Northbound Single-Lane by Marsha Mathews Finishing Line Press AA Poeticpoetic Traveloguetravelogue Ofof Thethe Heartheart

Total Page:16

File Type:pdf, Size:1020Kb

Northbound Single-Lane by Marsha Mathews Finishing Line Press AA Poeticpoetic Traveloguetravelogue Ofof Thethe Heartheart Issue Number Fifteen Spring/Summer 2012 In Case of Rapture Lefty Frizzell Fiction by William Dockery A story of a one-of-a-kindness The Way ’Twas A memory captured by a snapshot A Flying Elizabeth Family Reunion and Hazel Families that fly together... The women behind the picture Brush With the Law Northbound Non-ignorance of the law is an excuse Single - Lane A collection of Southern poetry Daddy’s in the Closet ...and that’s where he’s going to stay Lisa Love’s Life Where humor and reality hang out Kids and Politics Why Daddy drinks California Itch Go west, young man with apologies to Norman Rockwell E-Publisher’s Corner CaliforniaCalifornia ItchItch found the above picture tucked inside an old college “Because you can’t go any further west,” someone else said. yearbook. It featured the original members of Contents “Can’t go no further—this here’s Under Pressure, a band that we hastily assembled in injun territory.” Copas said, quoting September of 1970 for a freshman talent show at the the California stream-of-conscious- ness comedy troupe, Firesign Theater. East Tennessee Baptist college we attended. All of us were fed up with our par- IIThe only member of Contents not was before holes in jeans were cool). ticular circumstances. Kling and Copas pictured was (Dancin’) Dan (the Man) BoatRamp, the farmdog, was trying were bored with Nashville, and those Schlafer; he had joined us in early 1971, to imitate my stance and smile for the of us finishing up our college careers and by the time this was snapped—in camera. He was a very talented dog. were anxious to trade all the hassles of the autumn of 1974—he was well on I can’t remember what all we did collegiate life for a big adventure. his way to being a responsible citizen, that weekend, but I do know that it I was finishing up my tenure as unlike the three of us pictured here. involved at least two things—playing editor of the college newspaper and The backdrop for this picture was music late into the night (early into had managed to get myself in hot the 40-acre farm in Wear’s Valley that the morning) and talking about the water with the administration through I shared with Mike Copas and Stephen California Trip. a series of activities and articles. Some Kling, two Opryland caricature artists The California Trip had its genesis people just have no sense of humor. that I had worked with the previous a few months earlier as a group of us A week or so after the initial summer. The truck actually belonged sat around an off-campus apartment California Trip discussion, I received to Copas, but I loved it and the way it trying to figure out what we were going a note from Bill Dockery, a former staff made me feel when I rode in it. to do with our lives once our impend- member of the college’s newspaper The picture was taken by my sis- ing graduation had come and gone. who had graduated a few years earlier ter, Jann; she had ridden down from Copas and Kling had driven down and had gone on to have a real job at Nashville with Paul Dunlap—that’s from Nashville. “Let’s go to California, a real newspaper in the Gatlinburg him with the leather jacket and red or maybe even Gatlinburg,” they said. area. He said that he liked what I had mod cap. Filmore (actually, Millard We could be in Gatlinburg in an hour done with the college paper, and if I Filmore Strunk, Jr.) is the one with the or so, we decided, but California— was interested, he would introduce flannel shirt and Tom Mix 10-gallon now that was a genuine state of mind. me to his publisher. It’s not close to hat. I’m also wearing a flannel shirt, “Yeah, but we could draw caricatures California, I thought, but it is close to along with a pair of bell bottom jeans in Gatlinburg,” Copas said. Gatlinburg. that my grandmother patched (this “Why California?” someone asked. Graduation came and went, and we SouthernReader | Spring/Summer 2012 2 E-Publisher’s Corner paper was a young upstart, we she said, “go easy on the starch.” Anita all scattered back to our hometowns, could be more daring with our and her teenaged sidekick, Rod, trav- taking our individual pieces of the stories and eled through time in The HelenMobile, Big Adventure dream with us. But, a craft that eerily resembled a modern- we promised each other that, at some day PT Cruiser, only without tires. point, we would meet back up and That winter was extremely cold. bring our respective pieces to assem- The farmhouse didn’t have running ble the big puzzle that would be the water or electric heat; it only had the California Trip. living room fireplace and a wood- In the meantime, Copas and I stove in the kitchen. At first, we cut decided to try our luck in Gatlinburg, firewood on the weekends, then and we found an old farmhouse to we resorted to burning the unsold rent in nearby Wear’s Valley. By day, papers that we had picked up over we drew caricatures in Gatlinburg, the past months. Eventually, we and at night, we played bluegrass in would just drive around until it the town’s bars, along with Michael was late enough to go home and Thornburgh, a fiddle player we had jump into bed. It kept me dreaming met on the porch of his family’s hill- about California. The dream of the side cabin. Because we didn’t California Trip however, began have a name, a table of intel- to flicker. It was much too ligent and articulate drunks at comfortable to have a weekly The Shed (a paycheck. main street S p r i n g w a t e r i n g came and hole at the went, and time) named the warm us PigFish t e m p e r a - BoatRamp. tures turned We liked the the winter name, so we h a r d s h i p s kept it and into a distant even used a m e m o r y . piece of it to When sum- tag the stray mer rolled we brought out to the valley to be our coverage than Dockery’s more estab- around, the dream started gnawing at farmdog. lished paper. Dockery usually beat me me again, and I started thinking about In the meantime, Kling had not to every scoop, anyway, including the leaving the Times and heading west. forgotten the dream. He had packed scene of the county’s first ax murder. During the Fourth of July weekend, up his car and was on his way to Working at the Times gave me the I met up with some of my college California. He stopped off at the farm chance to write sports copy, handle friends at a Middle Tennessee blue- on his way to say goodbye, and got local stories, and offer editorials; it grass festival and tried to resurrect the sucked into the East Tennessee beauty. also allowed me to contribute illustra- old passion for the great adventure. However, before the interview with tions and editorial cartoons. Kling and I “It was a nice dream,” someone said Dockery’s publisher could be arranged, would also deliver the stacks of papers after one banjo breakdown. Kling and I got job offers from his to some of the various convenience “I’ve got commitments and respon- newspaper’s rival, the weekly Sevier stores in outlying areas of the county, sibilities,” one of my friends said. County Times (in addition to being and pick up the papers that hadn’t sold “My wife says ‘no’,” said another. a crackerjack caricature artist, Kling from the previous week’s issue. “Do you even know anyone in was an incredible photographer). At some point, Kling and I (along California?” another one demanded. We’re not giving up the dream, we with production guru Kerry Brown) “I’ve got relatives in Iowa,” I said. rationalized, we’re just going to be came up with the idea of featuring regu- “Yeah, well, I’ve got relatives in able to save up some money to fuel lar original comic strips. My comic was New Jersey, but that doesn’t mean I’m it. Besides, one by one, everyone else Tales of Space Helen, a strip about a headed to Canada,” my friend said. from that initial dream planning ses- time-traveling superhero whose secret “It’s just a crazy itch,” I said. sion had found some sort of distrac- identity was Anita Ficks, a salesgirl in “Don’t they make medicine for tion—graduate school, fulltime jobs a local Chinese bakery/laundromat. that?” he asked. and even marriage. The first episode featured a customer As I drove back to East Tennessee, I The Sevier County Times turned out coming into the shop and ordering a felt defeated. Is this how life is going to be an interesting job. Because the birthday cake—“...and, Anita, dear,” to play out, I wondered, dreaming up SouthernReader | Spring/Summer 2012 3 E-Publisher’s Corner “Doodle Owens wrote that!” I told One day I went over to Berkeley big adventures and making plans and him. Doodle was my friend, Lee’s dad. to see if I could find the apartment then abandoning them? When I was at their house a few months complex where Patty Hearst had That Sunday afternoon as I drove earlier, Doodle had played the song for been kidnapped.
Recommended publications
  • RHYTHM & BLUES...63 Order Terms
    5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Cold Chisel to Roll out the Biggest Archival Release in Australian Music History!
    Cold Chisel to Roll Out the Biggest Archival Release in Australian Music History! 56 New and Rare Recordings and 3 Hours of Previously Unreleased Live Video Footage to be Unveiled! Sydney, Australia - Under total media embargo until 4.00pm EST, Monday, 27 June, 2011 --------------------------------------------------------------- 22 July, 2011 will be a memorable day for Cold Chisel fans. After two years of exhaustively excavating the band's archives, 22 July will see both the first- ever digital release of Cold Chisel’s classic catalogue as well as brand new deluxe reissues of all of their CDs. All of the band's music has been remastered so the sound quality is better than ever and state of the art CD packaging has restored the original LP visuals. In addition, the releases will also include previously unseen photos and liner notes. Most importantly, these releases will unleash a motherlode of previously unreleased sound and vision by this classic Australian band. Cold Chisel is without peer in the history of Australian music. It’s therefore only fitting that this reissue program is equally peerless. While many major international artists have revamped their classic works for the 21st century, no Australian artist has ever prepared such a significant roll out of their catalogue as this, with its specialised focus on the digital platform and the traditional CD platform. The digital release includes 56 Cold Chisel recordings that have either never been released or have not been available for more than 15 years. These include: A “Live At
    [Show full text]
  • Complex, Bloody Bond for Safety on Public
    Volume 79, No. 55B ©SS 2020 CONTINGENCY EDITION SUNDAY, JULY 5, 2020 stripes.com Free to Deployed Areas VIRUS OUTBREAK Governors put onus Complex, bloody bond for safety on public BY KIMBERLEE KRUESI Associated Press NASHVILLE, Tenn. — As Tennessee registered what then was its highest single-day coro- navirus case increase, Gov. Bill Lee held a news conference and issued a stern response. It wasn’t a mandate to wear masks in public or clamp down on businesses or social gatherings. Instead, it was a plea for residents to do the right thing. “When we have people dying in this state as a result of this virus, we should be taking personal re- sponsibility for this,” the Republi- can governor said. It was the same message Lee issued in late March as the COVID-19 disease was beginning to spread. He has vowed to stick to the personal responsibility mantra, with no plans to reinstate stay-at-home restrictions or im- pose statewide mandates — even as photos of unmasked people crowding bars and outdoor con- certs across Tennessee spread across social media. Instead, Lee signed an execu- tive order Friday that allows local officials to issue their own mask mandates if they want — as Nash- US, Russia share brutal history in Afghanistan ville and Memphis had already done. Elevating a message of person- al responsibility over statewide BY KATHY GANNON Now both superpowers are linked again country that does not serve as a base for crackdowns on businesses and Associated Press over Afghanistan, with intelligence re- extremists to export terrorism.
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • Cold Chisel Breakfast at Sweethearts Mp3, Flac, Wma
    Cold Chisel Breakfast At Sweethearts mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Breakfast At Sweethearts Country: Australia Style: Pop Rock, Classic Rock MP3 version RAR size: 1134 mb FLAC version RAR size: 1254 mb WMA version RAR size: 1886 mb Rating: 4.6 Votes: 848 Other Formats: MMF VOX MPC MIDI VQF MP2 VOX Tracklist A1 Conversations 4:28 A2 Merry Go Round 3:40 A3 Dresden 3:52 A4 Goodbye (Astrid Goodbye) 2:49 A5 Plaza 2:06 B1 Shipping Steel 3:22 B2 I'm Gonna Roll Ya 3:23 B3 Showtime 3:42 B4 Breakfast At Sweethearts 4:06 B5 The Door 4:15 Companies, etc. Manufactured By – WEA Records Pty. Limited Distributed By – WEA Records Pty. Limited Phonographic Copyright (p) – WEA Records Pty. Limited Copyright (c) – WEA Records Pty. Limited Published By – Rondor Music Pty. Ltd. Produced At – Albert Studios Engineered At – Albert Studios Mastered At – EMI Studios 301 Credits Art Direction – Ken Smith Bass – Phil Small Drums – Steve Prestwich Guitar – Ian Moss Harmonica – Dave Blight Management [Personal Management] – Rod Willis Management [Tour Management] – Dave Ferguson Photography By [At The Marble Bar, Sydney Hilton Hotel] – Greg Noakes Piano, Organ, Backing Vocals – Don Walker Producer, Mastered By – Richard Batchens Slide Guitar – Tony Faehse (tracks: B1) Vocals – Ian Moss (tracks: A5), Jim Barnes* Written-By – Walker*, Moss* (tracks: A3), Barnes* (tracks: A4) Notes Produced and engineered at Albert Studios, Sydney Mastered at E.M.I. Studios, Sydney On sleeve: "This is the neon strip Where baracudas cruise Drivers, midnight looters Zipped in sharkskin jackets Waiting for a Mark Their brains are soft computers" Distributed by WEA Records Pty.
    [Show full text]
  • Crossroads Program and Exhibition Ideas
    Crossroads Program and Exhibition Ideas The following information will assist and inspire you in developing local exhibitions and public humanities programs to complement the themes of Crossroads: Change in Rural America. Summary of Exhibition Themes Crossroads addresses big ideas about a big subject – Rural America. Crossroads tells this story by exploring the source of rural identity and its perpetuation in literature, art, film, television and rhetoric. Different media, the hands of different artists, authors, and storytellers, convey the values they associate with rural people and their perceptions of rural places. Few people control the land and other resources that feed, clothe and house the majority of the U.S. population. Everyone has a stake in rural America because of the ways that the land, and the people who own and manage it contribute to the general health and welfare of all. Americans also have a vested interest in the land that individuals do not own. A 2017 report by the Congressional Research Service indicates that the U.S. government owns 28 percent of the total U.S. land mass of 2.27 billion acres. Four national land management agencies, plus the Department of Defense, manage these 640 million acres. Those agencies include the Bureau of Land Management, the U.S. Fish and Wildlife Service, the National Park Service, and the Forest Service. See “Federal Land Ownership: Overview and Data,” https://fas.org/sgp/crs/misc/R42346.pdf. Communities anchor local government, cultural institutions, businesses, transportation services, and rural society. Rural communities thrived during the 20th century but many now appear as mere shells of their former selves.
    [Show full text]
  • THE GETAWAY GIRL: a NOVEL and CRITICAL INTRODUCTION By
    THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION By EMILY CHRISTINE HOFFMAN Bachelor of Arts in English University of Kansas Lawrence, Kansas 1999 Master of Arts in English University of Kansas Lawrence, Kansas 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2009 THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION Dissertation Approved: Jon Billman Dissertation Adviser Elizabeth Grubgeld Merrall Price Lesley Rimmel Ed Walkiewicz A. Gordon Emslie Dean of the Graduate College ii ACKNOWLEDGMENTS I would like to express my appreciation to several people for their support, friendship, guidance, and instruction while I have been working toward my PhD. From the English department faculty, I would like to thank Dr. Robert Mayer, whose “Theories of the Novel” seminar has proven instrumental to both the development of The Getaway Girl and the accompanying critical introduction. Dr. Elizabeth Grubgeld wisely recommended I include Elizabeth Bowen’s The House in Paris as part of my modernism reading list. Without my knowledge of that novel, I am not sure how I would have approached The Getaway Girl’s major structural revisions. I have also appreciated the efforts of Dr. William Decker and Dr. Merrall Price, both of whom, in their role as Graduate Program Director, have generously acted as my advocate on multiple occasions. In addition, I appreciate Jon Billman’s willingness to take the daunting role of adviser for an out-of-state student he had never met. Thank you to all the members of my committee—Prof.
    [Show full text]
  • BB-Country-Music-Ann
    Contents The Exploding, Evolving Nashville Scene 6 The Billboard Awards 8 Top Albums, Singles 10 Top Male/Female Vocalists 12 Top Singles, Albums Artists & Publishers 14 Top Groups & Labels 16 Publisher Catalogs Bulging 20 Country Labels Enjoy Boom 22 Artists List 26 Personal Managers 36 Booking Agents 34 Fairs and Amusement Park Trends Changing..51 Pop Sounds A Radio Paradox 54 Country's Silver Circuit 56 Coast Country's Home Away From Home 60 New York Embraces Country's New Breed ....60 Country Japanese Style 61 Country Taking Hold In Europe 61 Top Booming Bluegrass Field Eludes Majors 70 Perform Today Credits Editor, Earl Paige. Story direction Gerry Wood, Country Editor. Art, Daniel Chapman Country's and Steve Brown. Production, John F. Halloran. Directory listings: Jon Braude, editor; Joan International mr Elsener, associate editor. P WE HELPED MAK In 1040, Broadcast Music Incorporated became the first licensing organization P for Country music. We made sure that publishers and writers had their P performance royalty rights protected. And, in doing so, BMI has helped make P Country part of our nation. r i' iowever, we've helped Country first place. You see, when it comes to artis _s earn more than just money. For helping Country writers, we've got with :he aid of 38 foreign performing everyone beat by a Country mile. rights societies, they've also earned inter national recognition. Which is why most Country writers and publishers BROADCAST MUSIC INCORPORATED license their music through BMI in the The world's largest performing rights organization Keeping tabs on Nashville and This, then, is Nashville '76-country and Denvers as well as the Snows, Acuffs its spiraling music business music at a critical crossroad.
    [Show full text]
  • Black Country Music(S) and The
    Jost Hendrik Cornelius Burfeind Wilhelmplatz 6 24116 Kiel E-Mail: [email protected] Telefon: 01520–2667189 Matrikelnummer: 1014350 “THAT BLACK SPECK SOUND JUST LIKE A REDNECK”: BLACK COUNTRY MUSIC(S) AND THE (RE-)MAKING OF RACE AND GENRE MASTERARBEIT im Fach „English and American Literatures, Cultures, and Media” mit dem Abschlussziel Master of Arts der Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel vorgelegt von Hendrik Burfeind Erstgutachter: Prof. Dr. Christian Huck Zweitgutachter: Dr. Dennis Büscher-Ulbrich Kiel im April 2020 TABLE OF CONTENTS 1. Introduction 1 2. Theoretical Framework 2.1 Race, Racialization, and Ideology 8 2.2 Genre and Crossover 10 2.3 Articulation and Genre 15 2.4 On Hijacks, Covers, and Versions 16 3. “Just Out of Reach”: Locating the Soul/Country Binary 3.1 The South and the Geography of Genre(s) 19 3.2 Richard Nixon, “Okie from Muskogee,” and the Politics of Country Music 22 3.3 The ‘Segregation of Sound’ and the ‘Common Stock’ 25 3.4 Charting Success; Or, the Segregation of Sound, Continued 28 4. Analysis, Pt. 1: Rhythm and Country 4.1 “I’ve Always Been Country”: The Making of an Alternative Tradition 31 4.2 Country Music and the Birth of Soul 35 4.3 The Impossibility of Black Country 37 4.4 Modern Sounds and the Same Old Song 39 4.5 Interlude: Race and Genre in the Early 1960s 44 4.6 Country-Soul Flourishes 46 5. Analysis, Pt. 2: Country-Soul 5.1 “Country Music Now Interracial” 48 5.2 Crossover at the Outskirts of Town 50 5.3 Introducing Soul Country 53 5.4 “The Chokin’ Kind” Explores New Territory 57 5.5 “Blacks Sing Country Music” 60 5.6 “Wherever You Go, It’s Simon Country” 64 6.
    [Show full text]
  • All Things Country with Rowena Playlist for February 20, 2021
    All Things Country Playlist February 20, 2021 Charley Pride Able Bodied Man Charley Pride's 10th Album RCA Victor LP Charley Pride Crystal Chandelier The Country Way RCA Victor LP Jim Ed Brown Have I Stayed Away Too Long Just Jim RCA Victor LP Alice Wallace Do We Say What We Mean A Dixie Jean Baker Collection Featuring self Alice Wallace Kay Adams Step Aside Girl 45 rpm single Capitol Kendalls Falling In Love Just Like Real People Ovation Kane Brown For My Daughter Experiment Extended RCA Nashville Donna B. The Ebony Cowgirl You're My Family Got Dang Country Song self Deryl Dodd Friends Don't Drive Friends… One Ride In Vegas Columbia Marty Robbins Many Tears Ago Country 1951-1958 Bear Family Tim Waters Feel That Again The Way It Used To Be self Bud Crowder Another Fool Steps In 45 rpm single Toppa Otis Williams & The Midnight Cowboys How I Got To Memphis From Where I Stand: The Black Experience Warner Bros. In Country Music Nancy Wilson Make The World Go Away Son Of A Preacher Man Capitol LP Scott Eversoll I Came Here To Drink demo self Merle Haggard Old Man From The Mountain Hag: The Studio Recordings 1969-1976 Bear Family Johnny Horton I'm Coming Home Johnny Horton 1956-1960 Bear Family Dale Watson I've Done That Before The Sun Sessions Koch Elizabeth Cotton Wilson Rag Freight Train & Other North Carolina Folk Folkways Songs & Tunes Carolina Chocolate Drops Starry Crown Dona Got A Ramblin' Mind Music Maker Erica Campbell A Little More Jesus A Little More Jesus eOne Music George Jones Once You've Had The Best Grand Tour & Alone Again Epic Europe Ray Charles & George Jones We Didn't See A Thing Complete Country & Western Recordings: Rhino 1959-1986 Mel Tillis & Sherry Bryce Mr.
    [Show full text]
  • GASS ‘CITY /-A-R QNICLE VOLUME 82, NUMBER 49 CASS CITY, MICHIGAN WEDNESDAY
    GASS ‘CITY /-a-r QNICLE VOLUME 82, NUMBER 49 CASS CITY, MICHIGAN WEDNESDAY. MAF 14 PAGES PLUS SUPPLEMENT 4 -- Two injured Cass Citvan dies in 2-vehicle crash A Cass City woman was who apparently had just left Nadara’s Tree, Farm, Cass Mrs. Marvin Harms 01 killed and 2 other persons her business, Nadara’s Tree City. Hemlock, and 2 brothers, injured early Saturday eve- Fm,was thrown from her She is survived by her hus- Doug Thiede of Shields and ning in a broadside collision vehicle. band, Thomas; one son, Kermit Thiede of Saginaw, about 3 miles northwest of Nicholas, who told depu- Steve Walther and his wife, A prayer service for Cass City. ties he never saw Walther’s Cathy, of Mt. Moms; one Walther was to have been Nadara A. Walther, 51, car, and a passenger in his grandson, Steven; her held at 7 p.m. Tuesday at $737MuntzRd.,wasdeadat vehicle, Paul Salowitz, 32, mother, Mrs. Theoma Th- Little’s Funeral Home, Cass the scene of the 5:35 p.m. 208 W.Congress Rd., Caro, iede of Twining; 7 sisters, City. crash, which occurred at the were transported to Hills and Mrs. Roy Harrison of Twin- intersection of, Koepfgen Dales General Hospital by ing, Mrs. Edna Scherping of Funeral services were and Muntz roads in Elkland C~SCity-Mercy Ambu- New Port Richey, Pla., Mrs. slated for ,11 a.m. today Township, Tuscola County lance personnel. Phillip Ungcr of Scottsdale, (Wednesday) at St. Pancra- Sheriff‘s deputies said. tius Catholic Church, Cass Both men were admitted Ariz., Mrs.
    [Show full text]