After Rock Excursion, Branford Is Back to Jazz
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Top 40 Singles Top 40 Albums
21 September 1986 CHART #538 Top 40 Singles Top 40 Albums Venus True Colors The Final On The Beach 1 Bananarama 21 Cyndi Lauper 1 Wham 21 Chris Rea Last week 1 / 5 weeks POLYGRAM Last week - / 1 weeks CBS Last week 1 / 6 weeks Platinum / SONY Last week 13 / 4 weeks POLYGRAM Spirit In The Sky I Can't Wait True Blue A Kind Of Magic 2 Dr & the Medics 22 Nu Shooz 2 Madonna 22 Queen Last week 2 / 6 weeks CBS Last week 15 / 14 weeks WEA Last week 4 / 11 weeks Platinum / WEA Last week 20 / 13 weeks EMI Wild Wild Life You To Me Are Everything Invisible Touch Bring On The Night 3 Talking Heads 23 The Real Thing 3 Genesis 23 Sting Last week 25 / 2 weeks EMI Last week 21 / 13 weeks POLYGRAM Last week 5 / 11 weeks Gold / VIRGIN Last week 22 / 3 weeks FESTIVAL Take My Breath Away The Edge Of Heaven Revenge The Seer 4 Berlin 24 Wham 4 Eurythmics 24 Big Country Last week 5 / 4 weeks CBS Last week 8 / 8 weeks CBS Last week 2 / 7 weeks Platinum / RCA Last week 17 / 5 weeks POLYGRAM Words Get In The Way When Tomorrow Comes Rat In The Kitchen Knocked Out Loaded 5 Miami Sound Machine 25 Eurythmics 5 UB40 25 Bob Dylan Last week 12 / 5 weeks CBS Last week 20 / 6 weeks RCA Last week 8 / 3 weeks VIRGIN Last week 23 / 2 weeks CBS I Wanna Be A Cowboy Eagle Rock George Thorogood Live Picture Book 6 Boys Don't Cry 26 Daddy Cool 6 George Thorogood 26 Simply Red Last week 3 / 11 weeks FESTIVAL Last week 19 / 6 weeks RCA Last week 6 / 5 weeks EMI Last week 35 / 23 weeks Gold / WEA Sailing Away Point Of No Return Standing On A Beach In Visible Silence 7 All Of Us 27 -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Reggatta De Blanc (White Reggae)
“Reggatta de Blanc (White Reggae) & the Commercial Rock Industry: Intersections of Race, Culture, and Appropriation in Bob Marley and The Police (1977-1983)” Colin Carey Music University of Wisconsin-Eau Claire Introduction Ethical Concerns Origins of Reggae This project was designed to approach a discussion about cultural and The appropriation of culturally sensitive music and expression is a musical appropriation in popular music. The connection between reggae and common, but often overlooked issue in popular music. It is important to mainstream rock was perhaps no more evident or lucrative than within the understand that Western cultures inherently possess a privilege that can musical career trajectory of the wildly popular new wave group, the Police be used to take advantage of other societies—especially those (1977–1983), comprised of lead singer/songwriter Sting (Gordon Sumner), comprising the so-called “third world.” The Police owe their substantial guitarist Andy Summers, drummer Stewart Copeland, and a promotional success to this imbalance, directly adapting the distinctive music cadre of behind-the-scenes agents and businessmen. Their particular practices of a foreign culture for their own musical purposes and industrial rock model enjoyed startlingly quick, widespread renown and recordings to create a sound that was unlike most popular rock groups success—within only a couple of years of their formation, the Police had of their time. This appropriation is further troubling in that it stripped the become the leading rock group of their time and would go on to influence the Jamaican source material of its definitive social and political direction of the music marketplace itself, including countless other acts such significance, gaining success instead through an appeal entirely as the then up-and-coming Irish group, U2. -
11-14-14 Jazz Ensemble
Williams College Department of Music Williams Jazz Ensemble Kris Allen, Director Program I Know, You Know - Nathan Parker-Smith Tango For Hayley - Nathan Parker-Smith Woody N' You - John Birks "Dizzy" Gillespie arr. Earl MacDonald Brooklyn Blues - Dan Pugach Horizons - Michael Webster Dual Meaning - Nathaniel Vilas '17 Dienda - Kenny Kirkland, arr. Kris Allen Donna Lee - Charlie Parker arr. Marty Paich Personnel Henry Hobbs '18, alto saxophone Jack Ferguson '18, alto saxophone Sammi Jo Stone '17, baritone saxophone, oboe Kris Allen, soprano saxophone, director Kevin Eagan '15, French horn Jeff Sload '17, trombone Jonathan Dely '15, trumpet Daniel Fisher '18, trumpet Paul Heggeseth, trumpet Nathaniel Vilas '17, piano, bassoon Jack Hood '18, piano Jack Schweighauser '15, guitar Greg Ferland '16, bass Brian Levine '16, drums Scott Daniel '17, violin Gary Chen '18, violin Isabel Hanson '16, flute Christopher Hough Deane '18, clarinet, bass clarinet Yitong Tseo '17, cello James Bergin, viola Joe Jewett, viola Friday, November 14, 2014 8:00 p.m. Brooks-Rogers Recital Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. The Williams Jazz Ensemble is the cornerstone of a large and vibrant com- munity of faculty members and students interested in big band, small ensembles, and vocal combinations of jazz at the college. Kris Allen leads the Williams Jazz Ensemble. Every year guest artists and clinicians come to campus to work with students and to perform. Past visitors have included the Branford Marsalis Quartet, The David Sanchez Quintet, Winard Harper, The Marcus Roberts Trio, Ellingtonian John Lamb, and Saxophonist Claire Daly. Guest lecturers have included Dr. -
Archivio Decibel
Vinilos Decibel Pulgadas Número Usado/Nuevo Artista Título 12" 205 USADO AL DI MEOLA SPLENDIDO HOTEL 7" 143 USADO ALABAMA LOVE IN THE FIRST DEGREE 12" 63 USADO ALAN PARSONS PROJECT, THE PYRAMID 12" 405 NUEVO ALANIS MORISSETTE JAGGED LITTLE PILL 7" 166 USADO ALICE AND JOHN DAVID A LOVE TRILOGY 12" 352 NUEVO ALOE BLACC LIFT YOUR SPIRIT 12" 359 NUEVO AMY WINEHOUSE LIONESS: HIDDEN TREASURES 12" 369 NUEVO AMY WINEHOUSE BACK TO BLACK 7" 132 USADO ANDY GIBB & OLIVIA NEWTON JOHN I CAN'T HELP IT 12" 345 NUEVO ARCADE FIRE THE SUBURBS 12" 340 NUEVO ASTRUD GILBERTO THE ASTRUD GILBERTO ALBUM 12" 82 USADO B-52'S, THE THE B-52'S 12" 192 USADO BARBRA STREISAND GUILTY 12" 194 USADO BARBRA STREISAND MEMORIES 12" 226 USADO BARRY WHITE CAN'T GET ENOUGH 12" 73 USADO BAUHAUS IN THE FLAT FIELD 12" 177 USADO BEACH BOYS, THE 20 GOLDEN GREATS 12" 394 NUEVO BEASTIE BOYS PAUL'S BOUTIQUE 12" 75 USADO BEATLES, THE SGT. PEPPER'S LONELY HEARTS CLUB BAND 12" 106 USADO BEATLES, THE THE BEATLES (WHITE ALBUM) 12" 107 USADO BEATLES, THE THE BEATLES (WHITE ALBUM) 12" 108 USADO BEATLES, THE THE BEATLES (WHITE ALBUM) 12" 208 USADO BEATLES, THE SGT. PEPPER'S LONELY HEARTS CLUB BAND 12" 297 USADO BEATLES, THE A HARD DAY'S NIGHT 12" 307 USADO BEATLES, THE REVOLVER 12" 358 NUEVO BEN HARPER DIAMONDS ON THE INSIDE 12" 296 USADO BESSIE SMITH THE WORLD'S GREATEST BLUES SINGER 12" 203 USADO BILL EVANS THE VILLAGE VANGUARD SESSIONS 12" 234 USADO BILLY IDOL REBEL YELL 12" 309 USADO BLACK SABBATH PARANOID 12" 398 NUEVO BLACKALICIOUS IMANI VOL. -
Michael Apted
49 UP A Film by Michael Apted 135 minutes, color & b/w, 2005, UK First Run Features 630 Ninth Avenue, Suite 1213 New York, NY 10036 (212) 243-0600/Fax (212) 989-7649 email: [email protected] www.firstrunfeatures.com SYNOPSIS 49 Up , the latest installment of Granada’s landmark documentary series, revisits the group of people whose lives have been documented since they were seven, to see where they are now as they approach their half century. The original Seven Up was broadcast in 1964 as a one-off World in Action Special featuring children who were selected from different backgrounds and social spheres to talk about their hopes and dreams for the future. As members of the generation who would be running the country by the year 2000, what did they think they would become? Inspired by World in Action founder Tim Hewat’s passionate interest in both the Jesuit saying “Give me the child until he is seven and I will show you the man” and the rigid class system of 1960s Britain, Seven Up set out to discover whether or not the children’s lives were pre-determined by their backgrounds. The result was ground-breaking television – the very first example of a program recording real people living real lives – and the follow-up films have won an array of awards. Director Michael Apted, who has since moved to Hollywood to direct films including Gorky Park , The Coal Miner’s Daughter , The World Is Not Enough and Gorillas in the Mist , has returned every seven years to chart the children’s progress through life. -
Marsalis Shows Diversity
SIDELINES, Friday, December 2, 1988, Page 15 , Marsalis shows diversity By JAKE MALL an entirely different story the turning points in Bran- kn owl edge bly and accu- ent will be displayed on I hope that Branford Staff Writer altogether. ford Marsalis' career. Now rately" into the styles of every cut of the album. does not get caught up in My first recollection of I've always admired that he was widely recog- Wayne Shorter, John Col- The band works through his brother Wynton's pitfall hearing Bran ford Marsalis Branford Marsalis for step- nized through his touring trane, Omette Coleman, the tunes so incredibly well of being too much of a per- was on the old "V.S.O.P. ping so far away from his with Sting and his fusion and his father Ellis Mar- that it leaves the jazz lis- fectionist and too little of Reunion Tour." brother's shadow, espe- with Miles Davis, his album salis. tener wanting more, even an improvisor. Just like I initially went to hear a cially with his ventures with sales took off. This is true, but Branford though some of the album there is more to a trumpet young trumpet player in the the former "Police" cuts are quite long. This is player's life than the group from New Orleans frontman Sting. I thought a technical album in the "higher is better" stage, named Wynton Marsalis that those performances sense of its musical content. there's more to a jazz im- that had taken the legen- were some of the best soul- But that's a given with this provisor's life than just play- dary Miles Davis' spot in ful, soprano saxophone bunch. -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex.... -
Download the Archives Here
23.12.12 Merry Christmas Here comes the time for a family gathering. Hope your christmas tree will have ton of intersting presents for you. 22.12.12 Sting to perform in Jodhpur in march Sting is sheduled to perform in march (8, 9 or 10) for Jodhpur One World Retreat. It will be a private show for head injury victims. Only 250 couples will attend the party, with 30,000$ to 60,000$ donations. More information on jodhpuroneworld.org. 22.12.12 The last ship I made some updates to the "what we know about the play" on the forum. Please, check them to know all the informations about "The Last Ship", that could be released in 2013-2014. 16.12.12 Back to bass tour : the end The Back to bass tour has ended yesterday (well, that's what some fans hope) in Jakarta. You'll find all the tour history on the forum, and all informations about the "25 years" best of, that pointed the start of this world tour on this special page. What will follow ? We know that Sting's musical "The last ship" could be released in 2013/2014. We also know that he will perform in France and Marocco this summer. 10.12.12 Back to Bass last dates reports Follow the recent reports from the past shows from Back to Bass tour in Eastern Europe and Asia. Sting and his band met warm audiences (yesterday one in Manilla seems to have been the best from the tour according to Peter and Dominic's tweets and according to various Youtube crazy videos) You'll find pictures and videos on the forum. -
Jazz Radio Panel P. 22 Jazzweek.Com • September 18, 2006 Jazzweek 13 Airplay Data Jazzweek Jazz Album Chart Sept
JazzWeek with airplay data powered by jazzweek.com • September 18, 2006 Volume 2, Number 42 • $7.95 Industry Q&A: JANA LA SORTE page 10 On The Charts: #1 Jazz Album – Dr. Lonnie Smith #1 Smooth Album – Peter White #1 College Jazz – Madeleine Peyroux #1 Smooth Single – Peter White #1 World Music – Eliane Elias JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR Tad Hendrickson kay. After beating up on jazz radio a little bit over the last CONTRIBUTING WRITER/ three weeks, I thought I’d better balance it out with some of PHOTOGRAPHER Othe things jazz radio does right and does better than other Tom Mallison formats. PHOTOGRAPHY 1. Jazz radio plays more new artists than any other profes- Barry Solof sional format. Over the last three years, at least 600 albums have Contributing Editors made the JazzWeek top 50. No commercial radio format plays Keith Zimmerman that many new records in a year, and other than some non-comm Kent Zimmerman triple-As and college radio, no other radio genre comes close. (We Founding Publisher: Tony Gasparre can argue about how many of those should be played, but it’s still ADVERTISING: Devon Murphy an impressive and commendable number.) Call (866) 453-6401 ext. 3 or 2. Jazz radio is not part of the whole sleazy money/payola mess. email: [email protected] The lack of money in jazz is certainly part of that, but the relation- SUBSCRIPTIONS: ships between promoters, labels and radio are built on trust, not Free to qualified applicants free electronics, wads of cash, limos or vacations. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
April Newsletter
Systematic Innovation e-zine Issue 205, April 2019 In this month’s issue: Article – The Resilience Zone Article – Systems (Three Different Kinds) Not So Funny – 40 Inventive (Shoe) Principles Patent of the Month – Nerve Stimulation Method Best of The Month – The Science Of Storytelling Wow In Music – First We Take Manhattan Investments – Material Design AI Generational Cycles – How The LP Saved (Baby Boomer) Lives Biology – Long-Tailed Tit Short Thort News The Systematic Innovation e-zine is a monthly, subscription only, publication. Each month will feature articles and features aimed at advancing the state of the art in TRIZ and related problem solving methodologies. Our guarantee to the subscriber is that the material featured in the e-zine will not be published elsewhere for a period of at least 6 months after a new issue is released. Readers’ comments and inputs are always welcome. Send them to [email protected] ©2019, DLMann, all rights reserved The Resilience Zone At the end of last month, I published a blog article regarding, what I think is a better way of mapping complexity (Reference 1). It was a bit of a strawman. Something I thought might burn on exposure to the outside world. But so far it seems to have stayed somewhat flameproof, and hence now creates an opportunity to explore it a little more broadly. I thought what I’d do here is look at, probably the most important zone on the Landscape, the place where organisations, and especially innovation teams need to be in order to ensure that they have a chance of success in their endeavours.