DOCSLIB.ORG

Wynton Marsalis Happy Birthday Transcription Pdf Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wynton Marsalis Happy Birthday Transcription Pdf Free Wynton Marsalis Happy Birthday Transcription Pdf Free 1 / 4 Wynton Marsalis Happy Birthday Transcription Pdf Free 2 / 4 3 / 4 Print and download Caravan sheet music by Wynton Marsalis arranged for Trumpet or Piano. Instrument/Piano/Chords, and Transcribed Solo in Bb Major. Your high-resolution PDF file will be ready to download in the original published key . Song Spotlight Signature Artists Sales and Promotions Free Sheet Music.. Sep 6, 2018 . Marsalis at the Oskar Schindler Performing Arts Center Seventh Annual Jazz Festival in 2009. Background information. Birth name, Wynton.. essential and the necessary references are in general noted in the pdf. to present this unique collection of transcriptions which he has compiled over a span of . Several years before Wynton Marsalis gained headlines for helping to revive . Baker took the Armstrong role, comfortably confounding the date on his birth.. Transcription of Wynton Kelly's piano solo on the Bb blues tune "Kelly Blue" from . Wynton Marsalis and the Jazz at Lincoln Center Orchestra Monday, March 18, . Father of Jazz Though the precise birth of jazz is still shrouded in mystery,.. Chords for Wynton Marsalis Playing Happy Birthday - transcription of the improvisation. Play along with guitar, ukulele, or piano with interactive chords and.. Amazon.com: Wynton Marsalis - Omnibook: for B-flat Instruments . members save up to 20% on diapers, baby food, & more Baby Registry Kids Birthdays . on orders over $25or get FREE Two- Day Shipping with Amazon Prime . Trumpet Omnibook: For B-Flat Instruments Transcribed Exactly from Artist Recorded Solos.. 12 2016 . Wynton Marsalis - Moanin Trumpet Solo [Free PDF] 02:22 . Wynton Marsalis Playing Happy Birthday - transcription of the improvisation.. Trumpet Transcriptions with Piano Score on Amazon.com FREE SHIPPING . Wynton. Marsalis Transcriptions Pdf . Print and download Happy Birthday. Made by.. Marsalis Youtube Improv. Uploaded by jazzilady. Transcription of an improvisation by Wynton Marsalis on Youtube over the changes for the tune Happy Birthday.. and 150 free educational activities each season. UMS . Wynton Marsalis and the Jazz at Lincoln Center Orchestra (Photo by Clay Patrick Carter) . Happy Birthday is usually accented like this, with the stress on the strong beats: HAP-py.. Apr 13, 2012 . Daniel Rosenthal, a Wynton Marsalis transcription and more. So whether . Do the Killing, the playful free-jazz quartet led by bassist Moppa.. Sep 28, 2015 . 8 Most Interesting Versions of Happy Birthday. By . Led by Wynton Marsalis on trumpet, this septet's version includes a trombone, clarinet,.. Mar 22, 2011 - 3 min - Uploaded by GuitOp81I made this passable (IMHO) transcription of the demo by Wynton Marsalis. To get it .. Aug 17, 2012 . 266-1200; TANGLEWOOD OFFERS FREE LAWN TICKETS TO . birthday attended by the composer himself, with a gala tribute . On Monday, August 20, at 8 p.m., two jazz ensembles team up as the Wynton Marsalis Quintet and the . in a transcription for bass and pianojust as Koussevitzky himself.. Did you transcribe a solo or found a transcription that isn't in this list? . Branford Marsalis, A Night In Tunisia, Killer Joe (Art Blakey and George Kuwaguchi), Alto . PDF version is available. Don Wilkerson, Hard Times (No Ones Knows Better Than I), The Birth of Soul CD Box (Ray Charles), Tenor, Charles McNeal.. Nov 11, 2015 . Print and download in PDF or MIDI Happy Birthday. Wynton Marsalis playing Happy Birthday - transcription of the improvisation.. This booklet is provided FREE OF CHARGE by Jamey Aebersold Jazz. I would begin by playing on my instrument simple little melodies such as Happy Birthday, . Lynch, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue.. Nov 7, 2010 . Marsalis: My full name is Jason Ignatius Marsalis. What was the address that your family was living at, at the time of your birth? . We know where Wynton we know your father . (transcribed and edited by Barry Kernfeld).. Oct 2, 2018 . skains domain pdf - Then. Wynton started . Marsalis: Skains. Domain: A Biography . Wynton . happy birthday transcription pdf free.. Wynton Marsalis. N.B. You can download the transcriptions here. Wynton Marsalis - Classic Wynton, Wynton Marsalis - Baroque Duet. Clarke - "The King's. 4f33ed1b8f 4 / 4 Wynton Marsalis Happy Birthday Transcription Pdf Free.
Load more

Recommended publications
  • The Jazz Record
    oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year.
    [Show full text]
  • BRANFORD MARSALIS Band, and We Got out of It What We Needed 10 Jazz Records
    JULY/AUGUST 2012 ISSUE MMUSICMAG.COM JULY/AUGUST 2012 ISSUE MMUSICMAG.COM MUSICIAN Why the provocative title? in 2001, we were huffing and puffing when ESSENTIAL MARSALIS I actually didn’t want to call the record that. it was over. I bit through my lip—there was Every time I make an album, I never come up blood all over my mouthpiece. I’m blessed with a title, and my management company that I don’t have a fear of sounding bad in THE BEAUTYFUL presses me for one. To buy time, I come front of people. When I listen to early jazz ONES ARE NOT up with the stupidest title I can think of. So and read about it, there wasn’t a fear of YET BORN when they asked this time, I told them. They failure. Cats would just go out and play. Now (1991) said, “That’s great!” I said, “Not great. You guys practice, practice, practice, then they It took Marsalis several can’t use that!” Yes, I’ve got a potty mouth, rehearse for six days, then they make the years to find his way as but I don’t just put it out there. But they ran record and it sounds like a bulwark against a leader, and it wasn’t until this release, with it. Usually they’re telling me, “You can’t the possibility of something spontaneous seven years after his solo debut, that he use that.” But this time they loved it, so I said, actually happening. left no doubt he was to be a major player.
    [Show full text]
  • Tone Parallels in Music for Film: the Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra By
    TONE PARALLELS IN MUSIC FOR FILM: THE COMPOSITIONAL WORKS OF TERENCE BLANCHARD IN THE DIEGETIC UNIVERSE AND A NEW WORK FOR STUDIO ORCHESTRA BY BRIAN HORTON Johnathan B. Horton B.A., B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2017 APPROVED: Richard DeRosa, Major Professor Eugene Corporon, Committee Member John Murphy, Committee Member and Chair of the Division of Jazz Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Horton, Johnathan B. Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton. Doctor of Musical Arts (Performance), August 2017, 46 pp., 1 figure, 24 musical examples, bibliography, 49 titles. This research investigates the culturally programmatic symbolism of jazz music in film. I explore this concept through critical analysis of composer Terence Blanchard's original score for Malcolm X directed by Spike Lee (1992). I view Blanchard's music as representing a non- diegetic tone parallel that musically narrates several authentic characteristics of African- American life, culture, and the human condition as depicted in Lee's film. Blanchard's score embodies a broad spectrum of musical influences that reshape Hollywood's historically limited, and often misappropiated perceptions of jazz music within African-American culture. By combining stylistic traits of jazz and classical idioms, Blanchard reinvents the sonic soundscape in which musical expression and the black experience are represented on the big screen.
    [Show full text]
  • For Immediate Release Exclusive Sfjazz 'Fridays At
    FOR IMMEDIATE RELEASE Media Contact: TJ Gorton [email protected] 415.283.0309 EXCLUSIVE SFJAZZ 'FRIDAYS AT FIVE' FOUR-PART BROADCAST TO BENEFIT WAYNE SHORTER Four Historic Wayne Shorter Celebration Concerts From January 2019 Featuring Herbie Hancock, Kamasi Washington, Branford Marsalis, Terence Blanchard, Terrace Martin, Danilo Pérez, John Patitucci, and Brian Blade to Air on SFJAZZ “Fridays at Five” Online Series (SAN FRANCISCO, CA, May 18, 2020) -- SFJAZZ announced a historic Wayne Shorter Celebration concert series with Herbie Hancock, Kamasi Washington, Branford Marsalis, Terence Blanchard, Terrace Martin, Danilo Pérez, John Patitucci, Brian Blade, and more will be broadcasted for the first time ever on “Fridays at Five.” For these four-night broadcasts, all contributions will go directly to the Wayne Shorter fund to support his ongoing medical needs. All concerts also feature members of Wayne Shorter’s quartet including pianist Danilo Pérez, bassist John Patitucci, and drummer Brian Blade. “FRIDAYS AT FIVE” is SFJAZZ’s new weekly online membership program launched in the face of the COVID-19 crisis to support SFJAZZ’s ongoing operations and artists in anticipation of reopening. The program is supported by a $5 monthly/$60 yearly membership. Direct support of artists is provided via a “tip jar” that is available prior, during and after the broadcast that is split 50/50 between artist and SFJAZZ. For these four concerts 100% of the “tip jar” proceeds will go to Wayne Shorter for needed medical expenses. BROADCAST DATES Friday, May 22 | 5PM PT w/ Kamasi Washington and Terrace Martin Friday, June 26 | 5PM PT w/ Herbie Hancock, Terence Blanchard, Terrace Martin Friday, July 31 | 5PM PT w/ Branford Marsalis and Terence Blanchard + 1 MORE TBA ABOUT WAYNE SHORTER CELEBRATION CONCERTS Legendary saxophonist and composer Wayne Shorter had been scheduled to perform with his quartet over four nights in Miner Auditorium in January of 2019, but unfortunately an illness that precluded travel prevented Wayne from appearing that week.
    [Show full text]
  • Juilliard Jazz Artist Diploma Ensemble
    The Juilliard School presents Juilliard Jazz Artist Diploma Ensemble Tuesday, October 1, 2019, 7:30pm Paul Hall The Beat Goes On: The Art Blakey Sound Bobby Watson, Guest Coach Ben Wolfe, Resident Coach On the Ginza (Wayne Shorter) Ping Pong (Wayne Shorter) Moanin’ (Bobby Timmons) Whisper Not (Benny Golson) Time Will Tell (Bobby Watson) E.T.A. (Bobby Watson) Nica’s Dream (Horace Silver) Up Jumped Spring (Freddie Hubbarde) Program order and selections are subject to change. Changes will be announced from the stage. Performance time: approximately 1 hour and 30 minutes, including an intermission Juilliard thanks the Talented Students in the Arts Initiative, a collaboration of the Doris Duke Charitable Foundation and the Surdna Foundation, for its support of Juilliard Jazz. Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by the Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Artist Diploma Ensemble (The Duke Ellington Ensemble) Trumpet Josh Lawrence Tenor Saxophone Evan Harris Guitar Félix Lemerle Piano Robbie Lee Bass Cole Davis Drums Zach Adleman About Jazz Ensembles at Juilliard Each of Juilliard Jazz’s small ensembles is named after a jazz legend. This does not mean the named ensemble will solely perform the works of that artist, but invoking these names reminds us, and our audience, of our music’s great history and its interconnectedness.
    [Show full text]
  • Marsalis Shows Diversity
    SIDELINES, Friday, December 2, 1988, Page 15 , Marsalis shows diversity By JAKE MALL an entirely different story the turning points in Bran- kn owl edge bly and accu- ent will be displayed on I hope that Branford Staff Writer altogether. ford Marsalis' career. Now rately" into the styles of every cut of the album. does not get caught up in My first recollection of I've always admired that he was widely recog- Wayne Shorter, John Col- The band works through his brother Wynton's pitfall hearing Bran ford Marsalis Branford Marsalis for step- nized through his touring trane, Omette Coleman, the tunes so incredibly well of being too much of a per- was on the old "V.S.O.P. ping so far away from his with Sting and his fusion and his father Ellis Mar- that it leaves the jazz lis- fectionist and too little of Reunion Tour." brother's shadow, espe- with Miles Davis, his album salis. tener wanting more, even an improvisor. Just like I initially went to hear a cially with his ventures with sales took off. This is true, but Branford though some of the album there is more to a trumpet young trumpet player in the the former "Police" cuts are quite long. This is player's life than the group from New Orleans frontman Sting. I thought a technical album in the "higher is better" stage, named Wynton Marsalis that those performances sense of its musical content. there's more to a jazz im- that had taken the legen- were some of the best soul- But that's a given with this provisor's life than just play- dary Miles Davis' spot in ful, soprano saxophone bunch.
    [Show full text]
  • Yannick Nézet-Séguin
    This season, this orchestra, this music director, this performance, this moment ... don’t blink. 2020–21 SEASON MUSIC DIRECTOR YANNICK NÉZET-SÉGUIN 1 Welcome to Your Philadelphia Orchestra’s 2020-21 Season Our World NOW is both a visit to the music you know and love and a vision of familiar works heard and perceived in new ways. In this chronological listing of concerts, we invite you to Choose Your Own season of music to fit your tastes, your schedule, and your budget. Pick any six (or more) and relax knowing that you have reserved time in your life for enjoyment, escape, and invigoration. Choose a Create-Your-Own 6-concert series for as little as $39 per concert. Create your own season of music at a savings over individual ticket prices when you subscribe today. Schedule Flexibility Always on the go? We offer subscribers many easy options to exchange tickets with no additional fees so you never Subscriber Benefits have to miss a concert. Everyday Savings Subscribing automatically saves you money over general public single ticket prices. Save up to 20% off single ticket prices depending on the concert and section you choose. Plus, add tickets and the savings continue. Payment Plans There are several payment plans to fit any budget, making it easy to subscribe. Order early, take advantage of our payment plans, and still get the best seats. Discounted Parking Why worry about finding a place to park? As a subscriber, you can purchase pre-paid discounted parking for all your concerts in the Avenue of the Arts Garage, located steps away from the Kimmel Center.
    [Show full text]
  • Make It New: Reshaping Jazz in the 21St Century
    Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of
    [Show full text]
  • Monterey Jazz Festival
    DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob;
    [Show full text]
  • Branford Marsalis
    THE SCOTTISH NATIONAL JAZZ ORCHESTRA DIRECTED BY TOMMY SMITH PRESENTS THE MUSIC OF WAYNE SHORTER FEATURING BRANFORD MARSALIS September 2013 Legendary saxophonist BRANFORD MARSALIS occupies a unique place in jazz history and joins the Scottish National Jazz Orchestra tonight to pay tribute to another of PROGRAMME NOTES jazz’s true greats, saxophonist and composer, WAYNE SHORTER. Featuring charts including Nefertiti, ESP and Virgo Rising, Branford Marsalis and the Sometimes, you just know that something duties in North America. It’s hard not to SNJO will present music of extraordinary subtlety, passion and melodic character. is going to be special. It’s hard to imagine detect an ever-growing respect among a more potent combination than the critics, fans, pundits and commentators collective power of the SNJO under Tommy worldwide for its courage, its daring and its Smith and the lyrical virtuosity of Branford professionalism. It’s not surprising either Marsalis. It’s harder still to imagine more that audiences are now wondering what expressive music for them to explore they’re going to do next. than selections from the Wayne Shorter repertoire. Wherever you find great jazz minds who think alike you find convergence and There are few late-twentieth century confluence. One of the warmest embraces If you enjoyed tonight’s concert, please do also consider becoming a Friend and help exponents of jazz composition who have in orchestral jazz comes from Tommy support the future of the orchestra and jazz in Scotland. influenced modern music more profoundly Smith and the SNJO. Branford Marsalis, than Wayne Shorter. His contribution to Membership is available by at his soul-searching best, plays in a way jazz is undeniably significant, from his that often feels like a gentle touch on your personally productive Blue Note years, • Picking up a form at the SNJO desk shoulder.
    [Show full text]
  • Lenora Zenzalai Helm Is a Jazz Vocalist, Vocal Musicianship Coach
    “A blend of wiry strength and ethereal charm that set her apart from the female vocalists crowding the jazz scene...Without compromising her debt to the most stringent jazz grammar, her light-against-dark phrasing revealed a love of pop and soul that gave fresh, heartfelt meaning...... “Lloyd Sachs, Chicago Sun Times Lenora Zenzalai Helm is a jazz vocalist, vocal musicianship coach, composer, lyricist and educator with six solo recordings, her own recording and publishing company, Zenzalai Music, and an extensive discography with some of the biggest names in jazz and contemporary music. A recipient of the Sister Cities 2016 Mayor’s Award for Promoting International Understanding, 2015 North Carolina Central University Teaching Excellence Award (the highest university award for faculty), a quarter-finalist for the 2015 GRAMMY Music Educator of the Year Award, Salzburg Global Citizenship Fellow, UNC Global Educator Fellow, a Fulbright Senior Specialist, and former U.S. Jazz Ambassador under the auspices of the State Department and Kennedy Center, her achievements garnered accolades as “...the voice of her generation,” by Jazziz Magazine. She has appeared in renowned jazz festivals and venues worldwide, including Jazz at Lincoln Center, Schomburg Center's Women in Jazz Festival, JVC Jazz Festivals, Clifford Brown Jazz Festival, Capetown Jazz Festival, South Africa and Fiji Jazz & Blues Festival. Brief career highlights include jazz composer awards from Chamber Music America/Doris Duke’s New Jazz Works and the MacDowell Colony composer fellowship, and adding lyrics (with the composers’ approval) to the compositions of Andrew Hill, Wayne Shorter and Branford Marsalis. She appears on recordings with Andrew Hill, Stanley Cowell, Donald Brown, Dave Liebman, Ron Carter, Antonio Hart, and has toured with Michael Franks and Freddie Jackson.
    [Show full text]
  • Extreme Matt-Itude Holidaygift Guide Ikue • Ivo • Joel • Rarenoise • Event Mori Perelman Press Records Calendar December 2013
    DECEMBER 2013 - ISSUE 140 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM MATT WILSON EXTREME MATT-ITUDE HOLIDAYGIFT GUIDE IKUE • IVO • JOEL • RARENOISE • EVENT MORI PERELMAN PRESS RECORDS CALENDAR DECEMBER 2013 DAVID SANBORN FOURPLAY CLAUDIO RODITI QUARTET SUNDAY BRUNCH RESIDENCY DEC 3 - 8 DEC 10 - 15 TRIBUTE TO DIZZY GILLESPIE DEC 1, 8, 15, 22, & 29 CHRIS BOTTI ANNUAL HOLIDAY RESIDENCY INCLUDING NEW YEAR’S EVE! DEC 16 - JAN 5 JERMAINE PAUL KENDRA ROSS WINNER OF “THE VOICE” CD RELEASE DEC 2 DEC 9 LATE NIGHT GROOVE SERIES RITMOSIS DEC 6 • CAMILLE GANIER JONES DEC 7 • SIMONA MOLINARI DEC 13 • GIULIA VALLE DEC 14 VICKIE NATALE DEC 20 • RACHEL BROTMAN DEC 21 • BABA ISRAEL & DUV DEC 28 TELECHARGE.COM TERMS, CONDITIONS AND RESTRICTIONS APPLY “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm HOLIDAY EVENTS / 7:00, 9:00 & 10:30pm Fri & Sat, Dec 6 & 7 Sun, Dec 15 SMOKE JAVON JACKSON BAND GEORGE BURTON’S CHRISTMAS YULELOG Winter / Spring 2014 Javon Jackson (tenor saxophone) • Orrin Evans (piano) Thu, Dec 19 Santi DeBriano (bass) • Jason Tiemann (drums) “A NAT ‘KING’ COLE CHRISTMAS” SESSIONS Fri & Sat, Dec 13 & 14 ALAN HARRIS QUARTET BILL CHARLAP TRIO COMPACT DISC AND DOWNLOAD TITLES Bill Charlap (piano) • Peter Washington (bass) COLTRANE FESTIVAL / 7:00, 9:00 & 10:30pm Kenny Washington (drums) Mon, Dec 23 - Wed, Dec 25 Fri, Sat & Sun, Dec 20, 21 & 22 ERIC ALEXANDER QUARTET RENEE ROSNES QUARTET FEATURING LOUIS HAYES Steve Nelson (vibraphone) • Renee Rosnes (piano) Eric Alexander (tenor saxophone) • Harold Mabern (piano) Peter Washington (bass) • Lewis Nash (drums) John Webber (bass) • Louis Hayes (drums) Thu, Dec 26 - Wed, Jan 1 ERIC ALEXANDER SEXTET ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm FEAT.
    [Show full text]