Summer 2012 In Case of Rapture Lefty Frizzell Fiction by William Dockery A story of a one-of-a-kindness The Way ’Twas A memory captured by a snapshot A Flying Elizabeth Family Reunion and Hazel Families that fly together... The women behind the picture Brush With the Law Northbound Non-ignorance of the law is an excuse Single - Lane A collection of Southern poetry Daddy’s in the Closet ...and that’s where he’s going to stay Lisa Love’s Life Where humor and reality hang out Kids and Politics Why Daddy drinks California Itch Go west, young man with apologies to Norman Rockwell E-Publisher’s Corner CaliforniaCalifornia ItchItch found the above picture tucked inside an old college “Because you can’t go any further west,” someone else said. yearbook. It featured the original members of Contents “Can’t go no further—this here’s Under Pressure, a band that we hastily assembled in injun territory.” Copas said, quoting September of 1970 for a freshman talent show at the the California stream-of-conscious- ness comedy troupe, Firesign Theater. East Tennessee Baptist college we attended. All of us were fed up with our par- IIThe only member of Contents not was before holes in jeans were cool). ticular circumstances. Kling and Copas pictured was (Dancin’) Dan (the Man) BoatRamp, the farmdog, was trying were bored with Nashville, and those Schlafer; he had joined us in early 1971, to imitate my stance and smile for the of us finishing up our college careers and by the time this was snapped—in camera. -
The Case of Rihanna: Erotic Violence and Black Female Desire
Fleetwood_Fleetwood 8/15/2013 10:52 PM Page 419 Nicole R. Fleetwood The Case of Rihanna: Erotic Violence and Black Female Desire Note: This article was drafted prior to Rihanna and Chris Brown’s public reconciliation, though their rekindled romance supports many of the arguments outlined herein. Fig. 1: Cover of Esquire, November 2011 issue, U. S. Edition. Photograph by Russell James. he November 2011 issue of Esquire magazine declares Rihanna “the sexiest Twoman alive.” On the cover, Rihanna poses nude with one leg propped, blocking view of her breast and crotch. The entertainer stares out provocatively, with mouth slightly ajar. Seaweed clings to her glistening body. A small gun tattooed under her right arm directs attention to her partially revealed breast. Rihanna’s hands brace her body, and her nails dig into her skin. The feature article and accompanying photographs detail the hyperbolic hotness of the celebrity; Ross McCammon, the article’s author, acknowledges that the pop star’s presence renders him speechless and unable to keep his composure. Interwoven into anecdotes and narrative scenes explicating Rihanna’s desirability as a sexual subject are her statements of her sexual appetite and the pleasure that she finds in particular forms of sexual play that rehearse gendered power inequity and the titillation of pain. That Rihanna’s right arm is carefully positioned both to show the tattoo of the gun aimed at her breast, and that her fingers claw into her flesh, commingle sexual pleasure and pain, erotic desire and violence. Here and elsewhere, Rihanna employs her body as a stage for the exploration of modes of violence structured into hetero- sexual desire and practices. -
Annual Activity Report Year 2016
Year 2016 ANNUAL ACTIVITY REPORT YEAR 2016 1 Year 2016 ANNUAL ACTIVITY REPORT PART 1 : PRESENTATION OF THE ASSOCIATION ............................................................................. 3 PART 2 : ACCOUNT OF ACTIONS 2016 ............................................................................................ 4 EMERGENCY AID FOR IRAQI REFUGEES ......................................................................................................... 4 Necessities package delivery ........................................................................................................... 4 Transit of blankets for the kakaï villages ......................................................................................... 4 Purchase and install of tanks in Sharanish ...................................................................................... 5 RECONSTRUCTION HELP ............................................................................................................................ 5 Demining ......................................................................................................................................... 5 Mar Behnam reconstruction ............................................................................................................ 5 SUPPORT FOR THE EVERYDAY LIFE OF THE DISPLACED IN ERBIL .......................................................................... 6 Tank installation with the Saint Irénée Foundation in the Ashti camp ........................................... 6 Layout -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
AASI Report 2013.Pdf
سيعةا اةوريت دعودرنا عريق اجلمـيعـة مالآشوريــــ ماخلرييــــ م-مالـيعراقم “Organization in Special Consultative Status with the Economic and Social Council since 2011” Activities Annual Report 2013 Prepared By: Christina K. Patto Eramia S. Eskrya Index: • President’s Column • Aids and Humanitarian Affairs • Medical Aids • Civil Society Organizations • Assyrian Education • Dormitories and Universities • Construction and Projects • Visits & Activities • Supporters • Conclusion President’s Column The year 2013 witnessed many historical and distinctive stations and difficult at the same time, where the performance of our Society was great, active and influential despite the challenges that have emerged since the end of 2012, mainly that the Ministry of Education of Kurdistan Region did not pay for the transportation expenses of the Assyrian Education Students. By the aid of our supporter, the Assyrian Education Process continued and we were able to cover the transportation and lecturers' costs, printing the curriculum, distributing stationary to the students and supplying the schools with its necessary needs to ensure the continuation of the Process. Here we must pay tribute to our supporters, specially the Assyrian Aid Society of America by covering a large proportion of the Assyrian Education deficit through several payments, as well as the support the Assyrian Aid Society of Australia, New Zealand and Canada. Our Society was able to organize several relief programs for our People coming as refugees from Syria, by the support of AASA, AAS-Au, AAS-Ca, AAS Germany and AAS Sweden, as well as the other Societies and Organizations, as: SALT Foundation from Holland, the Evangelical Lutheran Churches from Germany and the Assyrian National Council of Illinois. -
Crossroads Program and Exhibition Ideas
Crossroads Program and Exhibition Ideas The following information will assist and inspire you in developing local exhibitions and public humanities programs to complement the themes of Crossroads: Change in Rural America. Summary of Exhibition Themes Crossroads addresses big ideas about a big subject – Rural America. Crossroads tells this story by exploring the source of rural identity and its perpetuation in literature, art, film, television and rhetoric. Different media, the hands of different artists, authors, and storytellers, convey the values they associate with rural people and their perceptions of rural places. Few people control the land and other resources that feed, clothe and house the majority of the U.S. population. Everyone has a stake in rural America because of the ways that the land, and the people who own and manage it contribute to the general health and welfare of all. Americans also have a vested interest in the land that individuals do not own. A 2017 report by the Congressional Research Service indicates that the U.S. government owns 28 percent of the total U.S. land mass of 2.27 billion acres. Four national land management agencies, plus the Department of Defense, manage these 640 million acres. Those agencies include the Bureau of Land Management, the U.S. Fish and Wildlife Service, the National Park Service, and the Forest Service. See “Federal Land Ownership: Overview and Data,” https://fas.org/sgp/crs/misc/R42346.pdf. Communities anchor local government, cultural institutions, businesses, transportation services, and rural society. Rural communities thrived during the 20th century but many now appear as mere shells of their former selves. -
Systematics, Phylogeny and Biogeography of Cousinia (Asteraceae)
SYSTEMATICS, PHYLOGENY AND BIOGEOGRAPHY OF COUSINIA (ASTERACEAE) Dissertation Zur Erlangung des Grades Doktor der Naturwissenschaften am Fachbereich Biologie der Johannes Gutenberg‐Universität Mainz Iraj Mehregan geb. in Gachsaran, Iran Mainz, 2008 Dekan: 1. Berichterstatter: 2. Berichterstatter: Tag der mündlichen Prüfung: 10. 07. 2008 II Kapitel 2 (chapter 2) dieser Arbeit ist im Druck bei “Taxon“: López‐Vinyallonga, S., Mehregan, I.*, Garcia‐Jacas, N., Tscherneva, O., Susanna, A. & Kadereit, J. W.*: Phylogeny and evolution of the Arctium‐Cousinia complex (Compositae, Cardueae‐Carduinae). * Von den Autoren Mehregan, I und Kadereit, J. W.: Die Generation der ITS‐Sequenzen von 113 Taxa (Appendix 1), die Bayesische Analyse der ITS‐ und rpS4‐trnT‐trnL‐Sequenzen, das Rechnen der Molekularen Uhr sowie der Partition‐Hemogenity Test und die Analyse des Cousinioid Clade wurde in Rahmen dieser Dissertation ausgeführt. Das Manuskript wurde in Zusammenarbeit aller Autoren geschrieben. Kapitel 3 (chapter 3) diese Arbeit wird bei “Willdenowia” eingereicht: Mehregan, I. & Kadereit, J. W.: The role of hybridization in the evolution of Cousinia s.s. (Asteraceae). Kapitel 4 (chapter 4) dieser Arbeit ist im Druck bei “Willdenowia“: Mehregan, I. & Kadereit, J. W.: Taxonomic revision of Cousinia sect. Cynaroideae. III Contents SUMMARY............................................................................................................................................................................1 ZUSAMMENFASSUNG .....................................................................................................................................................2 -
Assyrians and the Turkey-PKK Conflict in Iraq Every Assyrian in Barwar Knows the Difference Between the Sound of Fighter Jets and the Sound of Civilian Planes.”
Caught in the Crossfire: Assyrians and the Turkey-PKK Conflict in Iraq Every Assyrian in Barwar knows the difference between the sound of fighter jets and the sound of civilian planes.” Assyrian eyewitness interviewed by the Assyrian Policy Institute ABOUT ASSYRIANS An estimated 3.5 million people globally comprise a distinct, indigenous ethnic group. Tracing their heritage to ancient Assyria, Assyrians speak an ancient language referred to as Assyrian, Syriac, Aramaic, or Neo-Aramaic. The contiguous territory that forms the traditional Assyrian homeland includes parts of southern and south- eastern Turkey, northwestern Iran, northern Iraq, and northeastern Syria. The Assyrian population in Iraq, estimated at approximately 200,000, constitutes the largest remaining concentration of the ethnic group in the Middle East. The majority of these reside in their ancestral homeland located in the Nineveh Plain and within today’s Kurdistan Region of Iraq. Assyrians are predominantly Christian. Some ethnic Assyrians self-identify as Chaldeans or Syriacs, depending on church denomination. Assyrians have founded five Eastern Churches at different points during their long history: the Ancient Church of the East, the Assyrian Church of the East, the Chaldean Catholic Church, the Syriac Catholic Church, and the Syriac Orthodox Church. The majority of Assyrians who remain in Iraq today belong to the Chaldean and Syriac churches. Assyrians represent one of the most consistently persecuted communities in Iraq and the wider Middle East. ABOUT THE ASSYRIAN POLICY INSTITUTE Founded in May 2018, the Assyrian Policy Institute works to support Assyrians as they struggle to maintain their rights to the lands they have inhabited for thousands of years, their ancient language, equal opportunities in education and employment, and to full participation in public life. -
COI QUERY Disclaimer
COI QUERY Country of Origin/Topic Iraq Question(s) What is the security context and treatment of Christians in Iraq? 1. Background 1.1. Post-ISIL security context of Christian community - Targeted destruction of infrastructure and habitat - Targeting of Christians by armed actors 1.2. Ninewa governorate and ability to secure law and order - Governance, education and practice of Christianity in Iraq 1.3. Missing, IDPs and returnees Date of completion 22 October 2020 Query Code Q 21 Contributing EU+ COI This query response was sent to the EASO COI Specialists Network units (if applicable) on Iraq1 for contributions on the security context and treatment of Yazidis. No information was contributed by EU+ countries, but feedback was received from the Norwegian Country of Origin Information Centre (Landinfo). Disclaimer This response to a COI query has been elaborated according to the Common EU Guidelines for Processing COI and EASO COI Report Methodology. The information provided in this response has been researched, evaluated and processed with utmost care within a limited time frame. All sources used are referenced. A quality review has been performed in line with the above mentioned methodology. This document does not claim to be exhaustive neither conclusive as to the merit of any particular claim to international protection. If a certain event, person or organisation is not mentioned in the report, this does not mean that the event has not taken place or that the person or organisation does not exist. Terminology used should not be regarded as indicative of a particular legal position. The information in the response does not necessarily reflect the opinion of EASO and makes no political statement whatsoever. -
BB-Country-Music-Ann
Contents The Exploding, Evolving Nashville Scene 6 The Billboard Awards 8 Top Albums, Singles 10 Top Male/Female Vocalists 12 Top Singles, Albums Artists & Publishers 14 Top Groups & Labels 16 Publisher Catalogs Bulging 20 Country Labels Enjoy Boom 22 Artists List 26 Personal Managers 36 Booking Agents 34 Fairs and Amusement Park Trends Changing..51 Pop Sounds A Radio Paradox 54 Country's Silver Circuit 56 Coast Country's Home Away From Home 60 New York Embraces Country's New Breed ....60 Country Japanese Style 61 Country Taking Hold In Europe 61 Top Booming Bluegrass Field Eludes Majors 70 Perform Today Credits Editor, Earl Paige. Story direction Gerry Wood, Country Editor. Art, Daniel Chapman Country's and Steve Brown. Production, John F. Halloran. Directory listings: Jon Braude, editor; Joan International mr Elsener, associate editor. P WE HELPED MAK In 1040, Broadcast Music Incorporated became the first licensing organization P for Country music. We made sure that publishers and writers had their P performance royalty rights protected. And, in doing so, BMI has helped make P Country part of our nation. r i' iowever, we've helped Country first place. You see, when it comes to artis _s earn more than just money. For helping Country writers, we've got with :he aid of 38 foreign performing everyone beat by a Country mile. rights societies, they've also earned inter national recognition. Which is why most Country writers and publishers BROADCAST MUSIC INCORPORATED license their music through BMI in the The world's largest performing rights organization Keeping tabs on Nashville and This, then, is Nashville '76-country and Denvers as well as the Snows, Acuffs its spiraling music business music at a critical crossroad. -
Black Country Music(S) and The
Jost Hendrik Cornelius Burfeind Wilhelmplatz 6 24116 Kiel E-Mail: [email protected] Telefon: 01520–2667189 Matrikelnummer: 1014350 “THAT BLACK SPECK SOUND JUST LIKE A REDNECK”: BLACK COUNTRY MUSIC(S) AND THE (RE-)MAKING OF RACE AND GENRE MASTERARBEIT im Fach „English and American Literatures, Cultures, and Media” mit dem Abschlussziel Master of Arts der Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel vorgelegt von Hendrik Burfeind Erstgutachter: Prof. Dr. Christian Huck Zweitgutachter: Dr. Dennis Büscher-Ulbrich Kiel im April 2020 TABLE OF CONTENTS 1. Introduction 1 2. Theoretical Framework 2.1 Race, Racialization, and Ideology 8 2.2 Genre and Crossover 10 2.3 Articulation and Genre 15 2.4 On Hijacks, Covers, and Versions 16 3. “Just Out of Reach”: Locating the Soul/Country Binary 3.1 The South and the Geography of Genre(s) 19 3.2 Richard Nixon, “Okie from Muskogee,” and the Politics of Country Music 22 3.3 The ‘Segregation of Sound’ and the ‘Common Stock’ 25 3.4 Charting Success; Or, the Segregation of Sound, Continued 28 4. Analysis, Pt. 1: Rhythm and Country 4.1 “I’ve Always Been Country”: The Making of an Alternative Tradition 31 4.2 Country Music and the Birth of Soul 35 4.3 The Impossibility of Black Country 37 4.4 Modern Sounds and the Same Old Song 39 4.5 Interlude: Race and Genre in the Early 1960s 44 4.6 Country-Soul Flourishes 46 5. Analysis, Pt. 2: Country-Soul 5.1 “Country Music Now Interracial” 48 5.2 Crossover at the Outskirts of Town 50 5.3 Introducing Soul Country 53 5.4 “The Chokin’ Kind” Explores New Territory 57 5.5 “Blacks Sing Country Music” 60 5.6 “Wherever You Go, It’s Simon Country” 64 6.