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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
2016 Alvaro Soler, Boy, Brandi Carlile, Brian
2016 Alvaro Soler, Boy, Brandi Carlile, Brian Wilson, Culture Club, Damian Lynn, Donavon Frankenreiter, Emeli Sandé, Jeff Beck, John Newman, Joris, Kaiser Chiefs, Kenny Rogers, Laura Mvula, Marcus Miller, Max Jury, Milow, Norah Jones, Parov Stelar, Rodrigo y Gabriela, Seven, Silbermond, Sivert Høyem, Stacey Kent 2015 Bastian Baker, Candy Dulfer, Faithless, Francesco De Gregori, Gregory Porter, Iggy Pop, James Arthur, Katzenjammer, Mario Biondi, Paolo Nutini, Philipp Poisel, Randy Newman Solo, Rea Garvey, Rebecca Ferguson, Sarah Connor, The Allen Toussaint Quartet, The Roger Cicero Jazz Experience, Tina Dico Solo, Tori Amos Solo, Toto, Trombone Shorty, Until The Ribbon Breaks 2014 Amy Macdonald, Beth Hart, Bryan Ferry, Butterscotch, CeeLo Green, Charles Bradley and his Extraordinaires, Dr. John feat. Arturo Sandoval & Sarah Morrow, Elvis Costello solo, Fatoumata Diawara, Foreigner, James Blunt, James Gruntz, Krokus, Leona Lewis, Lisa Stansfield, Matt Bianco, Monty Alexander, Pegasus, Rebekka Bakken, Roberto Fonseca, Omara Portuondo & Mayra Andrade, Schiller, The Asteroids Galaxy Tour, The bianca Story, Wyclef Jean 2013 Aimee Mann, Alex Hepburn, Birdy, Bligg, Caroline Chevin, Chris Cornell solo, Eric Clapton, Glen Hansard, Gloria Estefan, Heather Nova solo, Incognito, Iyeoka, Kyla La Grange, Lovebugs, Patricia Kaas, Randy Crawford & Leon Bisquera, Schmidt, Stress, Texas, The Blackberry Brandies, Unheilig, Zaz 2012 Alice Cooper, Anna Aaron, Antonello Venditti, Dieter Meier – Out of Chaos, Dionne Warwick, Esperanza Spalding, Gotye, Herbie Hancock, Imany, Juanes, Katie Melua, Khaled, Madredeus, Marius Müller- Westernhagen, Mavis Staples, Melody Gardot, Milow, Nick Lowe, Nubya, Plüsch, Rod Stewart, Stefanie Heinzmann, The Steve Miller Band, We Invented Paris 2011 Aaron Neville, Anna Rossinelli, Beverley Knight, Blush, Carlinhos Brown, Chic feat. Nile Rodgers, Daniela Mercury, Earth, Wind & Fire Experience feat. -
Folk & Rock Legends, Peter Yarrow & John Waite, To
FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda Photos available upon request 845.583.2193 [email protected] FOLK & ROCK LEGENDS, PETER YARROW & JOHN WAITE, TO PERFORM IN THE EVENT GALLERY AT BETHEL WOODS THIS OCTOBER Tickets On Sale April 6th at 10 AM April 2, 2018 (BETHEL, NY) – The intimate, indoor Event Gallery at Bethel Woods Center for the Arts will host two acclaimed performers this October, including Peter Yarrow, of legendary folk group Peter, Paul & Mary, on Friday, October 5th at 8:00 p.m. and John Waite, of English/American rock supergroup Bad English, on October 21 at 8:00 p.m. Reserved seating tickets for both shows go on-sale to the general public on Friday, April 6th at 10:00 a.m. at www.BethelWoodsCenter.org Prior to the Peter Yarrow performance on October 5, indulge in an exclusive pre-show, farm-to-table dinner, presented by Bethel Woods’ own Executive Chef Armand Vanderstigchel. Plus, enhance your visit by making it a weekend getaway and joining us on Saturday, October 6th for the seventh annual Wine Festival at Bethel Woods located throughout the Bethel Woods’ main campus. Savor the finest wines from the Hudson Valley and Finger Lake regions, shop unique artisans and crafters, and enjoy specialty foods and food trucks to satisfy all cravings, all against the backdrop of live music and the beauty of the Sullivan County Catskills during peak fall foliage. Tickets for the Wine Festival are on sale now at BethelWoodsCenter.org. Continue to celebrate fall at Bethel Woods with a bountiful farm-to-table dinner presented by Executive Chef Armand Vanderstigchel with a pre-show, multi-course dinner that will take place in the Market Sheds prior to the John Waite concert on October 21. -
Milli-Q Gradient and Milli-Q Gradient A10 User Manual
Milli-Q® Gradient and Milli-Q® Gradient A10® User Manual Notice The information in this document is subject to change without notice and should not be construed as a commitment by Millipore Corporation. Millipore Corporation assumes no responsibility for any errors that might appear in this document. This manual is believed to be complete and accurate at the time of publication. In no event shall Millipore Corporation be liable for incidental or consequential damages in connection with or arising from the use of this manual. We manufacture and sell water purification systems designed to produce pure or ultrapure water with specific characteristics (μS/cm, T, TOC, CFU/ml, Eu/ml) when it leaves the water purification system provided that the Elix Systems are fed with water quality within specifications, and properly maintained as required by the supplier. We do not warrant these systems for any specific applications. It is up to the end user to determine if the quality of the water produced by our systems matches his expectations, fits with norms/legal requirements and to bear responsibility resulting from the usage of the water. Millipore’s Standard Warranty Millipore Corporation (“Millipore”) warrants its products will meet their applicable published specifications when used in accordance with their applicable instructions for a period of one year from shipment of the products. MILLIPORE MAKES NO OTHER WARRANTY, EXPRESSED OR IMPLIED. THERE IS NO WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. The warranty provided herein and the data, specifications and descriptions of Millipore products appearing in Millipore’s published catalogues and product literature may not be altered except by express written agreement signed by an officer of Millipore. -
User Manual Milli-Q Integral 3/5/10/15 Systems
User Manual Milli-Q Integral 3/5/10/15 Systems About this User Manual Purpose x This User Manual is intended for use with a Milli-Q® Integral Water Purification System. x This User Manual is a guide for use during the installation, normal operation and maintenance of a Milli-Q Integral Water Purification System. It is highly recommended to completely read this manual and to fully comprehend its contents before attempting installation, normal operation or maintenance of the Water Purification System. x If this User Manual is not the correct one for your Water Purification System, then please contact Millipore. Terminology The term “Milli-Q Integral Water Purification System” is replaced by the term “Milli-Q System” for the remainder of this User Manual unless otherwise noted. Document Rev. 0, 05/2008 About Millipore Telephone See the business card(s) on the inside cover of the User Manual binder. Internet Site www.millipore.com/bioscience Address Manufacturing Millipore SAS Site 67120 Molsheim FRANCE 2 Legal Information Notice The information in this document is subject to change without notice and should not be construed as a commitment by Millipore Corporation. Millipore Corporation assumes no responsibility for any errors that might appear in this document. This manual is believed to be complete and accurate at the time of publication. In no event shall Millipore Corporation be liable for incidental or consequential damages in connection with or arising from the use of this manual. We manufacture and sell water purification systems designed to produce pure or ultrapure water with specific characteristics (PS/cm, T, TOC, CFU/ml, Eu/ml) when it leaves the water purification system provided that the System is fed with water quality within specifications, and properly maintained as required by the supplier. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
University of Cincinnati News Record. Wednesday, May 28, 1969. Vol. LVI
~\C~Nl'~,\ fUC\ Uniye+:9'ity of Cinoinnati h •• ' J , ,-'t N'E"W'-S ·~.RE'~C-ORD Pub lis ned Tu e sd ay s andFridays during the Ac a d em ic Year l'xcept :IS scheduled, ...1.50, , ~ .. ,~ I_OJ Cincinnati. Ohio, Wednesday, May 28, 1969 No. 51 ~19 _ '\9" Vol. 56 ~ . Painter Talks '-On Disorders, Board Petitions- Court To Eliminate Comments OnUBA Demands Names Of Individuals From Order The Board further, on the disorder marked virtually every Mark Painter- stated that he does Editor's Note: by Jim Lipovsky suggestion of the Student Senate other large university in the land. not support the United Black The following statement .uias and others, has decided to Now, therefore, in light of Association's demands that are formally approved by a recent activities, the Board of In the wake of recent disorders unanimousuote of the tic Board underscore the applicability of the on the UC' campus, Student Body concerned with teacher hiring and Order to all persons on campus by . Directors votes as follows: firing because he opposes the , of Directors at a special meeting 1) As the legal governing and President Mark Painter offered his held' last Sunday morning. May petitioning the Court to eliminate opinions on several of the issues placement of 'faculty review or individual names and groups from policy-making body of" the veto powers in the' hands of any 26. The statement was submitted University, the Board of Directors facing the University. by the Board-Administration the Or'd er , since a)' these Speaking to the News Record, student organization. -
Community Services Report 2009-2010
Community Services Report 2009-2010 Music is a gift that has touched all our lives. When musicians and those who support them share the gift of music, they bring people together in a way nothing else has the power to do. In 1989, The Recording Academy® established MusiCares® to sustain music and its makers. MISSION MusiCares provides a safety net of critical assistance for music people in times of need. MusiCares’ services and resources cover a wide range of financial, medical and personal emergencies, and each case is treated with integrity and confidentiality. MusiCares also focuses the resources and attention of the music industry on human service issues that directly impact the health and welfare of the music community. In 2010, MusiCares experienced a landmark year by serving the largest number of clients to date — more than 2,200 — with $2.5 million in aid. OUR PROGRAMS AND SERVICES Since its inception, MusiCares has developed into a premier support system for music people by “Thank you so much for providing innovative programs and services designed to meet the specific needs of its constituents. supporting our family and remembering the players.” EMERGENCY FINANCIAL ASSISTANCE PROGRAM — MusiCares Client The “heart and soul” of MusiCares is the Emergency Financial Assistance Program. With a commitment to providing help to those in need as quickly as possible, this program provides assistance for basic living expenses including rent, utilities and car payments; medical expenses including doctor, dentist and hospital bills; psychotherapy; and treatment for HIV/ AIDS, Parkinson’s disease, Alzheimer’s disease, hepatitis C and other critical illnesses. -
Automotive List Price No
Automotive List Price No. PL21.1WL Effective: September 1, 2021 Void: December 14, 2021 Order Anytime Day or Night by E-mail: [email protected] Many products listed in this price list meet or exceed AMECA, SAE and California Title XIII requirements. For details contact your regional sales office. Every effort will be made to hold prices through the end date. We reserve the right to increase prices on certain and/or all products. Whelen Engineering Company, Inc. is not responsible for typographical errors. ISO 9001 Registered QMS Follow us on WE'RE A GROUP OF PIONEERS WHO THRIVE ON CREATIVE INNOVATIONS Trusted to Perform means superior design, meticulous production, rigorous testing and total reliability in the field—where lives are on the line. 51 Winthrop Road, Chester, Connecticut 06412-0684 • (860) 526-9504 • www.whelen.com © 2021 Whelen Engineering Company, Inc “Made-To-Order Products” are defined as either models listed in this price sheet with a “††” symbol in front of the model field of each “made-to-order” model; or any model not listed in this price sheet. TABLE OF All such “††” noted models or those not listed in this price sheet are NCNR (special order, non-cancelable, non-returnable). Please allow sufficient time for production, as these models may require multiple CONTENTS machines for the processing of these special parts. Dash/ Deck/ Visor ............................................................1 Lightbars, Mini ..............................................................40 Dash/ Deck/ Visor, Directional .......................................................1 -
Power Gold: Concentration Game CMA Sets Trend for Industry
February 10, 2020, Issue 691 Power Gold: Concentration Game This edition of Country Aircheck’s Power Gold is led by eight artists who combine for 46 of the Top 100 most-heard Gold hits. Luke Bryan and Florida Georgia Line lead the parade with seven songs apiece, followed by Jason Aldean and Zac Brown Band with six each. Rounding out the top PG hit-makers are Kenny Chesney, Thomas Rhett, Blake Shelton and Carrie Underwood, all with five hits in the Top 100. One artist – Dierks Bentley – places four songs in this elite group, meaning that nine acts are responsible for 50% of the current Power Gold. More thoughts on that later. Twenty-three songs from 20 artists are new Luke Bryan to the Top 100 since we ran the list last year (CAW 1/14/19). Interestingly, four songs in that group are more than five years old and are actually making a return appearance to the PG 100. They are Tim McGraw’s “Live Like You Were Dying” (2004), Bentley’s “Free And Easy (Down The Staff Hearted: WNCY/Appleton, WI’s Shotgun Shannon, Luke Road I Go)” (2007), Bryan’s “I See You” (2015) and FGL’s “Sippin’ Reid, Charli McKenzie, Hannah, Dan Stone and PJ (l-r) show On Fire” (2015). off the station’s 23rd annual Y100 Country Cares for St. Jude This Top 100 Power Gold – along with the airplay information in Kids Radiothon total. the previous paragraph – is culled from Mediabase 24/7 and music airplay information from the Country Aircheck/Mediabase reporting panel for the week of January 26-Feb. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T.