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THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Musiq Soulchild
FEBRUARY 4-10, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE | WWW.WHATZUP.COM BUY ONE LUNCH O R DINNER , GET O NE Buy 2 Entrees fo R 1/2 Off & Get Free (Of Equal or Lesser Value; whatzup Dining Club Appetizer Excludes Appetizers) (up to $10) NOT A COUPON 4001 S. WAyNE STREET 135 W. Columbia St. • Fort Wayne FT. WAyNE~260.745.3369 260-422-7500 • NOT A COUPON Buy One BUY ONE Entree ENTREE Save Big ET NE G O Get One FREE Free (of equal or lesser value; up to $8) NOT NOT A COUPON (up to $8) MAD ANTHONY BREWING COMPANY 1915 S. Calhoun St., Fort Wayne 2002 S. Broadway • Fort Wayne 260-456-7005 at 20 Fine 260-426-2537 • NOT A COUPON NOT A BUY ONE 10% OFF COUPON Not Valid on Alcohol SANDWICH GET Monday-Friday Dine-In Only ONE FREE w/One Drink Minimum Restaurants Mon.-Thurs. Only 4205 Bluffton Rd. The whatzup Dining Club Card entitles you to Buy One - Get One Free (or similar) NOT A COUPON Fort Wayne Burgers • Bands • Bourbon savings at the 20 fine Fort Wayne area restaurants on this page. 4910 N. Clinton, Ft. Wayne, 209.2117 260-747-9964 At just $18.00, your whatzup Dining Club Card will more than pay for itself with just NOT A O’REILLY’S COUPON COUPON NOT NOT A IRISH BAR & one or two uses. To save even more, get additional cards for yourself or for family and RESTAURANT friends for just $15 apiece, a 16% discount. FREE APPETIZER Here’s How the whatzup Dining Club Card Works: w/PURCHASE OF Buy One Entree • Get One 1/2 Off 2 ENTREES (Up to $10) 1. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Elchándal, Puente Deculturas
MARTES 22 DE ENERO DE 2008 15 Larevista YENwww.20minutos.es CARTELERA COMPLETA DE CINE DE TU CIUDAD Y DE OTRAS CAPITALES Salir PERMANENTEMENTE ACTUALIZADA, A UN CLIC MÚSICA QCONCIERTO AGENDA TEATRO QXXV FESTIVAL I CONFERENCIA Flamenco El ciclo El Alameda EL CHÁNDAL, Hablando de las raí- ces presenta hoy a estrena la Antonio Beltrán Luce- obra ‘Última PUENTE na. En Las coplas y sus historias estará acompañado del can- versión’ te de Antonio Ruiz, El El XXV Festival deTeatro de DE CULTURAS Niño de la Alegría,yla Málaga estrena espectáculo guitarra de David Re- en el Alameda. Con la puesta Gecko Turner presenta está tarde en tamero. Salón de en escena de la compañía ita- plenos distrito Centro: liana Punto in Movimento, el ciclo ‘Martes música’ los temas de Mercado de la Merced, Última versión es la adapta- su último disco. CARMEN RUIZ ESPINOSA 2ª planta. 19.30 h. Gratis. ción libre de Eugenio Chicano I HISTORIA l chándal es su prenda de Presentación Evestir favorita. Con ella Un apellido muy Antonio Gutiérrez de pasa la mayor parte del día. Hilaria, ganador del I Por eso, el extremeño Gecko artístico Premio de Investiga- Turner ha decidido rendirle Se hace llamar Gecko Turner, ción Histórica Bezmi- tributo nombrando su últi- pero Turner no es el apellido liana, presenta hoy la mo trabajo Chandalismo verdadero del protagonista obra premiada, Bena- ilustrado. En él fusiona las de esta noche. Sin embargo, galbón, un nuevo mu- notas del soul, el jazz, el blues lo escogió como nombre ar- nicipio del siglo XIX: y el funk, para alcanzar un tístico para rendir homenaje Documento para su peculiar estilo que muchos a dos de los Turner más se- estudio. -
Daniel Lanois
ESPERANZA SPALDING If “esperanza” is the Spanish word for hope, then bassist, vocalist and composer Esperanza Spalding could not have been given a more fitting name at birth. Blessed with uncanny instrumental chops, a multi-lingual voice that is part angel and part siren, and a natural beauty that borders on the hypnotic, the 25-year-old prodigy-turned-pro might well be the hope for the future of jazz and instrumental music. Spalding was born in 1984 and raised on what she calls “the other side of the tracks” in a multi- lingual household and neighborhood in Portland, Oregon. Growing up in a single-parent home amid economically adverse circumstances, she learned early lessons in the meaning of perseverance and moral character from the role model whom she holds in the highest regard to this day – her mother. But even with a rock-solid role model, school did not come easy to Spalding, although not for any lack of intellectual acumen. She was both blessed and cursed with a highly intuitive learning style that often put her at odds with the traditional education system. On top of that, she was shut in by a lengthy illness as a child, and as a result, was home-schooled for a significant portion of her elementary school years. In the end, she never quite adjusted to learning by rote in the conventional school setting. “It was just hard for me to fit into a setting where I was expected to sit in a room and swallow everything that was being fed to me,” she recalls. -
Cecil Mcbee Mutima Mp3, Flac, Wma
Cecil McBee Mutima mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mutima Country: Japan Released: 2010 Style: Contemporary Jazz, Avant-garde Jazz MP3 version RAR size: 1271 mb FLAC version RAR size: 1902 mb WMA version RAR size: 1762 mb Rating: 4.6 Votes: 671 Other Formats: AIFF APE AUD FLAC AA TTA VOC Tracklist Hide Credits 1 From Within 11:21 2 Voice Of The 7th Angel 2:02 Life Waves 3 Alto Saxophone – Allen Braufman*Bells – Lawrence KillianPercussion – Jimmy HoppsTenor 9:13 Saxophone, Soprano Saxophone – George AdamsTrumpet – Tex Allen 4 Mutima 13:41 A Feeling 5 2:38 Drums – Allen Nelson Tulsa Black 6 6:10 Electric Bass – Cecil McBee, Jr. Companies, etc. Manufactured By – Bomba Records, Inc. Distributed By – Bomba Records, Inc. Licensed From – Strata-East Records, Inc. Recorded At – Minot Sound Credits Bass, Arranged By, Composed By, Producer – Cecil McBee Congas – Lawrence Killian Design [Cover] – Lucia Haskell McBee Drums – Jimmy Hopps Engineer – Ron Carran Engineer [Mixing] – Richard Adler* Flugelhorn – Tex Allen Flute – Art Webb Gong, Percussion – Michael Carvin Liner Notes – 悠雅彦* Percussion, Cymbal – Jaboli Billy Hart* Piano, Electric Piano – Onaje Allen Gumbs* Transferred By [Digital Transfer] – Duncan Stanbury Vocals – Dee Dee Bridgewater Notes Recorded May 8, 1974 at Minot Studios, White Plains, NY Other versions Category Artist Title (Format) Label Category Country Year Cecil Mutima (LP, SES-7417 Strata-East SES-7417 US 1974 McBee Album) Everland Jazz Cecil Mutima (LP, Everland Jazz Everland Jazz Netherlands 2018 -
Workshops Concerts Connect! Newsletter Jazz
ABOUT DEGREE PROGRAM COMMUNITY MUSIC SCHOOL -ADULT COMMUNITY MUSIC SCHOOL -YOUTH CONCERTS SUPPORT ABOUT DEGREE PROGRAM Jazz Piano with Larry Vuckovich « Back to Events COMMUNITY MUSIC SCHOOL – ADULT This event has passed. COMMUNITY MUSIC SCHOOL – YOUTH CONCERTS Event: Jazz Piano with Venue: Jazzschool Larry Vuckovich Phone: 510-845-5373 SUPPORT Start: May 5, 2013 12:00 pm Address: 2087 Addison St, Google Map Berkeley, CA, End: May 5, 2013 3:00 94704, United pm States Workshops Category: Workshops Organizer: Jazzschool May 19, 2013 11:00 am Updated: March 12, 2013 Mark Levine Workshop Series: Jazz Theory Complete in 2 Hours! May 19, 2013 12:00 pm Vocal Jazz Workshop: The Music of Harold Arlen with Maye Cavallaro May 19, 2013 2:00 pm Mark Levine Workshop Series: How to Voice Standards for Piano - The Menu May 26, 2013 11:00 am Montuno Basics with Eli Goldlink View All Events Jazz Piano Concerts with Larry Vuckovich May 17, 2013 6:00 pm Jazzschool Institute Student Master jazz pianist Larry Vuckovich offers a unique hands-on workshop highlighting the history Performances of jazz piano. This event is designed for both musicians and jazz fans who would like to learn more about the history and origins of jazz piano from a nationally and internationally acclaimed musician. Larry will bring CDs of the jazz piano masters and also demonstrate on piano the May 18, 2013 8:00 pm signature styles of many of these legendary pianists. He starts with New Orleans sounds of Earl Eli Goldlink's Flavor of the ‘Fatha’ Hines, moves through swing era piano of Teddy Wilson and Art Tatum, and on to bebop era Month Club Band & Cha Ching innovations of Bud Powell,Thelonious Monk and Barry Harris, then, original jazz expressions of Erroll Garner, followed by hard bop bluesy inflections of Red Garland and Sonny Clark, and post bop changes of Hank Jones and Tommy Flanagan, to further post bop extensions of Bill Evans, McCoy May 19, 2013 4:30 pm Tyner and Chick Corea. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
Brevard Live August 2007
Brevard Live August 2007 - 1 2 - Brevard Live August 2007 Brevard Live August 2007 - 3 4 - Brevard Live August 2007 Brevard Live August 2007 - 5 6 - Brevard Live August 2007 Brevard Live August 2007 - 7 8 - Brevard Live August 2007 BREVARD LIVE Meet The August 2007 Stars F E A T U R E S Brevard Live! Volume 16, Issue 4 • BREVARD LIVE MUSIC AWARDS page 11 If you missed the Award Show, here are the results PUBLISHER & EDITOR Heike Clarke • SPYRO GYRA page 17 STAFF The Super Group performs with Mindi Abair Charlene Hemmle (Manager & Graphics) Jay Galbreath (Sales/Marketing) Linda Thorpe (Sales/Marketing) • NKF SURF FESTIVAL page 18 Jeff Nall (Staff-Writer) One of Brevard’s amazing fundraisers Chris Long (Staff-Writer) David Mac Makin (Computer) Florida Live! Lou Belcher (Arts) • FAMILY VALUES TOUR page 20 Terry Wallace (Photos) Hard rocking and dysfuntional... CONTRIBUTING WRITERS Eroica Fedder, Greg Kimple, • TRIVIUM page 21 Franco Dean, Judy Tatum Lane, DINING Bruce Marion, Chuck Van Riper, Interview with Paolo Gregoletto & FUN Rob Selkow D I N I N G Reproduction of any portion of Brevard • OUT & ABOUT page 47 Live is strictly prohibited without the by Eroica Fedder written permission of the publisher. She samples food, enjoys the ambi- ance, listens to music. Eroica is “out & about”. page 47 ADVERTISEMENT/ SALES for information and rate card The A R T S Phone: (321) 956-9207 • TOM POWERS page 56 Fax: (321) 956-9228 by Lou Belcher He started painting when he met plein- e-mail: [email protected] air artists at the beach who asked him to join them.