Joey Calderazzo Secrets Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Joey Calderazzo Secrets Mp3, Flac, Wma Joey Calderazzo Secrets mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Secrets Country: US Released: 1995 MP3 version RAR size: 1871 mb FLAC version RAR size: 1590 mb WMA version RAR size: 1761 mb Rating: 4.2 Votes: 427 Other Formats: MP4 MOD MP2 AUD DMF APE XM Tracklist Hide Credits Secrets 1 5:40 Composed By – Joey Calderazzo No One Knows I'm Here 2 4:32 Composed By – Joey Calderazzo Aurora 3 6:08 Composed By – Joey Calderazzo Scriabin 4 4:56 Composed By – Vince Mendoza Echoes 5 7:36 Composed By – Joey Calderazzo Filles De Kilimenjaro 6 5:12 Composed By – Miles Davis Last Visit Home 7 5:34 Composed By – Joey Calderazzo ATM 8 7:04 Composed By – Joey Calderazzo Companies, etc. Recorded At – Systems Two Credits Arranged By – Bob Belden (tracks: 1, 3 to 7) Bass – James Genus Bass Trombone, Tuba – Earl McIntyre (tracks: 1, 3, 5) Cello – Tomas Ulrich (tracks: 4, 6) Design, Art Direction – Hillary Weiss/HW Design Drums – Clarence Penn Engineer [Assistant] – Michael Marciano French Horn – John Clark (tracks: 1, 3, 5) Guitar – Fareed Haque (tracks: 4, 6) Mastered By – Bernie Grundman Photography By [Cover] – Carol Friedman Photography By [Liner Photos] – Debra DiPaulo Piano, Co-producer – Joey Calderazzo Producer – Joe Harley Recorded By – Joseph Marciano* Soprano Saxophone, Flute – Tim Ries (tracks: 1, 3, 5, 7) Tenor Saxophone, Bass Clarinet, English Horn – Charlie Pillow* (tracks: 1, 3 to 7) Trumpet, Flugelhorn – Tim Hagans (tracks: 1, 3, 5, 7) Notes Recorded at Systems Two, Brooklyn, NY January 26 and 27, 1995 Barcode and Other Identifiers Barcode: 0 92592 11362 6 Matrix / Runout: C1 104246-01 AQCD1036 Technicolor Other versions Category Artist Title (Format) Label Category Country Year 2-AQM-1036 Joey Calderazzo Secrets (CD, Album) AudioQuest Music 2-AQM-1036 US 1995 Related Music albums to Secrets by Joey Calderazzo Branford Marsalis Quartet - Four MFs Playin' Tunes Joey Kelly , Buddy Love - Chuck Bergeron - Loyalties Joey Pastrana - Jala Con Joey The Bob Belden Ensemble - Straight To My Heart The Music Of Sting Joey Beltram - Fuzz Tracks Joey Negro - Back To The Scene Of The Crime - The Joey Negro Compilation Volume 02 Joey Calderazzo - Joey Calderazzo.
Recommended publications
  • BRANFORD MARSALIS Band, and We Got out of It What We Needed 10 Jazz Records
    JULY/AUGUST 2012 ISSUE MMUSICMAG.COM JULY/AUGUST 2012 ISSUE MMUSICMAG.COM MUSICIAN Why the provocative title? in 2001, we were huffing and puffing when ESSENTIAL MARSALIS I actually didn’t want to call the record that. it was over. I bit through my lip—there was Every time I make an album, I never come up blood all over my mouthpiece. I’m blessed with a title, and my management company that I don’t have a fear of sounding bad in THE BEAUTYFUL presses me for one. To buy time, I come front of people. When I listen to early jazz ONES ARE NOT up with the stupidest title I can think of. So and read about it, there wasn’t a fear of YET BORN when they asked this time, I told them. They failure. Cats would just go out and play. Now (1991) said, “That’s great!” I said, “Not great. You guys practice, practice, practice, then they It took Marsalis several can’t use that!” Yes, I’ve got a potty mouth, rehearse for six days, then they make the years to find his way as but I don’t just put it out there. But they ran record and it sounds like a bulwark against a leader, and it wasn’t until this release, with it. Usually they’re telling me, “You can’t the possibility of something spontaneous seven years after his solo debut, that he use that.” But this time they loved it, so I said, actually happening. left no doubt he was to be a major player.
    [Show full text]
  • Hör Bar November – Januar 2004/2005 Ausgabe 05/04 Daniel Müller-Schott Kommt Mit Dem Warschauer Nationalorchester Warschauer Kommt Mit Dem Daniel Müller-Schott
    08KHD01_09_04_LA 05.10.2004 15:32 Uhr Seite 1 Das Magazin für das Konzerthaus Dortmund hör_bar November – Januar 2004/2005 Ausgabe 05/04 Daniel Müller-Schott kommt mit dem Warschauer Nationalorchester Warschauer kommt mit dem Daniel Müller-Schott Wochenende der Stimmen Ben Heppner und Edita Gruberova Christmas-Show 2004 mit Ireen Sheer und Johannes Heesters Jahreswechsel 2004/05 Drei Konzerte im Konzerthaus Dortmund Flexibilität und Stilsicherheit Symphonieorchester des Bayerischen Rundfunks Poeten und Tastenlöwen Daniel Harding Klavier-Virtuose Arcadi Volodos Conductor in Residence 08KHD01_09_04_LA 05.10.2004 15:32 Uhr Seite 2 Dortmund – City Centre „Römischer Kaiser“ Tradition verpflichtet! 125 komfortable Zimmer, inkl. 18 Suiten, z.T. mit Whirpool und Klimaanlage, lassen keine Wünsche offen. 9 Konferenz- und Banketräume für Ihre Tagung, Seminar oder Feierlichkeit stehen für Sie bereit. Unsere Küche verwöhnt Sie mit regionalen und internatio- nalen Speisen der Saison. Genießen Sie gepflegte Biere, leckere Cocktails und internationale Spezialitäten in unserer Bar „Fortune“. Reinigung .Hausdienste Wir freuen uns auf Sie! Hauswirtschaft .Hygiene Holiday Inn Dortmund – City Centre „Römischer Kaiser“ Olpe 2 · 44135 Dortmund Tel.: 0231-5432-00 · Fax.: 0231-574354 Gebäudemanagement e-mail: [email protected] · www.roemischerkaiser.com Sicherheit Hörder Straße 276 58454 Witten www.guelich-gruppe.de 24-Stunden-Service: 02302/94 700 VAN HAM Kunstauktionen Unsere Herbst-Auktionen: Photographie Historische, klassische 29. Oktober 2004, 18h und zeitgenössische Photographien · Vintages Teppiche Ca. 300 alte und antike 3. November 2004 Sammlerteppiche große dekorative Teppiche Tapisserien und Textilien Alte Kunst Möbel · Silber · Porzellan 18. – 20. November 2004 Juwelen · Skulpturen Gemälde des 16.–19. Jh. Moderne und Gemälde · Aquarelle Zeitgenöss. Kunst Zeichnungen · Skulpturen 2.
    [Show full text]
  • Mccoy Tynerin Ja Joey Calderazzon Pianosoolojen Analysointi Kappaleesta Pursuance
    McCoy Tynerin ja Joey Calderazzon pianosoolojen analysointi kappaleesta Pursuance Pop/jazzmusiikin koulutusohjelma Muusikon suntautumisvaihtoehto Opinnäytetyö 20.4.2009 Henrik Wirzenius Kulttuurialat TIIVISTELMÄSIVU Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –muusikon suuntautumisvaihtoehto Tekijä Wirzenius Henrik Työn nimi McCoy Tynerin ja Joey Calderazzon pianosoolojen analysointi kappaleesta Pursuance Työn ohjaaja/ohjaajat Jukka Väisänen & Mikael Jakobsson Työn laji Aika Numeroidut sivut + liitteiden sivut Opinnäytetyö 20.4.2009 26 + 3 TIIVISTELMÄ Opinnäytetyössäni tutkin ja analysoin pianistien McCoy Tynerin ja Joey Calderazzon improvisoituja pianosooloja John Coltranen kappaleessa Pursuance. McCoy Tynerin soolo on A Love Supreme - levyltä (John Coltrane) ja Joey Calderazzon soolo on Footsteps of Our Fathers -levyltä (Branford Marsalis). Tavoitteena on saada syvempi käsitys pianistien modaalisista soittotyyleistä, sekä tutkia mitä yhtäläisyyksiä ja eroavaisuuksia sooloissa ilmenee. Tutkimusmateriaalina käytän omia transkriptioita kyseisistä sooloista. Vaikka pelkän transkription kautta ei pysty saavuttamaan täydellistä ja kokonaisvaltaista kuvaa tutkittavasta kohteesta, olen kui- tenkin rajoittanut tutkimukseni käsittelemään pelkästään transkriptioiden luomaa nuottikuvaa pystyäk- seni pitämään mahdollisimman objektiivisen ja analyyttisen näkökulman tutkimukseeni. Tutkimuksesta huomaa että yleisellä tasolla Tyner ja Calderazzo käyttävät paljon samanlaisia ilmiöitä ja kuvioita sooloissaan. Molemmat
    [Show full text]
  • Jazzweek with Airplay Data Powered by Jazzweek.Com • September 5, 2011 Volume 7, Number 39 • $7.95
    JazzWeek with airplay data powered by jazzweek.com • September 5, 2011 Volume 7, Number 39 • $7.95 Jazz Album No. 1: Giacomo Gates, Revolution Smooth Album No. 1: Dave Koz, Hello Will Be Jazz: The Songs Of Gil Scott-Heron Tomorrow (Concord) (Savant) World Music No. 1: Monty Alexander, Harlem- Smooth Single No. 1: Dave Koz, “Anything’s Kingston Express Live (Motema) Possible” (Concord) Jazz Album Charts .................... 3 Jazz Add Dates ....................... 7 Smooth Jazz Album Charts .............4 Jazz Radio Currents ................... 8 Smooth Singles Charts ................. 5 Jazz Radio Panel .................... 11 World Music Album Charts .............. 6 Smooth Jazz Current Tracks............ 13 Smooth Jazz Station Panel............. 14 Jazz Birthdays September 5 September 12 September 20 Albert Mangelsdorff (1928) Cat Anderson (1916) Red Mitchell (1927) Charles “Bobo” Shaw (1947) Steve Turre (1948) Steve McCall (1933) September 6 John Zorn (1953) Eric Gale (1938) Charles Moffett (1929) Scott Hamilton (1954) Billy Bang (1947) Clifford Thornton (1936) September 13 Steve Coleman (1956) Andrew White (1942) Chu Berry (1910) September 21 September 7 Mel Tormé (1925) Slam Stewart (1914) Max Kaminsky (1908) September 14 Chico Hamilton (1921) Joe Newman (1922) Joseph Jarman (1937) Sunny Murray (1937) Sonny Rollins (1930) Oliver Lake (1942) September 23 Ken McIntyre (1931) September 15 Albert Ammons (1907) Marcus Roberts (1963) Al Casey (1915) John Coltrane (1926) September 8 Bobby Short (1926) Frank Foster (1928) Norris Turney (1921)
    [Show full text]
  • November 2011 Vol
    A Mirror and Focus for the Jazz Community November 2011 Vol. 27, No. 11 EARSHOT JAZZSeattle, Washington Robin Holcomb Photo by Daniel Sheehan NOTES Eyvind Kang Receives Artist Trust working in any discipline who demon- Frisell will also perform in four diver- Innovator Award strate innovation in their art practice. gent settings over two evenings. This Artist Trust, a non-profit dedicated Branford Marsalis, Roy Haynes year’s festival also includes the Port- to providing financial and profession- Headline 2012 US Bank Portland land Jam Band Marathon, an evening devoted to regionally based jam bands al support to artists, announced the Jazz Festival winners of their second-annual Arts with guitar phenom Charlie Hunter. The 2012 US Bank Portland Jazz Fes- Innovator Award. The two awards of tival presented by Alaska Airlines will Audition for More Music at the $25,000 each are the largest available be held Friday, February 17, through Moore November 13 & 14 to individual artists of Washington Sunday, February 26, 2012, at venues Auditions open on November 13 & State. Along with choreographer Pat throughout Portland. The 9th annual 14 for More Music @ the Moore, a Graney, the Arts Innovator Award was eleven-day festival will include jazz performance celebrating diverse genres given to Eyvind Kang, a Seattle-based education and outreach along with a of music and young, talented musi- jazz musician who was selected from series of concerts featuring an eclectic cians. Exceptional musicians ages 14- more than 130 applicants for experi- mix of internationally recognized and 21 are encouraged to try out. Those se- menting with new ideas and pushing local musicians playing a wide-range lected will be given the opportunity to the boundaries of his field.
    [Show full text]
  • Jazz Radio Panel P. 22 Jazzweek.Com • September 18, 2006 Jazzweek 13 Airplay Data Jazzweek Jazz Album Chart Sept
    JazzWeek with airplay data powered by jazzweek.com • September 18, 2006 Volume 2, Number 42 • $7.95 Industry Q&A: JANA LA SORTE page 10 On The Charts: #1 Jazz Album – Dr. Lonnie Smith #1 Smooth Album – Peter White #1 College Jazz – Madeleine Peyroux #1 Smooth Single – Peter White #1 World Music – Eliane Elias JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR Tad Hendrickson kay. After beating up on jazz radio a little bit over the last CONTRIBUTING WRITER/ three weeks, I thought I’d better balance it out with some of PHOTOGRAPHER Othe things jazz radio does right and does better than other Tom Mallison formats. PHOTOGRAPHY 1. Jazz radio plays more new artists than any other profes- Barry Solof sional format. Over the last three years, at least 600 albums have Contributing Editors made the JazzWeek top 50. No commercial radio format plays Keith Zimmerman that many new records in a year, and other than some non-comm Kent Zimmerman triple-As and college radio, no other radio genre comes close. (We Founding Publisher: Tony Gasparre can argue about how many of those should be played, but it’s still ADVERTISING: Devon Murphy an impressive and commendable number.) Call (866) 453-6401 ext. 3 or 2. Jazz radio is not part of the whole sleazy money/payola mess. email: [email protected] The lack of money in jazz is certainly part of that, but the relation- SUBSCRIPTIONS: ships between promoters, labels and radio are built on trust, not Free to qualified applicants free electronics, wads of cash, limos or vacations.
    [Show full text]
  • Branford Marsalis Quartet Kurt Elling
    24 Jul 2016 Branford 21:00 Sala Suggia – Marsalis CICLO JAZZ Quartet with special guest Kurt Elling Branford Marsalis saxofones Kurt Elling voz Joey Calderazzo piano Eric Revis contrabaixo Justin Faulkner bateria A CASA DA MÚSICA É MEMBRO DE O objectivo desde o princípio foi criar uma The Branford Marsalis Quartet verdadeira parceria. “Em geral rejeito a pala‑ with Special Guest Kurt Elling vra ‘colaboração’”, diz Marsalis, “porque implica algo que está para além do que cada colabo‑ Upward Spiral rador faz bem. Não preciso de um colabora‑ dor para fazer o que eu faço normalmente, e Não é segredo que o Branford Marsalis Quar‑ nem o Kurt precisa. Mas, desta vez, nenhum tet consegue ser tão descontraído fora do de nós ia fazer o que normalmente faz. A fina‑ palco como em plena actuação. O saxofonista lidade disto, apesar de ele cantar música com Marsalis, o pianista Joey Calderazzo, o contra‑ letra, era sublinhar o carácter instrumental da baixista Eric Revis e o baterista Justin Faulk‑ voz de Kurt.” ner são todos personalidades audaciosas com Elling estava mais do que preparado para fortes opiniões, tão intensos na comunicação o desafio. “Adoro cantar com uma banda que musical como na verbal. “Falamos de todos os toca com grande energia”, confirma, “e dedi‑ géneros de assuntos, muitos dos quais impubli‑ quei muito tempo a procurar fazer música cáveis”, admite Marsalis. “Mas temos também com excelentes saxofonistas tenor. Desde debates musicais sérios.” Uma destas conver‑ que comecei a trabalhar com Von Freeman, sas deu origem a Upward Spiral, o novo álbum Eddie Johnson e Ed Petersen, em Chicago, com o convidado especial Kurt Elling que foi até actuações mais recentes com Ernie Watts, editado a 10 de Junho de 2016 pela Marsalis Joel Frahm e Houston Person, fiz sempre ques‑ Music através da OKeh Records.
    [Show full text]
  • Suggested Listening - Jazz Artists 1
    SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,
    [Show full text]
  • Kurt Elling On
    38 DOWNBEAT JUNE 2018 Kurt Elling onstage at the Green Mill in Chicago hen DownBeat encounters Elling at 11 latest album, Te Questions (OKeh), a thoughtful- a.m., he’s already settled in comfortably, ly curated and unusually wide-ranging collection of checking his phone and nursing his frst songs. A prolifc lyricist, Elling poses questions both Wglass of Montepulciano. As is his habit, he’s looking political and cosmic, considering the fate of America dapper, more elegant than casual, in a sky blue shirt in the age of Trump, and, more broadly, the human and burgundy feece jacket. condition: our mortality and search for meaning Phone in hand, he’s studying an Instagram photo of through love. his favorite lunch in Chicago: an Italian beef sand- Elling opens the album, which he co-produced wich from Portillo’s, accompanied by a side of fries, with saxophonist Branford Marsalis, by singing the two kinds of hot sauce and a generous slice of chocolate frst verse of Bob Dylan’s “A Hard Rain’s A-Gonna cake. When I say I’ve never had one, the Windy City- Fall” a cappella; then a stark, post-bop small-group born vocalist replies, “Oh, ya gotta do it! It’s so strong. arrangement kicks in, featuring a poignant statement With hot peppers all over it, and it’s on that mushy bun. from Marsalis on soprano and an explosive solo from I get hungry looking at it.” Jef “Tain” Watts on drums. Later, Elling presents Elling’s enthusiasm and joie de vivre provide an Paul Simon’s “American Tune,” a lament that feels interesting counterpoint to the serious intent of his appropriate for the nation’s current malaise.
    [Show full text]
  • AMANECER 323 Broadway BIOGRAPHY Cambridge, MA 02139 T
    MARSALIS MUSIC JOEY CALDERAZZO • AMANECER 323 Broadway BIOGRAPHY Cambridge, MA 02139 t. 617.354.2736 If Haiku, Joey Calderazzo’s previous Marsalis Music release and first recording comprised completely of solo f. 617.354.2396 performances, was a significant milestone in the career of the acclaimed pianist, then Amanecer must be counted as www.marsalismusic.com equally momentous. Recorded in January 2006 and produced by Calderazzo’s longtime leader and friend Branford [email protected] Marsalis, the album captures Calderazzo’s ongoing progress as a solo artist while also placing him in the new context of duos and trio encounters with vocalist Claudia Acuña and guitarist Romero Lubambo. In addition to his continuing work with Marsalis, which has brought him to the top ranks of contemporary pianists, Calderazzo attributes his further evolution to expanded listening and more opportunities to perform in the solo context. “I’ve been studying much more music, which has opened up different possibilities,” he reports. “I’m listening to more and different classical music – Rachmaninoff and Stravinsky, and a lot of Glenn Gould playing Brahms – which has clearly fed the romantic side of my music. And, especially in playing with Branford, I’ve been dealing with more historical jazz styles. Jazz is not easy to play, but all of this research has made it easier for me, in the sense that I’m much more comfortable in a variety of styles. Branford’s band played “Mood Indigo” recently, and I was more comfortable with that piece than I’ve ever been, which I’m sure comes from my listening to Nat Cole and other pianists who came before bebop.” The opportunity to appear as a solo pianist at clubs and festivals, and in particular the extensive European solo tour that immediately preceded the sessions for Amanecer, also left Calderazzo with a new philosophy of performance.
    [Show full text]
  • Branford Marsalis & Joey Calderazzo Songs of Mirth
    MARSALIS MUSIC BRANFORD MARSALIS & JOEY CALDERAZZO 323 Broadway SONGS OF MIRTH AND MELANCHOLY Cambridge, MA 02139 BIOGRAPHY t. 617.354.2736 f. 617.354.2396 Few contemporary pairings of saxophonist and pianist have been as inspired and productive as that of Branford Marsalis www.marsalismusic.com and Joey Calderazzo. Since replacing the late Kenny Kirkland in Marsalis’ quartet in 1998, Calderazzo has blended [email protected] seamlessly into the uncompromising creative atmosphere of the ensemble and revealed new facets of his own conception, while Marsalis in turn has been inspired by the pianist’s challenging instrumental support and growing strength as a composer. The relationship grows ever deeper, as documented on the new Marsalis Music CD Songs of Mirth and Melancholy. Adding duo performances to their quartet collaboration is an idea launched on the golf course – or, more precisely, the 19th hole. As Calderazzo explains it, “The duo originated when Branford and I would play a couple of numbers at celebrity golf tournaments. But we really took it to another level at the 2009 Newport Jazz Festival, where we played four tunes in a short set and the interaction was really happening. That’s when we decided to record.” The session was a logical step for Marsalis, who has previously displayed his duo prowess in albums with his father Ellis (Loved Ones, Columbia, 1995) and Harry Connick, Jr. (Occasion, Volume 2 of Marsalis Music’s “Connick on Piano” series, 2005, and the complementary Marsalis Music DVD A Duo Occasion, filmed at the 2005 Ottawa Jazz Festival). “I have only played duo with Harry, my dad and Joey,” the saxophonist says, “and with Joey I can go in different directions.” As in his previous duo encounters, the goal for Marsalis is musicality rather than technicality.
    [Show full text]
  • ORLANDO LE FLEMING - ROMANTIC FUNK May 8, 2017 (OLF Records) ​
    ORLANDO LE FLEMING - ROMANTIC FUNK May 8, 2017 (OLF Records) ​ Orlando le Fleming (Bass) ​ Ari Hoenig & Lenny Reece (Drums) ​ Greg Tuohey & Ryan Scott (Guitars) ​ Frank LoCrasto, Sullivan Fortner & Pete Rende (Keyboards) ​ Seamus Blake & Will Vinson (Saxophones) ​ LISTEN TO PRETENTIOUS BROOKLYN Perhaps the most accomplished UK-born improviser of his generation, bassist Orlando le Fleming returns with his new album Romantic Funk, the long-awaited follow-up to 2010's From ​ ​ ​ Brooklyn With Love. ​ The spirit of Romantic Funk falls somewhere between the serene, legato passages of early-Jaco-era ​ ​ Weather Report, and the spaced out electronica of late-70's Herbie Hancock; a unity distorted beautifully by Le Fleming's jedi-level command of complex rhythmic systems. Best known as a double bassist with jazz luminaries like Branford Marsalis, Joey Calderazzo, Kurt Rosenwinkel, Jeff "Tain" ​ ​ ​ ​ ​ Watts and Lage Lund, Le Fleming takes a left with his new release, electing to showcase his abilities ​ ​ ​ on the electric bass this time against a backdrop of his own kaleidoscopic compositions. About the music, Le Fleming says: “The ‘romantic’ is personified by lush, classical harmony ​ ​ ​ ​ ​ ​ echoed by the nostalgic synth sounds of Pete Rende and Frank LoCrasto. The strong grooves and guitar lines are heavily influenced by Funk, although the complexities in rhythm stem from more contemporary forms of jazz.” The pithy irreverence of the album's tracklist reflects Le Fleming's wry wit and penchant for injecting irony into musical conversation. "Pretentious Brooklyn’s” combination of popular and esoteric elements finds its composer utilizing much the same crossover approach as Miles Davis did on Live - Evil, ​ recalling Dave Holland as readily as David Axelrod.
    [Show full text]