The Penelopiad
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Challenge of the Maids' Gyn/Affection in Margaret Atwood's
Vol. 7 (2015) | pp. 19-34 http://dx.doi.org/10.5209/rev_AMAL.2015.v7.47697 ‘CLOSE AS A KISS’: THE CHALLENGE OF THE MAIDS’ GYN/AFFECTION IN MARGARET ATWOOD’S THE PENELOPIAD GERARDO RODRÍGUEZ SALAS UNIVERSIDAD DE GRANADA [email protected] https://sites.google.com/site/gerardougr Article received on 14.01.2015 Accepted on 02.09.2015 ABSTRACT Margaret Atwood’s novella The Penelopiad (2005) seemingly celebrates Penelope’s agency in opposition to Homer’s myth in The Odyssey. However, the twelve murdered maids steal the book to suggest the possibility of what Janice Raymond calls gyn/affection, a female bonding based on the logic of emotion that, in Atwood’s revision, verges on Kristevan abjection, the sinister and the fantastic, and serves a cathartic effect not only in the maids but also in the reader. This essay aims to question the generally accepted empowerment of Atwood’s Penelope and celebrates the murdered maids as the locus of emotion, where marginal aspects of gender and class merge to weave a powerful metaphorical tapestry of popular and traditionally feminized literary genres that, in plunging into and embracing the semiotic realm, ultimately solidify into an eclectic but compact alternative tradition of women’s writing and myth-making. KEYWORDS Margaret Atwood, Penelopiad, Myth, Odyssey, Female friendship, gyn/affection, hetero-reality. ‘CERCANAS COMO UN BESO’: EL DESAFÍO DE LA AFECTIVIDAD FEMENINA DE LAS DONCELLAS EN THE PENELOPIAD DE MARGARET ATWOOD RESUMEN La novela de Margaret Atwood, The Penelopiad (2005), celebra en apariencia la agencia de Penélope frente al mítico personaje femenino de la versión de Homero. -
From the Odyssey, Part 1: the Adventures of Odysseus
from The Odyssey, Part 1: The Adventures of Odysseus Homer, translated by Robert Fitzgerald ANCHOR TEXT | EPIC POEM Archivart/Alamy Stock Photo Archivart/Alamy This version of the selection alternates original text The poet, Homer, begins his epic by asking a Muse1 to help him tell the story of with summarized passages. Odysseus. Odysseus, Homer says, is famous for fighting in the Trojan War and for Dotted lines appear next to surviving a difficult journey home from Troy.2 Odysseus saw many places and met many the summarized passages. people in his travels. He tried to return his shipmates safely to their families, but they 3 made the mistake of killing the cattle of Helios, for which they paid with their lives. NOTES Homer once again asks the Muse to help him tell the tale. The next section of the poem takes place 10 years after the Trojan War. Odysseus arrives in an island kingdom called Phaeacia, which is ruled by Alcinous. Alcinous asks Odysseus to tell him the story of his travels. I am Laertes’4 son, Odysseus. Men hold me formidable for guile5 in peace and war: this fame has gone abroad to the sky’s rim. My home is on the peaked sea-mark of Ithaca6 under Mount Neion’s wind-blown robe of leaves, in sight of other islands—Dulichium, Same, wooded Zacynthus—Ithaca being most lofty in that coastal sea, and northwest, while the rest lie east and south. A rocky isle, but good for a boy’s training; I shall not see on earth a place more dear, though I have been detained long by Calypso,7 loveliest among goddesses, who held me in her smooth caves to be her heart’s delight, as Circe of Aeaea,8 the enchantress, desired me, and detained me in her hall. -
Another Penelope: Margaret Atwood's the Penelopiad
Monica Bottez ANOTHER PENELOPE: MARGARET ATWOOD’S THE PENELOPIAD Keywords: epic; quest; hybrid genre; indeterminacy; postmodernism Abstract: The paper sets out to present The Penelopiad as a rewriting of Homer’s Odyssey with Penelope as the narrator. Using the Homeric intertext as well as other Greek sources collected by Robert Graves in his book The Greek Myths and Tennyson‟s “Ulysses,” it evidences the additions that the new narrative perspective has stimulated Atwood to imagine. The Penelopiad is read as propounding a new genre, the female epic or romance where the heroine’s quest is analysed on analogy with the traditional romance pattern. The paper dwells on the contradictory and parody- like versions of events and characters embedded in the text: has Penelope been the perfect patient devoted wife, a cunning lustful pretender, or the High Priestess of an Artemis cult? In conclusion, the reader can never know the truth, being tied up in the utterly puzzling indeterminacy of meaning specific to postmodernism. The title of Margaret Atwood‟s novella makes the reader expect a rewriting of Homer‟s Odyssey, which is precisely what the author does in order to enrich it with new interpretations; since myths and legends are the repository of our collective desires, fears and longings, their actuality can never be exhausted: Atwood has used mythology in much the same way she has used other intertexts like folk tales, fairy tales, and legends, replaying the old stories in new contexts and from different perspectives – frequently from a woman‟s point of view – so that the stories shimmer with new meanings. -
A Level Classical Civilisation Candidate Style Answers
Qualification Accredited A LEVEL Candidate style answers CLASSICAL CIVILISATION H408 For first assessment in 2019 H408/11: Homer’s Odyssey Version 1 www.ocr.org.uk/alevelclassicalcivilisation A Level Classical Civilisation Candidate style answers Contents Introduction 3 Question 3 4 Question 4 8 Essay question 12 2 © OCR 2019 A Level Classical Civilisation Candidate style answers Introduction OCR has produced this resource to support teachers in interpreting the assessment criteria for the new A Level Classical Civilisation specification and to bridge the gap between new specification’s release and the availability of exemplar candidate work following first examination in summer 2019. The questions in this resource have been taken from the H408/11 World of the Hero specimen question paper, which is available on the OCR website. The answers in this resource have been written by students in Year 12. They are supported by an examiner commentary. Please note that this resource is provided for advice and guidance only and does not in any way constitute an indication of grade boundaries or endorsed answers. Whilst a senior examiner has provided a possible mark/level for each response, when marking these answers in a live series the mark a response would get depends on the whole process of standardisation, which considers the big picture of the year’s scripts. Therefore the marks/levels awarded here should be considered to be only an estimation of what would be awarded. How levels and marks correspond to grade boundaries depends on the Awarding process that happens after all/most of the scripts are marked and depends on a number of factors, including candidate performance across the board. -
The Greatest Mirror: Heavenly Counterparts in the Jewish Pseudepigrapha
The Greatest Mirror Heavenly Counterparts in the Jewish Pseudepigrapha Andrei A. Orlov On the cover: The Baleful Head, by Edward Burne-Jones. Oil on canvas, dated 1886– 1887. Courtesy of Art Resource. Published by State University of New York Press, Albany © 2017 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production, Dana Foote Marketing, Fran Keneston Library of Congress Cataloging-in-Publication Data Names: Orlov, Andrei A., 1960– author. Title: The greatest mirror : heavenly counterparts in the Jewish Pseudepigrapha / Andrei A. Orlov. Description: Albany, New York : State University of New York Press, [2017] | Includes bibliographical references and index. Identifiers: LCCN 2016052228 (print) | LCCN 2016053193 (ebook) | ISBN 9781438466910 (hardcover : alk. paper) | ISBN 9781438466927 (ebook) Subjects: LCSH: Apocryphal books (Old Testament)—Criticism, interpretation, etc. Classification: LCC BS1700 .O775 2017 (print) | LCC BS1700 (ebook) | DDC 229/.9106—dc23 LC record available at https://lccn.loc.gov/2016052228 10 9 8 7 6 5 4 3 2 1 For April DeConick . in the season when my body was completed in its maturity, there imme- diately flew down and appeared before me that most beautiful and greatest mirror-image of myself. -
List of Works by Margaret Atwood
LIST OF WORKS BY MARGARET ATWOOD Note: This bibliography lists Atwood’s novels, short fiction, poetry, and nonfiction books. It is current as of 2019. Dates in parentheses re- fer to the initial date of publication; when there is variance across countries, the date refers to the Canadian publication. We have used standard abbreviations for Atwood’s works across the essays; how- ever, contributors have used a range of editions (Canadian, American, British, etc.), reflecting the wide circulation of Atwood’s writing. For details on the specific editions consulted by contributors, please see the bibliography immediately following each essay. For a complete bibliography of Atwood’s works, including small press editions, children’s books, scripts, and edited volumes, see http://mar- garetatwood.ca/full-bibliography-2/ Novels EW The Edible Woman (1969) Surf. Surfacing (1972) LO Lady Oracle (1976) LBM Life Before Man (1979) BH Bodily Harm (1981) HT The Handmaid’s Tale (1985) CE Cat’s Eye (1988) RB The Robber Bride (1993) AG Alias Grace (1996) BA The Blind Assassin (2000) O&C Oryx and Crake (2003) P The Penelopiad (2005) YF Year of the Flood (2009) MA MaddAddam (2013) HGL The Heart Goes Last (2015) HS Hag-Seed (2016) Test. The Testaments (2019) ix x THE BIBLE AND MARGARET ATWOOD Short Fiction DG Dancing Girls (1977) MD Murder in the Dark (1983) BE Bluebeard’s Egg (1983) WT Wilderness Tips (1991) GB Good Bones (1992) GBSM Good Bones and Simple Murders (1994) Tent The Tent (2006) MD Moral Disorder (2006) SM Stone Mattress (2014) Poetry CG The Circle -
Annual Atwood Bibliography 2016
Annual Atwood Bibliography 2016 Ashley Thomson and Shoshannah Ganz This year’s bibliography, like its predecessors, is comprehensive but not complete. References that we have uncovered —almost always theses and dissertations —that were not available even through interlibrary loan, have not been included. On the other hand, citations from past years that were missed in earlier bibliographies appear in this one so long as they are accessible. Those who would like to examine earlier bibliographies may now access them full-text, starting in 2007, in Laurentian University’s Institutional Repository in the Library and Archives section . The current bibliography has been embargoed until the next edition is available. Of course, members of the Society may access all available versions of the Bibliography on the Society’s website since all issues of the Margaret Atwood Studies Journal appear there. Users will also note a significant number of links to the full-text of items referenced here and all are active and have been tested on 1 August 2017. That said—and particularly in the case of Atwood’s commentary and opinion pieces —the bibliography also reproduces much (if not all) of what is available on-line, since what is accessible now may not be obtainable in the future. And as in the 2015 Bibliography, there has been a change in editing practice —instead of copying and pasting authors’ abstracts, we have modified some to ensure greater clarity. There are a number of people to thank, starting with Dunja M. Mohr, who sent a citation and an abstract, and with Desmond Maley, librarian at Laurentian University, who assisted in compiling and editing. -
Greek Women by Mitchell Carroll
GREEK WOMEN BY MITCHELL CARROLL I GREEK WOMEN Whenever culture or art or beauty is theme for thought, the fancy at once wanders back to the Ancient Greeks, whom we regard as the ultimate source of all the æsthetic influences which surround us. To them we look for instruction in philosophy, in poetry, in oratory, in many of the problems of science. But it is in their arts that the Greeks have left us their richest and most beneficent legacy; and when we consider how much they have contributed to the world's civilization, we wonder what manner of men and women they must have been to attain such achievements. Though woman's influence is exercised silently and unobtrusively, it is none the less potent in determining the character and destiny of a people. Historians do not take note of it, men overlook and undervalue it, and yet it is ever present; and in a civilization like that of the Greeks, where the feminine element manifests itself in all its higher activities,--in its literature, its art, its religion,--it becomes an interesting problem to inquire into the character and status of woman among the Greek peoples. We do not desire to know merely the purely external features of feminine life among the Greeks, such as their dress, their ornaments, their home surroundings; we would, above all, investigate the subjective side of their life--how they regarded themselves, and were regarded by men; how they reasoned, and felt, and loved; how they experienced the joys and sorrows of life; what part they took in the social life of the times; how their conduct influenced the actions of men and determined the course of history; what were their moral and spiritual endowments;--in short, we should like to know the Greek woman in all those phases of life which make the modern woman interesting and influential and the conserving force in human society. -
Photographs Bela Egyedi
Ontario Review Volume 9 Fall-Winter 1978-79 Article 18 April 2017 Photographs Bela Egyedi Follow this and additional works at: http://repository.usfca.edu/ontarioreview Recommended Citation Egyedi, Bela (2017) "Photographs," Ontario Review: Vol. 9 , Article 18. Available at: http://repository.usfca.edu/ontarioreview/vol9/iss1/18 For more information, please contact [email protected]. Margaret Atwood was born in 1'939 in Ottawa, though her parents are both from Nova Scotia and her "extended" family lives there, and grew up in and out of Ottawa, Sault Ste. Marie, Toronto, and the Quebec bush. She studied at Victoria College, University of Toronto, where she received her B.A. in 1'961, and at Harvard, where she received her M.A. in 1962. She was a lecturer in English at the University of British Columbia and at Sir George Williams University in Montreal. She has received numerous awards, among them the Governor General's Award for Poetry in 1966. At the present time she lives with her husband, Graeme Gibson and their infant daughter on a farm in Alliston, On tario, 65 miles north of Toronto. Her books are: Poetry: Fiction: The Circle Game The Edible Woman The Animals in That Country Surfacing The journals of Susanna Moodie Lady Oracle Procedures for Underground Dancing Girls (stories) Power Politics Criticism: You Are Happy Selected Poems Survival: A Thematic Guide to Canadian Literature Bela Egyedi 18 Published by USF Scholarship: a digital repository @ Gleeson Library | Geschke Center, to make Ghost in the Wheels a satisfying volume, and none of them seemed absolutely necessary. -
23 Hero-Without-Nostos.Pdf
1 23 Your article is protected by copyright and all rights are held exclusively by Springer Science +Business Media Dordrecht. This e-offprint is for personal use only and shall not be self- archived in electronic repositories. If you wish to self-archive your article, please use the accepted manuscript version for posting on your own website. You may further deposit the accepted manuscript version in any repository, provided it is only made publicly available 12 months after official publication or later and provided acknowledgement is given to the original source of publication and a link is inserted to the published article on Springer's website. The link must be accompanied by the following text: "The final publication is available at link.springer.com”. 1 23 Author's personal copy Int class trad DOI 10.1007/s12138-014-0367-6 ARTICLE A Hero Without Nostos: Ulysses’ Last Voyage in Twentieth-Century Italy Francesca Schironi © Springer Science+Business Media Dordrecht 2015 Abstract The article reviews the reception of Ulysses’ last voyage in twentieth- century Italy. Ulysses’ last voyage is used by Italian authors to discuss different and often opposing views of the ideal human life as well as the intellectual and exis- tential angsts of the twentieth century. In addition, the Italian twentieth-century Ulysses becomes part of a metapoetic discourse, as going back to the Homeric and Dantesque myths of Ulysses for an artist also means interrogating oneself on the possibility of creating something new within a long tradition. This metaliterary dimension adds to the modern Italian reception of Ulysses, making it a unique case of the intersection of many different layers of reception both in chronological and thematic terms. -
A Character Analysis of Penelope in the Penelopiad
Western Kentucky University TopSCHOLAR® English 100 & 200 Conference English Student Writing Spring 2017 A Heroine in Her Own Right: A Character Analysis of Penelope in The eP nelopiad Ar’Meishia Burrow Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/eng_100_200_conf Part of the American Literature Commons, Classics Commons, Comparative Literature Commons, and the English Language and Literature Commons Recommended Citation Burrow, Ar’Meishia, "A Heroine in Her Own Right: A Character Analysis of Penelope in The eP nelopiad" (2017). English 100 & 200 Conference. Paper 5. http://digitalcommons.wku.edu/eng_100_200_conf/5 This Conference Proceeding is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in English 100 & 200 Conference by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Burrow 1 Ar’Meishia Burrow Dr.Wes Berry English 200 2 December 2016 A Heroine in Her Own Right: A Character Analysis of Penelope in The Penelopiad When reading or viewing a text one must always keep in mind the perspective. It is amazing how much the point of view of the text impacts the interpretation of the story. Through our study of connections between Ancient and Contemporary Literature I have seen this direct relationship demonstrated clearly in Homer’s Odyssey and The Penelopiad, written by Margaret Atwood. In studying the latter novel I have developed a deeper appreciation and respect for the character Penelope, wife of Odysseus, for her resilience, endurance, and intelligence. With those three characteristics Penelope becomes the captain of her own ship and uses her strengths to outwit her oppressors. -
THE TALKING GREEKS: Speech, Animals, and the Other in Homer
THE TALKING GREEKS When considering the question of what makes us human, the ancient Greeks provided numerous suggestions. This book argues that the defining criterion in the Hellenic world, however, was the most obvi- ous one: speech. It explores how it was the capacity for authoritative speech which was held to separate humans from other animals, gods from humans, men from women, Greeks from non-Greeks, citizens from slaves, and the mundane from the heroic. John Heath illus- trates how Homer’s epics trace the development of immature young men into adults managing speech in entirely human ways and how in Aeschylus’ Oresteia only human speech can disentangle man, beast, and god. Plato’s Dialogues are shown to reveal the consequences of Socratically imposed silence. With its examination of the Greek focus on speech, animalization, and status, this book offers new readings of key texts and provides significant insights into the Greek approach to understanding our world. john heath is Professor of Classics at Santa Clara University. He is the author of numerous articles on Latin and Greek literature, myth and culture. His previous publications include Actaeon, the Unman- nerly Intruder (1992), Who Killed Homer? (with Victor Davis Hanson, 1998;revised edition, 2001) and Bonfire of the Humanities (with Victor Davis Hanson and Bruce Thornton, 2001). THE TALKING GREEKS Speech, Animals, and the Other in Homer, Aeschylus, and Plato JOHN HEATH Santa Clara University cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridage.org Information on this title: www.cambridge.org/9780521832649 © John Heath 2005 This book is in copyright.