Cash Box Jazz Albums
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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
78Th and 3Rd Lee Ritenour Rit of Habeas Music 100%
May 2004 RIT OF HABEAS MUSIC CATALOGUE TITLE COMPOSER(S) PUBLISHER(S) SHARE “78th and 3rd Lee Ritenour Rit of Habeas Music 100% “10th AVENUE” Lee Ritenour Rit of Habeas Music 100% “4 PLAY AND PLEASURE” Lee Ritenour Rit of Habeas Music 100% “AFTER THE RAIN” Lee Ritenour Rit of Habeas Music 100% “A COUNTRY BLUES” Lee Ritenour Rit of Habeas Music 100% "A LITTLE BUMPIN'" Lee Ritenour Rit of Habeas Music 100% “A LITTLE DOLPHIN Lee Ritenour Rit of Habeas Music 100% DREAMIN’” "A SUMMER CHILD" Lee Ritenour Rit of Habeas Music 100% "ALONE WITH YOU" Lee Ritenour Rit of Habeas Music 50% Phil Perry Pepsongs Music Corp. 50% “AND YOU KNOW WHAT.... Lee Ritenour Rit of Habeas Music 100% I LOVE YOU” "AMARETTO" Lee Ritenour Rit of Habeas Music 100% "A NEW DAY" Lee Ritenour Rit of Habeas Music 100% "BACK IN THE CITY" Lee Ritenour Rit of Habeas Music 25% Greg Mathieson Mighty Mathieson Music 37.50% Trevor Veitch Slapshot Music 37.50% "BAHIA FUNK" Lee Ritenour Rit of Habeas Music 100% "BALI RUN" Lee Ritenour Rit of Habeas Music 100% Bob James “BEIJOS (KISSES)” Lee Ritenour Rit of Habeas Music 100% "BITTERSWEET" Lee Ritenour Rit of Habeas Music 100% "BITTERSWEET (A LOVE Lee Ritenour Rit of Habeas Music 100% MORE WONDERFUL)" Roxanne Seeman (LYRIC VERSION) “BLUE LINE (THE)” Lee Ritenour Rit of Habeas Music 100% "BULLET TRAIN" Lee Ritenour Rit of Habeas Music 80% Ernie Watts Sttawe Music 20% “CAN YOU FEEL IT” Lee Ritenour Rit of Habeas Music 100% "CAPTAIN FINGERS" Lee Ritenour Rit of Habeas Music 100% "CAPTAIN'S JOURNEY, Lee Ritenour Rit of Habeas Music 100% THE" (Part 1 - The Calm Part 2 - The Storm) “(THE) CHILD WITHIN” Lee Ritenour Rit of Habeas Music 100% "COLOR RIT" Lee Ritenour Rit of Habeas Music 100% "COUNTDOWN" Lee Ritenour Rit of Habeas Music 100% “COUNTRY BLUES” Lee Ritenour Rit of Habeas Music 100% *Japan Only 2 "CROSS MY HEART" Lee Ritenour Rit of Habeas Music 50% Eric Tagg Captain Fingers Prod. -
Cecil Mcbee Mutima Mp3, Flac, Wma
Cecil McBee Mutima mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mutima Country: Japan Released: 2010 Style: Contemporary Jazz, Avant-garde Jazz MP3 version RAR size: 1271 mb FLAC version RAR size: 1902 mb WMA version RAR size: 1762 mb Rating: 4.6 Votes: 671 Other Formats: AIFF APE AUD FLAC AA TTA VOC Tracklist Hide Credits 1 From Within 11:21 2 Voice Of The 7th Angel 2:02 Life Waves 3 Alto Saxophone – Allen Braufman*Bells – Lawrence KillianPercussion – Jimmy HoppsTenor 9:13 Saxophone, Soprano Saxophone – George AdamsTrumpet – Tex Allen 4 Mutima 13:41 A Feeling 5 2:38 Drums – Allen Nelson Tulsa Black 6 6:10 Electric Bass – Cecil McBee, Jr. Companies, etc. Manufactured By – Bomba Records, Inc. Distributed By – Bomba Records, Inc. Licensed From – Strata-East Records, Inc. Recorded At – Minot Sound Credits Bass, Arranged By, Composed By, Producer – Cecil McBee Congas – Lawrence Killian Design [Cover] – Lucia Haskell McBee Drums – Jimmy Hopps Engineer – Ron Carran Engineer [Mixing] – Richard Adler* Flugelhorn – Tex Allen Flute – Art Webb Gong, Percussion – Michael Carvin Liner Notes – 悠雅彦* Percussion, Cymbal – Jaboli Billy Hart* Piano, Electric Piano – Onaje Allen Gumbs* Transferred By [Digital Transfer] – Duncan Stanbury Vocals – Dee Dee Bridgewater Notes Recorded May 8, 1974 at Minot Studios, White Plains, NY Other versions Category Artist Title (Format) Label Category Country Year Cecil Mutima (LP, SES-7417 Strata-East SES-7417 US 1974 McBee Album) Everland Jazz Cecil Mutima (LP, Everland Jazz Everland Jazz Netherlands 2018 -
Weeksville Lost Jazz Shrines
1 Weeksville Lost Jazz Shrines Annotated Bibliography and Discography Primary Sources Interviews Note: Most of the artists listed below were interviewed over a period of two years (April, 2010 –October, 2011 through Weeksville’s Lost Jazz Shrine Project). Artists interviewed include: Brooklyn natives; longtime Brooklyn residents; or artists who performed frequently at some of Brooklyn's Lost Jazz Shrines and in some cases, continue to perform in Brooklyn. Abdullah, Ahmed. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 46 mins 36 sec. Barnes, Wade E. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 7 December 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 51 min. 26 sec. Barron, Kenny. Oral History Interview. Interviewed by Willard Jenkins. 9 October 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Braithwaite, “Fab 5” Freddie. Oral History Interview. Interviewed by Willard Jenkins and Jennifer Scott. 7 Oct 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 25 mins. 32 secs. Carroll, Alma. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 24 August 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 10 mins. 34 secs. Cheatham, Jo Ann. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. -
The Complete Clifford Jordan Strata-East Sessions
RECORD REV!EWS TAfrZ celebrated or discussed. Martin Bough's jaw-dropping photos from the rI actual sessions transport us precisely to that time and place. fiiflvsJ The booklet also reproduces a full- page ad in support of the albums, eJ. 'Ware's minus Sup,sv Bass and Shades of Edward Blackwell, the late drummer's L968 debut, issued here for the first time ever. These rarities greatly increase the set's historical value. So does the five-minute interview with 'Ware CLIFFORD JORDAN (even if "Wilbur" is misspelled in The Complete Clifford lordan Strata- 'the track listing). East Sessions A Chicago riitirr.,Jordan came of Clifford Jordan, Charles Brackeen, Sonny Fortune, age in bands led by Horace Silver, Max Luqman Lateel Cecil Payne, Pharoah Sanders, Roach, and Charles Mingus, but he saxophones; Don Cherry, Kenny Dorham, was out there as a leader by his mid- trumpets; Julian Priester, trombone; Howard Johnson, tuba; Stanley Cowel!, 20s. His agile lines, sinewy tone, and Wynton Kelly, Lonnie Liston Smith, Cedar Walton, deep blues feeling mark him as one of piano; guitar; Sonny Sharrock, Richard Davis, the era's great tenors. A creative risk- Charlie Haden, Sam Jones, Bill Lee, Cecil McBee, Sirone, Wilbur Ware, bass; Ed Blackwell, Dennis taker, too: he used fwo bassists and Charles, Billy Hart, Roy Haynes, Albert Heath, drummers on In the World, an imperflect Ttte Haven for Billy Higgins, Majeed Shabazz, drums; record that nonetheless allows us to Chief Bey, others, percussion; Leon Thomas, hear Don Cherry and'W.ynton Kelly Music Lorers in the Mosa ic M D6-2sJ?:'l S$:liirlt',no rd r orda n, in the same band. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
Jazz at the Crossroads)
MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
New York Quartet
NEW YORK STANDARDS QUARTET Tim Armacost David Berkman Gene Jackson Ugonna Okegwo 1 "Power of 10" is notable for its powerful music, intelligent interactions, excellent solos...The New York Standards Quartet takes music many listeners are familiar with, styles we can put a name to, and creates a program that illustrates just how alive jazz can be. RIC Richard Kamins, Hartford Courant 2 new york standards quartet biography When we formed the New York Standards Quartet (nysq) ten years ago, the concept was a straightforward one: play jazz standards in our own way. After playing a lot of original music (we all compose and lead bands that do that) we thought it would be fun and liberating to play music based on simpler, standard jazz tunes that we had grown up playing. By playing jazz standard tunes like “Confirmation” and “All the Things You Are,” we put the focus on the playing of the tune—what we do with it, not so much the tune itself. These tunes are blank slates to write on, with a lot of freedom and room for interpretation. We’ve expanded our approach to include arrangements and reinventions of these tunes, as well as original compositions that have a close connection to forms and harmonies derived from standards. The band has been touring and developing together for ten years, and it shows in the music. Audience response has been phenomenal, and bookings are pouring in from festivals and venues around the world. The New York Standards Quartet is Tim Armacost (Billy Hart, Ray Drummond, Kenny Barron) on saxes and flute, David Berkman (Tom Harrell, Cecil McBee, Vanguard Orchestra) on piano, Gene Jackson (Herbie Hancock, Wayne Shorter, Dave Holland) on drums, and Ugonna Okegwo (Brad Mehkdau, Tom Harrell, Kurt Rosenwinkel) on bass. -
How to Incorporate Bebop Into Your Improvisation by Austin Vickrey Discussion Topics
How to Incorporate Bebop into Your Improvisation By Austin Vickrey Discussion Topics • Bebop Characteristics & Style • Scales & Arpeggios • Exercises & Patterns • Articulations & Accents • Listening Bebop Characteristics & Style • Developed in the early to mid 1940’s • Medium to fast tempos • Rapid chord progressions / changes • Instrumental “virtuosity” • Simple to complex harmony - altered chords / substitutions • Dominant syncopation of rhythms • New melodies over existing chord changes - Contrafacts Scales & Arpeggios • Scales and arpeggios are the building blocks for harmony • Use of the half-step interval and rapid arpeggiation are characteristic of bebop playing • Because bebop is often played at a fast tempo with rapidly changing chords, it’s crucial to practice your scales and arpeggios in ALL KEYS! Scales & Arpeggios • Scales you should be familiar with: • Major Scale - Pentatonic: 1, 2, 3, 5, 6 • Minor Scales - Pentatonic: 1, b3, 4, 5, b7; Natural Minor, Dorian Minor, Harmonic Minor, Melodic Minor • Dominant Scales - Mixolydian Mode, Bebop Scales, 5th Mode of Harmonic Minor (V7b9), Altered Dominant / Diminished Whole Tone (V7alt, b9#9b13), Dominant Diminished / Diminished starting with a half step (V7b9#9 with #11, 13) • Half-diminished scale - min7b5 (7th mode of major scale) • Diminished Scale - Starting with a whole step (WHWHWHWH) Scales & Arpeggios • Chords and Arpeggios to work in all keys: • Major triad, Maj6/9, Maj7, Maj9, Maj9#11 • Minor triad, m6/9, m7, m9, m11, minMaj7 • Dominant 7ths • Natural extensions - 9th, 13th -
SSJW 2022 Brochure
SMOOTHJAZZ.COM GLOBAL Founder/President SANDY SHORE is expanding her exhilarating 4-day Jazz Weekender gathering with its collaborative music sets and improvisational performances, to a full week on board Travel + Leisure’s #1 pick for the most luxurious mid-size ship on the seas, the m/s Paul Gauguin! Some of the world’s greatest musicians and recording artists will sail with you for 7 days & nights in the South Pacific’s French Polynesia. An exotic adventure, floating in the French Polynesia around the Society Islands, from Papeete to Moorea and Bora Bora… Sun drenched days, and jazz filled nights! limited to 300 passengers! SAIL THE SOUTH PACIFIC WITH MUSIC ROYALTY NATHAN EAST [Host / Bassist] Yamaha Artist, bassist, producer and songwriter, Nathan has collaborated with hundreds of iconic artists in his illustrious career, from Phil Collins and Kenny Loggins to Eric Clapton and Anita Baker. With more than 2,000 recordings, he is considered one of the most recorded bass players in the history of music, which is why we call him the ‘Host with the Most’! STEPHEN FERRONE [Drummer] Celebrated English drummer known for his work with Tom Petty and the Heartbreakers from 1994 to 2017. He was also part of the classic lineup of the Average White Band in the 1970s and keeps the beat for great company including Dire Straits, Stevie Nicks, Chaka Khan, Duran Duran, Eric Clapton and of course Nathan’s Band of Brothers band! GREG PHILLINGANES [Keyboardist] A prolific session & touring musician, this Emmy-winning musical director, keyboardist, singer-songwriter, and composer has contributed to numerous iconic recordings over his illustrious career.