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The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Press Release for Fatherhood
Stalwart bassist Ben Wolfe is proud to announce the August 30th release of his new album, Fatherhood - a heartfelt body of work which pays tribute to the bassist’s father, Dan Wolfe who passed away in 2018. This ten-track collection of nine originals and one cover also serves as a meditation on what it means for Ben to be a father to his own son, Milo. With Fatherhood, the bassist and composer made a conscious decision to step off the fast lane for a moment and make music of introspection and mourning. “I made this record in ways I knew my father would have encouraged” - that meant choosing the best studio, the best musicians, self-funding the entire project, and making wise decisions throughout. Ben is thrilled to have this record brought to fruition by a collection of both familiar collaborators and young phenoms - the bassist is joined by trumper Giveton Gelin, saxophonists Immanuel Wilkins, Ruben Fox, JD Allen, trombonist Steve Davis, pianists Luis Perdomo and Orrin Evans, vibraphonist Joel Ross and drummer Donald Edwards. As on two previous recording sessions, Ben drafted the Grammy- nominated violinist Jesse Mills to put together a stellar string quartet, which features Mills alongside Goergy Valtchev on violin, Kenji Bunch on viola and Wolfram Koessel on cello. Mindful of his father’s judicious approach to performance, Ben surmises that “this record is about the overall sound of the ensemble.” Ben and his dad experienced the customary roller coaster ride typical of father-son relationships, but in music they forged their deepest bonds. A former violinist who spent a season with the San Antonio Symphony, Dan Wolfe raised his son to love all sorts of music. -
BRANFORD MARSALIS Band, and We Got out of It What We Needed 10 Jazz Records
JULY/AUGUST 2012 ISSUE MMUSICMAG.COM JULY/AUGUST 2012 ISSUE MMUSICMAG.COM MUSICIAN Why the provocative title? in 2001, we were huffing and puffing when ESSENTIAL MARSALIS I actually didn’t want to call the record that. it was over. I bit through my lip—there was Every time I make an album, I never come up blood all over my mouthpiece. I’m blessed with a title, and my management company that I don’t have a fear of sounding bad in THE BEAUTYFUL presses me for one. To buy time, I come front of people. When I listen to early jazz ONES ARE NOT up with the stupidest title I can think of. So and read about it, there wasn’t a fear of YET BORN when they asked this time, I told them. They failure. Cats would just go out and play. Now (1991) said, “That’s great!” I said, “Not great. You guys practice, practice, practice, then they It took Marsalis several can’t use that!” Yes, I’ve got a potty mouth, rehearse for six days, then they make the years to find his way as but I don’t just put it out there. But they ran record and it sounds like a bulwark against a leader, and it wasn’t until this release, with it. Usually they’re telling me, “You can’t the possibility of something spontaneous seven years after his solo debut, that he use that.” But this time they loved it, so I said, actually happening. left no doubt he was to be a major player. -
11-14-14 Jazz Ensemble
Williams College Department of Music Williams Jazz Ensemble Kris Allen, Director Program I Know, You Know - Nathan Parker-Smith Tango For Hayley - Nathan Parker-Smith Woody N' You - John Birks "Dizzy" Gillespie arr. Earl MacDonald Brooklyn Blues - Dan Pugach Horizons - Michael Webster Dual Meaning - Nathaniel Vilas '17 Dienda - Kenny Kirkland, arr. Kris Allen Donna Lee - Charlie Parker arr. Marty Paich Personnel Henry Hobbs '18, alto saxophone Jack Ferguson '18, alto saxophone Sammi Jo Stone '17, baritone saxophone, oboe Kris Allen, soprano saxophone, director Kevin Eagan '15, French horn Jeff Sload '17, trombone Jonathan Dely '15, trumpet Daniel Fisher '18, trumpet Paul Heggeseth, trumpet Nathaniel Vilas '17, piano, bassoon Jack Hood '18, piano Jack Schweighauser '15, guitar Greg Ferland '16, bass Brian Levine '16, drums Scott Daniel '17, violin Gary Chen '18, violin Isabel Hanson '16, flute Christopher Hough Deane '18, clarinet, bass clarinet Yitong Tseo '17, cello James Bergin, viola Joe Jewett, viola Friday, November 14, 2014 8:00 p.m. Brooks-Rogers Recital Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. The Williams Jazz Ensemble is the cornerstone of a large and vibrant com- munity of faculty members and students interested in big band, small ensembles, and vocal combinations of jazz at the college. Kris Allen leads the Williams Jazz Ensemble. Every year guest artists and clinicians come to campus to work with students and to perform. Past visitors have included the Branford Marsalis Quartet, The David Sanchez Quintet, Winard Harper, The Marcus Roberts Trio, Ellingtonian John Lamb, and Saxophonist Claire Daly. Guest lecturers have included Dr. -
Hör Bar November – Januar 2004/2005 Ausgabe 05/04 Daniel Müller-Schott Kommt Mit Dem Warschauer Nationalorchester Warschauer Kommt Mit Dem Daniel Müller-Schott
08KHD01_09_04_LA 05.10.2004 15:32 Uhr Seite 1 Das Magazin für das Konzerthaus Dortmund hör_bar November – Januar 2004/2005 Ausgabe 05/04 Daniel Müller-Schott kommt mit dem Warschauer Nationalorchester Warschauer kommt mit dem Daniel Müller-Schott Wochenende der Stimmen Ben Heppner und Edita Gruberova Christmas-Show 2004 mit Ireen Sheer und Johannes Heesters Jahreswechsel 2004/05 Drei Konzerte im Konzerthaus Dortmund Flexibilität und Stilsicherheit Symphonieorchester des Bayerischen Rundfunks Poeten und Tastenlöwen Daniel Harding Klavier-Virtuose Arcadi Volodos Conductor in Residence 08KHD01_09_04_LA 05.10.2004 15:32 Uhr Seite 2 Dortmund – City Centre „Römischer Kaiser“ Tradition verpflichtet! 125 komfortable Zimmer, inkl. 18 Suiten, z.T. mit Whirpool und Klimaanlage, lassen keine Wünsche offen. 9 Konferenz- und Banketräume für Ihre Tagung, Seminar oder Feierlichkeit stehen für Sie bereit. Unsere Küche verwöhnt Sie mit regionalen und internatio- nalen Speisen der Saison. Genießen Sie gepflegte Biere, leckere Cocktails und internationale Spezialitäten in unserer Bar „Fortune“. Reinigung .Hausdienste Wir freuen uns auf Sie! Hauswirtschaft .Hygiene Holiday Inn Dortmund – City Centre „Römischer Kaiser“ Olpe 2 · 44135 Dortmund Tel.: 0231-5432-00 · Fax.: 0231-574354 Gebäudemanagement e-mail: [email protected] · www.roemischerkaiser.com Sicherheit Hörder Straße 276 58454 Witten www.guelich-gruppe.de 24-Stunden-Service: 02302/94 700 VAN HAM Kunstauktionen Unsere Herbst-Auktionen: Photographie Historische, klassische 29. Oktober 2004, 18h und zeitgenössische Photographien · Vintages Teppiche Ca. 300 alte und antike 3. November 2004 Sammlerteppiche große dekorative Teppiche Tapisserien und Textilien Alte Kunst Möbel · Silber · Porzellan 18. – 20. November 2004 Juwelen · Skulpturen Gemälde des 16.–19. Jh. Moderne und Gemälde · Aquarelle Zeitgenöss. Kunst Zeichnungen · Skulpturen 2. -
2017 SPRING CONCERT SERIES SUNDAY, APRIL 30Th 3PM CELEBRATE INTERNATIONAL JAZZ DAY with the JOHNNY O’NEAL TRIO HARRISBURG MIDTOWN ARTS CENTER - CAPITOL ROOM 1110 N
CENTRAL PA FRIENDS OF CPFJ Newsletter Mid-April/May 2017 #47 2017 SPRING CONCERT SERIES SUNDAY, APRIL 30th 3PM CELEBRATE INTERNATIONAL JAZZ DAY with the JOHNNY O’NEAL TRIO HARRISBURG MIDTOWN ARTS CENTER - CAPITOL ROOM 1110 N. 3rd St., Harrisburg PA FRIDAY, JUNE 16th 7:30PM BEN WOLFE TRIO featuring VICTOR GOULD & DONALD EDWARDS Tribute to Thelonious Monks’ 100th Year MESSIAH COLLEGE, HIGH CENTER, Mechanicsburg PA May 27 - 29 HARRISBURG ARTS FEST Central PA Friends of Jazz Tent and Stage Front & Walnut Sts., Riverfront Park, Hbg PA Three days of live jazz from 10:30am to 7pm on Saturday & Sunday and from 10:30am to 5pm on Memorial Day June 14 - 17 CENTRAL PA FRIENDS OF JAZZ CAMP Messiah College, Mechanicsburg PA (story on page 8) August 10 - 13 37th Annual CENTRAL PA JAZZ FESTIVAL September 8 DAUPHIN COUNTY JAZZ & WINE FESTIVAL JOEY DeFRANCESCO + the PEOPLE and the Jost Project October 15 JEREMY DAVENPORT - Ware Center, Lancaster, PA . pg. 2 - Executive Director Letter pg. 8 - Central PA Friends of Jazz CAMP pg. 3 - Grants & Donors pg. 9 - Harrisburg Arts Fest - CPFJ Tee shirts pg. 4 & 5 - 2017 Spring Concert Series pg. 10 - Track of the Month - CPFJ Youth Band pg. 6 - Steady Gig Calendar pg. 11 - Membership Application & Ticket Order Form pg. 7 - One Time Only Events Calendar pg. 12 - mailing page The Vibe is published monthly at the Central PA Friends of Jazz, 5721 Jonestown Road, Harrisburg PA 17112 EXECUTIVE DIRECTOR'S REPORT: Central Pennsylvania .. Friends of Jazz I hope you were able to attend the stunning concert that the Buster Williams Quartet performed . -
After Rock Excursion, Branford Is Back to Jazz
aient After Rock Excursion, Branford Is Back To Jazz week off from Herbie Hancock's "Royal Garden Blues," due for re- Sting's "The Dream Of The Blue For "Romances For Saxophone," BY JIM BESSMAN band, which he joined shortly after lease in September. Turtles" album and ensuing tour. which he says was CBS Master- NEW YORK Following his highly Sting's worldwide tour climaxed Meanwhile, CBS Masterworks Marsalis says he joined Sting's works' idea, Marsalis chose the bulk selec- visible 18 -month recording and tour- with the Amnesty International has issued Marsalis' debut classical experimental project after reaching of the material. Included are ing stint with Sting and a brief for- benefit concerts. set, "Romances For Saxophone," a "saturation point" in his jazz ca- tions from Debussy, Faure, Rach- ay into classical music, Branford Marsalis plans to stay with Han- currently No. 6 on Billboard's Top reer brought on by years of touring maninoff, and Stravinsky. Marsalis has returned to his jazz cock for several more weeks, after Classical Albums chart. The album with the likes of Art Blakey, Lionel "Most classical music written for base with a vengeance. which he will perform various jazz was recorded in London with the Hampton, Clark Terry, and brother the sax sucks," says the outspoken The saxophonist recently com- gigs with such artists as David San- English Chamber Orchestra in May Wynton Marsalis. musician. pleted his second jazz album for Co- born and pianist Ronnie Matthews. 1985 during a three -day break from "You come to a point where you "It has no soul, and the French lumbia, "Royal Garden Blues," at Marsalis will then be putting to- filming "Bring On The Night," the can't tell if you're getting better or way of playing, with altissimo is RCA Studio A in New York during a gether his own band to back up documentary on the making of worse, so you have to move away," notes, fast vibrato, and thin tone, says Marsalis, noting that while the too stiff and not romantic, contrary "rock'n'roll gig" might have made to popular belief," adds Marsalis. -
Rufus Reid a Top Jazz Bassist and Teacher Takes the Blindfold Test Live
33rd Annual Where to Study Jazz 2011 Rufus Reid A Top Jazz Bassist and Teacher Takes The Blindfold Test Live JEN Artists Roundtable Don Braden, Stefon harris, Gerald Clayton and DJ Trentino Oberlin Conservatory’s serious Commitment to Jazz Education More Than 160 Schools listed! OCTOBER 2010 DOWNBEAT 65 stuDent music guiDe // WheRe to stuDy jazz 2011 Jazz School In Session Wayne State university The colleges and universities included in this comprehen- Features sive educational supplement can help guide you down the 84 Rufus Reid path to becoming a complete jazz musician. Jazz programs Bassist/Educator Takes The range widely in size and focus, and each has its own appeal, Blindfold Test Live at JEN By Frank Alkyer whether you seek a career as a professional player, educator, 98 Experiments & Experience producer or businessperson in the music industry. JEN Artists Roundtable with Great teachers and programs can be found all across the Don Braden, Stefon Harris, Gerald Clayton country and beyond, so it’s important to explore the full range and DJ Trentino of jazz education options out there. We’ve organized our list- By Frank Alkyer ings by region (East, Midwest, South, West and International) 112 Logan’s Legacy Oberlin Conservatory’s to help you find exactly what you’re looking for in your higher Expanded Jazz education. Check them out here, read more about them on- Offerings Testify to One Man’s Life Work line and take the time to visit as many campuses as you can By Aaron COhen before deciding where to apply. With school back in session for the season, DownBeat School LisTings encourages you to get started on your jazz education journey 68 East 100 south now, while there’s still plenty of time to research colleges and 114 Midwest 132 West universities with jazz programs available to you in 2011. -
Mccoy Tynerin Ja Joey Calderazzon Pianosoolojen Analysointi Kappaleesta Pursuance
McCoy Tynerin ja Joey Calderazzon pianosoolojen analysointi kappaleesta Pursuance Pop/jazzmusiikin koulutusohjelma Muusikon suntautumisvaihtoehto Opinnäytetyö 20.4.2009 Henrik Wirzenius Kulttuurialat TIIVISTELMÄSIVU Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –muusikon suuntautumisvaihtoehto Tekijä Wirzenius Henrik Työn nimi McCoy Tynerin ja Joey Calderazzon pianosoolojen analysointi kappaleesta Pursuance Työn ohjaaja/ohjaajat Jukka Väisänen & Mikael Jakobsson Työn laji Aika Numeroidut sivut + liitteiden sivut Opinnäytetyö 20.4.2009 26 + 3 TIIVISTELMÄ Opinnäytetyössäni tutkin ja analysoin pianistien McCoy Tynerin ja Joey Calderazzon improvisoituja pianosooloja John Coltranen kappaleessa Pursuance. McCoy Tynerin soolo on A Love Supreme - levyltä (John Coltrane) ja Joey Calderazzon soolo on Footsteps of Our Fathers -levyltä (Branford Marsalis). Tavoitteena on saada syvempi käsitys pianistien modaalisista soittotyyleistä, sekä tutkia mitä yhtäläisyyksiä ja eroavaisuuksia sooloissa ilmenee. Tutkimusmateriaalina käytän omia transkriptioita kyseisistä sooloista. Vaikka pelkän transkription kautta ei pysty saavuttamaan täydellistä ja kokonaisvaltaista kuvaa tutkittavasta kohteesta, olen kui- tenkin rajoittanut tutkimukseni käsittelemään pelkästään transkriptioiden luomaa nuottikuvaa pystyäk- seni pitämään mahdollisimman objektiivisen ja analyyttisen näkökulman tutkimukseeni. Tutkimuksesta huomaa että yleisellä tasolla Tyner ja Calderazzo käyttävät paljon samanlaisia ilmiöitä ja kuvioita sooloissaan. Molemmat -
Jazzweek with Airplay Data Powered by Jazzweek.Com • September 5, 2011 Volume 7, Number 39 • $7.95
JazzWeek with airplay data powered by jazzweek.com • September 5, 2011 Volume 7, Number 39 • $7.95 Jazz Album No. 1: Giacomo Gates, Revolution Smooth Album No. 1: Dave Koz, Hello Will Be Jazz: The Songs Of Gil Scott-Heron Tomorrow (Concord) (Savant) World Music No. 1: Monty Alexander, Harlem- Smooth Single No. 1: Dave Koz, “Anything’s Kingston Express Live (Motema) Possible” (Concord) Jazz Album Charts .................... 3 Jazz Add Dates ....................... 7 Smooth Jazz Album Charts .............4 Jazz Radio Currents ................... 8 Smooth Singles Charts ................. 5 Jazz Radio Panel .................... 11 World Music Album Charts .............. 6 Smooth Jazz Current Tracks............ 13 Smooth Jazz Station Panel............. 14 Jazz Birthdays September 5 September 12 September 20 Albert Mangelsdorff (1928) Cat Anderson (1916) Red Mitchell (1927) Charles “Bobo” Shaw (1947) Steve Turre (1948) Steve McCall (1933) September 6 John Zorn (1953) Eric Gale (1938) Charles Moffett (1929) Scott Hamilton (1954) Billy Bang (1947) Clifford Thornton (1936) September 13 Steve Coleman (1956) Andrew White (1942) Chu Berry (1910) September 21 September 7 Mel Tormé (1925) Slam Stewart (1914) Max Kaminsky (1908) September 14 Chico Hamilton (1921) Joe Newman (1922) Joseph Jarman (1937) Sunny Murray (1937) Sonny Rollins (1930) Oliver Lake (1942) September 23 Ken McIntyre (1931) September 15 Albert Ammons (1907) Marcus Roberts (1963) Al Casey (1915) John Coltrane (1926) September 8 Bobby Short (1926) Frank Foster (1928) Norris Turney (1921) -
Lionel Hompton # Jozz Fes'tivol '"?Iæfy O '- C) O
{ I !t i ; I I I i 1 I l Ë I I i I I i I Lionel Hompton # Jozz Fes'tivol '"?iÆFY o '- c) o =o- o ! p o C f ol o-- (I) Dr. lionel Hampton, producer *rJ assisted by Dr. lynn J. Skinner Welcome to the 3lst University of Idaho Lionel HamptonJazzÏestival! The Lionel HárirptonJazzEestivalhas become one of the greatest jzzzfestivals in the world. join Pleæe us in celebratin g a clæsically American art form - Iazz. At the Lionel HamptonJazzEestivalwe seek to enrich the lives of young people with this music - year after year. "GAtes" Keeps on Swingin' Lionel Hampton started his musicalcareer æ a drummer. Hamp wæ playing drums with Louie Armstrong and one night at the gig, Louie turned to Hamp and said, "Swing it Gates, Swing!" Hamp asked Louie what he meantand he said, "l'm calling you Gates because you swing like a gatel" From that point in time until this very day Hamp is known as "Gates" because of his incredible ability to "swing". The story came to Dr. Skinner directly from Hamp. 1 I Welcome to the 1998 Jazz Festival atthe University of Idaho - Moscow, Idaho! Page For more informoÌion concerning the Concert Schedule Lionel Homplon Jozz Feslivol, contoct: 5 Lionel Hampton School of MusicJøz Ensembles 11 Dr. Lynn J. Skinner, Execulive Direclor Welcome Letters 13 Lionel Homplon Jozz Feslivol Clinic Schedule t5 Lionel Hompton School of Music Lionel Hampton - Biography 17 Universify of ldoho Guest futist Biographies .......... 23 Moscow, ldoho 83844-4014 Adjudicator Biog*pfri.r .................. 53 (208)885-ó513 l208l88 5-67 65 Fox: Lionel HamptonJazz Festival Staff ,.. -
Wynton Marsalis
» The Music of America: Wynton Marsalis SONY Masterworks: The Music of America | January 24, 2012 Wynton Marsalis brings you this self-curated collection for The Music of America series. This 2-CD set blends the diverse musical languages that personify this unique American artist and composer. The compositions are performed by a diverse group of musicians including the Los Angeles Philharmonic Orchestra, the Orion String Quartet, musicians from the Chamber Music Society of Lincoln Center, and members of The Lincoln Center Jazz Orchestra in various configurations. Speaking through the voice of a bluesman, parishioner, sophisticate, slave, griotor philosopher, Marsalis bring an eye of a musical historian as he takes us through a musical journey of some of his most outstanding works. This collection truly personifies Marsalis as the formidable trumpet player, the world-class composer and an extraordinary contributor to The Music of America. Track Listing CD 1 Liner Notes Yes and Love. These two words summon the affirmation and arc of intention, and the meaning and values at the core of Wynton Marsalis’s oeuvre, a small sample of which is contained on this two-disc set. When you listen, other words will bubble to the surface, other metaphors and images will arise. Nouns like “America” – rural to city, farming to high-tech, white and black and the spectrum of colors of the spiral rainbow –will be evoked. Marsalis’s music also registers an emotional spectrum, from the sensual slow drags to the in-the-pocket mid-tempos to the high-velocity-jet swing. You’ll also find down-home timbres, horns with bite and sass, plus strings that sing and sting with a fiddler’s edge.