DOCSLIB.ORG

Henny Porten Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Henny Porten Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨) Henny Porten 电影 串行 (大全) https://zh.listvote.com/lists/film/movies/marianne%2C-ein-weib-aus-dem-volk- Marianne, ein Weib aus dem Volk 3847728/actors Imprisoned Soul https://zh.listvote.com/lists/film/movies/imprisoned-soul-6007685/actors From Caligari to Hitler: German Cinema in https://zh.listvote.com/lists/film/movies/from-caligari-to-hitler%3A-german-cinema- the Age of the Masses in-the-age-of-the-masses-19948770/actors The Merchant of Venice https://zh.listvote.com/lists/film/movies/the-merchant-of-venice-7751040/actors https://zh.listvote.com/lists/film/movies/the-mistress-and-her-servant- The Mistress and her Servant 17061532/actors German Wine https://zh.listvote.com/lists/film/movies/german-wine-28196224/actors The Wandering Light https://zh.listvote.com/lists/film/movies/the-wandering-light-7773423/actors I.N.R.I. https://zh.listvote.com/lists/film/movies/i.n.r.i.-822814/actors https://zh.listvote.com/lists/film/movies/the-adventures-of-sybil-brent- The Adventures of Sybil Brent 21868868/actors https://zh.listvote.com/lists/film/movies/24-hours-in-the-life-of-a-woman- 24 Hours in the Life of a Woman 217301/actors Roses from the South https://zh.listvote.com/lists/film/movies/roses-from-the-south-14954294/actors https://zh.listvote.com/lists/film/movies/the-homecoming-of-odysseus- The Homecoming of Odysseus 7740083/actors Marriage of Affection https://zh.listvote.com/lists/film/movies/marriage-of-affection-15836489/actors The Buchholz Family https://zh.listvote.com/lists/film/movies/the-buchholz-family-15809272/actors The Blue Lantern https://zh.listvote.com/lists/film/movies/the-blue-lantern-19796280/actors Anna Boleyn https://zh.listvote.com/lists/film/movies/anna-boleyn-152427/actors Inge Larsen https://zh.listvote.com/lists/film/movies/inge-larsen-15820102/actors https://zh.listvote.com/lists/film/movies/the-marriage-of-luise-rohrbach- The Marriage of Luise Rohrbach 7750413/actors Hintertreppe https://zh.listvote.com/lists/film/movies/hintertreppe-1619843/actors Louise, Queen of Prussia https://zh.listvote.com/lists/film/movies/louise%2C-queen-of-prussia-1536640/actors https://zh.listvote.com/lists/film/movies/when-the-young-wine-blossoms- When the Young Wine Blossoms 21402023/actors Her Sport https://zh.listvote.com/lists/film/movies/her-sport-16983888/actors https://zh.listvote.com/lists/film/movies/2374748/actors Countess Kitchenmaid https://zh.listvote.com/lists/film/movies/countess-kitchenmaid-5177063/actors She and the Three https://zh.listvote.com/lists/film/movies/she-and-the-three-23977986/actors Kohlhiesels Töchter https://zh.listvote.com/lists/film/movies/kohlhiesels-t%C3%B6chter-826335/actors Trouble Backstairs https://zh.listvote.com/lists/film/movies/trouble-backstairs-16216429/actors The Golden Calf https://zh.listvote.com/lists/film/movies/the-golden-calf-19796274/actors Ruth's Two Husbands https://zh.listvote.com/lists/film/movies/ruth%27s-two-husbands-16564425/actors https://zh.listvote.com/lists/film/movies/the-woman-everyone-loves-is-you- The Woman Everyone Loves Is You 3707056/actors The Princess of Neutralia https://zh.listvote.com/lists/film/movies/the-princess-of-neutralia-7758335/actors Lyrical Nitrate https://zh.listvote.com/lists/film/movies/lyrical-nitrate-6710017/actors The Ancient Law https://zh.listvote.com/lists/film/movies/the-ancient-law-6385824/actors Mountain Air https://zh.listvote.com/lists/film/movies/mountain-air-19796684/actors Kohlhiesel's Daughters https://zh.listvote.com/lists/film/movies/kohlhiesel%27s-daughters-17018393/actors Violantha https://zh.listvote.com/lists/film/movies/violantha-21869970/actors Love in the Cowshed https://zh.listvote.com/lists/film/movies/love-in-the-cowshed-21869550/actors The Giant's Fist https://zh.listvote.com/lists/film/movies/the-giant%27s-fist-19278197/actors A Mother's Love https://zh.listvote.com/lists/film/movies/a-mother%27s-love-28130425/actors Lohengrin https://zh.listvote.com/lists/film/movies/lohengrin-105176282/actors Christa Hartungen https://zh.listvote.com/lists/film/movies/christa-hartungen-15296619/actors https://zh.listvote.com/lists/film/movies/m%C3%A4rtyrerin-der-liebe- Märtyrerin der Liebe 15990816/actors The Queen's Love Letter https://zh.listvote.com/lists/film/movies/the-queen%27s-love-letter-7758966/actors The Long Intermission https://zh.listvote.com/lists/film/movies/the-long-intermission-19893988/actors Lotte https://zh.listvote.com/lists/film/movies/lotte-17035548/actors Escape https://zh.listvote.com/lists/film/movies/escape-15855812/actors Women's Sacrifice https://zh.listvote.com/lists/film/movies/women%27s-sacrifice-16557652/actors Absender unbekannt https://zh.listvote.com/lists/film/movies/absender-unbekannt-4669704/actors The Comedians https://zh.listvote.com/lists/film/movies/the-comedians-820528/actors https://zh.listvote.com/lists/film/movies/das-fr%C3%A4ulein-von-scuderi- Das Fräulein von Scuderi 1167896/actors https://zh.listvote.com/lists/film/movies/carola-lamberti-%E2%80%93-eine-vom- Carola Lamberti – Eine vom Zirkus zirkus-1044240/actors Rose Bernd https://zh.listvote.com/lists/film/movies/rose-bernd-15843030/actors Mother and Child https://zh.listvote.com/lists/film/movies/mother-and-child-17026501/actors Gräfin Donelli https://zh.listvote.com/lists/film/movies/gr%C3%A4fin-donelli-152938/actors Chamber Music https://zh.listvote.com/lists/film/movies/chamber-music-19796681/actors Prater https://zh.listvote.com/lists/film/movies/prater-19796665/actors The Robber Bride https://zh.listvote.com/lists/film/movies/the-robber-bride-7761189/actors The Vulture Wally https://zh.listvote.com/lists/film/movies/the-vulture-wally-3707060/actors Skandal um Eva https://zh.listvote.com/lists/film/movies/skandal-um-eva-2291495/actors Love and Thieves https://zh.listvote.com/lists/film/movies/love-and-thieves-19796670/actors https://zh.listvote.com/lists/film/movies/28130326/actors.
Load more

Recommended publications
  • Catalogo Giornate Del Cinema Muto 2011
    Clara Bow in Mantrap, Victor Fleming, 1926. (Library of Congress) Merna Kennedy, Charles Chaplin in The Circus, 1928. (Roy Export S.A.S) Sommario / Contents 3 Presentazione / Introduction 31 Shostakovich & FEKS 6 Premio Jean Mitry / The Jean Mitry Award 94 Cinema italiano: rarità e ritrovamenti Italy: Retrospect and Discovery 7 In ricordo di Jonathan Dennis The Jonathan Dennis Memorial Lecture 71 Cinema georgiano / Georgian Cinema 9 The 2011 Pordenone Masterclasses 83 Kertész prima di Curtiz / Kertész before Curtiz 0 1 Collegium 2011 99 National Film Preservation Foundation Tesori western / Treasures of the West 12 La collezione Davide Turconi The Davide Turconi Collection 109 La corsa al Polo / The Race to the Pole 7 1 Eventi musicali / Musical Events 119 Il canone rivisitato / The Canon Revisited Novyi Vavilon A colpi di note / Striking a New Note 513 Cinema delle origini / Early Cinema SpilimBrass play Chaplin Le voyage dans la lune; The Soldier’s Courtship El Dorado The Corrick Collection; Thanhouser Shinel 155 Pionieri del cinema d’animazione giapponese An Audience with Jean Darling The Birth of Anime: Pioneers of Japanese Animation The Circus The Wind 165 Disney’s Laugh-O-grams 179 Riscoperte e restauri / Rediscoveries and Restorations The White Shadow; The Divine Woman The Canadian; Diepte; The Indian Woman’s Pluck The Little Minister; Das Rätsel von Bangalor Rosalie fait du sabotage; Spreewaldmädel Tonaufnahmen Berglund Italianamerican: Santa Lucia Luntana, Movie Actor I pericoli del cinema / Perils of the Pictures 195 Ritratti / Portraits 201 Muti del XXI secolo / 21st Century Silents 620 Indice dei titoli / Film Title Index Introduzioni e note di / Introductions and programme notes by Peter Bagrov Otto Kylmälä Aldo Bernardini Leslie Anne Lewis Ivo Blom Antonello Mazzucco Lenny Borger Patrick McCarthy Neil Brand Annette Melville Geoff Brown Russell Merritt Kevin Brownlow Maud Nelissen Günter A.
    [Show full text]
  • Zeughauskino: Gretchen Und Germania
    GRETCHEN UND GERMANIA HOMMAGE AN HENNY PORTEN Wie kaum eine andere deutsche Schauspielerin hat Henny Porten (1890 – 1960) zwischen 1910 und 1933 das populäre Bild der Frau in Deutschland verkörpert und geprägt. Bewunderer hatte sie in allen Bevölkerungsschichten: Soldatenräte ließen sie in den November- kämpfen 1918 hochleben; Reichstagspräsident Ebert besuchte ihre Dreharbeiten; und bei ihren Filmpremieren erlebten die Innenstädte Massenaufläufe. Ironisch und ernsthaft augenzwinkernd schlug 1922 der Literat Kurt Pinthus im linksliberalen Tagebuch vor: »Man mache Henny Porten zum Reichspräsidenten! Hier ist eine Gestalt, die in Deutschland volkstümlicher ist als der alte Fritz, als der olym- pische Goethe es je waren und sein konnten... Hier ist eine schöne Frau, die als Vereinigung von Gretchen und Germania von diesem Volke selbst als Idealbild eben dieses Volkes aufgerichtet wurde«. Bereits seit 1906 war die junge Porten in Dutzenden von Tonbildern aufgetreten, in nachgestellten kurzen Opernszenen, zu denen im Kino der entsprechende Musikpart aus dem Grammophon erklang. Mit großen Posen und Affektdarstellungen eiferten die Darsteller dieser frühen, oft nur eine Minute langen Filme den bekannten Mimen der Hoftheater nach. Bekannte, zur Ikone geronnene Darstel- lungsklischees großer Gefühle nahm die junge Filmschauspielerin auf und formte daraus ein filmspezifisches Vokabular stummen Spiels, eindringlicher Gesten und Blicke. Portens Gebärdensprache betont die vereinzelte Geste und isoliert Bedeutung, die nur in Gip- felmomenten beschleunigt, ansonsten aber ausgespielt oder ver- langsamt wird. Portens häufig wiederkehrendes Darstellungsfeld – schicksalsschwe- rer Kampf und mit Demut getragenes Leid – wird während des Ers- ten Weltkriegs Realität vieler Frauen. Henny Porten, die ihren ersten Mann in diesem Krieg verlor, erschien in ihren Figuren wie in ihrem Starleben gerade in den 1910er Jahren als ein Spiegelbild der deut- Die Heimkehr des Odysseus GRETCHEN UND GERMANIA 31 GRETCHEN UND GERMANIA schen Frauenseele.
    [Show full text]
  • Download File
    Rosa Porten Also Known As: Dr. R. Portegg Lived: February 18, 1884 - May 7, 1972 Worked as: co-director, film actress, journalist, novelist, screenwriter Worked In: Germany by Annette Förster Rosa Porten’s work as a screenwriter, an actress, and a film director has been practically neglected in film history, but what she accomplished in the German silent cinema is truly noteworthy. In a two-decade career, from 1906 until 1928, she created a cinematic oeuvre that was substantial, original, versatile, and entertaining. The exact number of films to which Rosa Porten contributed is uncertain, but historical substantiation points to around forty titles. Between 1916 and 1919 alone, she wrote and co-directed at least twenty-four catching comedies and gripping social dramas and in most of them she played the protagonist. Even more notable in retrospect is that Porten’s stories often privileged the perspective of a female character who, with non-conformist pragmatism or jokey recalcitrance, seizes her chance to defy bourgeois conventions and role patterns. In the trade press, the comedies were often praised: 1e Internationale Film-Zeitung highlighted the “überschäumende Komik” [scintillating jocoseness] of Die Film- Kathi (1918) (1918, 47); Der Kinematograph noted the “herzerfrischenden” [heart-freshening] humor in Die Erzkokette (1917) (1917, n.p.); both Der Film and 1e Internationale Film- Zeitung noticed the serious undertones in Der Neueste Stern vom Varieté (1917) and Das Musikantenmädel (1918) respectively (1917, 57; 1918, 58). My fascination with Rosa Porten was triggered by Wanda’s Trick (1918), a comedy with close to feminist wit brought to my attention by Elif Rongen-Kaynakçi (EYE Filmmuseum), with whom I prepared the film program for the Women and the Silent Screen V Conference in Stockholm in 2008.
    [Show full text]
  • The Importance of the Weimar Film Industry Redacted for Privacy Abstract Approved: Christian P
    AN ABSTRACT OF THE THESIS Tamara Dawn Goesch for the degree of Master of Arts in Interdisciplinary Studies in Foreign Languages and Litera- tures (German), Business, and History presented on August 12, 1981 Title: A Critique of the Secondary Literature on Weimar Film; The Importance of the Weimar Film Industry Redacted for Privacy Abstract approved: Christian P. Stehr Only when all aspects of the German film industry of the 1920's have been fully analyzed and understood will "Weimar film" be truly comprehensible. Once this has been achieved the study of this phenomenon will fulfill its po- tential and provide accurate insights into the Weimar era. Ambitious psychoanalytic studies of Weimar film as well as general filmographies are useful sources on Wei- mar film, but the accessible works are also incomplete and even misleading. Theories about Weimar culture, about the group mind of Weimar, have been expounded, for example, which are based on limited rather than exhaustive studies of Weimar film. Yet these have nonetheless dominated the literature because no counter theories have been put forth. Both the deficiencies of the secondary literature and the nature of the topic under study--the film media--neces- sitate that attention be focused on the films themselves if the mysteries of the Weimar screenare to be untangled and accurately analyzed. Unfortunately the remnants of Weimar film available today are not perfectsources of information and not even firsthand accounts in othersour- ces on content and quality are reliable. However, these sources--the films and firsthand accounts of them--remain to be fully explored. They must be fully explored if the study of Weimar film is ever to advance.
    [Show full text]
  • Mickey Mayhew Phd Final2018.Pdf
    ‘Skewed intimacies and subcultural identities: Anne Boleyn and the expression of fealty in a social media forum’ Mickey Mayhew A Thesis submitted in fulfilment of the requirements for the degree of Doctor of Sociology at London South Bank University Supervisors: Doctor Shaminder Takhar (Director of Studies) and Doctor Jenny Owen Faculty of Arts and Human Sciences, Department of Social Sciences & Department of Media and Cultural Studies, London South Bank University 1 Abstract The aim of this research project was the investigation of a subculture surrounding the famous Tudor queen Anne Boleyn; what that possible subculture means for those involved, and if it constituted part of a new phenomenon of female orientated online subcultures; cybersubcultures. Through the analysis of film, TV, historical literature and fiction, the research illustrates how subcultures are perpetuated through generations cyclically. The research then documents the transition from the traditional or ‘classic’ subcultural model of the 60s to the 21st century cybersubculture and fandom, suggesting a new way of thinking about subcultures in a post-subcultural age. The research suggests that the positioning of Anne Boleyn as a feminist icon/role model, based mainly on a media-mediated image, has formed a subculture which thrives on disjointed imagery and discourse in order to form a subculture of peculiarly subtle resistance. This new cybersubculture reflects the ways in which women are now able to use social media to form communities and to communicate, sharing concerns over men and marriage, all whilst percolating around the media-mediated image of Anne Boleyn as their starting point. These interactions – and the similarities they shared with the ‘classic’ subcultural style - form the data for this research project.
    [Show full text]
  • Film Front Weimar’ 30-10-2002 14:10 Pagina 1
    * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Ger- many chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship re- ports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films. The chapters are ordered themati- cally: war documentaries, films on the causes of the war, the front life, the war at sea and the home front. Bernadette Kester is a researcher at the Institute of Military History (RNLA) in the Netherlands and teaches at the International School for Humanities and Social Sciences at the University of Am- sterdam. She received her PhD in History FilmFilm FrontFront of Society at the Erasmus University of Rotterdam. She has regular publications on subjects concerning historical representation. WeimarWeimar Representations of the First World War ISBN 90-5356-597-3
    [Show full text]
  • Mary in Film
    PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas
    [Show full text]
  • Programm 1|2020
    PROGRAMM 1| 2020 Murnaustraße 6 I 65189 Wiesbaden I gegenüber Kulturzentrum Schlachthof Quelle: Friedrich-Wilhelm-Murnau-Stiftung DIE PUppE (DE 1919) KINO Kennzeichen D Musik – Sprache der Welt Politische Entwicklungen 130. Geburtstag Henny Porten Literaturverfilmungen And the Oscar goes to… Tanz in 3D Schlachthof-Special In Kooperation mit… Komödien international Historisches – neu belichtet B3 REALITIES – Realität/en im Weimarer Kino Cinema Extreme Editorial Liebe Besucherinnen und Besucher, das Jahr 2020 beginnt mit einem ganz besonderen Neujahrskonzert: ANDRÉ RIEU: 70 JAHRE – EIN FEUERWERK DER MUSIK. Der berühmte Violinist feiert einen runden Geburtstag und lädt das Kinopublikum zu einem Fest voller musikalischer Höhepunkte ein – natürlich vom Maestro selbst ausgewählt. Die Kooperation des Kurhauses Wiesbaden mit dem Kulturzentrum Schlachthof „Conversations with Nick Cave – An Evening of Talk and Music“ am 21. Januar ist leider bereits ausverkauft. Zur Einstimmung und für alle, die keine Karten mehr bekommen haben, präsentie- ren wir den Dokumentarfilm 20.000 DAYS ON EARTH am 19. Januar als Schlachthof-Special. Ein weiteres Highlight im Januar ist die 3D- Dokumentation CUNNINGHam – TANZ IST KUNST über den legendären US- amerikanischen Tänzer und Choreografen. Auf der Grundlage von Per Pettersons preisgekröntem Roman „Pfer- de stehlen“ inszeniert Hans Petter Moland das gleichnamige Drama um Liebe, Verlust und Enttäuschung und thematisiert zugleich die norwegische NS-Vergangenheit zwischen Kollaboration und Wider- stand. PFERDE STEHLEN wurde nicht nur auf der Berlinale 2019 mit dem Silbernen Bären für Herausragende Künstlerische Leistung (Rasmus Videbæk für die Kamera), sondern auch bei den Frankfurter Buch- messe Film Awards in der Kategorie „Best International Literary Adaptation” ausgezeichnet. Auch die B3 Biennale des bewegten Bildes war in diesem Jahr Partner der Buchmesse.
    [Show full text]
  • Abb. 1.1 Und 2 WANDA's TRICK – Wanda Treumann Kokettiert Mit
    Abb. 1.1 und 2 WANDAS TRICK Wanda Treumann kokettiert mit dem Publikum. Jörg Schweinitz Die rauchende Wanda Visuelle Prologe im frühen Spielfilm Im Mai 1918 wird in Berlin Wandas Trick1 (Deutschland,R. Portegg [Pseud - onym für Rosa Porten / Franz Eckstein]) uraufgeführt. Nach dem Haupttitel des Films erscheint auf der Leinwand die Liste der handelnden Personen (ohne Darsteller zu nennen),danach ein gesonderter Titel,der allein den Star ankün - digt: «Wanda Treumann in der Rolle der Wanda». Die erste Einstellung präsen- tiert die populäre Schauspielerin als Ganzfigur im Abendkleid. Die über den Kopf getragene Stola verleiht ihr ein exotisches Fluidum. Nahezu frontal im Bild sitzend,lächelt sie sibyllinisch,führt eine brennende Zigarette an den Mund und raucht auf eine Weise,die wohl als herausfordernd empfunden wer- den sollte. Schließlich behält sie die Zigarette schräg im Mundwinkel,während sie scheinbar uns,das Kinopublikum,anblickt. Danach beginnt sie mit sichtli- chem Vergnügen,Zigarettenschachteln,die neben ihr aufgestapelt sind,kokett in unsere Richtung zu werfen,links und rechts mehr oder weniger dicht an der Kamera vorbei. Diese bemerkenswerte Einstellung hat eine Länge von etwa 20 Sekunden (Abb. 1.1 und 1.2). Der folgende Zwischentitel leitet zu einem Haupthandlungsort des Films über: «Heinrich Löbels Fabrik». Es erscheint Wanda,durch schwarze Arbeits- kleidung herausgehoben aus den Reihen der anderen,grau gekleideten Zigaret - tenarbeiterinnen,an einem Manufakturtisch beim Drehen von Zigaretten. Zug um Zug resp. Bild für Bild werden nun die Personen und die Konfliktlage die- getisch etabliert,die Handlung kommt in Gang... Die Einstellung der rauchenden Wanda wies gegenüber diesem zweiten Bild in vieler Hinsicht Diskontinuitäten auf.
    [Show full text]
  • Otto Wallburg
    Otto Wallburg Otto Wallburg (21 February 1889 – 29 October 1944) was a German actor and Kabarett performer. He was a prolific film actor during the late silent and early sound era. Wallburg was born Otto Maximilian Wasserzug in Berlin, the son of a Jewish banker. He drifted into stage acting and served in the German Army during the First World War and was wounded on the Eastern Front after winning an Iron Cross. From 1926 onwards he worked in the large German film industry, including many productions made by UFA. When the Nazis came to power in 1933 he left Germany and moved to Austria where he continued to work in film. He later moved to France and then on to the Netherlands. He was arrested following the 1940 German invasion of the Netherlands. He was held for a while at Westerbork transit camp, and later moved to Auschwitz where he was murdered. Whilst in The Netherlands he took part in Willy Rosen’s Cabarets performed by The Prominenten. Jews from all over Europe came to perform, some of those before moving on to the United States and freedom. Her appeared in “Cocktail” and “Hinter den Kulissen”, at the Lutine Palace. He received second billing after Siegfried Arno and before Willy Rosen, in the Fourth Season in 1937 of the Gastspiel of The Prominenten. In 1942 he appeared in Vuurwerk on 20th June. He found his circumstances difficult and spent much of his time in hospital or with his family. In 1939 he and his wife divorced, as did many Jews.
    [Show full text]
  • Request a Printed Copy
    Request a printed copy SKU Title 100 DAYS BEFORE THE COMMAND (Sto Dney do Prikaza) (1991) * with switchable 5989 English and German subtitles * 1858 12 MINUTEN NACH 12 (1939) 590 13 MANN UND EINE KANONE (1938) 3098 1860 (1934) * with switchable English subtitles * 776 1914 - DIE LETZTEN TAGE VOR DEM WELTBRAND (1931) * improved picture quality * 5290 1922 (1978) * with switchable English subtitles * 2554 24 STUNDEN AUS DEM LEBEN EINER FRAU (1931) * with switchable English subtitles * 1864 4 TREPPEN RECHTS (1945) 5697 491 (1964) * with switchable English and German subtitles * 356 5 FINGERS (1952) 681 A.D. – THE GLORY OF THE KHAN (1984) * with hard-encoded Bulgarian 2453 subtitles * 1857 7 OHRFEIGEN (1937) 4878 80 HUSZAR (80 Hussars) (1978) * with switchable English subtitles * 5505 A BAD JOKE (Skvernyy anekdot) (1966) * with switchable English subtitles * A BRIVELE DER MAMEN (A LETTER TO MAMA) (1938) *Hard-Encoded English 786 subtitles* 3056 A CANTERBURY TALE (1944) 5040 A CARRIAGE TO VIENNA (1966) * with switchable English subtitles * 4163 A COTTAGE ON DARTMOOR (1929) 3066 A DEADLY INVENTION (Vynález zkázy) (1958) 5575 A DREAM (1964) * with switchable English subtitles * 2769 A FIRE HAS BEEN ARRANGED (1935) 319 A FOREIGN AFFAIR (1948) * with or without hard-encoded German subtitles * 2919 A GIRL IN BLACK (To koritsi me ta mavra) (1956) * with switchable English subtitles * 2590 A HISTORY OF MILITARY PARADES ON RED SQUARE (1918 – 2010) (2013) 312 A JOURNEY THROUGH OLD EAST PRUSSIA *with switchable English subtitles* 313 A JOURNEY THROUGH
    [Show full text]
  • Der Kinematograph (October 1926)
    '^0 GEBÜHR. ALS KOMMANDANT DES UNIENSCHiFFES, HESSEN" ' NEUEN EIKO-MARINE - FILM DER NATION AL-F iLM A.-G. * IN TREUE STARK » . ' Verlorene miiiiiy iPiiiiiiiiiiiiiiKiiiifii.'iii.iiiiiiiiitiiBwiiiMiiiiiiiiiiiiiiiiHiiiiiii'iiiiiiiiiiiaimiiiiiiiniii AU CHTE tmmmmmmimmmmmmMmtmmmKmmmmBii Drama in ö Akten aus dem Künstlerleben Regie: Graf Friedr. Carl Perponcßer Hauptdarsteller: Carola Jäger, Eßmi Bessel, Adolf Jeß, Waller Neumann vom Düsseldorfer Schauspielhaus Pßofograpßie: Hans Scßeib 'Reic£>ss:en&iert Hersteller : TOSCA-TILM g. m. b. h„ Düsseldorf Alleinvertrieb: Ludwig Rrager 81 Co. am.b.H Berlin SW Aö, Friedricßsiraße lö Telefon: Dönhoff 693, 6Ö2 Telegr.-Adr.: Gegart . REGIE: HENRIK GALEEN c o N n a D V e i z> 1 4CJVES ESTERHAXY WERKEUKUAVSS Er.IT.7A CA T»ORTA SONDBR= VERLEIH BERLIN SW4fl. FRIEDRICHSTP ASSF PA' HASFNHEIDfi 70Ö1-PÄ Ktnrttuttogrnph Rinrmntogrnph DIE UFA'VERLEIH'BETRIEBE BRINGEN ALS ERSTE FOLGE IM PRODUKTION SJAHR 1926/27 I 15 SCHLAGER ^cinhold Schänzel Ruth Weytr Ossi Oswalda Werner Krauss Kui 1 Bois Laura La Plante Lotte Neumann Rudolf Valentine Xenia Desni <$> Lars Hansson Willy Fritsch Jenny Hasselquist Olga Tschechow« Rudolf Förster Conrad Veidt Fioot Gibson Murmuloytupt) IFA-VERIEIHBETRII JE <$> WIR VERMIETEN DIE PRODUKTION jo; IN ZWEI FOLGEN: I. FOLGE ln derHeinuri grins Gräfin Pläilmaii ein Wiedersehn Ossi Osualdd u: Reinhold Schünzci Regisseur: Konstantin D Regisseur: Reinhold Schünze) Voraussichtlich Nosember Voraussichtlich OL Der dule Ruf I & i h a f t s d m o m i l Lotte Neumann Hrgisicui : Pierre Maradon Erscheinungstermin Voraussichtlich Oktober Amcnuitogropf) Die Abenteuer des lonsieurBeautairt Prinzen Achmed Rudolf Valtnlino Oehclmnh'c fincr Serif Ein ptycho anaiyHKhn Film mll Wn nfr Krauh, Ruth Weyer, llka Cu Gn ng Reglueur : G.
    [Show full text]