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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Langston Hughes, Jazz Poet Collection and Introduction by Mitch Losito
Langston Hughes, Jazz Poet collection and introduction by Mitch Losito Prototype 2 - May 3, 2017 “Young Jazz Musicians” by Tom Nachreiner LANGSTON HUGHES, JAZZ POET - MITCH LOSITO !1 Table of Contents Introduction……………………………………………………………………………………………1 “The Weary Blues” The Weary Blues……………………………………………………………………………………….5 Song for a Banjo Dance………………………………………………………………………………..6 Harlem Night Club…………………………………………………………………………………….7 Lenox Avenue: Midnight…………………………..…….……………………………………………8 Response to “The Weary Blues”…………………………………………………………………………9 “Ask Your Mama: 12 Moods For Jazz” Jazztet Muted………………………………………………………………………………………….11 Horn of Plenty [excerpt]……………………………………………………………………………..12 Response to “Ask Your Mama”……………….………………………………………………………..13 Original Poems When Midnight Hits……………….………………………………………………………….……..15 Works Consulted MLA Bibliography……………………………………………………………………………………16 LANGSTON HUGHES, JAZZ POET - MITCH LOSITO !2 Introduction Poetry is meant to be read. Langston Hughes’s poetry is meant to be read aloud. This is the first thing that we notice when reading Hughes’s work: the simplicity of the diction, the repetition of phrases, and the overall rhythm of the pieces feel ready to jump off the page to be spoken. There is a reason for this. Despite the overarching positioning of Hughes as the “poet laureate” of black culture, reading his later works without this lens provides an intriguing view on the way that his poetry is perceived (Rampersad 3). The problem with reading Hughes as merely a stand-in of Harlem Renaissance poetry is that it ignores a key influence on Hughes’s writing, namely jazz. Since he was writing in a period when jazz was at the forefront of society, it is reasonable that his poetry would be effected by its intricacies and forms. As a result, his poems are more than just effected by jazz’s intricacies and forms. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
Devilish Echoes: Goethe's Faust and Its Modern American Interpretations
Devilish Echoes: Goethe’s Faust and Its Modern American Interpretations By Caleb Miller Of all the devilish motifs that are propagated in America, none may be as sinister as the devil’s familiar. My first encounter with this idea was from the Grateful Dead, and their 1970 studio version of “Friend of the Devil”: Ran into the devil, babe, he loaned me 20 bills… I ran down to the levee, but the devil caught me there, Took my 20 dollar bill and he vanished in the air. (The Grateful Dead) The condemned folk hero is nothing new to art, or even popular culture. In 1808, Johann Wolfgang von Goethe produced one of the most well-known works of German stage: Faust: The Tragedy Part One (Ramm). Considered an integral part of the German “Classics”, Faust by definition carries a mythological background, one that is rooted in alchemy and the truth. It’s author, Goethe, also came to fruition as an artist during the “Sturm und Drang1” period of German art and philosophy, which turned the inquisitiveness of the Enlightenment on its head and attacked everything man had created to remove himself from the natural essence of being (Pausch 39). In order to unify these different motifs and storylines in Faust, Goethe added another piece to the myth: Gretchen, the pure and devout object of Faust’s infernal desires (Ramm). The story, as told by Goethe, begins in heaven, where God and Mephistopholes strike a deal that allows Mephistopholes to tempt Faust with his wanton desires (von Goethe 15). Dr. 1 “Storm and Stress” Faust is a cynical and dying genius who has devoted his life prior to the story to science and philosophy. -
Matthew Brian Joy Cell: 857-998-0140 E-Mail: [email protected] Address: 924 Camellia Dr
Matthew Brian Joy Cell: 857-998-0140 E-Mail: [email protected] Address: 924 Camellia Dr. Royal Palm Beach 33411 OBJECTIVE To gain employment that would require some of my specialized skills, knowledge, and experience: guitar performance skills; classroom teaching experience; jazz/pop arranging and composition; and expertise in music theory, jazz history, and guitar styles. SELECTED EMPLOYMENT PROFESSOR OF MUSIC FLORIDA ATLANTIC UNIVERSITY, Boca Raton, FL August 2015 – Present Responsible for offerings in Applied Guitar Instruction, Commercial Music Ensembles, Jazz Guitar Ensembles, and Applied Guitar Labs. Provide repertoire and arrangements for Commercial Music and Jazz Guitar Ensembles. PROFESSOR OF MUSIC TENNESSEE STATE UNIVERSITY, Nashville, TN August 2013 – May 2014 Responsible for offerings in Arranging, Commercial Music Ensembles, Private Guitar instruction, Group Guitar Classes and Music Appreciation Courses. Created curriculum for Guitar Class for Music Educators and Guitar Class for Non-Music Majors. Expanded repertoire of arrangements for commercial music ensembles. SOFLO MUSIC SCHOOL, Delray, FL September 2014 – August – 2015 VILLAGE MUSIC, Wellington, FL January 2015– Present ROSE MUSIC GROUP, Nashville, TN September 2010 – April 2013 WORLD MUSIC NASHVILLE, Nashville, TN August 2009 – August 2014 THE MINOR CHORD, Acton, MA January 2003 – August 2009 Provide individual guitar instruction for students of all levels and styles that include music theory, ear training, sight-reading, style, repertoire and improvisation. Develop customized lesson plans for students’ individual needs. Assemble student bands at World Music Nashville for bi-annual concerts; arrange and transcribe material to be performed, and guide students through weekly group rehearsals. Work with special needs students at Rose Music Group using music to help students achieve self-confidence, cope with stress, further memory development and music comprehension. -
Pete Yorn Torrent Download Pete Yorn Torrent Download
pete yorn torrent download Pete yorn torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e088af3a481f15 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Саундтрек к фильму / Встречайте Джо Блейка и Терри Коллинза — самых удачливых грабителей банков в истории Америки! Неотразимый мачо Джо и фантастический ипохондрик Терри, вечно жалующийся на воображаемые недуги, без единого выстрела, на одном великом своем обаянии и очаровательном нахальстве взяли больше банков, чем кто-либо. Казалось, удача никогда не оставит этих вежливых и остроумных налетчиков, ставших чуть ли не национальными героями. Но вот волею судеб в компанию героев попадает захотевшая вкусить приключений бедовая домохозяйка Кейт Уилер, в которую они оба немедленно влюбляются — и все в жизни парней идет кувырком! ProStudioMasters.com. High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
L'elysée Montmartre Ticket Reservation
A member of X-Japan in France ! Ra :IN in Paris the 5th of May 2005 Gfdgfd We have the pleasure to announce that the solo band of PATA (ex-X-Japan), Ra :IN, will perform live at the Elysee Montmartre in Paris (France) the 5th of May 2005. " Ra:IN " (pronounced "rah'een")----is an amazing unique, powerful new rock trio consisting of PATA (guitar-Tomoaki Ishizuka), one of the guitarists from the legendary Japanese rock band X Japan, michiaki (bass-Michiaki Suzuki), originally from another legendary Yokohama based rock band TENSAW, and Tetsu Mukaiyama (drums), who supported various bands and musicians such as Red Warriors and CoCCo. " Ra:IN " 's uniqueness comes from its musical eloquence. The three-piece band mainly delves into instrumental works, and the band's combination of colorful tones and sounds, along with the tight playing only possible with top-notch skilled players, provides an overwhelming power and energy that is what " ROCK " is all about. Just cool and heavy rhythms. But above all, don’t miss the first opportunity to see on stage in Europe a member of X-Japan, PATA (one of the last still performing). One of those that with their music, during years, warmed the heart of millions of fans in Japan and across the world. Ra :IN live in Paris website : http://parisvisualprod.free.fr Ra :IN website : http://www.rain-web.com Ticket Reservation Europe : Pre-Sales on Official Event Website : http://parisvisualprod.free.fr Japan : For Fan tour, please contact : [email protected] Worlwide (From 01st of March 2005) : TICKETNET -
INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article
INTRODUCTION: BLUE NOTES TOWARD A NEW JAZZ DISCOURSE MARK OSTEEN, LOYOLA COLLEGE I. Authority and Authenticity in Jazz Historiography Most books and articles with "jazz" in the title are not simply about music. Instead, their authors generally use jazz music to investigate or promulgate ideas about politics or race (e.g., that jazz exemplifies democratic or American values,* or that jazz epitomizes the history of twentieth-century African Americans); to illustrate a philosophy of art (either a Modernist one or a Romantic one); or to celebrate the music as an expression of broader human traits such as conversa- tion, flexibility, and hybridity (here "improvisation" is generally the touchstone). These explorations of the broader cultural meanings of jazz constitute what is being touted as the New Jazz Studies. This proliferation of the meanings of "jazz" is not a bad thing, and in any case it is probably inevitable, for jazz has been employed as an emblem of every- thing but mere music almost since its inception. As Lawrence Levine demon- strates, in its formative years jazz—with its vitality, its sexual charge, its use of new technologies of reproduction, its sheer noisiness—was for many Americans a symbol of modernity itself (433). It was scandalous, lowdown, classless, obscene, but it was also joyous, irrepressible, and unpretentious. The music was a battlefield on which the forces seeking to preserve European high culture met the upstarts of popular culture who celebrated innovation, speed, and novelty. It 'Crouch writes: "the demands on and respect for the individual in the jazz band put democracy into aesthetic action" (161). -
The Ghikas House on Hydra: from Artists’ Haven to Enchanted Ruins
The Ghikas House on Hydra: From Artists’ Haven to Enchanted Ruins HELLE VALBORG GOLDMAN Norwegian Polar Institute We sat on the terrace under the starry sky and talked about poetry, we drank wine, we swam, we rode donkeys, we played chess—it was like life in a novel. (Ghikas, quoted in Arapoglou 56) Introduction The Greek island of Hydra has become known for the colony of expatriate painters and writers that became established there in the 1950s and 60s (Genoni and Dalziell 2018; Goldman 2018). Two ‘literary houses,’ the homes of several of the island’s most well-known foreign residents during that era—the Australian couple, writers George Johnston and Charmian Clift, and Canadian singer-songwriter Leonard Cohen—have become places of pilgrimage for aficionados of Australian literature and popular music. Visitors wend through the maze of car- less, stone-paved lanes, asking for directions along the way, in order to stand outside the objects of their quests. Standing in the small public courtyard in front of the Johnstons’ house, or the tight laneway fronting the Cohen house, there is not much to see—the houses are quiet, the doors closed, the stone and white-washed walls surrounding the properties, which are typical of Hydra, are high. This doesn’t keep people from coming. They can picture in their minds’ eyes what is on the other side of the walls, having seen photographs of the writers at work and leisure inside the houses, and having read the books and listened to the songs that were written while the Johnstons and Cohen were in residence. -
The Temptations and the Four Tops
Nicole'a Macris Nicole'[email protected] 410-900-1151 For Immediate Release THE TEMPTATIONS AND THE FOUR TOPS coming to The Modell Lyric on October 26! Tickets go on sale Friday, April 26th at 10am (BalBmore, MD – April 19) The TEMPTATIONS and The FOUR TOPS together on one stage for one night only at The Modell Lyric on Saturday, October 26 at 7:30pm! THE TEMPTATIONS are notable for their success with Motown Records during the 60’s and 70’s and have sold 10’s of millions of albums, making them one of the most successful groups in music history! For over 40 years The Temptaons have prospered, with an avalanche of smash hits, and sold-out performances throughout the world! “The crowds are bigger, the sales are sizzling,” says one industry report. “The outpouring of affection for this super-group has never been greater”. Beyond their unique blend of voices and flashy wardrobe, The Temptaons became known for their sharp choreography known as “The Temptaon Walk” which became a staple of American style, flair, flash and class and one of the defining legacies of Motown Records. Millions of fans saw the Temptaons as cultural heroes. The group had thirty seven, Top 40 hits to their credit, including fi\een Top 10 hits, fi\een No 1 singles and seventeen No 1 albums spanning from the mid-1960’s to the late 80’s in addiBon to a quartet which soared to No. 1 on the R &B charts. The song Btles alone summon memories beyond measure to include; “The Way You Do The Things You Do,” “My Girl,” “Ain’t Too Proud To Beg,” “I Wish It Would Rain,” “I Can’t Get Next To You”, “Get Ready”, “Just My ImaginaDon (Running Away With Me),” “Ball of Confusion”, “Papa Was A Rollin’ Stone.” “Beauty is Only Skin Deep”, “Cloud Nine,” “Psychedelic Shack”, “Runaway Child”, “Since I Lost My Baby”, “Treat Her Like a Lady” to name a few…. -
WGLT Program Guide, November, 1990
Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Fall 11-1-1990 WGLT Program Guide, November, 1990 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, November, 1990" (1990). WGLT Program Guides. 105. https://ir.library.illinoisstate.edu/wgltpg/105 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. PROGRAMT GUIDE P U B L I C R A D I D FROM I . S . U . \\' G I I P R O G R A ,\I G l J I D E 1· O K ~ O \ ' E M H E H. Music Director John Konya recommends MILES AHEAD OF HIS TIME these latest jazz releases ... GLT listeners series will raise. Among me EMILY REMLER MARK WHITFIELD will get a rare performers you'll hear are: "Tbis is Me" 0ustice) "Tbe Marksman " treat this Jon Faddis, Clark Terry, Remler's last recording before her untimely (Warner Bros.) George Duke, Lester Bowie month: A look death in July, 1990. This recording reflects the Traditional jazz tunes at the man, the and Olu Dara. guitarist's innovative approach to from this guitarist. You'll get to sit in on a Miles mystery, the composition and performance. Whitfield swings Davis rehearsal, get a first-hand music Mr.