November 1999
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Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
Rancid Indestructible Mp3, Flac, Wma
Rancid Indestructible mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Indestructible Country: Europe Released: 2003 Style: Ska, Punk MP3 version RAR size: 1123 mb FLAC version RAR size: 1279 mb WMA version RAR size: 1454 mb Rating: 4.7 Votes: 709 Other Formats: AA MP3 MP1 WAV AUD FLAC VQF Tracklist Hide Credits 1 Indestructible 2 Fall Back Down Red Hot Moon 3 Vocals – Skinhead RobWritten-By – Reed*, Frederiksen*, Aston*, Armstrong* 4 David Courtney 5 Start Now 6 Out Of Control Django 7 Written-By – Armstrong* 8 Arrested In Shanghai 9 Travis Bickle 10 Memphis Spirit Of '87 11 Written-By – Carlock*, Frederiksen*, Armstrong* 12 Ghost Band 13 Tropical London Roadblock 14 Written-By – Reed*, Frederiksen*, Armstrong* 15 Born Frustrated 16 Back Up Against The Wall 17 Ivory Coast Stand Your Ground 18 Mixed By – Tim Armstrong 19 Otherside Credits Artwork By [Design] – Nicholas "Nick" Pritchard Bass, Vocals – Matt Freeman Drums – Brett Reed Edited By – Dave Carlock, Edmund Monsef, Seth McLain Engineer [Additional] – Andrew Alekel Engineer [Assistant] – Citris Reynolos, Dan Hoal, John Silas Cranfield, Pete Martinez Engineer, Edited By – Nick Raskulinecz Guitar, Vocals – Lars Frederiksen Guitar, Vocals, Artwork By [Cover Photo] – Tim Armstrong Keyboards – Vic Ruggiero* Mastered By – Brian Gardner Mixed By – Brett Gurewitz (tracks: 6, 10, 12 to 14, 19), Douglas Boehm* (tracks: 1, 3, 4, 7 to 9, 11, 15, 16, 17), Joe Baresi* (tracks: 2, 5), Rob Schnapf (tracks: 1, 3, 4, 7 to 9, 11, 15, 16, 17) Mixed By [Assistant] – Kevin Dran Percussion – Luis Conte Producer, Engineer [Additional], Vocals [Guest] – Brett Gurewitz Vocals [Guest] – Siedah Garrett Written-By – Frederiksen* (tracks: 1, 2, 4, 5, 6, 7, 9, 10, 12, 13, 15, 16 to 19), Armstrong* (tracks: 1, 2, 4, 5, 6, 8, 9, 10, 12, 13, 15, 16 to 19) Notes Recorded at Sound City Studios, Grand Master Recorders, Sondra Recorders. -
A Tribute to Dave Valentin & the Debut of Bill O'connell's (A.C.E.) Afro
Press contact: John MacElwee - 718-518-6539, [email protected] Tom Pryor - 718-753-3321 [email protected] Hostos Center for the Arts & Culture presents A Tribute to Dave Valentin & the Debut of Bill O’Connell’s (A.C.E.) Afro-Caribbean Ensemble Saturday, April 6, 2019, 7:30 PM LINK TO HIGH RESOLUTION PHOTOS (Bronx, NY) – On Saturday, April 6, Hostos Center for the Arts & Culture presents a double bill of Latin jazz with a Tribute to Dave Valentin, featuring a quintet led by the late flutist’s musical director, pianist Bill O’Connell with virtuoso flutist Andrea Brachfeld, then following with the debut of Bill O’Connell’s most recent project A.C.E. (Afro-Caribbean Ensemble) featuring a nonet comprised of some of New York’s top jazz and Latin jazz artists. The concert will be in the Repertory Theater at Hostos Community College, beginning at 7:30 PM. Tickets are $20, with student tickets at $5, and can be purchased online at www.hostoscenter.org or by calling (718) 518-4455. The box office is open Monday to Friday, 1 PM to 4 PM and will be open two hours prior to performance. In addition to O’Connell, the quintet includes original Dave Valentin Quartet members -- bassist Lincoln Goines and drummer Robby Ameen. Percussionist Román Díaz has been added to the group, and in the title role will be flutist Andrea Brachfeld, well-known for her musical abilities in jazz and Latin Jazz. Valentin said of Brachfeld, “with all due respect, she plays her buns off; one of the first ladies to disprove the concept that only men can deal with the real deal…” The original quartet with Brachfeld have performed tributes to Valentin in different venues in New York and repeat engagements at the Blue Note in Tokyo. -
Wynton Marsalis Happy Birthday Transcription Pdf Free
Wynton Marsalis Happy Birthday Transcription Pdf Free 1 / 4 Wynton Marsalis Happy Birthday Transcription Pdf Free 2 / 4 3 / 4 Print and download Caravan sheet music by Wynton Marsalis arranged for Trumpet or Piano. Instrument/Piano/Chords, and Transcribed Solo in Bb Major. Your high-resolution PDF file will be ready to download in the original published key . Song Spotlight Signature Artists Sales and Promotions Free Sheet Music.. Sep 6, 2018 . Marsalis at the Oskar Schindler Performing Arts Center Seventh Annual Jazz Festival in 2009. Background information. Birth name, Wynton.. essential and the necessary references are in general noted in the pdf. to present this unique collection of transcriptions which he has compiled over a span of . Several years before Wynton Marsalis gained headlines for helping to revive . Baker took the Armstrong role, comfortably confounding the date on his birth.. Transcription of Wynton Kelly's piano solo on the Bb blues tune "Kelly Blue" from . Wynton Marsalis and the Jazz at Lincoln Center Orchestra Monday, March 18, . Father of Jazz Though the precise birth of jazz is still shrouded in mystery,.. Chords for Wynton Marsalis Playing Happy Birthday - transcription of the improvisation. Play along with guitar, ukulele, or piano with interactive chords and.. Amazon.com: Wynton Marsalis - Omnibook: for B-flat Instruments . members save up to 20% on diapers, baby food, & more Baby Registry Kids Birthdays . on orders over $25or get FREE Two- Day Shipping with Amazon Prime . Trumpet Omnibook: For B-Flat Instruments Transcribed Exactly from Artist Recorded Solos.. 12 2016 . Wynton Marsalis - Moanin Trumpet Solo [Free PDF] 02:22 . -
Wall to Wall Miles Davis 2001 (Disc 1 and 2) [Relaxin’ Withthemilesdavis Quintet,1956] 03
Disc 2 Song & Surprise Mileselektronika Jane Ira Bloom - soprano saxophone, live Hagans/Belden Animation Project featuring electronics DJ Kingsize Bobby Previte - drums DJ Kingsize - turntables Cameron Brown - bass Tim Hagans - trumpet Vincent Bourgeyx - piano Bob Belden - tenor saxophone 04. How Deep Is the Ocean/Solar 20:49 Scott Kinsey - piano [Miles Davis, Volume 1 (1952)/Walkin] David Dyson - electric bass Zach Danzinger - drums Someday My Prince Will Come 01. Intro - Mother Dearest Mother 0:51 The Campbell Brothers [unreleased] Phil Campbell - guitar 02. Paraphernilia 14:56 Chuck Campbell - pedal steel guitar [Miles In The Sky, 1968] Darick Campbell - lap steel guitar Malcolm Kirby, Jr. - bass Live/Evil Carlton Campbell - drums Wall to Wall Sex Mob with Bill Frisell and DJ Logic 05. Someday My Prince Will Come 3:12 Bill Frisell - guitar 06. Summertime 3:59 DJ Logic - turntables 07. All Blues 6:45 Steven Bernstein - trumpet [Someday My Prince Will Come, 1961; Miles Davis Briggan Krauss - alto saxophone Porgy And Bess, 1958; Kind Of Blue, 1959] Symphony Space Tony Scherr - bass Kenny Wolleson - drums The Miles Experience New York, NY 03. Selim 18:12 Nora York - vocals [Live/Evil, 1970] Claire Daly - baritone saxophone March 24, 2001 Dave Hofstra - bass Ronnie Williams - drums Disc 1 and 2 08. So What/I Don’t Live Today 7:09 [Kind Of Blue, 1959; Are You Experienced, 1967] Thanks to GUITARS for sharing this at Dime; and to lilioriverio and abbcccus for keeping the show alive since 2007. Lineage: cdr in trade > eac > flac level 6 MP3 Version Various Wall To Wall Miles Davis 2001 (Disc 1 and 2) Miles Davis Wall To Wall Various Disc 1 The Hot Spot Bitches Brew Olu Dara Ensemble Bobby Previte’s Voodoo Down Orchestra Olu Dara - cornet, guitar, vox Bobby Previte - drums Kwatei Jones Quartey - guitar Ray Anderson - trombone Alonzo Gardner - bass Peter Epstein - soprano saxophone Larry Johnson - drums Adam Kolker - bass clarinet Coster Massamba - percussion Pete McCann - guitar 04. -
Mise En Page 1
NANCY , ville d’échange, dynamique, jeune, première ville universitaire du grand Est, s’impose frustrée. Comme jadis au CMCN et maintenant à Music Academy International, nous sommes des comme un des pôles culturels et artistiques européens. Point chaud du rock, capitale du jazz, européens convaincus. La vocation internationale de notre école n’est pas uniquement dictée par la haut-lieu de la musique classique, Nancy a le goût de la scène. Du club de jazz intimiste à “l’Autre situation géographique de Nancy (dans un rayon de 350 km nous touchons Paris et 6 pays, dans un Canal”, scène de Rock, chanson & électro ultra-équipée, en passant par la salle de concerts rayon de 950 km nous touchons Brest et 11 pays), mais également par l’enrichissement culturel et majestueuse jusqu’au Zénith imposant, Nancy accueille à bras ouverts les musiciens de tous économique qui se présente à l’artiste qui profite de l’ouverture des frontières. horizons. Music Academy International est implantée à proximité de trois parcs, à deux pas de la célèbre place Stanislas, en plein centre ville dans un quartier sympathique et sécurisant. Pour cette raison Music Academy International entre autres, accueille nombre d’artistes étrangers réputés. Music Academy se félicite également d’un partenariat privilégié avec une vingtaine des INTERNATIONAL : Le caractère universel de la musique et plus particulièrement les qualités de plus grandes écoles du monde entier. Mais ne nous y trompons pas, même si à Music Academy le brassage et d’intégration des courants actuels, interdit de délimiter son champ d’action, de rester mot “International” prend toute sa mesure, même si les accents sont multiples, même si tous les replié sur son territoire national. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Orgel · Orgelrecital Barbara Dennerlein · Latin · Soul Blues · MIDI-Technik · Synthesizer Improvisation · Jazz · Am 21.01.2007 Bebab · So Klingt Nur Dortmund
HAMMOND-ORGEL B3 · SWING · BEBOP FUNK · KÖNIGIN DER INSTRUMENTE SAMPLER · ORGEL · ORGELRECITAL BARBARA DENNERLEIN · LATIN · SOUL BLUES · MIDI-TECHNIK · SYNTHESIZER IMPROVISATION · JAZZ · AM 21.01.2007 BEBAB · SO KLINGT NUR DORTMUND. 2,50 E KONZERTHAUS DORTMUND · SONNtAG, 21.01.2007 · 18.00 Dauer: ca. 1 Stunde 15 Minuten ohne Pause BARBARA DENNERLEIN ORGEL, HAmmoND B3 Abo: Orgel im Konzerthaus Das Programm stand bei Drucklegung noch nicht fest – Programm nach Ansage! Wir bitten um Verständnis, dass Bild- und Tonaufnahmen während der Vorstellung nicht gestattet sind. 4I5 DIE FIRst LADY DER HAmmoND-ORGEL Der Freiheit von Vorurteil und Diskriminierung, der Freiheit von Zwang und Konvention. Diese, meine Definition von Jazz, will ich dem Zuhörer vermitteln. Ob jung oder alt, Traditionalist oder Der Name Barbara Dennerlein steht zweifelsfrei für eine der international erfolgreichsten und Modernist, Jazzfan oder Nicht-Jazzfan.« bekanntesten deutschen Jazzmusikerinnen. Nicht nur dieser Fakt ist überaus bemerkenswert, Sowohl als Solistin als auch mit ihrer Formation »Bebab« wird Barbara Dennerlein auf beiden auch ihr einzigartiges Instrument, mit dem sie bereits unzählige Erfolge und Ehrungen feiern konnte, Seiten des Atlantiks von Publikum und Presse gleichermaßen gefeiert. Dabei spielt allein der bedarf einer detaillierten Betrachtung: die legendäre Hammond-Orgel B3. Aber der Reihe nach. Name »Bebab«, eine freie Assoziation aus Bebop und Barbara, auf etwas ganz eigenes an, für das Barbara Dennerlein gehört zu den Interpreten, die ihrem Publikum, also Ihnen, im Konzert einen derzeit (noch) keine so allseits beliebte musikalische Schublade existiert, denn in Dennerleins ungewöhnlich tiefen Einblick in die gespielten Stücke erlaubt. Sie berichtet kompetent und in Musik fließen sämtliche Stile von Swing und Bebop, Blues, Soul, Latin und groovendem Funk direkter Ansprache über deren Geschichte, Entstehung und Hintergründe. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
The Jazz Record
oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year. -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d.