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Resources and Cultural Complexity: Implications for Sustainability Joseph Tainter
Utah State University From the SelectedWorks of Joseph A. Tainter 2011 Resources and Cultural Complexity: Implications for Sustainability Joseph Tainter Available at: https://works.bepress.com/joseph_tainter/ 271/ Critical Reviews in Plant Sciences, 30:24–34, 2011 Copyright © Taylor & Francis Group, LLC ISSN: 0735-2689 print / 1549-7836 online DOI: 10.1080/07352689.2011.553539 Resources and Cultural Complexity: Implications for Sustainability Joseph A. Tainter Department of Environment and Society, Utah State University, Logan, Utah 84322, USA Table of Contents I. RESOURCES AND CULTURAL COMPLEXITY ..............................................................................................24 II. CHALLENGING THE PROGRESSIVIST VIEW ...............................................................................................25 III. CASE STUDIES IN ENERGY AND COMPLEXITY ..........................................................................................27 A. Collapse of the Western Roman Empire ...........................................................................................................28 B. Collapse and Recovery of the Byzantine Empire ...............................................................................................29 IV. DISCUSSION ......................................................................................................................................................30 V. CONCLUDING REMARKS ...............................................................................................................................33 -
YNYS PRYDEIN Le Cycle Arthurien Contemporain. De L'histoire À L'invention
YNYS PRYDEIN Le cycle arthurien contemporain De l’Histoire à l’Invention Mémoire Geneviève Bellemare Maîtrise en Études littéraires Maître ès arts (M.A.) Québec, Canada © Geneviève Bellemare, 2013 RESUME Le projet de création Ynys Prydein est constitué de plusieurs scènes narrées tantôt par Muir Dunn (Merlin, Myrddin), tantôt par Artan (Arthur), offrant une réécriture du cycle arthurien et des œuvres médiévales d’origines galloises selon une perspective historique. La lutte contre l’envahisseur anglo-saxon, de même que les conflits fratricides qui ont déchiré l’île de Bretagne, sont au cœur de ce récit. Dans la partie réflexive, nous aborderons la question de la construction de l’Histoire, des lacunes archivistiques et de ce que signifie « écrire un roman historique » sur un personnage tel qu’Arthur. Comme le titre l’indique, notre sujet sera l’étude de la construction de l’Histoire. C’est par l’expérimentation que nous parviendrons à saisir les subtilités de cette écriture de la transformation. III IV ABSTRACT The Ynys Prydein project is consists of several scenes told sometimes by Muir Dunn (Merlin, Myrddin), sometimes by Artan (Arthur), offering a rewriting of the Arthurian cycle and the welsh medieval works according to a historical perspective. The fight against the Anglo-Saxon invader, as well as the fratricide conflicts which tore the Island of Brittany, are at the heart of this narrative. In the essay, we shall approach the question of the construction of the History, the archival gaps and what implie " writing a historical novel " on a character such as Arthur. As the title indicates it, our subject will be the study of the construction of the History. -
Pdf El Trascendentalismo En El Cine De Douglas Sirk / Emeterio Díez
EL TRASCENDENTALISMO EN EL CINE DE DOUGLAS SIRK Emeterio DÍEZ PUERTAS Universidad Camilo José Cela [email protected] Resumen: El artículo estudia la presencia del trascendentalismo en las pelí- culas que Douglas Sirk rueda para los estudios Universal Internacional Pic- tures entre 1950 y 1959. Dicha presencia se detecta en una serie de motivos temáticos y en una carga simbólica acorde con una corriente literaria y filo- sófica basada en la intuición, el sentimiento y el espíritu. Abstract: The article studies the presence of the transcendentalist in the movies that Douglas Sirk films between 1950 and 1959 for Universal Inter- national Pictures. This presence is detected in topics and symbols. Sirk uni- tes this way to a literary and philosophical movement based on the intuition, the feeling and the spirit. Palabras clave: Douglas Sirk. Trascendentalismo. Leitmotiv. Cine. Key words: Douglas Sirk. Trascendentalist. Leitmotiv. Cinema. © UNED. Revista Signa 16 (2007), págs. 345-363 345 EMETERIO DÍEZ PUERTAS Hacia 1830 surge en la costa Este de Estados Unidos un movimiento li- terario y filosófico conocido como trascendentalismo. Se trata de una co- rriente intelectual que rechaza tanto el racionalismo de la Ilustración como el puritanismo conservador y el unitarismo cristiano. Sus ideas nacen bajo el in- flujo del romanticismo inglés y alemán, en especial, de las lecturas de Johann Wolfgang von Goethe, William Wordsworth, Samuel Taylor Coleridge y Thomas Carlyle. Los principales teóricos del movimiento se agrupan en torno a la ciudad de Concord, en Massachusetts, uno de los seis estados que forman Nueva Inglaterra. Con apenas cinco mil habitantes, esta pequeña localidad se convierte en el centro de toda una escuela de pensamiento. -
The Body/Soul Metaphor the Papal/Imperial Polemic On
THE BODY/SOUL METAPHOR THE PAPAL/IMPERIAL POLEMIC ON ELEVENTH CENTURY CHURCH REFORM by JAMES R. ROBERTS B.A., Catholic University of America, 1953 S.T.L., University of Sr. Thomas, Rome, 1957 J.C.B., Lateran University, Rome, 1961 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in » i THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF HISTORY We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1977 Co) James R. Roberts, 1977 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date Index Chapter Page (Abst*ac't 'i Chronological list of authors examined vii Chapter One: The Background . 1 Chapter Two: The Eleventh Century Setting 47 Conclusion 76 Appendices 79 A: Excursus on Priestly Dignity and Authority vs Royal or Imperial Power 80 B: Excursus: The Gregorians' Defense of the Church's Necessity for Corporal Goods 87 Footnotes 92 ii ABSTRACT An interest in exploring the roots of the Gregorian reform of the Church in the eleventh century led to the reading of the polemical writings by means of which papalists and imperialists contended in the latter decades of the century. -
The Idea of Medieval Heresy in Early Modern France
The Idea of Medieval Heresy in Early Modern France Bethany Hume PhD University of York History September 2019 2 Abstract This thesis responds to the historiographical focus on the trope of the Albigensians and Waldensians within sixteenth-century confessional polemic. It supports a shift away from the consideration of medieval heresy in early modern historical writing merely as literary topoi of the French Wars of Religion. Instead, it argues for a more detailed examination of the medieval heretical and inquisitorial sources used within seventeenth-century French intellectual culture and religious polemic. It does this by examining the context of the Doat Commission (1663-1670), which transcribed a collection of inquisition registers from Languedoc, 1235-44. Jean de Doat (c.1600-1683), President of the Chambre des Comptes of the parlement of Pau from 1646, was charged by royal commission to the south of France to copy documents of interest to the Crown. This thesis aims to explore the Doat Commission within the wider context of ideas on medieval heresy in seventeenth-century France. The periodization “medieval” is extremely broad and incorporates many forms of heresy throughout Europe. As such, the scope of this thesis surveys how thirteenth-century heretics, namely the Albigensians and Waldensians, were portrayed in historical narrative in the 1600s. The field of study that this thesis hopes to contribute to includes the growth of historical interest in medieval heresy and its repression, and the search for original sources by seventeenth-century savants. By exploring the ideas of medieval heresy espoused by different intellectual networks it becomes clear that early modern European thought on medieval heresy informed antiquarianism, historical writing, and ideas of justice and persecution, as well as shaping confessional identity. -
The Medieval World in Film (3 Credit Hours) 9:00-12:45 Pm
HIST 416- “Sex, Swords, and Sorcery”: The Medieval World in Film (3 credit hours) 9:00-12:45 pm Instructor: Craig M Nakashian Phone: 903-223-3136 Texas A&M University-Texarkana E-mail: [email protected] Office Hours: TR 10-11, 5-6 Office: UC 226 Course description The Medieval World has been fascinating audiences of cinema since the earliest days of Hollywood. From figures such as King Arthur and Robin Hood to settings such as Camelot and England, Anglo-American film-makers have remade the Middle Ages to suit their own interests and ideals. This course allows students to view and analyze a number of films about the medieval period, medieval characters, in order to better understand how and why we consistently re- imagine the Middle Ages. Texts Readings to be provided as handouts, pdf documents, or online links. For a good summary of medieval films, see: http://www.lib.rochester.edu/camelot/acpbibs/harty.htm Student Learner Outcomes: Students will analyze US and UK films related to the civilizations of Europe during the Middle Ages. Students will create, present, and defend reviews addressing topics of interest related to the course materials. Students will discuss the historical and cultural underpinnings of the course materials. Assessment/Requirements Each student will be expected to carry-out the following tasks: 1. Write brief film analyses. 2. Write two larger comparative analyses. 3. Write a creative final essay. 4. Participate in class activities. Brief Film Analyses [30% of course grade; 5 points each; 30 points total] After each film, you will have the opportunity to write a brief (1½- 2 pages) analytical critique. -
Understanding Collapse Guy D
Cambridge University Press 978-1-107-15149-9 — Understanding Collapse Guy D. Middleton Frontmatter More Information i Understanding Collapse Understanding Collapse explores the collapse of ancient civilisations, such as the Roman Empire, the Maya, and Easter Island. In this lively survey, Guy D. Middleton critically examines our ideas about collapse – how we explain it and how we have constructed potentially misleading myths around collapses – showing how and why collapse of societies was a much more complex phenomenon than is often admitted. Rather than positing a single explanatory model of collapse – economic, social, or environmental – Middleton gives full consideration to the overlooked resilience in communities of ancient peoples and the choices that they made. He offers a fresh interpretation of collapse that will be accessible to both students and scholars. • An engaging, introductory- level survey of collapse in the archaeology/ history literature. • Ideal for use in courses on the collapse of civilisations, sustainability, and climate change. • Includes up- to- date case studies of famous and less well-known exam- ples of collapses. • Illustrated with twenty-four black and white illustrations, fi ve line draw- ings, sixteen tables, and twenty-two maps. Guy D. Middleton studied Ancient History and Archaeology at Newcastle University, where he won the Shipley Prize. For his Ph.D. at Durham University, he studied the collapse of Mycenaean states around 1200 BC. His works on collapse include: ‘Nothing lasts forever: Environmental discourses on the collapse of past societies’ (Journal of Archaeological Research , 2012) and The Collapse of Palatial Society in Late Bronze Age Greece and the Postpalatial Period (2010). -
Journey Planet 57—January 2021 ~Table of Contents~ 2
Arthur, King of the Britons Editors Chris Garcia, Chuck Serface, James Bacon Journey Planet 57—January 2021 ~Table of Contents~ 2 Page 5 King Arthur Plays Vegas: The Excalibur Editorial by Christopher J. Garcia by Christopher J. Garcia Page 38 Page 7 In Time of Despair and Great Darkness Letters of Comment by Ken Scholes by Lloyd Penney Page 49 Page 12 Camelot Instant Fanzine Article: Arthur and Merlin by Laura Frankos by Christopher J. Garcia and Chuck Serface Page 55 Page 16 A Retro-Review: Monty Python’s Spamalot The Story of Arthur by Steven H Silver Retold by Bob Hole Page 58 Page 19 Arthurs for Our Time: Recent Interpretations Arthur, Alfred, and the Myth of England of the Legend by Julian West by Chuck Serface Page 62 Page 23 Lady Charlotte and King Arthur Two Cups of Blood: Dracula vs. King Arthur by Cardinal Cox by Derek McCaw Page 64 Page 29 From a Certain Point of View: Merlin & Nimue Knights of Pendragon: The Other Arthurian Comic by Steven H Silver by Helena Nash Page 31 Page 75 Interview with Dorsey Armstrong Tristan, Isolde, and Camelot 3000 by Christopher J. Garcia by Christopher J. Garcia Page 35 King Arthur in Fifteen Stamps Page 77 by Bob Hole “It’s Only a CGI Model”: Arthurian Movies of the Twenty-First Century Page 36 by Tony Keen Arthur, King of the Britons 3 ~Table of Contents~ Page 81 Cover by Vanessa Applegate Terry Gilliam's The Fisher King by Neil Rest Page 1—DeepDreamGenerator Combination of Page 84 King Arthur Tapestry of the Nine Worthies and My Barbarian’s “Morgan Le Fey” . -
Culture Mangle 131110 Red Edn Final
Simpson, J. R. and MacDonald, E., (Eds.) (2010) Mangling Cultures: Conflict, Dissonance and Interpretation in Modern Language Studies. Series: Tous Azimuts. Glasgow French and German Publications: Glasgow. ISBN 9780852619179 Copyright © 2010 University of Glasgow French and German Publications. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge The content must not be changed in any way or reproduced in any format or medium without the formal permission of the copyright holder(s) When referring to this work, full bibliographic details must be given http://eprints.gla.ac.uk/44398/ th Deposited on: 10 March 2015 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Tous Azimuts 4 The Culture Mangle Conflict and Violence in Language and Culture Proceedings of a conference held at the University of Glasgow, May 2007 Edited by Eilidh Macdonald and James R. Simpson University of Glasgow French and German Publications 2010 University of Glasgow French and German Publications Series Editors: Mark G. Ward (German) Geoff Woollen (French) Hetherington Building, Bute Gardens, University of Glasgow, Glasgow G12 8RS First published 2010 © Copyright University of Glasgow French and German Publications All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, digital, mechanical, recording or otherwise, without the prior permission of the publisher. Printed by The Print -
Popes in History
popes in history medals by Ľudmila Cvengrošová text by Mons . Viliam Judák Dear friends, Despite of having long-term experience in publishing in other areas, through the AXIS MEDIA company I have for the first time entered the environment of medal production. There have been several reasons for this decision. The topic going beyond the borders of not only Slovakia but the ones of Europe as well. The genuine work of the academic sculptress Ľudmila Cvengrošová, an admirable and nice artist. The fine text by the Bishop Viliam Judák. The “Popes in history” edition in this range is a unique work in the world. It proves our potential to offer a work eliminating borders through its mission. Literally and metaphorically, too. The fabulous processing of noble metals and miniatures produced with the smallest details possible will for sure attract the interest of antiquarians but also of those interested in this topic. Although this is a limited edition I am convinced that it will be provided to everybody who wants to commemorate significant part of the historical continuity and Christian civilization. I am pleased to have become part of this unique project, and I believe that whether the medals or this lovely book will present a good message on us in the world and on the world in us. Ján KOVÁČIK AXIS MEDIA 11 Celebrities grown in the artist’s hands There is one thing we always know for sure – that by having set a target for himself/herself an artist actually opens a wonderful world of invention and creativity. In the recent years the academic sculptress and medal maker Ľudmila Cvengrošová has devoted herself to marvellous group projects including a precious cycle of male and female monarchs of the House of Habsburg crowned at the St. -
Tarnished Angels
The Dark Vision of Douglas Sirk 38 NOIR CITY I SPRING 2016 I filmnoirfoundation.org Imogen Sara Smith n a hot night in New Orleans, in a half-lit, elegantly shabby apartment, two troubled souls share a bottle of cheap wine and an intimate, confessional conversation. Next door, a raucous costume party is in full swing, revelers dancing like hopped-up zombies to relentless Dixieland jazz. The man and woman speak tenderly about betrayals and disillusion- O ment, building to a kiss that is jarringly interrupted by Death— a guy in a leering skull mask who bursts in from the party. This scene, from Douglas Sirk’s underappreciated drama The Tarnished Angels (1958), dramatizes one of the director’s key themes: people struggling for authentic connection, surrounded by an oppressive, sinister masquerade of happi- ness. Sirk is best known for baroquely stylized Technicolor melodramas, once dismissed as sudsy kitsch but now embraced by many cinephiles for their formalist rigor and their subversive notes of unease. The work of a European intellectual often saddled with projects he disdained, Sirk’s films are complex, oblique, and visually incisive. One of the few German refugee filmmakers who didnot specialize in film noir, Sirk shared his fellow exiles’ gimlet eye for his adopted country. His lush melodramas strike a dissonant note, resonating from the hollowness behind the false front of the American “good life.” Like his sophisticated noir films of the 1940s, they reveal an insatiable hunger bred by idealized visions of plenty, and the paradoxical seduc- tion of death in a willfully complacent society. -
September 2016
ZEUGHAUSKINO PROGRAMM Zeughauskino Deutsches Historisches Museum Unter den Linden 2 Juli – September 10117 Berlin T +49 30 20304-421 (Büro) 2016 T +49 30 20304-770 (Kinokasse) F +49 30 20304-424 → Douglas Sirk [email protected] → Tausend Takte Übermut www.zeughauskino.de → Slowakische Neue Welle INHALT VORWORT 1 Höhepunkte 2 Von Detlef Sierck zu Douglas Sirk Filmreihen Written on the Wind All I Desire Die Filme von Douglas Sirk 4 Aus dem Fernseharchiv 40 Berlin.Dokument 44 DEFA-Sportfilm 48 FilmDokument 52 Lachende Erben: Tausend Takte Übermut 54 Slowakische Neue Welle 60 Seit seiner Eröffnung im Jahr 1992 interessiert sich das Zeughauskino für das deutsche Exilkino. Neben kleinere Reihen, die ausgewählte S wie Sonderprogramm 68 Filme deutscher Emigranten vorstellten, sind im Laufe der Jahre um- fangreiche Retrospektiven getreten: mehrmonatige Programme, Wiederentdeckt 72 die es gestatteten, Gesamtwerke in ihren vielfältigen Schichtungen und Wendungen wahrzunehmen. Die Œuvres von Max und Marcel Aktuelle Ausstellungen Ophüls, von Fritz Lang und Robert Siodmak wurden auf diese Weise vorgestellt. Am 8. Juli startet mit einer Douglas-Sirk-Retrospektive Sonderausstellungen im Deutschen Historischen Museum 77 eine weitere Filmreihe in dieser Programmtradition. Douglas Sirk gehört zu den zentralen Filmregisseuren der Nachkriegs- Kalender zeit. Unter den deutschen Filmschaffenden, die in den Jahren vor dem Zweiten Weltkrieg in die USA auswanderten, nimmt er eine Son- Alle Termine im Überblick 78 derstellung ein, denn die Filmkarriere des gebürtigen Hamburgers begann erst im „Dritten Reich“, nachdem er 1934 – unter seinem Geburtsnamen Detlef Sierck – einen Vertrag bei der Ufa unterschrie- Filmwerkstatt ben hatte. Ein Großteil seines Werks entstand jedoch in den 1940er Angebote für Schulklassen 84 und 1950er Jahren im amerikanischen Exil.