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GéZa Von Bolvã¡Ry ̘͙” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ)
Géza von Bolváry ì˜í ™” 명부 (작품으로) The Prisoners of Shanghai https://ko.listvote.com/lists/film/movies/the-prisoners-of-shanghai-19840598/actors The Way to the Light https://ko.listvote.com/lists/film/movies/the-way-to-the-light-55635624/actors The Royal Grenadiers https://ko.listvote.com/lists/film/movies/the-royal-grenadiers-56064216/actors The Princess of the Riviera https://ko.listvote.com/lists/film/movies/the-princess-of-the-riviera-28130371/actors Farewell Waltz https://ko.listvote.com/lists/film/movies/farewell-waltz-107210116/actors Die Fledermaus https://ko.listvote.com/lists/film/movies/die-fledermaus-1212466/actors Schwarzwaldmelodie https://ko.listvote.com/lists/film/movies/schwarzwaldmelodie-1238382/actors A Song Goes Round the World https://ko.listvote.com/lists/film/movies/a-song-goes-round-the-world-1304847/actors Once I Will Return https://ko.listvote.com/lists/film/movies/once-i-will-return-1308385/actors Flower of the Tisza https://ko.listvote.com/lists/film/movies/flower-of-the-tisza-1321620/actors Zauber der Bohème https://ko.listvote.com/lists/film/movies/zauber-der-boh%C3%A8me-148379/actors Yes, Yes, Love in Tyrol https://ko.listvote.com/lists/film/movies/yes%2C-yes%2C-love-in-tyrol-1544574/actors The Irresistible Man https://ko.listvote.com/lists/film/movies/the-irresistible-man-15805216/actors Premiere https://ko.listvote.com/lists/film/movies/premiere-1591914/actors Roses in Tyrol https://ko.listvote.com/lists/film/movies/roses-in-tyrol-1609985/actors Schrammeln https://ko.listvote.com/lists/film/movies/schrammeln-1643798/actors -
Pdf El Trascendentalismo En El Cine De Douglas Sirk / Emeterio Díez
EL TRASCENDENTALISMO EN EL CINE DE DOUGLAS SIRK Emeterio DÍEZ PUERTAS Universidad Camilo José Cela [email protected] Resumen: El artículo estudia la presencia del trascendentalismo en las pelí- culas que Douglas Sirk rueda para los estudios Universal Internacional Pic- tures entre 1950 y 1959. Dicha presencia se detecta en una serie de motivos temáticos y en una carga simbólica acorde con una corriente literaria y filo- sófica basada en la intuición, el sentimiento y el espíritu. Abstract: The article studies the presence of the transcendentalist in the movies that Douglas Sirk films between 1950 and 1959 for Universal Inter- national Pictures. This presence is detected in topics and symbols. Sirk uni- tes this way to a literary and philosophical movement based on the intuition, the feeling and the spirit. Palabras clave: Douglas Sirk. Trascendentalismo. Leitmotiv. Cine. Key words: Douglas Sirk. Trascendentalist. Leitmotiv. Cinema. © UNED. Revista Signa 16 (2007), págs. 345-363 345 EMETERIO DÍEZ PUERTAS Hacia 1830 surge en la costa Este de Estados Unidos un movimiento li- terario y filosófico conocido como trascendentalismo. Se trata de una co- rriente intelectual que rechaza tanto el racionalismo de la Ilustración como el puritanismo conservador y el unitarismo cristiano. Sus ideas nacen bajo el in- flujo del romanticismo inglés y alemán, en especial, de las lecturas de Johann Wolfgang von Goethe, William Wordsworth, Samuel Taylor Coleridge y Thomas Carlyle. Los principales teóricos del movimiento se agrupan en torno a la ciudad de Concord, en Massachusetts, uno de los seis estados que forman Nueva Inglaterra. Con apenas cinco mil habitantes, esta pequeña localidad se convierte en el centro de toda una escuela de pensamiento. -
In Commemoration of the Victims of the Famine of 1933
Olexa Woropay The Ninth Circle In Commemoration of the Victims of the Famine of 1933 Edited with an Introduction by James E. Mace Harvard University Ukrainian Studies Fund Cambridge, Massachusetts Copyright 1983 by the Ukrainian Studies Fund, Inc. All rights reserved ISBN 0-9609822-0-5 Library of Congress Catalog Number 82-509 17 Printed in the United States of America The Ukrainian Studies Fund, Inc. was established in 1957. Its purpose is to raise funds for the establishment and support of Ukrainian scholarly cen- ters at American universities. The organization has endowed three chairs in Ukrainian studies (history, literature, and linguistics) at Harvard Univer- sity, and is in the process of completing the endowment of Harvard's Ukrainian Research Institute. Contents Editor's Introduction ix Author's Introduction xvi Chapter 1. What I Saw with My Own Eyes 1 I. The Villages in My Sector 1 11. A Trip to Kiev 9 2. What I Have Heard from Eye-Witnesses 16 I. Preface 11. Children 111. In the Homeland of Taras Shevchenko IV. The Fate of Some Families v. Terrible Statistics VI. The ' 'International" VII. Punished for Pulling a Few Ears of Corn VIII. Cannibalism 1X. ' 'Red Kurkuls' ' X. When Thieves Have Power XI. There Were Others, Too XII. The Activists XIII. The "Leaders" Saw for Themselves XIV. New Settlers 3. The Bosses are Satisfied Index Photo Insert Photos following page 8 were first published in The Chicago American newspaper during February and March, 1935. Editor's Introduction James E. Mace READERSIN THE English-speaking world will find much of what Olexa Woropay says hard to believe. -
Georg Wilhelm Pabst : Blessure De La Guerre, Cicatrices De La Pellicule
SYMPOSIUM CULTURE @ KULTUR Research paper • DOI: 10.2478/sck-2021-0001 • Symposium • 3(1) • 2021 • 1–6 Georg Wilhelm Pabst : blessure de la guerre, cicatrices de la pellicule Louise Dumas Abstract Von allen Filmemachern, die Deutschlands filmischen Ruhm in der Zwischenkriegszeit ausmachten, ist G. W. Pabst derjenige, der am wenig- sten Anerkennung erhielt – oder am längsten dafür gebraucht hat. Er ist aber auch derjenige, der schon Ende der 1920er Jahre den Ersten Weltkrieg zu einem filmischen Ereignis machte, das in vier seiner Filme mehr oder weniger direkt thematisiert wird:Die Liebe der Jeanne Ney, Westfront 1918, Kameradschaft und Mademoiselle Docteur. Der Krieg wird als eine traumatische Erfahrung dargestellt, die Einzelpersonen, Seelen und Völker verwundet hat. Dabei bilden auch diese vier Filme ein Manifest der Filmkunst, die grundsätzlich eine Dialektik vom Trennen und Verbinden ist. In diesem Sinne hat das Kino durch seine medienästhetischen Mittel die Kraft, die Wunden des Krieges zu verarbeiten und zu heilen. De tous les réalisateurs qui ont fait la gloire cinématographique de l’Allemagne dans l’entre-deux-guerres, G. W. Pabst est celui qui a été le moins reconnu, ou qui a mis le plus de temps à l’être, mais il est aussi celui qui, dès la fin des années 1920, a fait de la Première Guerre mondiale un événement cinématographique que reflètent, plus ou moins directement, quatre de ses films L’Amour: de Jeanne Ney, Quatre de l’infanterie, La Tragédie de la mine et Mademoiselle Docteur. La guerre y apparaît comme une expérience traumatique qui blesse les individus, les âmes et les peuples. -
Syllabus German Karl May Films This Course Is Designed for Advanced
Syllabus German Karl May Films This course is designed for advanced students of German and fluent speakers. The language of all films and conversation is in German. Classic Karl May films produced in the 1960’s will be shown. Subtitles in German (Deutsch für Hörgeschädigte) assist those who do not understand the entire spoken dialog in order to both improve their listening comprehension and follow the action of the film. The films available for the course are: Der Schatz im Silbersee 1962 106 min Winnetou 1 1963 97 min Winneout 2 1964 91 min Unter Geiern 1964 99 min Winnetou 3 1965 89 min Der Ölprinz 1965 87 min Winnetou und das Halbblut Apanatschi 1966 87 min Winnetou and sein Freund Old Firehand 1966 91 min Old Surehand 1965 89 min Because of the length of the films several class periods will be devoted to each and class members will decide which films to watch. Time will be alloted for discussion and sharing of memories. Every boy and many girls growing up during the twentieth century in Germany and elsewhere in Europe assiduously devoured the Karl May adventure novels. Karl Friedrich May (pronounced „My“ was born February 25, 1842 and died March 30, 1912. He is one of the best selling German writers of all time, noted mainly for books set in the American Old West and similar books set in the Orient and Middle East. With the advent of the 1960’s films children and adults of all ages enjoyed Karl May in the film versions and the series soon became classics in Germany much as the Humphrey Bogart films did in the US. -
Tarnished Angels
The Dark Vision of Douglas Sirk 38 NOIR CITY I SPRING 2016 I filmnoirfoundation.org Imogen Sara Smith n a hot night in New Orleans, in a half-lit, elegantly shabby apartment, two troubled souls share a bottle of cheap wine and an intimate, confessional conversation. Next door, a raucous costume party is in full swing, revelers dancing like hopped-up zombies to relentless Dixieland jazz. The man and woman speak tenderly about betrayals and disillusion- O ment, building to a kiss that is jarringly interrupted by Death— a guy in a leering skull mask who bursts in from the party. This scene, from Douglas Sirk’s underappreciated drama The Tarnished Angels (1958), dramatizes one of the director’s key themes: people struggling for authentic connection, surrounded by an oppressive, sinister masquerade of happi- ness. Sirk is best known for baroquely stylized Technicolor melodramas, once dismissed as sudsy kitsch but now embraced by many cinephiles for their formalist rigor and their subversive notes of unease. The work of a European intellectual often saddled with projects he disdained, Sirk’s films are complex, oblique, and visually incisive. One of the few German refugee filmmakers who didnot specialize in film noir, Sirk shared his fellow exiles’ gimlet eye for his adopted country. His lush melodramas strike a dissonant note, resonating from the hollowness behind the false front of the American “good life.” Like his sophisticated noir films of the 1940s, they reveal an insatiable hunger bred by idealized visions of plenty, and the paradoxical seduc- tion of death in a willfully complacent society. -
02Bodyetd.Pdf (193.2Kb)
Chapter I: Introduction Throughout history, there have been sporadic pockets or concentrations of intense intellectual activity around the globe. From Athens to Vienna, cities have often been associated with the historical eras in which they excelled. For example, the 5th century BC dramatists in Greece such as Aeschylus, Sophocles and Euripides helped to make Athens a leader in artistic creation during its prime. Vienna, the European capital of the music world during the 18th century, was a center of artistic creativity that included composers such as Mozart and Haydn. During the 1920s, the Weimar Republic held the distinction of being the epicenter of human thought and art, with Berlin firmly at the heart of this activity. A few of the familiar names connected to this era in German history are Thomas Mann, Albert Einstein, Theodor Adorno, Wassily Kandinsky, Lyonel Feininger, Fritz Lang, and F.W. Murnau. In addition to these individuals, many artistic and intellectual schools such as German Expressionism, the Frankfurt School, the Bauhaus, and “Der Sturm” are associated with the Weimar Republic. Socially, the period represents an equally intense atmosphere. The Weimar Republic thrived on entertainment, clubs, and night-life in general. Berlin was at the forefront of urban entertainment in Germany, rivaling the other major cities of the Western world. The nightscape of Berlin was marked by lighted signs advertising small cabaret clubs and lavish musicals. However, the streets were also lined with disabled war veterans, prostitutes, and businessmen alike, reflecting an increase of prostitution, debauchery and crime of which all are in some way connected to the unbelievable inflation that permeated all layers of social, cultural and political life in Weimar Germany during the Republic’s first few years. -
ECFG-Croatia-2021R.Pdf
About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for ECFG success (Photo: The Dalmatian coastal town of Primošten). The guide consists of 2 parts: of Republic Part 1 is the “Culture General” section, which provides the foundational knowledge you need to operate effectively in any global environment with a focus on Southeast Europe. Part 2 is the “Culture Specific” section, which describes unique cultural features of Croatian society. It applies culture-general concepts to help increase your knowledge of your assigned deployment location. This section is designed to complement other pre-deployment Croatia training (Photo: A display of bread in a fire pit in Dalmatia, Croatia). For further information, contact the AFCLC Region Team at [email protected] or visit the AFCLC website at https://www.airuniversity.af.edu/AFCLC/. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in tit le, content, or labeling. It may be reproduced in its current format with the express permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources. GENERAL CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. A culture is the sum of all of the beliefs, values, behaviors, and symbols that have meaning for a society. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
September 2016
ZEUGHAUSKINO PROGRAMM Zeughauskino Deutsches Historisches Museum Unter den Linden 2 Juli – September 10117 Berlin T +49 30 20304-421 (Büro) 2016 T +49 30 20304-770 (Kinokasse) F +49 30 20304-424 → Douglas Sirk [email protected] → Tausend Takte Übermut www.zeughauskino.de → Slowakische Neue Welle INHALT VORWORT 1 Höhepunkte 2 Von Detlef Sierck zu Douglas Sirk Filmreihen Written on the Wind All I Desire Die Filme von Douglas Sirk 4 Aus dem Fernseharchiv 40 Berlin.Dokument 44 DEFA-Sportfilm 48 FilmDokument 52 Lachende Erben: Tausend Takte Übermut 54 Slowakische Neue Welle 60 Seit seiner Eröffnung im Jahr 1992 interessiert sich das Zeughauskino für das deutsche Exilkino. Neben kleinere Reihen, die ausgewählte S wie Sonderprogramm 68 Filme deutscher Emigranten vorstellten, sind im Laufe der Jahre um- fangreiche Retrospektiven getreten: mehrmonatige Programme, Wiederentdeckt 72 die es gestatteten, Gesamtwerke in ihren vielfältigen Schichtungen und Wendungen wahrzunehmen. Die Œuvres von Max und Marcel Aktuelle Ausstellungen Ophüls, von Fritz Lang und Robert Siodmak wurden auf diese Weise vorgestellt. Am 8. Juli startet mit einer Douglas-Sirk-Retrospektive Sonderausstellungen im Deutschen Historischen Museum 77 eine weitere Filmreihe in dieser Programmtradition. Douglas Sirk gehört zu den zentralen Filmregisseuren der Nachkriegs- Kalender zeit. Unter den deutschen Filmschaffenden, die in den Jahren vor dem Zweiten Weltkrieg in die USA auswanderten, nimmt er eine Son- Alle Termine im Überblick 78 derstellung ein, denn die Filmkarriere des gebürtigen Hamburgers begann erst im „Dritten Reich“, nachdem er 1934 – unter seinem Geburtsnamen Detlef Sierck – einen Vertrag bei der Ufa unterschrie- Filmwerkstatt ben hatte. Ein Großteil seines Werks entstand jedoch in den 1940er Angebote für Schulklassen 84 und 1950er Jahren im amerikanischen Exil. -
Points West Materials Once Said, “Man’S Mind, in Any Medium Or Format
BUFFALO BILL HISTORICAL CENTER n CODY, WYOMING n SPRING 2011 Thomas Moran n Karl May n Samuel Franklin Cody To the point ©2011 Buffalo Bill Historical Center (BBHC). Written permission liver Wendell Holmes is required to copy, reprint, or distribute Points West materials once said, “Man’s mind, in any medium or format. All photographs in Points West are BBHC photos unless otherwise noted. Questions about image once stretched by a new rights and reproduction should be directed to Rights and idea,O never regains its original Reproductions, [email protected]. Bibliographies, works cited, and footnotes, etc. are purposely omitted to conserve dimensions.” space. However, such information is available by contacting the We here at the Buffalo Bill editor. Address correspondence to Editor, Points West, BBHC, 720 Sheridan Avenue, Cody, Wyoming 82414, or [email protected]. Historical Center couldn’t agree Senior Editor: more. In the last ten years, our Mr. Lee Haines minds have been stretched in Managing Editor: extraordinary directions, and none Ms. Marguerite House of us has ever been the same. Assistant Editor: Ms. Nancy McClure By Bruce Eldredge Then again, how could we remain Executive Director Designer: unchanged when, through our Ms. Lindsay Lohrenz exhibitions, we’ve encountered Contributing Staff Photographers: the likes of artists John James Audubon, William Ranney, and Ms. Chris Gimmeson, Ms. Nancy McClure contemporary artist Charles Fritz? Or, photographers Gertrude Historic Photographs/Rights and Reproductions: Mr. Sean Campbell Kasëbier, Gus Foster, Robert Turner, and our own Charles Credits and Permissions: Belden and Jack Richard? We met Samuel Colt and the Colt Ms. -
Rights Catalogue Young Adult 2019
Fantasy Science Fiction Paranormal Thriller Women’s Fiction Rights Catalogue Young Adult 2019 Middle Grade Non Fiction Acquisitions list Literature Artwork Licences Fantasy • Bailly Samantha • Guéro Ange Orations .................................................................... 25 Ayesha ........................................................................ 16 • Beorn Paul • Guillermou Jean-Sébastien Calame ........................................................................ 9 The Pirates of the Crooked Claw ................20 The Seventh Warrior-Mage .............................. 8 • Jubert Hervé • Bordage Pierre The Morgenstern Trilogy ................................ 35 Arkane ......................................................................... 3 • Le Goascoz Marine • Brussolo Serge Daughter of the Stones ..................................... 19 Almoha .....................................................................22 • Malagoli Alexandre The Skeleton King...............................................21 Genesia ...................................................................... 31 • Colin Fabrice • Mérelle Hélène P. Arcadia ...................................................................... 23 The Autumn of the Magicians .....................36 Revenge .....................................................................24 • Pevel Pierre • Colin Fabrice et Gaborit Mathieu High Kingdom ..................................................... 11 Confessions of an Opium-Eating Paris of Wonders ..................................................12