DOCSLIB.ORG

Jazz Radio Panel P. 22 Jazzweek.Com • September 18, 2006 Jazzweek 13 Airplay Data Jazzweek Jazz Album Chart Sept

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jazz Radio Panel P. 22 Jazzweek.Com • September 18, 2006 Jazzweek 13 Airplay Data Jazzweek Jazz Album Chart Sept JazzWeek with airplay data powered by jazzweek.com • September 18, 2006 Volume 2, Number 42 • $7.95 Industry Q&A: JANA LA SORTE page 10 On The Charts: #1 Jazz Album – Dr. Lonnie Smith #1 Smooth Album – Peter White #1 College Jazz – Madeleine Peyroux #1 Smooth Single – Peter White #1 World Music – Eliane Elias JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR Tad Hendrickson kay. After beating up on jazz radio a little bit over the last CONTRIBUTING WRITER/ three weeks, I thought I’d better balance it out with some of PHOTOGRAPHER Othe things jazz radio does right and does better than other Tom Mallison formats. PHOTOGRAPHY 1. Jazz radio plays more new artists than any other profes- Barry Solof sional format. Over the last three years, at least 600 albums have Contributing Editors made the JazzWeek top 50. No commercial radio format plays Keith Zimmerman that many new records in a year, and other than some non-comm Kent Zimmerman triple-As and college radio, no other radio genre comes close. (We Founding Publisher: Tony Gasparre can argue about how many of those should be played, but it’s still ADVERTISING: Devon Murphy an impressive and commendable number.) Call (866) 453-6401 ext. 3 or 2. Jazz radio is not part of the whole sleazy money/payola mess. email: [email protected] The lack of money in jazz is certainly part of that, but the relation- SUBSCRIPTIONS: ships between promoters, labels and radio are built on trust, not Free to qualified applicants free electronics, wads of cash, limos or vacations. At the risk of Premium subscription: $149.00 per year, sounding sappy, people in jazz radio are in it for love. w/ Industry Access: $249.00 per year To subscribe using Visa/MC/Discover/ 3. Jazz radio is genuine. Jazz radio is about the music and a AMEX/PayPal go to: host who is enthralled by the music. It’s a personal relationship, http://www.jazzweek.com/account/ subscribe.html not a cynical one that demeans the listener with format stunts, sil- ly contests, unlistenable compression, obnoxious deejays and puny playlists. AIRPLAY MONITORING BY So, while there are definitely areas in which we can improve as a format, we’ve got a pretty good foundation to build upon. Mediaguide – Ed Trefzger, Editor 1000 Chesterbrook Blvd. Suite 150 Berwyn, PA 19312 JazzWeek (ISSN 1554-4338) is published weekly by ������������� 2117 Buffalo Road Suite 317 Rochester, NY 14624 phone/fax: (866) 453-6401 [email protected] Copyright ©2006 Trefzger Media LLC jazzweek.com • September 18, 2006 JazzWeek 2 Contents September 18, 2006 News . 4 Berklee Sets BeanTown Lineup . 4 Mack Avenue Signs Tia Fuller. 4 Branford Marsalis Receives Honorary Doctorate at Berklee Convocation . 5 GPB Introduces “Jazz Without Borders” With Mitchell Feldman . 6 Music and Industry News In Brief . 7 10 Jazz Birthdays . 9 Feature Industry Q&A: Jana La Sorte . 10 Jazz Radio . 13 Jazz Album Chart . 14 College Jazz Chart . 15 Jazz Reviews . 16 Diana Krall . 16 13 Branford Marsalis. 16 Bill Frisell/Ron Carter/Paul Motian . 16 Pat Metheny/Brad Mehldau . 17 Delfeayo Marsalis. 17 Terry Gibbs (with Hubert Laws) . 17 Jazz Add Dates . 18 Jazz Current CDs . 19 Jazz Radio Panel . 22 23 Smooth Jazz Radio . 23 Smooth Album Chart . 24 Smooth Singles Chart. 25 Smooth Currents. 26 Smooth Radio Panel . 27 World Music Radio . 28 World Music Album Chart . 29 28 Closing Number Coltrane Pairings . 30 Cover:Jana La Sorte (courtesy Jana La Sorte) JazzWeek Volume 2 Number 42 jazzweek.com • September 18, 2006 JazzWeek 3 News Berklee Sets BeanTown Lineup BOSTON – More than 15 national be legendary drummer and Miles Da- distinct sounds from various corners and local acts will play straight ahead, vis alumnus Jimmy Cobb; guitarist and of the world where music is a celebra- contemporary, and Afro-Cuban jazz vocalist Doug Wamble, whose jazz/ tion and concerts are full of life. Acts – some incorporating hip-hop, blues, blues/gospel/country sound follows a include Benin-born guitarist Lionel and gospel into their sound - over thread through American roots music; Loueke, with his Gilfema Trio, who three days of music that will excite and jazz trombonist Delfeayo Marsalis, pours all of West Africa from his gui- inspire listeners of all ages at the Bean- who will perform with a top Berklee tar, evoking lightening with his quick Town Jazz Festival, Sept. 29 - Oct. 1. student group; and rarely heard, mas- licks and the desert with his dreamy The festival is being produced this year ter drummer Michael Carvin, who soundscapes. Dynamic Cuban pianist for the first time by Berklee College of has logged time with Motown, Bet- Omar Sosa will keep the masses mov- Music. ty Carter, Dizzy Gillespie, and Jackie ing with a unique urban brand of Lat- Saturday’s free outdoor concerts McLean. in jazz spiced with hip-hop and fusion will be sandwiched between a tasty The Global Stage will showcase overtones. ➤ Friday night kick-off concert by the McCoy Tyner Septet and The Story Mack Avenue Signs Tia Fuller of Impulse! Records, and, on Sunday, a satisfying Gospel Jazz Brunch with Kendrick Oliver and the New Life Jazz Orchestra with special guest vo- calist Kevin Mahogany. Among the acts on the Sovereign Stage will be Carmen Lundy, display- ing her multi-octave vocal style that captivates audiences all over the world. Renowned saxophonist Kenny Gar- rett has performed with Miles Davis, Sting, Peter Gabriel, and Art Blakey, and has earned a number of GRAM- MY nominations for his solo work. The Christian McBride Situation com- bines jazz, funk, and electronic music into a mind-bending sound with sax- ophonist Oliver Lake, keyboard play- er Patrice Rushen, and turntablist DJ Logic, joining bassist McBride. photo: Jaime Kahn In a BeanTown first, Marsalis Mu- Mack Avenue Records Vice President of A&R Al Pryor (left) looks on as saxophonist Tia Fuller inks a deal as the label’s first female instrumentalist. Her debut CD, Healing Space, sic, the Cambridge-based record label is due in early 2007. Fuller has previously been featured on trumpeter Sean Jones’ three created by saxophonist and composer Mack Avenue releases, including his current CD, Roots. Fuller is also a member of R&B Branford Marsalis, will have a stage superstar Beyoncé Knowles’ band, and will be on tour with Knowles through next year. dedicated to its acts. Appearing will jazzweek.com • September 18, 2006 JazzWeek 4 News Branford Marsalis Receives BeanTown Honorary Doctorate at (continued from page 4) The festival will also feature the Berklee Convocation BeanTown Jazz Discussion Series. On Thursday, Sept. 28: Marsalis Music presents The Art of the CD Cover pan- el discussion with Arnold Levine, Art Director for Marsalis Music, and for- mer Art Director for Sony/Columbia Records; Lou Jones, acclaimed Boston photographer whose images grace the covers of Michael Carvin and Jimmy Cobb’s recent Honor Series CDs; and moderated by Bob Blumenthal, cre- ative consultant for Marsalis Music, two-time Grammy-Award winner for liner notes, and noted jazz critic. Friday, September 29: The Jazz Journalists Association presents The House that Trane Built: The Story of Im- pulse Records book discussion with Ash- photo: Phil Farnsworth ley Kahn, author of The House That Branford Marsalis receives his honorary doctor of music degree at Berklee’s 2006 Enter- Trane Built: The Story of Impulse Re- ing Student Convocation on Sept. 8. cords; saxophonist Dave Liebman; and Bob Blumenthal, Marsalis Music. BOSTON – Three-time Grammy- able to share your musical experienc- Saturday, Sept. 30: The Jazz Jour- winning saxophonist and Berklee es with people from all over the world nalists Association presents The Leg- alumnus Branford Marsalis received and from all walks of life. I’d nev- endary Recording Session of Miles an honorary doctor of music degree for er met anyone from Japan until I got Davis’ Kind of Blue with speakers: his outstanding contributions to con- here. I’d never met anyone from Phil- Ashley Kahn, author of Kind of Blue; temporary music at the Berklee Col- adelphia until I got here. For the next Bill Milkowski, jazz critic for Jazz- lege of Music 2006 Entering Student four years absorb as much music and Times and Jazziz, author of Jaco: the Convocation, Friday, Sept. 8, at the information as you can and you’ll be Extraordinary & Tragic Life of Jaco Pas- Berklee Performance Center. Mar- better for it in the end.” torious; Jimmy Cobb, legendary jazz salis, Berklee President Roger Brown, Marsalis also told students not to drummer, the last living member from and Vice President for Student Af- be afraid to question the rules, noting the historic recording sessions for Kind fairs Lawrence E. Bethune, welcomed that his most meaningful relationships of Blue; Christian Scott, trumpet play- approximately 766 students from 42 with teachers were often forged on dis- er and Concord Records artist with his countries at the ceremony. agreements. “Be curious ... raise you debut release Rewind That; Fred Tay- Addressing the class of 2010 af- hand and say ‘I don’t agree,’ but you lor, Boston jazz icon, former owner of ter accepting his honorary doctorate, have to be willing to say why you don’t Paul’s Mall and the Jazz Workshop, Marsalis–who roomed with Donald agree.” After his remarks, returning and friend and colleague of Miles Da- Harrison, and met longtime band- students paid tribute to Marsalis with vis; with Moderator, Joel Brown, free- mate Jeff “Tain” Watts, while study- a concert featuring music associated lancer writer, former Executive Arts ing at Berklee–reflected on his time in with his career.
Load more

Recommended publications
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • 78Th and 3Rd Lee Ritenour Rit of Habeas Music 100%
    May 2004 RIT OF HABEAS MUSIC CATALOGUE TITLE COMPOSER(S) PUBLISHER(S) SHARE “78th and 3rd Lee Ritenour Rit of Habeas Music 100% “10th AVENUE” Lee Ritenour Rit of Habeas Music 100% “4 PLAY AND PLEASURE” Lee Ritenour Rit of Habeas Music 100% “AFTER THE RAIN” Lee Ritenour Rit of Habeas Music 100% “A COUNTRY BLUES” Lee Ritenour Rit of Habeas Music 100% "A LITTLE BUMPIN'" Lee Ritenour Rit of Habeas Music 100% “A LITTLE DOLPHIN Lee Ritenour Rit of Habeas Music 100% DREAMIN’” "A SUMMER CHILD" Lee Ritenour Rit of Habeas Music 100% "ALONE WITH YOU" Lee Ritenour Rit of Habeas Music 50% Phil Perry Pepsongs Music Corp. 50% “AND YOU KNOW WHAT.... Lee Ritenour Rit of Habeas Music 100% I LOVE YOU” "AMARETTO" Lee Ritenour Rit of Habeas Music 100% "A NEW DAY" Lee Ritenour Rit of Habeas Music 100% "BACK IN THE CITY" Lee Ritenour Rit of Habeas Music 25% Greg Mathieson Mighty Mathieson Music 37.50% Trevor Veitch Slapshot Music 37.50% "BAHIA FUNK" Lee Ritenour Rit of Habeas Music 100% "BALI RUN" Lee Ritenour Rit of Habeas Music 100% Bob James “BEIJOS (KISSES)” Lee Ritenour Rit of Habeas Music 100% "BITTERSWEET" Lee Ritenour Rit of Habeas Music 100% "BITTERSWEET (A LOVE Lee Ritenour Rit of Habeas Music 100% MORE WONDERFUL)" Roxanne Seeman (LYRIC VERSION) “BLUE LINE (THE)” Lee Ritenour Rit of Habeas Music 100% "BULLET TRAIN" Lee Ritenour Rit of Habeas Music 80% Ernie Watts Sttawe Music 20% “CAN YOU FEEL IT” Lee Ritenour Rit of Habeas Music 100% "CAPTAIN FINGERS" Lee Ritenour Rit of Habeas Music 100% "CAPTAIN'S JOURNEY, Lee Ritenour Rit of Habeas Music 100% THE" (Part 1 - The Calm Part 2 - The Storm) “(THE) CHILD WITHIN” Lee Ritenour Rit of Habeas Music 100% "COLOR RIT" Lee Ritenour Rit of Habeas Music 100% "COUNTDOWN" Lee Ritenour Rit of Habeas Music 100% “COUNTRY BLUES” Lee Ritenour Rit of Habeas Music 100% *Japan Only 2 "CROSS MY HEART" Lee Ritenour Rit of Habeas Music 50% Eric Tagg Captain Fingers Prod.
    [Show full text]
  • The Ghikas House on Hydra: from Artists’ Haven to Enchanted Ruins
    The Ghikas House on Hydra: From Artists’ Haven to Enchanted Ruins HELLE VALBORG GOLDMAN Norwegian Polar Institute We sat on the terrace under the starry sky and talked about poetry, we drank wine, we swam, we rode donkeys, we played chess—it was like life in a novel. (Ghikas, quoted in Arapoglou 56) Introduction The Greek island of Hydra has become known for the colony of expatriate painters and writers that became established there in the 1950s and 60s (Genoni and Dalziell 2018; Goldman 2018). Two ‘literary houses,’ the homes of several of the island’s most well-known foreign residents during that era—the Australian couple, writers George Johnston and Charmian Clift, and Canadian singer-songwriter Leonard Cohen—have become places of pilgrimage for aficionados of Australian literature and popular music. Visitors wend through the maze of car- less, stone-paved lanes, asking for directions along the way, in order to stand outside the objects of their quests. Standing in the small public courtyard in front of the Johnstons’ house, or the tight laneway fronting the Cohen house, there is not much to see—the houses are quiet, the doors closed, the stone and white-washed walls surrounding the properties, which are typical of Hydra, are high. This doesn’t keep people from coming. They can picture in their minds’ eyes what is on the other side of the walls, having seen photographs of the writers at work and leisure inside the houses, and having read the books and listened to the songs that were written while the Johnstons and Cohen were in residence.
    [Show full text]
  • BRANFORD MARSALIS Band, and We Got out of It What We Needed 10 Jazz Records
    JULY/AUGUST 2012 ISSUE MMUSICMAG.COM JULY/AUGUST 2012 ISSUE MMUSICMAG.COM MUSICIAN Why the provocative title? in 2001, we were huffing and puffing when ESSENTIAL MARSALIS I actually didn’t want to call the record that. it was over. I bit through my lip—there was Every time I make an album, I never come up blood all over my mouthpiece. I’m blessed with a title, and my management company that I don’t have a fear of sounding bad in THE BEAUTYFUL presses me for one. To buy time, I come front of people. When I listen to early jazz ONES ARE NOT up with the stupidest title I can think of. So and read about it, there wasn’t a fear of YET BORN when they asked this time, I told them. They failure. Cats would just go out and play. Now (1991) said, “That’s great!” I said, “Not great. You guys practice, practice, practice, then they It took Marsalis several can’t use that!” Yes, I’ve got a potty mouth, rehearse for six days, then they make the years to find his way as but I don’t just put it out there. But they ran record and it sounds like a bulwark against a leader, and it wasn’t until this release, with it. Usually they’re telling me, “You can’t the possibility of something spontaneous seven years after his solo debut, that he use that.” But this time they loved it, so I said, actually happening. left no doubt he was to be a major player.
    [Show full text]
  • Cash Box Jazz Albums
    - 1 i ON JAZZ I CASH BOX JAZZ ALBUMS — at Barrow Street’s Greenwich ON BLUES— The reissue craze as always, Bowie and the Title, Artist, Label, Number, Distributor some sort of fever House — are Lester which is reaching = Available on Compact Disc other Brass Fantasy (9/13), “The Soul Stir- pitch in jazz — has extended to = Platinum (RIAA Certified) rings of Linda Tillery”, with a trio fea- fields. MCA-which has had the good = Gold (RIAA Certified) 20 IT TAKES TWO RODNEY FRANKLIN (Columbia FC reissue pro- turing Michele Rosewoman (10/4), sense to begin an active jazz 40307) with L O up “Bop Connection: Then ai)d Now’ , gram with Impulse! — has just come 21 LIGHT STRUCK Big W C its Kenny Barron, Cecil McBee, DAVE VALENTIN (GRP-A-1028) with ten dandy blues reissues from 1 14 I DOUBLE VISION Eddie Henderson, Sonny 1 SANBORN Chess vaults. The albums are hand- Black, BOB JAMES/DAVID m SAND dance (TBA TB-206) and Freddie Waits (11/8); (Warner Bros. 25393) Frank Potenza somely packaged — they have their Fortune, 2 11 23 INTRODUCING the Hatian band Ayiza, featuring I BREAKOUT notes, as well and 1 original covers and liner SPYRO GYRAIMCA 5753) JONATHAN BUTLER — and the sound Andrew Cyrille (12/13). (Jive/ Arista JL8-8404) as updated liner notes SHADES 3 12 jazz label has been 1 generally, clear and crisp. SWIFT—A new YELLOW JACKETS(MCA 5752) 24 SCHUUR THING on them is, DIANE SCHUURIGRP-1022) born. Gazell Records has revved up by The classic “Muddy Waters At New- 4 LOVE WILL FOLLOW 26 25 LYLE MAYS releasing four LPs from the excellent GEORGE HOWARD (TBATB 210) port”— which includes two definitive (Geffen /Warner Bros.
    [Show full text]
  • Pilgrimage Review Dan Ouellette Stereophile.Pdf
    Stereophile: Recording of May 2007: <I>Pilgrimage</I> pagina 1 van 3 Stereophile :: Home Theater :: Ultimate AV :: Audio Video Interiors :: Shutterbug :: Home Entertainment Show Recording of May 2007: Pilgrimage Your E-mail Dan Ouellette, May, 2007 Zip Code Michael Brecker Pilgrimage Michael Brecker, tenor sax, EWI; Pat Metheny, guitars; Herbie Hancock, Brad Mehldau, keyboards; John Patitucci, bass; Jack DeJohnette, drums Ads by Google Heads Up International HUCD 3095 (CD). 2007. Michael Brecker, Gil Goldstein, Steve Rodby, Pat Metheny, prods.; Darryl Pitt, exec. prod.; Joe Ferla, eng. DDD. TT: 77:57 Study Jazz Improv Online Performance ****½ Online jazz improvisation courses and programs Sonics ****½ from Berklee College. www.berkleemusic.com When, following the superb Wide Angels (2003), recorded with his 15-piece Quindectet, Michael Brecker decided to end his long-term contract with Impulse!/Verve and hook up with Heads Brilliant Jazz Up International, part of his goal was to Alle prachtige jazzmuziek van dit label is hier adventurously expand his repertoire in a jazz direction more oriented toward world verkrijgbaar! music—specifically, an album influenced www.Kruidvat.nl/jazz by Bulgarian music, which had forced him to harmonically reconceptualize how he played his tenor sax. However, his Bulgarian speed-jazz project, which was to include Bulgarian artists, was shelved in 2005 when Brecker was stricken with the rare bone-marrow cancer > Recent Additions Myelodysplastic syndrome (MDS), which > Budget Components > Floorstanding Loudspeakers
    [Show full text]
  • Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A.
    [Show full text]
  • Reviews AUG 09 9/7/09 16:01 Page 3
    Reviews AUG 09 9/7/09 16:01 Page 3 landmark recording excellent good average disappointing Can’t find these CDs in your local record store? Try online at www.jazzwise.com/jazzcds instances where great singing, inventive Alyn Cosker Lyn’s Une shows towards the tonalities of the fine ballad player. Terraza clearly likes arrangements and an empathetic band Malian music that he explores so Monk but is less angular, contributing Linn AKD 338 | converge. Born in Hammersmith and thoroughly – the woody tapping of the thoughtful, propulsive solos to this Alyn Cosker (d), Ross Hamilton (b), Jason Rebello (p), raised in Barbados, Caleb made her balafon and the low, dampened thud of pleasing look at Spanish bebop. The David Dunsmuir (g), Paul Towndrow (as, ss), Tommy rather reluctant vocal debut in August Smith (ts), Ryan Quigley (t) and Maureen McMullan (v). the calabash are given pride of place, quartet swings hard, the performances 2005 at Chelsea’s 606 Club, when Rec. 14-15 August 2008 largely defining the colour of the songs revealing a level of energy and husband and band mate Jo as well as their movement. The leader commitment to swing that’s Young Scottish drummer Cosker has surreptitiously put her name down on performs with much complicity towards immediately pleasing. I just wish that both wit and passion in his playing and, the jam session list. She may have them, having clearly absorbed some of Davis had been given more to do, in Scottish music writer Rob Adams’ been scared out of her wits on that the tumbling, dancing quality of the because his solo on the street beat- formulation, technically he’s already an occasion, but Carry Me Home reveals a former and the stirring pulse of the flavoured ‘Nits de farres’ is a corker.
    [Show full text]
  • Local Party Organizations and the Mobilization of Latino Voters
    LOCAL PARTY ORGANIZATIONS AND THE MOBILIZATION OF LATINO VOTERS A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Daniel G. Lehman May, 2013 Examining Committee Members: Robin Kolodny, Advisory Chair, Political Science Michael Hagen, Political Science Sandra Suarez, Political Science Rosario Espinal, Sociology i ABSTRACT We frequently hear that Latinos are the fastest growing minority group in the United States. We also know that like many American immigrant groups, Latinos tend to reside in states where a critical mass of their community already is settled, in this case largely for geo-political reasons (e.g. New Mexico, Arizona, California, Texas, Florida and New York). Why, then, is Latino participation in national politics lower than white, Black, and Asian voters? And who has an interest in doing something about it? This project addresses several interrelated questions concerning the place of Latinos in American politics and the health of democracy in the United States. Political parties are meant to link citizens to the state. However, parties often fear that reaching out to certain groups may alienate the concerns of some core voters, providing a disincentive to political parties to prioritize Latino outreach. Here, I ask, to what degree are local political parties involved in mobilizing Latino voters as compared to other voting groups? Interest groups have much narrower constituencies than political parties by definition, but their
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Songs by Title
    Karaoke Box London www.karaokebox.co.uk 020 7329 9991 Song Title Artist 22 Taylor Swift 1234 Feist 1901 Birdy 1959 Lee Kernaghan 1973 James Blunt 1973 James Blunt 1983 Neon Trees 1985 Bowling For Soup 1999 Prince If U Got It Chris Malinchak Strong One Direction XO Beyonce (Baby Ive Got You) On My Mind Powderfinger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Cant Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Everybody's Gotta Learn Sometime) I Need Your Loving Baby D (Everything I Do) I Do It For You Bryan Adams (Hey Wont You Play) Another Somebody… B. J. Thomas (How Does It Feel To Be) On Top Of The World England United (I Am Not A) Robot Marina And The Diamonds (I Love You) For Sentinmental Reasons Nat King Cole (If Paradise Is) Half As Nice Amen Corner (Ill Never Be) Maria Magdalena Sandra (I've Had) The Time Of My Life Bill Medley and Jennifer Warnes (Just Like) Romeo And Juliet The Reflections (Just Like) Starting Over John Lennon (Keep Feeling) Fascination The Human League (Maries The Name) Of His Latest Flame Elvis Presley (Meet) The Flintstones B-52S (Mucho Mambo) Sway Shaft (Now and Then) There's A Fool Such As I Elvis Presley (Sittin On) The Dock Of The Bay Otis Redding (The Man Who Shot) Liberty Valance Gene Pitney (They Long To Be) Close To You Carpenters (We Want) The Same Thing Belinda Carlisle (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears 1 2 3 4 (Sumpin New) Coolio 1 Thing Amerie 1+1 (One Plus One) Beyonce 1000 Miles Away Hoodoo Gurus
    [Show full text]
  • Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
    AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof.
    [Show full text]